DOCSLIB.ORG

Wood-Wind Instruments

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wood-Wind Instruments Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 42 THE MUSIC TRADE REVIEW JULY 26, 1924 musical instrument cases, returned to the fac- tory to-day after a long motor trip on which he visited dealers and jobbers in many States. His journey included New York and the con- vention, Washington and Boston, Buffalo and Niagara Falls. He reported an excellent de- mand for the product of both companies. Frederick Finds Free •/-MUSICAL INSTRUMENT* Lessons Sales Getters Plan Consists of Forming Amateur Orchestra With Nominal Enrollment Fee Open to Be- Manufacturers of musical instrument ginners cases of quality. Veneer, Duck, Leather, PITTSBURGH, PA., July 21.—Free music lessons Fibre. are proving to be a sales magnet for the W. F. Frederick Piano Co., retailer of small goods and supplies. This store's offer of free lessons to beginners has encouraged a great many young- sters to take up the study of a musical instru- ^eFELSBERG CO.,40Cros55tNewark,Ni ment and extra sales have resulted. The Frederick plan consists of the forming small goods knowledge from long experience. of an amateur orchestra with free lessons to William Titus Heads Martin band instruments and saxophones, the boys and girls who join. A nominal enroll- Jordan-Marsh Department made by the Martin Band Instrument Co., Elk- ment fee is charged merely to insure that the hart, Ind., are featured prominently in the Jor- child means business. This method has netted Made Manager for Well-known Boston House— dan-Marsh merchandising plan. A complete the company substantial business, especially on Martin Band Instruments and Saxophones stock of Martins is kept and a good display is Lyon & Healy banjos, King saxophones, Koh- Prominently Featured by Firm made at all times, with the result that the ler-Liebich xylophones, Selmer clarinets and agency has become a most valuable one. Ludwig drums. BOSTON, MASS., July 21.—The Jordan-Marsh Co., Mr. Titus placed a large order last week with one of the largest department stores in this Geo. B. Stone & Son, Inc., local manufacturer Xylophones Are in Strong city, now has one of the best small goods of drums and drummers' accessories. The order departments in New England. This department included a number of the famous Stone De Luxe Demand in State of Texas was recently enlarged and placed under the Master Model drum outfits. These outfits are management of William Titus, a prominent prominently featured in the window displays. Thos. Goggan & Bro., San Antonio, Report Boston , mtlsician and a man well versed in During the recent national convention of the That a Large Number of Amateur Musicians Elks here in this city the Jordan-Marsh store Are Purchasing Those Instruments had special window and store displays. These displays interested many of the Elks' bands and SAN ANTONIO, TEX., July 21.—Sales of xylo- drum corps from other cities and a large num- phones are on the increase throughout the State Wood-wind ber of them visited the store during the week. of Texas, according to officials of the musical One of the features was a beautiful show win- merchandise house of Thomas Goggan & Bro., dow filled with all so.rts of Martin band instru- who operate stores in a number of Texas cities, Instruments ments and Sousaphones, an Irish harp and a with headquarters here. Most of these xylo- Stone De Luxe drum outfit. phone sales are going to amateur musicians in private homes, and the Deagan tempered aluminum xylophone seems to be the popular B. R. Hunt Visits Dealers favorite. These instruments are made by J. C. Deagan, Inc., Chicago, for whom the Goggan Highest Standard CARMEL, IND., July 21.—B. R. Hunt, head of the house has the agency. Be Roiunt Products Co., manufacturer of the The Deagan tempered aluminum xylophone Quality Supreme "Turnerack," a patented device for turning is being heavily advertised by Goggan's in the music on a music stand, and also president of newspapers. Stress is laid on the unusual light- the B. R. Hunt Mfg. Co., manufacturer of ness in weight of the instrument. It is pointed out that it is easier to carry from place to place Have the Endorsement than a violin. of America's Foremost Artists. RUNO Weymann Line in Baltimore Send for our Catalog E. Hammann-Levin Co., Inc., has taken on the THE OLDEST AND Weymann string instruments as exclusive Instruments for the Reed agency for Baltimore. This firm features LARGEST MUSICAL Section of the Band. banjos, guitars, mandolins and ukuleles in its MERCHANDISE HOUSE window display every week as well as some IN AMERICA extensive newspaper advertising. Exclusively Wholesale Harry Pcdler & Co. ESTABLISHED IB34 Incorporated 351-53 FOURTH AVE. NE VYORKCITV Musical Merchandise Elktiart Ind. Victor Dis t rihu toi~s Trimmings of Quality Hoops, Brackets, Nuts, Pegs, Tailpieces, Armrests, Resonators, Tuning Forks, Tambourine Jingles, Hawaiian Steels OSCAR SCHMIDT, Inc. Hardware and Trimmings La Scalla 87-101 FERRY ST., JERSEY CITY, N. J. for Ukulele and Banjo Ukes STELLA d l'ttrgrNt riuiit of It* Kind in America Patent Heads for Banjo, Man- BANJO- MA>' IM> M N S (KtLKLKS ACCORDIONS SUPFLIKS dolin, Guitar and Violin SUVJbKElGil J T.KNOR It AN.JO MAM). HAWAIIAN (il ITAKS HARMONICAS CASES, KTC. A Dependable Source of Supply The STELLA and SOVEREIGN Brands have become National Necessities FOR VKARS, THE I'RINCII'AI. SOI RCK OK SMALL STKJNU INSTRUMENTS IN AMERICA Waverly Musical Products Co., Inc. THE BEST 1 OR THE MONEY ALWAYS KKE1* OUR I'RICE LIST BEFORE YOU Representatives for the Pacific Coast: Western Musical Supply Co., 503 Templeton Bldg., Salt Lake City. Utah 342 Madison Ave. New York.
Load more

Recommended publications
  • GUITAR CENTER, INC. Form 10-K Annual Report Filed 2013-03-26
    SECURITIES AND EXCHANGE COMMISSION FORM 10-K Annual report pursuant to section 13 and 15(d) Filing Date: 2013-03-26 | Period of Report: 2012-12-31 SEC Accession No. 0001104659-13-024368 (HTML Version on secdatabase.com) FILER GUITAR CENTER, INC. Mailing Address Business Address 5795 LINDERO CANYON RD 5795 LINDERO CANYON RD CIK:1021113| IRS No.: 954600862 | State of Incorp.:DE | Fiscal Year End: 1231 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA Type: 10-K | Act: 34 | File No.: 000-22207 | Film No.: 13716047 91362 91362 SIC: 5731 Radio, tv & consumer electronics stores 8187358800 GUITAR CENTER HOLDINGS, INC. Mailing Address Business Address 5795 LINDERO CANYON 5795 LINDERO CANYON CIK:1427553| IRS No.: 000000000 | State of Incorp.:DE | Fiscal Year End: 1231 ROAD ROAD Type: 10-K | Act: 34 | File No.: 333-175270-07 | Film No.: 13716046 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA SIC: 5731 Radio, tv & consumer electronics stores 91362 91362 818-735-8888 Copyright © 2014 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2012 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 333-175270-07 GUITAR CENTER HOLDINGS, INC. (Exact Name of Registrant as Specified in Its Charter) Delaware 26-0843262 (State or Other Jurisdiction of (I.R.S.
    [Show full text]
  • Let the Heavens Rejoice!
    April 27, 2018 April 28, 2018 April 29, 2018 St. Noel Church Lakewood Congregational Church Plymouth Church UCC LET THE HEAVENS REJOICE! Concert de Simphonies (1730) – Jacques Aubert (1689–1753) Ouverture – Menuets – Gigues Sarabande – Tambourins – Chaconne In convertendo – Jean-Philippe Rameau (1683–1764) Récit: In convertendo (Owen McIntosh) Choeur: Tunc repletum est gaudio Duo: Magnificavit Dominus (Elena Mullins, Jeffrey Strauss) Récit: Converte Domine captivitatem nostram (Strauss) Choeur dialogué: Laudate nomen Dei (Sarah Coffman) Trio: Qui seminant in lacrimis (McIntosh, Mullins, Strauss) Choeur: Euntes ibant et flebant INTERMISSION Conserva me (1756) – Louis-Antoine Lefebvre (1700–1763) Owen McIntosh, tenor Salve Regina à trois choeurs and basse continue – Marc-Antoine Charpentier (1643–1704) Quire Cleveland Venite exultemus (1743) – Jean-Joseph Cassanea de Mondonville (1711–1772) Récit et choeur: Venite exultemus (Mullins, Coffman) Récit: Quoniam Deus Magnus Dominus (Strauss) Récit: Quoniam ipsius est mare (Strauss) Récit: Venite adoremus (Mullins) Récit: Quia ipse est Dominus (Mullins) Récit et choeur: Hodie si vocem (Coffman) Récit: Sicut in exacerbatione (McIntosh) Récit: Quadraginta annis proximus fui (McIntosh) Duo et choeur: Gloria patri (Coffman, Mullins) Quire Cleveland (Ross Duffin, Artistic Director) Les Délices (Debra Nagy, Artistic Director) Scott Metcalfe, Guest Conductor Heartfelt thanks to Charlotte & Jack Newman and Donald W. Morrison for their generous sponsorship of this program. 2017/2018 SEASON anniversaries HELP YOUR and FAVORITE ARTS farewells ORGANIZATION Martin Kessler MUSIC DIRECTOR AS A VOLUNTEER! OPPORTUNITIES INCLUDE: Event Support MAESTRO’S FINAL CONCERT October 15th May 14th at 8pm December 10th Artist Host February 4th Maltz Performing Arts Center at the Temple-Tifereth Israel March 18th Sponsored By Case Western Ambassador Reserve Department of Music Admin.
    [Show full text]
  • Martin History-Wikopedia.Pub
    The C.F. Martin & Co. Story The C.F. Martin & Company is a US guitar manufacturer established in 1833 by Christian Frederick Martin. Martin is highly regarded for its steel-string guitars, and is a leading mass manufacturer of flattop acoustics with models that retail for thousands of dollars and vin- tage instruments that often fetch six figures at resale. The company has also made several models of electric guitars and electric basses. The company's headquarters and primary factory are in Nazareth, Pennsylvania, located in the Lehigh Valley region of the state. It also manufactures instruments in Mexico. During the year 1900, Martin produced 182 instruments. By the year 2000 that figure had risen to 24,084. Company history Throughout its history, the company has been run by the Martin family. The current chairman and CEO, C.F. 'Chris' Martin IV, is the great-great-great-grandson of the founder. Many characteristic features of the modern flattop steel strung acoustic guitar were first intro- duced by the firm. Influential innovations include the Dreadnought body style and scalloped bracing. Some time in the 1970s, Martin bought LEVIN guitars, and around 200 D-18's were apparently built in Sweden; they are stamped LD-18. Founding Born in 1796 in Markneukirchen, Germany, C.F. Martin came from a long line of cabinet makers and woodworkers. His father, Johann Georg Martin, had also built guitars. By the age of 15, C.F. Martin was apprenticed to Johan Stauffer, a well-known guitar maker in Vi- enna, Austria. After completing his training, Martin returned to his hometown and opened his own guitar-making shop.
    [Show full text]
  • In This Issue
    THE ASSOCIATION OF STRINGED INSTRUMENT ARTISANS In This Issue Paul Reed Smith's Symposium '89 Transcription Yuri Dmitrievsky's December Interview With Mark Dronge Educational Update: Standards For Repair Certification The Latest Designs Number Seven From Steve Klein The Association Of Stringed Instrument Artisans BOARD MEMBERS If you have input, concerns or suggestions about the association, ssociation of you are welcome to contact any of the board members to discuss your ideas: fringed James Rickard; President 600 Wildcat Hill Road; Harwinton, CT 06791 (203) 485-9809 shop nstrument Duane Waterman; Treasurer 1027 S. Sierra Madre; Colorado Springs, CO 80903 I (719) 473-8444 shop rtisans William Cumpiano Secretary c/o The Luthier’s Collaborative [0 31 Campus Plaza Road; Hadley MA 01035 PURPOSE (413) 253-2286 work William Laskin; Vice-President The Association O f Stringed Instrument Artisans, a non­ 192 DuPont Street (rear); Toronto, Ontario, CANADA M5R 2E6 profit trade organization under the provisions o f Section 501 (c) (416)923-5801 work (06) o f the Internal Revenue Code, was established in 1988 to help provide a sense o f community and professionalism to the Roger Sadowsky; Public Relations 1600 Broadway #1000B; New York, NY 10019 field of stringed instrument making and repair. The goals o f the (212) 256-3960 association provide fo r but are not limited to: the establishment of a comprehensive database of resources, supplies and technical information; a means o f providing multi-level education within DickBoak; Editor the profession; assistance in marketing and promotion; health c/o Church Of Art, 14 South Broad Street; Nazareth, PA 18064 and insurance packages at group rates; a repair or service (215) 759-7100 home; (215) 759-2837 work certification; an advertiser’s marketplace; and the publication of informative newsletters and journals.
    [Show full text]
  • Preserving Ebony's Future
    INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 72 summer 2012 Preserving Ebony’s Future A bold plan for sustainable sourcing Builder’s Reserve VI Mustache Bridge Jumbo More Than a Store Nurturing a Music Community Open Mic Tips 2 www.taylorguitars.com 3 Letters Volume 72 Summer 2012 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars Ever since he bought his Taylor NS34ce, few offered to buy it for way more than I are going to be friends for a very long find a local dealer with one in stock. he seems to want no part of us. We paid for it. The answer is no every time. time. I also want to give credit to one Zach [Arntz] brought one to Acous- haven’t seen the light of day in a long You could offer me a million bucks and I of your dealers. Butch at Bigham Music tifest last year, I played it and bought Features time. It’s awfully dark in these cases. would say no. The guitar is a part of me. in Dalton, Georgia is great. I’ve gotten it. You produce fine instruments, but I We’ve even heard him talk about buy- I’ve played it so much that I wore a hole all my Taylors from him, and I’ve always bet you sell more due to your support On the Cover ing a Taylor steel-string of some sort. through the top, which I had repaired been more than satisfied. I don’t know of the stores who carry your product.
    [Show full text]
  • Donors Fiscal Year 2020*
    * Please accept our apologies DONORS FISCAL YEAR 2020 for any omissions or errors. $500,000 + Bank of America Charitable Karen Lozow Claudia and Marc Braunstein Foundation, Inc. City and County of Denver Lynda M. Goldstein Family The Certe Foundation Inc Marlin and Ed Barad Foundation The Conference on Jewish Material The Chotin Foundation—Robin Claims Against Germany The B6 Fund Susan and Dr. Bruce Madison and Steven Chotin The Jay and Rose Phillips Family Bender West Foundation Manning Family Gift Fund City of Wheat Ridge Foundation of Colorado Harold R. Berenson and Laura A. Marcia and Richard L. Robinson The Cravitz Family Charitable Fund Ackerman Family Fund $100,000–$500,000 David J. and Vicki Perlmutter Jack and Florence Berlin MDC/Richmond American Homes Dansky Fund The Anschutz Foundation Foundation Foundation Dependable Cleaners Elaine and Max Appel Mandell and Madeleine Berman Robert Metzler Etkin Family Advised Fund at Aspen Colorado Department of Education Foundation Lois and Jay Miller Community Foundation The Colorado Health Foundation Boulder JCC Julie and Brent Morse The Feiner Family Foundation Daniel and Janet Mordecai Donor Broadway Cares/Equity Fights Rabbi Anat Moskowitz and Jeffrey Fleishhacker Foundation Advised Fund AIDS, Inc. Bain Linda and Bill Foster Daniels Fund Brownstein Hyatt Farber Schreck, Natural Resources Defense Council LLP Freeman Family Foundation Denver Regional Council of The Nekritz Family Fund Governments Sunny and Norm Brownstein G & R Quiat Family Foundation NextFifty Energy Outreach Colorado Buell Foundation Elaine Gantz Berman and Dr. List Family Fund Stephen Berman Food Bank of the Rockies CFPHE Oreg Foundation Marian and Louis Gelfand JEWISHcolorado City of Boulder The PatLow Fund Leslie and Noel Ginsburg Debbie Meisterplass Colorado Access The Pollock Family Fund at Rose Rachel Grynberg and Rick Schepis Dr.
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • Music Trades 19270122.Pdf
    ". -..-. -"- .. ......~ ..... --~ Vol. LXXIII, No. 4 10 CENTS PER COpy Published at 501 Fifth Avenue, New York $3.00 PER YEAR IfIIi!::;:: ....~~. ... - . ~"'~.= PIANO MAKERS FOR OVER ONE HUNDRED YEARS --And in Toledo, the Chickering enjoys ex" cellent presentation in the well appointed warerooms. of the ]. W Greene Company. Published every Saturday by The Music Trades Company. Entered as second-class matter July 10, 1899. at the post office at New York, N. Y., under act of Marc·A 3) 1879. Copyright 1927 by THE MUSIC TRADES CO. THE MUSIC TRADES January 22, 1927 1-­ Full--Page Ads in Color for 1927 In The Saturday Evening Post, Liberty, American Maga."r.ine and Good Housekeeping Total circulation over seven million monthly ITH 1926 furnishing overwhelming musical merchandise. This advertising is in W proof of the public's desire for the addition to Brunswick's consistent newspaper Brunswick Panatrope, Brunswick's New advertising and Brunswick's colorful window­ Musical I nstrument, and Brunswick Records display service. by the" Light-Ray" electrical method (musi­ With such a program of advertising effort, cal photography), the Brunswick Company Brunswick dealers have the greatest sales is pleased to announce for 1927 one of the opportunity in their history. For never has most comprehensive programs of color adver­ any music dealer had finer merchandise than tising in leading magazines ever given any Brunswick dealers have at present. THE BRUNSWICK.BALKE.COLLENDER CO. GENERAL OFFICES: CHICAGO ~ e 'usic ~tab~9. n\tt~b! ~i\tQ1\ ~eil lEstabUSbtb 1890. 10 CENTS PER COpy VOLUME LXXIII. No.4 NEW YORK, JANUARY 22, 1927 Sl.OO PER YEAR Growth of General Music House Is Remarkable! Now Estimated That 50 PerCent of Music Merchants Operate Establishments as Music Department Stores-This Percentage Was .
    [Show full text]
  • Lmicatalog87pdf.Pdf
    1 The Catalog is Dead. Long Live the Catalog! Welcome! We hope you find Six years ago our catalog was half this size and we had no products listed on the web. this first all color Today, most of you order on the web, phoned orders rank a close second, and almost no edition of our one mails in an order form from the catalog. We did not make these changes, you did. catalog enticing and helpful. Whether in products, services, or procedures, we try to anticipate, not dictate, your choices. Given your trends, we even expect that someday we may print a catalog with no order form at all! Why print a catalog if there’s no order form? Catalogs are not just for ordering. Just as most of you do research on the web before phoning to place an order, and many of you call to discuss your purchase with a salesperson before ordering on the web, the catalog is a complementary source of information to help you explore and fulfill your lutherie needs so you can order intelligently. You can flip through the pages at random, hold 3 spots open simultaneously with your fingers, and use it in rooms where the phone and web are just not as comfortable! Times have changed and they continue to change quickly. So even as we improve and expand our catalog, we realize we are no longer a catalog company! This year, we waited for this catalog to announce our redesigned, vastly improved, yet $100 cheaper manual slotting system. But no more! This catalog is a snapshot in time of our products, prices, and services.
    [Show full text]
  • Billy Hyde Returns to Brisbane, Australia
    2 I MUSIC INC. I SEPTEMBER 2015 SEPTEMBER 2015 I VOL. 25, NO. 8 PUBLISHER Frank Alkyer EDITOR Katie Kailus ASSOCIATE EDITOR David Ball ART DIRECTOR ùHUL[HǕ\U[V]m CONTRIBUTING DESIGNER 3VYP(UUL5LSZVU CONTRIBUTING EDITORS ,K,UYPNO[)VII`9LLK PRESIDENT Kevin Maher EASTERN ACCOUNT EXECUTIVE Pete Fenech WESTERN ACCOUNT EXECUTIVE ;VT)\YUZ ASSISTANT TO THE PUBLISHER Sue Mahal CIRCULATION MANAGER 2L]PU94HOLY CIRCULATION ASSISTANT Evelyn Oakes BOOKKEEPING Margaret Stevens OFFICES 7O ࠮-H_ LTHPS!LKP[VY'T\ZPJPUJTHNJVT CUSTOMER SERVICE (877) 904-7949 Jack Maher, President 1970–2003 :<):*907;0659(;,:! VUL`LHYPZZ\LZ [^V`LHYZPZZ\LZ[V<:(HKKYLZZLZ VUL `LHYPZZ\LZ [^V`LHYZPZZ\LZ[V*HUHKH HUKV[OLYMVYLPNUJV\U[YPLZ(PYTHPSKLSP]LY`H[JVZ[ :05.3,*67@HUKIHJRPZZ\LZSPTP[LKZ\WWS`! [VHU`HKKYLZZZ\YMHJLTHPS(PYTHPSKLSP]LY`H[JVZ[ >LJHUUV[ILYLZWVUZPISLMVY\UZVSPJP[LKTHU\ZJYPW[Z HUKWOV[VZ5V[OPUNTH`ILYLWYPU[LKPU^OVSLVYPUWHY[ ^P[OV\[^YP[[LUWLYTPZZPVUMYVT4HOLY7\ISPJH[PVUZ0UJ *VW`YPNO[I`4HOLY7\ISPJH[PVUZ0UJHSSMVY- LPNUYPNO[ZYLZLY]LK;YHKLTHYRYLNPZ[LYWLUKPUN 6;/,94(/,97<)30*(;065:! +V^U)LH[<W)LH[+HPS` */(5.,6-(++9,::!7SLHZLHSSV^ZP_^LLRZMVY`V\Y JOHUNL[VILJVTLLɈLJ[P]L>OLUUV[PM`PUN\ZVM`V\Y UL^HKKYLZZPUJS\KL`V\YJ\YYLU[4<:0*05*SHILS ZOV^PUN`V\YVSKHKKYLZZ4<:0*05*0::5 7\ISPZOLKTVU[OS`L_JLW[(WYPS7YPU[LKPU<:( I`4HOLY7\ISPJH[PVUZ0UJ5/H]LU,ST- O\YZ[03 7LYPVKPJHS7VZ[HNL7HPKH[ ,STO\YZ[03HUKH[HKKP[PVUHSTHPSPUNVɉJLZ 76:;4(:;,9!:LUKHKKYLZZJOHUNLZ[V4<:0* 05*76)V_:[7H\S45 2008 2008 September 2015 34 I FROM THE TOP Steve Long on the benefits of working in all aspects of the industry.
    [Show full text]
  • Kansas City Jazz: from Ragtime to Bebop—A History
    Kansas City Jazz: From Ragtime to Bebop—A History Frank Driggs Chuck Haddix OXFORD UNIVERSITY PRESS Kansas City Jazz This page intentionally left blank Kansas City Jazz From Ragtime to BebopA History Frank Driggs and Chuck Haddix 2005 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2005 by Frank Driggs and Chuck Haddix Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Driggs, Frank. Kansas City jazz : from ragtime to bebop / Frank Driggs and Chuck Haddix. p. cm. Notes: Includes bibliographical references and index. Contents: Tales from Tom’s town—Carrie’s gone to Kansas City— Get low-down blues—The territories—Blue devil blues—Moten’s swing— Until the real thing comes along—Roll ’em, Pete—Hootie’s blues. ISBN-13: 978-0-19-504767-7 ISBN-10: 0-19-504767-2 1. Jazz—Missouri—Kansas City—History and criticism.
    [Show full text]
  • SFIAF 2016 PRESS Coverage
    "When you're right and everyone else is wrong, there's no room for anything else," says the artist Charlie Levin, who spent time in a community of Israeli Jews and Israeli Arabs "living together in conflict." The community's schools teach children in Hebrew, Arabic, and English, and they actively engage in LIVING conversations that frequently reveal opposing viewpoints. From this came Single Point Perspective: A Meditation on Race, Loss, Grief and The Other, a SINGLE: piece in which Levin uses wax pigments, a pane of glass, and a nonfiction narrative read by the audience to create a unique live experience — a performed CHARLIE painting, if you will. Levin will perform Single Point Perspective at the Fort Mason Chapel, which features stained glass LEVIN AT windows and a vaulted ceiling, as part of the San Francisco International Arts Festival, which will bring together artists from across the Bay Area (and 12 SFIAF countries) for three weeks of performances, lectures, and talk-backs. Audiences entering the dimly lit space might note the smell of beeswax, one pleasant side effect of Levin's practice of painting with wax — known as encaustic — a method that can be traced back to ancient Egypt. Levin will provide the audience with a text that we see them differently. This performance is the includes her own writing interwoven with quotes that inverse of seeing a finished painting. At the end, the reflect a range of American assumptions about safety, audience will know what went into making it." power, and access to resources. As audience members take turns reading the text, Levin will paint on a Levin's performance is not an improvisation, but backlit glass panel, creating and changing a visual neither is it a literal, illustrative response to the text character.
    [Show full text]