I-. Broadway: A Critic Looks Back Lavery Drama, Hartman Revue Atkinson’s Scrapbook Recalls Dozen Years Coming Up By tht Associated Press of An Amusing Analytic Mind Emmett Lavery is the author of a new play premiering on Broad- By Jay Carmody way Tuesday evening at the Mans- One of the challenges flung to drama critics by persons who would field Theater. A revue, starring the Hartmans, much prefer flinging the critics over cliffs is: Why don’t you write fashionable comedy ballroom danc- something better? ing team, is the week's other hope- Some day in reply to this query, a modest, reticent little man in ful arrival. the drama reviewing trade will reach into his inner coat pocket and “The"Gentleman From Athens" is pull out a long list of titles which prove this already has been done. the name of Lavery’s drama, the He will start, perhaps, with Shaw’s “Critical Opinions and Essays,” action of which takes place in where the two volumes which have retained their popularity for half a century Washington, gentleman of the title is a member of Con- and which deal, in large part, with plays which otherwise would have gress. Sam Wanamaker is the di- been dead an interval. equal rector, Ralph Alswang is the de- There Are Dozens Such Books. signer, Martin Gosch is producing, He will go on from there to half a dozen titles by Max Beerbohm, in association with Eunice Healey. The cast includes a dozen and one half by George Jean Nathan, a handful by John Anthony Quinn, Edith Atwater, Alan Hewlitt, Feodor Mason Brown, Burns Mantle and a number of others. If the demon- Chaliapin and Creighton Thompson. at the time, he can strative critic is feeling passionately eloquent On Wednesday Paul and Grace bad make quite a convincing case that in writing about mostly plays, Hartman, usually associated with the poor devils in his field have produced some surprisingly readable the fancier supper clubs and hotel books. dining and dancing rooms, turn to the In the sense of endurance, if only as works of reference, these their attention Broadway stage when an intimate revue, m feverish compositions written on maddening deadlines are “better” which they are interested both as In an absolute sense, to be sure, this “better” may than their subject. stars and at the that also is writers, premieres not be very good, but it provides one answer to a question Coronet Theater. The title, "Angel not very intelligent. in the Wings.” The sketches are it is endlessly surprising mat tne piays wmcn Dareiy survive unui by Ted Luce, Hank Ladd and the aforenoted Hartmans. Carl Saturday night attain so much of dubious immortality in this fashion. Paulette Has a 'New Look’ Sigman and Robert Hilliard wrote the score, What is more, it surprises no one more than the reviewers who meet Donald Oenslager designed the set- 8 of 10 deadlines with a sense that two more dis- perhaps out every It’s a Domestic One, Acquired Since Her tings, Edward Noll the dances. The tasteful compositions, the playwrights and their own, are out of the cast Includes Hank Ladd. Viola way. And, of course, will both be forgotten within a few days. Marriage to Meredith Roache, Bob Stanton, Elaine Stritch, Nadine Gae and Peter Hamilton. Through a Dozen Years. By Sheilah Graham The noncommercial theater also A new man has just made the discovery that he is only half right HOLLYWOOD. the footlights again. "It bores me will have a Broadway first night in this assumption. He is Brooks Atkinson of the New York Times and Paulette Goddard is wearing a to do the same thing night after tonight, when Charles Laughton that critic since 1926. His will be pub- papier's “Broadway Scrapbook’’ “new look”—a domestic look—and night,” she explains. "I was in lends his name, stature, ability and Inc. It is a collection of Atkinson’s lished tomorow by Theater Arts, on Paulette it looks quaint. For in- ‘Winterset’ for a month; after the good wishes to the first seasonal critical writings over the last dozen years and it is an extraordinarily stance. I found her in her dressing first two weeks I was ready to premiere of the Experimental The- readable volume of Broadway history in terms of its most Influential room on the set of her latest pic- scream!” Paulette, however, made ater of the American National The- In the old sure that the would be written ater and at the Maxine critic. ture, “Hazard.” days play Academy Paulette would have been counting up in the British press. She brought Elliott Theater. The play, "Galileo," In his embodiment of those virtues and the evasion of the vices her jewels. Yesterday she was mak- over a boatload of London critics Is an adaptation by Laughton of

of his it is to evaluate Mr. Atkinson as the most satis- — profession, easy ing a pair of bedroom slippers as at her expense, naturally—includ- the Bertold Brecht drama about the He fying critic in the theater today. has remained conspicuously a a Christmas present for husband ing famous Hannen Swaffer, to 17th century scientist, and the cast journalist, especially for a man so determinedly inconspicuous. His Burgess Meredith. review the play on the first night. for the short run of the play in- Paulette never is at the cludes John Carradine, Joan Mc- nightly identification with the theater has not turned him into a But don’t get Paulette wrong—she asleep switch when is to be had— Cracken, Wesley Addy and Hester clown, a wit, or a mimic of the exhibitionists he encounters. He has still has jewels. In fact, since her publicity even when she had all that trouble Sondergaard. T. Edward Hambleton remained urbanely and amusingly himself, a droll and scholarly man, COMIC ON THE LOOSE—It is. need to he told, Bobby Clark romping through Victor marriage to Burgess the collection you hardly in London over her hairdresser. is producing for the Experimental He the Clark ■■ has grown. The habit or acquiring who takes his job seriously and himself not too seriously. accepts Herbert's “Sweetheartswhich has been revived with such success by presence. If remember, Paulette took Theater. Joseph Losey Is the direc- jewels is too strong to be discarded you the responsibility to be informed, intelligent, just and just personal above, he seems to have become, withoid surprising Anthony Kemble Cooper, the foppish Hairdresser Mjorud with tor. Directly just because she’s happily married Hedwig to conform to the forlorn truth of his trade, that a critic’s man ivith the a to do the ironing. On the right, Mr. Clark ! her when she went to London to enough young monocle, maid-of-all-work family and is enjoying a new way of life. Gateson. Mr. Clark and “Sweethearts' star in “An Ideal Husband" for Sir judgments are individual and fallible. lurns up as a suave, gay rake, leeringly wooing Marjorie Paulette, still in her new role, Alexander Korda. Schedules It are due at the National tomorroio to embark on a two-week stay. I she never has cards in Today’s is sometimes difficult for Mr. Atkinson's colleagues to compre- night says played AMBASSADOR—"It Had to Be her life. To watch her fumbling “I arrived at the studio one hend how one of their kind can be at the same time so readable and so You”: 1, 3:10, 5:25, 7:35 and prettily during gambling scenes for morning and everyone walked out.” respectable. Their rowdy humor, a kind of studied low-lifeness, and its 9:55 p.m. the picture—she plays a gambler in So Paulette went back to her suite oppxxsite %xpression, an acidulous aesthetic disdain for their subject, It on the Fourth CAPITOL—“Golden Earrings”: Durante Makes "Hazard” — is something I never at Claridge’s and hid Hedy. That Try 7:20 and 10 are equally far removed from his pjersistent practice. I’d live to write about. made it much more of a mystery 1:55, 4:35, p.m. thought 6:35 He can be without even 12 as more of a news- Stage shows: 1:15, 3:55, dignified being dull, years later, a the Has Achieved Neither did Paramount. At Paulette’s and, consequently, After Career of Many Ups and Downs Comedian and 9:20 p.m. “Broadway ScraDbook" Droves. insistence they hired a card expert paper story—until the British studio COLUMBIA—“Body and Soul”: Success to teach her how to shuffle and deal hairdressers agreed it was okay for He Welcomes the New. Hollywood 1:15, 3:20, 5:20, 7:20 and 9:25 Lasting the cards and how to play “21,” poker Paulette to be coiffured by her own Mr. Atkinson is second to no man in his field in his lively af- By Harold Heffernan and roll dice. Between scenes Paul- p.m. fection for the theater. He it as a world of ideas, even if the HIPPODROME — "Green f o r regards ette couldn’t resist her Later—and here is a side of Pau- HOLLYWOOD. before he burst on the white way, the only man to “get inta da act” dropping majority of them are bad, and of personalities which are colorful ma- too— lette that few Danger”: 2:15, 4:05, 5:50, 7:30 he served and with it! knitting—yes, she’s knitting, people know—Hedy The most up-and-down character "surrounded by assassins," get away and 9:10 p.m. terial always if one is not too haughtily limited in his color tastes. returned to Hol- to trim the pants off the experts. was sent to her native home at in the amusement world, a gro- a grim apprenticeship at Conev When Durante KEITH'S—"The Secret Life of While he is no one to himself a reckless discoverer of the Paulette’s expense to visit with her proclaim featured little man with a Harlem Diamond in 1942, following his Copa- mkc inc. tesquely Island, night spots, lywood mirgiars She also traveled with Miss Walter Mitty”: 1:10, 3:15, new in the this collection of his discloses no man success and radio family. drama, Sunday pieces fog-horn voice who has made four Joe's and other saloons. Not yet cabana growing 7:20 and 9:20 me a wonderful Goddard to Paris, where they both 5:15, p.m. is more the alert for it, or warm in his welcome when it arrives. to is the "Beau Bummer he now claims fame, he met a mixed reception. “Burgess bought og attempts conquer Hollywood, on LITTLE—"Torment”: 1:30,3:30, : tiara in Paulette set the gay city its ear—liter- to be more in the a black turtle-neck to Richard Thorpe, the antique England,” He is willing, for example, never to ask William Saroyan at last convinced that he’s to be, he sported According 5:30, 7:35 and 9:40 p.m. several of tells me between stitches, "and a ally. “I introduced a new hair style," razz- director who has — than and he will be one of the most enthusiastic of the first movies to stay. sweater, played “a sort of guided "Arizona”: Saroyan, few Now I have too Paulette tells me, “doing the hair METROPOLITAN as one of results of films, including his latest, other things. as Thornton Wilder’s “The Jimmy Durante looms matazz,” the only audible Jimmy’s 7:30 and 9:40 nighters to herald so refreshing a jest to them in a cigar to one side of the face, with one 12:55, 3:05, 5:15, the key figures in next year’s pro- classical music lessons paid for by “This Time for Keeps,” old-timers many jewels keep Skin of Our Teeth.” at home. The insurance com- ear completely exposed. Some one p.m. an barber. knew and loved him. box gram of motion pictures, spotted his father, East Side — “Green What he has to of both is readable later. And so, I have to them in who was in Paris recently told me PALACE Dolphin say gavly years in that because he is sure- Somewhere the line he met "But the younger generation, pany says keep position along the smart women in Paris Street”: 1:25, 4:05, 6:50 and are his words of welcome to Bergman who, after the steel vault at the studio.” that all for that matter, Ingrid fire at the tricky art of making Lou Clayton, still one of the best mindful of Jimmy’s background collection is insured at now are doing their hair like that.” 9:30 p.m. leaves critics as to whether she is a a a • and what killed vaudeville) was Paulette’s all these years, many puzzled people laugh. At 55. after series soft-shoe dancers, and singing PIX—“Roman Scandals": 1:55, to be more than $500,000. “They couldn’t No Home. great actress of'an overpoweringly lovely woman. It was in 1940, when of reverses that would have sent waiter, Eddie Jackson. Before any skeptical. It had convinced,” j Hollywood at that says Miss' had the 4:35, 7:20 and 10 p.m. a soul into seclu- and adds be replaced figure,” In London, Paulette she was making her first appearance in the legitimate theater in less courageous one could say Jackson, Clayton Thorpe. TRANS-LUX—News and shorts. Goddard duchesses on their sion, is set to ride the crest Durante, had formed the fabu- Impossible to “direct,” with his happily. knees—literally. "Lilliom” that Atkinson wrote of her: Jimmy they Paulette is Continuous from 1 p.m. in starred simulated anger and It’s an odd thing, but “They loved my clothes and would “• * * of celluloid comedy 1947. lous trio, in which Jimmy frustration, acts with her WARNER—“It Had to Be You”: Ingrid Bergman incomparable loveliness. Miss of wise- on the careless side with jewels. get down on their hands and knees Never once in his 35 years pro- but always took last billing. split-second timing, Hollywood 7:40 and 10 on I Yet she’s last one earring in all and see 1, 3:15, 5:30, p.m. Bergman who is making her first appearance the English-speaking fessional experience has Durante ly has given Jimmy his head. only j to touch my dresses my Broadway Stardom. career. "Burglars stage, is personally beautiful and enyoys Julie with an awakened, veered from the conviction that “When he sings one of the songs her collecting American shoes.” "I * * * in the like me," explains Paulette. be- At the moment Paulette has no pulsing grace. The time will come when it will be hard to praise creating laughter and practicing meir specialty was liisun ana as- that he made famous 20s, lieve a kick out of home in She never kind deeds would see him through or does his routines.” says Thorpe, they actually get real Hollywood. Miss Bergman enough." i sault—on patron, eardrum and fur- I and "I set the batten down the seeing me wear my jewels.” lives here between pictures, anyway. This is a keen of the future. It is also an from to success. stage, reading excerpt niture, preferably pianos. They the insurance company hope that T sold beach house at Santa “I was old and walk- hatches and step clear. I call my which shows what a keen the volume eight years “Broadway Scrapbook" writing their frantic a Paulette never will think differently. Monica. Buzz and I have a three- ing down a New York street with blasted way through ‘action,’ sit back and enjoy ring- is of the as Mr. Atkinson covered it. For a so-called business girl, in that past the other kids at me when I numerous their own side seat!” room apartment Hollywood yelping clubs, including business Jim- Food's No Problem. Paulette also is lax in we close up when we go away.” came to that conclusion,” said Club Durant (without the "e”) and affairs. “I do most of my business “Home” to Paulette means a big my, as he sat munching at a bowl His cheerful indifference to money the Ambassadores, which Durante, word of mouth," she tells me. “I New York A Over of dry cornflakes in the MGM com- is reflected in a similar disregard by rambling farm in upper rechristened the as don’t have to sign contracts because State. Paulette it from hus- Triumph Shakespeare missary. ”1 was dressed in one of for self protection, for other essentials, such sleep— bought one knows that what I say, By Jack O'Brian Brown outfits the kids “Rendez- of which he averages five hours every band Buzz. It formerly was the those Buster more easily pronounced T J- '» took a look food, which e/en headquarters for a general in 1812. NEW YORK. acting w»s admirably clear, incisive all hated. I stopped and vous.” nightly—and plays role in the Durante de- Right now Paulette is doing some But Paulette has to do business- a new that: at reflection in a store window. a smaller It. is not discovery and She did not, however, my Finally came Broadway stardom business to 1 regal. for fancy word-of-mouth even with a farm—so she turned WASHINGTON SH0W1NC Well, I started to laugh. What else “Show Girl,” “Road- sign living. William Shakespeare fashioned a the in Ziegfeld’s the role in the movie ver- an project quality designed by like a .DJ. CrHIWaot li lcimuiwvio play top the chicken house into antique could a guy do who looked house and “The New York- drama when he wrote “An- ights” verce'’ sion of "Anna Lucasta.” She call it Tor Asso- ROYAL WEDDING spacious j Shakespeare as the real moral sissy and had a face like a horse?” one or two raw’ eggs, "for the shop. They “High ers.’- But for the depression and wants $200,000 and 20 per mountains gl PRINCESS ELIZABETH and which was re- This lies behind Lunch consists principally of di- outright ciates.” after the nearby tony Cleopatra,” makeup of Cleopatra. It may very simple philosophy the death rattle cf vaudeville, the the news he ran read cent of the profits plus right and the Maxwell Anderson play 30 MINUTE TECHNICOLOR SPECIAL at the well be that Miss Cornell is such a one of the most fantastic careers in gesting all vived a few evenings ago Durante probably would never have her man and di- which Du- from the armload of papers he to okay leading starring Burgess. You can bet that NOT E NEWSREEL great lady both on and off the show business, during turned his Hollvwoodward. Ac- Martin Beck Theater by Katharine eyes the form, rector. Paulette will get the part is off. that she finds it rante has made and given away carries, including racing shop paying Tulo NOW 1H0WIH6 AT *M3tSlm« i the-1 stage impossible, companied by Jackson and Clayton if Yordan. the boy who Cornell, one of our reigning now is studied through horn rimmed Philip rjvtri ty iiung uuc.>, iiiciuuiiig completely to translate to the audi- three fortunes and exerting (who his business and manages at home, features wrote it, has anything to say—and to Charlie Chap- atrical queens. a is described every effort to get rid of a fourth. glasses. Dinner, previous marriage ence Cleopatra, who by helps prepare scripts* and his for- he does. "Paulette in a like a main course of corn flakes, fol- play lain. Paulette is the only one of his But the very spaciousness which the conservative Brooks Atkinson as Struts Bark. mer drummer. Jack Roth—now an can’t fail to be a he _ Always more corn flakes for des- 'Lucasta' hit,” wives who received not only a hand- a slut." In demeanor and lowed by NOW ROIIIS OPEN 17 30 PM FIIS1 SNOW 1PN the color and of this “royal companion—("he re- me. The in the provides sweep "Professionally,” lie chuckled, inseparable sert. Writers who gather for told girl—colored some financial settlement from him, also its bearing, Miss Cornell could not pos- members things!’-) — Durante in- version—will be Polish on hallowed tragedy presents tell me I've been dead and hilarious sessions on Broadway but and furs galore. With be described as for she “they in- evening scripts jewels own sibly such, vaded the film c/pital for an the screen. That was Yordan's set of difficulties. buried more often than a hatchet.” w’ork as far into the night as it’s something else. She jean seems in the to be born to only Burgess Just 10 ago Tallulah Bank- play auspicious debut in “Get Rich Quick idea, anyway. ARTHUR years the original a affection Each time, however, the “corpse” their constitution can stand seems to have genuine IN COLUMBIA RE RELEASE at the rule and rant, possibly, but never head took a hapless fling comes strutting back. It just isn’t Wallingford.” endless bowls of cereal. She’s Publicity-Wise. for the boy. In spite of a few heated which to romp unmorally. At this the pogo stick be- very "Antony and Cleopatra” to inter a man to whom a point, But Durante, of course, always 'Until Paulette did “Winterset” on this marriage seems to be a possible quarrels now Miss Cornell so Godfrey Tearle, magnificent gan writing his chart, as Durante serves grace- million laughs mean more than a has claimed to be different. "There the Dublin stage recently with her really working out. She looks very actor, has the physical structure, I alternated between coasts with dRIZOMfl fully. The only notable remem- million dollars. Today, with a new are,” he Doasts, "millions of good- husband, she never had toiled as well and very happy. the correct age, acting ability and Eastern hits in “Strike Me Pink” brance of that awkward fiasco was { contract at MGM that pays him the I’m a novelty!” a legitimate actress. But now, as (Released by North American Newspaper to the extreme- films looking guys. a swan dive which Tallulah intelligence portray and “Jumbo” and several American Newspaper Alliance.) WILLIAM HOLDEN great largest weekly sum he ever collected (Release* by North the British say, she's "had it"—and to her ly difficult role of Cleopatra's war- which were not cut to the Durante made after clutching the asp in films, a radio program with an Alliance.' she doesn’t want to appear before i j a in the suicide scene. This rior lover. Kent Smith cuts clear, cloth. In 1936 he took time out bosom is] estimated 20,000.000 listeners, more « clean swathe as the loyal Enobar-! 'for a successful tour of Europe, hardly a suitable memory to extract; personal appearance offers than he but it is bus, and I found his the finest con- during which he so impressed Sir from such a fine drama, j can fill, a home complete with swim- TOMORROW trihiiflAn rvf the PtiPnincr cimnlifv- Lauder that the indestruct- .. m ■■ A not entirely to Tallulah’s discredit | Jimmy has reached a Harry can be ming pool, in audi- a didn’t ing a role which roughly ible Scot left his seat the • that her efforts decade ago new peak on his popularity chart—a -. mishandled. Lenore Ulric as Char- ence to on the iu it rtiivi join Jimmy stage. 2 quite jeu. put aiiiipiy chart seeming'lv recorded by the b TONIGHT! NATIONAL her. mian has a light style which left THIS AFTERNOON swiftly: The odds were against bouncing end or a pogo stick. ONE HILARIOUS YEAR any impressions whatsoever. DIRECT FROM Now we have Miss Cornell plying i hardly That childhood to spot and on ability a de- Ralph Clanton seemed slightly ROLLER her regal trade in play which capitalize on the ludicrous has SEE THE WORLD'S 0JY BROADWAY! the belligerently callow side as the y , pends on every component being in progressed through the years to be- Octavius Caesar and his angrily de- ^ tidy order. The male principals come a stock in trade, when he and calcu- NOW Open 12:15 SKATING CHAMPIONSHIPS! ^ and as : livered level-headedness V-|4 must be correct, physically parlayed a nose and a voice into |n lating qualities might have been actors. The movement must have personal trade marks more lucrative served better, still, with the mag- RAY MILLAND a rhythm and flow, almost a cine- than any ever bestowed by nature. •I nificence of the settings as designed matic simplicity. The scenery It was Broadway, of course, that Leo Kerz, the ladies' brilliantly DIETRICH ^Br< should, heighten rather than dis- by did the big things for Jimmy. But fashioned from the hands [JImARLENE tract from the mood, and costumes costumes from must suggest the richness of the of Valentina and the men’s “GOLDEN direction *| John superb by 4 M. kings, queens and lesser royalty of Boyt, Constitution Hall, Todav, P. National Arena and the Greece and Egypt, and the lesser Guthrie McClintic gener- El EARRINGS” cast, these are ELEANOR must be of a high thespic ally excellent only BmSTmTTTTiiIW players > uniformity despite their small roles. minor and marginal disappoint- ments. What is is that Cl r,—i A big order. important Cornell's "Antony and *i||i|4ity Miss Cornell, therefore, as her Katharine STEBER mi > FRANCIS CRAIG is fine theater, intelli- Croattr at Nation's No. I Nit Roeord own producer, must be congratu- Cleopatra” Soprano. Met. Opera. In Recital and a “Nt<>r y#u lated and her husband, Guthrie gently presented triumph $1 20, $1.80, $2.40. $3.00 (Incl. tai) Hi Roller | Skating McClintic, must be thanked for his over Shakespeaie's own literary Box Office at Hall Open 11 A. M. ill_THURSDAY--— complexity. ___ MARJORIE JUNE staging. It is the latter, as ■’* MjWMlr superb Si "PIRATES OF MONTEREY" Sessions Nightly, 65c—7:30 to 11 P.M. KNICHT well as the acting of Godfrey Tearle II Color hv Technicolor / CATESON • as Antony and Kent Smith as * IK MARIE MONTEZ ROD CAMERON f\ OORERT SNACKLFTON ANN ANORE AlAN ROSS ANTRONY REMDIE COOPER 1ACR tOlllH* -On The Sun., Enobarbus. which gave me the larg- ^ mv\ Stage— Matinees Wed., Sat., Holidays, OI..I k, kr kr JACK CARTER IOIMT I. SMITH • lOHN CICIl HOIM est pleasure, although Miss Cornell's M V. ^ MAIIT I. SMITH A MID D.GIISAC l Cemrif Star ef “Cell M« Miilrr" 35c 2:00 to 5 P.M. Anooott ^k ^ Sf«t*W bp C»**p#»fY«pSp kr Pr«^we»i#* • f iOMN KENNEDY • TMIODO* AOOIPHUS IEN STEIN Coming Attractions Kiddies* Session 25c, l»#s., $1.20, $2.40. $3, $3.60, Orth., $4.20; Mih., $1.20, $2.40, $3, Orcfc., $3.60 — | NATIONAL “Sweethearts,” Sat. A.M. 10 to 12:30 with Bobby Clark, starting |l NOW ... Open 12:30 || tomorrow night. 2 Weeks Beg. Monday, Dec. 22 *Frtd»y» **8at»!" — "J e z e b e GREEN AMBASSADOR 1,” Third Play of the Theatre Guild American Theatre Society Seaeon with Bett^ Davis, starting DOLPHIN I Thursday. MIRACLE FLOOR CAPITOL—"Pirates of Mon- STREET” I with Katharine Hepburn, Accommodates 4000 Skaters starting Thursday. LANA TURNER I COLUMBIA—"Song of Love." VAN HEFUN • DONNA REED § Spotlessly Clean! No Dust! No Dirt! with Kathe-i’-e Hepburn, RICHARD HART I starting Thu: KEITH'S — "K the Pink -THVftSDftY-^ Horse,” with Robert Mont- Beautiful Music! v BOB HOPE i Exquisite Lighting! gomery. SlGNE HASSfl VM. BEHDIX to Bus Lines and Street Cars LITTLE—“Miracle on 34th \ //i Convenient Street,” with Maureen O'Hara, MITTY: \ “Where There’s Wr Lots of Parking Space in the Building starting December 17. METROPOLITAN—"The Doc- I CHAMPIONSHIPS WILL NOT INTERFERE tor Takes a Wife.” with SESSIONS 12:30 WITH OUR REGULAR Loretta Young, starting PRISCNTS NOW Open Thursday. DANNY KAYE VIRGINIA MAYO There's Life." PALACE—“Where and tha Goldwyn Girlt in “BODY— with Bob Hope, starting _ MAIL Em.i 2nd Bale. S1.20; Orchestra $2.60. Thursday. LIFE OF MITTY* ARENA “THE SECRET WALTER SOUL” NATIONAL ORDERS Fri. ft Sal. Mats.i 2nd Bale. $1.20; Orch. $2.00. PIX—“Scarface." with George With BORIS KARLOFF * IN COLOR BY TECHNICOLOR JOHN GARFIELD Raft, starting Friday. 17TH & KALORAMA RD. N.W. NOW! Pima. *nrl0M »*lf«dBette Davis, starting Thurs- •! 7W• j I | i I' day.

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