June 2013 Welcome to

The 2013 Summer Shakespeare Festival marks Adrian Noble’s fourth and final year as Festival Artistic Director. We want to take this opportunity to thank not only Adrian (see Barry’s note on page 23) and his fellow director this season, Ian Talbot, but also the truly excellent repertory company Adrian has built at the Globe over the past four years. These actors make a unique commitment to the Globe; from first rehearsal to closing night, they spend over

DOUG GATES five months with us. The process of rehearsing Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. three plays simultaneously and then performing a different one every night requires mental focus, transformative skill and the kind of trust that turns a cast into a company. They accomplish this feat with the support of some of the best stage managers and crew in the business, and we salute them as well.

This also seems the perfect moment to reaffirm Shakespeare’s central place, not just in our history, but also in the future of The Old Globe. Next season, with Barry’s production of The Winter’s Tale, Shakespeare’s work will return indoors at the Globe for the first time in more than a decade. In the seasons ahead, we look forward to exploring Shakespeare on all three of the Globe’s stages, alongside the world classics, new American writing and musicals that make up the broad range of our programming. We are also committed to building new platforms, finding new ways to bring Shakespeare and our other work out into the San Diego community, making the finest plays ever written accessible to everyone in America’s finest city.

According to the Institute of Outdoor Drama, in 2012 alone, more than a million Americans attended productions in outdoor theatres. The majority of them saw Shakespeare. We are proud to be part of a thriving tradition of outdoor Shakespeare that stretches back to the Bard’s own Globe four centuries ago. What more perfect setting for these plays than Balboa Park, under the San Diego sky?

Enjoy the show!

Barry Edelstein Michael G. Murphy Artistic Director Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 Board of Directors LEADERSHIP GIFTS SHAKESPEARE FESTIVAL SPONSOR The Old Globe recognizes and thanks Welcome to the 2013 Shakespeare Festival. the following generous individuals who have made extraordinary gifts Shakespeare’s work has been at the heart of The of $1 million or more. These major Old Globe’s artistic life since the first performances contributions have been designated took place in 1935. The Bard’s plays are central to our for artistic, endowment and facilities The Qualcomm Foundation was established in 2010 by Qualcomm Incorporated and is dedicated mission to “produce and present works of exceptional projects, and help The Old Globe to strengthening communities worldwide. Most importantly, the Foundation aims to create and merit, designed to reach current and future audiences.” remain one of our country’s great support educated, healthy, culturally vibrant communities, focusing on geographic regions where theatre institutions. Our mission goes much further, framed in words like the company has a business presence. Through our support of arts education and outreach $20,000,000 or greater “diversity,” “balance,” “growth” and “education,” and programs, we help young people develop innovative minds and expand cultural enrichment Donald† and Darlene Shiley we take those words seriously. The result is one of opportunities to in-need populations. The Qualcomm Foundation is proud to support The Old Globe’s Summer Shakespeare Festival, many associated education programs and the 2013 the broadest repertoires produced by any American $10,000,000 or greater touring production of Twelfth Night that recently reached more than 5,000 students at 20 schools theatre company and all at consistently high standards. Conrad Prebys throughout San Diego County. For more information about the Qualcomm Foundation and $5,000,000 or greater Qualcomm Incorporated’s global social responsibility programs, visit Qualcomm.com/Community. Each year, patrons like you return back to the Globe to savor our programs, keep our Sheryl and Harvey White box office humming and, through your generous philanthropy, cover the gap between Kathryn Hattox ticket revenues and production costs. Karen and Donald Cohn Ask any actor and you will hear of the power of audiences to shape the arc of each $2,000,000 or greater performance as emotion flows from the stage to the seats and back again. Other Viterbi Family Foundation SHAKESPEARE FESTIVAL SEASON SPONSORS critical interactive loops connect old audiences and new with generous donors and $1,000,000 or greater imaginative new artists eager to take risks. We need your support and your leadership California Cultural and JOHN A. BEROL | A Midsummer Night’s Dream to keep The Old Globe and the entire San Diego theatre scene at the very center of Historical Endowment American stagecraft. Estate of Dorothy S. Prough Having previously enjoyed Shakespeare at school and on stage, The Rivkin Family John was delighted to discover San Diego’s enthusiasm for Nowhere is this scene more vibrant than on our outdoor Festival stage on San Diego Estate of Beatrice Lynds Shakespeare in Balboa Park upon moving to the city in 1977. summer evenings. Thank you so much for your presence in our seats and for your Audrey S. Geisel/San Diego Aware of the fragile dependence of artistically driven theatre generous financial support. Have a wonderful evening! Foundation Dr. Seuss Fund upon charitable support from individuals, John joyfully joined Mr. and Mrs. Victor H.† Ottenstein in with contributions including sponsorship of Dancing at Mrs. Helen Edison† Lughnasa, Voir Dire, Labor Day, Twelfth Night (2001 and 2009), The Stephen & Mary Birch Foundation Pericles, Much Ado About Nothing, The Two Noble Kinsmen, The The Kresge Foundation Winter’s Tale, Titus Andronicus, Measure for Measure, The Merry Harold W. Fuson, Jr. Wives of Windsor, The Taming of the Shrew, The Tempest and As Chair, Board of Directors †In Memoriam HENRY DIROCCO HENRY You Like It (pictured at left with Dana Green and Dan Amboyer).

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* KAREN AND DONALD COHN | Rosencrantz and Guildenstern Are Dead Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Karen and Donald have served in leadership roles at The Old Finance & Treasurer Globe for nearly 20 years. Karen, a graduate of University of San Diego law school, is involved with numerous major arts and DIRECTORS Jo Ann Kilty Stacey LeVasseur Vasquez Paul Harter cultural institutions. Don, founder and former CEO of Dataquick Mary Beth Adderley* Sheila Lipinsky Jordine Von Wantoch Gordon Luce (1925-2006) Elizabeth Altman Ramin Pourteymour Pamela J. Wagner Dolly Poet (1921-2007) Information Systems Inc. — the nation’s foremost real estate Pamela Cesak Paula Powers* Jim Wening Deborah Szekely data repository company — continues his career as an investor, Nicole A. Clay Conrad Prebys* Lynne Wheeler Hon. Pete Wilson and is owner of Ballena Vista Farms in Ramona, one of Southern Joseph J. Cohen Tim Rafalovich Debbie Wilson California’s largest thoroughbred racing, breeding and training Peter J. Cooper* David L. Reagan Karin Winner EMERITUS DIRECTORS facilities. Valerie S. Cooper Sandra Redman June Yoder Garet B. Clark Ann Davies Crystal Sargent Vicki Zeiger J. Dallas Clark (1913–2005) Don serves as Immediate Past Board Chair, continuing his work Silvija Devine Jean Shekhter *Executive Committee Member Bea Epsten Stephen P. Embry Ann Steck Sally Furay, R.S.C.J. on the Executive, Development, Investment and Finance Committees. Karen first joined the Globe Pamela A. Farr Steven J. Stuckey HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Board in 1992, serving two terms as Chair. The Cohns have supported several productions, most Karen Fox Daniel L. Sullivan, Ph.D. Mrs. Richard C. Adams Delza Martin (1915–2005) recently The Taming of the Shrew, The Tempest and last year’s Inherit the Wind. Victor P. Gálvez Rhona Thompson (1912–2005) Darlene Shiley Kathryn Hattox* Evelyn Mack Truitt Clair Burgener (1921-2006) Patsy Shumway Karen and Don helped launch the Globe’s Capital Campaign in 2006 with a significant gift and in Deni Jacobs Debra Turner Mrs. John H. Fox (1908–2003) Carolyn Yorston-Wellcome recognition, the Karen and Donald Cohn Education Center is named in their honor. Daphne Jameson Linda Van Vark Audrey Geisel (continued on page 4)

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 SHAKESPEARE FESTIVAL SEASON SPONSORS SHAKESPEARE FESTIVAL PRODUCTION SPONSORS

(continued from page 3) Ann Davies at SDG&E, having developed and managed various KATHRYN HATTOX | The Merchant of Venice Rosencrantz and Guildenstern Are Dead programs and partnerships there for many years. A former Board member at San Diego Ballet, Jeanette In 1997 Kathryn joined The Old Globe Board of Directors. Born and raised in England, Ann currently serves on the San Diego Youth Symphony She has served as Board Chair and continues today as a moved to San Diego after living and La Jolla Music Society Boards and continues member of the Executive, Finance, Nominating, Craig Noel in Canada. She was married her enthusiastic involvement with arts organizations League, Investment and Endowment Committees. to the late John Davies, son of countrywide. A longtime Old Globe subscriber and Lowell Davies, in whose honor patron, Jeanette derives immeasurable benefit from In recognition of her leadership gift to the Globe’s historic the Festival Theatre is named. both performance experiences and her meaningful Capital Campaign, the multipurpose performance and Following her career as an relationships established at the Globe. event room located in the Education Center carries the elementary school teacher, name Hattox Hall. Ann now focuses much of her volunteer work on

children’s charities. Her involvement with San Diego Gillian and Tony Thornley The Merchant of Venice Kathryn has generously supported the Globe each year as organizations has included the Junior League, St. a Production or Season Sponsor for such plays as Lucky Duck, Rough Crossing, All My Sons, The Germaine Auxiliary and Voices for Children. She has The connection between the Thornley family and Boswell Sisters, Measure for Measure, Cyrano de Bergerac, King Lear, Amadeus and last year’s served on the Board of the Child Abuse Prevention Shakespeare is a deeply personal one. Amid the production of As You Like It, directed by Shakespeare Festival Artistic Director Adrian Noble. Foundation and is a former Board President at the uncertainty and strife of World War II, Gillian’s parents San Diego Museum of Art. Currently, Ann delivers for met and married in the Bard’s rural hometown of Meals on Wheels and serves on the Boards of The Stratford-upon-Avon. They settled in a 17th-century Old Globe and the Parker Foundation. She loves to home neighboring Anne Hathaway’s cottage where JOAN AND IRWIN JACOBS | Rosencrantz and Guildenstern Are Dead travel and has enjoyed theatre at the Globe for many the only source of running water was an outdoor Joan and Irwin have been enthusiastic supporters and years. pump and cold, damp trips “down the garden path” loyal subscribers of The Old Globe for more than 20 years, were frequent. Often through makeshift amateur during which time the theatre and San Diego communities productions, the plays of Shakespeare, particularly have greatly benefited from their generosity and Barbara Kjos the comedies, provided respite from the hardships involvement. Previous Globe productions sponsored by The Merchant of Venice of life, creating a unique bond with the playwright. In Joan and Irwin include Hershey Felder as George Gershwin Barbara has been a loyal patron of The Old Globe honor of their parents, who experienced the profound Alone, Macbeth, Resurrection Blues, Smash, Julius Caesar, since the summer of 1973, when she and her late impact of Shakespeare’s works, as have theatergoers Avenue Q, The Merry Wives of Windsor, King Lear, Golda’s husband, Neil, moved to San Diego from Chicago. throughout the centuries and around the world, the Balcony, Amadeus and last year’s Inherit the Wind. The Their love of Shakespeare originally drew them to Thornleys are proud to support The Old Globe in couple is active philanthropically throughout San Diego, the Globe, and providing support for the Festival saluting this incredible playwright. supporting numerous organizations including University was a natural fit for the couple. Neil owned and of California, San Diego (with a $75 million gift to build operated the enormously successful Neil A. Kjos the new Jacobs’ Medical Center), the new Central Library, Museum of Contemporary Art, San Music Company, which continues to set the standard Diego Symphony, San Diego Opera, La Jolla Playhouse, Museum of Photographic Arts, The New in the educational music publishing industry. Barbara Children’s Museum and the San Diego Food Bank. continues to support San Diego Opera, San Diego A Midsummer Night’s Dream Symphony and Mainly Mozart, among others, and Union Bank began supporting The Old Globe more enjoys time with her grandchildren. than 25 years ago and has contributed over $500,000 RHONA AND RICK THOMPSON | A Midsummer Night’s Dream to the theatre’s education and artistic programming, Rhona and Rick are honored to be a part of the sponsorship Jeanette Stevens including providing bank employees to serve as of the 2013 Shakespeare Festival. The Thompsons A Midsummer Night’s Dream volunteers in various capacities at the theatre. Vice President, Community Banking Group, Debbie Wilson believe the humanities are a vital part of a complete A Chicago native and graduate serves on the Globe’s Board of Directors and is a education. They recognize that theatre at its best can be of Indiana University, Jeanette transformative, delivering fresh perspective and focus on was first engaged in the arts as champion of arts education throughout the region. the news of the day. The Thompsons deeply appreciate the a devoted, passionate student Union Bank’s 10-year community commitment, has central role of The Old Globe in the San Diego community of dance within a family and pledged to annually distribute at least two percent and its standing on a national level. Serial entrepreneurs in university dedicated to cultural of its after-tax net profit to charitable organizations, the internet space, they recently launched Signia Venture appreciation. Subsequently which has resulted in donations exceeding $84 million partners, an early-stage venture capital fund. Rhona and moving to San Diego, her first in just seven years. Union Bank has sponsored many profession was as a teacher in Rick’s passion and philanthropic support for education and productions including The Glass Menagerie, Othello, public and private elementary schools and then the arts have grown out of their conviction that creative, As You Like It, Imaginary Friends and Allegiance – later teaching and choreographing ballet. Currently, A New American Musical. The Old Globe applauds out-of-the-box thinking is essential to the long-term success of individuals, families, businesses Jeanette is retired from her public relations career and communities. Rhona, who has been a long-time season ticket holder, is thrilled to join The Union Bank for its longtime and unwavering support. Old Globe Board this year and to be a part of its future.

4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 THE CAST (in alphabetical order) COBWEB...... Erin Elizabeth Adams BOTTOM...... Miles Anderson* MOTH...... Meaghan Boeing STARVELING...... Donald Carrier* A MIDSUMMER HERMIA...... Winslow Corbett* DEMETRIUS...... Nic Few* LYSANDER...... Adam Gerber PUCK...... Lucas Hall* NIGHT’S DREAM EGEUS...... Sherman Howard* PETER QUINCE...... Charles Janasz*† SNUG...... John Lavelle* TITANIA, HIPPOLYTA...... Krystel Lucas* FIRST FAIRY...... Danielle O’Farrell MUSTARDSEED...... Stephanie Roetzel BY SNOUT...... Triney Sandoval* HELENA...... Ryman Sneed* PEASEBLOSSOM...... Whitney Wakimoto WILLIAM SHAKESPEARE OBERON, THESEUS...... Jay Whittaker* FLUTE...... Sean-Michael Wilkinson

FAIRIES...... Matthew Bellows, Jeremy Fisher, Kushtrim Hoxha, Stephen Hu, Allison Layman, Christopher Salazar, Robbie Simpson Ralph Funicello† Deirdre Clancy Alan Burrett Dan Moses Schreier SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN STAGE MANAGEMENT Stage Manager...... Bret Torbeck* Elan McMahan George Yé James Vásquez Jan Gist Assistant Stage Managers...... Zach Kennedy*, Amanda Salmons*, Jess Slocum* MUSIC DIRECTOR FIGHT DIRECTOR MOVEMENT VOICE AND DIALECT COACH Production Assistant...... Kendra Stockton Stage Management Interns...... Jessica Bryant, Sarah Dion, Betsy Dunbar, Alex Eberle, Hannah May, Esther McFaden Samantha Barrie, CSA Bret Torbeck CASTING STAGE MANAGER

There will be one 15-minute intermission.

DIRECTED BY PRODUCTION STAFF Assistant Director...... C.J. Keith IAN TALBOT Assistant Scenic Design...... Sean Fanning Assistant Costume Design...... Elisa Benzoni Assistant Lighting Design...... Amanda Zieve, Sherrice Kelly Assistant Sound Design...... Kevin Anthenill

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. †Associate Artist of The Old Globe. Student in The Old Globe/University of San Diego Graduate Theatre Program. —————————————————— LOWELL DAVIES FESTIVAL THEATRE Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher. June 2 – September 29, 2013

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 THE CAST (in alphabetical order) SHYLOCK...... Miles Anderson* SALERIO...... Matthew Bellows ANTONIO...... Donald Carrier* JESSICA...... Winslow Corbett* THE MERCHANT PRINCE OF MOROCCO...... Nic Few* STEPHANO...... Jeremy Fisher LORENZO...... Adam Gerber BASSANIO...... Lucas Hall* OF VENICE LEONARDO, GAOLER...... Kushtrim Hoxha TUBAL, DUKE OF VENICE...... Charles Janasz*† LANCELOT GOBBO...... John Lavelle* PORTIA...... Krystel Lucas* PRINCE OF ARRAGON...... Christopher Salazar GRATIANO...... Triney Sandoval* BY BALTHAZAR...... Robbie Simpson NERISSA...... Ryman Sneed* WILLIAM SHAKESPEARE SOLANIO...... Sean-Michael Wilkinson PORTIA’S SERVANTS...... Allison Layman, Danielle O’Farrell, Whitney Wakimoto ENSEMBLE...... Erin Elizabeth Adams, Meaghan Boeing, Stephen Hu, Allison Layman, Danielle O’Farrell, Stephanie Roetzel, Whitney Wakimoto Ralph Funicello† Deirdre Clancy Alan Burrett Dan Moses Schreier SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN STAGE MANAGEMENT Stage Manager...... Bret Torbeck* Assistant Stage Managers...... Zach Kennedy*, Amanda Salmons*, Jess Slocum* Production Assistant...... Kendra Stockton George Yé Jan Gist Samantha Barrie, CSA Bret Torbeck Stage Management Interns...... Jessica Bryant, Sarah Dion, Betsy Dunbar, FIGHT DIRECTOR VOICE AND DIALECT COACH CASTING STAGE MANAGER Alex Eberle, Hannah May, Esther McFaden

There will be one 15-minute intermission.

DIRECTED BY PRODUCTION STAFF Assistant Director...... Annette Yé Assistant Scenic Design...... Sean Fanning ADRIAN NOBLE Assistant Costume Design...... Shelly Williams Assistant Lighting Design...... Amanda Zieve, Sherrice Kelly Assistant Sound Design...... Kevin Anthenill

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. †Associate Artist of The Old Globe. Student in The Old Globe/University of San Diego Graduate Theatre Program. —————————————————— LOWELL DAVIES FESTIVAL THEATRE Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher. June 9 – September 28, 2013

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE CAST (in alphabetical order) TRAGEDIAN (Player King)...... Matthew Bellows OPHELIA...... Winslow Corbett* HORATIO...... Nic Few* TRAGEDIAN (Spy), LAERTES...... Jeremy Fisher ROSENCRANTZ TRAGEDIAN (Spy)...... Adam Gerber HAMLET...... Lucas Hall* THE PLAYER...... Sherman Howard* TRAGEDIAN (Poisoner)...... Kushtrim Hoxha AND GUILDENSTERN ALFRED (Player Queen)...... Stephen Hu POLONIUS...... Charles Janasz*† ROSENCRANTZ...... John Lavelle* AMBASSADOR...... Christopher Salazar CLAUDIUS...... Triney Sandoval* ARE DEAD SOLDIER, FORTINBRAS...... Robbie Simpson GERTRUDE...... Ryman Sneed* BY GUILDENSTERN...... Jay Whittaker* FILM CREW...... Erin Elizabeth Adams, Meaghan Boeing, TOM STOPPARD Whitney Wakimoto, Sean-Michael Wilkinson ATTENDANTS...... Allison Layman, Danielle O’Farrell, Stephanie Roetzel

Ralph Funicello† Deirdre Clancy Alan Burrett Dan Moses Schreier STAGE MANAGEMENT SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Stage Manager...... Bret Torbeck* Assistant Stage Managers...... Zach Kennedy*, Amanda Salmons*, Jess Slocum* Production Assistant...... Kendra Stockton Stage Management Interns...... Jessica Bryant, Sarah Dion, Betsy Dunbar, Peter Golub George Yé Jan Gist Alex Eberle, Hannah May, Esther McFaden ORIGINAL MUSIC FIGHT DIRECTOR VOICE AND DIALECT COACH

Samantha Barrie, CSA Bret Torbeck There will be two 15-minute intermissions. CASTING STAGE MANAGER

PRODUCTION STAFF DIRECTED BY Assistant Director...... Annette Yé Assistant Scenic Design...... Sean Fanning Assistant Costume Design...... Michelle Hunt Souza ADRIAN NOBLE Assistant Lighting Design...... Amanda Zieve, Sherrice Kelly Assistant Sound Design...... Kevin Anthenill

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Rosencrantz and Guildenstern Are Dead is presented †Associate Artist of The Old Globe. by special arrangement with Samuel French, Inc. Student in The Old Globe/University of San Diego Graduate Theatre Program. —————————————————— LOWELL DAVIES FESTIVAL THEATRE Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher. June 16 – September 26, 2013

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 The 2013 Shakespeare Festival Company

ACTOR NAME A Midsummer Night’s Dream The Merchant of Venice Rosencrantz and Guildenstern Are Dead

Erin Elizabeth Adams Cobweb Ensemble Film Crew

Miles Anderson* Bottom Shylock

Matthew Bellows Fairy Salerio Tragedian (Player King) Erin Elizabeth Adams Miles Anderson* Matthew Bellows Meaghan Boeing Donald Carrier* Meaghan Boeing Moth Ensemble Film Crew

Donald Carrier* Starveling Antonio

Winslow Corbett* Hermia Jessica Ophelia

Nic Few* Demetrius Prince of Morocco Horatio

Jeremy Fisher Fairy Stephano Tragedian (Spy), Laertes Winslow Corbett* Nic Few* Jeremy Fisher Adam Gerber Lucas Hall* Adam Gerber Lysander Lorenzo Tragedian (Spy)

Lucas Hall* Puck Bassanio Hamlet

Sherman Howard* Egeus The Player

Kushtrim Hoxha Fairy Leonardo, Gaoler Tragedian (Poisoner)

Stephen Hu Fairy Ensemble Alfred (Player Queen) Sherman Howard* Kushtrim Hoxha Stephen Hu Charles Janasz*† John Lavelle* Charles Janasz*† Peter Quince Tubal, Duke of Venice Polonius

John Lavelle* Snug Lancelot Gobbo Rosencrantz

Allison Layman Fairy Portia’s Servant, Ensemble Attendant

Krystel Lucas* Titania, Hippolyta Portia

Danielle O’Farrell First Fairy Portia’s Servant, Ensemble Attendant Allison Layman Krystel Lucas* Danielle O’Farrell Stephanie Roetzel Christopher Salazar Stephanie Roetzel Mustardseed Ensemble Attendant

Christopher Salazar Fairy Prince of Arragon Ambassador

Triney Sandoval* Snout Gratiano Claudius

Robbie Simpson Fairy Balthazar Soldier, Fortinbras

Ryman Sneed* Helena Nerissa Gertrude Triney Sandoval* Robbie Simpson Ryman Sneed* Whitney Wakimoto Jay Whittaker* Whitney Wakimoto Peaseblossom Portia’s Servant, Ensemble Film Crew

Jay Whittaker* Oberon, Theseus Guildenstern

Sean-Michael Wilkinson Flute Solanio Film Crew

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. †Associate Artist of The Old Globe. Student in The Old Globe/University of San Diego Graduate Theatre Program. Sean-Michael Wilkinson

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 Profiles

ERIN ELIZABETH ADAMS (Cobweb, MATTHEW BELLOWS (Fairy, Nothing, The Tempest and Amadeus. and The Foreigner (Cincinnati Playhouse in “Go On,” Fenix in Retail Therapy and and The Violet Hour. His Off Broadway A Midsummer Night’s Dream; Ensemble, A Midsummer Night’s Dream; Salerio, In 2010 he was in King Lear, The Madness in the Park, The Repertory Theatre of Chief Wilder in Sparky. credits include Beyond the Horizon (Irish The Merchant of Venice; Film Crew, The Merchant of Venice; Tragedian (Player of George III and The Taming of the St. Louis) and Doubt (Capital Repertory Repertory Theatre), The Merchant of Rosencrantz and Guildenstern Are Dead) King), Rosencrantz and Guildenstern Shrew. His regional credits include Joseph Theater). Ms. Corbett’s New York credits JEREMY FISHER (Fairy, A Midsummer Venice, Othello and All’s Well That Ends was last seen in the Globe’s production Are Dead) was featured in last year’s Surface in The School for Scandal (Chicago include The Skin Game (Mint Theater), Night’s Dream; Stephano, The Merchant Well (Theatre for a New Audience), of Pygmalion and the Old Globe/USD Shakespeare Festival productions of Shakespeare Theater), Ferdinand in Romulus Linney’s Lark (The Ensemble of Venice; Tragedian (Spy), Laertes, Edward II (Red Bull Theater) and The Hasty M.F.A. production of Measure for Measure Richard III, As You Like It and Inherit The Duchess of Malfi (The Shakespeare Studio Theatre) and Everything That is the Rosencrantz and Guildenstern Are Dead) Heart (Keen Company). He has appeared and reading of Once in a Lifetime. She the Wind at The Old Globe. He has also Theatre), Frederick in Noises Off and Case for Two Young Women on the Eve of appeared in The Old Globe’s Pygmalion regionally in the world premiere of A Dram has worked in New York City on Gated appeared in the Old Globe/USD M.F.A. Francis in Lincolnesque (Cleveland Play the Great War Among Other Elegant Lies and the 2012 Shakespeare Festival of Drummhicit (La Jolla Playhouse), Twelfth (Midtown International Theatre Festival) productions of Measure for Measure, House), Ian in Shining City (The Studio (Incubator Arts Project). Her screen work productions of Richard III, As You Like It Night (Westport Country Playhouse), the and regionally on Heist!, A Midsummer Twelfth Night and Fathers and Sons as Theatre), Malvolio in Twelfth Night (Notre includes Lifetime’s A Change of Heart, and Inherit the Wind. He has also appeared world premiere of A True History of the Night’s Dream and Post Wave Spectacular well as Sunset Boulevard (Pioneer Theatre Dame Shakespeare Festival) and the title Comedy Central’s “Stand-Up Nation with in the Old Globe/USD M.F.A. productions Johnstown Flood (Goodman Theatre), The (Actors Theatre of Louisville), Henry Company), The Scarlet Pimpernel and role in The Three Trials of Oscar Wilde Greg Giraldo” and the web series “The of Measure for Measure, Twelfth Night, Two Noble Kinsmen (Chicago Shakespeare IV Parts I and II (Actors’ Shakespeare Beauty and the Beast (Hale Center (Huntington Theatre Company). He Digressions” and “Submissions Only.” She Fathers and Sons and a staged reading Theater), Almost, Maine (TheaterWorks, Project) and Done (Providence Black Theatre), The Cherry Orchard (The recently appeared in Ten Chimneys and In can be seen in “The Digressions” of Pygmalion. His Chicago productions Hartford), The Tempest (Pittsburgh Public Repertory Company). She is a former People’s Theater), The Ark and Big River the Next Room (Cleveland Play House) and at thedigressions.com. include Coronado and Hollow Lands Theater), Cyrano de Bergerac and Henry IV Acting Apprentice with the Actors Theatre (Provo Theatre Company) and The Sound Hamlet (NDSF). His other theatre credits (Steep Theatre Company), Stage Door (The Shakespeare Theatre Company) and of Louisville. Ms. Adams received her B.A. of Music, Big River and Les Misérables include Great Lakes Theatre Festival, NIC FEW (Demetrius, A Midsummer and No More Dead Dogs (Griffin Theatre Romeo and Juliet (New Repertory Theatre). in Theatre and Literary Arts from Brown (Tuacahn Center for the Arts). His other Maltz Jupiter Theatre, The Wilma Theater, Night’s Dream; Prince of Morocco, The Company), the title role in Ivanov, Sweet His film and television credits include The University. credits include Misalliance, Handing Down Intiman Theatre and TheatreWorks Silicon Merchant of Venice; Horatio, Rosencrantz Confinement(After Dark Award for Love Letter, Late Summer, “Guiding Light” the Names, The Beggar’s Opera, Elton John Valley. Mr. Carrier spent nine seasons and Guildenstern Are Dead) is honored Outstanding Ensemble), The Incredibly and “As the World Turns.” Mr. Hall trained MILES ANDERSON (Bottom, and Tim Rice’s Aida, The Zoo Story and at the Stratford Festival appearing as and excited to make his Globe debut. Mr. Famous Willy Rivers and Bible B-Sides at University of North Carolina School of A Midsummer Night’s Dream; Shylock, the title role in Hamlet. His television and Orlando in As You Like It, Charles Surface Few is a graduate of Brown University, (Sinnerman Ensemble), Sweet Bird of the Arts under Gerald Freedman. The Merchant of Venice) has been acting film credits include The WB’s “Everwood,” in The School for Scandal, Quince in A where he earned his M.F.A. in Acting and Youth (The Artistic Home), Election Day for stage and screen for many years. He has Forever Strong, Beauty and the Beast: Midsummer Night’s Dream, John Worthing Directing, and Clark Atlanta University, (Theatre Seven), Odin’s Horse (Infamous SHERMAN HOWARD (Egeus, just completed a run at Ahmanson Theatre A Latter-Day Tale, Civil Love and The Letter in The Importance of Being Earnest, where he earned his M.A. in Education Commonwealth Theatre), Hot N’ Throbbing A Midsummer Night’s Dream; The Player, in The End of the Rainbow. His previous Writer. He produced and starred in the Bassanio in The Merchant of Venice and Administration. His theatre credits include (Pine Box Theater Company) and Rosencrantz and Guildenstern Are Dead) roles at The Old Globe include Prospero short film Hellespont, competing in festivals Lucio in Measure for Measure. Mr. Carrier Eli in The Dinosaur Within (Boston Court Another Day in the Empire (Black Sheep has appeared on Broadway in Gore in The Tempest, Salieri in Amadeus, now. He has a B.F.A. in Acting from Brigham is Associate Director of the Case Western Performing Arts Center), Oberon and Productions). Mr. Fisher is a graduate Vidal’s The Best Man, Bengal Tiger at the Leonardo da Vinci in Divine Rivalry and Young University. matthewbellows.com. Reserve University/Cleveland Play House Theseus in A Midsummer Night’s Dream, of Indiana University and The School at Baghdad Zoo, All My Sons and Inherit the King George in The Madness of George M.F.A. Acting Program. Ghost of Christmas Present in Steppenwolf. Wind. His Off Broadway credits include III, for which he received the San Diego MEAGHAN BOEING (Moth, A Midsummer A Christmas Carol and Confluence Another Part of the Forest (The Peccadillo Theatre Critics Circle Craig Noel Award. Night’s Dream; Ensemble, The Merchant WINSLOW CORBETT (Hermia, (Guthrie Theater), Romeo in Romeo ADAM GERBER (Lysander, A Midsummer Theater Company), Titus Andronicus and Mr. Anderson’s previous work with Adrian of Venice; Film Crew, Rosencrantz and A Midsummer Night’s Dream; Jessica, and Juliet (The Shakespeare Center of Night’s Dream; Lorenzo, The Merchant of Tell Out My Soul (The Public Theater), Noble at the Royal Shakespeare Company Guildenstern Are Dead) was most recently The Merchant of Venice; Ophelia, Los Angeles, St. Louis Black Repertory Venice; Tragedian (Spy), Rosencrantz and Geography of a Horse Dreamer and The includes Macbeth and The Comedy of seen in the Old Globe/USD M.F.A. Program Rosencrantz and Guildenstern Are Dead) Company), Jack in Black Birds (Horizons Guildenstern Are Dead) was last seen in Crate (The Ensemble Studio Theatre) and Errors. His other appearances include his production of Measure for Measure. last appeared at The Old Globe in the 2011 Theatre Company), The Misanthrope The Old Globe’s production of Pygmalion I’m Not Rappaport (Roundabout Theatre Olivier Award-nominated Sigismund in Her Los Angeles credits include the Shakespeare Festival as Constanze Weber (New York Theatre Workshop), End’s Eve and the Old Globe/USD production Company). His recent regional credits Life’s a Dream, Twelfth Night and Volpone world premiere of Imagine (South Coast in Amadeus, Miranda in The Tempest (New York International Fringe Festival), of Measure for Measure. His New York include The Lion in Winter, No Man’s Land, and the receipt of three British Theatre Repertory), Master Class (The Will Geer and Hero in Much Ado About Nothing. Via Prada in Sex Acts (PushPush Theater), credits include As You Like It and the The Cherry Orchard, Much Ado About Awards. His West End appearances include Theatricum Botanicum), Man of La Mancha She appeared as Elaine Robinson in the Wheeler in The Ballad of Emmett Till (The Off Broadway revival of Lebensraum Nothing, the title roles of both Galileo and The Weir, Oliver! and The Rehearsal. His (A Noise Within), Surf Orpheus (Getty National Tour of The Graduate, Nora Eugene O’Neill Theater Center), The (Harold Clurman Lab Theatre). He has also Enrico IV and Scrooge in A Christmas Carol film work includes Cry Freedom! and Villa) and The Antaeus Company. Other Ephron’s Love, Loss, and What I Wore America Play (Actor’s Express Theatre worked in Tokyo, Japan on Hikobae (The (The Shakespeare Theatre of New Jersey). The Shepherd. Mr. Anderson’s television favorite productions include King Lear, The (Geffen Playhouse), Private Lives (Laguna Company), Lincoln in Topdog/Underdog Actors Clinic, Will Do). Mr. Gerber has His further regional credits include the title appearances include “Criminal Minds,” and Two Gentlemen of Verona, As You Like It, Playhouse), Noises Off (South Coast and Station Master in The Cherry Orchard performed in numerous other productions roles in Hamlet (Kentucky Shakespeare his U.K. credits including Dempsey in ITV’s The Misanthrope, Sunday in the Park with Repertory), You Can’t Take It With You and (Trinity Repertory Company), Angelo in including Sex and the Holy Land (New York Festival), Macbeth (North Carolina “Ultimate Force,” Roger O’Neill in BBC’s George, The Pirates of Penzance and The Trying (Rubicon Theatre, StageSceneLA Measure for Measure (Chautauqua Theater International Fringe Festival) and Much Ado Shakespeare Festival) and Sheridan (La award-winning “House of Cards” and Dan Sound of Music as well as a world premiere Award) and Arcadia and Grand Magic Company), Loyale in Tartuffe (Theatre About Nothing, Macbeth, Twelfth Night, Jolla Playhouse). He appeared in The Fortune in the hit series “Soldier, Soldier.” translation of Don Juan. Ms. Boeing has (A Contemporary Theatre). Her other in the Square), Super Fu Jones in Action In the Boom Boom Room and Dancing at Price (Pittsburgh Public Theater), Nine His work with directors, including Richard appeared in national commercials as well as regional credits include David Copperfield Movie II (Dad’s Garage Theatre Company), Lughnasa (Stella Adler Studio of Acting), Armenians (Intiman Theatre), Jumpers Attenborough, Trevor Nunn, Max Stafford- independent films, performs vocal music of directed by Joanne Woodward and Anne Buddy Lomax in Tambourines to Glory and and he has been featured in various (Northlight Theatre) and The Contractor Clark and Sam Mendes, has established various styles and is a teacher of piano and Keefe (Westport Country Playhouse), Slangtalk in Spunk (Jomandi Productions) national commercials. He is a graduate (American Conservatory Theater). Some Mr. Anderson internationally as an actor of voice. Ms. Boeing received her Bachelor The Underpants directed by Gene Saks and Cassius in Julius Caesar (Brown of the Stella Adler Studio of Acting of his many television credits include notability and popularity. Originally from of Music in Voice Performance from Ithaca (PlayMakers Repertory Company), The University/Trinity Repertory Company), to and received his B.A. from The George “Homeland,” “Person of Interest,” “Cold Zimbabwe, Mr. Anderson currently resides College. meaghanboeing.com. Importance of Being Earnest (Pittsburgh name a few. His television and film credits Washington University where he appeared Case,” “Malcolm in the Middle,” “Law & in Los Angeles with actor-writer Bella Public Theater), The Learned Ladies and include Donovan in The Chadwick Journals, in The Winter’s Tale and Metamorphosis. Order,” “Seinfeld,” “ER,” The Stand, all DONALD CARRIER (Starveling, Merlin. He has two brilliant sons: the actor The Mother of Us All (Williamstown Theatre Bill in Purple Skinny Jeans, Lawrence in LUCAS HALL (Puck, A Midsummer Night’s three “Star Trek” spin-offs and more. He Joe Anderson and Max, a chef and world A Midsummer Night’s Dream; Antonio, Festival), Noises Off, Born Yesterday “Eleventh Hour,” Iceman in Balls to the most recently performed with the New The Merchant of Venice) was last seen at Dream; Bassanio, The Merchant of Venice; champion streetboarder. and Fabuloso (Wellfleet Harbor Actors Wall, Officer Jim Carter in “Blotter,” Mark Hamlet, Rosencrantz and Guildenstern Are Jersey Symphony Orchestra as Prospero The Old Globe in the 2011 Shakespeare Theater), Private Lives (Pittsburgh Irish in The Undying, Rookie Cop in “The John in a unique presentation of Sibelius’ The Festival, appearing in Much Ado About Dead) has previously appeared at The Old and Classical Theatre), Ah, Wilderness! Mulaney Show,” Nelson in Better Half, Man Globe in Hamlet, Measure for Measure Tempest Suite, but his legacy performance

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 Profiles is as the iconic zombie Bub in George Are Dead) is an Associate Artist of The where her mainstage roles included Company, the side project theatre to be returning to the Globe. His last RYMAN SNEED (Helena, A Midsummer Romero’s Day of the Dead. Old Globe and has appeared in 29 Luciana in The Comedy of Errors and company, First Folio Theatre, Signal performance in the area prior to last year, Night’s Dream; Nerissa, The Merchant Globe productions including Pericles Sempronious in Timon of Athens as well as Ensemble Theatre, and many others. Her when he played Gromov in Blood and Gifts of Venice; Gertrude, Rosencrantz and KUSHTRIM HOXHA (Fairy, A Midsummer and the Summer Shakespeare Festivals multiple roles in the educational touring film credits include Farewell Darkness and at La Jolla Playhouse, was in 1991 when he Guildenstern Are Dead) is a 2011 graduate Night’s Dream; Leonardo, Gaoler, The of 1985 and 2004-2012. He appeared productions of A Midsummer Night’s Stay with Me. Her television credits include appeared at The Old Globe as Launcelot of the Old Globe/USD M.F.A. Program Merchant of Venice; Tragedian (Poisoner), on Broadway in the 1999-2000 revival of Dream, Julius Caesar and Macbeth. Her “My Boys.” Ms. O’Farrell received her Gobbo in The Merchant of Venice and and happy to return to the Shakespeare Rosencrantz and Guildenstern Are Amadeus and has been a leading company other regional work includes Petra in An B.F.A. in Theatre from the Chicago College Boatswain in The Tempest. His Broadway Festival. Her previous Globe credits Dead) was recently seen in Tartuffe member and returning guest artist of both Enemy of the People (Playhouse on Park) of Performing Arts at Roosevelt University. credits include Napoleon and Intendante include Much Ado About Nothing, The and Measure for Measure with the Old Guthrie Theater and Arena Stage. His and a wide range of roles in productions danielleofarrell.com. Morales in A Free Man of Color, Chapuys in Tempest, Amadeus, Death of a Salesman, Globe/USD M.F.A. program. He has other credits include work at Ahmanson at the Monomoy Theatre in Chatham, A Man for All Seasons and Manolo Sanchez The Winter’s Tale, King Lear and The appeared in Rock ‘n’ Roll, King Lear, Theatre, New York Shakespeare Festival, Massachusetts. Ms. Layman studied with STEPHANIE ROETZEL (Mustardseed, in Frost/Nixon. His other New York theatre Madness of George III. Her Off Broadway Sun Monkey, The Glass Menagerie and Playwrights Horizons, Williamstown Bill Esper at his studio in New York and A Midsummer Night’s Dream; Ensemble, credits include Timon of Athens, The and other New York credits include Hamlet (National Theater of Kosovo), Theatre Festival, Geffen Playhouse, Seattle received her B.A. in French Language and The Merchant of Venice; Attendant, Idiot, Elliot, a Soldier’s Fugue, As You Like None of the Above, Technicolor Life and Senior Carrar’s Rifles and Scapin’s Deceits Repertory Theatre, La Jolla Playhouse, Literature from Wesleyan University in Rosencrantz and Guildenstern Are Dead) It and Whisper. Regionally he has been The Tempest. Ms. Sneed has worked on (Professional Theater of Gjakova), Patriotic CENTERSTAGE, Empty Space Theatre, Connecticut. appeared in the 2012 Shakespeare Festival seen at La Jolla Playhouse, Cincinnati television series such as “Law & Order: Hypermarket (Bitef Theater, Belgrade), Huntington Theatre Company, Walker Art at The Old Globe and in Tartuffe, Measure Playhouse in the Park, The Wilma Theater, Criminal Intent” and “The Good Wife,” as Yue Madeline Yue (Multimedia Center, Center and Loring Playhouse. He trained at KRYSTEL LUCAS (Titania, Hippolyta, for Measure, Pygmalion, Fathers and Sons Round House Theatre, Actors Theatre well as several commercials. Kosovo and Volkstheater, Vienna) and University of Washington and The Juilliard A Midsummer Night’s Dream; Portia, and Twelfth Night for the Old Globe/USD of Louisville, Alliance Theatre, Two rymansneed.com. Hamlet (Children’s Theatre of Charlotte). School and has been a proud member of The Merchant of Venice) is thrilled to be M.F.A. Program. Ms. Roetzel has previously River Theater Company, Virginia Stage He has performed in numerous theatre Actors’ Equity Association since 1980. making her Globe debut. Her regional performed regionally in Best Weekend Ever Company, CENTERSTAGE, Yale Repertory WHITNEY WAKIMOTO (Peaseblossom, festivals such as Festival Iberoamericano credits include Death and the King’s (Williamstown Theatre Festival Apprentice Theatre, Milwaukee Repertory Theater, A Midsummer Night’s Dream; Portia’s in Columbia, Mess Festival in Bosnia and JOHN LAVELLE (Snug, A Midsummer Horseman, Macbeth and All’s Well That Company), The Seagull, The Beauty Queen The Repertory Theatre of St. Louis, Great Servant, Ensemble, The Merchant of Herzegovina, Ex-Ponto Festival in Slovenia, Night’s Dream; Lancelot Gobbo, The Ends Well (Oregon Shakespeare Festival), of Leenane and Brighton Beach Memoirs Lakes Theater, Idaho Shakespeare Festival, Venice; Film Crew, Rosencrantz and VIE Scena Contemporanea Festival in Italy, Merchant of Venice; Rosencrantz, Good People (Dorset Theatre Festival), (Vanderbilt University), My Fair Lady (The Alabama Shakespeare Festival, California Guildenstern Are Dead) appeared in ASSITEJ Festival in Sweden, Dezire Festival Rosencrantz and Guildenstern Are Love’s Labour’s Lost (Shakespeare in the Victory Theatre Center) and Little Women Shakespeare Theater, Shakespeare the 2012 Shakespeare Festival and has in Serbia, Durban Theatre Festival in South Dead) last performed at The Old Globe Parking Lot), The Sty of the Blind Pig (Lake Charles Little Theatre). She holds a Santa Cruz and five seasons as a recently appeared in Measure for Measure, Africa, Skupi Festin Macedonia and SKENA in Bell, Book, and Candle directed by (TheaterWorks), In the Next Room, or the B.A. from Vanderbilt University. resident company member with Oregon Twelfth Night, Tartuffe, Fathers and Sons UP Festival in Kosovo. He is the cofounder Darko Tresjnak. His favorite theatre vibrator play (The Repertory Theatre of and the staged reading of Pygmalion with CHRISTOPHER SALAZAR (Fairy, Shakespeare Festival. Mr. Sandoval’s of Teatri Urban Theater Company in credits include Benjamin in The St. Louis), The Summer House (Passage television credits include “The Sopranos,” the Old Globe/USD M.F.A. Program. Her Prishtina, Kosovo. His film and television Graduate (Broadway), Gratiano in The Theatre Company), Postcards from Earth A Midsummer Night’s Dream; Prince New York credits include The Tempest of Arragon, The Merchant of Venice; “Lights Out,” “One Life to Live,” “All My credits include Human Zoo, I Need You Merchant of Venice (Royal Shakespeare (Guthrie Theater), Memories... (Salt and Children” and recurring roles on both (Stages on the Sound Theatre). Her and “Familja Moderne.” Mr. Hoxha studied Company), Achilles in The Iliad (Syros Pepper Mime Theatre) and Trifles (Carol Ambassador, Rosencrantz and Guildenstern regional credits include Endgame and Are Dead) appeared in last year’s “Law & Order” and “Law & Order: Special Acting at the Academy of Dramatic Arts Festival, Greece), Yosarian in Catch-22 Belk Theatre). Ms. Lucas has also appeared Victims Unit.” Big Love (Montana Repertory Theatre), A at University of Prishtina in Kosovo and (Lucille Lortel Theatre), Spatter Pattern in The Winter’s Tale, Tiger Tiger, Our Lady Shakespeare Festival and in the Old Midsummer Night’s Dream and Romeo and received a B.A. in Theater Performance (Playwrights Horizons), The Jew of of 121st Street, Smash, A Doll’s House, Globe/USD M.F.A productions of Measure ROBBIE SIMPSON (Fairy, A Midsummer Juliet (The Shakespeare Theatre of New from Greensboro College. Malta (Theatre for a New Audience), Gem of the Ocean, Sliding into the Beast, for Measure, Tartuffe, Twelfth Night and Night’s Dream; Balthazar, The Merchant of Jersey), Bug (Montana Rep Missoula) and On the Razzle directed by David Jones Angels in America: Millennium Approaches Fathers and Sons. He has appeared Venice; Soldier, Fortinbras, Rosencrantz The Good Person of Szechwan (The Open STEPHEN HU (Fairy, A Midsummer Night’s (Williamstown Theatre Festival), Burleigh and All’s Well That Ends Well (Tisch School in New York in the World Premiere of and Guildenstern Are Dead) was most Space Theatre). She has a B.F.A. in Acting Dream; Ensemble, The Merchant of Venice; Grimes (New World Stages), Rope (Drama of the Arts). She was featured in the indie Thieves (The Public Theater/AMERINDA recently seen as Freddy Eynsford Hill in from the University of Montana. Alfred (Player Queen), Rosencrantz and Dept.) and Touchstone in As You Like It filmThe Q and is currently an associate Theater), Hamlet (Gorilla Repertory Pygmalion directed by Nicholas Martin Guildenstern Are Dead) was last seen in the (The Shakespeare Center of Los Angeles). producer of the film The Weekend (soon Theater Company, Inc.), The Merchant of at The Old Globe. His Old Globe/USD JAY WHITTAKER (Oberon, Theseus, Old Globe/USD M.F.A. Program’s Tartuffe He has performed regionally at La Jolla to be released). She received her B.A. Venice (Inwood Shakespeare Festival), M.F.A. Program credits include Measure A Midsummer Night’s Dream; Guildenstern, and Measure for Measure. He has recently Playhouse, McCarter Theatre Center and from the University of North Carolina at The Tempest (Brave New World Repertory for Measure and the staged reading of Rosencrantz and Guildenstern Are Dead) appeared in Los Angeles productions of Hartford Stage. Mr. Lavelle’s television and Asheville and her M.F.A. from the New York Theatre) and Big Love (Columbia University Once in a Lifetime. His U.K. credits include appeared in the Globe’s 2012 Shakespeare Macbeth and Richard III (The Will Geer film credits include “Law & Order: Trial by University Graduate Acting Program. Stage). His regional credits include Romeo Orlando in As You Like It (Shakespeare’s Festival as the title role in Richard III and Theatricum Botanicum) and in the title Jury,” The Black Donnellys,” “Numb3rs,” and Juliet (Shakespeare Center of Los Globe). His New York and Off Broadway Oliver in As You Like It. He also appeared role of Ching Chong Chinaman (Artists at “NCIS,” “Guiding Light,” “All My Children,” DANIELLE O’FARRELL (First Fairy, Angeles), Saint Joan and Peter Pan (Barter credits include A Class Act directed by in the 2011 Festival as Mozart in Amadeus Play). His Bay Area credits include Over the The Taking of Pelham 1 2 3, Zerosome, A Midsummer Night’s Dream; Portia’s Theatre), Deathtrap (The Barnstormers Bob Moss (Playwrights Horizons) and and Don John in Much Ado About Nothing, Asian Airwaves (Ferocious Lotus Theatre August and Broadway’s Finest. Mr. Lavelle Servant, Ensemble, The Merchant of Theatre), The Winter’s Tale, Antony Hanschen in Spring Awakening (Roy Arias). and in the 2010 Festival as Edgar in Company), Concerning Strange Devices is a graduate of New York University’s Tisch Venice; Attendant, Rosencrantz and and Cleopatra and Love’s Labour’s Lost His favorite regional credits include A Class King Lear, Lucentio in The Taming of the from the Distant West (Berkeley Repertory School of the Arts. Guildenstern Are Dead), a proud member (American Shakespeare Center) and Act (Berkshire Theatre Festival), Rent and Shrew and William Pitt in The Madness Theatre) and Beijing, CA (Asian American of the M.F.A. program, recently appeared at understudying the East Coast Premiere of Almost, Maine (Papermill Theatre), The of George III, for which he received the Theater Company). Mr. Hu holds a B.A. ALLISON LAYMAN (Fairy, A Midsummer The Old Globe in Pygmalion as Clara and Outrage (The Wilma Theater). Mr. Salazar Sisters Rosensweig and The House of Blue San Diego Theatre Critics Circle Craig in Theater Performance Studies from Night’s Dream; Portia’s Servant, Ensemble, the Shakespeare Festival productions of As has a B.A. in Dramatic Arts from The Leaves (New Century Theatre) and Miss Noel Award honoring his work in all three University of California, Berkeley and is The Merchant of Venice; Attendant, You Like It as Audrey, Richard III and Inherit University of North Carolina at Chapel Hill. Saigon, Inherit the Wind, The Sunshine productions. He was most recently seen a founding member of the Bay Area Rosencrantz and Guildenstern Are the Wind. She also performed in Measure ChristopherJSalazar.com. Boys and Lost in Yonkers (The Majestic as Angelo in Measure for Measure at Trifecta Ensemble. Dead) recently appeared at the Globe in for Measure, Twelfth Night and Fathers and Goodman Theatre. He has been seen Off TRINEY SANDOVAL (Snout, A Midsummer Theatre). He has appeared on television Pygmalion and the Old Globe/USD M.F.A. Sons (Old Globe/USD M.F.A. Program). in NBC’s “30 Rock” and “Smash,” Syfy’s Broadway in Frank’s Home at Playwrights CHARLES JANASZ (Peter Quince, production of Measure for Measure. She Previously she worked in Chicago with Night’s Dream; Gratiano, The Merchant Horizons and Rose Rage at The Duke on A Midsummer Night’s Dream; Tubal, of Venice; Claudius, Rosencrantz and “Can You Survive a Horror Movie?” and spent two years as a company member of Remy Bumppo Theatre Company, Chicago numerous commercials. Mr. Simpson holds 42nd Street. His other credits include Old Duke of Venice, The Merchant of Venice; The Shakespeare Theatre of New Jersey Shakespeare Theater, American Theater Guildenstern Are Dead) was born and Masters, Mother Courage and Her Children Polonius, Rosencrantz and Guildenstern raised in San Diego and is very happy a B.F.A. in Acting from Syracuse University.

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 Profiles and David Copperfield (Steppenwolf at Lincoln Center Theater won seven The Home Place (Gate Theatre and West RALPH FUNICELLO (Scenic Design) work has included many productions for York Shakespeare Festival, Playwrights Theatre Company), Sense and Sensibility, Tony Awards. Mr. Stoppard’s translations End) and Chitty Chitty Bang Bang (London is an Associate Artist of The Old Globe the Royal Shakespeare Company as well as Horizons, American Repertory Theater, directed by Jon Jory, and Awake and and adaptations include Lorca’s House of Palladium and Broadway). Mr. Noble’s and has designed the sets for over 70 productions for the National Theatre, Royal Manhattan Theatre Club, Roundabout Sing! directed by Amy Morton (Northlight Bernarda Alba, Schnitzler’s Undiscovered opera credits include Don Giovanni (Kent productions for the company including the Opera House, Paris Opera, Munich Opera Theatre Company, La Mama, Huntington Theatre), Shining City (Huntington Theatre Country and Dalliance, Nestroy’s On the Opera), The Faerie Queen and Il Ritorno Summer Shakespeare Festivals 2004-2012. and 25 productions for LA Opera. He lit Theatre Company, Williamstown Theatre Company), Tamburlaine and Edward II (The Razzle, Václav Havel’s Largo Desolato, d’Ulisse (Festival d’Aix-en-Provence), The Elsewhere, Mr. Funicello has designed large-scale arena productions for operas Festival, La Jolla Playhouse, Seattle Shakespeare Theatre Company), Shining Rough Crossing (based on Ferenc Molnár’s Magic Flute (Glyndebourne), Mozart/Da scenery on and off Broadway and for many in London, Germany, Australia and Japan Repertory Theatre and others. His City and Frank’s Home (Goodman Theatre), Play in the Castle) and Gérald Sibleyras’ Ponte Trilogy (Opéra de Lyon), Carmen theatres across the country, including as well as the complete works of Beckett musical Amphigorey, written with Edward The Merchant of Venice, All’s Well That Heroes. He has written screenplays for (Opéra Comique), Macbeth (Metropolitan Lincoln Center Theater, Manhattan Theatre for Gate Theatre in Dublin, New York and Gorey, was nominated for a Drama Desk Ends Well, A Midsummer Night’s Dream, Despair, The Romantic Englishwoman, The Opera), Alcina (Vienna Staatsoper), Club, American Conservatory Theater, London. Recently he designed Murder in Award. For 10 years he was Composer-in- Measure for Measure, Julius Caesar, Love’s Human Factor, Brazil (co-author), Empire of Serse (Theater an der Wien) and Simon A Contemporary Theatre, Mark Taper the Cathedral for San Diego Opera, Simon Residence at Charles Ludlam’s legendary Labour’s Lost and The Tempest (Chicago the Sun, The Russia House, Billy Bathgate, Boccanegra (Rome Opera). He directed Forum, Arizona Theatre Company, Seattle Boccanegra at Rome Opera and the opera Ridiculous Theatrical Company in Shakespeare Theater) and Henry IV Parts Rosencrantz and Guildenstern Are Dead the 1996 version of A Midsummer Night’s Repertory Theatre, Berkeley Repertory Xerxes in Vienna. Since 2008 Mr. Burrett Greenwich Village. His film scores include 1 and 2 (Royal Shakespeare Company). (which he also directed and which won the Dream and is the author of the book How to Theatre, Milwaukee Repertory Theater, has served as professor of design at UC Countdown to Zero, Frozen River, The Mr. Whittaker’s film and television credits Prix d’Or for Best Film at the 1990 Venice Do Shakespeare. He has Hon. D. Litt. from Denver Center Theatre Company, The San Diego. Great Debaters, Wordplay, The Laramie include Dustclouds, Let’s Go to Prison, Film Festival), Shakespeare in Love (Golden the Universities of Birmingham, Bristol, Shakespeare Theatre Company, Guthrie Project and These Amazing Shadows. He Death of a President, “Prison Break” and Globe Award and Academy Award, with Warwick and Exeter and is an Honorary Theater, South Coast Repertory, Oregon DAN MOSES SCHREIER (Sound Design; is the composer of numerous concert “Early Edition.” co-author Marc Norman) and Enigma. Bencher of Middle Temple. Shakespeare Festival, Williamstown Original Music, A Midsummer Night’s works and ballets and is the Director of the Theatre Festival, Huntington Theatre Dream) most recently sound designed Sundance Film Music Program. SEAN-MICHAEL WILKINSON (Flute, ADRIAN NOBLE (2013 Shakespeare IAN TALBOT (Director, A Midsummer Company, Intiman Theatre, Stratford the Globe production of A Gentleman’s A Midsummer Night’s Dream; Solanio, Festival Artistic Director; Director, The Night’s Dream) was Artistic and Managing Shakespeare Festival, Royal Shakespeare Guide to Love and Murder and previously ELAN MCMAHAN (Music Director, The Merchant of Venice; Film Crew, Merchant of Venice and Rosencrantz Director of the Open Air Theatre in Company, New York City Opera, LA Opera composed original music for Much Ado A Midsummer Night’s Dream) is in her Rosencrantz and Guildenstern Are Dead) and Guildenstern Are Dead) has served Regent’s Park, London from 1987 to 2007. and San Diego Opera. He currently holds About Nothing and sound designed The second season as music director for the was most recently seen in Richard III, as Artistic Director of The Old Globe His directing credits at this theatre were the position of Powell Chair in Set Design Tempest and Much Ado About Nothing for Globe’s Shakespeare Festival. She will As You Like It and Inherit the Wind (The Shakespeare Festival since 2010, where his Babes in Arms, The Fantasticks, Lady, Be at SDSU. the Globe’s 2011 Shakespeare Festival. return to the Globe later this year as music Old Globe 2012 Shakespeare Festival) productions have included As You Like It, Good, The Card, Kiss Me, Kate, A Funny He has sound designed the Broadway director for Dr. Seuss’ How the Grinch and Tartuffe, Measure for Measure, Inherit the Wind, The Tempest, Amadeus, Thing Happened on the Way to the Forum, DEIRDRE CLANCY (Costume Design) productions of Sondheim on Sondheim, A Stole Christmas! Ms. McMahan is the Twelfth Night, Fathers and Sons and King Lear and The Madness of George III. Oh, What a Lovely War, High Society and is in her fourth year designing all three Little Night Music, West Side Story, Gypsy, resident music director for Moonlight Stage Pygmalion (The Old Globe/USD M.F.A. Mr. Noble was educated at Chichester H.M.S. Pinafore (all nominated for Olivier Shakespeare Festival shows at The Old Radio Golf, John Doyle’s production of Productions in Vista. Her work at Moonlight Program). His New York credits include High School and the University of Bristol. Awards), The Pirates of Penzance (Olivier Globe. She began her career as house Sweeney Todd, The 25th Annual Putnam and the Globe has received critical acclaim, The Party (Schapiro Theatre), The Joy of His professional training began at the nomination for Best Director), Much Ado designer for the Royal Court Theatre in County Spelling Bee, Gem of the Ocean, including this year’s Craig Noel Award for Sex (American Globe Theatre), Romeo Drama Centre London, and he moved from About Nothing, Androcles and the Lion, the late 1960s with such cutting-edge Pacific Overtures, Assassins, Into the Outstanding Musical Direction from the + Juliette (Collective Company), The there into community theatre and young Look Here Old Son, The Two Gentlemen authors as Edward Bond, Joe Orton and Woods, Topdog/Underdog, Dirty Blonde, San Diego Theatre Critics Circle for a body Lunar Adventure of Dar and Matey people’s theatre at the Trinity Arts Centre, of Verona, Twelfth Night, A Midsummer D.H. Lawrence. She went on to design The Diary of Anne Frank, The Tempest and of 2012 work that included the Globe’s As (Stolen Chair Theatre Company) and Birmingham. His most recent work in Night’s Dream, A Connecticut Yankee, all over the world for the stage, opera, Bring in ‘Da Noise, Bring in ‘Da Funk. His You Like It and Moonlight’s Fiddler on the The Old Law (Theresa Lang Theatre). His theatre includes The King’s Speech (on tour The Comedy of Errors, Paint Your Wagon, film and television. Among Ms. Clancy’s Off Broadway sound design credits include Roof and Sweeney Todd. Ms. McMahan national credits include Charlotte’s Web and West End) and The Tempest (Theatre Gentlemen Prefer Blondes, The Music many successes were costumes for Road Show, Stuff Happens, Homebody/ holds music degrees from Brigham Young (TheatreworksUSA). His regional credits Royal, Bath). He was Artistic Director and Man, Where’s Charley?, Camelot and The Kiri Te Kanawa in Cosí Fan Tutte at The Kabul and Floyd Collins. He composed University and the St. Louis Conservatory include The Comedy of Errors (Lake Chief Executive of the Royal Shakespeare Boy Friend. His other directing credits Metropolitan Opera, Ian McKellen in music for the Broadway productions of The of Music. George Theater Lab). He has a B.A. in Company between 1991 and 2003. His include The Secret Garden (Watermill Wild Honey at The National Theatre, Merchant of Venice with Al Pacino, Julius Theatre Arts from Marymount Manhattan productions there include A Doll’s House, Theatre, Newbury), Yeoman of the Guard Los Angeles and Broadway and Glenda Caesar with Denzel Washington and The GEORGE YÉ (Fight Director) has worked College. A New Way to Pay Old Debts, The Comedy (Savoy Theatre), Peter Pan (Royal Festival Jackson in Strange Interlude in the West Tempest with Patrick Stewart and the Off as a fight director on stage and film. of Errors, Measure for Measure, King Lear, Hall), High Society (Shaftesbury Theatre), End and on Broadway. She won a BAFTA Broadway production of Disfarmer at St. His credits at The Old Globe include TOM STOPPARD (Playwright, Rosencrantz Antony and Cleopatra, Henry V, Desert The Pirates of Penzance (West Yorkshire Best Costume Design Award for Mrs. Ann’s Warehouse. He has received three Allegiance – A New American Musical, and Guildenstern Are Dead) worked as Air, As You Like It, Kiss Me, Kate, The Art of Playhouse), Anything Goes (National Brown featuring Dame Judi Dench and Billy Tony Awards nominations, three Drama The Recommendation, Anna Christie, a freelance journalist while writing radio Success, The Plantagenets, Henry IV, Parts Tour), Kiss Me, Kate (Brisbane Festival), Connolly and Olivier Awards for her work Desk Awards and an Obie Award for August: Osage County, Groundswell, God plays, a novel (Lord Malquist and Mr. Moon) I and II, The Thebans, The Winter’s Tale, Doctor in the House (National Tour), Noises on Twelfth Night and Love’s Labour’s Lost, Sustained Excellence. of Carnage, Somewhere, The Whipping and the first of his plays to be staged in Hamlet, Travesties, Macbeth, A Midsummer Off (Birmingham Repertory Theatre), both for the Royal Shakespeare Company. danmosesschreier.com. Man, Dancing in the Dark, Richard England, Rosencrantz and Guildenstern Night’s Dream (also on Broadway), Lend Me a Tenor the Musical (Gielgud In 2011 Ms. Clancy completed the trilogy O’Brien’s The Rocky Horror Show, Rafta, Are Dead, winner of the 1968 Tony Award Romeo and Juliet, The Cherry Orchard, Theatre), The Invisible Man and Charley’s of Mozart operas for Opera de Lyon, PETER GOLUB (Original Music, Rafta…, The Price and Whisper House. for Best Play. His subsequent plays include Cymbeline, Twelfth Night, The Tempest, Aunt (Menier Chocolate Factory), Third directed by Adrian Noble, with costumes Rosencrantz and Guildenstern Are Dead) His favorite credits also include Peter and The Real Inspector Hound, After Magritte, The Lion, the Witch and the Wardrobe, The Finger Left Hand (Trafalgar Studios) and for Cosí Fan Tutte, The Marriage of Figaro has worked at The Old Globe on Richard the Starcatchers, Blood and Gifts, Hands Jumpers, Travesties (Tony Award), Every Family Reunion and The Secret Garden. His Love Letters (Dubai Festival). He has also and Don Giovanni. Ms. Clancy has written III and Dinner with Friends. His Broadway on a Hardbody, Restoration and Tobacco Good Boy Deserves Favour (with André other work in theatre includes The Duchess directed many pantomimes with stars such and illustrated Costume Since World War credits include The Heiress, Time Stands Road (La Jolla Playhouse), Hoodoo Love Previn), Night and Day, The Real Thing of Malfi and Dr. Faustus (Royal Exchange as Henry Winkler, Pamela Anderson, David Two. clancy.uk.com. Still, Come Back, Little Sheba and Hedda and Stick Fly (Mo’olelo Performing Arts (Tony Award), Hapgood, Arcadia (Olivier Theatre), Hamlet (Stratford Festival), Hasselhoff and Priscilla Presley. He also has Gabler. His Off Broadway credits include Company), The Bluest Eye (Mo’olelo/ Award, New York Drama Critics’ Circle Kean (Noël Coward Theatre), The Art of many acting credits in television and the ALAN BURRETT (Lighting Design) has The Laramie Project (Brooklyn Academy MOXIE Theatre) and Cabaret, Mauritius Award and Tony Award nomination), Indian Success (Manhattan Theatre Club), Three theatre including the Royal Shakespeare had his designs seen regularly in many of Music), Suddenly Last Summer and Communicating Doors (Cygnet Ink, The Invention of Love and Rock ’n’ Roll. Sisters (Gate Theatre and Royal Court Company and the West End. In 2007 he was countries around the world. This is his (Roundabout Theatre Company) and Theatre Company). He choreographed and The 2006 American premiere of Theatre), Summer and Smoke, A Woman awarded the Order of the British Empire for fourth season designing the Shakespeare Macbeth with Liev Schrieber (Delacorte performed the opening duel in The King’s Mr. Stoppard’s trilogy, The Coast of Utopia, of No Importance and Brand (West End), his services to the Open Air Theatre. Festival at The Old Globe. His theatre Theater). His other credits include New Guard with Eric Roberts and Ron Pearlman

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 Profiles and directed The Dark Forest (ShowTec). Company, Indiana Repertory Theatre, and ‘12), Boeing-Boeing, The First Wives He is an associate artistic director with American Players Theatre and Mo’olelo Club, Opus, Dancing in the Dark, Hay Fever Cygnet, teaches at University of San Diego Performing Arts Company. Ms. Gist has and the Summer Shakespeare Festivals and San Diego Mesa College and is a been a guest on KPBS radio’s “A Way with 2008 and 2010-2012. member of the Society of American Fight Words,” narrated San Diego Museum of Directors and Actors’ Equity Association. Art documentaries, coached dialects for SAMANTHA BARRIE, CSA (Casting) is Aside from fight work, Mr. Yé has a number the film The Rosa Parks Story and recorded thrilled to have been asked back to cast of directing credits under his belt and is dozens of Books To Listen To. She is a the 2013 Shakespeare Festival. Her casting an award-winning sound designer. He is founding member of The Voice and Speech credits at The Old Globe include more currently directing Shakespeare’s R&J by Trainers Association and has presented than 60 productions encompassing revivals, Joe Calarco at Cygnet Theatre Company. at many national and international new plays, the 2006-2011 Shakespeare conference workshops for them and for Festivals and nine world premieres. She has JAMES VÁSQUEZ (Movement, received the Casting Society of America’s When I was first asked to become Artistic Director of the Shakespeare The Voice Foundation. She has taught Festival, four years ago now, I thought a lot about Shakespeare’s A Midsummer Night’s Dream) received workshops at London’s Central School of Artios Award for Outstanding Achievement original company at the original Globe, 400-odd years ago! They San Diego Theatre Critics Circle Award Speech and Drama and the International in Casting for August: Osage County at rehearsed quickly and intensely, a repertoire of Shakespeare and non- nominations for Outstanding Direction Voice Teachers Exchange at The Moscow The Old Globe. She also received Artios of a Musical for the world premiere of Art Theatre. She has been published in nominations for the Globe’s The Glass Shakespearean plays. The company was led by senior actors capable of Harmony, Kansas and the West Coast VASTA Journals, and chapters in books Menagerie, Lost in Yonkers and Cornelia. rising to the heights demanded by the house dramatist, supported by premiere of [title of show] (Diversionary include The Complete Vocal Warm-Up, The Globe’s productions of August: Osage well-seasoned players, but leaving room for apprentice actors, talented Theatre), and won the award in 2010 More Stage Dialects and an interview in County, A Body of Water, Measure for youngsters, starting out on their careers. This is what I saw was possible for Sweeney Todd (Cygnet Theatre). His Voice and Speech Training in the New Measure and Opus, all of which Ms. Barrie here in San Diego and what I sought to emulate. other recent directing/choreography Millennium: Conversations with Master cast, have received San Diego Theatre credits include Richard O’Brien’s The Critics Circle Craig Noel Awards for Best Teachers. She is a professor in The Old Looking at what we’ve achieved over the past seasons, I hope some of Rocky Horror Show, Dr. Seuss’ How the Ensemble. She has also cast for Hartford Globe/USD Graduate Theatre Program. that dream has come true. Grinch Stole Christmas! (2003-2013), jangistspeaking.com. Stage. Her non-casting work has included Jane Austen’s Emma – A Musical Romantic the artistic departments of National Artists, Comedy (associate director) and Boeing- C.J. KEITH (Assistant Director, Roundabout Theatre Company and The Looking at our present season, I think you’ll agree that those original KEN HOWARD Boeing (The Old Globe), the workshop of A Midsummer Night’s Dream) has worked Public Theater. Ms. Barrie recently started principles are still very much in evidence. We have two Shakespeare Harmony, Kansas (Goodspeed Musicals), for nine years with the Shakespeare Frozen Rope Productions and is currently plays supported and complimented by Tom Stoppard’s Rosencrantz Birds of a Feather, Pippin and Next Fall Festival. Her Festival assistant director in development for a play about Toni and Guildenstern Are Dead, not only a seminal play of the 20th century (Diversionary Theatre), Hedwig and the credits are Richard III, The Tempest, Stone, the first woman to play professional but a great, great comedy by one of the giants of the modern stage. Angry Inch and Little Shop of Horrors Amadeus, Hamlet, Othello, All’s Well That baseball in the Negro League. Ms. Barrie The Shakespeare plays hardly need any introduction: The Merchant (Cygnet Theatre Company) and Into the Ends Well, Coriolanus, Cyrano de Bergerac holds a B.A. in Arts Management and of Venice, a play of staggering beauty that touches on dark and Woods (New Village Arts). In 2004, Mr. and The Taming of the Shrew. Her regional Theatre and Film Production from New dangerous themes, and A Midsummer Night’s Dream, perhaps the great Vásquez founded Daisy 3 Pictures with directing credits include Eurydice, The York University. Shakespeare comedy. I’ve invited a very special actor/director to lead Mark Holmes and Carrie Preston. Their Clean House, Doubt (2012 Bravo San us with this one. I know you will love Ian Talbot’s warm, funny and totally first two feature films, 29th and Gay Diego Award for Best Play), Crimes of the BRET TORBECK (Stage Manager) is (TLA Releasing, Here TV) and Ready? Heart, The Maids, Present Laughter, The excited to return to The Old Globe where accessible production, perfectly suited to the open air — as it should be, OK! (Wolfe Video, LOGO) have played Fantasticks, The Unsinkable Molly Brown his previous credits are the 2011 and for Ian was the acclaimed Artistic Director of London’s Regent’s Park national and international film festivals, and The Cherry Orchard. Ms. Keith is the 2012 Shakespeare Festivals, The Women, Open Air Theatre for many years. with Ready? OK! winning Best Feature undergraduate advisor at San Diego State The Sisters Rosensweig and Take Me Out. Film awards in Seattle, North Carolina and University’s School of Theatre, Television, This winter he worked on Coriolanus at Our acting company is led, as it has been throughout my tenure, by two San Diego. Their latest feature film, That’s and Film where she teaches acting, The Shakespeare Theatre Company in extraordinary talents, Miles Anderson and Jay Whittaker. But just as What She Said, starring Anne Heche, made directing and script analysis. She is also the Washington, DC. His previous regional important, for my last season, we are fielding perhaps the strongest- theatre credits include The 5th Avenue its world premiere at the 2012 Sundance executive producer of the independent film ever company. Some of the faces you will know, others you will quickly Film Festival. As an actor, Mr. Vásquez has company Jabronie Pictures. She trained at Theatre, Seattle Repertory Theatre, CENTERSTAGE, Actors Theatre of identify as terrific talents. Supported, of course, by our splendid M.F.A. appeared on film, television, Off Broadway HB Studios in New York, is an alumna of the students. and regional and local stages. He is a National Theatre Conservatory and holds Louisville, Long Wharf Theatre, Arizona Theatre Company, La Jolla Playhouse, graduate of The Juilliard School. a B.A. in Dramatic Arts from Berkeley and So farewell to San Diego. I’ve loved my time here. I love the friends I’ve an M.F.A. in Drama from SDSU. Her next American Conservatory Theater, Kansas made here, and I shall miss you all very much. JAN GIST (Voice and Dialect Coach) has directing project is The Laramie Project. City Repertory Theatre, Berkeley been Voice, Speech and Dialect Coach for Repertory Theatre, San Jose Repertory Old Globe productions since 2002. She has ANNETTE YÉ (Assistant Director, Theatre and Pittsburgh Public Theater. He coached at theatres around the country Merchant of Venice, Rosencrantz and teaches for the University of Washington including Ahmanson Theatre, La Jolla Guildenstern Are Dead) served as stage School of Drama and volunteers for the Adrian Noble, Playhouse, Oregon Shakespeare Festival, manager for The Old Globe’s Pygmalion, ALS Association. Shakespeare Festival Artistic Director The Shakespeare Theatre Company in God of Carnage, Anna Christie, DC, The American Shakespeare Center, Groundswell and the 2010 production of ZACH KENNEDY (Assistant Stage Utah Shakespeare Festival, Alabama Dr. Seuss’ How The Grinch Stole Christmas! Manager) has previously worked at The Shakespeare Festival, Arena Stage, San Her other Globe credits include A Old Globe on Richard O’Brien’s The Diego Repertory Theatre, Milwaukee Gentleman’s Guide to Love and Murder, Dr. Rocky Horror Show and Somewhere. His Repertory Theater, PlayMakers Repertory Seuss’ How the Grinch Stole Christmas! (‘11 (continued on page 30)

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 a note from Four Noble Seasons Barry Edelstein Four Extraordinary Summers of Theatre Under the Stars with Adrian Noble This summer marks Adrian Noble’s fourth and, alas, final season as Artistic Director of the Globe’s world-famous Shakespeare Festival. Since 2010, he has supervised 12 productions in the Lowell Davies Festival Theatre and directed eight of them. This body of work leaves a rich legacy of excellence and delight that I will strive to match in the years ahead as I HENRY DIROCCO HENRY Ben Diskant in The Tempest. program our summer season. It’s my honor to congratulate Adrian and to thank him for the contribution he’s made to our city, our region, our audience, and our institution. I hope Adrian will forgive me if I append a personal note to my official expression of gratitude. I first encountered his Shakespeare work way back in 1984. It was my sophomore year of college (sorry, Adrian!), and I spent the summer in England studying Shakespeare. On weekends I would make my way to Stratford or London to inhale as much great JEFFREY WEISER JEFFREY theatre as I could. I’d heard that a 23-year-old hotshot actor straight out of RADA was giving an extraordinary Henry V at the Barbican, then the Miles Anderson and Ben Robert Foxworth and Catherine Gowl (center) with the cast of King Lear. Royal Shakespeare Company’s London base, so I finagled a ticket. That Diskant in The Tempest. hotshot actor went by the name of Kenneth Branagh, and the production Adrian Sparks and Joseph in which he was so thrilling was directed by Adrian Noble.

Marcell in As You Like It. DIROCCO HENRY Scene after scene was so vivid, so visceral, so brilliantly staged, that to this day I remember specific images as freshly as if I’d seen the show last night. I remember Branagh scaling way up a rusty steel wall to exhort his troops “Once more unto the breach,” then falling backward into their arms to begin the charge. That was Adrian’s wizardry at staging. I remember the chamber of the Princess of France made with hundreds of shafts of gray light tracing lines through hazy air as they reflected off a mirror ball hung stationary high above the stage. That was Adrian’s astonishingly economical way with design. I remember Branagh’s ramrod- spined impatience during the peace negotiations that end the play, and how he softened into smooth, charming romance as Henry wooed the Princess and won not only her heart but mine and every other audience

JEFFREY WEISER JEFFREY Jay Whittaker in Amadeus. member’s, too. That was Adrian’s complete command of tone. And I remember line after line after line after line of the play spoken plainly,

HENRY DIROCCO HENRY rapidly, and with such clarity that I would still swear that the actors were making them up as they went. That was Adrian’s unparalleled mastery with text. HENRY DIROCCO HENRY Adrian’s Henry V remains one of the top 10 nights of Shakespeare I’ve Robert Foxworth seen, and I’ve seen hundreds. It is a source of some amazement to me, in King Lear. Robert Foxworth (center) and the cast of Inherit the Wind. and no little humility, that the course of my life has been such that the man who gave me that extraordinarily beautiful theatrical memory is now my colleague and friend. And it is a source of very real happiness that I’ve been able to watch him work up close. I shall not soon forget this opportunity. And I know that San Diego will not soon forget the magic that Adrian Noble conferred on four years of our balmy summer nights. The Old Globe, and I, wish him well. Thanks for coming. Enjoy the show.

Barry Edelstein, Artistic Director Miles Anderson (center) with (from left) Christian Durso, Steven Marzolf, Shirine Babb, Ben Diskant

Dana Green (center) and the cast of As You Like It. DIROCCO HENRY SCHWARTZ CRAIG WEISER JEFFREY and Emily Swallow in The Madness of George III.

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 instead. “Perhaps the to write, “Our continue to produce The Merchant role was originally sympathies are much of Venice at all? Many voices say HONEST IN HIS VICES played by Will Kemp, oftener with him than yes. In James Shapiro’s 1996 study the leading comic with his enemies. He Shakespeare and the Jews, Shapiro The Villainy and Humanity of Shylock actor in the group,” is honest in his vices; concludes that productions of the play writes Shakespeare they are hypocrites in provide a valuable opportunity to see By Danielle Mages Amato performance historian their virtues.” the “faultlines” in a society, the places Rebecca Brown, where we define our own cultural “and the portrayal In 1879, actor Henry identities by rejecting otherness. was harshly comic Irving took this “Censoring the play is always more and influenced by approach to Shylock dangerous than staging it,” he writes. the traditions of even further, making Productions that have explicitly commedia dell’arte, Shylock in effect the confronted the play’s anti-Semitism or, perhaps, played central character of include director George Tabori’s 1966 in the red wig and the piece. Irving cut staging, a play-within-a-play in which a false nose worn by the text to remove group of concentration-camp prisoners villainous Jewish much of its bawdy are forced to perform The Merchant characters in the Henry Irving as Shylock, 1879. humor, and he of Venice for their guards. In the last medieval mystery plays. Perhaps famously invented a moment in which 25 years, productions featuring well- Richard Burbage, the actor building a Shylock knocked on his own door and known Jewish actors (Dustin Hoffman, reputation for himself in tragic roles, discovered to his great sorrow that F. Murray Abraham, Antony Sher, took the part — we simply don’t know.” his daughter had eloped. Renowned Henry Goodman) as Shylock have also actress Ellen Terry, who played Portia flourished. What we do know is that until the 20th to Irving’s Shylock, felt that Irving’s century, the critical and performance approach unbalanced the play to its Writing about Shakespeare’s plays, history of The Merchant of Venice is detriment. She wrote in her memoirs the critic Northrup Frye observed: largely a history of how Shylock was that “his heroic saint was splendid, but “A comedy is not a play which ends interpreted and performed. There it wasn’t good for Portia.” After Irving, happily: it is a play in which a certain are no recorded productions of the the tradition of largely sympathetic structure is present and works through play between 1603 and 1701, when it Shylocks continued into the 20th to its own logical end, whether we or returned to the English stage in a highly century. the cast or the author feel happy about altered version by George Granville, it or not.” To this day, critics and artists Lord Landsdowne. In this version, called Since World War II there has been a still struggle with — and embrace — Charles Macklin (center left) as Shylock circa 1768. Painting by Johan Zoffany. The Jew of Venice, the comic aspects of growth of critical conversation around the contradictions in The Merchant the play were fully embraced. Nicholas the question of the play’s anti-Semitism. of Venice, a comedy both funny and Rowe, the first editor of Shakespeare’s Critics debate: is Shakespeare himself deeply unfunny, a love story that plays, wrote in 1709 that he had seen expressing the anti-Semitic views ends not only with multiple marriages The Merchant of Venice “receiv’d and common in his time, or is he providing but also with profound loss, a play Shylock is not the largest role in The Merchant of Venice (Portia speaks nearly twice acted as a comedy, and the part of an opportunity for audiences to dominated by a side character complex as many lines), nor is he the play’s title character (that honor goes to Antonio). the Jew perform’d by an Excellent examine that anti-Semitism critically? and unsettling enough to preoccupy Comedian.” Despite this fact, he adds: Or both? In Shylock, Shakespeare audiences for hundreds of years. In fact, Shylock appears in only five of the play’s 20 scenes. And yet, his character “Yet I cannot but think it was design’d has immortalized a has dominated the play’s critical and performance history for over 400 years. Tragically by the Author.” particularly vicious stereotype. As Joseph A major change in the interpretation of Telushkin writes, “The the play came in 1741, when Charles damage inflicted Why? Actors, directors and critics have of a well-known period stereotype — page of the first quarto indicates that Macklin shocked audiences with his on the Jews by The long debated whether The Merchant the evil Jew audiences would have the play had been “divers times acted” sinister and terrifying Shylock, an Merchant of Venice of Venice should be classified and recognized from plays like Christopher by Shakespeare’s company, the Lord approach so novel at the time that the has been far greater performed as a comedy, tragicomedy, Marlowe’s highly successful The Jew of Chamberlain’s Men, so the play is most manager of the Theatre Royal did not than a pound of flesh. tragedy or even fairy tale. That Malta. Instead, Shakespeare created often dated to 1596 or 1597. Most want to allow it. But Macklin prevailed, The image of Jews question cannot be answered without a character of nuance and weight, a likely, this meant that Richard Burbage, and he was so successful that he went as moneylending confronting the character of Shylock. fulcrum around which the entire play Shakespeare’s leading actor at the on to play Shylock in that vein for nearly Shylocks has In lesser hands than Shakespeare’s, turns. time and the man who first played 50 years. In 1814, Edmund Kean put persisted…to this day.” Shylock might have simply been a Lear, Hamlet and Richard III, would his own stamp on the role, interpreting In a post-Holocaust structural device — a blocking character The Merchant of Venice was first have taken the role of Shylock, but Shylock as a villain, yes, but one with world, the question created to keep the play’s comic printed in 1600, but the date of its some speculation remains that the part a sense of true dignity and humanity. has been raised: Hal Holbrook as Shylock and Kandis Chappell as Portia in the Globe’s lovers apart — or yet another iteration first production is uncertain. The title may have been played by a comedian His portrayal led critic William Hazlitt should theatres 1991 production of The Merchant of Venice, directed by Jack O’Brien. KEN HOWARD

24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 ROSENCRANTZ the same stage where John Gielgud, BOTTOMS UP Laurence Olivier and Peter O’Toole AND GUILDENSTERN had all played Hamlet. On the page A Midsummer Night’s Dream director Ian Talbot on... and on the stage, Rosencrantz and Guildenstern is haunted by echoes of ...the popularity impact indoors. Hopefully it’s funny Little did I know that I was going to ARE OURS Shakespeare’s play. of A Midsummer and hopefully it’s romantic, but there’s play the role many more times with the Night’s Dream a darker side as well, and the darker company, including tours around Britain Before Rosencrantz and Guildenstern, I think it’s the elements might come out more in this and a nine-week trip up the east coast Stoppard was a journalist and television magic, I think it’s production. And never, ever have I of Africa. In 1987, I took over as artistic writer, but with the play’s premiere, the romance. I done a production with so many fairies! and managing director at Regent’s Park. he became the dramatic voice of a think this play is Usually, with the restraints of budget, During my 20 years in that position, I generation. He has written more than totally accessible, you’re lucky when you can get four think I directed Dream six times and 30 other plays, including The Coast even for five-year- fairies, plus Puck and the First Fairy. played Bottom another four times. So of Utopia, The Invention of Love, olds. For kids, this Because of the Globe’s repertory I know the play. Over the years, I’ve Arcadia and The Real Thing – and Ian Talbot play is often their company, we’ve got 12! So they take come to be really associated with it. But all of his writing shows the hallmarks first Shakespeare. part in the play much more than usual. every time you come to it, you discover of this earliest work, with its witty And my goodness, what a wonderful They will really inhabit the world of the new things. verbal gymnastics, strong intellectual play to start with. And for adults whose play, especially in the woods, watching underpinning and true theatrical flair. first Shakespeare was Dream, they get “what fools these mortals be.” Rosencrantz and Guildenstern is not a great thrill from sitting next to a nine- And it must have magic, the Stoppard’s only play inspired by a year-old who squeals with delight. Part feeling of magic. The magic is previous literary work; his Travesties of the enjoyment is watching your child the most important thing. draws on Oscar Wilde’s The Importance or grandchild being excited as well. of Being Earnest, and he has written And it’s a brilliantly constructed play, so ...playing Bottom two other Shakespearean homages: that actors who appear in it love it. The I first played Bottom in Dogg’s Hamlet and Cahoot’s Macbeth. fairies get a crack at the whip, the lovers secondary school, when I was (Stoppard also won an Academy Award do, and the mechanicals do, and then about 14. And I fell in love with for his work on the screenplay for they all come together. it. In 1971, just a few years after Shakespeare in Love.) I graduated from the Central Talbot as Bottom in the ...this production School of Speech and Drama, 2007 production of A Midsummer Night’s John Stride and Edward Petherbridge in the first production of Hamlet was not Stoppard’s only It’s a play that I think particularly suits I was cast as Bottom at the Dream at Regent’s Park ANTHONY CRICKMAY Rosencrantz and Guildenstern Are Dead at The Old Vic, 1967. inspiration for Rosencrantz and the open air. It doesn’t have the same Regent’s Park Open Air Theatre. Open Air Theatre. MUIR ALASTAIR Guildenstern, however; he also borrows By Danielle Mages Amato Are Dead, a groundbreaking modern motifs and theatrical elements from classic that brilliantly reconceives the Samuel Beckett’s Waiting for Godot. In 1961, Polish Shakespearean original. Stoppard Both plays feature a pair of clowns theatre scholar recasts two minor characters from trapped in a world over which they have Jan Kott wrote the Hamlet as the heroes of their own play. no control, performing repetitive bits of find themselves in a world that is revolutionary work As Rosencrantz and Guildenstern try comic business as they wait for events self-consciously theatrical, their fates Shakespeare Our to figure out where they are, what’s around them to unfold. The characters predetermined by Shakespeare’s pen. Contemporary, going on and which of them is which, in both plays find themselves at sea Stoppard’s play is less an attempt to which their comic interludes are continually (literally, in Stoppard’s case), unable to analyze Hamlet than to re-examine its passionately interrupted by find solid ground, significance in the light of the zeitgeist argues for the scenes from the unable to settle and aesthetics of his own time. relevance of great tragedy, into a truth Tom Stoppard Shakespeare’s which appears to Rosencrantz and Guildenstern that might give The great Shakespeare critic Harold plays to the 20th be taking place is about Hamlet as seen by two meaning to their Bloom once said of Hamlet: “As a century and beyond. “Shakespeare is just offstage. people driving past Elsinore.” actions. “Beckett meditation on human fragility in like the world, or life itself,” Kott says. gives me more confrontation with death, it competes Tom Stoppard “Every historical period finds in him Rosencrantz and pleasure than only with the world’s scriptures.” With what it is looking for and what it wants Guildenstern I can express,” Rosencrantz and Guildenstern Are to see.” marked Stoppard’s theatrical debut Stoppard wrote, “because he always Dead, Stoppard has truly made Hamlet when it appeared at the Edinburgh ends up with a man surrounded by the and his cohorts our contemporaries, What Tom Stoppard found in Festival Fringe in 1966. The National wreckage of a proposition he had made re-imagining Shakespeare for a new Shakespeare’s Hamlet were the seeds Theatre gave the play its professional in confidence only two minutes before.” generation and creating a landmark Joseph Fiennes and Gwyneth Paltrow for Rosencrantz and Guildenstern premiere at The Old Vic in 1967 on But Stoppard’s clowns, unlike Beckett’s, work of modern drama. in the 1998 film Shakespeare in Love.

26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 SHAKESPEARE FESTIVAL CALENDAR THE OLD GLOBE SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

JUNE 2 3 4 5 6 7 8 Midsummer 8 p.m. SEASON 9 10 11 12 13 14 15 Merchant 8 p.m. 16 17 Insights 7 p.m. 18 19 20 21 22 THE LAST GOODBYE THE FEW Rosencrantz 8 p.m. (Merchant, Midsummer 8 p.m. Midsummer 8 p.m. Midsummer 8 p.m. Conceived and Adapted by MICHAEL KIMMEL By SAMUEL D. HUNTER Rosencrantz) Music and Lyrics by JEFF BUCKLEY Directed by DAVIS MCCALLUM 23 24 Insights 25 26 27 28 29 Midsummer 8 p.m. (Midsummer) 7 p.m. Merchant 8 p.m. Merchant 8 p.m. Merchant 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. Orchestrations, Music Direction and Arrangements by KRIS KUKUL Choreography by SONYA TAYEH SEPTEMBER 28 – OCTOBER 27, 2013 30 JULY 1 2 3 4 5 6 Rosencrantz 8 p.m. Rosencrantz 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Merchant 8 p.m. Directed by ALEX TIMBERS 7 8 9 10 11 SIG 7 p.m. 12 13 A world premiere comedy by a writer hailed by the Midsummer 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. SEPTEMBER 20 – NOVEMBER 3, 2013 Los Angeles Times as a “Face to Watch in 2013.”

14 15 16 SIG 7 p.m. 17 18 19 20 Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Midsummer 8 p.m. A musical adaptation of Shakespeare’s Romeo and Juliet Conrad Prebys Theatre Center Theatre Conrad Prebys featuring the incendiary songs of Jeff Buckley, directed Center Theatre Conrad Prebys 21 22 23 24 25 SIG 7 p.m. 26 SIG 7 p.m. 27 Merchant 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. Rosencrantz 8 p.m. by the brightest star in today’s Broadway theatre.

28 29 30 31 AUGUST 1 2 3 Midsummer 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Midsummer 8 p.m. THE WINTER’S TALE BETHANY 4 SIG 7 p.m. 5 6 SIG 7 p.m. 7 8 9 10 By WILLIAM SHAKESPEARE By LAURA MARKS Rosencrantz 8 p.m. Merchant 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Original Music by MICHAEL TORKE Directed by GAYE TAYLOR UPCHURCH 11 12 13 14 15 16 SIG 7 p.m. 17 SIG 7 p.m. Directed by BARRY EDELSTEIN Merchant 8 p.m. Rosencrantz 8 p.m. Merchant 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. JANUARY 25 – FEBRUARY 23, 2014 OLD GLOBE THEATRE OLD GLOBE THEATRE 18 19 20 21 SIG 7 p.m. 22 23 24 FEBRUARY 8 – MARCH 16, 2014 Midsummer 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. The West Coast premiere of a new American play Called by NPR “one of the country’s leading praised by The New York Times as a “trenchant, 25 26 27 28 29 30 31 Rosencrantz 8 p.m. Merchant 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Shakespeareans,” Artistic Director Barry Edelstein brings compassionate, incisive drama.” Shakespeare back indoors at the Globe for the first time SEPTEMBER 1 2 3 SIG 6 p.m. 4 SIG 6 p.m. 5 6 7 SIG 7 p.m. Rosencrantz 7 p.m. Merchant 7 p.m. Midsummer 8 p.m. Rosencrantz 8 p.m. Merchant 8 p.m. in over a decade.

Midsummer 8 p.m. AND HARVEY WHITE THEATRE SHERYL 8 9 10 11 12 13 14 Rosencrantz 7 p.m. Merchant 7 p.m. Midsummer 7 p.m. Rosencrantz 8 p.m. Merchant 8 p.m. Midsummer 8 p.m. WATER BY THE SPOONFUL TIME AND THE CONWAYS By QUIARA ALEGRÍA HUDES 15 16 17 18 19 20 21 Old Globe Gala Merchant 7 p.m. Midsummer 7 p.m. Rosencrantz 7 p.m. Merchant 8 p.m. Midsummer 8 p.m. By J.B. PRIESTLEY Directed by EDWARD TORRES Directed by REBECCA TAICHMAN 22 23 24 25 26 27 28

Merchant 7 p.m. Rosencrantz 7 p.m. Midsummer 7 p.m. Rosencrantz 8 p.m. Midsummer 8 p.m. Merchant 8 p.m. Donald and Darlene Shiley Stage APRIL 12 – MAY 11, 2014 MARCH 29 – MAY 4, 2014 29 30 Midsummer 7 p.m. Winner of the 2012 Pulitzer Prize for Drama, in its A powerful period classic, reimagined with the visual splendor California premiere. and sumptuousness for which The Old Globe is celebrated. POST-SHOW FORUMS An after-show informal and enlightening question-and-answer Post-show forums are scheduled after selected Tuesday and session with cast members. Get the “inside story” on creating Wednesday evening performances. No reservations necessary. VANYA AND SONIA AND DOG AND PONY a character and putting together a professional production. Post-show forums are free. Book by RICK ELICE SHAKESPEARE IN THE GARDEN MASHA AND SPIKE Music and Lyrics by MICHAEL PATRICK WALKER A series of informal presentations that enhance the Craig Noel Garden before each performance listed above. No By CHRISTOPHER DURANG Directed by ROGER REES theatregoing experience. These seminars feature members of reservations necessary. Shakespeare in the Garden is free. Directed by NICHOLAS MARTIN the Shakespeare Festival creative team and take place in the MAY 28 – JUNE 29, 2014 MAY 17 – JUNE 22, 2014 INSIGHTS SEMINARS A world premiere musical comedy romance from the This Monday night series provides Old Globe patrons with an presentation of ideas and insights. Each seminar takes place in opportunity to closely connect with productions both onstage its respective theatre and includes an informal reception.No Straight from Broadway, Associate Artist Nicholas Martin award-winning talents behind Jersey Boys, Peter and and backstage. A panel selected from the artistic company reservations necessary. Insights Seminars are free. returns to the Globe with the funniest new American play of the Starcatcher and Altar Boyz. the year.

LEGEND of each show engages patrons in an informal and illuminating

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 Profiles

(continued from page 20) Theatre). She is a graduate of Vanderbilt overseeing the Production, Education, University of Michigan. Honorary Doctor one of San Diego’s “Living Treasures.” He House. Craig Noel died on April 3, 2010 at University. Proud member of Actors’ Equity. Human Resources, Information Technology of Humane Letters, University of San was a founder of the California Theatre the age of 94. other credits include the TheatreWorks and Facilities Departments, as well as Front Diego. Film (actor): Sex and the City 2. Council and a former vice president of Singapore production of Continuum: BARRY EDELSTEIN (Artistic Director) of House operations. He also managed the Jack Be Nimble: The Accidental Education the California Confederation of the Arts. Beyond the Killing Fields directed by Ong is a stage director, producer, author and construction of the Globe’s new theatre of an Unintentional Director, his memoir His numerous honors include The San Keng Sen in Shizuoka, Japan, The Cherry educator. Widely recognized as one of and education facilities. Prior to the Globe, about the early years of his career, will be Diego Union-Tribune list of 25 persons who Orchard Sequel written and directed by the leading authorities on the works of he was the Managing Director of Austin released this summer by Farrar, Straus and shaped the city’s history; the Governor’s Nic Ularu at (La MaMa) and Glengarry Shakespeare in the United States, he Lyric Opera in Austin, Texas, Director of Giroux. Award for the Arts; University of Arizona Glen Ross (La Jolla Playhouse). He has directed nearly half of the Bard’s Administration of San Diego Opera and Alumni Association’s Outstanding Citizen, SPECIAL THANKS spent two seasons at The Lost Colony, works. As Director of the Shakespeare General Manager of San Diego Repertory CRAIG NOEL (Founding Director) was first for his contribution to their Fine Arts America’s largest outdoor theatre, and has Jeffrey S. Keeny, DDS Initiative at The Public Theater (2008- Theatre. Before relocating to San Diego appointed director in 1939, directing 15 department; San Diego State University’s worked with Seven Devils Playwrighting 2012), he oversaw all of the company’s from New York, he held similar positions at productions prior to World War II. Since Outstanding Alumnus; Conservator of Conference, Patricia Rincon Dance Shakespearean productions, as well as its Theatre for a New Audience and the Joyce then he directed more than 200 plays American Arts Award from American Collective, The Palmetto Opera and extensive educational, community outreach Theater Foundation’s American Theater of all styles and periods and produced Conservatory Theater; the San Diego Theatre South Carolina. He is a freelance and artist-training programs. At The Public, Exchange. He also served as negotiating an additional 270 productions. His Press Club Headliner Award; San Diego line producer and content manager for Mr. Edelstein staged Julius Caesar starring vision for The Old Globe resulted in the assistant for the League of Resident Gentleman of Distinction Award; and a This theatre operates under an agreement Blue Flame Events, most recently on Jeffrey Wright for Shakespeare in the Park Theatres and sales representative for establishment of the Shakespeare Festival combined tribute from the Public Arts between the League of Resident Theatres Google’s International Science Fair, and has and The Merchant of Venice featuring Ron and the San Diego Junior Theatre in the and Actors’ Equity Association, the union of Columbia Artists Theatricals Corporation. Advisory Council and the San Diego professional actors and stage managers in the stage managed for MSI Events. He holds his Leibman’s Obie Award-winning portrayal of Mr. Murphy has served on the Board of late ‘40s, the expansion to two theatres County Board of Supervisors. Mr. Noel United States. M.F.A. in Stage Management from UC San Shylock. He was also Associate Producer Directors of the San Diego Performing in the ‘50s, Globe Educational Tours in was particularly proud of the following Diego. of The Public’s Broadway production of Arts League and serves as a Management the ‘70s and Teatro Meta and the Old three honors representing education and The Directors are members of the Society The Merchant of Venice starring Al Pacino. Globe/University of San Diego M.F.A. of Stage Directors and Choreographers, AMANDA SALMONS (Assistant Stage Trustee for San Diego County Theatrical theatre: Honorary Doctorate of Humane an independent national labor union. From 1998-2003 he was Artistic Director program in the ‘80s. During the 1940s, Manager) has worked previously at The Old Trusts, the pension and welfare trust Letters, University of San Diego, Honorary of Classic Stage Company, where he Mr. Noel served as dialogue director for Globe on the 2011 and 2012 Shakespeare for IATSE stagehands in the San Diego Doctorate in Fine Arts, San Diego State produced and directed some of New York’s the 20th Century Fox Studios and was This Theatre operates under an Agreement Festivals, Anna Christie, Dr. Seuss’ How region. He was also an adjunct faculty University and the annual Awards for with the International Alliance of Theatrical most memorable classical productions. the former director of the Ernie Pyle Stage Employees Local No. 122. the Grinch Stole Christmas!, Somewhere, member of the Music Department at the Excellence in Theatre named in his honor Mr. Edelstein’s Shakespearean directorial Theatre in Tokyo. Described by Variety Groundswell, Welcome to Arroyo’s, Lost University of San Diego. Mr. Murphy earned by the San Diego Theatre Critics Circle. In credits include productions of The Winter’s as the eminence grise of San Diego in Yonkers, I Do! I Do!, The Savannah his B.F.A. degree in Stage Management 2007, he received the National Medal of Tale with David Strathairn, Timon of theatre, Mr. Noel is one of the few San The Scenic, Costume, Lighting and Sound Disputation and The Price. In addition, from Webster University in St. Louis, Arts — the nation’s highest honor for artistic Designers in LORT Theatres are represented Athens with Richard Thomas, As You Like Diegans to have had an entire year (1987) by United Scenic Artists Local USA-829, IATSE. she stage managed for the Summer Missouri and his M.F.A. in Performing Arts excellence — in a ceremony at the White It with Gwyneth Paltrow and Richard III proclaimed in his honor, and to be named Shakespeare Intensive through the Globe’s Management from Brooklyn College of the with John Turturro. His additional credits education department, working with high City University of New York. include the Lucille Lortel Award-winning school students on Love’s Labour’s Lost, revival of Arthur Miller’s All My Sons; the JACK O’BRIEN (Artistic Director Emeritus) As You Like It and Pericles. Her other San world premiere of Steve Martin’s The served as the Artistic Director of The Diego credits include miXtape, See How UNDERSTUDIES Underpants, which he commissioned; Old Globe from 1982 through 2007. Mr. They Run, The Music Man and The Rivalry Molière’s The Misanthrope starring Uma O’Brien most recently directed Nathan (Lamb’s Players Theatre), The Gondoliers, ACTOR A Midsummer Night’s Dream The Merchant of Venice Rosencrantz and Guildenstern Are Dead Thurman in her stage debut; and the world Lane in Douglas Carter Beane’s The Nance The Pirates of Penzance, Candide, Trial by Erin Elizabeth Adams First Fairy, Hermia Balthazar premiere of novelist Nathan Englander’s on Broadway. His Broadway credits also Jury and Rumpelstiltskin (Lyric Opera San Matthew Bellows Oberon, Theseus Antonio, Prince of Arragon Hamlet play The Twenty-Seventh Man. He has also include: Dead Accounts, Catch Me If You Diego) and SummerFest (La Jolla Music directed new and classical work extensively Can, Impressionism, The Coast of Utopia Meaghan Boeing Hyppolyta, Titania Portia’s Servant Society). at regional theatres around the USA. (Tony Award), Dr. Seuss’ How the Grinch Jeremy Fisher Demetrius, Quince Bassanio Guildenstern JESS SLOCUM (Assistant Stage Manager) Edelstein has taught Shakespearean acting Stole Christmas!, Dirty Rotten Scoundrels Adam Gerber Rosencrantz at The Juilliard School, NYU’s Graduate (Tony nomination), Henry IV (Tony Award), has previously worked at The Old Globe Kushtrim Hoxha Egeus, Snout Prince of Morocco, Shylock on A Doll’s House, Pygmalion, A Room with Acting Program and the University of Hairspray (Tony Award), Imaginary Friends, Duke Venice, Gaoler, Leonardo, a View, Richard O’Brien’s The Rocky Horror Southern California. He has lectured on The Invention of Love (Tony nomination, Stephen Hu Flute, Starveling Show, the 2011 and 2012 Shakespeare theatre around the USA and the world and Drama Desk Award), The Full Monty (Tony Solanio, Tubal Cobweb, Helena, Moth, Festivals, Rafta, Rafta…, Robin and the 7 has written on the subject for The New nomination), More to Love, Getting Away Allison Layman Film Crew Hoods, Alive and Well, Sammy, Cornelia, York Times, The Washington Post, The New with Murder, Pride’s Crossing, The Little Mustardseed, Peaseblosom Since Africa, Dr. Seuss’ How the Grinch Republic and American Theatre. His book Foxes, Hapgood (Lucille Lortel Award, Danielle O’Farrell Portia Stole Christmas! and The Glass Menagerie. Thinking Shakespeare (called by New York Best Director), Damn Yankees, Two Stephanie Roetzel Jessica Ophelia, Film Crew Her Broadway credits include In the magazine “a must-read for actors”) was Shakespearean Actors (Tony nomination), Claudius, The Player, Tragedian (Player published in 2007 and is now the standard Porgy and Bess (Tony Award). Metropolitan Christopher Salazar Bottom Gratiano Heights. Her regional credits include King) Ruined, The Third Story, Memphis and Most text on American Shakespearean acting. He Opera: II Trittico. London: Love Never Wanted (La Jolla Playhouse), Post Office is also the author of Bardisms: Shakespeare Dies, Hairspray (Olivier nomination). Robbie Simpson Lysander, Snug Lorenzo, Salerio, Stephano Ambassador, Horatio, Tragedian (Spies) (Center Theatre Group) and Tranquility for All Occasions. Mr. Edelstein is a National Theatre: His Girl Friday. Six Whitney Wakimoto Nerissa Gertrude Woods (Steppenwolf Theatre Company). graduate of Oxford University, where he movies for PBS’s “American Playhouse.” Alfred/Laertes/Polonius/Soldier/ Sean-Michael Wilkinson Puck Lancelot Gobbo Her San Diego credits include Yellow Face studied as a Rhodes Scholar. Awards: 2008 Theatre Hall of Fame Tragedian (Poisoner) (Mo’olelo Performing Arts Company), Inductee, 2005 John Houseman Award, MICHAEL G. MURPHY (Managing Words By (North Coast Repertory Theatre) ArtServe Michigan 2008 International Erin Elizabeth Adams, Matthew Bellows, Meaghan Boeing, Jeremy Fisher, Adam Gerber, Kushtrim Hoxha, Stephen Hu, Director) served as General Manager and Festival of Christmas (Lamb’s Players Achievement Award, Honorary Doctorate, Allison Layman, Danielle O’Farrell, Stephanie Roetzel, Christopher Salazar, Robbie Simpson, Whitney Wakimoto of The Old Globe from 2003 to 2012, and Sean-Michael Wilkinson appear in these productions courtesy of Actors’ Equity Association.

30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Events at the Globe Education

The Old Globe campus has been bustling with activity, with two productions and many associated events. The Old Globe celebrated the opening of Other Desert Cities on Thursday, May 2. The evening began with a pre-show Circle Patron Dinner. Following the performance, donors, sponsors and Board members mingled with the cast and other members of the creative DID team at the opening night cast party. On Monday, March 18, 2013, Board Member Ramin Pourteymour hosted a reception at his beautiful home giving all Circle Patrons the opportunity to meet Old Globe Artistic Director Barry Edelstein. YOU KNOW... The Old Globe is home to one of the top actor training programs in the nation?

1 DOUG GATES A joint venture of The Old Globe and 2 DOUG GATES the University of San Diego, the graduate acting program nationally recruits students each year to participate in an intensive two-year, year-round Master of Fine Arts curriculum.

Seven students are selected from hundreds who audition in New York, Chicago, San Francisco, and San Diego to be part of this prestigious program. Training goes beyond the classroom, with students performing in productions at The Old Globe, including many of the actors in tonight’s company.

4 DOUG GATES To learn more, visit us online at 3 DOUG GATES Allison Spratt Pearce (M.F.A. 2012) and Christopher Salazar (M.F.A. 2013) in As You Like It. www.GraduateActing.com HENRY DIROCCO HENRY DOUG GATES 5 MELISSA JACOBS 6

1. (from left) Board members and Production Sponsors Debra Turner and Conrad Prebys with Loretta Adams and Board member Joe Cohen at the opening night Circle Patron Dinner. 2. (from left) Caroline Nierenberg, Board member Evelyn Mack Truitt and Artistic Director Barry Edelstein at the Circle Patron Reception. 3. Production Sponsors Brian Powers and Board member Paula Powers (seated) with Director Richard Seer (far right) and the cast of Other Desert Cities: (from left) Robert Foxworth, Kandis Chappell, Dana Green, Andy Bean and Robin Pearson Rose at the

opening night cast party. 4. (from left) Bob Wailes, Reneé Schatz and Board member Peter Cooper at the opening night Circle Patron Dinner. 5. (from left) Denny Sanford, Artistic Director Barry DIROCCO HENRY SCHWARTZ CRAIG DIROCCO HENRY Edelstein, Board Chair Harold W. Fuson and Board member Ramin Pourteymour at the Circle Patron Reception at Mr. Pourteymour’s home. 6. (from left) Production Sponsor Mary Ann Blair, Todd Schultz and Marlene Turrentine at the Circle Patron Dinner. Ryman Sneed (M.F.A. 2011) in Amadeus. Jim Parsons (M.F.A. 2001) and Associate Artist Shirine Babb (M.F.A. 2011) in The Taming of the Shrew. James Winker in Da.

32 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 33 Season Sponsors SEASON SPONSORS

In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following donors who have generously supported the 2012-2013 season.

LEAD SEASON SPONSORS

Elaine Lipinsky Family Foundation Globe Guilders John A. Berol Charter Sponsor since 1995 Charter Sponsor since 1995 Sponsor since 1996

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Charter Sponsors since 1995 In memory of Donald Shiley The County of San Diego Kathryn Hattox Joan and Irwin Jacobs Charter Sponsors since 1995 Sponsor since 1996 Sponsor since 1998 Sponsors since 2002

Mary Beth Adderley and Valerie and Harry Cooper Brian and Silvija Devine Elizabeth & Ryan Williams Sponsors since 2005 Sponsors since 2012 Audrey S. Geisel Sheryl and Harvey White Conrad Prebys and Sponsors since 2004 Sponsor since 1998 Sponsors since 2000 Debra Turner Sponsors since 2004

Sponsor since 2000 Sponsor since 2007

Paula and Brian Powers Rhona and Rick Thompson Sponsors since 2013 Sponsors since 2013

Charter Sponsor since 1995 Sponsor since 2004 Sponsor since 2005

Mary Ann Blair Peter Cooper and For additional information on how you may become a Season Sponsor, Sponsor since 2007 Norman Blachford please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Sponsors since 2008 Photo for Globe Guilders: Euan Morton and Miles Anderson in Divine Rivalry, 2012. Photo for John A. Berol: Dana Green and Dan Amboyer in As You Like It, 2012. Photos by Henry DiRocco.

34 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 35 RELAX IN STYLE BEFORE YOUR NEXT GLOBE PERFORMANCE Are you interested in becoming more involved with The Old Globe? When you join the Circle Patron family of donors with a gift of $2,500 or more, you will embark on a new level of theatrical enjoyment. You will support the Globe’s Vitalndowment for the Future of Your Old Globe artistic and education programs while enjoying a variety of benefits, such as: E • Unlimited admission to the Lipinsky Family Suite private donor lounge when attending Globe performances The financial crisis of 2008 served as an important An endowment is essentially a trust fund that • Personal VIP ticketing and subscription services plus priority seating upgrades reminder of the fragility of the cultural institutions covers a portion of a not-for-profit institution’s in our communities. Performing arts organizations annual operating expenses and serves as a • Complimentary Globe valet parking for one performance of each production throughout the U.S. suffered greatly in the wake buffer against hard times. The Old Globe Board • Invitations to Circle Patron events and behind-the-scenes experiences with Globe artists of the economic shift, forcing many to scale back of Directors is planning short- and long-term • Personal VIP ticketing for productions at participating theatres in programs or close down entirely. strategies that will enable the creation of an New York and London appropriate endowment for an institution with a • Access to Globe facilities for private meetings or events Thanks to you and many friends in the community, $20 million annual budget. And one day very soon The Old Globe has remained solvent and stable, you will be asked to help. To learn more about the Globe’s Circle Patron program, contact largely due to the leadership of a small group of Angelique von Thun at (619) 231-1941 x2350 or [email protected]. generous individuals who ensure that the Globe The two ways to support the endowment are

HENRY DIROCCO HENRY Robert Sean Leonard in Pygmalion. remains at the forefront of American theatre and either through a cash gift or through planned a vital part of our city’s cultural landscape. giving, such as a bequest or estate gift. Your support can ensure that generations to come will As the economy waxes and wanes, The Old Globe continue to learn about the works of Shakespeare, must create a robust and substantial endowment Shaw and O’Neill, as well as the new voices in the that can ensure long-term stability for the high American theatre that will join their ranks. 2013 GLOBE GALA quality and meaningful artistic and community Saturday, September 21 programs you have come to expect and love. Mark your calendar for San Diego’s favorite gala! An exquisite evening of dinner and dancing awaits, and no live auction to slow down the fun!

Co-Chairs Nina Doede and Sheryl White

For Gala information and early reservations, call Eileen Prisby at (619) 231-1941 x2303.

Travel with the Globe to London and Paris This Fall! October 17 - October 26, 2013

IN LONDON • Dennis Severs’ House tour • 6 days/5 nights in a first class hotel • National Theatre tour • Welcome dinner • The Wallace Collection • Daily English breakfasts • Regent’s Canal barge cruise • 4 shows in London • Guided walking tours • Shakespeare’s Globe tour • Theatre discussions

IN PARIS • Afternoon lunch • Eurostar: London to Paris • Guided walking tours • 4 Days/3 nights first class hotel • Rodin Museum • 1 show in Paris • Opera House tour (above left) Joshua Elijah Reese (foreground) and (background, from left) Antwayn Hopper and Okieriete Onaodowan in The Brothers Size; • Daily Continental breakfasts • Farewell dinner (above right) Robin Pearson Rose, Eva Kaminsky and Carol Halstead in Good People; (lower right) Heather Ayers, Ken Barnett and Jefferson Mays in A Gentleman’s Guide to Love and Murder. Photos by Henry DiRocco. • Bateaux Mouches river cruise

To learn more about the Globe’s planned giving program or ways to support the Endowment, please contact Director of Development Todd Schultz at (619) 231-1941 x2310. To learn more, call (619) 231-1941 x2317 or email [email protected].

36 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 37 The Old Globe Shiley Vision Endowing the Future of Tours Twelfth Night Classical Theatre in America

to San Diego Schools In 1985, Globe Founding Artistic Director Craig Noel and University of San Diego Provost Sister Sally Furay began conversations about creating a partnership to train young actors in classical theatre. The Old Globe/USD Master of Fine Arts program was born. But Noel and Furay knew the program’s future would only Darlene Shiley (center) with M.F.A. candidates (from left) Robbie Simpson, Adam Gerber, Danielle O’Farrell, Erin be certain through a permanent funding Elizabeth Adams, Allison Layman and Jeremy Fisher. source. winner and star of “The Big Bang Theory” In addition to their support of the M.F.A. Enter Donald and Darlene Shiley, who Jim Parsons. program, the Shileys’ gift of $20 million to the Globe’s capital and endowment campaign established the program with a $1 million For more than 25 years, Darlene — with her in 2005 marked the largest contribution endowment gift, permanently designated to late husband Donald — has continued her in Globe history. They have been Season help provide full scholarships for students stalwart support of the Globe and USD, and Sponsors since 1995, underwriting dozens in the program. only with their leadership has the security of productions, and have helped fund of this M.F.A. program been possible. Since then the vision of Noel, Furay and the numerous major projects, including the Shiley Shileys has become the most respected M.F.A. students receive practical Artist-in-Residence and the Shiley Terrace classical theatre M.F.A. program in the U.S., experience on Globe stages in leading Apartments, which provide housing for Globe turning out performers whose careers have and supporting roles, and all 14 students artists. In honor of their enduring support, the Recognizing the importance their own led to regional theatre, Broadway, television appear in and serve as the backbone of the stage of the Old Globe Theatre was named of exposure to the arts in the schools. The and film, including two-time Emmy Award Shakespeare Festival. the Donald and Darlene Shiley Stage. development and education of young production people, The Old Globe produced did not a special hour-long production require a Enhance Your Theatre Experience of William Shakespeare’s Twelfth traditional Become a Member of the Globe’s Annual Fund Night that toured over 20 San Diego stage so County middle and high schools. the show Even with strong ticket sales, experience. Enjoy one-of-a-kind The imaginative, fun and accessible could be income from the box office only activities, including special artist production introduced the wonders of performed accounts for approximately events, technical insights from Shakespeare to over 5,000 students. at any 50% of the theatre’s $20 million professional artisans, backstage The production toured from April 23 school regardless of the size of operating budget. As a not-for- tours and access to the private through May 17, 2013, with 12 Title its performance space. Free in- profit theatre, The Old Globe donor lounge. One schools receiving discounts or classroom workshops were also primarily relies on the generous Double the impact of your gift! scholarships. The Globe’s tour of provided to enhance the theatre support from patrons like you to Many companies match Twelfth Night, directed by Nelson experience and give students an contribute the rest. Annual Fund their employees’ charitable Eusebio III, was part of Shakespeare for opportunity to explore the play (clockwise from top left) Caroline Kinsolving and Allison donations support artistic work donations. To find out if your a New Generation, a national program more deeply. Spratt Pearce; Jason Maddy; Caroline Kinsolving, Jason Frank and educational programs that and Jason Heil; Jason Heil; High Tech High students. Photos company has a matching of the National Endowment for the by J. Katarzyna Woronowicz. the Globe offers to the San Diego gift policy, check with your Arts in partnership with Arts Midwest. The Old Globe was one of 42 community. As an Annual Fund company’s human resources professional theatre companies of Shakespeare’s works to middle and member, you will receive benefits department. Shakespeare’s tale of unrequited selected by Shakespeare in American high school students in communities that enhance your theatregoing love and hidden identities delighted Communities to participate in the across the United States. Currently students and teachers alike and Shakespeare for a New Generation celebrating its 10th year, Shakespeare Annual Fund Benefits( by membership level) introduced students to theatre with program during 2012-13. The for a New Generation is the largest tour • Invitation to the Annual Meeting ($50) • Invitations to attend Meet the Artist • Unlimited admission to the Lipinsky Family a top-quality production right in program helps to bring productions of Shakespeare in American history. • Complimentary backstage tour ($125) events ($500) Suite ($2,500) • Subscription seating upgrade priority • Three complimentary blanket rentals ($500) • Personal VIP ticketing and subscription (commensurate with giving level) • Invitations to selected opening night receptions assistance ($2,500) • Discounts at participating restaurants ($250) ($1,000) • Invitation to the Annual Founder Circle The Old Globe’s 2013 PETER COOPER AND NORMAN BLACHFORD Major funding provided by • Opportunity to purchase tickets before the • Voucher for one complimentary admission for Dinner ($5,000) touring production general public ($250) two to the Lipinsky Family Suite ($1,000) • Complimentary Globe valet parking ($10,000) • Listing as an Annual Fund donor in all programs • Invitations to all opening night dinners ($1,500) of Twelfth Night was for one year ($500) • Gift from the Helen Edison Gift Shop ($1,500) supported by THE HULL FAMILY To learn more about Annual Fund giving and benefits, contact Jessica Burger, Development Manager of Individual Annual Giving, at (619) 231-1941 x2311.

38 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 39 Why We Support Corporate Donors the Globe LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999) DOUG GATES

My husband Dave and I take pride in supporting the Globe because of its contribution to San Diego’s cultural reputation and its commitment to serve the community. Plus, it’s exciting to be part of the Globe’s future!” ELAINE DARWIN, Globe Board member, Production Sponsor

“From my initial experience as an enthralled young theatre PRODUCTION SPONSORS ($25,000 - $49,999) novice in the ‘70s to my current, deeply meaningful

DOUG GATES involvement as a patron, all aspects of that initial awe, enchantment, inspiration, magic and wonder remain. What a “We love the Globe because of the great people we have privilege it is to have the Globe as an ongoing, integral, utterly met, doing incredible work, bringing fantastic theatre to our engaging part of my life!” home town.” VICKI ZEIGER, Globe Board member JEANETTE STEVENS, Production Sponsor

“SDG&E is proud to support the Globe’s outreach “It is an honor to serve on the Board of the Globe, a nationally programs for underserved youth. Their successful and internationally respected company which continues to programs allow youth from our underserved communities produce award winning theatre with arts outreach programs access to learning programs that they might not otherwise to benefit all of San Diego.” get to experience.” LYNNE WHEELER, Old Globe Board member FRANK URTASUN, Regional Vice President at SDG&E (from left) Board member Elaine Darwin, Jeanette Stevens and Board member Lynne Wheeler at the 15th anniversary celebration for Dr. Seuss’ How the Grinch (from left) Carl Zeiger, Board member Vicki Zeiger, Artistic Director Barry Edelstein Stole Christmas! DIRECTOR CIRCLE ($15,000 to $24,999) National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most and SDG&E Regional Vice President Frank Urtasun at the 15th anniversary distinguished professional theatres. The following foundations, individuals and celebration for Dr. Seuss’ How the Grinch Stole Christmas! corporations support these theatres through their contributions to NCTF: Acquis Consulting Group Marsh & McLennan Companies American Express Foundation The McGraw-Hill Companies AOL MetLife Bank of America Morgan Stanley Bloomberg Pfizer, Inc. BNY Mellon RBC Wealth Management James E. Buckley RVM Inc. Steven Bunson The Ralph and Luci Schey Foundation ($10,000 to $14,999) Christopher Campbell/ Sharp Electronics Break-Away Tours Holland America Line ResMed Foundation Palace Production Center Skadden, Arps, Slate, Cisco Systems, Inc. Meagher & Flom LLC Citi George S. Smith, Jr. FOUNDER CIRCLE ($5,000 - $9,999) Clear Channel Outdoor TheaterMania.com/Gretchen Shugart Bertrand at Mister A’s Cleveland Clinic John Thomopoulos First American Trust Nokia Inc. Hyatt Regency La Jolla CMT/ABC The James S. and Lynne P. Turley Ernst DOUG GATES Datacert, Inc. & Young Fund for Impact Creativity “We love the Globe, so it is very easy for us to support it. The CRAIG NOEL CIRCLE ($2,500 - $4,999) Dorsey & Whitney Foundation UBS

J. KATARZYNA WORONOWICZ KATARZYNA J. energy and talent from the performers on stage transform us to Cubic Corporation HoyleCohen Luna Grill Epiq Systems Wells Fargo another time and place, and we have loved being entertained for Ernst & Young Willkie Farr & Gallagher LLP “The Globe not only provides San Diegans with world class Goldman, Sachs & Co. theatre, it also educates thousands of school children through the past 38 years.” its programs. I consider it an honor to support and serve on the LIZ HELMING, Circle Patron, Globe Guilder Board and am fortunate to enjoy the Globe’s incredible plays.” Public Support “I support the Globe because it is a dynamic and exciting organization PETER COOPER, Old Globe Board member, Lead Season Sponsor with which to be involved. They constantly strive for perfection in all aspects of their operation.” Major funding provided by the City of San Diego Commission for Arts and Culture. (from left) Norman Blachford, director and choreographer Susan Stroman and JO ANN KILTY, Old Globe Board member, Production Sponsor, Globe Guilder Board member Peter Cooper at The Scottsboro Boys opening night. The Old Globe is funded by the County of San Diego.

(from left) Liz Helming, Old Globe Associate Artist Deborah Taylor and Board member Jo Ann Kilty at the opening night cast party for Pygmalion.

40 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 41 Thank You, Wells Fargo Join the Craig Noel League Today

The Old Globe is by continuing the bank’s tradition of support for artistic Ensure a Stronger Future for The Old Globe! pleased to recognize programming. Wells Fargo believes in sharing its success Wells Fargo as a with this community and investing in not-for-profits and Founded in 2000 and named for the Globe’s Founding Director, the Craig Noel League is a planned giving society for the stalwart supporter education institutions that address vital community needs Globe comprised of individuals who have included The Old Globe in their estate plans. Through their generosity, these of the theatre for 35 and services. members of the theatre are helping to ensure a long and bright future for San Diego’s leading cultural landmark. years, beginning in Tim Rafalovich 1978 with a gift to help rebuild the Old Globe Theatre after its devastating I joined the Junior Theatre Wing of The Old arson fire. Since that time, Wells Fargo has played an Globe in 1951. That is when I was introduced to enormous role at the Globe as a corporate leader, Craig Noel, the Globe's artistic visionary. Over the years, including major support to the Advancement Campaign, I performed in a half dozen Globe shows and danced on the which upgraded the administrative offices in 1990, and green during the Shakespeare Festival. Years later, I married serving as a Season Sponsor since 1995. Wells Fargo Lowell Davies, who was President of the Old Globe Board of has funded important education programs such as free Directors for 31 years and a Board member for an additional student matinees, the Grinch Children’s Initiatives, Teatro 13 years. Together, Craig and Lowell ran the Globe. They were Meta, Globe Readers and much more. Since its first gift in a team. I've had the pleasure of serving the Globe in many 1978, Wells Fargo has contributed a total of $1.5 million to ways, as a Board member for 12 years, as chair of the annual The Old Globe. gala, Honorary Chair for the opening of the Lowell Davies Festival Theatre and, now, as The Old Globe Historian.

Senior Vice President Tim Rafalovich serves on the Board DIROCCO HENRY Of course we want to ensure the future of this theatre jewel. of Directors and is helping ensure the theatre’s future The Old Globe’s production of Pygmalion, sponsored in part by Wells Fargo. The Old Globe changes lives.” (left) Darlene Geer (Davies) in The Remarkable Mr. Pennypacker directed by —Darlene Davies Jackson Woolley, 1956; (right) Lowell Davies and Craig Noel. In Memoriam and Endowment Gifts

Donors to the Endowment William Armbruster Betty Crates Dennis Violetta Horton Bob McGlade Marilyn Shaw John A. Berol Colonel Albert A. Arnhym Barney DeSelm Tom Howell Cora Inez McGlade R. Ernest Sheperd Craig Noel League Members Ronald Brown Leni Arnhym Jean DeSelm David Huffman David McIntyre Forrest N. Shumway Ava Carmichael Lois L. Bailey Trust Chris Dimolias Helena Ingrum Dr. Fraser L. Machpherson Diane Sinor Harry & Valerie Cooper Grace Barbey Edith Dolnick Barbara Iredale Irma Macpherson John Sinor Maria Correia Diana Barliant Dozoretz Family Estate Judge T. Bruce Iredale Maggie Mazur Anne Smith Jane Cowgill James & Janice LaGrone Stephen M. Silverman Jane Cowgill Lillie Mae Barr Mary Suzanne “Sue” Drew Thelma Irwin Paul Michael Larry Spear Patricia W. Crigler. Ph. D., Dr. Ronald & Mrs. Ruth W. Leonardi Roberta Simpson Darlene G. Davies Chester K. Barta, MD Bill Eaton Rudy Jarabek Eleanor Mikkelsen Marje Spear CAPT/USN/Ret. Jerry Lester Foundation Dolores & Rod Smith Danah Fayman F. William Bartels, LS Jessica Eaton Bob Jamieson Elsa Mikkelsen Denise Spooner Carlos & Patricia Cuellar Robin J. Lipman Marisa SorBello & Mr. & Mrs. Feldman Joseph Basquez Helen Edison Donald Jenkins Judy Miller Andrew Stewart Darlene Gould Davies Heather Manion Peter Czipott Ellis Construction Katherine Black John Ellsworth Mary Jermanok Francis M. Millican Jane Stillman Kathryn Hattox Frank Bowers Anne Enoch Joseph E. Jessop, Jr. Richard C. Mitchell Charles E. Stoll Mrs. Philip H. Dickinson Chris & Jill Metcalf John & Cindy Sorensen The Hollis Foundation Patricia Wynand Brandon Montague Enoch Barbara Johnson Dr. Francis Montalbano Cora Sweet Doug Druley & Becky Young Paul I. & Margaret W. Meyer Nancy A. Spector & James and Jan LaGrone Dorothy Brown Pauline Evans Gram Jones Jack Mosher Kay Taylor-Hopkins Bernard J. Eggertsen & Steve Miller Alan R. Spector The Mr. Isaac C. Malamud Lewis Brown Dennis Farmer Dana Juhl Jim Mulvaney Hie Thompson Florence Nemkov Dr. Robert W. Miner Jeanette Stevens and Mrs. Agustina R. Vincent Buckley Chuck Farr Steve Kaster Josiah L. Neeper Marilyn Thompson Dr. & Mrs. Robert Epsten Shirley Mulcahy Eric Leighton Swenson Malamud Foundation Victor Buono Bunny Feldman Anne M. Kay Rita Neeper Peg Thornton Frank A. Frye, III Laurie Dale Munday Anne C. Taubman The Mission Valley Clair Burgener Betsy Flannagan Hank Kelley Kenneth Newton Martha Tingler Mr. Alan Gary & Randy Tidmore Community Fund Louis Yager Cantwell Annette Ford Peggy Kellner Craig Noel Howard Tirschwell Stanley Nadel & CRAIG NOEL,CRAIG 1957 Ms. Joanee Udelf Mr. Stephen B. Nielander & C. Wayland Capwell Mrs. John H. Fox Luther Kennett The Teresa A. Nugent Marian Trevor Cecilia Carrick Cherie Halladay Tirschwell Nancy Reed Gibson Alice B. Nesnow Evelyn Mack Truitt Ms. Dominique K. Alessio Mary Delafield Carter Robert Friedenberg Bill King Memorial Fund Walter Trevor Anonymous (19) La Nona Royalty Funds Whitfield Case Dorothea Gales J. Robert King Martin B. Ortlieb Burton & Valeda Turner Robert Gleason & Arthur & Marilyn Neumann Ginny Unanue Diana Barliant* National Endowment for Jack Cecil Dessie Galland Agnes Kinsella Victor Ottenstein Walter Varner Marc Matys Ronald J. Newell Jordine Von Wantoch Jan Bart the Arts J. Dallas & Mary Clark Dorothy Garland Richard Kneeland Dr. Ralph W. Otterstrom Patti Vars Marcy Goldstone Greg & Polly Noel Merle Wahl* Jeannie Polinsky Rivkin Gordon Frank Cleator Sheldon Gero Tony Kopas Douglas Pagliotti Dick Viertel Nancine Belfiore Carol & Don Green PACEM (Pacific Academy of Holly J. B. Ward Artistic Fund Marian Colby Shirley Gillespie Jack Krill Margaret F. Peninger Ann C. Vojtko Alan Benaroya Kathryn Hattox Ecclesiastical Music) Sarah Woodruff Watkins The San Diego Foundation Hazel Goes Cook Tony Gillson Rose Ruth Kuntz William F. Penny, Sr. Phil Wahl Barbara Bolt David & Debbie Hawkins Sarah B. Marsh-Rebelo & Sheryl & Harvey P. White Pat Thomas David C. Copley Dr. Viola Granstaff Jeff Larsen Clive Nelson Pillsbury Merle G. Wahl Nancy Brock San Diego Trust & Savings Dudley R. Cooper Gracie Knudsen Gray John David Lentz Dolly & James Poet Harvey Von Wantoch Jill Denison Holmes John Rebelo Mrs. Jack Galen Whitney Ronald Brown Celeste & Gene Trepte Tom Corcoran Mike Gubitosi Georgie Leslie Sheila Potiker Rusty Walker Craig & Mary Hunter Esther Rodriguez Julie Meier Wright Dr. & Mrs. Edgar D. Canada Tim & Ellen Zinn Geraldine Corda Peg Graybill Marguerite “Peg” Lewis Dorothy S. Prough Tim Ward Grace Johnston Darlene Marcos Shiley Carolyn Yorston-Wellcome Clif Cowgill Sam L. Hall Nim Lindsey Anne Ratner Jim Webre Sandra & Harry Carter In Memoriam Gifts Gladys H. King Patsy & Forrest* Shumway Kay Crick Dr. Winston Hall Bernard Lipinsky Allen Redman Alma Webster Garet & Wendy Clark to the Endowment Marilyn Kneeland B. Sy & Ruth Ann Silver *In Memoriam Josephine Crum Patricia E. Hanft Dorris Lipinsky Hadley & Hester Robert West or Annual Fund Joseph J. Cohen and Martha P. Farish Warren Currier Connie Hedges Elaine Lipinsky Richardson Jack Whitney Jean & David Laing Dee E. Silver, M.D. Jack Aaronson R. Patrick & Sharon Connell Francis Cushing James Hempstead Gordon Luce Will Roberson Hal Williams Mary Adams Ethelind Davies Kerry Hogan-Bean Marie Manning Nancy Rondebush Dr. Stanley E. Willis II Richard Croxton Adams John Davies Nina Hoke Bini Vincent Marquez Eleanor Rose Dick Wilson John Robert Agajeenian To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Lowell Davies Chuck Hollinquest Minerva Marquiz Serena Sams Dolores M. Wilson Helen Albritton Lyn Ann Deems Bettie Holloway Delza Martin Rose Schweitzer Victor Wulff Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected]. Margaret Armbruster

42 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 43 Annual Fund Donors Annual Fund Donors

FOUNDER CIRCLE Carlo & Nadine Daleo Bob Nelson Walter & Cheryl Deegan ($5,000 to $9,999) Darlene G. Davies, in memory Lyn Nelson Dorothy R. Dring The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large Lawrence G. Alldredge & Dawn Moore of Lowell Davies Arthur & Marilyn Neumann Clare & Paul Friedman part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us Anonymous Pat & Dan Derbes Lawrence Newmark Gay and Lesbian Fund for San Diego in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. Melissa Garfield Bartell & Dean & Mrs. Michael H. Dessent Patrons of the Prado at The San Diego Foundation Michael Bartell Jim & Sally Ditto L. Robert & Patricia L. Payne Arthur & Marlene Greenberg The Old Globe appreciates the support of those who have stepped into the spotlight. Bradford W. Bates Mr. & Mrs. Ira S. Epstein Col. & Mrs. Ben Pollard Kaaren Henderson Joan & Jeremy Berg Devora & Ron Eisenberg Bill & Mo Popp Hexagone Barbara Bloom of Great News! Daniel Porte Jr., MD Bill & Nancy Homeyer Benefactors ($100,000 and above) The Louis Yager Cantwell Mary & David Fitz The Arthur & Jeanette Pratt Kenneth & Marilyn Jones Private Foundation Susanna & Michael Flaster Memorial Fund Louis & Mary Beth Kelly City of San Diego Commission Globe Guilders The Shubert Foundation Carol & Jeff Chang Jean & Sid Fox Joseph & Jane Rascoff Robert Kilian & Kathleen Slayton for Arts & Culture The James Irvine Foundation Wells Fargo Colwell Family Distributable Fund at Samuel I. & John Henry Fox Sarah B. Marsh-Rebelo & Gayle & Jerry Klusky The County of San Diego Microsoft Sheryl & Harvey White Foundation The San Diego Foundation Foundation at John G. Rebelo Bill & Linda Kolb R. Patrick & Sharon Connell Union Bank of California Nancy Robertson Dr. & Mrs. James E. Lasry Audrey S. Geisel/The San Diego Darlene Marcos Shiley, Bernard J. Eggertsen & Chuck Freebern Carole Sachs Edward & Nancy Lyon Foundation Dr. Seuss Fund in memory of Donald Shiley Florence Nemkov Charles & Millicent Froehlich Warren & Beverly Sanborn Jasna Markovac & Gary Miller Marion Eggertsen Joy & Dr. Fred Frye Sanderson Family Donor Advised Marcia Mattson Barbara & Dick Enberg Elaine & Murray* Galinson Fund at the Rancho Santa Fe Jack Meek Carol Spielman-Ewan & Joel Ewan Barbara & Albert Garlinghouse Foundation Judith & Neil Morgan Season Sponsors ($50,000 to $99,999) Martha & George Gafford Bill & Judy Garrett Sherry & C.A. Sheppard Mark Niblack, MD Drs. Thomas & Jane Gawronski Teresa George Drs. Joseph & Gloria Shurman Virginia Oliver Mary Beth Adderley and Valerie & Harry Cooper Paula & Brian Powers Norm Hapke & Valerie Jacobs Hapke Nancy Reed Gibson Dee E. Silver, MD Dr. Julie Prazich & Dr. Sara Rosenthal Gordon & Phyllis Harris Wendy Gillespie Elene & Herb Solomon Robert & Doris Reed Elizabeth & Ryan Williams Mr. & Mrs. Brian K. Devine Conrad Prebys & Debra Turner Alexa Kirkwood Hirsch Robert Gleason & Marc Matys Nancy & Alan Spector and Family Esther Rodriguez The Legler Benbough Foundation Edgerton Foundation Qualcomm Foundation William Karatz Sheila & Tom Gorey Barbie & Dan Spinazzola The Ralph B. Rogers Foundation John A. Berol Kathy & John Hattox Rhona & Rick Thompson Brooke & Dan Koehler Dr. & Mrs. William Gott Nancy Steinhart & Sabuku Sushi Mary Ann Blair HM Electronics, Inc. United Peter Manes & Yoko Sakaguchi Timothy P. Haidinger Rebecca Goodpasture Jay & Julie Sarno Paul & Maggie Meyer Ms. Cheryl Haimsohn Eugene & Hannah Step Richard Seer & Douglas Wallingford California Bank & Trust Joan & Irwin Jacobs Fund of the Money/Arenz Foundation, Inc. Guy & Laura Halgren Karen & Don Tartre Alan & Esther Siman Karen & Donald Cohn Jewish Community Foundation Caroline & Nicolas Nierenberg Pat & Rick Harmetz Suzanne Poet Turner & Michael Turner Dave & Phyllis Snyder Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation Matthew & Judith Pollack Drs. Patrick Harrison & Eleanor Lynch Lou & Doris Vettese Ann & Robert Steck John & Marcia Price Liz & Gary Helming Mary R. Warkentin Greta & Steve Treadgold Family Foundation Rhonda Heth & Thomas Mabie Zelda J. Waxenberg Stan & Anita Ulrich Rivkin Family Fund I at Richard & Janet Hunter Jan Harden Webster & Raul Ortega David & Irene Weinrieb The San Diego Foundation Hutcheson Family Fund at The Patricia and Christopher Weil Howard & Christy Zatkin Production Sponsors ($25,000 to $49,999) Chrissy & Roger Roberts The San Diego Foundation Family Foundation Bob & Julie Sullivan Drs. Sonia & Andy Israel Mary Kay West GOLD Anonymous Inn at the Park Sheraton San Diego Hotel & Marina Kathryn B. & Daniel L. Sullivan Family Jerri-Ann & Gary Jacobs James E. & Kathryn A. Whistler ($500 to $999) Bank of America Jo Ann Kilty Patsy & Forrest* Shumway Fund at The San Diego Foundation Pat JaCoby In Memory of Freda Altschuler & Pat & Jack Thomas Mary & Russell Johnson ($1,500 to $2,499) Sylvia Goldin Alan Benaroya Barbara G. Kjos Mickey Stern Cherie Halladay Tirschwell Jackie Johnston Anita Busquets & William Ladd Anonymous (7) Richard & Kathy Binford Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens Carol Vassiliadis Katleman Family Fund of the Gary & Carrie Huckell George Amerault Pamela & Jerry Cesak Family Foundation Gillian & Tony Thornley Pat & Bob Whalen Jewish Community Foundation William & Edythe Kenton Bruce & Patricia Becker Dr. Gerald & Mrs. Barbara Kent Sherry & Larry Kline Amnon & Lee Ben-Yehuda Cohn Restaurant Group/Prado Restaurant National Corporate Theatre Fund Torrey Pines Bank CRAIG NOEL CIRCLE Gladys H. King Robin J. Lipman Drs. John & Karen Berger Elaine & Dave Darwin Neiman Marcus Union Bank ($2,500 to $4,999) Ken & Sheryl King Marisa SorBello & Peter Czipott Jay Biskupski & Catherine Imrie Ann Davies Random House Children’s Books U.S. Bank Dr. & Mrs. Wayne Akeson Webster & Helen Kinnaird James & Ellen Weil Deb & Brand Brickman Nina & Robert Doede Gloria & Dick Rasmussen Mandell Weiss Charitable Trust Gail Andrade and Jane & Ray* Klofkorn Shirli Fabbri Weiss Ruth Bunn John & Jennifer Andrade Curt & Nancy Koch Beth & Tim Cann Pamela A. Farr San Diego Gas & Electric® Anonymous (4) Betty & Dr. Leonard Kornreich DIAMOND Greg & Loretta Cass Hal & Pam Fuson Shakespeare for a New Generation Judith Bachner & Eric Lasley Rosalie Kostanzer & Michael Keefe ($1,500 to $2,499) Luc Cayet & Anne Marie Pleska Higgs Fletcher & Mack, LLP a National Program of the Jan & Rich Baldwin Bob & Laura Kyle Anonymous Lynne Champagne & Wilfred Kearse Elaine & Leonard Hirsch National Endowment for the Arts Bobbie Ball Jean & David Laing Jeff & Donna Applestein Jack & Carol Clark Diana J. Barliant* & Nowell Wisch Peter Landin & Michelle Cardinal Mrs. Lazare F. Bernhard Ronald Culbertson The Hull Family in Partnership with Arts Midwest Jan Bart Terry & Mary Lehr Steve G. Bjorg Honorable Vincent Di Figlia Mr. & Mrs. Bear Ms. Sherrill Leist Jane Cowgill Dr. Donald & Eilene Dose Linda Birch Dr. Ronald & Mrs. Ruth W. Leonardi Dr. Robert & Marcia Malkus Jacqueline & Stanley Drosch Director Circle ($10,000 to $24,999) Charlotte & Charles Bird James & Pamela Lester Holly & David Bruce Bill Eiffert & Leslie Hodge Joan Bishop, in memory Sandy & Arthur Levinson Dr. & Mrs. M. Joseph McGreevy Drs. Susan & George Fee Jane Smisor Bastien Rebecca Moores Nita & Henk van der Werff of Harold McNeil Barbara & Mathew Loonin Akiko Charlene Morimoto & Richard & Beverly Fink Nikki & Ben Clay National Endowment for the Arts Jordine Skoff Von Wantoch Paul Black Sue & John Major Hubert Frank Hamilton, Jr. Family Foundation Dr. Herman & Irene H. Boschken Jackie & Charlie Mann Fund of the Susan Parker Pauline Forman & Jack Burke Joseph Cohen & Martha Farish Rafael & Marina Pastor Pamela J. Wagner Dr. & Mrs. Edgar D. Canada Jewish Community Foundation Shearn & Linda Platt Susan & Steven Garfin Karen Fox & Harvey Ruben Tom & Lisa Pierce Dr. Steve & Lynne Wheeler Edward & Pamela Carnot Lois & F. Dale Marriott Jack & Louise Strecker Theresa A. Georgi Diana R. Glimm Allison & Robert Price Karin Winner Harry & Sandra Carter Ms. Kerri Martella Margery & John Swanson Arthur Getis Lee & Frank Goldberg Price Family Charitable Fund Brent Woods & Laurie Mitchell George & Ellen Casey Elizabeth & Edward McIntyre Norman & Patricia Gillespie Rudy & Carol Cesena Elizabeth B. Meyer PLATINUM J. M. Gillman Dr. & Mrs. Harry F. Hixson, Jr. PricewaterhouseCoopers Pamela & Marty Wygod Garet & Wendy Clark Grace & Scott Miller ($1,000 to $1,499) Robert & Edry Goot Deni & Jeff Jacobs Jean & Gary Shekhter June E. Yoder Ms. Heidi Conlan/ Sara F. Moser Anonymous Drs. Barbara B. & Leonard J. Gosink Daphne H. & James D. Jameson Anne Taubman & David Boyle Carolyn Yorston-Wellcome The Sahan Daywi Foundation Nancy & James Mullen Drs. Gabriela & Mike Antos Chris Graham & Michael Albo Carol & George Lattimer Evelyn Mack Truitt Richard & Stephanie Coutts Jim & Ruth Mulvaney Foundation at Sondra & Robert Berk Fund of the Carol & Don Green Susan Barlow Cowell The San Diego Foundation Jewish Community Foundation Richard & Candace Haden Gigi & Ed Cramer Elspeth & Jim Myer Bob & Joyce Blumberg Helen M. Hammond Timothy & Marie Cunning Joyce & Martin Nash Cecilia Carrick & Stan Nadel Jeff & Judy Handler

44 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 45 Annual Fund Donors Associate Artists of The Old Globe James & Ruth Harris Fund of the The Washkowiak’s Stanley C. Harazim Clifford T. Pentrack & Jewish Community Foundation Ms. Sandy Wichelecki George D. Hardy & Michael Tassiello Mary E. Giovaniello In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take Virginia Hawkins Dennis & Carol Wilson Mark & Corrine Harvey Dr. & Mrs. Richard Perlman Jamie Henson & Robert Houskeeper Cass Witkowski Family Garry & Sharon Hays Abigail Pike great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly Bruce & Jane Hopkins Brendan M. & Kaye I. Wynne Joan Henkelmann Pricor Family demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they Stephen Hopkins & Dr. Carey Pratt Gerald M. Hermanson & Alex & Eileen Pue remain the heart and soul of the Globe. Joseph & Donna Hynes SILVER Donna L. Buckner Kathy & Jay Rains Isaacs Brothers Foundation at ($250 to $499) Suzanne & Lawrence Hess Stuart & Linda Robinson William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor The San Diego Foundation Margaret Acampora Blaine Hibbard Judy Rosen Dr. & Mrs. Clyde W. Jones Chris & Natalie Anderson Donald J. Hickey Dr. Norman & Barbara Rozansky Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Dr. Marvin Kripps Earl Asbury Christine Hickman & Dennis Regan Marsha Sable Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* La Farfalla Cafe Alicia Atun & Elaine Rendon* Peggy & John Holl George & Karen Sachs Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Barney Lanz Anonymous (6) Robert Hyman Samiljan Family Fund of the Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Rick & Sherry Levin John & Elizabeth Bagby Isabella Fund at The San Diego Jewish Community Foundation Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Marshall & Judy Lewis Fund of the Mark J. Ballam Foundation Patrick Sammon Kandis Chappell Lillian Garrett-Groag Nicholas Martin Steve Rankin Diane Sinor* G Wood* Jewish Community Foundation Sharon & Bill Beamer Ed & Linda Janon Lillian Schafer Carl Maguire & Margaret Sheehan Edgar Berner Family Fund of the Tony & Nancy Janus Carl Schott Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Sally & Luis Maizel Jewish Community Foundation Mrs. Katherine Jarvis Martin & Connie Schroeder Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Drs. Betty Joan Maly & John Meyers John & Sally Berry Bob & Sylvia Johnson RAdm. & Mrs. James Sears George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa Ron & Mercy Mandelbaum Nicholas B. Binkley Dr. Natasha Josefowitz Lori Severson & Eric Longstreet Rev. Stephen J. Mather Robert Blanton & Ann Clark Dr. James & Sharon Justeson Alex V. Sher Ronald McCaskill & Robyn Rogers Kathleen Blossfield Drs. Irvin & Nancy Kaufman Curt Sherman Mr. & Mrs. William M. McKenzie Gaylyn N. Boone & James R. Dorcy Capt. & Mrs. Robert S. Kayler Anne & Ronald Simon Charles & Billie McKnight Douglas & Helen Boyden Julia Kenyon Malcolm E. Smith Rena Minisi & Rich Paul LaVerne & Blaine Briggs Evelyn Klees, in memory of Norman & Judith Solomon Charles & Susan Muha Donor Advised Fund at the Robert Edwin Klees Susanne Stanford & Tom Matthews Patron Information Shirley Mulcahy Rancho Santa Fe Foundation Mr. & Mrs. Robert Kucinski Don Stanziano & Micheal Sikich Marsha J. Netzer Glenn & Jolie Buberl Michelle LaGrandeur Ann & Robert Steiner Evy & Ed Newton David Burns & Diane Lischio James & Janice LaGrone Dave & Jan Stormoen TICKET SERVICES HOURS may be given alternative seating and will be seated at an Rod & Barbara Orth Helen M. Caldwell Steven & Denise Landgarten Eric & Marian Suggs Monday: Closed appropriate interval. Dr. David & Elizabeth Ostrander William & Shirley Carrington Elliott & Phyllis Lasser John & Linda Sunkel Tuesday – Sunday: Noon – last curtain Barbara B. Oswalt Leslie & Shlomo Caspi Dixon & Pat Lee Mrs. J.B. Swedelius Hours subject to change. Please call ahead. YOUNG CHILDREN Julius J. Peal Fund at Elaine Chortek Allen Lemberg Family John & Gail Tauscher Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to The San Diego Foundation Janet & Maarten Chrispeels Ellen & Ira Levine Mr. & Mrs. Brian J. Taylor FAX (619) 231-6752 performances. In Memory of Margaret Peninger Lisa Churchill B. Leonard Levy Marshall & Leila Taylor Dr. Ken Pischel & Richard Clampitt & Rachel Hurst Lois & Larry Lewis Reed & Solange Thompson Email [email protected] Dr. Katherine Ozanich James Cochran & Sue Lasbury Morris & Zita Liebermensch Keely Tidrow ELECTRONIC DEVICES AND CAMERAS Drs. Paul & Katherine Ponganis Charley & Barb Crew Timothy S. Lucey Tim & Judy Tillyer ADMINISTRATION HOURS Monday - Friday: 9am - 5pm The video and/or audio recording of this performance Mr. & Mrs. J.S. Rekettye Mr. & Mrs. Alan Davis Bill Luckow Doug & Lynn Todd Phone (619) 231-1941 by any means whatsoever are strictly prohibited. Please Rowling Family Charitable Fund of the Florence C. DeLucia Neil A. Malmquist Capt. & Mrs. Ben Trovaten Website www.TheOldGlobe.org silence all digital watches, pagers and cellular phones prior Jewish Community Foundation Ms. Angela DeCaro Deborah & Frederick Mandabach Johanna Vertullo Address The Old Globe to entering the theatre. Crystal A. Rubin Caroline S. DeMar Russell Mangerie Barbara C. Ward P.O. Box 122171 Frank Ruyak Bethany Derrough Patricia Manning Judith L. White San Diego, CA 92112-2171 ASSISTED LISTENING SYSTEM Simon & Ruth Sayre Dutch & Dawn Dershem Harold & Beverly Martyn Olivia & Marty Winkler For the convenience of our hard of hearing and hearing- Brigid Hom-Schnapp & The Disraeli Family Fund of the William McBride Mr. & Mrs. John W. Witt Russell Schnapp Jewish Community Foundation Robert McCommins Caryl Lees Witte ORDERING TICKETS/CHANGE OF ADDRESS impaired patrons, The Old Globe has an Assistive Listening Linda J. Seifert Berit & Tom Durler Dennis A. McConnell Mr. & Mrs. William F. Wolff The Old Globe accepts Visa, Discover, MasterCard, or System in all three theatres: the Sheryl and Harvey White Stella Shvil Professional Fiduciary Hon. Harry M. & Kee Elias Oliver McElroy & Karen Delaurier Philip & Elsa Wood American Express. Phone orders for non-subscribers Theatre, the Old Globe Theatre and the Lowell Davies Beverly & Howard Silldorf Victor & Louise Engleman Teresa McEuen Vicky Zollweg & Michael Dunteman are subject to a $3.50 per ticket service charge. Ticket Festival Theatre. A limited number of the lightweight Mr. William D. Smith & The Englunds C. & D. Meadrus exchanges are subject to a service charge for non- headsets, as well as induction neck loops, may be obtained Dr. Carol Harter Esther & Robert Feier The Michael Family subscribers. If you have moved, please notify the Ticket from the house manager prior to performances. Peter & Frances Splinter Dr. & Mrs. Richard Friedman Phyllis Minick *In Memoriam Services Office to update our records. Call (619) 234-5623 Clifford & Kay Sweet John & Mary Garvelink Craig & Betsey Monsell This list current as of May 1, 2013. during Ticket Services hours, mail your change of address PUBLIC TOURS Brenda & Robert Tomaras Rita J. Geisel Dr. & Mrs. Robert Morrison to the Ticket Services Office, or email us at Go behind the scenes at The Old Globe to learn about the Doris Trauner, M.D. & Richard Sanford Mr. & Mrs. Bruce Gemberling Paul Nelson For additional information on how you Jeffrey & Sheila Truesdell Fred & Lisa Goldberg Dr. & Mrs. Tom Neuman may support The Old Globe’s artistic, [email protected]. history, three stages, shop and craft areas. Open tours: most Ms. C. Anne Turhollow & Carole & Howard Goldfeder Katherine Newton education and community programs, Saturdays and Sundays at 10:30am. Groups by reservation. Mr. Michael J. Perkins George & Dorothy Green Thomas & Tanya O’Donnell please visit our website at UNABLE TO ATTEND? $5 adults; $3 seniors and students. Phone (619) 238-0043 Marlene G. Lipsey Turrentine Euvoughn L. Greenan David Ortiz www.TheOldGlobe.org or contact If you find you are unable to use your tickets, please give x2145 for information/reservations. Natalie C. Venezia & Paul A. Sager Craig & Catherine Greene Lindsey Oswalt Rachel Plummer, Major Gifts Officer, them to a friend, or turn them in to the Ticket Services Karen Walker Gary & Anne Grim Susan & Jim Oxford at (619) 231-1941 x2317 or Office and receive a tax receipt for your donation. Tickets LOST AND FOUND Kathy & Jim Waring Theodore Gryga Lori Partrick [email protected]. must be received by show time. If you have misplaced a personal item while at the theatre, please contact the Ticket Services Office or Security as RESTROOMS soon as possible. If we are unable to locate your item, Restrooms are located in the lower lobby of the Old Globe we’ll happily take down your contact information and a Theatre, the lobby of the Sheryl and Harvey White Theatre description of the item and contact you if it is found. The FOLLOW US ON Be sure to follow us to see exclusive photos that you can’t and adjacent to the Lowell Davies Festival Theatre. Old Globe does not assume liability for items left behind on find anywhere else. You can also share your photos while the premises. visiting the Globe by using the hashtag #TheOldGlobe. SEATING OF LATECOMERS Find us on Instagram by searching for TheOldGlobe or Although we understand parking is often at a premium, the Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — ! on the web at instagram.com/theoldglobe! seating of latecomers is extremely disruptive. Latecomers are available upon request. Please ask an usher.

46 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 47 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Rick Corder, Kimberly Eddo, FINANCE Dave Henson...... Director of Marketing and Communications Danielle Griffith, Sunny Haines, Sue Noll, Carly Bennett-Valle...... Senior Accountant Todd Schultz...... Director of Development Noelle Van Wyk...... Wardrobe Crew, Festival Trish Guidi...... Accounts Payable/Accounting Assistant Mark Somers...... Director of Finance Anna Noll...... Wardrobe Crew, White Adam Latham...... Payroll Coordinator/Accounting Assistant Richard Seer...... Director of Professional Training Marie Jezbera...... Rental Agent Tim Cole...... Receptionist Robert Drake...... Director of Production Roberta Wells-Famula...... Director of Education Properties DEVELOPMENT Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Institutional Grants Kristin Steva Campbell...... Assistant to the Director Bridget Cantu Wear...... Associate Director, Planned Giving ARTISTIC Kristine Hummel...... Prop Assistant Eileen Prisby...... Events Manager Adrian Noble...... Shakespeare Festival Artistic Director M.H. Schrenkeisen...... Shop Foreman Rachel Plummer, Keely Tidrow...... Major Gifts Officers Eric Louie, Justin Waldman...... Associate Producers Rory Murphy...... Lead Craftsman Jessica Burger...... Development Manager, Danielle Mages Amato...... Literary Manager/Dramaturg Josh Camp, Chris Carignan, Chad G. Dellinger, Individual Annual Giving Bernadette Hanson...... Artistic Associate Trish Rutter, Tom Stephansky...... Craftspersons Angelique von Thun...... Major Gifts Associate Desiree Nash...... Community Outreach Coordinator David Medina...... Properties Buyer Diane Addis...... Membership Administrator Katherine Harroff...... Community Teaching Artist David Buess...... Property Master, Globe Kacie Bluhm...... Development Assistant Jan Gist...... Resident Vocal Coach Seamus O’Bryan...... Stage & Property Master, White Rico Zamora...... VIP Donor Ticketing Andrew Recker...... Property Master, Festival Serena Famalette...... Development Intern PRODUCTION Debra Pratt Ballard...... Associate Director of Production Lighting Donor Services Suzanne Conway...... Company Manager Shawna Cadence...... Lighting Director Janette Jack, Barbara Lekes, Richard Navarro, Carol Donahue...... Production Coordinator Sarah Lawler...... Lighting Fellow Stephanie Reed, Jackson Smith, Megan Smith, Jonathan Cohn...... Assistant Company Manager Tonnie Ficken...... Master Electrician, Globe Susie Virgilio, Stephen Wade, Jim Dodd...... Master Electrician, White Judy Zimmerman...... Suite Concierges Stage Management Kevin Liddell...... Master Electrician, Festival Leila Knox...... Production Stage Manager Mark Dewey, Kristen Flores...... Follow Spot Operators MARKETING Kristin Flores, Jeffrey Weiser...... Public Relations Director Technical June Higginbotham...... Follow Spot Operators, Festival Ed Hofmeister...... Associate Director of Marketing Benjamin Thoron...... Technical Director Dominic Abbenante, Eben Alguire, Jason Bieber, Mike Hausberg...... Public Relations Associate Wendy Berzansky...... Associate Technical Director Mark Dewey, Rissa Dickey, Andrea Fields, Kristen Flores, Kelly Boyle...... Digital and Print Publications Coordinator Travis Barrett...... Assistant Technical Director Sam Ibrahim, Heather Melville, Leah Nellman, Marissa Haywood...... Marketing Assistant Rafael Vallejo, Tyler Whitehead...... Electricians Sean Fanning...... Resident Design Assistant Susie Virgilio...... Marketing/Events Assistant Eliza Korshin...... Technical Assistant/Buyer Carol Ann Malley, Stephen Wade...... Distribution Staff Sound Christian Thorsen...... Stage Carpenter/Flyman, Globe Paul Peterson...... Sound Director Carole Payette...... Charge Scenic Artist Subscription Sales Mark Hartshorn...... Master Sound Technician, Globe Jessica Amador, John S. High, Boris Mitchell, Scott Cooke...... Subscription Sales Manager RJ Givens...... Deck Audio, Festival Ed Roxburgh...... Scenic Artist Arthur Faro, Andy Fink, Janet Kavin, Pamela Malone, Dana Pickop...... Master Sound Technician, White Eszter Julian...... Automation Operator Yolanda Moore, Jessica Morrow, Ken Seper, Jeremy Nelson...... Master Sound Technician, Festival Cassandra Shepard, Jerome Tullmann, Gillian Kelleher...... Master Carpenter Rachel Doemelt, Austin Taylor...... Sound Technicians Grant Walpole...... Subscription Sales Representatives Robert Dougherty...... Festival Master Carpenter Jack Hernandez...... Charge Carpenter, White ADMINISTRATION Ticket Services Sean Chaffin, Matt Giebe, Josh Haner, Michael Harris, Bob Coddington...... Ticket Services Manager June Higginbotham, Eszter Julian, Laura McEntyre, Shana Wride...... Assistant to the Artistic and Managing Directors Marsi Bennion...... Ticket Operations Manager Jason McNabb, Emelia West...... Carpenters Darlene Davies...... The Old Globe Historian Dani Meister...... Group Sales Manager Jason McNabb...... Deck Crew Tony Dixon...... Lead Ticket Services Representative Jerome Kinchen...... Irvine Intern Information Technology Kari Archer, Kathy Fineman, Alejandro Gutierrez, Costumes Dean Yager...... Information Technology Manager Tyler Jones, Michael McCullock, Caryn Morgan, Thad Steffen...... Information Technology Assistant Manager Jordyn Patton, Danielle Porath, Stacy Sutton...... Costume Director John Ralston...... Information Technology Assistant Christopher Smith...... Ticket Services Representatives Charlotte Devaux...... Resident Design Associate Maureen Mac Niallais...... Assistant to the Director Human Resources PATRON SERVICES Shelly Williams...... Design Assistant/Shopper Sandy Parde...... Human Resources Director Mike Callaway...... Theatre Manager Michelle Hunt Souza, Elisa Benzoni...... Design Assistants Kathy Silberman...... Interim Human Resources Manager Mary Taylor, Samaria Ship...... House Managers Erin Cass, Phyllis Davies, Kristen Cairns...... Front of House Assistant Louise Powers, Randal Sumabat...... Tailors Maintenance Elaine Gingery...... Food and Beverage Manager Su-Lin Chen, Joan Mathison, Wendy Miller...... Drapers James Ford...... Facilities Manager Timothy Acosta, Missy Bradstreet, Babs Behling, Keith Bonar, Anne Glidden Grace, Nellie R. del Rosario, Sondra Mejia, Benjamin A. Murrell, Somsi Norfolk, Susan Sachs, Jordyn Smiley, Violanda Corona, Ismael Delgado, Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Jose Morales, Stephanie Passera, Paige Plihal, Amanda Rhoades, Joanna Stypulkowska...... Assistant Cutters Albert Rios, Maria Rios, Leonardo Rodriguez , Michelle Thorsen...... Pub Staff Mary Miller...... Costume Assistant Vielka Smith, Nicolas Torres ...... Building Staff Linda Bahash, Jessica Piatt, Erin Abbenante, Mark Baiza, Emma Connelly, Stephanie Rakowski...... Gift Shop Supervisors Maria De La Mora, Tracy Graham, Judy Huntsinger, PROFESSIONAL TRAINING Annalynn Luu, Tea Ninkovic, Nunzia Pecoraro, Security/Parking Services Heather Premo, Ana Giselle Ramirez, Brooke Vlasich, Llance Bower...... Program Coordinator Rachel “Beahr” Garcia...... Security Supervisor Veronica von Borstel...... Stitchers Brian Byrnes, Maria Carrera, Cynthia Caywood, Ray Chambers, Gerhard Gessner, Jan Gist, Eddie Alvarez, Dallas Chang, Sherisa Eselin, Jeff Howell, Teri Tavares...... Dyer/Painter Fred Robinson, Abraham Stoll...... M.F.A. Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Erin Carignan...... Craft Supervisor William Hartley, Corey Johnston, Oscar Gonzalez...... Parking Lot Attendants Stephanie Parker...... Craft Artisan/Dyer/Painter Nate Parde...... M.F.A. Production Staff Michael Prince, Alexander Thomas...... VIP Valet Attendants Molly O’Connor...... Wig and Makeup Supervisor Kim Parker...... Assistant to Wig and Makeup Supervisor EDUCATION Kimberly Eddo, Danielle Griffith, Kim Montelibano Heil...... Education Programs Manager Anna Maldonado...... Wig Assistants Jack O’Brien...... Artistic Director Emeritus Carol Green...... Speakers Bureau Coordinator Craig Noel...... Founding Director Beverly Boyd...... Wardrobe Supervisor James Cota, Jo Anne Glover, Lisel Gorell-Getz, Beth Merriman...... Crew Chief, Globe Brian Hammond, Jason Heil, Stephen Hohman, Anna MacDonald, Erika Malone, Erika Phillips, James Pillar, Noelle Van Wyk...... Wardrobe Crew, Globe Damon Shearer, Cynthia Stokes...... Teaching Artists

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