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The Sudan National Museum in Khartoum
The Sudan National Museum in Khartoum AN ILLUSTRATED GUIDE FOR VISITORS A short history of the Sudan To get a good overview of the history of the Sudan, it is quite handy to start with a map. Geography explains the history of a country quite well, but it is all the more true in Sudan, a wide desert spread crossed only by the thin strip in the shape of an “S” that is the Middle Nile valley, interrupted by five of the six cataracts. In the entrance of the exhibition hall of the Museum, a big bilingual map (Arabic/English) was put up three years ago. There had to be modifications to be made following the independence of South Sudan. As far as archaeology is concerned, the main topic of this visit is Sudan proper. Ancient remains have been found from the border with Egypt to the Khartoum region and the Blue Nile, but not much to the south. In the South, the soil and the climate do not allow a good preservation of artifacts and skeletons. The cultures that have evolved there were using perishable building materials such as wood that did not survive in the acid soil of the rainforest; whereas in the North, like in Meroe for example, stone and brick architecture buried in the sand can be preserved for millennia and it is the material that Egyptologists are accustomed to study. The border between Egypt and Sudan, today located slightly north of the second cataract, is one of the oldest in the world. It has been there for approximately 5000 years. -
Current Research in Egyptology 2019
Current Research in Egyptology 2019 Proceedings of the Twentieth Annual Symposium, University of Alcalá, 17–21 June 2019 Edited by Marta Arranz Cárcamo, Raúl Sánchez Casado, Albert Planelles Orozco, Sergio Alarcón Robledo, Jónatan Ortiz García, Patricia Mora Riudavets Access Archaeology haeopr c es r s A A y c g c e o l s o s e A a r c Ah About Access Archaeology Access Archaeology offers a different publishing model for specialist academic material that might traditionally prove commercially unviable, perhaps due to its sheer extent or volume of colour content, or simply due to its relatively niche field of interest. This could apply, for example, to a PhD dissertation or a catalogue of archaeological data. All Access Archaeology publications are available as a free-to-download pdf eBook and in print format. The free pdf download model supports dissemination in areas of the world where budgets are more severely limited, and also allows individual academics from all over the world the opportunity to access the material privately, rather than relying solely on their university or public library. Print copies, nevertheless, remain available to individuals and institutions who need or prefer them. The material is refereed and/or peer reviewed. Copy-editing takes place prior to submission of the work for publication and is the responsibility of the author. Academics who are able to supply print- ready material are not charged any fee to publish (including making the material available as a free-to- download pdf). In some instances the material is type-set in-house and in these cases a small charge is passed on for layout work. -
Article Download
wjert, 2019, Vol. 5, Issue 1, 139-163. Original Article ISSN 2454-695X Galal . World Journal of Engineering World Journal of Research Engineering and Research Technology and Technology WJERT www.wjer t.org SJIF Impact Factor: 5.218 MECHANICAL ENGINEERING IN ANCIENT EGYPT, PART 78: COFFINS AND SARCOPHAGI INSCRIPTION Prof. Dr. Galal Ali Hassaan* Emeritus Professor, Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Egypt. Article Received on 14/11/2018 Article Revised on 04/12/2018 Article Accepted on 25/12/2018 ABSTRACT *Corresponding Author The objective of this paper is to investigate the development of Prof. Dr. Galal Ali Hassaan Emeritus Professor, mechanical engineering in ancient Egypt through the study of writing Department of Mechanical in ancient Egypt using the surfaces of funerary coffins and sarcophagi Design & Production, during a time span from the Old Kingdom to the Late Periods. This Faculty of Engineering, study covers the different types of inscribed coffins and sarcophagi Cairo University, Egypt. produced during this period and how the ancient Egyptians registered their personal names and funerary texts on objects manufactured from different materials. The material, period, dimensions, inscription type and present location are all outlined. KEYWORDS: Mechanical engineering history, ancient Egypt, sarcophagi inscription, coffins inscription, Old Kingdom to Late Periods. This is the 78th part in a series aiming at investigating the mechanical engineering technology in ancient Egypt. It investigates the inscription of coffins and sarcophagi and how they used their surfaces as media for inscription of scenes, decorations and funereal texts and texts authorizing the owner name and titles. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Creativity and Innovation in the Reign of Hatshepsut
iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 StudieS in ancient ORientaL civiLiZatiOn • nuMbeR 69 THE ORIENTAL INstItute of THE UNIversITY of CHICAgo chicago • IllinOiS v Table of Contents Preface. José M. Galán, Spanish National Research Council, Madrid ........................................... vii List of Abbreviations .............................................................................. xiii Bibliography..................................................................................... xv PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal discourse in the time of hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why did hatshepsut invent the image of her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries -
The Poetics of Egyptian Museum Practice Wendy Doyon
picture at 50mm from top frame The Poetics of Egyptian Museum Practice Wendy Doyon British Museum Studies in Ancient Egypt and Sudan 10 (2008): 1–37 The Poetics of Egyptian Museum Practice Wendy Doyon In a recent study, Stephanie Moser (Wondrous Curiosities) discusses the abiding impact that five major exhibitions at the British Museum from 1759 to 1880 have had on the Western perception of ancient Egyptian culture. Through an in-depth analysis of representational strategies in the Egyptian installations of this period, she argues that the British Museum instituted two enduring features of our understanding of Egyptian history. Firstly, its cultural opposition to the development of Western society through direct contrast between the material cultures of Egyptian and classical antiquity. Secondly, its unique popular appeal among past cultures through its establishment as the most intellectually accessible subject of ancient history. In an essay of 2003, Donald Preziosi (Brain of the Earth’s Body) provides a historical and philosophical account of Western museological order in the late 19th Century imperial exhibition of Egyptian history. Preziosi observes that the legibility of European art history and modernity was achieved through narrative exhibition structures in which non- European material cultures were assembled in ideological contrast to Western principles. He argues that this disciplinary structure, by measuring cultural differences against a universal standard of value, supported the political order of imperialism. This museological narrative was thus central to colonial identity in Egypt, which was defined by its obverse relationship to a characteristically Eastern or native identity. By simulating European exhibition styles in Egyptian museums, these colonial institutions reframed a hybrid Egyptian identity into a progressive, evolutionary account according to the nationalist interests of France and Britain, and the Orientalist interests of European scholars and tourists.