Dating Guitars
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Ovation Deacon Manual
Ovation deacon manual Breadwinner Owner's Manual Thanks to "BruDeV" from the Ovation Fan Club for this great document!!! ('S) Cliquez ici pour charger la version PDF / Please. The tone of a guitar can be described as having three components: bass, mid- range and treble. The selector switch can be considered a bass control; toward. -Ovation. Solid Bodies. 1 2-String. Deacon. Owner's Manual Like our other electric guitars, the Deacon string Experiment with the Ovation Deacon. Ovation Solid Body Owner's Manual Many thanks to my friend Karl in Germany for that great doc!!! (70'S) Click here to download Ovation Breadwinner Guitar Manual. OWNER'S MANUAL. Ovation guitars are played by countless musicians around the world including: Joan Armatrading. Dj Ashba. Charlie Benante - Anthrax. OVATION. Breadwinner or a Deacon model. It is very well built and kind of cool. playing it is very easy and the manual 1. click to enlarge. the manual 2. click to. Online home for fans of Ovation Guitars around the World. know where I can get an owners manual or reprint of one for an Ovation Deacon? Have you compared yours to another Ovation? If I recall correctly, the If you haven't seen it, there's a Breadwinner/Deacon manual here. Ovation Deacon Electric Guitar in very good condition with light playwear and dings over the entire guitar but nothing major. Dark brown burst finish on the. Ovation Breadwinner Guitar Review Scott Grove real the manual. 's Ovation Breadwinner Limited Guitar Review By Scott Grove. Groovy Music . I was going though the. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
Hamer 02/Wright/Jul/2000
22 Vintage Guitar July 2000 www.vintageguitar.com BY MICHAEL WRIGHT WITH ANDREW LARGE, The Different Strummer STEVE MATTHES AND PETER FUNG LEFT TO RIGHT ’84 Hamer Special, mahogany body with custom factory yellow Stevens I with rare white/gold hardware option. ’85 Hamer Phantom A5, later and black graphics Courtesy of the A. Stein collection. Rare short-scale ’84 Hamer version with six-in-line headstock and bound fingerboard with crowns. Courtesy A. 4 Bass. Ca. ’85 Hamer Standard Lefty. Courtesy DiPinto Guitars. ’85 Hamer Steve Stein collection. Short-lived ’85 Hamer Scepter Vee. were the days before Rose won his patent rights). These were advertised as being, “...small, lightweight, versatile, and ag- Hamer Guitars gressive.” Finishes were either custom colors or graphics. High-End Boutique or Budget Vintage? Part II In ’86 the Prototype SS became known as the Steve Stevens model, a name it s we discussed last month, Hamer using Hamers inevitably led to the intro- bound fingerboard of either rosewood or enjoyed until its demise in ’92. Also at was started when Jol Dantzig and duction of models named for individual ebony, with dot or crown inlays. The that time the 22-fret fingerboard was ex- Paul Hamer, partners in North- artists. One of the earliest to get an artist ebony and crown version was sometimes tended to 24 frets, although some 22-fret A ern Prairie Music in the early 1970s, association was a version of the Special known as the Custom. The pickup layout models continued to be made. Begin- moved from repairing old guitars to mak- introduced in ’84, and carrying a Floyd consisted of a bridge humbucker and two ning in ’87, some came with Fender-style 1 ing new, improved versions of their Rose double-locking vibrato system. -
INSTRUMENTS for NEW MUSIC Luminos Is the Open Access Monograph Publishing Program from UC Press
SOUND, TECHNOLOGY, AND MODERNISM TECHNOLOGY, SOUND, THOMAS PATTESON THOMAS FOR NEW MUSIC NEW FOR INSTRUMENTS INSTRUMENTS PATTESON | INSTRUMENTS FOR NEW MUSIC Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserv- ing and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous contribu- tion to this book provided by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. The publisher also gratefully acknowledges the generous contribution to this book provided by the Curtis Institute of Music, which is committed to supporting its faculty in pursuit of scholarship. Instruments for New Music Instruments for New Music Sound, Technology, and Modernism Thomas Patteson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2016 by Thomas Patteson This work is licensed under a Creative Commons CC BY- NC-SA license. To view a copy of the license, visit http:// creativecommons.org/licenses. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Hannoart Presents Dave's Guitar Shop
HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship. -
Jeff Root Danielle Miraglia Lay Low Moon the Countess Zaleska
•Our 33rd Year Proudly Promoting All Things Music• FREE! December 2018 The Countess Zaleska Lay Low Moon Jeff Root Danielle Miraglia Metro•Scene ATWOOD’S TAVERN 12/12- Gang of Youths HOUSE OF BLUES 12/29- Becky and the Swinging Bards Cambridge, MA. 12/13- Lemaitre Boston, MA. (617) 864-2792 12/14- Street Dogs; Art Thieves; Noi!se (888) 693-BLUE 12/15- Street Dogs; Slapshot; Ramallah; Dori Cameron & the MIDDLE EAST 12/1- Julie Rhodes Invisible Monsters 12/3- Miracle On Lansdowne Street RESTAURANT & NIGHTCLUB 12/2- Jimmy Ryan & Hayride 12/16- Street Dogs; Ramallah; 1916 12/5- Russell Dickerson and Carly Pearce Cambridge, MA. 12/3- Monday Night Bluegrass 12/20- Big Something; Dewpoint; Butterchild 12/7 & 8- Brett Young (617) 864-3278 12/6- The Wolff Sisters 12/21- Emo Night Brooklyn 12/9- Amine 12/8- Roy Sludge 12/22- Kung Fu 12/10- YBN Nahmir; YBN Almighty Jay; YBN Cordae Upstairs 12/9- Old Fox; Doug Paisley 12/29- Doom Lover; Oompa; Cliff Notez 12/12- Boston Music Awards 12/1- Moe Dee 12/11- The Talbott Brothers 12/31- New Years’ Eve w/The Felice Brothers 12/16- Jorja Smith 12/2- Wes Walker; Javan 12/13- Anjimile; Nova One 12/20- Nghtmre B4 Xmas Tour 12/4- Elley Duhe; Butch Dawson 12/14- Beware The Dangers Of A Ghost Scorpion; Kremlin Bats 12/26- The Roots 12/7- Wyland; Valley; Jantsen, Uncle Bob b2b BIZDO, Electrya 12/15- Nickel & Rose; Hy Brasil BULL RUN RESTAURANT 12/28, 29 & 30- The Mighty Mighty Bosstones 12/8- Charing Cross; JZAC 12/17- Monday Night Bluegrass Shirley, MA. -
Summer Issue 2020
Minnesota Guitar Society Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community G u i t a r i s t and amateur and professional guitarists of all ages. The Minnesota Guitar Society PO Box 14986 / Minneapolis MN 55414 Vol. 36 No. 2 / Summer Issue 2020 Great Concerts Just a Click Away! Special Benefit Concert Saturday, August 15, 2020 at 7:30 pm Streaming Live from Sundin Music Hall Featuring Jeffrey Van, Annett Richter, Robert Everest, and the Shank-Hagedorn Duo he Minnesota Guitar Society joins with people across our state and around the world who International Guitar Artists mourn the death of George Floyd at the hands of (brand new name, same great series) T police on May 25. We stand with those raising their voices against police brutality and systemic racism. or over 30 years, the Minnesota Guitar Socie- We thank the performers for donating their artistry and ty has presented an annual concert series. Sundin Music Hall on the campus of Hamline University Since the mid-1990s that series has had its for co-producing the event. Proceeds will be donated to home at Sundin Music Hall on the campus of the Lake Street Council in Minneapolis, to assist their ef- F Hamline University in St. Paul. One of the finest con- forts in rebuilding the neighborhood where George Floyd cert venues in the Twin Cities, this world-class facility lived and died. Thank you all for your support. -
United States Patent (19) 11 Patent Number: 6,034,316
US00603431.6A UnitedO States Patent (19) 11 Patent Number: 6,034,316 HOOver (45) Date of Patent: Mar. 7, 2000 54 CONTROLS FOR MUSICAL INSTRUMENT 5,378,850 1/1995 Tumura. SUSTANERS 5,449,858 9/1995 Menning et al.. 5,523,526 6/1996 Shattil. 76 Inventor: Alan Anderson Hoover, 3937 5,585,588 12/1996 Tumura. Cranbrook Dr., Indianapolis, Ind. 46240 OTHER PUBLICATIONS 21 Appl. No.: 09/258,251 NAMM Statistical Review of U.S. Music Products Industry, 1-1. 1998 National ASSociation of Music Merchants Publication, 22 Filed: Feb. 25, 1999 Carlsbad, CA. (51) Int. Cl." ..................................................... G10H 1/057 52 U.S. Cl. ......................................... 84/738; 84/DIG. 10 (List continued on next page.) 58 Field of Search ................................ 84/738, DIG. 10 Primary Examiner Stanley J. Witkowski 56) References Cited 57 ABSTRACT U.S. PATENT DOCUMENTS A Sustainer is provided for prolonging the vibrations of 472,019 3/1892 Omhart. Strings of a Stringed musical instrument. The instrument has 1,002,036 8/1911 Clement. at least one magnetic pickup means responsive to the 1,893,895 6/1933 Hammond. Vibrations of the Strings. The pickup produces an output 2,001,723 5/1935 Hammond. Signal in response to the vibrations of the instrument Strings. 2,600,870 6/1952 Hathaway et al.. At least one control potentiometer provides the capability to 2,672,781 3/1954 Miessner. control at least one parameter of the output Signal. The 3,185,755 5/1965 Williams et al.. Sustainer comprises a String driver transducer capable of E. 8.7 R et al. -
English Cop18 Inf
Original language: English CoP18 Inf. 27 CONVENTION ON INTERNATIONAL TRADE IN ENDANGERED SPECIES OF WILD FAUNA AND FLORA ____________________ Eighteenth meeting of the Conference of the Parties Geneva (Switzerland), 17-28 August 2019 MUSICAL INSTRUMENTS AND THE PROPOSED LISTING OF CEDRELA SPP. ON APPENDIX II WITHOUT ANNOTATION This document has been submitted by the United States of America, at the request of a group of musicians and musical instrument manufacturers, in relation to proposal CoP18 Prop. 57.* * The geographical designations employed in this document do not imply the expression of any opinion whatsoever on the part of the CITES Secretariat (or the United Nations Environment Programme) concerning the legal status of any country, territory, or area, or concerning the delimitation of its frontiers or boundaries. The responsibility for the contents of the document rests exclusively with its author. CoP18 Inf. 27 – p. 1 Musical Instruments and the Proposed Listing of Cedrela spp. on Appendix II without Annotation Overview: Ecuador has authored a proposal to be considered at the 18th Conference of Parties for listing Cedrela spp. in Appendix II without an accompanying annotation. Lacking an annotation, such a listing would result in an undue administrative burden, have an immediate and deleterious impact on the musical instruments industry and provide little – if any – additional conservation benefit. We strongly feel that an Appendix II listing must be accompanied by an annotation and an appropriate geographic limitation to focus on the conservation of wild populations in its natural range rather than Cedrela spp. cultivated in non-range state plantations. Musical instrument industry commitment to the sustainability of Cedrela spp. -
Setting Guitar Intonation Using Your Peterson Tuner
Setting Guitar Intonation Using Your Peterson Tuner Before you attempt to tune any stringed instrument, the intonation should be checked and, if necessary, adjusted to the correct position. If you’ve never used a Peterson tuner before, then it is almost certain that your instrument is not yet correctly intonated and will not sound its best until you address it. Now that you have a Peterson, you can achieve professional quality results with the help of the tips below, and the intonation will be the best it can be on your instrument. You’ll need your Peterson tuner, a short guitar cord, a small screwdriver and a set of new strings. Before starting, find a surface upon which to lay your guitar that is free of any objects which could damage your instrument and cover it with a towel or similar soft material. Remember to tune the guitar in the position in which you would normally play it (i.e. around your neck, supported by a strap), but adjust the bridge of the guitar after laying it on a flat surface. If you tune the guitar while it’s laying flat, gravity will affect the tension of the neck and skew the results. If you adjust the bridge while the guitar is hanging from a strap on your shoulder, there is a risk that the guitar’s finish will be damaged by the screwdriver. If possible, take the opportunity to clean the fingerboard after the old strings have been removed. New strings will stay clean and sound good a lot longer if the fingerboard is free of grime and dirt.