DOCSLIB.ORG

Magazine Media

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SEPTEMBER 2010: THE CREATIVITY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 33 | septemberM 2010 english english and media centre • Creative people – Lynch, Gondry, Audiard, Hitchcock • Creative production work • Creativity and technology • Call of Duty and The Hurt Locker | issue | 33 issue | september 2010 • Stop-motion animation • Come Dine with Me MM • Creativity and genre MM MM MediaMagazine is published by Welcome to MediaMagazine. Whether you’re new to AS level Film or Media, or the English and Media Centre, a returning for A2, we hope you’ll be able to make maximum use of this year’s issues, non-profit making organisation. delve into our archives, and above all enjoy a really good read – not to mention The Centre publishes a wide range getting involved with us by writing articles, giving us feedback, or of classroom materials and runs courses for teachers. If you’re suggesting topics you’d like us to cover. studying English at A Level, look out This issue is on the theme of Creativity – what is it, who’s got for emagazine, also published by it, which technologies promote it, and how does it impact on your the Centre. own studies? We’ve grouped the articles around variations on the The English and Media Centre creative theme, promoted by you yourselves. So there are pieces 18 Compton Terrace on creative people, film-makers both young and old – David London N1 2UN Lynch, Michel Gondry, Charlie Kaufman, Jacques Audiard – but also Telephone: 020 7359 8080 Alfred Hitchcock, still a true original after all these years. Fax: 020 7354 0133 To support your production work, there’s a strong focus on creative processes Email for subscription enquiries: – Mark Ramey’s tips to make your video work original and different; articles from [email protected] Jayson Burns and Brian Mulligan and Simon Ward on how to research, plan and Managing Editor: Michael Simons produce creative print work with Photoshop and Illustrator; where to find the best stop-motion animation; and inside stories from creative film and TV directors. Editor: Jenny Grahame The creative texts featured in this issue are strongly linked with ideas about Sub-editor: Priscilla McClay genre variation: Nick Lacey argues that TV crime drama constantly re-invents itself to reflect the zeitgeist, while Emma-Louise Howard explores the creativity of films Editorial assistant/admin: Rebecca Scambler which play with non-linear approaches to narrative and time. Glee is innovative because of its fusion of soap, musical, high-school teen drama conventions, while Design: Sam Sullivan & Jack Freeman the daytime format of Come Dine With Me has been creatively scheduled and Artwork production: Sparkloop re-worked to become a prime-time blockbuster. Print: S&G Group And on a more exam-related note, Steph Hendry explores creative ways of ISSN: 1478-8616 preparing for the AQA Mest1 multiplatform case study, and AQA examine Tina Dixon Cover image: Jack Freeman, Sparkloop proves that analysis can be creative too. Elaine Homer explains how to get the most out of your Film Studies small-scale research project – and two of her A2 students show you how it’s done. And whichever spec you’re studying, Peter and Elinor How to subscribe Block’s debate about the creative potential and limitations of digital technologies will provide much food for thought. Four issues a year, published So go ahead – get creative. September, December, late February and late April. Centre print-only subscription: £29.95 Online this issue Centre website package: £79.95 The Creative Art of film Reviewing: an interview with Telegraph Arts Commissioning Editor and film includes print magazine, full website critic Mark Monahan, tips for creative reviewing techniques, and a review deconstructed sentence access and an online PDF version of by sentence. the current issue Great expectations: Owen Davey talks to some young graduates in creative arts about their work, following their dreams, and surviving in the real world of the creative industries. A must-read for Additional subscriptions for aspiring artists in all media. students, teachers or the library can Post-modernity, technology and Creativity: David Bell finds post-modernist creativity in mobile be added to either the print-only phone technology. subscription or the website package Fanvids: Creativity vs Counterculture: Fay Jessop shares her passion for vidding, and provides links for £10 a year. to some brilliant examples. Putting Creativity into Critical Perspectives: Some of the questions you’ll need to ask of your own creativity in answering OCR’s A2 exam question 1. Plus Audiard the auteur in context, student magazine artwork deconstructed, and poster analysis. MediaMagazine website MediaMagArchive on the MediaMagazine website (www.mediamagazine.org.uk) gives This magazine is not to be photocopied. Why not subscribe you access to all past articles published in MediaMagazine. There are two ways of getting to our web package which includes a downloadable and access to the MediaMagazine website: printable PDF of the current issue or encourage your 1. Centre plus 10 or more student subs. students to take out their own £10 subscription? 2. Centre website package: £79.95 (For full details, see www.mediamagazine.org.uk) 2 MediaMagazine | September 2010 | english and media centre MM contents Front Page News How to use Illustrator Capture the objective: Recent news, views, reviews Howoe t mak outstandingly 47 postmodernism, 04 and previews. 26 creative print work with creativity and Call of Making the most of Adobe Illustrator Duty Lisa Fortescue-Poole 06 your AQA Mest1 multi- Stop-motion – start explains how playing a controversial videogame platform case study Steph creating! Pete Turner 30 is the route to theoretical Hendry shows you how explores the resilience of understanding at A2 Getting the most out stop-motion animation in the of the small-scale Film age of Pixar and Dreamworks Come Dine With Me From 09 daytime obscurity to prime- Studies research project 50 time hit Elaine Homer and her A2 Film students share their Creativity and genre in experiences and offer advice 52 TV crime drama Nicky Lace on how to successfully tackle explores the creative potential this project of genre television Glee Old as the hills, or 55 a genuinely creative TV Hitchcock – auteur and innovation? Caroline Burgess- 34 creator 50 years after its Allen argues the toss release, Psycho is still hailed Eternal sunshine of the as the creative masterpiece of 57 creative mind Michael one of cinema’s true auteurs. Ewins on the creativity of How does Alfred Hitchcock’s Charlie Kaufman Surrealist cinema: creativity help us understand 12 consciousness and auteur theory? creativity in film For their Jacques the lad John A2 Film Studies small-scale 37 Fitzgerald explains how research study, Rae Baden and Jacques Audiard reinvented Jasmine Ketibuah investigated the crime thriller with A two film directors who at first Prophet glance have little in common: Michel Gondry and David Lynch Backwards and flash- 60 forwards Emma-Louise Howard identifies a range of big and small screen narratives which have exploited chronology with groundbreakingly creative outcomes Technology & creativity: On creativity in web 16 curse or cure? Peter and 40 comics Cartoony b Goom Elinor Block explore the ‘hype Meet the creatives: cycle’ and the reality of new an interview with Lee technolgies 41 Cleary Lee Cleary, the First Creative film-making Assistant Director on Thet Hur 20 for the creatively Locker, on his career, his work challenged Mark Ramey on Thet Hur Locker and the Can analysis be creative? suggests the five key film industry in general 65 AQA Examiner Tina Dixon ingredients for really creative Meet the creatives: an analyses a Specsavers ad, and short film-making concludes the answer is yes 44 interview with Ben Creative covers Jayson Palmer TheV T comedy 23 Burns guides you through director talks to Priscilla the key stages of magazine McClay about the ups and artwork production downs of a career in television english and media centre | September 2010 | MediaMagazine 3 Front Page News under fire on privacy issues this information: friends, friends of friends or everyone. However, in the past, if users did not What does the internet know about us? make a selection on their account, the settings • Search engines such as Google track our were put on ‘everyone’ automatically by the site. queries, building up a picture of interests and In addition, the settings pages have been spending that could, in theory, be traced back frequently updated, with more aspects being to an individual. added – these were also set to ‘everyone’ until • Google has also been under fire for its Street users noticed they were there. View service, which involved taking pictures Now Facebook founder Mark Zuckerberg has of real people, although their faces were pledged that this will no longer happen. In a blurred before they were put online. Some of Facebook has made further changes to its message on the site, he said: the pictures showed a couple kissing, a man privacy settings, in response to widespread If you decide to share your content with urinating in the street and an apparently naked concern that users do not have enough friends only, then we will set future settings man painting his garden fence. control over how their information is shared. to friends only as well. This means you won’t • Google apologised after its Street View Complaints have focused on the fact that the have to worry about new settings in the camera cars inadvertently picked up data from site’s privacy settings were too complicated, and future. unsecured Wi-Fi networks. were set on the lowest level of protection as a The new privacy controls are also said to • There have been concerns that adopted default.
Recommended publications
  • Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14

    Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14

    Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape.
  • Notre Dame Review Notre Dame Review

    Notre Dame Review Notre Dame Review

    NOTRE DAME REVIEW NOTRE DAME REVIEW NUMBER 8 Editors John Matthias William O'Rourke Senior Editor Steve Tomasula Founding Editor Valerie Sayers Managing Editor Editorial Assistants Kathleen J. Canavan Kelley Beeson Stacy Cartledge R. Thomas Coyne Contributing Editors Douglas Curran Matthew Benedict Jeanne DeVita Gerald Bruns Shannon Doyne Seamus Deane Anthony D'Souza Stephen Fredman Katie Lehman Sonia Gernes Marinella Macree Jere Odell Tom O'Connor Kymberly Taylor Haywood Rod Phasouk James Walton Ginger Piotter Henry Weinfield Laura Schafer Donald Schindler Elizabeth Smith-Meyer Charles Walton The Notre Dame Review is published semi-annually. Subscriptions: $15(individuals) or $20 (institu- tions) per year. Single Copy price: $8. Distributed by Media Solutions, Huntsville, Alabama and International Periodical Distributors, Solana Beach, California. We welcome manuscripts, which are read from September through April. Please include a SASE for return. Please send all subscription and editorial correspondence to: Notre Dame Review, The Creative Writing Program, Department of English, University of Notre Dame, Notre Dame, IN 46556. Notre Dame Review copyright 1999 by the University of Notre Dame ISSN: 1082-1864 Place/Displacement ISBN 1-892492-07-5 Cover Art: "Diagram for the Apprehension of Simple Forces," cibiachrome, 1997, 12 x 15 inches, by Jason Salavon. Courtesy of Peter Miller Gallery, Chicago. CONTENTS Genghis Khan story ..................................................................... 1 Yanbing Chen Anstruther; Knowledge; Alford
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland

    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland

    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
  • What Literature Knows: Forays Into Literary Knowledge Production

    What Literature Knows: Forays Into Literary Knowledge Production

    Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
  • What Is Augmented Reality

    What Is Augmented Reality

    Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education Item Type text; Electronic Thesis Authors Rodriguez, Andie (Samantha) Citation Rodriguez, Andie (Samantha). (2020). Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education (Master's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 13:14:44 Link to Item http://hdl.handle.net/10150/656764 CODE CATALYST: DESIGNING AND IMPLEMENTING AUGMENTED REALITY CURRICULUM IN ART AND VISUAL CULTURE EDUCATION by Samantha Rodriguez ______________________________ Copyright © Samantha Rodriguez 2020 A Thesis Submitted to the Faculty of the SCHOOL OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by: Andie (Samantha) Rodriguez titled: Code Catalyst: Designing and Implementing Augmented Reality Curriculum in Art and Visual Culture Education and recommend that it be accepted as fulfilling the thesis requirement for the Master’s Degree. Ryan Shin _________________________________________________________________ Date: ____________Jan 4, 2021 Ryan Shin Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Carissa DiCindio _________________________________________________________________ Date: ____________Jan 4, 2021 Michael Griffith Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College.
  • Catalogue Anglais Version Finale (2018-09-26)

    Catalogue Anglais Version Finale (2018-09-26)

    Montréal Campus 416, boul. de Maisonneuve West, suite 700 Montréal (Québec) H3A 1L2 514-849-1234 Laval Campus 3, Place Laval, suite 400 Laval (Québec) H7N 1A2 450-662-9090 Longueuil Campus 1111, rue Saint-Charles West, suite 120 Longueuil (Québec) J4K 5G4 450-674-0097 Pointe-Claire Campus 1000, boul. St-Jean, suite 500 Pointe-Claire (Québec) H9R 5P1 514-782-0539 Anjou Campus 7400, Boulevard Galeries d’Anjou, suite 130 Anjou, H1M 3M2 514-351-0888 7400, Boulevard Mon QUÉBEC ÉDITION Reference code : CDI-CAT-PQF-0718 Version : July 2018 © Collège CDI Administration. Technologie. Santé. All rights reserved. Printed in Canada. It is prohibited to reproduce this publication in its entirety, or in part, without the written consent of Collège CDI Administration. Technologie. Santé. *For the sake of clarity and readability, the masculine form is used throughout this catalogue. TABLE OF CONTENTS ADMINISTRATION CASUALTY INSURANCE – LCA.BF ............................................................................................................... 1 FINANCIAL MANAGEMENT – LEA.AC ........................................................................................................ 4 SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V .............................................................. 8 OPTION: LEGAL ADMINISTRATIVE ASSISTANT SPECIALIST IN APPLIED INFORMATION TECHNOLOGY – LCE.3V ............................................................ 11 OPTION : MEDICAL OFFICE ASSISTANT PARALEGAL TECHNOLOGY - JCA.1F……………………………………………………………………………………………………14
  • Art. Music. Games. Life. 16 09

    Art. Music. Games. Life. 16 09

    ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website.
  • SVG Tutorial

    SVG Tutorial

    SVG Tutorial David Duce *, Ivan Herman +, Bob Hopgood * * Oxford Brookes University, + World Wide Web Consortium Contents ¡ 1. Introduction n 1.1 Images on the Web n 1.2 Supported Image Formats n 1.3 Images are not Computer Graphics n 1.4 Multimedia is not Computer Graphics ¡ 2. Early Vector Graphics on the Web n 2.1 CGM n 2.2 CGM on the Web n 2.3 WebCGM Profile n 2.4 WebCGM Viewers ¡ 3. SVG: An Introduction n 3.1 Scalable Vector Graphics n 3.2 An XML Application n 3.3 Submissions to W3C n 3.4 SVG: an XML Application n 3.5 Getting Started with SVG ¡ 4. Coordinates and Rendering n 4.1 Rectangles and Text n 4.2 Coordinates n 4.3 Rendering Model n 4.4 Rendering Attributes and Styling Properties n 4.5 Following Examples ¡ 5. SVG Drawing Elements n 5.1 Path and Text n 5.2 Path n 5.3 Text n 5.4 Basic Shapes ¡ 6. Grouping n 6.1 Introduction n 6.2 Coordinate Transformations n 6.3 Clipping ¡ 7. Filling n 7.1 Fill Properties n 7.2 Colour n 7.3 Fill Rule n 7.4 Opacity n 7.5 Colour Gradients ¡ 8. Stroking n 8.1 Stroke Properties n 8.2 Width and Style n 8.3 Line Termination and Joining ¡ 9. Text n 9.1 Rendering Text n 9.2 Font Properties n 9.3 Text Properties -- ii -- ¡ 10. Animation n 10.1 Simple Animation n 10.2 How the Animation takes Place n 10.3 Animation along a Path n 10.4 When the Animation takes Place ¡ 11.
  • To Download the Love Ride 32 Brochure (Pdf Format)

    To Download the Love Ride 32 Brochure (Pdf Format)

    HISTORY A caravan of thousands of motorcycles from Harley-Davidson of Glendale, California to a Concert and Festival at Castaic Lake to benet Wounded Warrior Project® (WWP). The mission of Wounded Warrior Project is to honor and empower Wounded Warriors. Grand Marshal Honorary Grand Marshal Honorary Grand Marshal Honorary Chairman Founder and Chairman Jay Leno Peter Fonda Robert Patrick Willie G. Davidson Oliver Shokouh $45 MINIMUM DONATION IN ADVANCE $60 AT THE DOOR LOVERIDE HISTORY In 1984, Oliver Shokouh, the owner of Harley-Davidson of Glendale, decided to embark on a new fundraising endeavor. To succeed, it would have to be a labor of love, and with help from some friends, the LOVE RIDE was born. Peter Fonda agreed to do the rst LOVE RIDE public service announcement. Robbie Kreiger, of the Doors, jumped in and performed at the event. Even Willie G. Davidson himself came out for the ride. On November 11, 1984, over 500 outstanding people showed up, starting a tradition that has grown beyond anyone’s expectation. Over the ensuing 30 years, LOVE RIDE participants have accomplished a lot together, raising over $24 million for important causes. People from all over the world have come together as a community to make a dierence. And that is something to be proud of. Make a dierence. Join us for our “Grand Finale” and be a part of the LOVE RIDE’s rich history. Love Ride concerts have featured ZZ Top, BB King, Foo Fighters, Jackson Browne, Bruce Springsteen, Sheryl Crow, Sammy Hagar, Dwight Yoakum, the Doobie Brothers, Mick Fleetwood, Steve Miller Band, Black Crows, Lynyrd Skynrd, Little Feat, Crosby , Stills & Nash, Robbie Krieger & The Doors, George Thorogood, Billy Idol, Los Lobos, Eric Burdon and other ne artists that have performed.
  • A Teaching Guide to Using Film and Television with Three- to Eleven-Year Olds Education

    A Teaching Guide to Using Film and Television with Three- to Eleven-Year Olds Education

    LOOKLOOK AGAIN!AGAIN! A teaching guide to using film and television with three- to eleven-year olds Education This publication has been made possible by the generosity of the Department for Education and Skills (DfES). LOOK AGAIN! A teaching guide to using film and television with three- to eleven-year-olds Education ma vie en rose | courtesy of bfi stills LOOK AGAIN ii CREDITS AND ACKNOWLEDGEMENTS This publication has been made possible by the British Library Cataloguing-in-Publication Data British Film Institute Primary Education Working bfi staff involved generosity of the Department for Education and A catalogue record for this book is available from Group 2002-2003 Cary Bazalgette, Head of Education Development Skills (DfES). the British Library. Wendy Earle, Resources Editor Ann Aston, Deputy Head Teacher, Robin Hood Hilary Pearce, 5–14 Development Officer Written and produced by the Primary Education ISBN: 1–903786–11–8 Primary School, Birmingham Dr David Parker, Research Officer Working Group convened by bfi Education. The copyright for this teaching guide belongs to Helen Bromley, independent Early Years the British Film Institute. consultant The Working Group would like to thank the Designed by: Alex Cameron and Kelly Al-Saleh Margaret Foley, Quality Improvement Officer numerous teachers, advisers and literacy If you would like to reproduce anything in this 0–14, Dundee City Council consultants in all parts of the UK who contributed Film stills: guide for any other purpose, please contact the Mary Hilton, Lecturer in Primary English, Faculty to the development process and the experiences courtesy of bfi Stills, Ann Aston, Christopher Resources Editor, bfi Education, 21 Stephen of Education, University of Cambridge cited in this Guide, and in particular Geoff Dean, Duriez, Juliet McCoen, Alison Hempstock, Street, London W1T 1LN.
  • Henry Jenkins Convergence Culture Where Old and New Media

    Henry Jenkins Convergence Culture Where Old and New Media

    Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands.
  • 2004/2005 Season!

    2004/2005 Season!

    _ _Inhalt _ _content Vorwort editorial ........................................................................................................................................................ 3 Musiktheater music theatre................................................................................................................................................ 5 Schauspiel drama Uraufführungen world premieres ................................................................................................................................. 15 Erstaufführungen debut performances........................................................................................................................... 44 Kinder- und Jugendtheater children’s and youth theatre Uraufführungen world premieres ................................................................................................................................. 54 Erstaufführungen debut performances ........................................................................................................................... 64 Adressen Verlage adresses publishing houses ........................................................................................................................... 67 Adressen Theater adresses theatres ........................................................................................................................................ 68 Abkürzungen / abbreviations UA = Uraufführung /world premiere DSE = Deutschsprachige Erstaufführung / debut performance in