Preserving Ebony's Future
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
JMC Soundboard the Loudspeaker Made out Tonewood
JMC Soundboard The loudspeaker made out tonewood www.jmclutherie.com Page | 0 Page | 1 www.jmclutherie.com The mission of JMC Lutherie is to ensure that lutherie puts down solid roots in 21st century reality and, wherever there is noise and sound, to harmoniously transform it into music. www.jmclutherie.com Page | 2 JMC Soundboard Sound at its most natural The “Soundboard” is named after the truly attending a concert. Since the music is literally crucial vibrating part of certain musical “played” on an authentic musical instrument, the instruments. The JMC Soundboard is a perception of the instruments and voices gives loudspeaker with a resonance spruce membrane hearers the impression that the musicians are built using lutherie techniques. The result is actually in the same room, or a sense of being aesthetically pleasing with an airily-mounted, whisked off to the place where the concert is slightly curving square-shaped membrane. The being performed. This is true with any type of sound is amazingly accurate, warm and brilliant, music, of which a single stereophonic pervading the entire open space due to the fact Soundboard is able to convey the three- that its wave is not of the focal type, but is dimensional nature of music. instead omnidirectional. Thus, whether a home if an open-plan, two-floor building or U-shaped, At JMC Lutherie, listening pleasure lies at the the music can be heard and felt throughout. very heart of our profession and our daily The verb “feel” is entirely justified for this concerns. musical sensation akin to that experienced in Page | 3 www.jmclutherie.com Technical information The illustration compares the auditory impression when listening to music with the Soundboard or with loudspeakers. -
The Call Vol 5
September 2003 The Call Vol 5. Issue 3 Dedicated to the collection, preservation and sharing of information for the Harmonica collector A Publication of Harmonica Collectors International 4. Top: “Over 68 Years”, 25 million 68-year level. Here are a few of the sold annually. Side prices start at 50 models listed on the pyramid that cents, plus Grand Prix Philadelphia you can research. If you can find 1925 with two mediations. This is data and report back to me, I will the most rare of the four. put the information in the next The BRAVO Newsletter. (It is sort of a research Item #2 has some unusual make up project). Models to look for: 132, History of harmonicas and also a higher 346, 1896, 605, 3CND, 152, 153, price structure than the other 54- 146, 254 and 453. Have Fun! HISTORY OF THE HOHNER year pyramid, the prices are at the PYRAMID ROTATING DISPLAY The Editor I thought that with the article on restoration of the display, a little C.H. Weiss, Model 24 (9), The history and associated data was in Worlds Triumph, 10-hole order. diatonic, 4” x 1” with box. The Hohner wooden rotating display was first introduced in 1911 (we The UP TO DATE think). I have seen models at the The Trumpet Call Hohner Museum, made of metal by Latest Finds Harmonica Collectors International both Hohner and Koch and believe LATEST FINDS P.O. Box 6081 theirs to be a much earlier vintage. Chesterfield, MO 63006-6081 The pyramid stands approx. 32” M Hohner Kaiser Wilhelm, high, including the base, which is 11” Deutsche National Musik, 20-hole Gretsch, Playboy, 10-hole x 10 1/2” and holds a large spring and tremolo with 4-tab cover plate diatonic, 4” x 1”, made in a crank to wind it. -
CITES Musical Instrument Certificates Background Musicians Perform With
CITES Musical Instrument Certificates Background Musicians perform with valuable and culturally significant musical instruments legally crafted decades and even centuries ago. A number of these instruments contain small amounts of ivory, shell, reptile skin, and rosewood or other materials regulated under the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). The international use of musical instruments by musicians and professional and student ensembles is essential to advance diplomacy, spark artistic innovation, and support vital international cultural activity. In partnership with CITES parties and the conservation community, music stakeholders have undertaken efforts to increase compliance with current permit requirements while simultaneously pursuing policy improvements that will alleviate unnecessary burdens. Musical Instrument Certificate Created at CoP16 – A Consolidated Permit At the 16th Conference of the Parties (CoP16), Resolution Conf. 16.8 was adopted on Frequent Cross-Border Non-Commercial Movements of Musical Instruments, creating a multi-use Musical Instrument Certificate. The Musical Instrument Certificate is not an exemption from the permit process. It is a consolidated permit. The MIC streamlines the requirement for obtaining multiple CITES export permits when an instrument contains CITES material and is not exempted from permit requirements by an annotation or a personal effects exemption. Musicians using the MIC apply to their CITES Management Authority for issuance of single permit, which must then be credentialed by CITES enforcement officials at each port through which an instrument travels. Clarifications and Exemptions Approved at CoP17 At the 17th conference of the parties (CoP17), unanimous approval was given to Resolution Conf. 16.8 (Rev. CoP17), which: 1. -
Sugarland Sugarland
NOVEMBER 2010 ISSUE MMUSICMAG.COM ’80s pop culture like John Hughes’ fi lms and U2’s cinematic sound during that era. “We were teenagers then, and a lot of the pop culture was about archetypes of what it was like to be that age,” Bush says. “And that’s what really inspired us to become musicians. A lot of the songs came from conversations about that.” While the powerful, anthemic sound of The Incredible Machine won’t surprise anyone who knows its origins, it might shock country fans used to more down-home sounds. But reinvention is almost as much part of Sugarland’s identity as any one genre. The group grew out of the Atlanta singer-songwriter scene but found immediate success in mainstream country music with its 2004 multiplatinum debut, Twice the Speed of Life. “We’ve turned over a whole lot of new leaves since starting this Stewart Volland band,” says Bush. The trio became a duo when founding member Kristen Hall abruptly Jennifer Nettles, Kristian Bush quit while Sugarland was still riding high on the first album’s success, and some wondered if the shift would upset the group’s unique chemistry.chemistry. But SUGARLANDSUGARLAND NeNettlesttles and Bush made the transitiontransition The country duo turns over another new leaf seamlessly,l l andd subsequent b albumslb haveh proved so successful that they’re now with its new album’s arena-rocking sound headlining arena tours—which comes with its own challenges. IF SUGARLAND’S NEW ALBUM, The result, “Wide Open,” appeared “Our touring and writing cycles have to The Incredible Machine, sounds grand on AT&T’s digitally released Team USA happen at the same time, and that changes and full of ambition, that’s because its Soundtrack, and served as the jumping-off the process a little,” Bush says. -
Luthier Rob Engel Started Taking out These Guitars, and They Were Just Phe - by Marc A
attic – he had a sort of workshop up there – and he Luthier Rob Engel started taking out these guitars, and they were just phe - by Marc A. Ybaben, Ph.D. nomenal pieces of work! I mean they were beautiful; each one was an original piece. Some of them he had worked on with a guy named Tom Doyle – he’s a gui - tar maker and pickup maker from New Jersey – they had been buddies and they had worked together on dif - ferent stuff, and the bug bit me right there! I started looking at the guitars and I guess he saw the expression on my face, and he said, “Well, you can do this, you know.” And I was thinking, “Yeah, right!” but I really had to give it a shot, so I did. I went out and bought all kinds of books, and I already had a garage in the back of my house that served as a wood shop — which is what I did for a living anyhow — and I got started by Photo courtesy Paul Johnson bringing wood home from jobs that were scraps and left-overs, basically practicing until I started to under - hanks to the wonders of YouTube, a friend sent stand how things worked. Then Lenny introduced me me a video of an East Coast guitarist named Bob to Tom Doyle, and he got me a job with Tommy; I TDeVos. I immediately noticed two things: that worked with him for about three years. I really wasn’t Bob was a monster player – incredible lines and sound! making any money there, so I went back to cabinet – and that he played a very cool-looking guitar. -
Die Welt Der Taylor Gitarren
Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war. -
AND KOCH Inc
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 44 THE MUSIC TRADE REVIEW NOVEMBER 29, 1924 vember 17, at 10 p. m. through WEAF. Mr. Hacon has broadcasted from this station in the past and letters received indicate his tremen- dous popularity with the radio audrences. Mr. Hacon has, therefore, been added to the regular night's program. Philadelphia Wholesalers MUSICAL INSTRUMENTS Report Big Banjo Demand Hafner & Sutphin Shipping Large Orders for Vega, Bacon and the New Ludwig Banjos, for Manufacturers of musical instrument Which Lines They Are Local Distributors cases of quality. Veneer, Duck, Leather, PHILADELPHIA, PA., November 25.—Orders for Fibre. the small goods lines carried by the firm of Hafner & Sutphin, 925 Arch street, have been keeping up with the volume that commenced in the early days of Fall. The firm has been kept steadily active in the shipment of the Vega and ^/zeFELSBERG COn40Cross5tNewark,NJ. Bacon banjos and the newest addition to its line, the Ludwig banjo. The latter is the re- cently manufactured product of the Ludwig & Ghas. F. Kienle, Treasurer member of the firm for several years. He Ludwig company, of Chicago, makers of drums. learned the harmonica business from the bot- The Hafner & Sutphin company will distribute of M. Hohner, Inc., Dies tom up, starting in at the bottom rung of the the Ludwig banjos in Pennsylvania, southern ladder about twenty-five years ago. Possessed New Jersey, Delaware and part of New York Veteran of Harmonica and Accordion Trade of a keen mind and a willingness to work hard, State. -
Ovation Deacon Manual
Ovation deacon manual Breadwinner Owner's Manual Thanks to "BruDeV" from the Ovation Fan Club for this great document!!! ('S) Cliquez ici pour charger la version PDF / Please. The tone of a guitar can be described as having three components: bass, mid- range and treble. The selector switch can be considered a bass control; toward. -Ovation. Solid Bodies. 1 2-String. Deacon. Owner's Manual Like our other electric guitars, the Deacon string Experiment with the Ovation Deacon. Ovation Solid Body Owner's Manual Many thanks to my friend Karl in Germany for that great doc!!! (70'S) Click here to download Ovation Breadwinner Guitar Manual. OWNER'S MANUAL. Ovation guitars are played by countless musicians around the world including: Joan Armatrading. Dj Ashba. Charlie Benante - Anthrax. OVATION. Breadwinner or a Deacon model. It is very well built and kind of cool. playing it is very easy and the manual 1. click to enlarge. the manual 2. click to. Online home for fans of Ovation Guitars around the World. know where I can get an owners manual or reprint of one for an Ovation Deacon? Have you compared yours to another Ovation? If I recall correctly, the If you haven't seen it, there's a Breadwinner/Deacon manual here. Ovation Deacon Electric Guitar in very good condition with light playwear and dings over the entire guitar but nothing major. Dark brown burst finish on the. Ovation Breadwinner Guitar Review Scott Grove real the manual. 's Ovation Breadwinner Limited Guitar Review By Scott Grove. Groovy Music . I was going though the. -
Cocobolo Samuel J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Yale University Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale Yale School of Forestry & Environmental Studies School of Forestry and Environmental Studies Bulletin Series 1923 Cocobolo Samuel J. Record George A. Garratt Follow this and additional works at: https://elischolar.library.yale.edu/yale_fes_bulletin Part of the Forest Biology Commons, Forest Management Commons, and the Wood Science and Pulp, Paper Technology Commons Recommended Citation Record, Samuel J., and George A. Garratt. 1923. ocC obolo. Yale School of Forestry Bulletin 8. 42 pp. + plates This Book is brought to you for free and open access by the School of Forestry and Environmental Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale School of Forestry & Environmental Studies Bulletin Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. A Note to Readers 2012 This volume is part of a Bulletin Series inaugurated by the Yale School of Forestry & Environmental Studies in 1912. The Series contains important original scholarly and applied work by the School’s faculty, graduate students, alumni, and distinguished collaborators, and covers a broad range of topics. Bulletins 1-97 were published as bound print-only documents between 1912 and 1994. Starting with Bulletin 98 in 1995, the School began publishing volumes digitally and expanded them into a Publication Series that includes working papers, books, and reports as well as Bulletins. -
Wood-Wind Instruments
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 42 THE MUSIC TRADE REVIEW JULY 26, 1924 musical instrument cases, returned to the fac- tory to-day after a long motor trip on which he visited dealers and jobbers in many States. His journey included New York and the con- vention, Washington and Boston, Buffalo and Niagara Falls. He reported an excellent de- mand for the product of both companies. Frederick Finds Free •/-MUSICAL INSTRUMENT* Lessons Sales Getters Plan Consists of Forming Amateur Orchestra With Nominal Enrollment Fee Open to Be- Manufacturers of musical instrument ginners cases of quality. Veneer, Duck, Leather, PITTSBURGH, PA., July 21.—Free music lessons Fibre. are proving to be a sales magnet for the W. F. Frederick Piano Co., retailer of small goods and supplies. This store's offer of free lessons to beginners has encouraged a great many young- sters to take up the study of a musical instru- ^eFELSBERG CO.,40Cros55tNewark,Ni ment and extra sales have resulted. The Frederick plan consists of the forming small goods knowledge from long experience. of an amateur orchestra with free lessons to William Titus Heads Martin band instruments and saxophones, the boys and girls who join. A nominal enroll- Jordan-Marsh Department made by the Martin Band Instrument Co., Elk- ment fee is charged merely to insure that the hart, Ind., are featured prominently in the Jor- child means business. This method has netted Made Manager for Well-known Boston House— dan-Marsh merchandising plan. A complete the company substantial business, especially on Martin Band Instruments and Saxophones stock of Martins is kept and a good display is Lyon & Healy banjos, King saxophones, Koh- Prominently Featured by Firm made at all times, with the result that the ler-Liebich xylophones, Selmer clarinets and agency has become a most valuable one. -
Camila Cabello Emerson Loughman Palmer Jeffrey Foskett
Camila Cabello Emerson Loughman Romance 8 Palmer 8 Epic Records and Syco Music Be Empirical Producer: Various LonMan Records There is no hiding Camila Cabello’s love Producer: Mark Loughman for fellow pop star and collaborator Shawn Mendes. Aptly titled Romance, her second You’ve got modern rock & roll royalty here LP is dedicated to her relationship with the with Emerson Swinford, Mark Loughman singer (“Used To This”) and the emotional and David Palmer, whose six-song EP turmoils of attraction, heartbreak and love contains melodic, cleverly conceived gems. detailing an unfiltered and refreshing look at Loughman’s production with Simon Phillips’ engineering is warm, engag- Cabello’s life. She proudly sheds her innocence and embraces her sexual- ing and strikingly crisp. “Finding Sense” grabs you with an intelligent take ity on “My Oh My” with lyrics like “Swear on my life that I’ve been a good on the current state of society, consumerism and politics. “The Best I Can girl (Oh)/Tonight, I don’t wanna be her.” Romance showcases Cabello’s Give Is All You Get” is a delight, with ‘60s harmonics and a Marc Bolan/ vocal strengths, her ability to switch from a raspy seductress to an emo- Cheap Trick feel. “You See Wonderful, You See Pretty” is also noteworthy tional crooner is delightful. – Jacqueline Naranjo for its socially astute lyrics and rich guitar work. –Eric Harabadian Jeffrey Foskett Wildwood Kin Voices 10 Wildwood Kin 8 BMG Silvertone Producer: Jeff Larson Producer: Ed Harcourt, Ian Grimble and others What do The Beach Boys, Nancy Sinatra, The lush, soulful acoustic melodies and Heart, Billy Joel, America and Chicago have soaring vocal harmonies of UK alt folk in common? They have all employed the trio Wildwood Kin––and the transcendent services of vocalist-arranger extraordinaire chemistry of Meg Loney and her cousins, Jeffrey Foskett.