AUGUST 2014 WELCOME

It’s an intergenerational summer here at The Old Globe. Across the plaza in the Lowell Davies Festival , we are producing one of Shakespeare’s first plays, if not his very first: The Two Gentlemen of Verona, a piece about young men, adolescent love, and the dawning of adulthood. Here in the Conrad Prebys Theatre Center, on the stage of the Sheryl and Harvey White Theatre, we explore a different phase of life, as the four characters in Ronald Harwood’s come to terms with life, love, and friendship after retirement. DOUG GATES Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. To explore those rich themes in Quartet, we reap the great benefit of four performers with decades of experience to their credit. Robert Foxworth, of course, is a beloved Associate Artist of The Old Globe, last seen here in Other Desert Cities. He is joined by the acclaimed Elizabeth Franz, at long last making her Globe debut, as is seasoned Shakespearean Roger Forbes. The final member of the play’s quartet, Jill Tanner, returns to the Globe after a 30-year absence. And who better to lead such a team of actors than our own Richard Seer? Rick’s deft hand at comedy, his skill at staging in the round, and his ability to bring out the heart of a piece are all on ample display here.

ThisQuartet , and you, our audiences, are in excellent hands.

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and, the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS LEONARD HIRSCH, ALAN BENAROYA BANK & TRUST IN MEMORY OF California Bank & Trust (CB&T) has been an outstanding corporate ELAINE HIRSCH partner of The Old Globe for more than two decades. This summer the Len has been an enthusiastic Globe supporter Globe is pleased to announce the bank’s 2014 sponsorship of Quartet. since moving to Coronado from New Jersey in CB&T has provided both volunteer and financial contributions to the 1993, where he enjoyed a long career as a securities Globe over the years, including service on the Board of Directors through the leadership of CB&T’s Senior Vice President Sandra Redman, analyst. He served as Executive Vice President who was instrumental in the bank’s unwavering support of the Globe’s Securing a San Diego Landmark Capital and Endowment Campaign. of General American Investors and served on the Previous sponsorships include such plays as Boeing-Boeing, Antony and Cleopatra, Julius Caesar, Pericles, Henry V, Floyd Collins, God of Carnage, Boards of Education in Franklin Township and and most recently A Gentleman’s Guide to Love and Murder, which earned the Tony Award for Best Musical in 2014. The Old Globe is grateful Somerset County. He and Elaine, his wife of 60 to California Bank & Trust for its very generous support and applauds its commitment and dedication to the arts. years, supported a variety of San Diego theatres, museums, and charities that help the disadvantaged, and they volunteered at many local organizations. At the Globe they were Circle Patrons for several years, founding members of Globe Ambassadors and supporters of the Globe as generous Production Alan Benaroya (third from left) with Old Globe Managing Director Michael G. Murphy, Old Globe Associate Artist Robin Pearson Rose, Sponsors for Life of Riley, God of Carnage, and Double Indemnity. Sadly, Elaine passed away and director Richard Seer at TheatreWorks Silicon Valley’s production earlier this year, and it is in her beautiful and loving memory that Len sponsors Quartet. of Other Desert Cities, a co-production with The Old Globe. EXTRAORDINARY LEADERSHIP

Since the founding of The Old Globe in 1935, heroic lead- The following individuals and organizations, recognized JO ANN KILTY ership has made the theatre a cultural icon in San Diego for their tremendous cumulative giving, comprise a spe- Originally from Los Gatos, California, Jo Ann currently resides in Solana Beach and enjoys a second and a forerunner in the American theatre. Many individu- cial group of friends who have played leading “behind-the- home in San Francisco. After a career in advertising, she took over her father’s seat on the board of als have paved that way and enabled the theatre’s extraor- scenes” roles, helping create the productions on the three directors of National Car Rental in Phoenix until the 2004 sale of the company. Jo Ann has served as dinary success, and the Globe would like to recognize and stages, programs in the community, and our influence Chair of the Del Mar Cultural Arts Committee and served two terms on the board of the California honor its most generous and committed philanthropists beyond this region. Center for the Arts in Escondido. In 2009, she joined the Globe’s Board of Directors where she serves who have helped make that possible. on the Development and Education Committees. At the Globe, Jo Ann served as Honorary Chair — $25 million and higher — of the 2011 Globe Guilders Fashion Show and co-chaired the 2012 Globe Gala. Jo Ann’s previous Donald* and Darlene Shiley sponsorships have included A Doll’s House, Anna Christie, and Engaging Shaw. — $11 million and higher — Conrad Prebys | San Diego Commission for Arts and Culture JEANETTE STEVENS — $8 million and higher — Karen and Donald Cohn | Sheryl and Harvey White A Chicago native and graduate of Indiana University, Jeanette was first involved in the arts as a devoted, passionate student of dance within a family and university dedicated to cultural appreciation. After moving — $7 million and higher — to San Diego, her first profession was as a teacher in public and private elementary schools, and later she Kathryn Hattox taught and choreographed ballet. Currently, Jeanette is retired from her public relations career at SDG&E, — $3 million and higher — having developed and managed various programs and partnerships for many years. A former board member Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego at San Diego Ballet, Jeanette currently serves on the San Diego Youth Symphony and La Jolla Music Society boards and continues her enthusiastic involvement with arts organizations countrywide. A longtime Globe — $2 million and higher — subscriber and patron, Jeanette derives immeasurable benefit from both performance and her meaningful The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation relationships established at the Globe. — $1 million and higher — The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm California Cultural & Historical Endowment National Endowment for the Arts Bank of America EVELYN MACK TRUITT Stephen & Mary Birch Foundation, Inc. Helen Edison* Anonymous A longtime friend of Globe Founding Director Craig Noel, Evelyn Mack Truitt has been involved with Jeannie and Arthur Rivkin Estate of Beatrice Lynds* The Old Globe for more than 30 years, and she has served as a member of the Board of Directors for Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam much of that time. As Vice President at The Signal Companies, Evelyn moved to San Diego in 1980, retiring in 1985. Immediately upon arrival in San Diego, she became heavily involved with the theatre and soon joined its Board of Directors. Evelyn supports numerous charities and has served on the board of the National Corporate Theatre Fund for 25 years. At the Globe, she has sponsored Private Lives with Robert Foxworth, directed by Jack O’Brien, and Shirley Valentine with Katherine McGrath, among others. In addition to her theatre interests, Evelyn is a published film historian.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS $50,000 and higher Season Sponsors In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following Season Sponsors who have generously supported the 2013-2014 season.

Leading Season Sponsors $75,000 and higher JIM COX JIM COX J. KATARZYNA WORONOWICZ KATARZYNA J. Globe Guilders John A. Berol The County of San Diego Charter Sponsor since 1995 Sponsor since 1996 Sponsor since 1996

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Audrey S. Geisel Charter Sponsors since 1995 In memory of Donald Shiley Sponsor since 1998 Joan and Irwin Jacobs Valerie and Harry Cooper Mickey Stern Charter Sponsors since 1995 Sponsors since 2002 Sponsors since 2005 Sponsor since 2009

Gillian and Tony Thornley June E. Yoder Brian and Silvija Devine Sponsors since 2009 Sponsor since 2010 Sponsors since 2012 Kathryn Hattox Sheryl and Harvey White Conrad Prebys and Mary Beth Adderley Sponsor since 1998 Sponsors since 2000 Debra Turner Sponsor since 2004 Sponsors since 2004

Gloria Rasmussen Rhona and Rick Thompson Ann Davies Sponsor since 2012 Sponsors since 2013 Sponsor since 2013

Mary Ann Blair Peter Cooper and Elaine and Dave Darwin Paula and Brian Powers Sponsor since 2007 Norman Blachford Sponsors since 2011 Sponsors since 2012 Sponsors since 2008

Hal and Pam Fuson Vicki and Carl Zeiger Sponsors since 2013 Sponsors since 2014

Sponsor since 2000

Charter Sponsor since 1995 Sponsor since 2007 For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Photo for Globe Guilders: Lee Aaron Rosen and Sarah Manton in Time and the Conways, 2014; for John A. Berol: the cast of A Midsummer Night’s Dream, 2013; for The County of San Diego: Participants of the 2010 Summer Shakespeare Intensive. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS QUARTET Glorious operatic arias, the simple joys for-profit performing arts organization, helps close the funding gap of longtime friendship, tending to un- between the costs of presenting each show and ticket sales. And spe- finished business, and the welcome cial thanks goes to those who guarantee the Globe’s future for years discovery of a quiet port in the storms to come through endowments and Craig Noel League membership. Plays take many paths to production Quartet is a play about how best to live in what of life. These are themes explored by We are grateful for our audiences and our supporters for everything at The Old Globe. I’m always surprised Shakespeare describes as the Sixth Age of Man: the the amazing veteran actors featured you do, including purchasing tickets, attending performances, and FROM THE by how circuitous they are. Laid out on time when our eyes start to dim and our limbs start in Quartet. Thank you for joining us on spreading the word about our productions and education programs ARTISTIC paper, they’d trace lines as full of loops, to shrink and our big manly voices turn again to their journey. with your friends. switchbacks, twists, and surprises as a childish treble. The play asks if the inevitable end DIRECTOR medieval map of . must be “mere oblivion,” or if there’s some other As your Globe Board Chair and a firm Music has been a constant in this season at the Globe, whether un- alternative. And pace Shakespeare, it posits that believer in the restorative powers of the derscoring a moment or defining how an artist approaches the end of One path, infrequent though not there are happier possibilities. The latter chapters arts, I am pleased to represent and support this amazing institution a career. We are delighted to share tonight’s opus with all those who uncommon, is taken by the play that’s brought to of our lives can be a time of new beginnings, of alongside our valued sponsors: Alan Benaroya; Leonard Hirsch, in have enriched our lives in the arts. Thank you for your presence and our office by an artist in the Globe family. Quartet reconciliation and rapprochement, and of a sense memory of Elaine Hirsch; Jo Ann Kilty; Jeanette Stevens; Evelyn for all that you do for the Globe family. arrived in this way. Indirect and full of ricochets and of self that is more nuanced and rich than ever Mack Truitt; and California Bank & Trust. meanders, its journey toward production started before. The play advances a theme that’s a personal simply enough. Two excellent men of the theatre favorite: that art is a hedge against time, perhaps Show us your commitment—your philanthropy can make a differ- who happen to be cherished members of this the best that man ever devised. Here, music is a ence. Your financial support of the Globe, San Diego’s largest not- Elaine Bennett Darwin institution’s family chatted on a coffee break during balm and a force of healing, and the four retired Chair, Board of Directors rehearsals for last season’s Other Desert Cities. opera singers who live in a house inspired by Verdi BOARD OF DIRECTORS The brilliant actor and Old Globe Associate Artist find that the composer’s sublimity is a sustaining Robert Foxworth mentioned an idea to his director force with an efficacy as potent as any medicine Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* Richard Seer, a Globe stalwart who is in charge of ever devised. Quartet’s dramaturgical mode is a CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION the superb actor training program we run with the quiet naturalism with a brush of the boulevard play Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* TREASURER VICE CHAIR, NOMINATING SECRETARY University of San Diego. Bob said that a friend of and a dash of the English drawing room, but its soul his was friends with an actress who had a play she is as robust as the grand Italian music sung in the DIRECTORS Kathryn Hattox* Steven J. Stuckey HONORARY DIRECTORS EMERITUS DIRECTORS thought might be something she and Bob could do passage from Rigoletto alluded to in the play’s title. Mary Beth Adderley* Patricia A. Hodgkin Daniel L. Sullivan, Ph.D. Mrs. Richard C. Adams Garet B. Clark together. Bob loved the play and wanted in. Rick I like the play a great deal, and I think you will too. Elizabeth Altman Daphne H. Jameson Karen Tanz (1912–2005) J. Dallas Clark (1913–2005) read it and wanted in, too. He passed it along to Pamela Cesak Jo Ann Kilty Rhona Thompson Clair Burgener (1921-2006) Bea Epsten me and when I read it I was struck by its wit and I invite you to join me in thanking Bob Foxworth Nicole A. Clay Sheila Lipinsky Evelyn Mack Truitt Mrs. John H. Fox Sally Furay, R.S.C.J. warmth. Then I called Rick, and then I discovered and Rick Seer for setting this play on its wandering Joseph J. Cohen Keven Lippert Debra Turner (1908–2003) Bernard Lipinsky that the actress Bob’s friend knew was Elizabeth path toward production at the Globe. It’s nice to Donald L. Cohn* Mitzi Lizárraga Linda Van Vark Audrey S. Geisel (1914-2001) Franz, and then I had lunch with Bob, and then I be reminded that a life in art is richly worth living, Valerie S. Cooper* Ramin Pourteymour Stacey LeVasseur Vasquez Paul Harter Delza Martin (1915–2005) said, “Go!” As I noted, some paths are circuitous! and for a long time, especially when it’s lived at the Ann Davies Paula Powers* Jordine Von Wantoch Gordon Luce (1925-2006) Darlene Marcos Shiley height of excellence that these good friends and Silvija Devine Conrad Prebys* Pamela J. Wagner Dolly Poet (1921-2007) Patsy Shumway Bob Foxworth and Rick Seer have each logged over fine gentlemen have reached. Stephen P. Embry Tim Rafalovich Lynne Wheeler Deborah Szekely Carolyn Yorston-Wellcome a dozen sterling credits on our stages. When they Pamela A. Farr David L. Reagan Karin Winner* Hon. Pete Wilson tell me there’s a play I should look at, I listen. When Thanks for coming. Enjoy the show. Karen Fox Sandra Redman June Yoder that play has a giant of Liz Franz’s stature lurking Robert Foxworth Crystal Sargent *Executive Committee Member around it, I pay even more special attention. And Jack Galloway Jean Shekhter when that play is the work of one of the most Victor P. Gálvez Ann Steck* accomplished and decorated writers of the past few decades, then I move it to the top of the pile. But ASSOCIATE ARTISTS OF THE OLD GLOBE longtime relationships and trusted friendships and top credentials only succeed in getting a play read. In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in The play’s merits are what get it produced. Quartet’s acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. merits are many.

William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 PRESENTS

THE CAST QUARTET (in alphabetical order) WILFRED BOND...... Roger Forbes REGINALD PAGET...... Robert Foxworth† JEAN HORTON...... Elizabeth Franz CECILY ROBSON...... Jill Tanner .

STAGE MANAGER...... Annette Yé . BY . RONALD HARWOOD SETTING KENT, . 1999. ACT 1 – A JUNE MORNING ACT 2, SC.1 – THE NEXT DAY ACT 2, SC.2 – THREE WEEKS LATER ACT 2, SC.3 – 10 OCTOBER

There will be one 15-minute intermission. Ralph Funicello† Charlotte Devaux York Kennedy Christopher R. Walker Annette Yé SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN STAGE MANAGER PRODUCTION STAFF OPERA CONSULTANT...... Nicolas Reveles DIALECT CONSULTANT...... Ursula Meyer ASSISTANT DIRECTOR...... Gerardo Flores ASSISTANT SCENIC DESIGN...... Sean Fanning ASSISTANT COSTUME DESIGN...... Corrine Roache PRODUCTION ASSISTANT...... Sarah Kolman LIGHTING INTERN...... Charles Evans DIRECTED BY RICHARD SEER

Sheryl and Harvey White Theatre Conrad Prebys Theatre Center The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. July 25 - August 24, 2014 †Associate Artist of The Old Globe.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY CASA VERDI: The Great Composer’s Most Beautiful Work Something Rather Glorious By Danielle Mages Amato An interview with director Richard Seer

Interview by Danielle Amato

What drew you to this piece as a “Quella Casa è director? Are there aspects of it that particularly resonate with you? veramente l’opera I’ve always felt that if I could come back mia più bella.” in another life as anything I wanted, it would be an opera singer. There’s noth- ing more glorious than that, than being able to make those sounds. I studied singing, and when I started out in the theatre, all my first jobs were in musi- cals. I used to sing arias—not on stage, “That Home is truly my but just because they’re an excellent most beautiful work.” training tool. There’s something beau- – Giuseppi Verdi tiful and bittersweet about artists like opera singers and ballet dancers, art- ists who aim for a kind of perfection, an EMILIO DELLEPIANE ideal that we can only dream of. Giuseppi Verdi’s personal piano in the concert hall at Casa Verdi. And as I get closer to retirement age, I begin to contemplate: What is my place Before his death in 1901, the great would live in the house as “guests,” concerts and performances—not only in my senior years? What should I be opera composer Giuseppi Verdi con- a tradition that endures to this day. by its residents, but also by renowned doing with my time? How can I best ceived of a home, a haven for retired Verdi is buried at the house, alongside opera singers from across Europe. focus myself? What happens to an art- opera singers and musicians without his wife, Giuseppina Strepponi, and ist when you are no longer creating art? the means to provide for themselves. their crypt is a popular tourist attraction. What happens to your creative spirit? Verdi knew well the struggles faced by “What is immediately strik- Those questions are especially interest- ing, when you enter Casa

JIM COX these older artists, or as he called them, ing to me. Director Richard Seer (center) with the cast of Quartet: (from left) Robert Foxworth, Elizabeth Franz, “Poor, dear companions of my life!” Verdi, is not the way life Jill Tanner, and Roger Forbes. there is organized, but rath- But more than just opera or the lives of er the sound. Music reaches artists, I think that the play is about the Verdi had already financed, built, and it is, but I’m not afraid of the darker to be taken for granted or dismissed you from near and far—the aging process in general and how people staffed a hospital near his home in implications of the piece. or thought of as silly. I think all of the sounds of pianos, violins, relate both romantically and as friends northern Italy, and he was equally characters in this play represent that sometimes an organ; often you as they get older. How they form bonds What do you hope that people will invested in the design and construc- fear. But they decide to tackle it head hear a young voice going over at a time of life that is often isolating. take away from the play and the tion of what he called the Casa di Ripo- on, which I find really courageous. By or practicing an opera aria. production? so per Musicisti. He dedicated the last How would you describe the style of doing that, by allowing themselves to few years of his life to its creation: he And you may even hear voic- the piece? One of the characters in the play is be ridiculous in this one circumstance, purchased the land, selected the archi- es that are no longer young very concerned about being ridiculous they transcend that into something singing one aria or another.” The play could be described as a farcical tect, and researched other institutions in her old age and about being seen as rather glorious. They remind us that in The exterior and grounds of Casa Verdi. —Lorenzo Arruga comedy, but there’s a kind of absurdist of the same kind. In order to provide less than she once was. She has a very their hearts, they are those same peo- bent to it that I find particularly inter- for the long-term stability of the Casa, The house, which came to be known as clear and appreciative sense of herself ple who were young once—full of ambi- esting. It’s set in the music room of Verdi directed that all royalties from his Casa Verdi, opened its doors on Octo- In 1984, Swiss film director Daniel and what she has accomplished, and tion, full of talent, full of ideas, full of this big house that’s been turned into a operas should go to its care and upkeep. ber 10, 1902. Since that time, it has Schmid made a documentary about she doesn’t want that diminished by passion—those people still exist. They retirement home. It’s full of chairs and housed over 1,000 singers, compos- Casa Verdi, called Tosca’s Kiss. The film, people laughing at her or thinking she’s just exist in a slightly different form. places to hang out, and it almost feels The Casa was completed in 1899, but ers, conductors, and orchestra musi- a moving portrait of the residents of ridiculous in any way. I think that’s And they are capable of expressing that like it could be a bus station, in a weird not wanting to be thanked for his cians. Today, the elderly guests of Casa the Home, triggered the imagination of something that an awful lot of us, as in quite a profound way. I find the play way. It’s kind of an existential waiting generosity, Verdi asked that it not be Verdi live alongside over 50 students playwright Ronald Harwood. He said, we get older, are concerned about. We very moving in that regard, and I hope room. I want to let it be a comedy, to opened until after his death. However, and recent graduates of local music “It was such a haunting idea, I thought don’t want to be a joke. We don’t want that people are inspired by it. ➻ ➻ embrace the fun and hopeful play that he always referred to the artists who schools. Casa Verdi hosts numerous to myself: there is a play in that.”

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY

“MAMAInterview by Danielle Mages Amato DIVA” Rigoletto One of America’s greatest and most acclaimed sopranos, Carol Neblett’s career has spanned over 40 years. She has performed opera’s True to its title, Ronald Harwood’s Quartet is a composition for four together four contrasting musical lines, infusing each with its own players—and it requires four distinct voices. Each of Harwood’s characters emotional quality. Musically, Verdi captures his characters’s complex most coveted roles in the world’s greatest opera houses, including has a unique rhythm, energy, and point of view. As their quartet unfolds, personalities and the inherent drama of the moment: the Duke’s they come together and move apart, creating moments of harmony, seduction, Maddalena’s laughing rejection, Gilda’s anguish, and Rigoletto’s the Metropolitan Opera, Teatro alla Scala, Covent Garden, San dissonance, and beautiful silence. desire for revenge. Francisco Opera, Salzburg, Hamburg, Chicago Lyric Opera, and our The play also owes its name to another quartet: the famous “Bella Figlia Harwood’s four retired opera singers—Reggie, Cissy, Joan, and Wilf— own San Diego Opera. Now 68, she serves as an Artist-in-Residence dell’Amore” from Giuseppi Verdi’s opera Rigoletto. In the final act of the performed Rigoletto together in their heyday. The recording of their opera, the quartet brings together four of Rigoletto’s central characters. performance has just been re-issued, and it plays a significant role in the at Chapman University and conducts master classes for young artist The Duke, an avowed womanizer, has seduced and abandoned Gilda, events of the play. Harwood cleverly juxtaposes his own characters against Carol Neblett. programs worldwide. the daughter of his jester Rigoletto. Gilda and Rigoletto follow him to a their Rigoletto counterparts, inviting the audience to see them as both run-down tavern, where they watch him attempt to seduce Maddalena. similar to and different from the roles they play. ➻ I know that you began your professional once—the whole platform holding the mat- more. Today, so much opera is being filmed, The moment is captured in “Bella Figlia dell’Amore.” The quartet weaves career as a choral singer and then made tress I was supposed to land on broke. Plus, and going into the movie theatres, that you the jump to opera at 24. What skills you have to breathe very deeply and sustain really have to look like the role you’re playing did you need to develop to make that long phrases, and as you get older it just gets or it just isn’t believable. In opera, the voice change? tougher and tougher. is number one. But number two is now that you need to look like what you’re playing. Well, certainly power, because opera sing- Does your voice change as you mature ers don’t use microphones. There’s a way of and move through your career? Do you think many opera singers have a learning to sing so that your softest singing second career? will carry to the back of the hall just as well With time, sometimes even just with hav- as your loudest. And to have the physical ing children, the voice gets deeper. The range I think many of them cannot stand being re- stamina to sing over a 95-piece orchestra might still be big, but the quality of the voice tired. They have to perform somehow. Some without a mic. In choral singing, there is gets more depth to it. More beauty, more people go into different careers altogeth- a lot of blending asked of you, so that you power. That comes with the training: how er—I have one friend who went into high don’t stick out. There’s a big skill in that, you use the diaphragm, the freedom of the finance. But I can’t drag myself away from too. But the opera singer has to be very pres- jaw and the tongue. But definitely the voice music, so teaching has been a great step. It’s ent. You want a voice that’s unique, so that matures. I had three children, and I felt that sad when you know your career is coming when someone turns on the radio, they can my voice grew in depth and beauty with each to an end, but you have to face it. You don’t immediately in two or three notes say, “Oh, child. Between my 18-year-old voice and want to sing badly. And you have to be gra- MARTY SOHL (from left) Kirstin Chávez as Maddalena, Joseph Calleja as the Duke, Nino Machaidze that’s Joan Sutherland,” or, “That’s Marilyn my 40-year-old voice, I had the same qual- cious enough to move over for the next per- as Gilda, and Giovanni Meoni in the title role of Verdi’s Rigoletto at the Metropolitan Horne.” ity of voice, but the difference is that I had son. Nowadays, I’m training the next people, Opera in New York, 2011. so much more interest and color in my voice the ones that are going to make people move What are the physical demands associ- with time and experience. over. Many of my students call me “Mama ated with the career? Diva,” and I hope I represent the best of both What do you think leads opera singers of those words. Opera is very physically demanding. I threw to retire? myself down stairs; I did all kinds of things. In opera, the demands are big, and the re- The raked and angled stages are hard on the Well, the main reason would be if you’re ward is great. And I’m not talking about back, and just the weight of the costumes saying to yourself, “The voice isn’t work- the monetary reward, I’m talking about the can be a challenge. I once had a costume ing as well as it used to.” I wanted to retire reward of being able to stand out there and that, honest to God, weighed 70 pounds. It when I was still singing well, and I was very know a production went superbly and you was sewn with heavy jewels—they weren’t fortunate to sing as long as I did. But also, were a part of it. There are no guarantees, real, of course, but they were heavy. It was the younger people are coming along, and and there will be rejections. But you have to one of those queen-type roles. I was ex- maybe they’d rather have a 25-year-old Gilda pick yourself up and keep going. You know hausted every night, just from the costume. in Rigoletto instead of a 50-year-old. I think the old saying: “When life gives you lemons, I did over 400 performances of Tosca, and I men have a better time of it than women, make lemonade.” Or pick them up and throw jumped to my death many times. Every night because the aging woman is not looked upon them at a critic. (laughs) ➻ KEN HOWARD you have to do that—plus rehearsals! I had as kindly as the aging man, but even they are KEN HOWARD an accident jumping off for a suicide scene not going to be playing the leading man any Albanian tenor Giuseppe Gipali as the Duke of Mantua and American mezzo-soprano (from left) Željko Lucic as Rigoletto, Diana Damrau as Gilda, Oksana Volkova as Kirstin Chávez Maddalena in San Diego Opera’s Rigoletto, 2009. Maddalena, and Piotr Beczala as the Duke at the Metropolitan opera in New York, 2013.

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS ROGER FORBES portrayal of John Proctor in The Crucible 1951. His novel Home was awarded the Jew- sity, where he was awarded the prestigious an Associate Artist with the Christchurch Geffen Playhouse, and American Conserva- (Wilfred Bond) has acted at Lincoln Center Theater. His television ish Quarterly-Wingate Prize for Fiction in Kahn Directing Award. In 1990, Mr. Seer Drama Center and has designed for The tory Theater. He spent seven seasons as the for over 40 years in both series include “Storefront Lawyers,” “Fal- 1994. He is the editor of The Faber Book of was invited to return to Boston University’s Court Theatre and Christchurch Repertory resident designer at American Repertory the United States and in his con Crest,” and “LateLine” with Al Franken. Theatre and the author of a history of the School for the Arts as an Associate Professor Theatre, New Zealand. She holds additional Theater in Boston, designing over 40 pro- native England. His cred- He has guest starred on countless televi- theatre, All the World’s a Stage, which accom- of Acting and Directing. He has been Direc- costume design credits in Sydney, Australia, ductions while there. He has also designed its include four years at the sion shows over the years such as a two-year panies the BBC television series, which he tor of the Old Globe/University of San Diego and London. Ms. Devaux holds the position in New York, Houston, Austin, Philadelphia, National Theatre under Sir stint on “Six Feet Under” and episodes of presented. He also wrote Sir , Graduate Theatre Program since 1993 and is of Resident Associate Costume Designer at Princeton, Providence, Phoenix, New Haven, Laurence Olivier as well as “Law & Order” and “Law & Order: Special C.B.E.: His Life and Work in the Unfashionable the University’s current Chair of Theatre. In The Old Globe where she has worked on over Washington D.C., Chicago, Minneapolis, and appearing in London’s West End at the Gar- Victims Unit.” Mr. Foxworth’s regional the- Theatre. He was Visitor in Theatre at Balli- 2010, he was awarded the Craig Noel Distin- 70 productions, including A Gentleman’s Kansas City as well as internationally in Sin- rick and Cambridge Theatres. In the U.S. he atre work has included Cyrano de Bergerac ol College, Oxford. Since 1993 he has been guished Professorship. Guide to Love and Murder, The Winter’s Tale, gapore, Taiwan, and Moscow. Commercially was a founding member of Geva Theatre in (Great Lakes Theatre Festival), Iago in Othel- President of PEN International, the world The Times They Are A-Changin’, Robin and the he has designed for Intel, Harvard Universi- New York, where he acted in and directed lo and The Scottish King in Macbeth (Guthrie organization of writers. His plays include RALPH FUNICELLO 7 Hoods, Dirty Rotten Scoundrels, Sammy, and ty, Starbucks, and PopCap Games. He holds a over 30 plays. His credits include five sea- Theater), George in Who’s Afraid of Virginia A Family, The Ordeal of Gilbert Pinfold (from (Scenic Design) is an Associate Artist of The the Summer Shakespeare Festival. degree in Classical Piano Performance from sons with Alabama Shakespeare Festival Woolf? (Hartford Stage), Uncle Vanya (Geffen ), , Tramway Road, Old Globe and has designed the sets for over Cornish College of the Arts. as well as seasons at Oregon Shakespeare Playhouse), and many more. He is the voice The Deliberate Death of a Polish Priest, Inter- 79 productions for the company including YORK KENNEDY Festival, Alliance Theatre, Milwaukee Rep- of Ratchet in the Transformers movies. preters, J.J. Farr, Ivanov (from Anton Chek- the recent production of Water by the Spoon- (Lighting Design) is a lighting designer for URSULA MEYER ertory Theater, Studio Arena Theater, Long hov), Another Time, Reflected Glory, and ful and the Summer Shakespeare Festivals the performing arts and architecture. His (Dialect Consultant) has studied voice with Wharf Theatre, Florida Stage, Cincinnati ELIZABETH FRANZ Poison Pen. Taking Sides had simultaneous 2004-2013. Elsewhere, Mr. Funicello has designs for the stage have been seen in the- Cicely Berry, Patsy Rodenburg, Andrew Playhouse in the Park, and Portland Center (Jean Horton) It is impos- world premieres in Chichester and Krakow designed scenery on and Off Broadway and atres across America and in Europe includ- Wade, Arthur Lessac, and Kristin Linklat- Stage. He spent two seasons at the Stratford sible to do justice to any prior to opening at the Criterion Theatre in for many theatres across the country and ing Arena Stage, Chicago Shakespeare er. She graduated with distinction from the Festival in Canada and has worked exten- veteran actor’s career in London’s West End. Another Time, under the abroad, including Lincoln Center Theater, Theater, Berkeley Repertory Theatre, Seattle Advanced Voice Studies Program at the Roy- sively in Vienna and Frankfurt. ln 2007 the allotted 200 words. In title Temps Contre Temps, won the Molière Manhattan Theatre Club, American Con- Repertory Theatre, American Conservatory al Central School of Speech & Drama in Lon- he premiered his one-man show Falstaff at her 50 years of performing, Award for Best Show, Paris, 1993. His play servatory Theater, A Contemporary Theatre, Theater, Sacramento Opera, Polish National don and is a designated Linklater teacher. the National Arts Centre in Ottawa, which Ms. Franz has acted on The Handyman opened in Chichester in Sep- Mark Taper Forum, Arizona Theatre Com- Opera, Alley Theatre, Dallas Theater Cen- Her regional credits include The Old Globe, won him a Best Actor Award for 2007-2008, Broadway, at the Royal tember 1996 starring Frank Finlay. He won pany, Seattle Repertory Theatre, Berkeley ter, Hartford Stage, Theatre for a New Audi- the Guthrie Theater, The Shakespeare The- and subsequently toured the U.K. in 2008. National Theatre in London, Off Broad- the Academy Award for his screenplay of The Repertory Theatre, Milwaukee Repertory ence, Yale Repertory Theatre, Brooklyn atre Company, South Coast Repertory, Yale He has made numerous film and television way, in Scotland and in Egypt, all around Pianist and was nominated for The Dress- Theater, Denver Center Theatre Company, Academy of Music, , Repertory Theatre, , and appearances in both the U.K. and the U.S. the United States, in films both for the big er and The Diving Bell and the Butterfly. He The Shakespeare Theatre Company, Guth- and the Denver Center Theatre Company. the Idaho, Santa Cruz, and Utah Shake- and has performed Off Broadway but nev- screen and television, and on television also wrote the films The Browning Version rie Theater, South Coast Repertory, Oregon He has designed over 45 productions for The speare Festivals, as well as 15 seasons with er on it! His directing credits include King series, both dramatic and comedic. She has starring Albert Finney and Cry, the Beloved Shakespeare Festival, Williamstown The- Old Globe and spent six seasons as resident the Oregon Shakespeare Festival. Ms. Meyer Lear (Ohio University), The Seagull (Alabama been nominated numerous times for Tony, Country starring James Earl Jones and Rich- atre Festival, Huntington Theatre Compa- lighting designer for the company’s Shake- is currently on the faculty at UC San Diego. Shakespeare Festival), Shear Madness (Stu- Emmy, Screen Actors Guild, Drama Desk, ard Harris. In 1996 he was awarded the Che- ny, Intiman Theatre, Stratford Shakespeare speare Festival. His awards for theatrical In 2007, she was a recipient of UCSD’s Salt- dio Arena Theater),Time and the Conways and Outer Critics Circle Awards and has valier de L’Ordre des Arts et des Lettres. Festival, Royal Shakespeare Company, The- lighting include the Dramalogue Award, man Distinguished Teacher of the Year (The University of Utah), and most recently been awarded a Tony Award, , atre Royal Bath, Opera, LA San Diego Theatre Critics Circle Award, Back Award. A Capital Affair and Six Dance Lessons in Six Lucille Lortel Award, Chicago’s Joseph Jef- RICHARD SEER Opera, and San Diego Opera. He has received Stage West Garland Award, AriZoni Theatre Weeks (Vienna’s English Theatre). He has ferson Award, Boston’s Elliot Norton Award, (Director) is an award-winning director and a Tony Award nomination, the Michael Mer- Award, and the San Francisco Bay Area The- ANNETTE YÉ taught at Ohio University, Auburn Univer- Los Angeles’s Ovation Award, Friends of actor who has directed and/or performed on ritt Award for Excellence in Design and Col- atre Critics Circle Award. In the dance world (Stage Manager) served as stage manag- sity, and summer courses at the Royal Acad- New York Theatre (FANY) Award, and Dra- Broadway, Off Broadway, on film and televi- laboration, and numerous awards from the he has designed for Malashock Dance, Brian er for The Old Globe’s Vanya and Sonia and emy of Dramatic Art in London, where he is matist Guild Fund’s Lifetime Achievement sion, and in over 70 productions at regional San Francisco Bay Area Theatre Critics Circle Webb, and Tracey Rhodes. As an architec- Masha and Spike, The Few, Pygmalion, God currently a member of the audition board. Award. theatres in this country and Great Britain, and the LA Drama Critics Circle. He current- tural lighting designer he has designed both of Carnage, Anna Christie, Groundswell, and including The Kennedy Center, Goodman ly holds the position of Powell Chair in Set nationally and internationally for numer- the 2010 production of Dr. Seuss’ How the ROBERT FOXWORTH JILL TANNER Theatre, Stratford Shakespeare Festival, Design at San Diego State University. ous themed environments, theme parks, Grinch Stole Christmas! Her other Globe cred- (Reginald Paget) is an Asso- (Cecily Robson) is delighted Brooklyn Academy of Music, Huntington and residential, retail, restaurant, and muse- its include A Gentleman’s Guide to Love and ciate Artist of The Old Globe to be back at The Old Globe Theatre Company, San Jose Repertory The- CHARLOTTE DEVAUX um projects including the Sony Metreon Murder, Dr. Seuss’ How the Grinch Stole Christ- and has appeared in Oth- after a 30-year absence. She atre, Studio Arena Theater, Edinburgh Festi- (Costume Design) has designed over 20 pro- Sendak Playspace in San Francisco, Warner mas! (2011-2013), Boeing-Boeing, The First er Desert Cities, Inherit the previously played the Nurse val Fringe, and the Sybil Thorndike Theatre ductions at The Old Globe including Other Bros. Movie World in Madrid, Le Centre de Wives Club, Opus, Dancing in the Dark, Hay Wind, Richard III, August: in Jack O’Brien’s production in England. He originated the role of Young Desert Cities, Somewhere, The Last Romance Loisirs in Morocco, and The LEGO Racers 4D Fever, and the Summer Shakespeare Festi- Osage County, , The of Romeo and Juliet, Rosaline Charlie in the 1978 Tony Award-winning with Marion Ross, Kingdom, The Price, Try- attraction in Germany, Denmark, England, vals 2008 and 2010-2013. Madness of George III, Cor- in Love Labour’s Lost, and Broadway production of Hugh Leonard’s ing, Who’s Afraid of Virginia Woolf?, A Body of and the U.S.A. He is Head of Lighting Design nelia, Julius Caesar, Private Lives, Below the Klytemnestra in Elektra. On Broadway she Da and received the Theatre World Award Water, Since Africa, Da, and All My Sons. She in the theatre program at San Jose State Uni- BARRY EDELSTEIN Belt, Love Letters, and Antony and Cleopatra. played in Dividing the Estate, Enchanted April, for his performance. At The Old Globe, he designed La Jolla Playhouse’s production of versity and is a graduate of the California (Artistic Director) is a stage director, produc- In 2011 he played Arthur in Superior Donuts Rose, My Fat Friend, and No Sex Please, We’re has directed productions of Other Desert Blood and Gifts, 9 Parts of Desire for Mo’loelo Institute for the Arts and the Yale University er, author, and educator. Widely recognized at San Diego Repertory Theatre, for which British. Last season she played Lady Marga- Cities, God of Carnage, Life of Riley, The Last Performing Arts Company, numerous pro- School of Drama. as one of the leading American authorities he won Outstanding Lead Performance in ret in Mint Theater Company’s production Romance, The Price, Romeo and Juliet, Who’s ductions for San Diego Dance Theater, and on the works of Shakespeare, he has directed a Play from the San Diego Theatre Critics of A Picture of Autumn in New York. She has Afraid of Virginia Woolf?, Trying, Fiction, Blue/ Other Desert Cities at TheatreWorks Sili- CHRISTOPHER R. WALKER nearly half of the Bard’s plays. His directing Circle. He most recently appeared in Other played leads in almost every regional the- Orange (San Diego Critics Circle Award), con Valley. She also designed Miami Libre, a (Sound Design) is very pleased to be return- credits include his Globe directorial debut Desert Cities at the Mark Taper Forum in atre in the country. Ms. Tanner has recorded All My Sons, Da, and Old Songs. His Cuban dance musical, for the Adrienne Arsht ing to The Old Globe. Based in Seattle, he is with The Winter’s Tale starring Billy Camp- L.A. His most recent appearance on Broad- over 100 books for both the Library of Con- recent directing assignments also include Center for the Performing Arts, Miami. the resident designer for the Seattle Chil- bell, the first Shakespeare to be staged in our way was in August: Osage County as Charlie gress and Recorded Books. Third (Huntington Theatre Company), Bill Internationally, she has designed costumes dren’s Theatre and has also designed there at indoor theatre in over a decade, and his 2014 Aiken. Also on Broadway, Mr. Foxworth has W. and Dr. Bob and Sonia Flew (San Jose for theatre and television in New Zealand for Seattle Repertory Theatre, A Contemporary Summer Shakespeare Festival production of appeared in Twelve Angry Men, Ivanov, Hon- RONALD HARWOOD Repertory Theatre), and Other Desert Cities 10 years. She is the former costume design- Theatre, Intiman Theatre, and The 5th Ave- Othello starring Blair Underwood, Richard our, Judgment at Nuremberg, and Henry V. (Playwright) was born in , South (TheatreWorks Silicon Valley). He received er and stylist for Television New Zealand’s nue Theatre. In California he has designed Thomas, and Kristen Connolly in the Lowell He won the Theatre World Award for his Africa, in 1934 and went to England in his M.F.A. in directing from Boston Univer- children’s programming and dramas. She is for La Jolla Playhouse, Mark Taper Forum, Davies Festival Theatre. As Director of the

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS EDUCATION Shakespeare Initiative at The Public Theater Diego County Theatrical Trusts, the pension gram in the ’80s. During the 1940s, Mr. Noel (2008-2012), Edelstein oversaw all of the and welfare trust for IATSE stagehands in served as dialogue director for the 20th Cen- company’s Shakespearean productions, as the San Diego region. He was also an adjunct tury Fox Studios and was the director of the well as its extensive educational, community faculty member of the Music Department Ernie Pyle Theatre in Tokyo. Described by outreach, and artist-training programs. At at the University of San Diego. Mr. Murphy Variety as the eminence grise of San Diego For Students at the Globe, The Public, he stagedJulius Caesar starring earned his B.F.A. degree in Stage Manage- theatre, Mr. Noel is one of the few San Die- Jeffrey Wright for Shakespeare in the Park ment from Webster University in St. Louis, gans to have had an entire year (1987) pro- and The Merchant of Venicefeaturing Ron Missouri, and his M.F.A. in Performing Arts claimed in his honor, and to be named one Leibman’s Obie Award-winning portrayal Management from Brooklyn College of the of San Diego’s “Living Treasures.” He was a of Shylock. He was also Associate Producer City University of New York. founder of the California Theatre Council It’s All About Shakespeare of The Public’s Broadway production ofThe and a former vice president of the Califor- Merchant of Venice starring Al Pacino. From JACK O’BRIEN nia Confederation of the Arts. His numerous 1998-2003 he was Artistic Director of Clas- (Artistic Director Emeritus) served as the honors include the San Diego Union-Tribune Shakespeare has been at the heart of The Old Globe’s life since the and train with talented actors and directors. The Middle School Con- sic Stage Company, where he produced and Artistic Director of The Old Globe from list of 25 persons who shaped the city’s his- theatre began in 1935. During the California Pacific International servatory students, grades 6-8, will demonstrate their learning in a directed some of New York’s most memora- 1981 through 2007. Mr. O’Brien will direct tory; the Governor’s Award for the Arts; Exposition that year, thousands of people enjoyed short versions of showcase for parents and friends on the final day of their three-week ble classical productions. Edelstein’s Shake- It’s Only a Play this fall on Broadway star- University of Arizona Alumni Association’s many of Shakespeare’s plays in what was then a replica of London’s program. It’s an exhilarating course, and the students never fail to spearean directorial credits include The ring F. Murray Abraham, Matthew Broder- Outstanding Citizen, for his contribution to Globe theatre. Our own Craig Noel made pocket money by selling amaze us with their maturity and dedication. Winter’s Tale with David Strathairn, Timon ick, Nathan Lane, Stockard Channing, and their Fine Arts department; San Diego State tickets to those shows. The edited versions of those productions are of Athens with Richard Thomas,As You Like It University’s Outstanding Alumnus; Conser- Megan Mullally. He most recently direct- still sold by the publisher for theatres looking to present shorter ver- Students in grades 9-12 are immersed in training and rehearsal in the with Gwyneth Paltrow, and Richard III with ed the Broadway revival of Macbeth with vator of American Arts Award from Ameri- sions of the Bard’s plays. Summer Shakespeare Intensive. Their work this year includes intense John Turturro. His additional credits include . His Broadway credits also can Conservatory Theater; the San Diego training in speaking and understanding Shakespeare. Daily classes of the Lucille Lortel Award-winning reviv- include: The Nance, Dead Accounts, Catch Me Press Club Headliner Award; San Diego Gen- al of Arthur Miller’s All My Sons; the world If You Can, Impressionism, The Coast of Utopia tleman of Distinction Award; and a com- Our Summer Shakespeare Festival, a wonderful celebration of all studying text, using the logical and effective methods in Edelstein’s premiere of Steve Martin’s The Underpants, (Tony Award), Dr. Seuss’ How the Grinch Stole bined tribute from the Public Arts Advisory things Shakespeare, draws people from across the country to experi- book, help students prepare for their big performance in the Lowell which he commissioned; Molière’s The Mis- Christmas!, Dirty Rotten Scoundrels (Tony Council and the San Diego County Board of ence brilliant productions of brilliant plays. Our Master of Fine Arts Davies Festival Theatre. They perform one-hour versions of two of anthrope starring Uma Thurman in her stage nomination), Henry IV (Tony Award), Hair- Supervisors. Mr. Noel was particularly proud students perform many roles in those summer shows in addition to Shakespeare’s plays, bringing us full circle to those early days of The debut; and the world premiere of novelist spray (Tony Award), Imaginary Friends, The of the following three honors representing lending their talents as teaching artists in pre-show workshops for Old Globe. Nathan Englander’s play The Twenty-Seventh Invention of Love (Tony nomination, Drama education and theatre: Honorary Doctorate groups planning to see our productions. Our Artistic Director, Barry Man. Edelstein has taught Shakespearean of Humane Letters, University of San Diego; Desk Award), The Full Monty (Tony nomina- Edelstein, is one of America’s foremost authorities on Shakespeare, Join us on August 18 to witness the Shakespeare Intensive perfor- acting at The Juilliard School, NYU’s Grad- tion), More to Love, Getting Away with Mur- Honorary Doctorate in Fine Arts, San Diego and his experience as an educator supports our student training pro- mances and see what we’re doing to further this company’s history as uate Acting Program, and the University der, Pride’s Crossing, The Little Foxes, Hapgood State University; and the annual Awards for of Southern California. His book Thinking (Lucille Lortel Award, Best Director), Damn Excellence in Theatre named in his honor by grams. a destination for actors, directors, and audiences who seek the very Shakespeare (called by New York Magazine “a Yankees, Two Shakespearean Actors (Tony the San Diego Theatre Critics Circle. In 2007, best of Shakespeare in America. must-read for actors”) was published in 2007 nomination), Porgy and Bess (Tony Award). he received the National Medal of Arts— This summer, dozens of students are spending their days on the Globe and is now the standard text on American Metropolitan Opera: II Trittico. London: Love the nation’s highest honor for artistic excel- campus studying classical acting with an emphasis on Shakespeare. For more information about our Education programs email Shakespearean acting. He is also the author Never Dies, Hairspray (Olivier nomination). lence—in a ceremony at the White House. Those students will meet Barry; study his book, Thinking Shakespeare; [email protected]. of Bardisms: Shakespeare for All Occasions. National Theatre: His Girl Friday. Six mov- Craig Noel died on April 3, 2010 at the age ies for PBS’s “American Playhouse.” Awards: of 94. MICHAEL G. MURPHY 2008 Theatre Hall of Fame Inductee, 2005 (Managing Director) served as General Man- John Houseman Award, ArtServe Michigan This theatre operates under an agreement ager of The Old Globe from 2003 to 2012, 2008 International Achievement Award, between the League of Resident Theatres overseeing the Production, Education, Honorary Doctorate, University of Michi- and Actors’ Equity Association, the union of professional actors and stage managers in the Human Resources, Information Technology, gan. Honorary Doctor of Humane Letters, United States. and Facilities Departments, as well as Front University of San Diego. Film (actor): Sex and of House operations. He also managed the the City 2. Jack Be Nimble: The Accidental Edu- The Directors are members of the Society construction of the Globe’s new theatre and cation of an Unintentional Director, his mem- of Stage Directors and Choreographers, education facilities. Prior to the Globe, he was oir about the early years of his career, was an independent national labor union. the Managing Director of Austin Lyric Opera released in the summer of 2013 by Farrar, in Austin, Texas; Director of Administration Straus and Giroux. This Theatre operates under an Agreement of San Diego Opera; and General Manager of with the International Alliance of Theatrical San Diego Repertory Theatre. Before relocat- CRAIG NOEL Stage Employees Local No. 122. ing to San Diego from New York, he held sim- (Founding Director) was first appointed ilar positions at Theatre for a New Audience director in 1939, directing 15 productions and the Joyce Theater Foundation’s Ameri- prior to World War II. Since then he directed The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by can Theater Exchange. He also served as more than 200 plays of all styles and periods United Scenic Artists Local USA-829, IATSE. negotiating assistant for the League of Res- and produced an additional 270 productions. ident Theatres and sales representative for His vision for The Old Globe resulted in the Columbia Artists Theatricals Corporation. establishment of the Shakespeare Festival Mr. Murphy serves on the Board of Direc- and the San Diego Junior Theatre in the late tors of the National Alliance of Musical The- ’40s, the expansion to two theatres in the atre, the National Corporate Theatre Fund, ’50s, Globe Educational Tours in the ’70s, and the Balboa Park Cultural Partnership and Teatro Meta and the Old Globe/Uni- and serves as a Management Trustee for San versity of San Diego Graduate Theatre Pro- Old Globe Artistic Director Barry Edelstein with the students of the 2013 Summer Shakespeare Intensive.

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 AT THE GLOBE ENHANCE YOUR The Old Globe celebrated the opening of the world premiere musical comedyDog and Pony, directed by , on Thursday, June 5, 2014. The festivities began with a pre-show reception for Circle Patron donors, Board members, Production Sponsors, and members of the THEATRE EXPERIENCE artistic team, and the fun continued after the performance with the addition of cast and crew members at the opening night cast party. Become a Member of the Globe’s Annual Fund! Even with strong ticket sales, income from the box office only accounts for approximately 50% of the theatre’s $20 million operating budget. As a not-for-profit theatre, The Old Globe primarily relies on the generous support of patrons like you to contribute the rest. Annual Fund donations support artistic work and educational programs that the Globe offers to the San Diego community. Annual Fund members also receive benefits that enhance the theatregoing experience. Check to see if your company has a matching gift policy, which can double the impact of your donation.

Annual Fund Benefits(by membership level): Annual Fund donors at the 2013 Shakespeare Festival Cast Signing Party. 1 2 • Complimentary backstage tour ($125) • Invitations to selected opening night receptions ($1,000) • Subscription seating upgrade priority (commensurate with giving level) • Voucher for one complimentary admission for two to the • Discounts at participating restaurants ($250) Lipinsky Family Suite ($1,000) • Opportunity to purchase tickets before the general public ($250) • Invitations to all opening night dinners ($1,500) • Listing as an Annual Fund donor in all programs for one year ($500) • Gift from the Helen Edison Gift Shop ($1,500) • Invitations to attend Meet the Artist events ($500) • Three complimentary blanket rentals ($500)

To learn more about Annual Fund giving and benefits, contact Jessica Burger, Development Manager of Individual Annual Giving, at (619) 231-1941 x2311.

3 4 Join the Craig Noel League Today Ensure a Stronger Future for The Old Globe

Founded in 2000 and named for the Globe’s Founding Director, the League is a planned giving society comprised of individuals who have included the theatre in their estate plans. Through their generosity, these supporters are helping to ensure a long and bright future for San Diego’s leading cultural landmark.

Dr. & Mrs. Frank A. Frye, III James & Janice LaGrone PACEM (Pacific Academy Jeanette Stevens Edgar D. Canada Mr. Alan Gary & Dr. Ronald & of Ecclesiastical Music) Peter Stovin & Marilyn Sandra & Harry Carter Ms. Joanee Udelf Mrs. Ruth W. Leonardi Sarah B. Marsh-Rebelo & Johns Garet & Wendy Clark Nancy Reed Gibson Jerry Lester Foundation John Rebelo Eric Leighton Swenson 5 6 Joseph J. Cohen & Robert Gleason & Marc Robin J. Lipman Esther Rodriguez Anne C. Taubman Martha P. Farish Matys Heather Manion Bruce Sherman Randy Tidmore R. Patrick & Sharon Marcy Goldstone Chris & Jill Metcalf Darlene Marcos Shiley Cherie Halladay Tirschwell Connell Carol & Don Green Paul I. & Margaret W. Patsy & Forrest* Shumway Evelyn Mack Truitt Jane Cowgill Betsy Hamblin Meyer B. Sy & Ruth Ann Silver Ginny Unanue Gigi Cramer Bernard & June Harland Steve Miller Dee E. Silver, M.D. Jordine Von Wantoch

CRAIG NOEL, 1957 Patricia W. Crigler. Ph. D., Kathryn Hattox Shirley Mulcahy Stephen M. Silverman Merle Wahl* Anonymous (20) CAPT/USN/Ret. David & Debbie Hawkins Laurie Dale Munday Roberta Simpson Holly J. B. Ward Diana Barliant* Carlos & Patricia Cuellar Jill Denison Holmes Stanley Nadel & Cecilia Jen Sisskind Sarah Woodruff Watkins Jan Bart Darlene Gould Davies Craig & Mary Hunter Carrick Dolores & Rod Smith Sheryl & Harvey P. White Nancine Belfiore Mrs. Philip H. Dickinson* Grace Johnston Alice B. Nesnow Marisa SorBello & Peter Mrs. Jack Galen Whitney Alan Benaroya Doug Druley & Becky J. Robert & Gladys H. King Arthur & Marilyn Czipott Julie Meier Wright Young 7 8 Barbara Bolt Family Trust Neumann John & Cindy Sorensen Carolyn Yorston-Wellcome Bernard J. Eggertsen & Nancy Brock Marilyn Kneeland Ronald J. Newell Nancy A. Spector & Florence Nemkov 1. Dog and Pony director Roger Rees and Season Sponsor June Yoder*. 2. Cast, crew, and sponsors of Dog and Pony: (from left) book writer , cast member , Artistic Director Ronald Brown Jean & David Laing Greg & Polly Noel Alan R. Spector *In Memoriam Barry Edelstein, cast member Jon Patrick Walker, Production Sponsors Sheila* and Jeff Lipinsky, cast members Eric Williams Morris, Nicole Parker, and , composer and lyricist Dr. & Mrs. Robert Epsten , director Roger Rees, and stage manager Anjee Nero. 3. Managing Director Michael G. Murphy and Jean and David Laing. 4. Dick and Barbara Enberg and Karen and Jim Braelien. 5. Pam Marks, Dog and Pony book author Rick Elice, and Season Sponsor Valerie Cooper*. 6. Cast member Nicole Parker, Season Sponsors Brian and Paula* Powers, and cast member Jon Patrick Walker. 7. Ann Brizolis, Board Chair and Season Sponsor Elaine Darwin*, and Karen Tanz*. 8. Othello actors Richard Thomas and Kristen Connolly with Season Sponsors Vicki* and To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate Carl Zeiger. *Board member. Photos by Doug Gates. Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks Lead Season Sponsors ($75,000 or more) Season Sponsors ($50,000 - $74,999) and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Mary Beth Adderley Audrey S. Geisel/Dr. Seuss Fund at Conrad Prebys & Debra Turner Anonymous The San Diego Foundation Qualcomm Foundation City of San Diego Commission for Arts & Culture Globe Guilders Darlene Marcos Shiley, in memory of Donald Shiley Karen & Donald Cohn Kathryn & John Hattox The Shubert Foundation Peter Cooper & Norman Blachford The James Irvine Foundation Sheryl & Harvey White Foundation Elaine & Dave Darwin Microsoft Edgerton Foundation Paula & Brian Powers

Season Sponsors ($50,000 to $99,999) The Legler Benbough Foundation Joan & Irwin Jacobs Fund of the Rhona & Rick Thompson John A. Berol Jewish Community Foundation Gillian & Tony Thornley Mary Ann Blair NCTF/Edgerton Foundation Fund for United Valerie & Harry Cooper New American Theatre Wells Fargo Production Sponsors ($25,000 - $49,999) Ann Davies The Parker Foundation (Gerald & Inez Grant Parker) June E. Yoder Mr. & Mrs. Brian K. Devine Gloria Rasmussen Vicki & Carl Zeiger Hal & Pam Fuson Mickey Stern

Production Sponsors ($25,000 to $49,999) Bank of America GEN7 Wines Neiman Marcus Alan Benaroya Higgs Fletcher & Mack, LLP Price Philanthropies Foundation Richard & Kathy Binford Leonard Hirsch, in memory of Elaine Hirsch Random House Children’s Books California Bank & Trust HM Electronics, Inc. San Diego Gas & Electric® Pamela & Jerry Cesak Holland America Line Sheraton San Diego Hotel & Marina Joseph Cohen & Martha Farish The Hull Family Ms. Jeanette Stevens Cohn Restaurant Group/Prado Restaurant Jo Ann Kilty Torrey Pines Bank The County of San Diego Elaine Lipinsky Family Foundation Evelyn Mack Truitt Nina & Robert Doede Jeffrey & Sheila Lipinsky Family Foundation Union Bank Pamela Farr & Buford Alexander National Corporate Theatre Fund U.S. Bank Mandell Weiss Charitable Trust National Corporate Theatre Fund is a not-for-profit corporation created to increase ($15,000 to $24,999) ($10,000 to $24,999) Director Circle and strengthen support from the business community for 10 of this country’s most Director Circle distinguished professional theatres. The following foundations, individuals, and Melissa Garfield Bartell & Michael Bartell Dr. & Mrs. Harry F. Hixson, Jr. Allison & Robert Price corporations support these theatres through their contributions to NCTF: Jane Smisor Bastien Daphne H. & James D. Jameson Jean & Gary Shekhter Bjorg Family Barbara G. Kjos Ben & Karen Sherwood Acquis Consulting Group Marsh & McLennan Companies The Anthony Cerami & Ann Dunne Brooke & Dan Koehler Karen & Stuart Tanz American Express Foundation The McGraw-Hill Companies Foundation for World Health Carol & George Lattimer Nita & Henk van der Werff AOL MetLife Nikki & Ben Clay Rebecca Moores Carol & Larry Veit Bank of America Morgan Stanley Dan & Phyllis Epstein National Endowment for the Arts Jordine Skoff Von Wantoch Bloomberg Pfizer, Inc. BNY Mellon RBC Wealth Management Dr. & Mrs. Robert Epsten Caroline & Nicolas Nierenberg Pamela J. Wagner James E. Buckley RVM Inc. Karen Fox The Kenneth T. & Eileen L. Norris Foundation Dr. Steve & Lynne Wheeler Steven Bunson The Ralph and Luci Schey Foundation Diana R. Glimm Tom & Lisa Pierce Karin Winner Christopher Campbell/ Sharp Electronics Lee & Frank Goldberg Ramin Pourteymour Brent Woods & Laurie Mitchell Palace Production Center Skadden, Arps, Slate, Cisco Systems, Inc. Meagher & Flom LLC ($10,000 to $14,999) Citi George S. Smith, Jr. First American Trust ResMed Foundation Clear Channel Outdoor TheaterMania.com/Gretchen Shugart Cleveland Clinic John Thomopoulos FOUNDER CIRCLE Drs. Thomas H. & Jane D. Gawronski Herb Solomon & Elaine Galinson Jan Bart ($5,000 to $9,999) Norm Hapke & Valerie Jacobs Hapke Iris & Matthew Strauss Mr. & Mrs. Bear CMT/ABC The James S. and Lynne P. Turley Ernst ($5,000 - $9,999) Lawrence G. Alldredge & Dawn Moore Gordon & Phyllis Harris Pat & Jack Thomas Charlotte & Charles Bird Founder Circle Datacert, Inc. & Young Fund for Impact Creativity Bertrand at Mister A’s Loma Media Nokia Inc. Anonymous Alexa Kirkwood Hirsch Cherie Halladay Tirschwell Paul Black Dorsey & Whitney Foundation UBS Joan & Jeremy Berg Jerri-Ann & Gary Jacobs Carol Vassiliadis Steve & Elizabeth Bluhm Epiq Systems Wells Fargo Barbara Bloom William Karatz Viterbi Family Fund of the Dr. Herman & Irene H. Boschken Craig Noel Circle ($2,500 - $4,999) Ernst & Young Willkie Farr & Gallagher LLP The Louis Yager Cantwell Jennifer Lake & Donald Francis Donovan Jewish Community Foundation Anita Busquets & William Ladd Cubic Corporation Luna Grill Goldman, Sachs & Co. Private Foundation Peter Landin & Michelle Cardinal Jim & Mary Jane Wiesler Dr. & Mrs. Edgar D. Canada Carol & Jeff Chang Peter Manes & Yoko Sakaguchi Pamela & Marty Wygod Edward & Pamela Carnot Barbara Charlton Paul & Maggie Meyer Cecilia Carrick & Stan Nadel Colwell Family Distributable Fund at Money/Arenz Foundation, Inc. CRAIG NOEL CIRCLE Harry & Sandra Carter PUBLIC SUPPORT The San Diego Foundation Matthew & Judith Pollack ($2,500 to $4,999) George & Ellen Casey R. Patrick & Sharon Connell John & Marcia Price Family Foundation Dr. & Mrs. Wayne Akeson Rudy & Carol Cesena Bernard J. Eggertsen & Florence Nemkov Rivkin Family Fund I at Anonymous (6) Garet & Wendy Clark Major funding provided by the City of San Diego Commission for Arts and Culture. Marion Eggertsen The San Diego Foundation Judith Bachner & Eric Lasley Ms. Heidi Conlan/ The Old Globe is funded by the County of San Diego. Barbara & Dick Enberg The Jerome Robbins Foundation Jan & Rich Baldwin The Sahan Daywi Foundation Carol Spielman-Ewan & Joel Ewan Chrissy & Roger Roberts Bobbie Ball Richard & Stephanie Coutts Susanna & Michael Flaster Patricia K. Shumway Diana J. Barliant* & Nowell Wisch Susan Barlow Cowell

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OURJane Cowgill MarisaTHANKS SorBello & Peter Czipott San Diego Branch of Julius J. Peal Fund at Charlotte Hockstein Patricia Manning James & Judith Queenan Dave & Jan Stormoen Gigi & Ed Cramer Nancy & Alan Spector and Family The English-Speaking Union The San Diego Foundation Peggy & John Holl The Maretz Family C. Jay & Kathleen Rains Eric & Marian Suggs Carlo & Nadine Daleo Barbie & Dan Spinazzola Marilies Schoepflin, Ph.D. In Memory of Margaret Peninger Stephanie & Carl Hurst Joseph L. Marshall & Wayne & Christine Rounsavell Mrs. J.B. Swedelius Darlene G. Davies, in memory Ann & Robert Steck Alan & Ester Siman Clifford T. Pentrack & Robert Hyman Dr. Rosemarie Marshall Johnson Dr. Norman & Barbara Rozansky John & Gail Tauscher of Lowell Davies Nancy Steinhart & Rebecca Goodpasture Dave & Phyllis Snyder Mary E. Giovaniello Isabella Fund at The San Diego Mr. & Mrs. Gerald P. May, Jr. Mr. & Mrs. Todd Ruth Brian & Janet Taylor Jim & Sally Ditto Hannah & Gene Step Margery & John Swanson Stuart & Linda Robinson Foundation H. G. McAvenia George & Karen Sachs Marshall & Leila Taylor Devora & Ron Eisenberg of Great News! Karen & Don Tartre Greta & Steve Treadgold Rowling Family Charitable Fund of the Natasha Josefowitz, Ph.D. William McBride Susan Salt Reed & Solange Thompson Mr. & Mrs. Ira S. Epstein Michael T. Turner & Suzanne Poet Turner Stan & Anita Ulrich Jewish Community Foundation Jim & Sharon Justeson Robert McCommins Lillian Schafer K. Jean Timmons Diane & Elliot Feuerstein Mary R. Warkentin Karen Walker Frank Ruyak Drs. Irvin & Nancy Kaufman Dennis A. McConnell Shari & Frederick Schenk Doug & Lynn Todd Mary & David Fitz Jan Harden Webster & Raul Ortega James & Ellen Weil Jay & Julie Sarno C. A. Keppel Oliver McElroy & Karen Delaurier Carl Schott Robert C. & Melesse W. Traylor Jean & Sid Fox The Patricia and Christopher Weil David & Irene Weinrieb Brigid Hom-Schnapp & Russell Schnapp Loretta Kramer Teresa McEuen Martin & Connie Schroeder Capt. & Mrs. Ben Trovaten Chuck Freebern Family Foundation Judith Wenker Linda J. Seifert Mr. & Mrs. Robert Kucinski Charles & Billie McKnight Paul Searby Barbara C. Ward Charles & Millicent Froehlich Shirli, Damien and Justin Weiss Sandy Wichelecki & Ms. Lari Sheehan James Lare & Jacquelyn McCoy C. & D. Meadrus Dr. Katharine Sheehan & Corky & Joyce Wharton Joy & Dr. Fred Frye Mary Kay West Suzanne Dukes Howard & Beverly Silldorf Bill & Tamara Lascurain William & Janice Melton Dr. Frederick Walker Judith L. White Barbara & Albert Garlinghouse Pat & Bob Whalen Howard & Christy Zatkin Mr. William D. Smith & Dr. Carol Harter Elliott & Phyllis Lasser Craig & Betsey Monsell Glenda Allen Shekell Olivia & Marty Winkler Bill & Judy Garrett James E. & Kathryn A. Whistler Don Stanziano & Michael Sikich Dixon & Pat Lee Terry & Sandra Moore Alex V. Sher Omar & Carol Winter Teresa George Ellen & Tim Zinn GOLD Ronald & Susan Styn Ellen & Ira Levine Mimi & Ernie Mortensen Curt Sherman Mr. & Mrs. John W. Witt Wendy Gillespie ($500 to $999) Mr. & Mrs. Gordon Swanson B. Leonard Levy Jan & Mark Newmark Stella Shvil Professional Fiduciary Caryl Lees Witte Robert Gleason & Marc Matys DIAMOND Mrs. Marilyn Adams Clifford & Kay Sweet Lois & Larry Lewis Katherine Newton Anne & Ronald Simon Joe & Mary Witztum Sheila & Tom Gorey ($1,500 to $2,499) George Amerault, Jr. Tim & Judy Tillyer Morris & Zita Liebermensch Thomas & Tanya O’Donnell Malcolm E. Smith Mr. & Mrs. William F. Wolff George C. Guerra Anonymous (2) Anonymous (3) Brenda & Robert Tomaras Angie Longenecker Max & Fredda Opalsky Norman & Judith Solomon David A. Wood Ms. Cheryl Haimsohn Jeff & Donna Applestein Earl Asbury Jeffrey & Sheila Truesdell Eric & Lori Longstreet Susan & Jimmy Oxford Bill & Barbara Sperling Vicky Zollweg & Michael Dunteman Guy & Laura Halgren Mrs. Lazare F. Bernhard Alicia Atun & Elaine Rendon* Natalie C. Venezia & Paul A. Sager Bill Luckow Phil & Pam Palisoul Susanne Stanford Fund of the Pat & Rick Harmetz Mary-Kay Butler The Backman Family Kathy & Jim Waring Mr. & Mrs. Howard Lund Dennis & Nan Pennell Jewish Community Foundation Patrick Harrison & Eleanor Lynch Greg & Loretta Cass Bruce & Patricia Becker The Washkowiak Family Neil Malmquist Dr. & Mrs. Richard Perlman Scott & Sarah Stanton *In Memoriam Liz & Gary Helming Gay and Lesbian Fund for San Diego Amnon & Lee Ben-Yehuda Dennis & Carol Wilson Deborah & Frederick Mandabach Abigail Pike Ann & Robert Steiner This list current as of July 1, 2014. Rhonda Heth & Thomas Mabie at The San Diego Foundation Jay Biskupski & Catherine Imrie Cass Witkowski Family Russell Mangerie Eve Pritchard Jill & Evan Stone Gary & Carrie Huckell Bill & Nancy Homeyer Barbara Bolt Brendan M. & Kaye I. Wynne Richard & Janet Hunter Jake’s on 6th A Wine Bar Deb & Brand Brickman Hutcheson Family Fund at Dr. & Mrs. M. Joseph McGreevy Ruth Bunn SILVER The San Diego Foundation Judith & Neil* Morgan Luc Cayet & Anne Marie Pleska ($250 to $499) For additional information on how to support The Old Globe’s artistic, education, and community programs, please visit our website at Drs. Sonia & Andy Israel Akiko Charlene Morimoto & Drs. Lynne Champagne & Wilfred Kearse Karen Adam www.TheOldGlobe.org or contact Rachel Plummer or Keely Tidrow, Major Gifts Officers, at (619) 231-1941. Pat JaCoby Hubert Frank Hamilton, Jr. Richard T. Clampitt Diane Ambrose Mary & Russell Johnson Elspeth & Jim Myer Jack & Carol Clark Anonymous (6) Jackie Johnston Susan C. Parker Alan L. & Frances E. Cornell John & Elizabeth Bagby Katleman Family Fund of the The Arthur & Jeanette Pratt Ronald D. Culbertson Sharon & Bill Beamer Jewish Community Foundation Memorial Fund Honorable Vincent P. Di Figlia (Ret.) Sally & John Berry PATRON INFORMATION Dr. Gerald & Barbara Kent Wade and Candi Rich Dr. Donald & Eilene Dose Nicholas B. Binkley Edythe Kenton Ryde Family Memorial Foundation at Jacqueline & Stanley Drosch Robert Blanton & Ann Clark J. Robert & Gladys H. King Family Trust The San Diego Foundation Berit & Tom Durler Kathleen Blossfield TICKET SERVICES HOURS SEATING OF LATECOMERS Ken & Sheryl King Jack & Louise Strecker Bill Eiffert & Leslie Hodge Gaylyn N. Boone & James R. Dorcy Monday: Closed Although we understand parking is often at a premium, the seating of Webster & Helen Kinnaird Ms. C. Anne Turhollow & Drs. George & Susan Dersnah Fee Douglas & Helen Boyden Jane & Ray* Klofkorn Mr. Michael J. Perkins Richard & Beverly Fink LaVerne & Blaine Briggs Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alterna- Curt & Nancy Koch Family Foundation Donor Advised Fund at the Hours subject to change. Please call ahead. tive seating and will be seated at an appropriate interval. Rosalie Kostanzer & Michael Keefe PLATINUM Pauline E. Forman & Jack Burke Rancho Santa Fe Foundation PHONE (619) 23-GLOBE (234-5623) Regina Kurtz, in fond memory ($1,000 to $1,499) Steven & Susan Garfin Beth Bruton of Al Isenberg In Memory of Freda Altschuler & Terrie Georgi David Burns & Diane Lischio FAX (619) 231-6752 YOUNG CHILDREN Bob & Laura Kyle Sylvia Goldin Arthur Getis & Roberta King R. Nelson & Janice Byrne EMAIL [email protected] or [email protected] Jean & David Laing Drs. Gabriela & Mike Antos Norman & Patricia Gillespie Helen M. Caldwell Children five years of age and under will not be admitted to perfor- Terry & Mary Lehr Sondra & Robert Berk Fund of the J. M. Gillman Brent Carey WEBSITE www.TheOldGlobe.org mances. Ms. Sherrill Leist Jewish Community Foundation Robert & Edry Goot Leslie & Shlomo Caspi Ronald & Ruth W. Leonardi Gary & Barbara Blake Family Fund of the Barbara & Leonard Gosink Elaine Chortek James & Pamela Lester Jewish Community Foundation Chris Graham & Michael Albo Lisa Churchill ADMINISTRATION HOURS ELECTRONIC DEVICES AND CAMERAS Paul Levin Bob & Joyce Blumberg Carol & Don Green K. Cline Sandy & Arthur Levinson Walter & Cheryl Deegan Richard & Candace Haden James Cochran & Sue Lasbury Monday – Friday: 9:00 a.m. – 5:00 p.m. The video and/or audio recording of this performance by any means Robin J. Lipman Dean & Mrs. Michael H. Dessent Jeff & Judy Handler Boyd & Rita Collier PHONE (619) 231-1941 whatsoever is strictly prohibited. Please silence all digital watches, pag- Barbara & Mathew Loonin Dorothy R. Dring James & Ruth Harris Fund of the Michelle Conde WEBSITE Susan and John Major Clare & Paul Friedman Jewish Community Foundation Maryanne Cordahl www.TheOldGlobe.org ers, and cellular phones prior to entering the theatre. Donor Advised Fund at the Geraldo & Scarrain Gomes Fund Virginia Hawkins Dr. Cynthia & Mr. Martin Davis ADDRESS The Old Globe Rancho Santa Fe Foundation Louise & Doug Goodman Kaaren Henderson Florence C. De Lucia P.O. Box 122171 Carlos Malamud Heat Bar & Kitchen Jamie Henson & Robert Houskeeper Angie DeCaro ASSISTED LISTENING SYSTEM Dr. Robert & Marcia Malkus Phil & Kathy Henry Bruce & Jane Hopkins Caroline S. DeMar San Diego, CA 92112-2171 Jackie & Charlie Mann Fund of the Joan & George Hornig Joseph & Donna Hynes Bethany Derrough For the convenience of our hard-of-hearing and hearing-impaired pa- Jewish Community Foundation Isaacs Brothers Foundation at Mrs. Susan Inot Charlene Webster Dibelka trons, The Old Globe has an Assistive Listening System in all three the- Lois Marriott The San Diego Foundation Ed & Linda Janon Sidney Djanogly ORDERING TICKETS/CHANGE OF ADDRESS Ms. Kerri Martella Kenneth & Marilyn Jones Tony & Nancy Janus Steve & Sandy Drew atres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and Dr. Ted & Marcy Mazer Louis & Mary Beth Kelly Dr. & Mrs. Clyde W. Jones Victor & Louise Engleman The Old Globe accepts Visa, Discover, MasterCard, and American Ex- the Lowell Davies Festival Theatre. A limited number of the lightweight Elizabeth & Edward McIntyre Robert Kilian & Kathleen Slayton Anthony & Joyce Joseph Nate & Margaret Englund press. Phone orders for non-subscribers are subject to a $3.50-per-tick- headsets, as well as induction neck loops, may be obtained from the Elizabeth B. Meyer Gayle & Jerry Klusky Bob & Janice Kayler Joan & Milt Evangelou Dr. Howard & Barbara Milstein Bill & Linda Kolb Dr. Marvin M. Kripps Esther & Robert Feier et service charge. Ticket exchanges are subject to a service charge for house manager prior to performances. Sara F. Moser Dr. & Mrs. James E. Lasry LABS, Inc./Silvia Dreyfuss Dr. & Mrs. Richard Friedman non-subscribers. If you have moved, please notify the Ticket Services Nancy & James Mullen Thomas D. Lookabaugh Foundation Rick & Sherry Levin Dr. & Mrs. Benjamin Frishberg Office to update our records. Call (619) 234-5623 during Ticket Ser- Bette Nagelberg Edward & Nancy Lyon Marshall & Judy Lewis Fund of the John & Mary Garvelink PUBLIC TOURS vices hours, mail your change of address to the Ticket Services Office, Joyce & Martin Nash Joy & Ronald Mankoff Jewish Community Foundation Peter & Christine Gault Go behind the scenes at The Old Globe to learn about the history, three Lyn Nelson Jasna Markovac & Gary Miller Carl Maguire & Margaret Sheehan Rita Geisel or email [email protected]. Arthur & Marilyn Neumann Marcia A. Mattson Sally & Luis Maizel Mr. & Mrs. Bruce Gemberling stages, shops and craft areas. Open tours: most Saturdays and Sundays Lawrence Newmark Rena Minisi & Rich Paul Drs. Betty Joan Maly & John Meyers In honor of Steve “Dude” Godfrey Patrons of the Prado Charles & Ilene Mittman Mercy & Ron Mandelbaum Phyllis & Morris Gold at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Patricia Payne Jim & Ruth Mulvaney Foundation at Rev. Stephen J. Mather Fred & Lisa Goldberg UNABLE TO ATTEND? Call (619) 238-0043 x2145 for information/reservations. Col. & Mrs. Ben Pollard The San Diego Foundation Ronald McCaskill & Robyn Rogers Euvoughn L. Greenan If you find you are unable to use your tickets, please give them to a Bill & Mo Popp Marsha J. Netzer, in memory of Mr. & Mrs. William M. McKenzie Craig & Catherine Greene friend, or turn them in to the Ticket Services Office and receive a tax Daniel Porte Jr., MD & Sally Dubois Alice & Ray Jacobson Mr. & Mrs. Paul E. Michelson Gregoire Associates LOST AND FOUND Joseph & Jane Rascoff Mark Niblack, MD James & Estelle Milch Fund of the Gary & Anne Grim receipt for your donation. Tickets must be received by show time. Sarah B. Marsh-Rebelo & John G. Rebelo Virginia Oliver Jewish Community Foundation Stanley C. Harazim If you have misplaced a personal item while at the theatre, please con- Nancy J. Robertson Barbara B. Oswalt Ursula & Hans Moede George D. Hardy tact the Ticket Services Office or Security as soon as possible. If we are Cathy & Larry Robinson Christopher & Susan Pantaleoni Dr. Robert & Anne Morrison Mark & Corrine Harvey RESTROOMS Carole Sachs Robert & Doris Reed Charles & Susan Muha Garry & Sharon Hays unable to locate your item, we’ll happily take down your contact in- Beverly & Warren Sanborn John & Josette Rekettye Shirley Mulcahy Joan Henkelmann Restrooms are located in the lower lobby of the Old Globe Theatre, the formation and a description of the item and contact you if it is found. Sue & Duff Sanderson Jordan Ressler Charitable Fund of the Darrell Netherton Gerald M. Hermanson & lobby of the Sheryl and Harvey White Theatre, and adjacent to the Low- Dr. Myron & Doreen Schonbrun Jewish Community Foundation Evy & Ed Newton Donna L. Buckner The Old Globe does not assume liability for items left behind on the Sherry & Charles Sheppard Esther Rodriguez William & Carla Nolan Mrs. Suzanne Hess ell Davies Festival Theatre. premises. Drs. Joseph & Gloria Shurman Dr. Sara Rosenthal & Dr. Julie Prazich Rod & Barbara Orth Blaine Hibbard Dee E. Silver, MD Crystal A. Rubin Dr. David & Elizabeth Ostrander Donald J. Hickey Beth & Kevin Smith Ryan Family Charitable Foundation Lori Partrick Christine Hickman & Dennis Regan NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER.

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Chris Carignan, Trish Rutter, DEVELOPMENT Dave Henson...... Director of Marketing and Communications Tom Stephansky...... Craftspersons Annamarie Maricle...... Associate Director, Todd Schultz...... Director of Development David Medina...... Properties Buyer Institutional Grants Mark Somers...... Director of Finance Kristine Hummel-Rosen...... Properties Assistant Bridget Cantu Wear...... Associate Director, Planned Giving Richard Seer...... Director of Professional Training David Buess...... Property Master, Globe Eileen Prisby...... Events Manager Robert Drake...... Director of Production Kristen Flores...... Stage & Property Master, White Rachel Plummer, Keely Tidrow...... Major Gifts Officers Roberta Wells-Famula...... Director of Education Andrew Recker...... Property Master, Festival Jessica Burger...... Development Manager, Individual Annual Giving ARTISTIC LIGHTING Matthew B. Williams...... Major Gifts Associate Eric Louie, Justin Waldman...... Associate Producers Shawna Cadence...... Lighting Director Diane Addis...... Membership Administrator Danielle Mages Amato...... Literary Manager/Dramaturg Jack Bender...... Assistant Lighting Director Rico Zamora...... Development Assistant Bernadette Hanson...... Artistic Associate Steve Schmitz...... Lighting Assistant Tyler Jones...... VIP Donor Ticketing Jan Gist...... Resident Vocal Coach Evan Page...... Interim Master Electrician, Globe Jim Dodd...... Master Electrician, White DONOR SERVICES PRODUCTION Kevin Liddell...... Master Electrician, Festival Silvana Burrata, Laura Embry, Janette Jack, Debra Pratt Ballard...... Associate Director of Production Derek Lauer, Barbara Lekes, Richard Navarro, Gary Neuberg, Stephanie Reed, Suzanne Conway...... Company Manager Bradley Bergholtz...... Follow Spot Operators, Festival Stephen Wade...... Suite Concierges Carol Donahue...... Production Coordinator Christian Erikson, Mike McCullock, Xavier Luevano, Kyle Montgomery...... Electricians Jackson Smith...... Assistant Company Manager MARKETING Susan Chicoine...... Public Relations Director STAGE MANAGEMENT SOUND Ed Hofmeister...... Associate Director of Marketing Leila Knox...... Production Stage Manager Paul Peterson...... Sound Director Mark Hartshorn...... Master Sound Technician, Globe Mike Hausberg...... Public Relations Associate Andrew Waltz...... Digital and Print Publications Coordinator TECHNICAL Dana Pickop...... Master Sound Technician, White Stephen Wade...... Marketing/Events Assistant Benjamin Thoron...... Technical Director Jeremy Nelson...... Master Sound Technician, Festival Austin Taylor...... Deck Audio, Globe DeAndre Clay, Carolann Malley, Wendy Berzansky...... Associate Technical Director Lauren Senko...... Distribution Staff Lucas Skoug...... Interim Associate Technical Director James Zadai...... Deck Audio, Festival RJ Givens, Emily Yavitch...... Sound Technician Travis Barrett...... Assistant Technical Director SUBSCRIPTION SALES Sean Fanning...... Resident Design Assistant ADMINISTRATION Scott Cooke...... Subscription Sales Manager Eliza Korshin...... Technical Assistant/Buyer Arthur Faro, Janet Kavin, Pamela Malone, Alexandra Hisserich...... Operations Assistant Gillian Kelleher...... Master Carpenter Yolanda Moore, Jessica Morrow, Ken Seper, Carole Payette...... Charge Scenic Artist Carolyn Budd...... Assistant to the Artistic Cassandra Shepard, Jerome Tullmann, Gregg Essex...... Draftsman and Managing Directors Grant Walpole...... Subscription Sales Representatives Christian Thorsen...... Stage Carpenter/Flyman, Globe Darlene Davies...... The Old Globe Historian Robert Dougherty...... Festival Master Carpenter TICKET SERVICES INFORMATION TECHNOLOGY Jack Hernandez...... Charge Carpenter, White Bob Coddington...... Ticket Services Director Jessica Amador, Dave Garcia, Eileen McCann...... Painters Dean Yager...... Information Technology Director Marsi Bennion...... Ticket Operations Manager Daniel Capiro, Sean Chaffin, Chris Chauvet, John Ralston...... Information Technology Assistant Manager Karen Ann Daniels...... Group Sales Manager Michael Curtis, Matt Giebe, Larry J. Hall, Brittany Summers...... Information Technology Assistant Tony Dixon, Sloan Holly, Laura McEntyre, Francisco Ramirez, Jordyn Patton...... Lead Ticket Services Representatives Jon Serbian...... Carpenters HUMAN RESOURCES Kari Archer, Kathy Fineman, Adam Gibbs, Bea W. Adam Bernard...... Lead Scenic Artist Sandy Parde...... Human Resources Director Gonzalez, Lauryn Greschke, Alejandro Gutierrez, Jason Chohon...... Automation Coordinator Manny Bejarano...... Human Resources Coordinator Amanda King, Caryn Morgan, Danielle Porath, Tim McCalister...... Technical Director Intern Christopher Smith, John Sweeney, MAINTENANCE Jesse Uribe...... Ticket Services Representatives COSTUMES Mark Gingery...... Facilities Director Stacy Sutton...... Costume Director Violanda Corona, Ismael Delgado, Frank Fields, PATRON SERVICES Charlotte Devaux...... Resident Design Associate Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Mike Callaway...... Patron Services Director Maureen Mac Niallais...... Assistant to the Director Jose Morales, Albert Rios, Maria Rios, Leonardo Juliana Johnson, Mary Taylor...... House Managers Shelly Williams...... Design Assistant/Shopper Rodriguez, Vielka Smith, Stephanie Hable...... Front of House Assistant Will Van Atta...... Building Staff Corrine Roache, Michelle Hunt Souza...... Design Assistants Elaine Gingery...... Food and Beverage Manager Erin Cass, Su-Lin Chen, Timothy Acosta, PROFESSIONAL TRAINING Marsha Kuligowski, Wendy Miller...... Draper and Tailors Topher Rasmussen...... Pub Shift Supervisors Shana Wride...... Program Coordinator Mary Miller...... Tailoring/Construction Tanika Baptiste, Carolyn Elder, Deborah Montes, Stephanie Passera, Paige Plihal, Brandon Potter, Mark Baiza, Maria De La Mora, Allison Elsey, Brian Byrnes, Maria Carrera, Cynthia Caywood, Isaac Saenz, Michelle Thorson...... Pub Staff Tea Ninkovic, Nunzia Pecoraro, Ray Chambers, Gerhard Gessner, Jan Gist, Fred Robinson, Abraham Stoll...... M.F.A. Faculty Heather Premo, Ademir Serrano...... Stitchers Linda Bahash, Jessica Piatt, Corey Johnston, Nate Parde, Stephanie Rakowski...... Gift Shop Supervisors Erin Carignan...... Craft Supervisor/Dyer/Painter Nicole Ries...... M.F.A. Production Staff Sharon Granieri, Brent Roberts, SECURITY/PARKING SERVICES Emily N. Smith...... Craft Artisans EDUCATION Security Supervisor Molly O’Connor...... Wig and Makeup Supervisor Edward Camarena...... Crystal Mercado...... Education Programs Manager Security Officer Kimberly Eddo, Danielle Griffith...... Wig Assistants Sherisa Eselin...... Katherine Harroff...... Community Voices Teaching Artist Beverly Boyd...... Wardrobe Supervisor Jonathon Ayon, Joshua Caldwell, Carol Green...... Speakers Bureau Coordinator Beth Merriman...... Wardrobe Crew Chief, Globe Dallas Chang, Jeff Howell, Lisel Gorell-Getz, Jason Heil, Stephen Hohman, Janet Larson, Guadelupe Velez...... Security Guards Anna MacDonald...... Wardrobe Crew Chief, White Erika Malone, Heather Pauley, Christopher Salazar, Michael Prince, Ana Maldonado, Sarah Mendez, Damon Shearer...... Teaching Artists Alexander Thomas...... VIP Valet Attendants Sue Noll, Kim Parker, Hallie Thomas, Noelle Van Wyk...... Wardrobe Crew, Festival FINANCE Marie Jezbera...... Rental Agent Carly Bennett-Valle...... Senior Accountant Jack O’Brien...... Artistic Director Emeritus Janet Gray...... Interim Senior Accountant Craig Noel...... Founding Director PROPERTIES Trish Guidi...... Accounts Payable/Accounting Assistant Neil A. Holmes...... Properties Director Adam Latham...... Payroll Coordinator/Accounting Assistant Kristin Steva Campbell...... Assistant to the Director Tim Cole...... Receptionist M.H. Schrenkeisen...... Shop Foreman Rory Murphy...... Lead Craftsman

24 PERFORMANCES MAGAZINE