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Markos Vamvakaris : the Man and the Bouzouki
Markos Vamvakaris : The Man and the Bouzouki. Autobiography PDF Author: Noonie Minogue Pages: 320 pages ISBN: 9780993263309 Markos Vamvakaris, born in 1905 in Syros was a pioneer of rebetiko, the urban folk music of Greece. The bouzouki was a disreputable instrument but he paved its path to glory. He spent many years, first as a stevedore in the port of Piraeus and then as a butcher in the slaughterhouse. During this time he fell in love with a tigress, his first wife, he learnt to smoke hashish and to play the 'sacred' instrument: 'I had a great passion. My life was all bouzouki. It took me over - but it also took me up in the world, way up ...' This is the first ever translation into English of the autobiography compiled by Angeliki Vellou Keil in 1972. It opens a window onto a time of extraordinary creativity in the history of Greek music, an explosion of songwriting in the interwar period. Its composers wrote about themselves and each other, the rituals of hashish smoking and the landmarks of a now vanished city. Markos the repentant sinner and living legend, looks back at childhood idylls in Syros, the arrival of the Asia Minor refugees, the terrible years of the Nazi Occupation, the ceaseless love affairs and disappointments, and the triumphs of the bouzouki. He offers a rare insight into the lives of toiling workers and the lowlife of one of the world's most ancient ports, where East meets West. Out of this melting pot he produced the classic songs that Greeks of all ages still love and know by heart. -
The Titles Below Are Being Released for Record Store
THE TITLES BELOW ARE BEING RELEASED FOR RECORD STORE DAY (v.2.2 updated 4-01) ARTISTA TITOLO FORMATO LABEL LA DONNA IL SOGNO & IL GRANDE ¢ 883 2LP PICTURE WARNER INCUBO ¢ ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO LP SPACE AGE ¢ AL GREEN GREEN IS BLUES LP FAT POSSUM ¢ ALESSANDRO ALESSANDRONI RITMO DELL’INDUSTRIA N°2 LP BTF ¢ ALFREDO LINARES Y SU SONORA YO TRAIGO BOOGALOO LP VAMPISOUL LIVE FROM THE APOLLO THEATRE ¢ ALICE COOPER 2LP WARNER GLASGOW, FEB 19, 1982 SOUNDS LIKE A MELODY (GRANT & KELLY ¢ ALPHAVILLE REMIX BY BLANK & JONES X GOLD & 12" WARNER LLOYD) HERITAGE II:DEMOS ALTERNATIVE TAKES ¢ AMERICA LP WARNER 1971-1976 ¢ ANDREA SENATORE HÉRITAGE LP ONDE / ITER-RESEARCH ¢ ANDREW GOLD SOMETHING NEW: UNREALISED GOLD LP WARNER ¢ ANNIHILATOR TRIPLE THREAT UNPLUGGED LP WARNER ¢ ANOUSHKA SHANKAR LOVE LETTERS LP UNIVERSAL ¢ ARCHERS OF LOAF RALEIGH DAYS 7" MERGE ¢ ARTICOLO 31 LA RICONQUISTA DEL FORUM 2LP COLORATO BMG ¢ ASHA PUTHLI ASHA PUTHLI LP MR. BONGO ¢ AWESOME DRE YOU CAN'T HOLD ME BACK LP BLOCGLOBAL ¢ BAIN REMIXES 12'' PICTURE CIMBARECORD ¢ BAND OF PAIN A CLOCKWORK ORANGE LP DIRTER ¢ BARDO POND ON THE ELLIPSE LP FIRE ¢ BARRY DRANSFIELD BARRY DRANSFIELD LP GLASS MODERN ¢ BARRY HAY & JB MEIJERS THE ARTONE SESSION 10" MUSIC ON VINYL ¢ BASTILLE ALL THIS BAD BLOOD 2LP UNIVERSAL ¢ BATMOBILE BIG BAT A GO-GO 7'' COLORATO MUSIC ON VINYL I MISTICI DELL'OCCIDENTE (10° ¢ BAUSTELLE LP WARNER ANNIVERSARIO) ¢ BECK UNEVENTFUL DAYS (ST. VINCENT REMIX) 7" UNIVERSAL GRANDPAW WOULD (25TH ANNIVERSARY ¢ BEN LEE 2LP COLORATO LIGHTNING ROD DELUXE) ¢ BEN WATT WITH ROBERT WYATT SUMMER INTO WINTER 12'' CHERRY RED ¢ BERT JANSCH LIVE IN ITALY LP EARTH ¢ BIFFY CLYRO MODERNS 7'' COLORATO WARNER ¢ BLACK ARK PLAYERS GUIDANCE 12'' PICTURE VP GOOD TO GO ¢ BLACK LIPS FEAT. -
The Rembetiko Music
The Rembetiko Music Rembetiko music is a very popular genre of Greek Folk music. It is often called the Greek form of blues music, because it was merely formed in the same social background. Although it is not played that much anymore, its melodies, harmonies and scales have been a big influence for Greek music since. That is why I chose to do a popular, not only in Greece, but around the world too. research on its history and on its particular musical characteristics, that made it so Definition of Rembetiko Rembetiko is the music played by the mbe Although musicologists are not logy, they describe there so-tes. as vagrant, tainted, marginalsure about thepeople, terms oretymo people from the underworld.called Theyrembetes were mostly people who gathered in small cafes and tekes to smoke hashish, drink alcohol and play songs, in order to ex The ensembles occurring from those cafes would look somethingpress theirlike the lifes picture suffering. on the right (Photo ). The most significant rempetologist was Elias Petropoulos. of the Rembetes of Karaiskaki taken in Peiraious 19 History and evolution of Rembetiko Rembetiko started in the so-called aman-cafis and the tekedes (places where people gathered to smoke hashish) in Greece but mainly in Asia Minor. Those were cafes, that started appearing in 1873 and in which there was live music. The main form amanedes , which were turkish, often improvised and highly melismatic songs, in which or something (usually about hashish, narghiles andof music love-stories) were is expressed. Ensembles, consisting of a combination of the folowing instruments : santouris,the singers ouds, suffering laouds, flutesf or violins, were accompanying the singers. -
Dissertation / Doctoral Thesis
DISSERTATION / DOCTORAL THESIS Titel der Dissertation /Title of the Doctoral Thesis „Karagiozis – Schattenspiel und Politik: Der griechische Karagiozisspieler Sotiris Spatharis“ verfasst von / submitted by Mag. Fatma Peri Efe angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Doktorin der Philosophie (Dr. Phil.) Wien, 2017 / Vienna 2017 Studienkennzahl lt. Studienblatt / A 092 383 degree programme code as it appears on the student record sheet: Dissertationsgebiet lt. Studienblatt / Byzantinistik und Neogräzistik field of study as it appears on the student record sheet: Betreut von / Supervisor: Univ. Prof. Dr. Maria A. Stassinopoulou DANKSAGUNG Die Vorbereitungen für diese Arbeit, zu denen auch einige Publikationen zum Thema gehörten, erstreckten sich über eine lange Periode, die Niederschrift meiner Dissertation hingegen erfolgte binnen eines Jahres und fiel, wie ich leider sagen muss, in eine schwere Zeit. Die Probleme in meinem Land machten es mir mitunter schwer, mich auf meine Arbeit zu konzentrieren und ließen des Öfteren Zweifel an der Sinnhaftigkeit dieses Unterfangens aufkommen. Dass ich die Arbeit schließlich doch zu Ende führen konnte, liegt daran, dass es Menschen gab, die mir außerordentlich viel Unterstützung, Hilfe und Zuspruch zuteil werden ließen. Ihnen möchte ich an dieser Stelle meinen herzlichen Dank aussprechen. An erster Stelle seien meine Betreuerin Univ. Prof. Dr. Maria A. Stassinopoulou und meine Begutachterin Ao. Prof. Dr. Claudia Römer genannt. Prof. Stassinopoulou, die mir mit viel Geduld und Verständnis zur Seite stand, danke ich für ihre wertvollen Kommentare und Gedanken und ihr Interesse an dem Thema meiner Arbeit. Bei Prof. Römer bedanke ich mich dafür, dass sie mich den gesamten Entstehungsprozess hindurch sowohl persönlich als auch wissenschaftlich, durch ihre Ermutigung und ihre Hilfsbereitschaft, immer unterstützt hat. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Composer and Lyricist
BIBLIOGRAPHY Songs Referenced Καλόγρια—“The Nun” Composer and Lyricist: Vaggelis Papazoglou First recorded singer: Rita Abatzi Year: 1937 Λιλή η σκανδαλιάρα— “Lily the Reckless” Composer and Lyricist: Panagiotis Tountas First recorded singer: Roza Eskenazi Year: 1931 Γκιούλµπαχαρ— “Gioulbahar” Composer and Lyricist: Vassilis Tsitsanis Year: 1950 Οι µάγκες δεν υπάρχουν πια— “The real manges don’t exist anymore” Composer and lyricist: Nikos Papazoglou Year: 1979 Μποέµισσα- “Boemissa” Composer and lyricist: Spyros Peristeris Year: 1933 Μποέµισσα— “Boemissa” Composer and Lyricist: Vassilis Tsitsanis Year: 1938 Αν είµ’εγώ µποέµισσα— “If I’m a boemissa” Composer and lyricist: Sotiria Bellou Year: ~late 1950’s Que Deus Me Perdoe Composer: Frederico Valério Lyricist: João da Silva Tavares Year: 1967 Tudo Isto é Fado Composer: Aníbal Nazaré Lyricist: Fernando de Carvalho Year: 1957 Foi Deus Composer/Lyricist: Alberto Janes Year: unknown; based on Janes’ life, likely in the 1950’s Fado da Desgraçada Published in 1893, but written sometime in the 1850’s (Nery, 85). Estranha Forma de Vida Composer: Alfredo Marceneiro Lyricist: Amália Rodrigues Year: 1967 Works Referenced Adimidou, Sofia (Αδαμίδου, Σοφία). 1998. Σωτηρία Μπέλλου, Πότε ντόρτια, πότε εξάρες. Αθήνα: Νέα Σύνορα / Α. Α. Λιβάνη. Bakhtin Michail Michajlovič., and Iswolsky Hélène. 1984. Rabelais and His World. Indiana University Press. Butler, Judith. 1990. “Gender Trouble.” In Norton Anthology of Theory and Criticism, edited by Vincent B. Leitch, 2485-2501. Norton & Company Limited, W.W., 2018. Cook, Manuela. 2003. “The Woman in Portuguese Fado-Singing.” International Journal of Iberian Studies, vol. 16, no. 1, Intellect, , pp. 19–32, doi:10.1386/ijis.16.1.19/0. Colvin, Michael. -
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for Avant
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for avant-garde music, performance and sound art 17 - 20 November 2005 · Bochum I Dortmund I Essen I Herne New approaches, new goals, extension of the artistic space: From 17 – 20 November 2005 interdisciplinary integration of musical encounters will set the tone in the German cities Bochum, Dortmund, Essen and Herne. OPEN SYSTEMS, the festival for avant-garde music, performance and sound art in Germany’s Ruhr-area, promotes encounters between artists from different fields with the aim of developing and realizing ideas in a creative environment. Amongst the highlights of the fifteen concerts are performances by ARTO LINDSAY, the ARDITTI QUARTET, the pioneers of net music THE HUB, Tortoise guitarist JEFF PARKER, as well as world premières of works by the blind composer MOONDOG. Dance performances, video installations, lectures, the club lounge and a school project round off the programme. OPEN SYSTEMS stands for stylistic enrichment as well as exciting musical encounters. Collaboration with NOVEMBER MUSIC, the Belgian-Dutch festival for currently happening music, which contributes to five of the concerts on the programme, the Luxemburg Society for Contemporary Music (LGNM) and the WDR Studio Acoustic Art will intensify international networking of artists. The OPEN SYSTEMS festival acts as an artistic laboratory, as a platform for new ideas and approaches: OPEN SYSTEMS – the name refers to systems which interact with others. “Whether acoustic or electronic, improvised or composed, classical or popular, Western or non-European – the festival shows us music which is thriving and very now, and presents it using dialogue and contrast. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
No Definitions for Activism
1 Realities in Raw Motion Conference Reader Edited by Denise Robinson Conference Dates 23 - 25 November 2012 3 4 Contents Foreword 9 Preface 13 Editor’s Introduction 19 Gayatri Chakravorty Spivak 31 No Definitions For Activism Tariq Ali 47 The Future of Europe Srečko Horvat 63 War and Peace in Europe: “Bei den Sorglosen” George Alexander 75 I can’t go on, I’ll go on Nada Shabout 89 Ghosts of Future Pasts: Iraqi Culture in a State of Suspension Lanfranco Aceti 103 Reactions, Inheritance and Memories: Genetic Transmissions of Trauma through Blood and Neurons Andreas Panayiotou 121 The unavoidable but censored wisdom of the border experience Iannis Zannos 135 Revisiting Inarticularcy Ghalya Saadawi 145 “It makes her blind, she said”: Love, Exhaustion and the Roadblock 5 Lara Khaldi & Yazan Khalili 155 Love Letter to a Union Bernd Bräunlich 167 The Utopia Disaster Dimitris Charitos with Martin Rieser and Daphne Dragona 177 Constructing hybrid spatial experiences for documenting the narratives of everyday life Antonis Danos 187 Hybrid Landscapes and Soundscapes, and the Ideologies of Borders Çağlar Çetin 197 Trauma as a Political Tool, Parodic Art as a Response: A glimpse at Parody within a small picture in Cyprus Image Credits 206 Editor’s Biography 207 Conference Programme 209 6 7 8 Foreword I am writing this foreword in the midst of the devastating effects that followed the imposition of the ‘haircut’ by Troika1 upon Cypriot bank accounts on 26 March 2013. These externally driven severe austerity measures have led to the disintegration of public and political ethos resulting in a pervasive disenchantment and discontent, accentuated by unforeseen poverty, degradation of hard won democratic processes and social instability. -
AHEPA's James Plevritis Evzone Chapter #405
AHEPA’s James Plevritis Evzone Chapter #405 Invites you to a Unique Cultural "Greek Movie Night" Presenting the Award Winner Movie "REBETIKO" Produced: 1983 Drama and Historic Fiction 2.5 hours The story is based on the life of the Rebetiko singer Marika Ninou and her relation with the famous composer Vassilis Tsitsanis. It presents the Rebetiko song as it entangles with the political instability of the entire Greek nation starting from the Asia Minor Disaster in 1922, the World War II and Nazi occupation in 1940, the tragic Civil War in 1948, to the even more economic instability of the 1950's. Mucic by the famous composer Stavros Xarhakos Saturday, March 21st, 2015 7:00 PM Holy Trinity Church – 10 Mill Road, New Rochelle, NY 10804 Reception with Hors d’oeuvres and wine will follow the movie Donation $15 Payable to: AHEPA Evzone Chapter #405 (501c10) Donations deductible to the extent permitted by law Portion of profits support the AHEPA Scholarship Fund Information: Peter Constantinides 718 543-8136, Joe Keane 914 738-4854 Elias Pantelaros 914 633-0678 "Rebetiko" Synopsis The time depicted in this film, covers a period in Athens from about 1922 -1958. This was a time of tremendous transition and instability for the entire Greek nation. The film begins with a montage of the Asia Minor Disaster which resulted in a population exchange, that increased the population in Greece by approximately 25%, almost overnight, in 1923 with most of them ending up in Athens. It was in these overcrowded and economically and spiritually destitute conditions during the 1930's, that the Rembetiko genre of music reached its height in popularity. -
Kalliopi Stiga Rhythm and Greekness in the Cities of Mikis Theodorakis
PRINCIPLES OF MUSIC COMPOSING: The Phenomenon of Rhythm | XIII | muzikos komponavimo pRincipai: ritmo fenomenas Kalliopi Stiga Rhythm and Greekness in the Cities of Mikis Theodorakis Four notes and a rhythm, the syrtaki rhythm, were identified with Mikis Theodorakis and Greek music. Figure 1. Zorba's dance It is the melodic-rhythmic theme of Zorba’s dance, which was immortalized in the homonym film “Zorba the Greek” (1964) by the prominent Cypriot filmmaker Michael Cacoyannis. This dance is rooted in traditional Greek music. Namely, the syrtaki dance – a modern and cheerful dance inspired by Theodorakis – emerges from the combination of two Greek folk dances, the hasapiko dance1 and the hasaposerviko dance2. The use of traditional and popular Greek music rhythms is frequent in Theodorakis’ work. The composer was initiated into Greek traditional music during his childhood while he was acquainted with Greek popular music later on, in 1947 during his exile in Ikaria Island, where he heard for the first time the most famous rebetiko song “Captain Andreas Zepos” (Καπετάν Ανδρέα Ζέπο) by Yannis Papaioannou written in syrtos3 rhythm (2/4). Theodorakis was particularly sensitized early on to the concept of the rhythm. During his adolescence, in the early 1940s, he studied thoroughly and he is deeply influenced by the texts of an important Modern Greek poet Costis Palamas4 (1859–1943). He agreed with the poet’s belief that “the rhythm in poetry – the rhythmic walking – symbolizes the rhythm that governs the Universe” (Theodorakis, 1986, vol. 1: 140–141) and moreover, Theodorakis adds the concept of Harmony. “That is, the rhythmic Harmony, which one realizes through the motion of the stars when gazing into the celestial vault.” (Theodorakis, 1986, vol. -
Vatra Veche 8, 2019
8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors.