Bill Callahan Sometimes I Wish We Were an Eagle Lyrics
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It Might Just Be Ravens Writing in Mid-Air
FEATURE ARTICLE It Might Just Be Ravens Writing in Mid-Air DAVID W. JARDINE University of Calgary A Small Start And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. T. S. Eliot, from Quartet No. 4, Section 5 of “Four Quartets” (lines 36–39) But then something about the sentence that followed stuck out. As a kid, I was just a kid. It sounds like a line from a Bill Callahan song. Is he saying, “Let’s leave that alone,” because there is something deeper he doesn’t want to discuss, or is it that there is really nothing there? Does it matter? Mark Richardson (2013, n.p.) from “A Window That Isn’t There: The Elusive Art of Bill Callahan” T MATTERS, but just how it matters and how much and to whom and to what end is not just a I tough call but a call that needs to be considered again and again, at every turn of circumstance. This is part of the sweet frustration of the interpretive life, that there is no single declaration. Stories get retold in the bury of the circumstances that call for them. And the pedagogical art of sensing that call is itself a practice, part of whose efficacy and worth is linked intimately to the very tale it considers. Thus, the places, the locales of consideration—with all their convoluted stories and memory and fantasy and desire and inhabitants—have something to say, here, too. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok
SENTIREASCOLTARE online music magazine APRILE N. 30 post-wall music To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low Stars Of The Lid Smog I Nipoti del Capitano Cristina Zavalloni sBilly e n t i r e aNichollss c o l t a r e sommario 4 News 8 The Lights On Hans Appelqvist, King Kong, Laura Veirs, Valet 2 Speciali Keren Ann, Feist, Low, Stars Of The Lid, Smog, Post-Wall Music 7 Recensioni Humcrush, Lindstrom, Blonde Redhead, 8 Bill Callahan, Hetero Skeleton, John Cale, Maximo Park, Arctic Monkeys... 8 Rubriche (Gi)Ant Steps Wayne Shorter We Are Demo: Improponibili, Morvida, Damien... Classic Billy Nicholls, i Nipoti del Capitano, The Associates, Fabrizio De Andrè Cinema 28 Cult: l’infernale Quinlan Visioni Diario di uno scandalo, L’albero della vita, Saturno contro... I cosiddetti contemporanei: Intervista a Cristina Zavalloni 75 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Federico Romagnoli, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Tarwater SentireAscoltare online music magazine Copyright © 2007 Edoardo Bridda. Tutti i Registrazione Trib.BO N° 7590 diritti riservati. del 28/10/05 La riproduzione totale o parziale, in qualsiasi s e n t i r e a s c o l t a r e Editore Edoardo Bridda forma, su qualsiasi supporto e con qualsiasi Direttore responsabile Antonello Comunale mezzo, è proibita senza autorizzazione 98 Provider NGI S.p.A. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
Bill Callahan (Musician) Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ— ¶É—´È¡¨)
Bill Callahan (musician) 音樂專輯 串行 (专辑 & æ— ¶é—´è¡¨) Knock Knock https://zh.listvote.com/lists/music/albums/knock-knock-1473828/songs Red Apple Falls https://zh.listvote.com/lists/music/albums/red-apple-falls-7303647/songs Wild Love https://zh.listvote.com/lists/music/albums/wild-love-8000715/songs Sometimes I Wish We Were an https://zh.listvote.com/lists/music/albums/sometimes-i-wish-we-were-an-eagle- Eagle 2299715/songs Julius Caesar https://zh.listvote.com/lists/music/albums/julius-caesar-6309711/songs Woke on a Whaleheart https://zh.listvote.com/lists/music/albums/woke-on-a-whaleheart-8029311/songs The Doctor Came at Dawn https://zh.listvote.com/lists/music/albums/the-doctor-came-at-dawn-7730475/songs Sewn to the Sky https://zh.listvote.com/lists/music/albums/sewn-to-the-sky-7458291/songs Dongs of Sevotion https://zh.listvote.com/lists/music/albums/dongs-of-sevotion-5296012/songs A River Ain't Too Much to Love https://zh.listvote.com/lists/music/albums/a-river-ain%27t-too-much-to-love-4659231/songs Supper https://zh.listvote.com/lists/music/albums/supper-7644422/songs Rain on Lens https://zh.listvote.com/lists/music/albums/rain-on-lens-7284510/songs Forgotten Foundation https://zh.listvote.com/lists/music/albums/forgotten-foundation-5469740/songs Dream River https://zh.listvote.com/lists/music/albums/dream-river-15818523/songs Gold Record https://zh.listvote.com/lists/music/albums/gold-record-99235371/songs Shepherd in a Sheepskin Vest https://zh.listvote.com/lists/music/albums/shepherd-in-a-sheepskin-vest-85800798/songs Have Fun with God https://zh.listvote.com/lists/music/albums/have-fun-with-god-18160881/songs Accumulation: None https://zh.listvote.com/lists/music/albums/accumulation%3A-none-4672901/songs Apocalypse https://zh.listvote.com/lists/music/albums/apocalypse-618759/songs. -
Vinyl Stock List - August 2020 (03) 6234 2039 | Tommygunrecords.Com | Facebook.Com/Tommygunhobart
TOMMY GUN RECORDS VINYL STOCK LIST - AUGUST 2020 (03) 6234 2039 | TOMMYGUNRECORDS.COM | FACEBOOK.COM/TOMMYGUNHOBART WARPLP302X !!! WALLOP 47.99 PIE027LP #1 DADS GOLDEN REPAIR 44.99 PIE005LP #1 DADS MAN OF LEISURE 35 8122794723 10,000 MANIACS OUR TIME IN EDEN 45 SSM144LP 1927 ISH 39.99 7202581 24 CARAT BLACK GHETTO 69 USI_B001655701 2PAC 2PACALYPSE NOW 49.95 7783828 2PAC THUG LIFE 49.99 FWR004 360 UTOPIA 49.99 5809181 A PERFECT CIRCLE THIRTEENTH STEP 49.95 6777554 A STAR IS BORN SOUNDTRACK 67.99 JIV41490.1 A TRIBE CALLED QUEST MIDNIGHT MARAUDERS 49.99 R14734 A TRIBE CALLED QUEST PEOPLE'S INSTINCTIVE TRAVELS 69.99 5351106 ABBA GOLD 49.99 19075850371 ABORTED TERRORVISION COLOURED VINYL 49.99 88697383771 AC/DC BLACK ICE 49.99 5107611 AC/DC LET THERE BE ROCK 41.99 5107621 AC/DC POWERAGE 47.99 5107581 ACDC 74 JAIL BREAK 49.99 5107651 ACDC BACK IN BLACK 45 XLLP313 ADELE 19 32.99 XLLP520 ADELE 21 32.99 XLLP740 ADELE 25 29.99 1866310761 ADOLESCENTS THE COMPLETE DEMOS 34.95 LL030LP ADRIAN YOUNGE SOMETHING ABOUT APRIL II 52.8 M27196 AEROSMITH ST 39.99 J12713 AFGHAN WHIGS 1965 49.99 P18761 AFGHAN WHIGS BLACK LOVE 42.99 OP048 AGAINST ALL LOGIC 2012-2017 59.99 OP053 AGAINST ALL LOGIC 2017-2019 61.99 S80109 AIMEE MANN MENTAL ILLNESS 42.95 7747280 AINTS 5,6,7,8,9 39.99 1.90296E+11 AIR CASANOVA 70 PIC DISC RSD 40 2438488481 AIR VIRGIN SUICIDE 37.99 SPINE799189 AIRBOURNE BREAKIN OUTTA HELL STND EDT 45.95 NW31135-1 AIRBOURNE DIAMOND CUTS THE B SIDES 44.99 FN279LP AK79 40TH ANNIV EDT 63.99 VS001 ALAN BRAUFMAN VALLEY OF SEARCH 47.99 M76741 ALAN PARSONS I -
Song List by Artist
song artist album label dj year-month-order sample of the whistled language silbo Nina 2006-04-10 rich man’s frug (video - movie clip) sweet charity Nayland 2008-03-07 dungeon ballet (video - movie clip) 5,000 fingers of dr. t Nayland 2008-03-08 plainfin midshipman the diversity of animal sounds Nina 2008-10-10 my bathroom the bathrooms are coming Nayland 2010-05-03 the billy bee song Nayland 2013-11-09 bootsie the elf bootsie the elf Nayland 2013-12-10 david bowie, brian eno and tony visconti record 'warszawa' Dan 2015-04-03 "22" with little red, tangle eye, & early in the mornin' hard hair prison songs vol 1: murderous home rounder alison 1998-04-14 phil's baby (found by jaime fillmore) the relay project (audio magazine) Nina 2006-01-02 [unknown title] [unknown artist] cambodian rocks (track 22) parallel world bryan 2000-10-01 hey jude (youtube video) [unknown] Nina 2008-03-09 carry on my wayward son (youtube video) [unknown] Nina 2008-03-10 Sri Vidya Shrine Prayer [unknown] [no album] Nina 2016-07-04 Sasalimpetan [unknown] Seleksi Tembang Cantik Tom B. 2018-11-08 i'm mandy, fly me 10cc changing faces, the best of 10cc and polydor godley & crème Dan 2003-01-04 animal speaks 15.60.76 jimmy bell's still in town Brian 2010-05-02 derelicts of dialect 3rd bass derelicts of dialect sony Brian 2001-08-09 naima (remix) 4hero Dan 2010-11-04 magical dream 808 state tim s. 2013-03-13 punchbag a band of bees sunshine hit me astralwerks derick 2004-01-10 We got it from Here...Thank You 4 We the People... -
Trouble Songs
trouble songs Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-proft press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afoat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t fnd a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) trouble songs. Copyright © 2018 by Jef T. Johnson. Tis work carries a Cre- ative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and trans- formation, you distribute your rebuild under the same license. http://creative- commons.org/licenses/by-nc-sa/4.0/ First published in 2018 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-947447-44-8 (print) ISBN-13: 978-1-947447-45-5 (ePDF) lccn: 2018930421 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
Wilderness Tracks - Episode 5 Laura Barton
WILDERNESS TRACKS - EPISODE 5 LAURA BARTON SPEAKERS Laura Barton, Geoff Bird Geoff Bird 00:09 Welcome to Wilderness Tracks recorded at the timber festival in the National Forest. In each edition a writer, artist or musician, tells me Geoff Bird about six songs that somehow connect them with nature. Today's guest, Laura Barton has been described as one of the world's best music writers. And in both her written and her radio work, including the series 'Notes from a Musical Island', she beautifully evokes and explores the relationship between landscape, and song. So we're gonna get to the music in a little while. First of all, though, I have to confess, I don't actually like a lot of music writing, because so often it's kind of rock family trees, description of music, you know, who played keyboards on that album. And it's about chord progressions. And it's very I spent this morning, actually, just before we came on stage, checking some facts on my phone, in case you asked me any of these kinds of questions, cos I won't know the answers. I'm not in the least bit interested. But what I - so the reason I love your writing in particular about music is it puts it in the world. And it's, it seems to me, at least to be about the relationship and the effect that music has on you and us in real life and in the environment. So if that's true, how conscious a choice has that been in your writing? Laura Barton 01:25 Um, it's kind of how I would instinctively write about music, which I hope probably comes across, I think there was a point when I started - I started at The Guardian. -
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FEATURE ARTICLE It Might Just Be Ravens Writing in Mid-Air DAVID W. JARDINE University of Calgary A Small Start And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. T. S. Eliot, from Quartet No. 4, Section 5 of “Four Quartets” (lines 36–39) But then something about the sentence that followed stuck out. As a kid, I was just a kid. It sounds like a line from a Bill Callahan song. Is he saying, “Let’s leave that alone,” because there is something deeper he doesn’t want to discuss, or is it that there is really nothing there? Does it matter? Mark Richardson (2013, n.p.) from “A Window That Isn’t There: The Elusive Art of Bill Callahan” T MATTERS, but just how it matters and how much and to whom and to what end is not just a I tough call but a call that needs to be considered again and again, at every turn of circumstance. This is part of the sweet frustration of the interpretive life, that there is no single declaration. Stories get retold in the bury of the circumstances that call for them. And the pedagogical art of sensing that call is itself a practice, part of whose efficacy and worth is linked intimately to the very tale it considers. Thus, the places, the locales of consideration—with all their convoluted stories and memory and fantasy and desire and inhabitants—have something to say, here, too. -
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