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Anhang Besc Hey - Beschey - Van Der B Orcht - Oe Bridt 203 ANHANG BESC HEY - BESCHEY - VAN DER B ORCHT - OE BRIDT 203 Abbildungen von Signaturen 554 555 829 1485 204 BREUGHEL D.J. - VAN DEN HECKEN - LIDTS 45 65 666 VAN LINT - MENENS - MIROU - SAVERY 205 667 670 41 386 206 SCHOEVAERDTS ~ VAN STEENWYCK D. Ä. ~ VAN VALCKENBORCH ~ OE VOS 391 36 34 388 207 VERZEICHNIS DER ABGEKÜRZT ZITIERTEN LITERATUR Adler 1980 Wolfgang Adler: Jan Wildens. Der Landschaftsmitarbeiter des Rubens. Fridingen 1980 Andrews 1973 Keith Andrews: Elsheimer and DÜJ:er. An attempt towards a clarification of Elsheimer's early work. In: Münchner Jahrbuch der Bildenden Kunst, Band XXIV, 1973, S. 159-174 Appuhn/Heusinger 1975 Horst Appuhn, Christian von Heusinger: Riesenholzschnitte und Papiertapeten der Renais­ sance. Unterschneidheim 1975 Baldass 1925 Ludwig Baldass: Joos van Cleve. Der Meister des Todes Mariä. Wien 1925 Ballegeer 196 7 J. C. M. Ballegeer: Enkele voorbeelden van de invloed van Hans en Paulus Vredeman de Vries op de architectuurschilders in de nederlanden gedurende de XVle en XVIIe eeuw. In: Gentse Bijdragen tot de Kunstgeschiedenis en oudheidkunde, Teil XX, 1967,55-70 Bangs 1999 Jeremy Dupertus Bangs: The Masters of Alkmaar and hand X. The Haarlem painters of the Waterlant familiy. In: Wallraf-Richartz-Jahrbuch, Bd. LX, 1999, S. 65-162 Bartmuß 1935 M. Bartmuß: Neuerwerbungen der Anhaltischen Gemälde-Galerie Dessau. In: Weltkunst 1935,Jg. IX, Nr. 1, S. 4 Bax 1979 Dirk Bax: Hieronymus Bosch. His picture-writing deciphered. Übersetzt aus dem Niederlän• dischen von M. A. Bax-Botha. Rotterdam 1979 Benesch 1943 Otto Benesch: The Name of the Master of the Half-Lengths. In: Gazette des Beaux-Arts, LXXXV, 1943, S. 269-282 Berger 1993 Andrea Berger: Die Tafelgemälde Paul Brils. Münster 1993 Bergmans 1969 Simone Bergmans: Cornelis Massys. Der Künstler, seine Werke und seine Zeit. In: Katalog der 22. Ausstellung der Galerie Friederike Pallamar, Wien 1969, S. 15-37 Bergsträm 1955 Ingvar Bergsträm: Disguised symbolisme in ,Madonna' Pictures and still-life. In: The Bur­ lington Magzine, XCVII, 1955, S. 303-308 und S. 342-349 Bernt 1969/70 Walter Bernt: Die Niederländischen Maler des 17. Jahrhunderts. 3 Bde., München 1969/70 Bernt 1979 Walther Bernt: Die Niederländischen Maler und Zeichner des 17. Jahrhunderts. 5 Bde., Mün• chen 1979 De Bie 1661 Cornelis de Bie: Het gulden cabinet van de edele vry Schilder-const inhofdende den lof van de vermarste Schilders, Architecte, Beldthowers en de Plaetsnyders van dese eeuw. Antwerpen 1661 Bialostocki 1957 Jan Bialostocki: Poznanski Leonardium. In: Studia Muzealne, Muzeum Narodowe w Pozna­ niu, II, 1957, S. 112-150 Bock/Rosenberg 1930 Elfried Bock,Jakob Rosenberg: Die Zeichnungen alter Meister im Kupferstichkabinett. Staat­ liche Museen zu Berlin. Die niederländischen Meister. 2 Bde., Berlin 1930 Bodenhausen 1905 Eberhard Freiherr von Bodenhausen: Gerard David und seine Schule. München 1905 208 LITERATURVERZEICHNIS Boon 1953 K. G. Boon: Meester van de Khanenko-aanbidding of Meester van de Kruisiging te Turijn. In: Oud-Holland, LXVIII, 1953, S. 209-216 Boorsch 1982 Suzanne Boorsch: Jacob de Backer's drawing for the sense of smell. In: Leids Kunsthistorisch Jaarboek 1982, S. 367-371 Bosque 1975 Andre de Bosque: Quentin Metsys. Bruxelles 1975 Bouwen 1990 Bouwen door de eeuwen heen. Inventaris van het cultuurbezit in Belgie. Architectuur. Deel 13 n 1 Provincie Antwerpen Arrondissement Mechelen Kanton Lier. Brepols 1990 Van Brabant 1972 J. van Brabant: Onze-Lieve-Vrouwkathedraal van Antwerpen. Grootste gotische kerk der Ne­ derlanden. Antwerpen 1972 Bredius, Künsder-Inventare A. Bredius: Künsder-Inventare. Urkunden zur Geschichte der Holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts. Quellenstudien zur Holländischen Kunstge­ schichte, XIII. Band 1-8, Den Haag 1915-1922 Briels 1987 Jan Briels: Vlaamse Schilders in de noordelijke Nederlanden in het begin van de Gouden Eeuw, 1585-1630. Haarlem 1987 Bruyn 1961 J. Bruyn: Een drieluik van Aertgen van Leyden. In: Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen, 1961, S. 113-129 Bruyn 1983 J. Bruyn: Over de betekenis van het werk van Jan van Scorel omstreeks 1530 voor oudere en jongere tijdgenoten, (2). In: Oud Holland, 97, 1983, S. 217-223 De Bruyn 1988 Jean-Pierre de Bruyn: Erasmus II Quellinus (1607-1678). De schilderijen met catalogue rai­ sonne. Freren 1988 Büttner 1983 Frank O. Büttner: lmitatio pietatis. Motive der christlichen Ikonographie als Modelle der Ver­ ähnlichung. Berlin 1983 Buijs 1989 Hans Buijs: Vorstellingen van Christus in het huis van Martha en Maria in het zestiende­ eeuwse keukenstuk. In: Nederlands Kunsthistorisch Jaarboek, deel40, 1989, S. 93-128 Burchard 1948 Ludwig Burchard: Jasper van der Lanen: His only Known Work? In: The Burlington Maga­ zine, August 1948, S. 236-238 Busiri Vici 1960 Andrea Busiri Vici: Pieter van Bloemen detto Stendardo. In: Studi Romani 8, no. 3, 1960, S.279-287 Busiri Vici 1974 Andrea Busiri Vici: Jan Frans Van Bloemen "Orizzonte" e l'origine del paesaggio romano set­ tecentesco. Roma 1974. Busiri Vici 1987 Andrea Busiri Vici: Peter, Hendrik e Giacomo Van Lint. Tre pittori di Anversa del' 600 e, 700 lavorano aRoma. Roma 1987 De Callatay Edouard de Callatay: Cornelis Massys paysagiste, collaborateur de son pere et de son frere et auteur de l'album Errera. In: Bulletin Musees Royaux des Beaux-Arts de Belgique, 14, 1965, S. 49-70 Campbell 1985 Lorne Campbell: The Early Flemish Pictures in the Collection of Her Majesty The Queen. Cambridge 1985 LITERATURVERZEICHNIS 209 Campbell 1990 Lorne Campbell: Renaissance Portraits. European Portrait-Painting in the 14th, 15th and 16th Centuries. New Haven, London 1990 Carroll 1987 Jane Louise Carroll: The paintings of Jacob Cornelisz. van Oostsanen (1472? - 1533). Phil. Diss. The University of North Carolina at Chapel Hili. Ann Arbor 1987 Casier/Bergmans 1922 Joseph Casier, Paul Bergmans: L'art ancien dans !es Flandres (Region de L'Escaut). Memorial de l'exposition retrospective organisee a Gant en 1913. Bruxelles, deel IH, 1922 Coeckelberghs 1976 Denis Coekelberghs: Les peintres belges a Rome de 1700 a 1830. Bruxelles, Rome 1976 Van der Coelen 1994 Peter van der Coelen: Das Alte Testament in Bilderbibeln des 16. und 17. Jahrhunderts. In: Ausst.-Kat. Münster 1994, S. 168--189. Chudzikowski 1967 Andrzej Chudzikowski: Louis de Caulery et ses tableaux en Pologne. In: Bulletin du musee na­ tional de Varsovie, vo!. VIII, 1967, S. 25-31 Cornell 1924 Henrik Cornell: The iconography of the nativity of Christ. Uppsala 1924 Czerwinski 1878 Albert Czerwinski: Die Tänze des XVI. Jahrhunderts und die alte französische Tanzschule vor Einführung des Menuetts. Danzig 1878 Czobor 1972 Agnes Czobor: ,The Five Senses' by the Antwerp Artist Jacob de Backer. In: Nederlands Kunsthistorisch Jaarboek, 1972,23, S. 317-327 Dacosta Kaufmann 1985 Thomas Dacosta Kaufmann: L'ecole de Prague. La peinture a la cour de Rodolphe Il. Paris 1985 Dacosta Kaufmann 1988 Thomas Dacosta Kaufmann: The school of Prague. Painting at the Court of Rudolf II. Chi­ cago, London 1988 Van Damme 1990 J. Van Damme: De Antwerpse tafereelmakers en hun merken. Identificatie en betekenis. In: Jaarboek van het Koninklijk Museum voor Schone Kunsten Antwerpen, 1990, S. 193-236 Darlington/Howgego 1964 Ida Darlington, James Howgego: Printed maps of London circa 1553-1850. London 1964 Dattenberg 1967 Heinrich Dattenberg: Niederrheinansichten holländischer Künstler des 17. Jahrhunderts. Düsseldorf 1967. Davies 1978 Alice I. Davies: Allart van Everdingen. Phi!. Diss. Cambridge 1973. New York, London 1978 Delen 1934 A.J.J. Delen: Histoire de la gravure dans les anciens Pays-Bas et dans !es provinces belges des origines jusqu'a la fin du 18e siede. 3 Bde., Paris 1924, 1934, 1935 Denuce 1932 Jan Denuce: Inventare von Kunstsammlungen zu Antwerpen im 16. und 17. Jahrhundert. Antwerpen 1932 Depaux 1993 C. Depaux: Peeter van der Borcht (1535/40-1608): De kunstenaar als inventor of creator van botanische illustraties. In: De Botanica in de zuidelijke Nederlanden. Ausstellung Museum Plantin Moretus Antwerpen, 1993, S. 47-56 Devisscher 1992 Hans Devisscher: Die Entstehung der Waldlandschaft in den Niederlanden. In: Ausst.-Kat. Köln 1992, S. 191-202 Devliegher 1971 Luc Devliegher: Kunstpatrimonium van West-Vlaanderen. Deel5. Damme. Tielt, Lannoo 1971 210 LITERATURVERZEICHNIS Dollmayr 1898 Herma= Dollmayr: Hieronymus Bosch und die Darstellung der vier letzten Dinge. In: Jahrbuch der kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, Bd. 19, 1898, S. 284-343 Doutrepont 1937 Antoinette Doutrepont: Martin de Vos et l'Entree triomphale de l'Archiduc Ernest d'Autriche a Anvers en 1594. In: Bulletin de l'Institut historique belge de Rome, XVIII, 1937, S. 125-198 Drossaers 1930 S. W A. Drossaers: Inventari~ van de meubelen van het Stadhouderlijk kwartier met het Speel­ huis en van het Huis in het'Noordeinde te 's Gravenhage. Met aanteekeningen van C Hof­ stede de Groot en CH. DeJonghe. In: Oud-Holland, XLVII, 1930, S. 193-236 u. S. 241-276 Dülberg 1898/99 Franz Dülberg: Altholland in Wörlitz. In: Zeitschrift für bildende Kunst, Neue Folge, X, 1898/1899,S.273-280 Dülberg 1915 Franz Dülberg: Frühholländer. 3 Bde., Haarlem 1915 Dunbar 1974-80 . Burton L. Dunbar: The Landscape Paintings of Cornelis Massys. In: Bulletin Musees Royaux des Beaux-Arts de Belgique 1974-80, S. 97-126 Ebenstein 1907 Ernst Ebenstein: Der Hofmaler Frans Luycx. In: Jahrbuch der Kunstsammlungen des Aller­ höchsten Kaiserhauses, 1907, S. 183-254 Ebert 1963 Hans Ebert: Kriegsverluste der Dresdener Gemäldegalerie. Vernichtete und vermißte Werke. Dresden 1963 Ekkart 1990 Rudolf E. 0. Ekkart: Portret van Enkhuizen in de gouden eeuw. Zwolle 1990 Ember 1985 Ilclik6 Ember: Delights for the Senses. Dutch and Flemish still-life paintings from Budapest Museum of Fine Arts. Wausau (Wisc.) 1989 Emmens 1973 J. A. Emmens: ,Eins aber ist nötig' - Zu Inhalt und Bedeutung von Markt- und Küchenstücken des 16. Jahrhunderts. In: Album amicorum J. G. van Gelder. Den Haag 1973, S. 93-101 Erasmus 1908 Kurt Erasmus: Roelant Savery. Sein Leben und seine Werke. Inaugural-Dissertation zur Er­ langung der Doktorwürde bei der hohen philosophischen Fakultät der vereinigten Friedrichs­ Universität Halle-Wittenberg.
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