Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences And, the Community at Large
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Book by Marshall Brickman and Rick Elice Music And
BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Hunter Bell, Jeff Bowen, Susan Blackwell, & Heidi Blickenstaff. Photo
NOW. HERE. THIS.: (left to right) Hunter Bell, Jeff Bowen, Susan Blackwell, & Heidi Blickenstaff. Photo: Carol Rosegg Theater Review Now. Here. This.: The [title of show] team scores again NOW. HERE. THIS Book by Hunter Bell & Susan Blackwell Music & lyrics by Jeff Bowen Musical direction by Larry Pressgrove Directed and choreographed by Michael Berresse The Vineyard Theatre 108 East 15th Street (212-353-0303), www.vineyardtheatre.org By David NouNou The foursome that brought us the hilarious [title of show] has given us another little gem. This one is more biographical in nature, with more intimate and personal situations from their childhood to the present day. Set in a museum, it brings together man’s evolution and the intersection of people’s lives into the Now. Here. This. Everything that leads to living in the “now,” being “here” and having “this.” Appreciate it all, because it comes around only once and goes oh-so-quickly. Definitely not frivolous, this is thoughtful entertainment that doles out equal doses of heartfelt humor, humanity, and hindsight. Everything that happened in the past has a way of resurfacing and affecting the present and even the future. The foursome have taken incidents from their past, whether they were good, bad, harmful or pleasurable, and brought them to focus for themselves as well as for the audience. For surely all of us have experienced the same feelings, whether in our adolescence, teens, or adulthood. It is a way to see the similarities in ourselves, have a chuckle at our foibles, and hopefully have grown from the past. -
Acts of Provocation: Popular Antiracisms On/Through the Twenty- First Century New York Commercial Stage
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 Acts of Provocation: Popular Antiracisms on/through the Twenty- First Century New York Commercial Stage Stefanie A. Jones The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2025 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ACTS OF PROVOCATION: POPULAR ANTIRACISMS ON/THROUGH THE TWENTY- FIRST CENTURY NEW YORK COMMERCIAL STAGE by STEFANIE A. JONES A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 S A Jones © 2017 STEFANIE A. JONES ALL RIGHTS RESERVED ii S A Jones Acts of Provocation: Popular Antiracisms on/through the Twenty-First Century New York Commercial Stage Stefanie A. Jones This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _____________ ____________________________________ Date David Savran Chair of Examining Committee _____________ ____________________________________ Date Peter Eckersall Executive Officer Supervisory Committee: Kandice Chuh Robert Reid-Pharr James Wilson THE CITY UNIVERSITY OF NEW YORK iii S A Jones ABSTRACT Acts of Provocation: Popular Antiracisms on/through the Twenty-First Century New York Commercial Stage by Stefanie A. Jones Advisor: David Savran This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. -
June 2013 Welcome To
June 2013 Welcome to The 2013 Summer Shakespeare Festival marks Adrian Noble’s fourth and final year as Festival Artistic Director. We want to take this opportunity to thank not only Adrian (see Barry’s note on page 23) and his fellow director this season, Ian Talbot, but also the truly excellent repertory company Adrian has built at the Globe over the past four years. These actors make a unique commitment to the Globe; from first rehearsal to closing night, they spend over DOUG GATES five months with us. The process of rehearsing Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. three plays simultaneously and then performing a different one every night requires mental focus, transformative skill and the kind of trust that turns a cast into a company. They accomplish this feat with the support of some of the best stage managers and crew in the business, and we salute them as well. This also seems the perfect moment to reaffirm Shakespeare’s central place, not just in our history, but also in the future of The Old Globe. Next season, with Barry’s production of The Winter’s Tale, Shakespeare’s work will return indoors at the Globe for the first time in more than a decade. In the seasons ahead, we look forward to exploring Shakespeare on all three of the Globe’s stages, alongside the world classics, new American writing and musicals that make up the broad range of our programming. We are also committed to building new platforms, finding new ways to bring Shakespeare and our other work out into the San Diego community, making the finest plays ever written accessible to everyone in America’s finest city. -
Edition 3 | 2019-2020
WELCOME FROM THE OFFICE OF THE DIRECTORS ere we are at Paper Mill Playhouse for the exciting world premiere of Unmasked: The Music of Andrew Lloyd Webber, celebrating the most prolific Broadway Hcomposer of our day. We are honored to collaborate with such a superstar and to have you join us. Paper Mill favorite JoAnn M. Hunter (fresh from our Cinderella—it’s as if we never said goodbye) has helmed this elegant production as both director and choreographer, working with Mr. Lloyd Webber himself and the accomplished comedy writer Richard Curtis. We also welcome primo music director Sam Davis, the best technicolor designers in the business, and a high-flying cast—wait till you hear them sing the music of the night. Our Board of Trustees welcomed two new members earlier this season, Ian Mount of Short Hills and Greg Perruzzi of Montclair. We look forward to working with them and drawing on the passion and expertise they bring to our organization. The board is busy preparing for our highly anticipated annual fundraising gala on Friday, May 15, chaired by trustee Larry Goren and his wife, Susan. This year we are incredibly pleased to honor our valued partner Merck and Don Watson, Vice President Global Workplace and Enterprise Services, with the Byrne/Kean Arts Advocate Award. In addition, our very own dedicated board member Audrey Bartner will receive the esteemed Antoinette Scudder Patron of the Arts Award. Additional gala honorees and entertainers will be announced shortly (see page 23 for more details). Won’t you please consider becoming a Member of Paper Mill Playhouse with a tax-deductible contribution of $100 or more? As you may know, we are a mission-driven, not-for-profit organization, but our box office income pays for only half of the total operating budget, which includes much, much more than the first-class productions you see on our stage. -
Gala Release FINAL
ENCORES! CELEBRATES RODGERS AND HAMMERSTEIN AND HART A Gala Event Starring Cyrille Aimée, Kate Baldwin, Heidi Blickenstaff, Irina Dvorovenko, Chase Finlay, Jared Grimes, Shuler Hensley, Lauren Lovette, Kelli O’Hara, Laura Osnes, Steven Pasquale, and Paulo Szot Directed by Warren Carlyle Musical Direction by Rob Berman Monday, October 27, 2014 at New York City Center New York, NY, September 10, 2014 — Encores! Celebrates Rodgers and Hammerstein and Hart, New York City Center’s annual Gala on October 27, 2014, will feature the music and lyrics of Richard Rodgers, Oscar Hammerstein II, and Lorenz Hart, sung by some of Broadway’s finest talent, including Kate Baldwin, Kelli O’Hara, Laura Osnes, Steven Pasquale, and Paulo Szot, and with dance performances by Irina Dvorovenko, Chase Finlay, Jared Grimes, and Lauren Lovette. Directed by 2014 Tony winner Warren Carlyle (After Midnight; Hugh Jackman, Back on Broadway), the star-studded show will feature the Encores! Orchestra, led by Encores! Music Director Rob Berman. The Gala evening will honor Bobbie and Lew Frankfort for their passionate, enduring commitment to City Center’s education programs, and will help fund New York City Center’s artistic and education programs. The celebration will begin at 6:00 pm with cocktails at City Center, followed by the show at 7:00 p.m. and a post-performance dinner in the Grand Ballroom of The Plaza Hotel (58th Street at 5th Avenue). Gala co- chairs are Perry and Marty Granoff; Elizabeth and Dean Kehler; Victor Luis, Coach, Inc.; Stacey and Eric Mindich; Stuart Vevers, Coach, Inc.; Lisa and Richard Witten; and Barbara and David Zalaznick.