MGS Guitarist Nov/Dec

Total Page:16

File Type:pdf, Size:1020Kb

MGS Guitarist Nov/Dec A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 NOVEMBER / DECEMBER 2006 VOL. 22 NO. 6 WarmWarm UpUp YourYour WinterWinter atat SundinSundin Hall!Hall! JérômeJérôme DucharmeDucharme Guitar Foundation of America International Competition Winner Friday November pm AnnualAnnual JazzJazz GuitarathonGuitarathon Saturday December pm Also In This Issue Interview with Local Artists Series performer Chris Olson Masterclass on OpenString Scales News and Notes Minnesota Guitar Society Board of Directors Newsletter EDITOR OFFICERS: BOARD MEMBERS: Paul Hintz PRESIDENT Joe Hagedorn Joe Haus Steve Kakos PRODUCTION i draw the line, inc. VICE-PRESIDENT Alan Norton David’s Print Shop Joanne Backer Annett Richter TREASURER Patrick Strother Web Site Production Jim Campbell Daniel Sturm Kuan Teoh Amy Lytton MANAGING DIRECTOR <http://www.mnguitar.org> Paul Hintz Todd Tipton Brent Weaver SECRETARY Christopher Kachian Minnesota Guitar Society Mission Statement To promote the guitar, in all its stylistic and cultural diversity, through our newsletter and through our sponsorship of public forums, concerts, and workshops. To commission new music and to aid in its promotion, publication, and recording. To serve as an educational and social link between amateur and professional guitarists and the community. To promote and help create opportunities for Minnesota guitarists and players of related instruments. “The Minnesota Guitar Society concert season is cosponsored by Sundin Music Hall and is made possible with funding from the D’Addario Foundation and the Minnesota State Arts Board from an appropriation from the Minnesota State Legislature Matching funds have been provided by General Mills ADC Telecommunications AT&T and American Express Hotel accomodations for artists in the – season are provided by Hyatt Regency Minneapolis at Nicollet Mall home of Oceanaire Seafood and Manny's Steakhouse” As a member of the Minnesota Guitar Society, you receive ticket discounts on all MGS-sponsored events, a year’s subscription to the Guitarist and the opportunity to place free classifieds in each issue. To join the Minnesota Guitar Society, please fill out the information on this coupon and mail it to: Minnesota Guitar Society, P.O. Box 14986, Minneapolis, MN 55414 ❐ Student $15 ❐ Family $30 ❐ Sponsor $200 - $499 ❐ Regular $25 ❐ Patron $50 - $199 ❐ Benefactor $500 + ❐ Renewing ❐ New Member NAME __________________________________________________________ ADDRESS _______________________________________________________ CITY ________________________ ST ______________ ZIP _________ 2 guitarist Concert Spotlight: Jérôme Ducharme the 2000 Festival-Concurs de Lanaudiere. Recent perfor- mances have included an appearance in 2005 with the Montréal Symphonic Orchestra for Donizetti’s opera Don Pasquale. A featured performer on the Montreal Guitar Society’s inaugural and 2004 season, Jérôme Ducharme’s playing has also been broadcast on SRC-CBC radio in Canada. His tour program includes Pavan No. 1 by Luis Milán, Sonata-Fantasia by Francisco Moreno-Torroba, Suite Op. 41 by Jaques Hétu (b. 1938), Appalachian Summer by Matthew Dunne (b. 1959), Fantasia-Sonata, Op. 22a by Juan Mañen (1883–1971), and Tres Piezas Españolas by Joaquín Rodrigo (1901–99). Ducharme’s appearance here on November 17th is two months into a yearlong tour of the US and Canada arranged and supported by the Guitar Foundation of America as part or the third concert in our Sundin Hall season, on of his competition prize. He plays a 2005 René Wilhelmy Friday, November 17th, we are happy to welcome the guitar. Please join us at Sundin Hall on Friday, November F2005 winner of the Guitar Foundation of America 17th at 8 pm to hear and meet this exciting new artist. International Solo Competition, Canadian guitarist Jérôme Ducharme. He promises a concert of great variety and musicianship, opening with a 16th century Pavan and Guitar Foundation of America featuring works from throughout the 20th century. Founded in 1973, the Guitar Foundation of America Ducharme began his musical studies at the Cultural (GFA) is America’s leading guitar organization. The GFA Center of Joliette in 1990 with André Morissette. Other provides its members the combined advantages of a guitar teachers have included Pierre Morin and Clément Canac society, a library, a publisher, a continuing educational Marquis at the musical camp of Lanaudière as well as a year resource, and an arts council. Today GFA is the largest of private instruction with Marquis. In April 2000, after multinational guitar organization; providing serious having been a student of Jean Vallieres, he graduated from guitarists worldwide a full range of educational, literary the Music Conservatory of Montreal and was awarded a and performance resources and opportunities. Visit the GFA prize of distinction. He later spent a year studying with website (<www.guitarfoundation.org>) to learn more about Oscar Giglia and Stephan Schmidt in Switzerland. the annual competition, and the benefits of membership. Ducharme has been a multiple prize winner in various other competitions including the 2004 Guitar Foundation of America International Competition, The Guitare-Antony in France, and Montreal’s Guitarre-Lachine of 2003, as well as For Concert and Ticket Information Call Directions to Sundin Hall on the Hamline U Campus From I head north on Snelling Avenue in St Paul past University Avenue to Hewitt Avenue Turn right Sundin Hall is on your left a halfblock east of Snelling Free parking is available one block past the hall in lots off Hewitt (on your right) or off Pascal ( block north) november / december 3 Concert Spotlight: Jazz Guitarathon he first Minnesota Guitar Society event was a Classi- “The Three Guitars” this new trio is taking the area by cal Guitarathon. That tradition has grown to include storm! Visit Bob Ekstrand’s website for more information: Tjazz and acoustic Guitarathons as well. This year’s <www.bobby-e.com> Jazz Guitarathon is special, showcasing emerging talents as Jake Elrich began studying guitar at age 15 well as long-time MGS members. Join us in Sundin Hall on with Scott Kalapakoff. Initially his favorite style Saturday, December 9th at 8 pm for great jazz guitar by was shred, but he became interested in jazz after these artists! he attended a Mimi Fox masterclass at MacPhail Mike Cramer began studying guitar at age 7, Center for Music [ed. note: in connection with and made his professional debut at 10. In high Fox’s Sundin Hall concert during our 2002–2003 season], school, he became interested in jazz and stud- where he saw her and Clay Moore play. He then studied pri- ied with some of Iowa’s jazz greats. He contin- vately with Clay Moore and Schoen Oslund, until he left to ued his studies at the University of Northern attend the University of Minnesota in Morris, where he stud- Iowa where he was a member of the prestigious Jazz Band ied with Tim Sparks. In 2006, he returned to the Twin Cities I. Graduating in 2000, he accepted a position as guitar in- to attend the University of Minnesota, where he performs in structor at Grinnell College. In 2003, he relocated to the the Jazz One big band. He now studies with Chris Olson. El- Twin Cities and taught at several local music stores. In 2005, rich teaches private lessons at A to G Music and also out of Cramer and his wife opened their own music school, All 12 his home. Notes <www.all12notes.com> in St. Paul. Cramer also Billy Graczyk—guitarist, composer, teacher— teaches clinics and workshops throughout the Midwest started his professional career at age 18, playing and was a jazz instructor at the National Guitar Workshop’s guitar for the Minneapolis rock trio Autonomy. Nashville campus this past summer. Besides being an ac- He enrolled at McNally–Smith College of Music tive teacher, he is a busy performer in the Twin Cities. As a in St. Paul, and studied under the late Mike Elliot. sideman he can be seen with some of the area’s finest musi- He is currently working toward a BA in Guitar Performance, cians, and he leads his own trio and quartet. Visit his web- which he will finish at McNally–Smith in December. He site <www.cramer-music.com> for more information. hopes to continue his education by getting a Masters Degree The Three Guitars consist of Bobby E. Ekstrand, Dean in classical guitar at the University of Minnesota. Graczyk Mikkelson, and Ed Petsche. Guitarist and composer Bobby teaches guitar at Eclipse Music in West St. Paul. He also E. Ekstrand began playing guitar at age 10. His eclectic plays guitar for the local jazz group Fourtitude, and contin- tastes and myriad influences have inspired him to create ues to play with Autonomy as they begin recording their music in extremely diverse styles. Over the past 25 years his second album, due out in 2007. His literate approach to gui- original work not only has won songwriting contests, but tar, passionate playing style, and hunger for continued also has been featured in a National Public Radio broadcast learning have earned him respect from local musicians and later issued as an accompanying CD with the book Remem- fans across the Midwest. bering Jim Crow (The New Press). He has produced almost Alec Lehrman is 17 years old and a 12th grade 20 CDs, ranging from One Continuous Wiping Motion (a col- student at Hopkins High School. He has been laboration with poet Kelly Green) to his latest, most accessi- playing guitar since he was 12. He started out ble CD, The Guitar. In addition to his own recordings, singing and playing songs such as “Jumper” by Ekstrand has been featured vocalist and guitarist on six Third Eye Blind in talent shows, but soon discov- CDs on the Compass Label, distributed through Target ered the blues. SRV (Stevie Ray Vaughn) was his man, and Stores. He has played numerous clubs, concert halls, and he listened to SRV for almost a year straight.
Recommended publications
  • Ovation Deacon Manual
    Ovation deacon manual Breadwinner Owner's Manual Thanks to "BruDeV" from the Ovation Fan Club for this great document!!! ('S) Cliquez ici pour charger la version PDF / Please. The tone of a guitar can be described as having three components: bass, mid- range and treble. The selector switch can be considered a bass control; toward. -Ovation. Solid Bodies. 1 2-String. Deacon. Owner's Manual Like our other electric guitars, the Deacon string Experiment with the Ovation Deacon. Ovation Solid Body Owner's Manual Many thanks to my friend Karl in Germany for that great doc!!! (70'S) Click here to download Ovation Breadwinner Guitar Manual. OWNER'S MANUAL. Ovation guitars are played by countless musicians around the world including: Joan Armatrading. Dj Ashba. Charlie Benante - Anthrax. OVATION. Breadwinner or a Deacon model. It is very well built and kind of cool. playing it is very easy and the manual 1. click to enlarge. the manual 2. click to. Online home for fans of Ovation Guitars around the World. know where I can get an owners manual or reprint of one for an Ovation Deacon? Have you compared yours to another Ovation? If I recall correctly, the If you haven't seen it, there's a Breadwinner/Deacon manual here. Ovation Deacon Electric Guitar in very good condition with light playwear and dings over the entire guitar but nothing major. Dark brown burst finish on the. Ovation Breadwinner Guitar Review Scott Grove real the manual. 's Ovation Breadwinner Limited Guitar Review By Scott Grove. Groovy Music . I was going though the.
    [Show full text]
  • INSTRUMENTS for NEW MUSIC Luminos Is the Open Access Monograph Publishing Program from UC Press
    SOUND, TECHNOLOGY, AND MODERNISM TECHNOLOGY, SOUND, THOMAS PATTESON THOMAS FOR NEW MUSIC NEW FOR INSTRUMENTS INSTRUMENTS PATTESON | INSTRUMENTS FOR NEW MUSIC Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserv- ing and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous contribu- tion to this book provided by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. The publisher also gratefully acknowledges the generous contribution to this book provided by the Curtis Institute of Music, which is committed to supporting its faculty in pursuit of scholarship. Instruments for New Music Instruments for New Music Sound, Technology, and Modernism Thomas Patteson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2016 by Thomas Patteson This work is licensed under a Creative Commons CC BY- NC-SA license. To view a copy of the license, visit http:// creativecommons.org/licenses.
    [Show full text]
  • Setting Guitar Intonation Using Your Peterson Tuner
    Setting Guitar Intonation Using Your Peterson Tuner Before you attempt to tune any stringed instrument, the intonation should be checked and, if necessary, adjusted to the correct position. If you’ve never used a Peterson tuner before, then it is almost certain that your instrument is not yet correctly intonated and will not sound its best until you address it. Now that you have a Peterson, you can achieve professional quality results with the help of the tips below, and the intonation will be the best it can be on your instrument. You’ll need your Peterson tuner, a short guitar cord, a small screwdriver and a set of new strings. Before starting, find a surface upon which to lay your guitar that is free of any objects which could damage your instrument and cover it with a towel or similar soft material. Remember to tune the guitar in the position in which you would normally play it (i.e. around your neck, supported by a strap), but adjust the bridge of the guitar after laying it on a flat surface. If you tune the guitar while it’s laying flat, gravity will affect the tension of the neck and skew the results. If you adjust the bridge while the guitar is hanging from a strap on your shoulder, there is a risk that the guitar’s finish will be damaged by the screwdriver. If possible, take the opportunity to clean the fingerboard after the old strings have been removed. New strings will stay clean and sound good a lot longer if the fingerboard is free of grime and dirt.
    [Show full text]
  • Preserving Ebony's Future
    INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 72 summer 2012 Preserving Ebony’s Future A bold plan for sustainable sourcing Builder’s Reserve VI Mustache Bridge Jumbo More Than a Store Nurturing a Music Community Open Mic Tips 2 www.taylorguitars.com 3 Letters Volume 72 Summer 2012 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars Ever since he bought his Taylor NS34ce, few offered to buy it for way more than I are going to be friends for a very long find a local dealer with one in stock. he seems to want no part of us. We paid for it. The answer is no every time. time. I also want to give credit to one Zach [Arntz] brought one to Acous- haven’t seen the light of day in a long You could offer me a million bucks and I of your dealers. Butch at Bigham Music tifest last year, I played it and bought Features time. It’s awfully dark in these cases. would say no. The guitar is a part of me. in Dalton, Georgia is great. I’ve gotten it. You produce fine instruments, but I We’ve even heard him talk about buy- I’ve played it so much that I wore a hole all my Taylors from him, and I’ve always bet you sell more due to your support On the Cover ing a Taylor steel-string of some sort. through the top, which I had repaired been more than satisfied. I don’t know of the stores who carry your product.
    [Show full text]
  • Legendary Guitars & Musical Treasures
    LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.
    [Show full text]
  • GUITAR SHOW Miami Beach Convention Center April 11Th 13Th Sponsored By: Allied Lutherie Healdsburg, CA Dream Guitars Weaverville, NC Glades Guitars Pembroke Pines, FL
    100s of hand-built Guitars 100s of Acoustic Concerts Master Classes and Seminars Win a $5,000 Solomon Guitar ! South Florida’s Leading GUITAR SHOW Miami Beach Convention Center April 11th 13th Sponsored by: Allied Lutherie Healdsburg, CA Dream Guitars Weaverville, NC Glades Guitars Pembroke Pines, FL newportguitarfestmb.com Welcome to Newport Guitar Festival Miami Beach Welcome Ticket Prices Parking in Miami Beach of Content Table Tickets will be Welcome to the Newport Guitar Festival in Miami Beach. Musicians and Guitar lovers will recognize available at the door and through many of the world’s top guitar-makers (luthiers) and players in this unprecedented gathering in South Florida—and perhaps the world. We have collectable guitars for sale and display, hundreds of mini- concerts, seminars, and master classes—something for everyone who loves guitar, an most everything free with admission. One day pass $20.00 Music lovers will be introduced to the renaissance in guitar-making and acoustic music which has Two day pass been quietly building to a crescendo for the past 15 years, creating a new golden age of guitar in $36.00 our time. Art Collectors and other investors will learn about instruments which have value for their Three day pass mastery, rare materials, and ground-breaking inlay, which consistently far out-perform everything from $48.00 Gold to the S&P 500. Sponsors While providing “art that sings” for the world’s top musicians as well as enthusiastic amateurs, these guitars are recognized by museums around the world. Imagine if you could have bought a Stradi- varius Violin from Stradivarius! Well, at this show you can come very close (and hear Paganini dem- onstrate it!).
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • The Association of Stringed Instrument Artisans
    imiltoMmgalkeiPTHE ASSOCIATION OF STRINGED INSTRUMENT ARTISANS Laminate Trimmers David LaPlante's "Spanish Connection" Yuri Dmitrivsky's Interview James D’A Environmental Control In A Small Shop by Richard Mermer Roger Sadowsky's Symposium Transcription On "How To Deal With Your Most Neurotic Customers" and much more... The Association Of Stringed Instrument Artisans BOARD MEMBERS If you have input, concerns or suggestions about the association, ssociation of you are welcome to contact any of the board members to discuss your ideas: James Rickard; President mfringed 600 Wildcat Hill Road; Harwinton, CT 06791 (203) 485-9809 shop Duane Waterman; Treasurer nstrument 1027 S. Sierra Madre; Colorado Springs, CO 80903 i (719) 473-8444 shop William Cumpiano; Secretary rtisans c/o The Luthier’s Collaborative ES 31 Campus Plaza Road; Hadley MA 01035 (413) 253-2286 work PURPOSE William Laskin; Vice-President The Association O f Stringed Instrument Artisans, a non­ 192 DuPont Street (rear); Toronto, Ontario, CANADA M5R 2E6 profit trade organization under the provisions of Section 501 (c) (416) 923-5801 work (06) o f the Internal Revenue Code, was established in 1S>88 to Roger Sadowsky; Public Relations help provide a sense o f community and professionalism to the 1600 Broadway #1000B; New York, NY 10019 field of stringed instrument making and repair. The goals o f the (212) 586-3960 association provide for but are not limited to: the establishment of a comprehensive database of resources, supplies and technical Dick Boak; Editor; Exectutive Director information; a means of providing multi-level education within c/o Church Of Art, 14 South Broad Street; Nazareth, PA 18064 the profession; assistance in marketing and promotion; health (215) 759-7100 home; (215) 759-2837 work and insurance packages at group rates; repair or service certification; an advertiser’s marketplace; and the publication of Yuri Dmitrievsky; Correspondant in Leningrad informative newsletter/joumal.
    [Show full text]
  • Acoustic Guitar Serialization
    SERIALIZATION SERIALIZATION AMERICAN ARCHTOP SERIALIZATION 36696 through 39496 1996 According to luthier Dale Unger, the digits after the dash in the serial 39597 through 40697 1997 number are the year the guitar was completed. 40798 through 43498 1998 SERIALIZATION 43599 through 45199 1999 45200 through 46200 2000 BENEDETTO SERIAL NUMBERS 46301 through 46601 2001 To date, Robert Benedetto has completed over 750 musical instru- Note: Benedetto models made at the Guild Custom Shop in Nashville ments. 466 are archtop guitars, with the remainder comprising of 51 have a separate serial number system beginning with the letter N. violins, 5 violas, 1 classical guitar, 2 mandolins, 11 semi-hollow elec- *Actual number in log: Benedetto did not adopt his current serial trics, 209 electric solid body electric guitars and basses, and one cello. number system until his third guitar, serial #0372. The 11 semi-hollow electrics include six unique carved top, semi-hol- Seven guitar serial numbers are follwed by the letter "A". Example: low electrics made between 1982 and 1986. The other five include archtop guitar #23891 and #23891-A are two separate instruments three prototypes for, and two finished examples of, his new "benny" even though both are numbered the "238th". semi-hollow electric line introduced in 1998. Further information and a full serial number list can be found in The 209 electric solid bodies include 157 electric guitars and 52 elec- Robert Benedetto’s book, Making an Archtop Guitar (Center- tric basses. Benedetto began making them in 1986 with John Buscar- stream Publishing/Hal Leonard, 1994). ino. He stopped making them in the Spring of 1987.
    [Show full text]
  • The History and Development of the Marimba Ensemble in the United States and Its Current Status in College and University Percussion Programs
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1985 The iH story and Development of the Marimba Ensemble in the United States and Its Current Status in College and University Percussion Programs (Musser). David Paul Eyler Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Eyler, David Paul, "The iH story and Development of the Marimba Ensemble in the United States and Its Current Status in College and University Percussion Programs (Musser)." (1985). LSU Historical Dissertations and Theses. 4091. https://digitalcommons.lsu.edu/gradschool_disstheses/4091 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity.
    [Show full text]
  • Season 6, Episode 11: Josh White Guitar Elyse Luray
    Season 6, Episode 11: Josh White Guitar Elyse Luray: In the years following World War II, in New York City’s Greenwich Village, African American guitarist Josh White takes the stage, and plays to some of the first racially mixed audiences. It’s a watershed moment. The Southern-born blues and folk singer becomes one of the earliest ambassadors of African American music to white audiences. And in the years to come – despite political controversy -- his songs will add a resonating accompaniment to the Civil Rights Movement. More than half a century later, Jeb McIntyre of Rochester Hills, Michigan, believes he has a guitar that may have once played the protest songs of this musical legend. Jeb McIntyre: I am a huge Josh White fan and I think this guitar has an important story to tell. Elyse: Hi, nice to meet you. Wow, she’s a beauty, so what’s the history of this guitar? Jeb: This guitar I believe was at a time owned by Josh White. Elyse: Jeb jumped at the chance to buy the instrument from a friend. As a child he’d seen Josh White play… and even got to know him. Jeb: My parents took me and my sister to see him at a coffeehouse and we sat right upfront and I was just enthralled with the performance. He was simply a phenomenal musician. Elyse: Jeb and his father approached White after the show, and invited him home for Easter dinner. Jeb: We were both surprised and then he became a friend of the family.
    [Show full text]
  • Exhibitor Listing As of 9/24/21
    The NAMM Show Exhibitor Listing as of 9/24/21 Name Booth 1010music LLC 9800 108 Rock Star Guitars 4134 12inch Skinz 11326 14bitMIDI 9701 1MORE USA 11028 2box AB 4620 2hp 10502 3D.Audio 16313 3Dio 10317 3dvarius 8751 4MS Company 10501 4Wall Entertainment 11546, Arena 5-Hour Sample, LLC GP6 64 Audio 11230 7th Hill Cymbals 7039 A Tempo Percusion 7212 A&F Drum Co. 7046 A.Geyer 610 A+D Gitarrentechnologie GmbH 2220 Abasi Concepts 4828 Abbatron 5528 Abendrot International LLC 10931 Abernethy Guitars 2242 Absen Inc. 10937 Absurd Media Group Inc. 1742 AC Guitars 5840 Acacia Guitars 4349 Access Analog 15329 Accountech Solutions dba 1019 Gigtrack for Musicians Accusonus Inc. 14501 Ace Products Group 6106 ACE TONE 3641 Acesonic USA 11929 Acme Furniture Industry Inc. 2631, 6453 ACME Musical Instrument Co., 1524 Ltd Acon Digital 16300 AcoustaGrip 9249 Acoustic Masterminds Inc. 14015 ACT Lighting 11341 Acue Lighting 11746 Acus Sound Engineering 3920 ADAM Audio 11110 ADAM Audio USA Inc 84, 85, 86 Adam Hall Group 11613 Adamovic Basses 4306, 4310 Adams Musical Instruments 8720 Adamson Systems Engineering 17919 A-Designs 15821 ADJ 11233 ADK International Co., Ltd. 1106 AdMix Gear 12037 Advanced Plating, Inc 1816 Advanced Shell Technology 2002 ADVSOUND, Inc. 8101 AEA 15421 AER Amps 3729 AER Music GmbH 2450 Aeris Protective Packaging Inc. 2317 Agencia Argentina de Inversiones y Comercio 4302 Internacional Aguilar Amplification 5625 Aidis Flute & Musical 8437 Instruments Co. Aileen Music Co., LTD 8440 AirFill Technologies 1310 Airhush ISAT Systems, Inc. 14914 Akai Professional 209AB AKG 14508 Akoustyx LLC 18526 AKS Electronics (Shenzhen) 12029 Co., Ltd.
    [Show full text]