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Presentazione Sarcofagi-V.Pdf
Corso di Egittologia e civiltà copta, Prof.ssa P. Buzi Lezione monografica I sarcofagi nell’Antico Egitto Un’introduzione alla loro evoluzione stilistica ed iconografica Valeria Tappeti 28/11/2019 Pagina 2 Qrsw e altri termini qrsw (Wb V, 65, 13-14): “sarcofago”, anche usato come determinativo. Indica la tipologia di sarcofago più diffusa durante l’Antico Regno: modello architettonico con coperchio voltato e barre finali. Nella mastaba di Senedjemib Inti (G 2370, V Din.) si trova un rilievo con la scena del trasporto di un sarcofago qrsw, insieme al relativo coperchio (‘ɜ), dalle cave di Tura. ḏrwt (Wb V, 601, 3): in Pyr. 616 d. nb ‘nḫ (Wb I, 199, 14): il soprintendente all’Alto Egitto Uni fu inviato da Merenra presso le cave di granito di Ibeht, a SE della II cateratta, per prendere il sarcofago, nb ‘nḫ, hn n nb ‘nḫw, “signore della vita, cassa dei viventi” (Urk. I, 106, 14). ḏbɜt (Wb V, 561, 9-10): si riferisce a sarcofagi litici e lignei, indica più probabilmente il “sarcofago esterno” in contrapposizione a wt, letteralmente “involucro”, che denoterà il sarcofago antropoide introdotto alla fine del Medio Regno. mn-‘nḫ (Wb II, 63, 1): possibilmente l’equivalente ramesside di nb ‘nḫ. Pagina 3 Funzione e aspetti religiosi • Protezione: preservazione del corpo per assicurare al defunto la sopravvivenza nell’aldilà. Questo aspetto/potere simbolico e religioso era assicurato per mezzo della forma del sarcofago e della selezione di testi e immagini ivi raffigurati (capacità performativa di immagine e parola: protezione della mummia conservata all’interno del sarcofago, letteralmente “avvolta” dalle formule inscritte e dipinte). -
Ancient Egyptians Believed in an Afterlife
Note To the Teacher This kit is designed to help your students learn more about Ancient Egypt by viewing images from the Walters Art Museum collection. The scope ranges from the Middle Kingdom (Dynasties ca. 2061-1640 BCE) through the Ptolemaic Period (332-30 BCE). You will find ten images of objects from Ancient Egypt. In addition to the images, there is a timeline, essays about the museum objects; lesson plans for elementary, middle grades and high school, and bibliographies with resources to assist you in your class presentation. Resources include: a vocabulary list, books for you and your students, websites, videos and other art tools. TRK Borrowing Policy Please… 1. Return this kit in person or by mail on or by its due date. A valid credit card number is required to borrow Teacher Resource Kits. A $25.00 fee will be charged for kits that are returned up to one month late. Borrowers will be assessed the pur- chase cost of kits borrowed if materials are returned more than one month late. The box the TRK was sent in can be reused for its return. 2. Keep your TRK intact and in working order. You are responsible for the contents of this kit while it is in your possession. If any item is miss- ing or damaged, please contact the Department of School Programs at 410.547.9000, ext. 298, as soon as possible. 3. Fill out the TRK Evaluation so that kits can be improved with your input and student feedback. Please return the Teacher Resource Kit to: Department of School Programs Division of Education and Public Programs The Walters Art Museum 600 North Charles Street Baltimore, MD 21201-5185 Copyright Statement Materials contained in this Education kit are not to be reproduced or transmitted in any format, other than for educational use, without specific advance written permission from the Walters Art Museum. -
I2.Ed-Fu~ 2005 (Gos-L-Vy\)
'r-1fO vV' : D, £" I2.e-d-fu~ 2005 THE EARLY 18TH DYNASTY II ~ l)J ~l \,.~ "V' S'f vi '" <\. "" d Ptl U.&-hVVOt.. (BEFORE YEAR 22 OF THUTMOSE III) ~-\ ~\.-l+ vVl o~ \ 1\ II Bv-il\ (GoS-l-vY\) The extent of Egyptian involvement in the early 18th Dynasty was modest and in many respects "traditional." In terms of hostile incur- sions of a military nature, the Pharaohs of the time rarely indulged themselves, 1 One can point to the reduction of Sharuhen and excursions into the Byblos region by Ahmose,2 a possible clash somewhere in Asia(?) Under Amenophis 1,3 a more formal invasion of the Orontes and north Syria by Thutmose 1,4 and punitive action against transhumants, I For the evidence see D.B. Redford, "A Gate Inscription from Karnak and Egyptian Involvement in Western Asia during the Early 18th Dynasty," ]AOS 99 (1979), 270-87. The Position of Heick (Geschichte des Alten Aegypten, Leiden, 1968), viz. that Ahmose automatically stepped into the Hyksos ruler's role as overlord of Asia, is rightly rejected by H. Goedicke, "The End of the Hyksos in Egypt," in L.H. Lesko (ed), Egyptological Studies in Honor if Richard H. Parker (Providence, 1986), 46-7. I must add, however, that I never espoused this view, pointing only to Egyptian traditional perception. 2 C. Vandersleyan, Les Guerres d'Amosis, Bruxelles, 1971. 3 Cf. The large and beautiful limestone shrine of Amenophis I in the Sheikh Labib storeroom at Karnak (personal observation) with a large scene-king's figure c. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
ABSTRACT Sarcophagi in Context: Identifying the Missing Sarcophagus of Helena in the Mausoleum of Constantina Jackson Perry
ABSTRACT Sarcophagi in Context: Identifying the Missing Sarcophagus of Helena in the Mausoleum of Constantina Jackson Perry Director: Nathan T. Elkins, Ph.D The Mausoleum of Constantina and Helena in Rome once held two sarcophagi, but the second has never been properly identified. Using the decoration in the mausoleum and recent archaeological studies, this thesis identifies the probable design of the second sarcophagus. This reconstruction is confirmed by a fragment in the Istanbul Museum, which belonged to the lost sarcophagus. This is contrary to the current misattribution of the fragment to the sarcophagus of Constantine. This is only the third positively identified imperial sarcophagus recovered in Constantinople. This identification corrects misconceptions about both the design of the mausoleum and the history of the fragment itself. Using this identification, this thesis will also posit that an altar was originally placed in the mausoleum, a discovery central in correcting misconceptions about the 4th century imperial liturgy. Finally, it will posit that the decorative scheme of the mausoleum was not random, but was carefully thought out in connection to the imperial funerary liturgy itself. APPROVED BY DIRECTOR OF HONORS THESIS _____________________________________________ Dr. Nathan T. Elkins, Art Department APPROVED BY THE HONORS PROGRAM ____________________________________________ Dr. Andrew Wisely, Director DATE: _____________________ SARCOPHAGI IN CONTEXT: IDENTIFYING THE MISSING SARCOPHAGUS OF HELENA IN THE MAUSOLEUM OF -
Roman Art from the Louvre
Roman Art from the Louvre Resource for Educators American Federation of Arts Roman Art from the Louvre Resource for Educators American Federation of Arts Roman Art from the Louvre is organized by the American Federation of Arts and the Musée du Louvre. The exhibition is supported by an indemnity American Federation of Arts 305 East 47th Street, 10th floor from the Federal Council on the Arts and the Humanities. New York, NY 10017 212.988.7700 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes scholarly exhibition cata- logues, and develops educational materials and programs. © 2007 American Federation of Arts All materials included in this resource may be reproduced for educational purposes. Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x226 [email protected] Exhibition Itinerary Indianapolis Museum of Art September 23, 2007–January 6, 2008 Seattle Art Museum February 21–May 11, 2008 Oklahoma City Museum of Art June 19–October 12, 2008 Design/Production: Emily Lessard Front cover: Fragment of a Relief of a Double Suovetaurilia Sacrifice (detail), 1st or 2nd quarter of 1st century A.D. (no. 4) Back cover: Knife Handle in the Shape of a Thracian Gladiator, 2nd half of 1st century A.D. (no. 6) CONTENTS About This Resource 4 Exhibition Overview 5 Ancient Roman Society 6 History of Ancient Rome Government—The Emperor and the Senate Citizenship Non-Citizens—Foreigners, Slaves, and Freedmen Leisure 10 The Baths Roman Theater Circus Maximus The Amphitheater Religion 11 Guide to Roman Gods and Goddesses 13 Guide to Roman Vessel Forms 16 Interesting Facts about Ancient Rome 18 Selected Works of Art 19 1. -
Press Release the Tomb of Alexander the Great & the Graves Of
Press Release By Andrew M. Chugg The Tomb of Alexander the Great & the Graves of the Last Pharaohs Alexander the Great on a silver coin minted by his general Lysimachos twenty-five years after Alexander’s death (collection of Andrew M. Chugg) Key messages: • A newly discovered fit between a piece of ancient tomb from the foundations of St Mark’s in Venice and a sarcophagus in the British Museum may confirm the location and appearance of the tomb of Alexander the Great. • This fit has long been obscured by damage to the base of the sarcophagus, which was repaired with concrete in the 19th century that was removed in the 20th century. • The location of Alexander’s tomb indicates exactly where to find the lost royal cemetery of the last native pharaohs of Egypt and the mausoleums of the Greek pharaohs that succeeded them. • The new evidence also confirms that the remains supposed to be those of St Mark the Evangelist lying within a coffin in the high altar of St Mark’s in Venice could well be the bones of Alexander the Great. 1 • The British Museum has agreed to change its “Curator’s Comments” on its website page for the sarcophagus from “This object was incorrectly believed to be associated with Alexander the Great when it entered the collection in 1803.” to “This object was believed to be associated with Alexander the Great when it entered the collection in 1803.” Introduction In 2004 a book entitled The Lost Tomb of Alexander the Great by Andrew Michael Chugg was published in London. -
Aegyptiannamesfemale.Pdf
Aahotep Fareeza Kesi Mukantagara OJufemi Sobkneferu Aat Fayrouz Khamaat Mukarramma Olabisi Sopdu Abana Femi Khamereernebty Muminah Olufemi Sotepenre Abar Fukayna Khamerernebty Mut Omorose Sponnesis Acenath Gehane Khasnebu Mutemhab Oni Sslama Adjedaa Gilukhepa Khedebneithireretbeneret Mutemwia Oseye Stateira Afshan Habibah Khenemet Mutemwiya Pakhet Subira Ahhotep Hafsah Khensa Mutneferu Panya Suma Ahhotpe Halima Khent Mutnefret Pasht Sutailja Ahmose- Meryetamun Hapu Khenteyetka Mutnodjme Pebatma Tabes Ahmose-Nefertiri Haqikah Khentkaues Mutnodjmet Peksater Tabesheribet Ahmose Hasina Khentkawes Muttuy Peshet Tabesheritbet Ahwere Hathor Khepri Muyet Phoenix Tabia Ain Hatnofer Khnemetamun Nabirye Pili Tabiry Ajalae Hatshepsut Khnumet Naeemah Pipuy Tabubu Akila Hebeny Khonsu Nailah Ptolema Taheret Alexandria Hehenhit Khutenptah Nait Ptolemais Tahirah Amanishakheto Hehet Kissa Nakht Qalhata Tahpenes Amenemopet Henetmire Kiya Nakhtsebastetru Qemanub Taimhotep Amenia Henhenet Koss Naneferher Quibilah Tairetdjeret Amenirdis Hentempet Kthyopia Nany Rabiah Tais Amenkhenwast Hentmira Lapis Nathifa Rai Taiuhery Amenti Henttawy Layla Naunakht Ramla Takhaaenbbastet Amessis Henttimehu Lotus Naunakhte Rashida Takharu Amosis Hentutwedjebu Maahorneferure Naunet Raziya Takhat Amunet Henut Maalana Nebefer Reddjedet Takheredeneset Amunnefret Henutdemit Maat Nebet Rehema Tale Anat Henutmehyt Maatkare Nebetawy Renenet Talibah Anhai Henutmire Maatneferure Nebethetepet Renenutet Tamin Anhay Henutnofret Maetkare Nebethut Reonet Tamutnefret Anippe Henutsen Mafuane -
Perceptions of Phoenician Identity and Material Culture As Reflected in Museum Records and Displays
Elusive Phoenicians | Perceptions of Phoenician identity and material culture as reflected in museum records and displays Lamia Sassine Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy September 2020 Acknowledgements First and foremost, this thesis goes to my parents, who have worked hard to ensure there was another doctor in the family (although probably not the kind they initially hoped for). Thank you for being my main sponsors and support. This work would also have been impossible without my amazing supervisors. Sue, it was an honour to be one of your last students, you have been a true hero to archaeology and working with you for three years made it very clear why. Jane, thank you for always being there on the more practical side of things and for always making time for me, academia needs you. I also owe a lot to every curator and archivist who made me feel welcome and fed this thesis with the information they gave me. These people are: Elena Aguilera Collado, Anne-Marie Afeiche, Carla Del Vais, Lucia Ferruzza, Lamia Fersi, Maria Grazia Griffo, Thomas Kiely, Aurora Ladero, Hélène Le Meaux, María Dolores López De La Orden, Reine Mady, Giuseppa Mizzaro, Sara Muscuso, José Ángel Palomares Samper, Despina Pilides, Manuela Puddu, Alicia Rodero, Virginia Salve, Concha San Martín, Giuliana Sara, Anna Satraki, Sharon Sultana, Pamela Toti, Jonathan Tubb, Juan Ignacio Vallejo Sánchez, Yiannis Violaris, and Eftychia Zachariou. Thank you to Hélène Sader for pushing me to pursue a PhD in the first place and seeing potential in me. -
Egypt in the Old Kingdom the British Museum the Pyramids and Tombs
Egypt in the Old Kingdom The British Museum The pyramids and tombs of Egypt's Old Kingdom (Third to Sixth Dynasties, about 2686- 2181 BC), with their magnificent reliefs, paintings, statues and stelae, have often been seen as the epitome of the whole of ancient Egypt. Indeed, if the Early Dynastic period was the formative period in which the bases of Egyptian civilization were firmly established, the Old Kingdom was when it came of age. From the Fourth Dynasty, the administration of the country was highly organised, controlled by civil servants from the royal residence at Memphis, where the king was supreme. The efficiency of the administration is no better exemplified than in the building of the pyramids: it is estimated that the Great Pyramid when complete contained about 2,300,000 blocks of stone of an average weight of 2½ tons, all of which had to be transported from quarry to site. This tour features objects from the period in the British Museum's collection, including remains of the fabric of the early royal pyramids, architectural elements and sculpture from the tombs of the officials that ran the country and a papyrus from one of the most important adminstrative archives of the period. Source URL: http://www.britishmuseum.org/explore/online_tours/egypt/egypt_in_the_old_kingdom/egypt_in_the_old_kingdom.aspx Saylor URL: http://www.saylor.org/courses/arth201 Saylor.org Reposted with permission for educational use by the British Museum. Page 1 of 14 Faience tile from the Step Pyramid of Djoser While brick remained the basic building material of structures for living in, whether palaces or the houses of the ordinary people, stone was gradually introduced for temples and the tombs of royalty and the élite. -
IFRIQAYA Notes for a Tour of Northern Africa in September-October 2011
IFRIQAYA notes for a tour of northern Africa in September-October 2011 Miles Lewis Cover illustration: the Castellum of Kaoua. Gsell, Monuments Antiques, I, p 105. CONTENTS Preamble 5 History 6 Modern Algeria 45 Modern Tunisia 58 Modern Libya 65 Timeline 65 Pre-Roman Architecture 72 Greek & Roman Architecture 75 Christian Architecture 87 Islamic Architecture 98 Islamic and Vernacular Building Types 100 Pisé and Concrete 102 The Entablature and Dosseret Block 104 Reconstruction of the Classical Language 107 LIBYA day 1: Benghazi 109 day 2: the Pentapolis 110 day 3: Sabratha 118 day 4: Lepcis Magna & the Villa Sileen 123 day 5: Ghadames 141 day 6: Nalut, Kabaw, Qasr-el-Haj 142 day 7: Tripoli 144 TUNISIA day 8: Tunis & Carthage 150 day 9: the Matmata Plateau 160 day 10: Sbeitla; Kairouan 167 day 11: El Jem 181 day 12: Cap Bon; Kerkouane 184 day 13: rest day – options 187 day 14: Thuburbo Majus; Dougga 190 day 15: Chemtou; Bulla Regia; Tabarka 199 ALGERIA day 16: Ain Drahram; cross to Algeria; Hippo 201 day 17: Hippo; Tiddis; Constantine 207 day 18: Tébessa 209 day 19: Timgad; Lambaesis 214 day 20: Djémila 229 day 21: Algiers 240 day 22: Tipasa & Cherchell 243 day 23: Tlemcen 252 Ifriqaya 5 PREAMBLE This trip is structured about but by no means confined to Roman sites in North Africa, specifically today’s Libya, Tunisia and Algeria. But we look also at the vernacular, the Carthaginian, the Byzantine and the early Islamic in the same region. In the event the war in Libya has forced us to omit that country from the current excursion, though the notes remain here. -
Ä G Y P T I S C H E
Ä g y p t i s c h e Geschichte Ä g y p t e n Ägyptische Genealogie und Geschichte nach Erkenntnis von Gotthard Matysik Pharao Tutanchamun Pharaonen-Thron Nofretete Ägyptologen: Champollion Jean Francois (Franzose), entzifferte 1822 die ägyptischen Hieroglyphen Belzoni (Italiener), der Sammler Lepsius (Deutscher), der Ordner Mariette (Franzose), der Bewahrer Petrie (Engländer), der Messende u. Deuter Schlögl (Schweiz) Historiker der Geschichte Ägyptens: Manetho, ägyptischer Hohepriester in Heliopolis, * in Sebennytos im 3. Jahrhundert v. Chr., Verfasser einer nicht original überlieferten Pharaonengeschichte mit ihrer Einteilung in 30 Dynastien. Diodorus Sicullus, aus Sizilien, griechischer Historiker, 1. Jahrhundert v. Chr., Verfasser einer ägyptischen Geschichte Prf. Kenneth Kitchen (Ägyptologe). Verfasser des „The Third Intermediate Period in Egypt“ von 1973 Dr. David Rohl, Verfasser von „Pharaonen u. Propheten“ u. „Das Alte Testament auf dem Prüfstand“ von 1996 Herrscher in ä g y p t e n Stufenmastaba von König Djoser Felsentempel von Abu Simbel Das Schwarze Land (ägyptisch: Kemet) war der Wohnsitz des Horus, eines lebenden Königs u. seiner göttlichen Mutter Isis. Das Rote Land (ägyptisch: Deschret), die riesige Wüste, das Reich der Gefahr u. des Unheils, regiert von Seth (ägyptisch: Set Sutech), dem Gott des Chaos. Pharao (Titel) = par-o = großes Tor (ähnlich der „hohen Pforte) Vordynastische Periode vor 3200 bis 3150 vor Chr. um 3400 v. Chr. Onyxkopfstandarte Fingerschnecke Fisch Pen-abu um 3300 Elefant Funde könnten seinen Namen tragen, Lesung unsicher. Stier um 3250 Rinderkopfstandarte, vermutl. Kleinkönig von Skorpion I. besiegt. Skorpion I. um 3250 v. Chr. Skorpion I. in Oberägypten. Schrift und Bewässerungsanlagen wurden eingeführt. Grab in Abydos 1988 entdeckt.