VINCI im ORIENT

Vinci .... auf Magdalena-Saabas Gen-Spuren ...

From an islamic website. . https://barb3ta.wordpress.com/2016/08/14/as-sabiqun-al-awwalun/ „Face-Recognition“ !!

Vgl. „Vinci mit Hund“

Vinci as Stone-Face in „Alis Reiter“ - mit der map: „“ .... Im Zeichen der Antilope ... Der Vergleich der Stein-Quader und Ritzen im Bild ergibt den Ka'ba-ye Zartuscht, „Cube of Zarathustra“ ( Aufbewahrungsort der Schriften der Avesta ).und beweist, mit welcher Akribie mglw.Vinci seine Skizzen gezeichnet hat. https://barb3ta.wordpress.com/2016/08/1 4/as-sabiqun-al-awwalun/

http://www.kleio.org/de/geschichte/ren aissance/l eonardo/newportrait/

Aus „Vinci mit Hund“: Abschied von Isabella Ar-Rutba: Sassanidenreich Reiter aus der Sonne des Orient

Vincis Rückkehr aus Orient - mit Pacioli und Pferd-Ideen. Triumphrelief Schapurs bei Naqsch-e Rostam.

https://www.tripadvisor.com.au/LocationPhotoDirectLink-g187849-d243392-i114775117- Pinacoteca_Ambrosiana-Milan_Lombardy.html

„Adoration of Magi II.“ wurde m.E nach der Rückkehr aus Orient sowohl von Vinci, als auch Titian und Raffael fast identisch gemalt. Titian couldnt do Camels, but changing faces of Vinci/ Nikolaus. Vinci was better with Isabellas breast ! The Grail-dog tells, what Vinci brought with him .... Lepanto was a fake. Vinci back from Orient - with Pacioli, visiting Titian M.E. Titian, The Adoration Of The Magi. Pinacoteca Ambrosiana, Leonardo da Vinci's Codex Atlanticus Admission in Milan https://www.tripadvisor.com.au/LocationPhotoDirectLink-g187849-d243392-i114775117-Pinacoteca_Ambrosiana-Milan_Lombardy.html

https://www.amazon.de/Titian-Anbetung-Heiligen-K%C3%B6nige-Kunstdruck/dp/B00725VWDU/ref=sr_1_11/259-2431646-0686745? s=kitchen&ie=UTF8&qid=1517713855&sr=1-11&keywords=Heilige+Drei+K%C3%B6nige The Adoration Of The Magi. Prado.. M.E. von Vinci The Poster Corp Titian

m.E. Raffael. Er kopierte genauer von Vincis Skizzen. „Titian“ MONASTERIO LORENZO DEL Escorial, Madrid, https://commons.wikimedia.org/wiki/File:Adoraci%C3%B3n_de_los_Reyes_Magos,_de_Tiziano_(Museo_del_Prado).jpg https://www.alamy.de/die-anbetung-der-heiligen-drei-konige-16-jahrhundert-141-x-219-cm-ol-auf-leinwand-italienische-renaissance-np433-autor-tizian-c-1485-1576-lage-monasterio-pintura-san-lorenzo-del-escorial-madrid-spanien-auch-als- adoracion-de-los-reyes-magos-bekannt-image208961691.html War der Magi-Komplex eine „Kooperation“ von Vinci, Titian, Raffael? War es ein malerisches Freudenfest der Freunde, nach der Rückkehr Vincis ? Malte Raffael erst später – auch nach Vincis Skizzen ?

Compare Titians style in works and the dates: The Holy Family with a Shepherd, ca 1510 - The Three Ages of Man, Tizian, dated 1512 The Tribute Money, 1516 - Laura Dianti, etwa 1523

Gesichtserkennung: Raffaels früh verstorbene Mutter ist bei ihm die Madonna. Gut erkennbar sind Vinci, Pacioli und der „ Alte vom Berge“, der dem Kind von Titian und Caecilia die Füße küsst, sowie auch der junge Ritter von Haag zu Fraunberg, ein wesentlichster Ko-Agent der Geheimaktion, seit Generationen verbunden mit dem Hof der Louise Angouleme.Wir finden zudem das von Raffael in seiner „Disputatione“ in Bezug zu Barbarossa gesetzte „Harems-Mädchen“ - und deutlich die Decke der Bundeslade! Raffael ist immer ein lieber „Verräter“. Danke Raffael! Man hält Dich für Titian?: https://commons.wikimedia.org/wiki/File:Adoraci%C3%B3n_de_los_Reyes_Magos,_de_Tiziano_(Museo_del_Prado).jpg https://fineartamerica.com/featured/1-the-adoration-of-the-magi-titian.html

Raffael kann auch gut Vincis „Kamele“ . Compare the colours !

Did VINCI bring knowledge of Kryptik from the since hundreds of years secretly acting Sassaniden ?

„Subh al-a 'sha included a section on cryptology.“

The Sas sanids were descendants of Abrahams son Ismahe l, who was together with his mother Hagar cruelly and un-christian expelled by his father.

„Ismailis believed themselves to be the holders of a cosmic mission. In time of peril the Ismailis had hidden their beliefs to survive in the world, the true Ismaili mission . Ismailis reappear in sixteenth century .“ But they saw their star decline .... ! Being present with their spies at all European courts, I think, they decided to „bring their star to Titian“. There is enough indices for this unbelievable story. (s.a. Babenberger Stammbaum, Donau-Schule) „The Fatimid theology was a sophisticated, urban intellectualism: the pious could find a Tradition and Qur’anic teaching. There was a philosophical framework to sustain the intellectuals; an emotional and personal faith with the promise of the Truth to the spiritual; and a well-organized opposition movement with a real chance of overthrowing the established order to the discontented.“

A stronghold was .

(coulours change by contrasting) Do you recognize the face-sign from „Alis Reiter“?? It is „Der Alte vom Berge“. Khadija bint Khuwaylid's zodiac sign is Capricorn. Steinbock Antilope, 1553 Im Zeichen der Antilope ? https://commons.wikimedia.org/wiki/File:Khadija_al-Kubra.jpg https://gw.geneanet.org/brynjulf? lang=en&pz=tor&nz=langballe&ocz=0&p=&n=bint+ Woodcuts of Titian?

Der Alte vom Berge: Sassaniden

https://de.wikipedia.org/wiki/Raschid_ad-Din_Sinan#/media/File:%D8%B4%D9%8A%D8%AE_ %D8%A7%D9%84%D8%AC%D8%A8%D9%84_%D8%B1%D8%A7%D8%B4%D8%AF_ %D8%A7%D9%84%D8%AF%D9%8A%D9%86_%D8%B3%D9%86%D8%A7%D9%86.jpg

Das Reich der Fatimiden:

Fatima was daughter of christian-islamic orientientated Khadija, and was wife of , persued legal successor of Mohammed.

Der „Alte vom Berge“ Raschid ed- Din Sinans kissing the feet of Titians child?

Stronghold Masyaf v gl. Licht und Farben in Titians „SacredLove “. https://upload.wikimedia.org/wikipedia/commons/e/ed/Tiziano_-_Amor_Sacro_y_Amor_Profano_

Compare the direction of the again uprising sun ! 1553 Khadijah bint Khuwaylid was the first wife of the Islamic Muhammad.

Published by Guillaume Rouillé (1518?-1589) " Promptuarii Iconum Insigniorum "

CADIGA V.MVH https://gw.geneanet.org/brynjulf?

lang=en&pz=tor&nz=langballe&ocz=0&p=fatimah&n=bint+muhammad

‘Khadijah binti Khuwailid’ (Khadijah al-Kubra ,خديجة:Bahasa Arab) Khadijah berasal dari golongan pembesar Mekkah.

or Khadīja al-Kubra (خديجة بنت خويلد :or Khadīja bint Khuwaylid ( دKhadijah (Khadija the great) (c. 555 – 620 CE) was the first wife of the Islamic prophet Muhammad. She is commonly regarded by as the mother of . She was the first person to convert to Islam. Khadija bint Khuwaylid was born on the 1st of January 0555. Khadija bint Khuwaylid's zodiac sign is Capricorn. https://commons.wikimedia.org/wiki/File:Khadija_al-Kubra.jpg

Did Titian do this woodcut ? Who painted allegedly „Alis Reiter“ and this „camel rider“? (namens Abbas bin Abdul-Muththalib oder Abdullah bin Abdul-Asad/Abu Salamah)?

%28Galer%C3%ADa_Borghese%2C_Roma%2C_1514%29.jpg https://barb3ta.wordpress.com/2016/08/14/as-sabiqun-al- awwalun/ https://barb3ta.wordpress.com/2016/08/14/as-sabiqun-al-awwalun/

Compare:

Vgl. Vinci: Virgin of the Rocks Virgin and Child: colour ! https://en.wikipedia.org/wiki/Virgin_of_the_Rocks#/media/File:Leonardo_da_Vinci_Virgin_of_the_Rocks_(National_Galle ry_London).jpg http://www.italianrenaissance.org/leonardo-da-vincis-virgin-of-the-rocks/ https://www.artsheaven.com/leonardo-da-vinci-the-virgin-and-child.html Hassan ibn al-Sabbah - der Alte vom Berge - Vinci

. The White Horse !

Painting style - of Camels a.o. ...

from Vinci, Last Supper Hypothetische Story : Titian, ca 20 J.? (*1477) was just about to paint an „Adoration of Magi“ ? Da kommt Vinci von seiner Reise aus dem Orient zurück. Aufgeregt erzählt er von seine Erkundigungen über seine genetische Spurensuche, schildert seine Erlebnisse und was er gesehen habe. Titian malt derweil weiter. Vinci mischte sich dann in Titians Bild ein: Sieh mal, so malt man Pferde ! Vinci tells: Paint horses this way !

So begann Vinci in Titians Bild zu malen, Titian war begeistert,– und Vinci? complements the picture with himself as a secret eminence in the cente r – proud of being an „arabic precious eyeball“, as he had found out. He brought from his genetic research a whole ancestors- „precious eyeball-bundle“, not only for himself, but also for Titian and especially his wife Caecilia.

Vinci describes to Titian the good and interesting sides of the persued Ali-Islam, fx. Ali – Lion of Allah. Titian was highly interested.

Vinci brought also the Sign of „Antilope“ with him, ein Zeichen des Ali-Islam, das Titian übernahm s. Titian-Statue in Pieve Zeichnete sich Titian später nachdenklich als Alter vom Berge ? Raschid ed-Din Sinans „in einem Sketch (1966 ??)“ https://de.wikipedia.org/wiki/Raschid_ad-Din_Sinan#/media/File:%D8%B4%D9%8A%D8%AE_%D8%A7%D9%84%D8%AC %D8%A8%D9%84_%D8%B1%D8%A7%D8%B4%D8%AF_%D8%A7%D9%84%D8%AF%D9%8A%D9%86_ %D8%B3%D9%86%D8%A7%D9%86.jpg

h ttps://alchetron.com/Rashid-ad-Din-Sinan

Malt Vinci sich in Titians „Anbetung“ – als Alter vom Berge - with sun-glasses ? Eye - glasses were already invented ! Ich denke, Titan malte es so, aber nicht allein ... Rashid al-Din Sinan, (1132/1135– 1193), was a former missionary, leader of the Syrian bran, leader of the Nizārī Ismā‘īlītes and the founder of the order known as Assassins. Nizari Ismaili state (the Assassins), and a figure in the history of the . Based on the Nizari stronghold Masyaf, he controlled the northern Syrian districts of Jabal as-Summaq, Maarrat Misrin and . s. Shīa-Islam, Isma‘ilism Ismahel, Ali LöweAllah

Stone ruins of Masyaf colours

Hassan-e Sabbāh was a missionary who converted the Nizari in the late 11th century in the heart of the Alborz Mountains of northern Persia. He later seized a mountain fortress called Alamut.

http://www.alamy.de/stockfoto-pyramide-graber-in-al-bara-provinz-idlib-syrien-86352467.html The Owl - Orient !

Detail from „Magie II“, painted prbl. by Vinci The „Alter vom Berge“ presents to Titians child - the „OWL“ of wisdom and enlightment.

Under the Owl as feet, Titian shows his „Titian-Winkel“, that in „Madonna“ describes a „turning point“.

Die Eule zeigt den schrägen Fall von Sonnenlicht und Schatten wie die Äthiopien-Burg in Sacred Love, jedoch umgekehrt . (Legastenie ..) Die Hand weist ein Blut-Mal Jesu auf.

It is a reference to the, through persecution by dogmatic Islam, vanished sun of Ali- (Ismahel) Islam – the followers of Ali - who by wisdom - put their last hope, their star, (laboriously without vanity?) - into another culture - on Titian's new Christian child: Pomponio?

Today:

Fatima-Islam, Followers of Ali http://www.extraordinarywomen.tv/news.html

We find distinct connection to Titian and wife in 'Martyrdom and ibn Abi Talib by ibn Muljam“, by Yousef Abdinejad, Iran 1983. To analyze this, is a long difficult story Best, ask the painter himself. See: https://upload.wikimedia.org/wikipedia/commons/a/a2/Martyrdom_of_Imam_Ali_- _By_Yousef_Abdinejad.jp.jpg SacredLove https://upload.wikimedia.org/wikipedia/commons/e/ed/Tiziano_-_Amor_Sacro_y_Amor_Profano_%28Galer %C3%ADa_Borghese%2C_Roma%2C_1514%29.jpg

Rider on „White horse“, rushing to „Ethiopian Origin“ ... and the „Convenant“..

Myrrhe-Gefäß Räucherfaß und Teller orientalisches Muster

Very daring supposition: The “direction indicators” refer geograpically to Mekka ? – and into the direction of the “footprints of Abraham there. (Druckfrische, sensationelle Beschreibungen, Fresh Maps of the „World-Discoverer“ kursierten in Venedig) .... .((Titians Legasthenie?) https://www.gettyimages.no/illustrations/amerigo-vespucci?mediatype=illustration&phrase=amerigo %20vespucci&sort=mostpopular Ist das weiße Alabaster-Pferd auf dem Sarkophag-Brunnen ein weiterer Hinweis ?

The White horse ...

Under the horse in Titians Magi II. Anbetung we find the face of Alī ibn Abī Tālib „Asadullah“ (Löwe Allahs) ?

At the horse of „Alter vom Berge“ we find a „T“, rather similar to a „T“ on Vinci in his „Last Supper“.

The later torn hope of a New Jesus for a New Church: Pomponio as Jesus in Vincis Last Supper Vinci and Pacioli in Vincis „Last Supper“

Compare the blood-Stigma on the hand of Pacioli and in the

hand of „Der Alte vom Berge presenting the Owl“ in Vincis Anbetung. Question::

Who painted allegedly „Alis Reiter“

and this „camel rider“? (namens Abbas bin Abdul-Muththalib oder Abdullah bin Abdul-Asad/Abu Salamah)?

An almost identical painting named „Ali Ben-Hamet, Khalifat de Constantine, chef des haractas, suivi de son escorte,“ de Théodore Chassériau, signé 1845, Ali Ben Ahmed, die Letzten Kalif von Konstantin, mit sein Gefolge Außerhalb Konstantin, 1845, Öl, 16x21 is from my view - an especially for the Khalif Hamet created copy - with a very different „flair“

And it lacks of plasticity and brushstroke – and temper...

Chassériau travelled 1840 to Rome,, by invitation of Ingres - but to Algérie not before 1846, by’invitation of the calife de Constantine, Ali Ben Ahmed.

How should he have been able to paint his picture in 1845 in Paris, without having the original in front of him? Did Ali Ben Ahmed bring it with him to Paris ? Chassériaus painting teacher and friend was ... Ingres.

(Regard: Ingres - being directeur à la villa Médicis - by my analysis got prbl. hold of an unfinished painting of Titian of the Death of da Vinci“, that Ingres completed - very well done in Titians sense ! This painting „Death of Vinci“ gives hints of Ingres` deep connection to Titian – and the „Cercle“ ... by others of his paintings!) We also find a depiction of Hagar, mother of Ismahel. https://www.amazon.de/Theodore-Chasseriau-Letzten-Konstantin-Au%C3%9Ferhalb/dp/B00G2M2ETU

Original: See the intensive impression of the two faces: „Magdalena“ and VINCI Original: You see “ d ecisive, optimistic, future-oriented ” glances ...

Here, you see the visionary, but desperate look of Ali Ben-Hamet https://upload.wikimedia.org/wikipedia/commons/c/c3/Th%C3%A9odore_Chass%C3%A9riau_-_Ali-Ben-Hamet %2C_Caliph_of_Constantinople_and_Chief_of_the_Haractas%2C_Followed_by_his_Escort.JPG Chassériaus friendship with the „subsequent Vinci-Titian-Cercle-insider“ Ingres, open s ways to assumptions about maybe then - still or new - contacts to the now by the French government counteracted, decaying „Ali-Islam “ ? ... These are just ideas by a short - totally incomplete - „hotspot-recherche“!

The desperate look of Ali Ben-Hamet Memories of Vinci ?

If Théodore Chassériau also was an „insider“ via Ingres, we maybe could find some more then important indices about all this in his copy? (By now, I dont have time to look.) . Compare:

Kopie von Chassériau Vinci-Kopie von Rubens

Rubens Vinci-Kopie der Schlacht von Anghiari 1503 erhielt Vinci den Auftrag, im Palazzo Vecchio ein Wandgemälde der siegreichen Schlacht von Anghiari zu malen. Als Leonardo im Mai 1506 nach Mailand ging, ließ er sein Werk unvollendet zurück. Vincis Werk ging verloren. https://de.wikipedia.org/wiki/Schlacht_von_Anghiari

Is Vinci able to paint such expressive, life-true faces?

https://www.welt.de/kultur/literarischewelt/article183062202/WELT-Bestenliste-Das-sind-die-besten-Sachbuecher-fuer- November.html https://de.wikipedia.org/wiki/Anbetung_der_K%C3%B6nige_aus_dem_Morgenland_(Leonardo_da_Vinci)

Jesus ...... and Magdalena

Vincis ability of depicting pose, movement ? Now, who painted the Original of „Alis Reiter“ ? https://barb3ta.wordpress.com/2016/08/14/as-sabiqun-al-awwalun/

Why did the painter paint this? Who and what is shown in this picture?

In the Islam website, where I found the painting, it seems postioned to fighter for the Islam, Abdullah bin Abdul-Asad/Abu Salamah ( Abū Salama ibn ʿAbd al-Asad), first husband of .

This identifikation, as we will see, would fit for a Vinci as painter with his reference to ' Magdalena ' (which is often cryptically displayed with half a veil - for example in Ingres' "Death Vincis")

"When Mohammed wanted to lead a battle against Dhū al-Uschaira in 624, he transferred Abū Salama in the meantime, the rule of . Abū Salama later took part in the great battle of Badr with the Prophet, becoming "immortal" as one of 314 men who triumphed over three times as many in the first decisive battle between paganism and monotheism.

The brave rider carried out the orders of the Prophet and surprised his enemies at dawn. In the fight against the tribe of Asad injured, he succumbed to 625 of his severe wound. The Prophet visited him at his deathbed and remained praying at his side until he died. (Is this again a reference to Ingres` with his "Death Vincis"?)

Abū Salama was the first husband of the later wife of Mohammed Umm Salama, a highly emancipated, self-confident feminist, a la "Magdalena"! She criticized Muhammad that the revelations and the Qur'an were addressed only to men. 626 married Umm Salama Hind bint Abī Umayya at the age of 29 J. Mohammed, who had lived monogamously 25 years until her death with his first wife Khadija, Chadījah bint Chuwailid, also dominant and emancipated. Umm Salama brought beauty, intelligence, pride, and noble lineage, could read and write, and was known as a scholar. She had an essential role in considering Quranic statements and the first sources of authentication of hadiths for scholars. Her testimony was of great importance to the early Islamic community.

So this painting is also an hommage to women like Magdalena. With a Victory of the Followers Ali ended in 656 the Camels Battle of Basra – between the followers of the caliph and son-in-law of Mohammed, Ali ibn Abi Talib - husband of Fatima (M.'s daughter with Khadija ) - and his opponents, who denied his claim to the . https://de.wikipedia.org/wiki/Kamelschlacht#/media/File:Ali_and_Aisha_at_the_Battle_of_the_Camel.jpg

There are theories, that Vinci converted to Islam. If we see this now – so why not ?!

This (!) Islam tells of highest respect for women ! Unbelievable!

Also for me - this recherche gave a „vue nouveau“, a totally new view upon the Islam ! Who is this „ camel rider “? Why did the painter paint this?

In the same Islam website, the painting, seems postioned to bin Abdul- Muththalib, opponent, later companion of Muhammad? His father was a half-brother of Muhammad's father. The family had honorary offices around the shrine . Al-'Abbās got captive during the Battle of Badr by the much thinner Abu'l-Yasar. The help, through a "second man", Muhammad indicated as an and saw the cause of the victory in divine intervention.

Abbas conversion to Islam took place in 630, shortly before Mohammed conquered (Hagar and Ismahels well of...) . This is currently for me too complicated to understand.... May another do it.

But: This important story of the “helping angel” - which is famous for Islam -

could be the cryptical reason for the presentation of a vigourous "camel turn". Was VINCI the painter?

Though – it looks rather modern ?

The turn ?

Abdul- Muththalib, opponent - later follower of Muhammad? Last question: Did Vinci use the rubella colour (Rötel-Farbe) privileged to indicate his arabic Gene- Mix out of negroid and white race ?

Im Zeichen der Antilope ,,, of persecuted „Original believers“

true Christendom and true Islam

Vinci travelled on the Blue Nile ...... with Pacioli .... u.a.m. - im Archiv von: La.vue.nouveau()gmail.com

Website: http://www.la-vue-nouveau.de !