Dating Charvel Guitars
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
Parker P Series Manual
On their own, the piezo pickups produce a subtle and intimate acoustic guitar-like sound, but the true power of the P-38 is the ability to blend the piezo and magnetic signals together. A special Fishman® active circuit allows you to mix the two types of signals right on the guitar! ® You can blend the piezo pickups with clean magnetic sounds to create bright percussive tones or with your favorite distortion settings for fat, two-guitar-like, mixes. You can even send the piezo and magnetic signals to two different amplifiers for an amazingly lush split sound. However you choose to blend (or split!) the sounds on your Parker P- P-SERIES Player’s Guide Series guitar, the results are an exciting new range of hybrid clean and P-38 • P-38 STANDARD • P-40 • P-44 dirty tones! Along with the familiar Volume, Tone, and Magnetic Pickup selector Dear Fellow Guitar Enthusiast: found on the P-38 Standard, the P-38, P-40 & P-44 are piezo equipped models and feature additional controls for Piezo Volume and a Larry Fishman and I formed Parker Guitars in 1991. It continues to Magnetic / Piezo Pickup Selector switch. be a rewarding project and a great education for us. We're thrilled that you have chosen to make your music on our creation! I designed the P-Series Guitars and Larry and I personally certified the production process in one of the finest guitar production facilities in the world. We're sure that you will be inspired by its P-38 & P-40 Controls versatility, tone, outstanding quality, and playability. -
Contents About the Author
2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84 -
Hamer 02/Wright/Jul/2000
22 Vintage Guitar July 2000 www.vintageguitar.com BY MICHAEL WRIGHT WITH ANDREW LARGE, The Different Strummer STEVE MATTHES AND PETER FUNG LEFT TO RIGHT ’84 Hamer Special, mahogany body with custom factory yellow Stevens I with rare white/gold hardware option. ’85 Hamer Phantom A5, later and black graphics Courtesy of the A. Stein collection. Rare short-scale ’84 Hamer version with six-in-line headstock and bound fingerboard with crowns. Courtesy A. 4 Bass. Ca. ’85 Hamer Standard Lefty. Courtesy DiPinto Guitars. ’85 Hamer Steve Stein collection. Short-lived ’85 Hamer Scepter Vee. were the days before Rose won his patent rights). These were advertised as being, “...small, lightweight, versatile, and ag- Hamer Guitars gressive.” Finishes were either custom colors or graphics. High-End Boutique or Budget Vintage? Part II In ’86 the Prototype SS became known as the Steve Stevens model, a name it s we discussed last month, Hamer using Hamers inevitably led to the intro- bound fingerboard of either rosewood or enjoyed until its demise in ’92. Also at was started when Jol Dantzig and duction of models named for individual ebony, with dot or crown inlays. The that time the 22-fret fingerboard was ex- Paul Hamer, partners in North- artists. One of the earliest to get an artist ebony and crown version was sometimes tended to 24 frets, although some 22-fret A ern Prairie Music in the early 1970s, association was a version of the Special known as the Custom. The pickup layout models continued to be made. Begin- moved from repairing old guitars to mak- introduced in ’84, and carrying a Floyd consisted of a bridge humbucker and two ning in ’87, some came with Fender-style 1 ing new, improved versions of their Rose double-locking vibrato system. -
Parker Nitefly Manual
Parker Nitefly Manual View and Download Parker Fly Classic brochure online. Parker Fly Fly Classic Guitar pdf manual download. Parker nitefly: reference guide (2 pages). The Parker Guitars Forum - Index. Announcements and news from Parker. Perhaps the finest American made bolt-on neck guitar, the NiteFly guitar. View and Download Parker Fly user manual online. Parker Fly: User Guide. Your comments, suggestions and criticism helped to shape the NiteFly. We chose. Browse Parker Guitars products and enjoy free shipping on thousands of Parker Parker Guitars RF522 NiteFly Radial Electric Guitar. View and Download Parker Fly Classic brochure online. Parker Fly Fly Classic Guitar pdf manual download. Parker nitefly: product brochure (12 pages). Parker Guitars Rf522 Nitefly Radial Electric Guitar Matte Natural. Parker Guitars Rf522 Nitefly Radial Electric Guitar Matte Natural. The RF522 NiteFly electric. Parker Nitefly Manual Read/Download Ken Parker Era 2002 Nitefly M - Factory hand-rubbed oil-finish body with carbon neck. Includes factory Parker gig bag, whammy bar, owners manual, blank. the manufacturer (either somewhere on their website, in the user manual or I recently bought old Parker Nitefly, and it has similar issue, Fretting notes. View and Download Parker Fly user manual online. Parker Fly: User Guide. Fly Guitar pdf manual download. Provided by your new unit, owners manual should be read in its entirety.GI. 20 Owners Manual. Owners 96, Parker Nitefly, GK-2A Internal, Roland, 2003. 1998 Parker Flyers ($10 Each or 4 for $30). $30 Artist, Concert, Deluxe, Nitefly Price firm Call (412)795-8668 to inquire 1993 Parker Fly Manual. $1,650 · Parker Nitefly Mojo Black Cherry Flame Maple - New - w/case image Genuine gig bag, a manual will be attached. -
Hannoart Presents Dave's Guitar Shop
HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship. -
Designing and Building an Electric Baritone Guitar
Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ...................................................................................................... -
United States Patent (19) 11 Patent Number: 6,034,316
US00603431.6A UnitedO States Patent (19) 11 Patent Number: 6,034,316 HOOver (45) Date of Patent: Mar. 7, 2000 54 CONTROLS FOR MUSICAL INSTRUMENT 5,378,850 1/1995 Tumura. SUSTANERS 5,449,858 9/1995 Menning et al.. 5,523,526 6/1996 Shattil. 76 Inventor: Alan Anderson Hoover, 3937 5,585,588 12/1996 Tumura. Cranbrook Dr., Indianapolis, Ind. 46240 OTHER PUBLICATIONS 21 Appl. No.: 09/258,251 NAMM Statistical Review of U.S. Music Products Industry, 1-1. 1998 National ASSociation of Music Merchants Publication, 22 Filed: Feb. 25, 1999 Carlsbad, CA. (51) Int. Cl." ..................................................... G10H 1/057 52 U.S. Cl. ......................................... 84/738; 84/DIG. 10 (List continued on next page.) 58 Field of Search ................................ 84/738, DIG. 10 Primary Examiner Stanley J. Witkowski 56) References Cited 57 ABSTRACT U.S. PATENT DOCUMENTS A Sustainer is provided for prolonging the vibrations of 472,019 3/1892 Omhart. Strings of a Stringed musical instrument. The instrument has 1,002,036 8/1911 Clement. at least one magnetic pickup means responsive to the 1,893,895 6/1933 Hammond. Vibrations of the Strings. The pickup produces an output 2,001,723 5/1935 Hammond. Signal in response to the vibrations of the instrument Strings. 2,600,870 6/1952 Hathaway et al.. At least one control potentiometer provides the capability to 2,672,781 3/1954 Miessner. control at least one parameter of the output Signal. The 3,185,755 5/1965 Williams et al.. Sustainer comprises a String driver transducer capable of E. 8.7 R et al. -
Dimarzio X2N
D i M a r z i o . c o m Page 1 of 1 DiMarzio X2N Important: Read all of the following instructions before proceeding. If any questions or problems arise, you may refer them directly to us. The X2N has a very powerful magnet structure, so it is not necessary to adjust the pickup close to the strings for maximum performance. Because of the differences in string gauges and string tension between individual guitars, it is not possible to recommend a specific distance for pickup height. However, it is advisable to adjust the X2N far enough from the strings so that the string vibration will not be affected by the pickup's magnetic field. This is usually noticeable on the wound strings, and produces a wavering sound, particularly when the higher notes are played. The bass side of the pickup should be lowered until the wavering disappears. The treble side of the pickup can be adjusted closer to the strings. This may make the pickup appear tilted, but there is nothing wrong with this, as the treble strings usually produce less volume than the bass strings. Tilting the bass side away from the strings will help balance individual string volume. Fender, Stratocaster, Strat, Telecaster, Tele, Precision Bass, P-Bass, Jazz Bass and J-Bass are registered trademarks of Fender Musical Instrument Corp., with which DiMarzio, Inc. is not affiliated. Les Paul and Les Paul Junior are registered trademarks of Gibson Guitar Corp., with which DiMarzio, Inc. is not affiliated. Parker Fly is a registered trademark of Parker Guitars, with which DiMarzio, Inc. -
Report Germany
Mountainview Publishing, LLC INSIDE the Imagine This… Phil Brown returns with a new studio recording spanning 5 years The Player’s Guide to Ultimate Tone in La La Land, Texas, TM Colorado, New Mexico and $10.00 US, September 2011/VOL.12 NO.11 Report Germany Brown sounds… the Ampeg VL-1002, Imagine This vintage Marshall 8x10 cabs, the Hiwatt, “If you want to change your life, change your mind.” – Phil Brown Squire 7-string, Strats with Lollar Specials, The title of this edition of the Quest is also the title of Phil Brown’s latest recording, and since Jeff Beck signature, Phil has provided the featured cover story for our September visit, borrowing his title kinda makes the Black Mesa, sense. There is just one little problem… Having free-fallen into the midst of Brown’s latest one Clements, Les Paul Studio, hour and ten minute opus la Lee Jackson chitarra now for a few weeks Atomsmasher, at appropriately high decibel Line 6 DL-4, levels, we’re not at all sure Electro-Harmonix that you can indeed ‘imagine Micro-Pog, this.’ Nah, we’re being too Hermida Distortion, kind at the expense of hon- the BoneSqueeze, & esty. You can’t. Not yet, any- the Roland VS-880 way. Our job is to shake you loose from the somnambu- 9 lant torpor of late summer, Lee Jackson on an unfortunate by-product designing Ampeg amps of eeking out a livable living and the resurrection of the Atomsmasher in the USA while perhaps snatching a week or two off. Atomsmasher review Livin’ in the USA… It didn’t used to feel quite so hard, 10 did it? How did Sting put it? Red Plate Amps with Too much information… founder Henry Heistand 14 We like to believe that we Our review of the Tweedy thrive on multi-tasking and Verb being perpetually connected, and Black Verb but we really don’t, because when we are connected, we 15 really aren’t. -
Report Hamer
Mountainview Publishing, LLC INSIDE the The Jol Dantzig Interview... Hamer’s co- The Player’s Guide to Ultimate Tone TM founder talks $10.00 US, December 2004/VOL.6 NO.2 Report about launching the original ‘con- temporary vin- tage guitars,’ the Hamer lure of the sight- gag design, & “Among God's creatures two, the dog and the guitar, why building gui- have taken all the sizes and all the shapes, in order tars the hard way not to be separated from man.” —Andrés Segovia still matters. During the past 30 years, the history of guitar design has been meticulously documented down to the variances found in pickguard screws and peghead pitch by a gaggle of giddy guitar enthusiast-authors around the world. It seems as if 13 nothing has escaped their scrutiny, while the Internet has provided a forum to Hamer USA further discuss, explore, debate and speculate on the stylistic nuances of the Guitar Reviews! most popular musical instrument of our time. The Monaco But many inspiring stories remain untold in the guitar industry – stories of com- Elite, Monaco III panies that have remained true to their founding principles of quality, innovative & Phantom design and old world craftsmanship, even when economic conditions have Custom... placed such values in peril and compelled others to abandon quality for the bot- tom line. Jol Dantzig and Paul Hamer launched Hamer Guitars in 1975 as a survival 17 strategy to supplement their income as musicians, collectors and used gui- Jason Lollar... tar dealers. In the process, they produced instruments clearly the truth about superior to those made by the very companies that had inspired them. -
S = Signing, P = Performance/Product Demonstration, PC = Press Conference
S = Signing, P = Performance/Product Demonstration, PC = Press Conference Thursday January 24th Time Booth Name Booth # Hall Artist Type 9.30 AM Sabian 3254 D Mike Portnoy PC 10.00 AM Samson 4590 C Kiko Loureiro P Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Marco Mendoza 10.30 AM Samson 4590 C [Thin Lizzy] P Jordan Rudess 11.00 AM Synthogy 6724 A [Dream Theater] P Yamaha 100MA, 125th Anniversary 11.00 AM Yamaha 102MA Marriott Press Event PC NAMM Media Orange Amps 11.00 AM Room Keynote Speech PC Dean Markley 12.00 PM Strings 5710 B Lita Ford S 2.30 PM Korg USA 6440 A Derek Sherinian P 3.00 PM TC Electronic 5932 B Press Meeting PC Geezer Butler 3.30 PM Samson 4590 C [Black Sabbath] S Frank Bello [Anthrax] Billy Sheehan [Mr. Big] JD DeServio [Black Label Society] Eddie Jackson [Queensryche] Marco Mendoza [Thin Lizzy] Steve Morse 4.00 PM TC Electronic 5932 B [Deep Purple] S Guthrie Govan [The Aristocrats] 4.30 PM Samson 4590 C Richie Kotzen P Friday January 25th Time Booth Name Booth Number Hall Artist Type 100 MA, 102 9.30 AM Yamaha MA Marriott Tommy Aldridge PC Matt Halpern [Periphery] Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Zakk Wylde 11.00 AM EMG Pickups 4782 C [Black Label Society] S/PC Richie Faulkner [Judas Priest] Andy James [Sacred Mother Tongue] 11.00 AM Samson 4590 C Richie Kotzen P Jeff Kendrick 11.30 AM Korg USA 6440 A [DevilDriver] P Mike Spreitzer [DevilDriver] Rex Brown 12.00 PM Ampeg 209 A/B Level 2 [Pantera, Kill Devil Hill] S Mike Inez [Alice In Chains] Juan Alderete Dean Markley 12.00 PM Strings 5710 B Orianthi [Alice Cooper] S 12.00 PM Korg USA 6440 A Gus G [Ozzy, Firewind] S Jeff Kendrick [DevilDriver] Mike Spreitzer [DevilDriver] 12.00 PM Samson 4590 C Gary Holt [Exodus] S Mike Portnoy Scott Ian [Anthrax] Charlie Benante [Anthrax] Frank Bello [Anthrax] Dave Lombardo [Slayer, Philm] Kerry King [Slayer] David Ellefson [Megadeth] Billy Sheehan [Mr.