(ENGBA 604) Unit : II Chapter : 1 Tughlaq by Girish Karnad About
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Dr. K. Sharada Professor Dept. of Kannada and Translation Studies Bhasha Bhavan, Srinivasa Vanam, Dravidian University, Kuppam-517 426 Andhra Pradesh, India
CV – Dr. (Mrs). K.Sharada GENERAL INFORMATION: Name : Dr.K.Sharada, M.A., M.Phil. Ph.D. (Kannada) Address for correspondence : Dr. K. Sharada Professor Dept. of Kannada and Translation Studies Bhasha Bhavan, Srinivasa Vanam, Dravidian University, Kuppam-517 426 Andhra Pradesh, India Phone : 09441209548 Sex : Female Date of Birth : 25.07.1963 Place of Birth : Hospet, Karnataka, India Religion : Hindu Caste & Category : Kamma Nationality : Indian Present Designation : Professor Mother Tongue : Telugu First Language : Kannada EDUCATIONAL QULIFICATIONS: B.A. : Gulbarga University, 1986 M.A. : Gulbarga University, 1990 M.Phil : Gulbarga University, 1991 Topic : Shasanokta Jaina Mahileyaru (Inscriptionalized Jain women) Ph.D. : Gulbarga University, 2005 Topic : Karnataka Samskritige Jainacharyara Koduge (Contribution of Jain Saints to the Karnataka Culture) 1 PROFESSIONAL EXPERIENCE: a. Teaching Experience: i. On Regular Service : 25 Years 2008 June - till date Professor Dept. of Kannada and Translation Studies Dravidian University, Kuppam 2005 – 2008 June Associate Professor Dept. of Kannada Studies, PG Centre Gulbarga University, Yeragera Campus Raichur, Karnataka 2003 Feb- 2005 Selection Grade Lecturer Dept. of Kannada Studies, PG Centre Gulbarga University, Yeragera Campus Raichur, Karnataka 1993-2002 Sep Lecturer in Kannada Dept. of Kannada Studies, PG Centre Gulbarga University, Krishnadevaraya Nagar Sandur Campus, Karnataka ii. On Temporary Service : 02 Years 1992 Sep-Jan 1993 Guest Lecturer in Kannada Dept. of Kannada Studies, PG Centre Gulbarga University, Krishnadevaraya Nagar Sandur Campus, Karnataka 1991-1092 Temporary Lecturer in Kannada Theosophical Women First Grade College Hospet, Karnataka. b. Research Experience : 28 years i. Other than Ph.D. : 14 Years ii. Ph.D. : 14 Years c. Administrative Experience 1. Dean, School of Comparative Literature and Translation Studies, Draviain Univeristy Kuppam from 04.05.2018 to 24.10.2018. -
Girish Karnad: a Man and Artist—Evolution of His Dramatic Genius
www.the-criterion.com The Criterion: An International Journal in English ISSN (0976-8165) Girish Karnad: A Man and Artist—Evolution of His Dramatic Genius Dr. Krishna Singh Girish Raghunath Karnad is a playwright, poet, actor, director, critic, translator and cultural administrator all rolled into one. He has been rightly called the “renaissance man” (Kalidas & Merchant.”Renaissance Man”); whose celebrity is based on decades of prolific and consistent output on native soil. He belongs to a generation that has produced Dharamveer Bharati, Mohan Rakesh and Vijay Tendulker who have created a national theatre for modern India which is the legacy of his generation. Karnad is the most famous as a playwright. His plays written in Kannad have been widely translated into English and all major Indian languages. Karnad’s plays are written neither in English, except few, in which he dreamed of earning international literary fame, nor in his mother tongue Konkani. Instead they are composed in his adopted language Kannad thereafter translated by himself into English—a language of adulthood. When Karnad started writing plays, Kannad literature was highly influenced by the renaissance in Western literature. Writers would choose a subject which looked entirely alien to manifestation of native soil. Conflicting ideologies, political freedom of India, modernity versus indigenous traditions supplied the specific backdrop to write plays. During his formative years, Karnad went through diverse influences that went long way into shaping his dramatic taste and genius. The earliest influence was that of the Natak Company that was in vogue in Sirsi. The Yakshagana plays which he used to see with the servants also appealed to him by their buffoonery and horseplay. -
Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
Mentors – Katha
Mentors – Katha about our work act now 300m storyshop .ST0{DISPLAY:NONE;} .ST1{DISPLAY:INLINE;} KATHA UTSAV MENTORS ARUNIMA MAZUMDAR, WRITER & JOURNALIST Arunima works with Roli Books, one of the foremost Indian publishing houses of India. She has worked as a journalist in the past and ABOUTcontinues to US write on arts, culturePROGRAMMES and travel for various publicationsQUICKLINKS such as The Hindu Business Line, Scroll, Femina, and Mumbai Mirror. Books are her best friend and she has keen interest in travel literature, written especially by Who we are 300M Donate Indian authors. Katha Books Katha Lab School Donate Books Storystop ILR Communities Volunteer ANKIT CHADHA – WRITER & STORYTELLER KATHA, A3, Sarvodaya Katha in the News ILR Government Schools Who we are Enclave, Sri AurobindoAnkit ChadhaWhat’s isour a writer-storytellerType whoKatha brings Utsav together performance, literatureWork With and Us history. He specializes in Dastangoi – the Marg, New Delhi - 110017art of Urdu storytelling, and has written, translated, compiled and performed stories under the direction of Mahmood Padho Pyar Se Contact Us Farooqui. His first book for children, the national award-winning My Gandhi Story was published by Tulika in 2013. © Copyright 2017. All Rights Reserved ARVIND GAUR Arvind Gaur, Indian director, is known for his work in innovative, socially and politically relevant theatre.Gaur’s plays are contemporary and thought-provoking, connecting intimate personal spheres of existence to larger social political issues. His work deals with Internet censorship, communalism, caste issues, feudalism, domestic violence, crimes of state, politics of power, violence, injustice, social discrimination, marginalization, and racism. Arvind is the leader of Asmita, Delhi‘s “most prolific theatre group”, and is an actor trainer, social activist, street theatre worker and story teller. -
Dr. Virupakshi Poojarahally
1. Name : Dr. Virupakshi Poojarahalli 2. Date of birth, Address : 17.8.1970 (Forty-nine years), KB Hatti, Poojarahalli 3. Father-mother : PalaIiah-Chinnamma 4. Reservation : Scheduled Tribe, Valmiki (Nayaka) Resident of Hyderabad Karnataka Region (371 J) 5. Present Position : Professor, Department of History 6. Basic Salary : Rs. 51,931.00 (10,000 + 81512 + 5994 total 1,52,441.00) (UGC Pay Grade Rs.37,400-67000) 7. Office (Postal) Address : Dept. of History., Kannada University, Hampi, Vidyaaranya, Hospet Taluk, Bellary District, Karnataka State- 583276 8. Permanent Address : Dr. Virupakshi Poojarahalli S / o Palayya KB Hatti, Poojarahalli Post Koodligi Taluk, Bellary Dist., Pincode: 583 218 94482-27156 EMail: [email protected] Residence Address : Pampadri Nivasa, Plot No. 21 Gokul Nagar, PDIT College Road Saibaba Gudi Area, Hospet - 583221, Bellary Dist. 9. Qualification A. MA (1992-94) (History and archeology) Kuvempu University, BR Project Shimoga 577 451, Karnataka B. M. Phil (1994-95) (Collector's rule in Bellary district (1800-1947): a survey) History Dept., Kannada University, Hampi 1 Vidyanya 583 276 C. Ph.D. (1995-2000) Hunting and Beda’s Described in Medieval Kannada Poetry: A Historical Study Kannada University, Hampi, Vidyanya 583 276 D. NET Examination (1996) 10. A. Service experience 20 years (Associate, Reade, Senior Grade Lecturer,Asst. Professor and Professor of Total Years 21) 10. B. Research experience 24 years a. Research student (1994-95) History Dept., Kannada University, Hampi Vidyanya 583 276 b. Research Assistant (1995-96) c. Assistant Teacher (1996-97) Government Higher Primary School, Elubenchi Bellary taluk and district d. Leacturer (16.8.1997 to 16.8.2001) History Dept., Kannada University, Hampi Vidyanya 583 276 e. -
MUSLIM WOMEN in the HISTORY of SOUTH ASIA A. Women In
SECTION TWO MUSLIM WOMEN IN THE HISTORY OF SOUTH ASIA A. Women in Medieval India I. General Studies 165. FASIHUDDIN, K. B. MAULAWI MUHAMMAD . The Sharqi Monuments of Jaunpur. Allahabad: Empire Press, 1922. 125p. In this study of the monuments built by the Sharqi dynasty of Jaunpur (15th c.) in North India, the author describes mosques, colleges and palaces built by Bibi Raji, queen of Muhammad Shah. She ‘was one of the most remarkable ladies of her age, highly intelligent, educated and practically carried the administration of the Sharqi Kingdom.’ She continued to yield power even after her husband’s death in 1459 when she enthroned her son Muhammad Shah. She died in 1477. 166. HABIB, MOHAMMAD . ‘Indian Culture and Social Life at the Time of the Turkish Invasions,’ in K. A. Nizami, (ed.). Politics and Society dur- ing the Early Medieval Period. Collected works of Professor Mohammad Habib, New Delhi: People’s Publishing House, 1974. pp. 152–228. In this work social life in North India in the 11th century is described with particular reference to the status of widows. 167. IBN BATUTA. The Rehla of Ibn Batuta. Translated by Mahdi Husain, Baroda: Oriental Institute, 1976. (1st edn. 1953). 300p. The travelogue of Ibn-i-Batuta, a native of Tangier, Africa (b.1304) throws a great deal of light on the social history of fourteenth century India. He writes about Mu¶dmah-yi Jahan [the Lady of the World], mother of Muhammad Bin Tughluq (1325–1351), the Sultan of Delhi, as ‘one of the most virtuous women.’ She built many hospices for the travellers. -
Tughlaq Dynasty: the Tughluq Dynasty Arose During the Medieval Period of India and Was of Turk-Indian Origin
www.gradeup.co 1 www.gradeup.co Tughlaq Dynasty: The Tughluq dynasty arose during the medieval period of India and was of Turk-Indian origin. The dynasty was primarily in charge of the Sultanate of Delhi. The Tugluq dynasty reigned from 1312 until 1413 and was governed by various monarchs such as Ghazi Malik, Muhammad-bin-Tughluq, and others. During the reign of the Tughluq dynasty, India's internal and international policy underwent significant changes. Between AD 1330 to 1335, Muhammad Bin Tughlaq commanded a military campaign that brought the dynasty to its apex. Torture, brutality, and rebellions characterized its rule, resulting in the dynasty's geographic reach rapidly disintegrating after 1335 AD. Here, we provide a comprehensive review of the Delhi Sultanate under the Tughlaq Dynasty, which may be utilized by students preparing for any competitive exams Tughlaq dynasty (1320-1412) Emperor Period Ghiyasuddin Tughlaq 1320-25 Muhammad Tughlaq 1325-51 Firoz Shah Tughlaq 1351-88 Mohammad Khan 1388 Ghiyassuddin Tughlaq Shah II 1388 Abu Baqr 1389-90 Nasiruddin Muhammad 1390-94 Humayun 1394-95 Nasiruddin Mahmud 1395-1412 Important Rulers of Tughlaq Dynasty and Their Policies Ghiyasuddin Tughlaq (1320-1325 A.D.) • About His Life o Ghiyas-ud-din Tughluq, also known as Ghazi Malik, founded the Tughluq dynasty. o He came from poor beginnings. o Ghazni Malik assassinated Khusrau Khan, the last ruler of the Khilji dynasty, and claimed the throne as Ghiyasuddin Tughlaq. o Death: He died in an accident while attending a victory celebration in Bengal, and his son Jauna (Ulugh Khan) replaced him as Mohammad-bin-Tughlaq. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and w h itephotographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing the World'sUMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8824569 The architecture of Firuz Shah Tughluq McKibben, William Jeffrey, Ph.D. The Ohio State University, 1988 Copyright ©1988 by McKibben, William Jeflfrey. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
Hindi Theater Is Not Seen in Any Other Theatre
NATYA SHODH SANSTHAN DISCUSSION ON HINDI THEATRE FROM THE COLLECTIONS OF NATYA SHODH SANSTHAN AUDIO LIBRARY THE PRESENT SCENARIO OF HINDI THEATRE IN CALCUTTA ON th 15 May 1983 AT NATYA SHODH SANSTHAN PARTICIPANTS PRATIBHA AGRAWAL, SAMIK BANDYOPADHYAY, SHIV KUMAR JOSHI, SHYAMANAND JALAN, MANAMOHON THAKORE SHEO KUMAR JHUNJHUNWALA, SWRAN CHOWDHURY, TAPAS SEN, BIMAL LATH, GAYANWATI LATH, SURESH DUTT, PRAMOD SHROFF NATYA SHODH SANSTHAN EE 8, SECTOR 2, SALT LAKE, KOLKATA 91 MAIL : [email protected] Phone (033)23217667 1 NATYA SHODH SANSTHAN Pratibha Agrawal We are recording the discussion on “The present scenario of the Hindi Theatre in Calcutta”. The participants include – Kishen Kumar, Shymanand Jalan, Shiv Kumar Joshi, Shiv Kumar Jhunjhunwala, Manamohan Thakore1, Samik Banerjee, Dharani Ghosh, Usha Ganguly2 and Bimal Lath. We welcome all of you on behalf of Natya Shodh Sansthan. For quite some time we, the actors, directors, critics and the members of the audience have been appreciating and at the same time complaining about the plays that are being staged in Calcutta in the languages that are being practiced in Calcutta, be it in Hindi, English, Bangla or any other language. We felt that if we, the practitioners should sit down and talk about the various issues that are bothering us, we may be able to solve some of the problems and several issues may be resolved. Often it so happens that the artists take one side and the critics-audience occupies the other. There is a clear division – one group which creates and the other who criticizes. Many a time this proves to be useful and necessary as well. -
Years Because of a #Metoo Scandal
1 CHAPTERS 1 AWARDS & HONOURS 2 FAMOUS BOOKS 3 APPOINTMENTS 4 INDIAN ECONOMY 5 BUSINESS & CORPORATE WORLD 6 BRAND AMBASSADORS 7 AGREEMENTS & MoU 8 SUMMITS 9 INDEX, RANKINGS & DISTINCTIONS 10 SPORTS 11 SCIENCE & TECHNOLOGY 11 YOJANAS & SCHEMES 12 MISCELLANEOUS 2 AWARDS & HONOURS 2018 Nobel Laureates 2018 2018 Nobel Prize were announced in 5 different fields viz. Physiology or Medicine, Physics, Chemistry, Peace, & Economic Sciences. This is for the first time that Nobel Prize for Literature was not given in 70 years because of a #MeToo scandal. Field Winners Key Points “for their discovery of cancer James P Allison (USA) therapy by inhibition of negative Physiology or Medicine & Tasaku Honjo(Japan) immune regulation” Arthur Ashkin (USA), Gerard Mourou (France) and Donna Strickland "for groundbreaking inventions Physics (Canada) in the field of laser physics" (a) one half to Frances H. Arnold (USA) (a) "for the directed evolution of (b) Other half jointly to George P. enzymes" Chemistry Smith (USA) & Sir Gregory P. (b) "for the phage display of peptides & antibodies" Winter (UK) “for their efforts to end the use of Denis Mukwege (Congo) & sexual violence as a weapon of war Peace Nadia Murad (Iraq) & armed conflict” (a) “for integrating climate change into long-run macroeconomic analysis” (a) William D.Nordhaus (USA) Economic Sciences (b) “for integratingtechnological (b) Paul M. Romer (USA) innovations into long-run macroeconomic analysis.” 3 Ramon Magsaysay Award Winners 2018 Ramon Magsaysay Award is an annual award established to perpetuate former Philippine President Ramon Magsaysay's example of integrity in governance, courageous service to the people, & pragmatic idealism within a democratic society. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR TH THURSDAY,THE 20 FEBRUARY,2014 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 43 2. COMPANY JURISDICTION 44 TO 45 3. ORIGINAL JURISDICTION 46 TO 59 4. REGISTRAR GENERAL/ 60 TO 74 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 20.02.2014 1 (APPELLATE JURISDICTION) 20.02.2014 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE SIDDHARTH MRIDUL AFTER NOTICE MISC. MATTERS ____________________________ 1. FAO(OS) 429/2013 RAKESH TALWAR JAYANT K MEHTA,JAWAHAR RAJA CM APPL. 14852/2013 Vs. BINDU TALWAR CM APPL. 2546/2014 2. FAO(OS) 431/2013 BINDU TALWAR JAWAHAR RAJA CM APPL. 14934/2013 Vs. RAKESH TALWAR CM APPL. 2547/2014 3. FAO(OS) 23/2014 SHRI VIKAS AGGARWAL LEX INFINI,P D GUPTA AND CO Vs. SHRI BAL KRISHNA GUPTA AND ORS 4. LPA 417/2013 PREM RAJ N S DALAL,SHOBHNA Vs. LAND AND BUILDING TAKIAR,SIDHARTH PANDA DEPARTMENT AND ORS 5. LPA 444/2013 GIRI RAJ N S DALAL,SHOBHNA Vs. LAND AND BUILDING TAKIAR,YOGESH JAIN DEPARTMENT AND ORS 6. LPA 884/2013 PUNEET KAUSHIK AND ANR AYUSHI KIRAN,AMRIT PAL SINGH Vs. UNION OF INDIA AND ORS 7. W.P.(C) 6654/2011 YAHOO INDIA PVT LTD LUTHRA AND LUTHRA,MANEESHA Vs. UNION OF INDIA AND ANR DHIR,VAKUL SHARMA 8. W.P.(C) 6867/2013 RAGHU NANDAN SHARMA NEERAJ MALHOTRA,T.K. -
Literary Herald ISSN: 2454-3365 an International Refereed/Peer-Reviewed English E-Journal Impact Factor: 4.727 (SJIF)
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 4.727 (SJIF) MYTHS AND SUPERSTITIONS IN GIRISH KARNAD’S NAGAMANDALA: A ASOCIO CULTURAL STUDY Gopika. U PG Student Department of English Nehru Arts And Science College Thirumalayampalayam, Coimbatore ABSTRACT Girish Karnad, well known writer (born May 19, 1938, Matheran, Bombay Presidency [now in Maharashtra], India—died June 10, 2019, Bengaluru, Karnataka), Indian playwright, author, actor, and film director whose movies and plays, written mostly in Kannada, explore the present by way of the past. After his graduation from Karnataka University in 1958, Karnad studied philosophy, politics, and economics as a Rhodes Scholar at the University of Oxford (1960–63). His first play, the Yayati (1961), critically acclaimed, while he was at Oxford. Centred on the story of a mythological king, the play established Karnad’s use of the themes of history and mythology that would inform his work over the following decades. Karnad’s next play, Tughlaq (1964), tells the story of the 14th-century sultan Muḥammad ibn Tughluq and remains among the best known of his works. What always astonished me was the fact that he wrote all his plays in Kannada and not in English. Basically Karnad belong to the Rannade theatre. Girish Karnad uses Bhagavata as chorus. Like chorus in ancient Greek drama he reports all the important events and developments which are essential for the development of plot. Other devices and conventions of folk tales and folk theatre like masks, curtains, dolls, the story within a story etc.