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Bering's Voyages : an Account of the Efforts of the Russians To
Given in Loving Memory of Raymond Braislin Montgomery Scientist, R/V Atlantis maiden voyage 2 July - 26 August 1931 Woods Hole Oceanographic Institution Physical Oceanographer 1940-1949 Non-Resident Staff 1950-1960 Visiting Committee 1962-1963 Corporation Member 1970-1980 Faculty, New York University 1940-1944 Faculty, Brown University 1949-1954 Faculty, Johns Hopkins University 1954-1961 Professor of Oceanography, Johns Hopkins University 1961-1975 ^^ BERING'S VOYAGES VOLUME II *-v AMERICAN GEOGRAPHICAL SOCIETY V RESEARCH SERIES NO. 2 VV. L. G. JoERG, Editor BERING'S VOYAGES ^f^ An Account of the Efforts of the Russians to Determine the Relation of Asia and America BY F. A. GOLDER IN TWO VOLUMES VOLUME II: Steller's Journal of the Sea Voyage from Kamchatka to America and Return on the Second Expedition 1741-1742 TRANSLATED AND IN PART ANNOTATED lY LEONHARD STEJNEGER RAmCAL^OCIETY BiCu0^3l^i^DWiK' AT STI^ET ^ LABOHATCRY Re^ iSRARY WOODS HOLE, MASS. W. H. 0. I. COPYRIGHT, 1925 BY THE AMERICAN GEOGRAPHICAL SOCIETY OF NEW YORK Reprinted 1935 DOUGLAS C. MCMURTRIE NEW YORK Reprinted from plates by the LORD BALTIMORE PRESS, BALTIMORE, MD. CONTENTS PAGE Preface vii Biographical Note on Steller i Steller 's Journal of the Sea Voyage from Kamchatka TO America and Return 9 Appendix A: Steller 's Description of Bering Island 189 Appendix B: Steller 's Letter to Gmelin About the Voyage 242 Bibliography 251 Index to Both Volumes 267 LIST OF ILLUSTRATIONS Fig. Page 1 Reduced facsimile of fol. 15 of IMS copy of Steller's journal 38 2 Facsimile of corresponding page from published version of Steller's journal, as edited by Pallas 39 3 Khitrov's sketch map of St. -
Bangor University DOCTOR of PHILOSOPHY Image and Reality In
Bangor University DOCTOR OF PHILOSOPHY Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Colcough, Samantha Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 BANGOR UNIVERSITY SCHOOL OF HISTORY, WELSH HISTORY AND ARCHAEOLOGY Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Samantha Jane Colclough Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions [i] Summary The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court. -
THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES FFOULKES, B.Litt.Oxon
GQ>0<J> 1911 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Ubrary NK6606 .F43 1912 The armourer and his craft from the xith C Date iSIORAGE 3 1924 030 681 278 Overs olin a^(Mr;= :3fff=iqfPfr.g^h- r^ n .^ I aAri.^ ^ Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030681278 THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley < 'A w <1-1 K 2; < > o 2 o 2; H ffi Q 2; < w K o w u > w o o w K H H P W THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES FFOULKES, B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & CO. LTD. 36 ESSEX STREET W.G. LONDON Kc tf , First Published in igi2 TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- ment of defensive armour, for this has been more or less fully I discussed in v^orks which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft. -
The Quarter-Staff After Joseph Swetnam, 1617
The Quarter-staff after Joseph Swetnam, 1617 This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License. Note: the following is based on a transcript of Joseph Swetnam’s ‘The Schoole of the Noble and Worthy Science of Defence’ hosted at www.thearma.org. Some spelling has been modernised and minor edits made for readability. Any errors are entirely my own - William Carew, November 2012. Introductory remarks The first chapter shows what weapons are chiefly to be learned, with many other principal notes worthy of observation. Because old weapons lie rusty in a corner, and every man desires the newest fashion of weapons, especially if they seem to be more danger to the enemy than the old, therefore it is my intention and purpose at this time to express and set down both the true and false play principally of the rapier and dagger, and staff, for I hold that the skill of these two weapons are chiefly and necessary of every man to be learned, for to have the use of a rapier to ride with, and staff to walk on foot with, for those whom have the skill of these two weapons may safely encounter against any man having any other weapon whatsoever, as hereafter you shall be sufficiently satisfied... The Quarter-staff Keep the point of your staff right in your enemy’s face, holding one hand at the very butt end of the staff, and the other a foot and a half distant, looking over your staff with both your eyes and your feet at one and a half distance apart, or thereabouts, according to this picture, always standing cross with your enemy, I mean, if his right hand and foot be foremost, let yours be so likewise, and if his left hand and foot be foremost, then make you your change and cross with him also. -
The Investigation and Identification of a Sixteenth-Century Shipwreck
Solving a Sunken Mystery: The Investigation and Identification of a Sixteenth-Century Shipwreck By Corey Malcom A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield School of Music, Humanities, and Media March 2017 2 COPYRIGHT STATEMENT I. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. II. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. III. The ownership of any patents, designs, trademarks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 3 ABSTRACT In the summer of 1991, St. Johns Expeditions, a Florida-based marine salvage company, discovered a shipwreck buried behind a shallow reef along the western edge of the Little Bahama Bank. The group contacted archaeologists to ascertain the significance of the discovery, and it was soon determined to be a Spanish ship dating to the 1500’s. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
The Fight Master, Spring/Summer 2005, Vol. 28 Issue 1
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Summer 2005 The Fight Master, Spring/Summer 2005, Vol. 28 Issue 1 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons TheThe FightFightwww.safd.org JournalJournal ofof thethe Master MasterSocietySociety ofof AmericanAmerican FightFight DirectorsDirectors TheThe SearchSearch forfor StyleStyle inin TROYTROY Defiant Acts: Fight 2004 The End of an Direction NSCW Era of Stage in Musical and Barn Combat in Theatre Workshop Chicago Reports Spring/Summer 2005 Vol XXVIII Number 1 STAGE COMBAT: EXTREME ACTING Coleman (Bill Christ) is biting Valene (Mark Rubald) in the 2002 Denver Center Theatre Company’s production of Martin McDonaugh’s Lonesome West. Directed by Anthony Powell. Fight Direction by Geoffrey Kent. Photograph courtesy of Denver Center Media. The Society of American Fight Directors 26th Annual National Stage Combat Workshops July 11-29, 2005 SAFD and University of Nevada-Las Vegas College of Fine Arts, Department of Theatre For more information: Linda McCollum at (702) 895-3662 or www.safd.org Actor/Combatant Workshop (ACW) Advanced Actor/Combatant Workshop (AACW) Train in the foundation skills of stage combat. World-class industry pro- Not for the "weak of skill," this intense workshop offers Advanced fessionals teach techniques in Rapier and Dagger, Unarmed and Actor/Fighters the opportunity to challenge and hone their existing skills at Broadsword. Additionally, participants will receive an introduction to a highly sophisticated level. -
The Halberd and Other Polearms of the Late Medieval Period
The Halberd and Other Polearms of the Late Medieval Period George A. Snook, MD Starting at sometime in the 13th century and slowly evolving over 200 years was a weapon that in conjunction with the missile types of armaments resulted in the decline of dominance of the armored horseman. This weapon was the halberd, and I believe that this weapon and the other polearms are one of the more neglected subjects in the study of weapons. There have been a few attempts to remedy this situation, but the field is still mostly ignored. In a sense this is a paradox, because some of them are still used as the symbol of protection, as in the case of the Swiss Guards of the Papacy. In books about medieval weapons, they are usually relegated to a short chapter or sometimes simply a captioned photograph (usually incorrectly identified). The field is still waiting for a complete and definitive study. by the facts that the axe was already in use and the sword was Why is this weapon so neglected? There are several too valuable to be used in this manner. reasons. There is an aura about the sword in Europe, where it The primitive axe consisted of a stone head placed in a I is symbolic of the military, of Justice, and of the romance of cleft pole and secured with sinews or rawhide thongs. The chivalry. In Japan, it is practically deified. Swords were used strength was improved by inserting the shaft into a hole in by the wealthy classes, and because of their value, they were the head. -
Wrestling Context
IQP-48-JLS-0054 MARTIAL ARTS OF THE MIDDLE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ______________________________ Michael DeCuir Curtis Jerry ______________________________ _______________________________ Imran Malek Ryan Trunko March 1, 2007 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor 1 Abstract This team researched the traditions and techniques of medieval martial arts in Europe. After developing a detailed research document based on studying historical manuscripts and modern interpretations of the techniques for armored and unarmored combat, the team produced a videodocumentary for the Higgins Armory Museum. Approximately fifteen minutes in length, this documentary combines historical sources with modern reconstructions to present the purposes and techniques of wrestling, sword, staff, and armored combat to visitors at the Higgins Armory. 2 Introduction..................................................................................................................................... 4 Chapter 1: The Masters................................................................................................................... 7 Chapter 2: Wrestling and Dagger ................................................................................................. 26 Chapter 3: Staff Weapons ............................................................................................................ -
Weapons, a Brief Discourse on Hand-Weapons Other Than Fire-Arms
u UC-NRLF 80O B ^ 4^fi 2fl7 S3 B'ESAP^EAVRT- ..^ mm >-?^ GIFT OF Frank Marchsim «i WEAPONS frontispiece. PLATE 1. A COLLECTION OF WEAPONS, &o.. TAKEN DURING THE MUTINY IN INDIA 1857 The tuKvar and the khou.t.r for,,, ,1,. p,i„cipal weapons of ,hc collcct,o„. This trophy adorns the main staircase at the Royal United Service Museum. WEAPONS A BRIEF DISCOURSE ON HAND-WEAPONS OTHER THAN FIRE-ARMS BY B. E. SARGEAUNT ASSISTANT CUBATOR OF THE ROYAL UNITED SERVICE MUSEUM, WHITEHALIj LONDON HUGH REES, LTD. 119 PALL MALL, S.W. 1908 TPricc Two Shillings and Sixpence net ll'z^oc PEBFACB Having contributed two articles to the Cavalry Journal, one on the ' Development of the Sword,' and the other on the ' Progress of the Lance,' it occurred to me that a small work, such as the one which I have the honour to lay before the reader, might be of some interest and assistance to those desirous of acquiring some information concerning the weapons which have been employed in general warfare from time to time. I do not pretend to introduce the reader to an exhaustive and detailed history, but I attempt rather, in as concise a form as possible, to enumerate and describe all the principal weapons of war in such a way as to make the work of service to the wholly uninitiated. To further this object I have introduced plates of illustrations, accompanied by a description of each weapon contained in them. The subject of fire-arms has not been brought within the studied by itself; scope of this work ; it comprises a branch to be have and I have, therefore, ignored these weapons entu-ely. -
Dragon Magazine #169
SPECIAL ATTRACTIONS Issue #169 Vol. XV, No. 12 Preparation is everything May 1991 9 A collection of helpful hints for AD&D® game heroes. New Weapons For Old Jordan Clarke Hayes Publisher 10 Get a claymore for your dwarf and a flamberge for your fighter! James M. Ward Creative Casting Joel E. Roosa Editor 16 Tensers floating disk as a flying missile platform? You bet! Roger E. Moore Learn Something New Every Day Gordon R. Menzies Fiction editor 20 Whether youd like to learn alchemy or street fighting, heres the Barbara G. Young article you need. The Strategy of Tactics Jordan Clarke Hayes Assistant editor 26 Should you bash the ogre or back off a bit? New melee tactics for the Dale A. Donovan AD&D® game. Art director Larry W. Smith O THER FEATURES Production staff Gaye OKeefe Angelika Lokotz The Voyage of the Princess Ark Bruce A. Heard Tracey Zamagne 41 Nothing went right in Jahoreuntil the Princess and crew appeared. Subscriptions The Role of Books John C. Bunnell Janet L. Winters 50 The last of the unicorns returns in a new edition. The MARVEL® Phile Dale A. Donovan U.S. advertising 55 Whos the cycle-riding, flaming-skulled hero we all know and love? Roseann Schnering The Role of Computers Hartley, Patricia, and Kirk Lesser U.K. correspondent 61 Elvira needs your help! You see, theres this old haunted mansion. and U.K. advertising Bronwen Livermore Swordfish and Saucery fiction by Deborah Millitello 66 Even the cleverest of spells sometimes has a little catch. Role-playing Reviews Ken Rolston 72 How do you spell magic? A look at some all-new magic supplements for gaming. -
Transcription by David Kite ©2014, ©2017 David Kite. All Rights Reserved
Transcription by David Kite ©2014, ©2017 David Kite. All rights reserved. A note on transcription. Rigorous documentary editing practice would dictate a transcription faithful to the original printing. This is what my original transcription attempted to accomplish, remaining faithful to spelling, grammar, and punctuation. However, given the process by which books were produced and contemporary editorial practices, the author‟s original spelling, and to a lesser extent grammar, are impossible to determine without having the original manuscript Joseph Swetnam provided to the printer. Due to this reality, and the fact that I intend to make the book more accessible to modern audiences, some alterations have been made. Spelling has been modernized to American English throughout. Proper nouns have also been modernized, except where noted. Since this is an updated version of my original transcription, which was faithful to the original printing, and since I have become so accustomed to archaic spellings that I am often blind to them, there are likely to be a few I overlooked. Syntax and punctuation have been maintained, including the use of helping verbs. To have modernized the language would have meant altering a text, which, by and large, can still speak for itself to the modern ear. Obsolete or archaic words have therefore been retained, except where noted. For space and formatting considerations in the original edition, the printer used contractions (a tilde over a letter preceding the omission). These have been expanded. Also, where a word was repeated seemingly mistakenly, I have deleted the redundant word or words. Individual words in italics have also been maintained, however, entire passages originally printed in italics have not.