Cash Box I Album Reviews

Total Page:16

File Type:pdf, Size:1020Kb

Cash Box I Album Reviews cash boxI album reviews Pop Picks 'GET YER YA-YA'S OUT!' - The Rolling Stones THIRD ALBUM - Jackson Five - Motown in Concert-London NPS-5 718 Roll out the red carpet, the first 'live' Stones Despite their tender age, the Jackson Five album since "Got Live If You Want It" way are no new comers to the charts. Every pre- back when is here. The LP turns out to be a vious single and LP release by the group has fascinating document of a group returning rocketed to the top. This is their "Third Al- from a musical tailspin; a group who have bum," and it's no exception. The Jackson Five found renewed strength and spirit. All their combine their brilliant vocal and harmonic recent material is here. "Jumpin' Jack Flash," abilities on all 11 tracks, and the result is their "Midnight Rambler," "Sympathy For The best effort to date. Included in the LP is their Devil," "Honky Tonk Women," and others all latest hit single, "I'll Be There." done at peak excitement and with great musi- A mammoth treat for the ears Mr YER YA-Y7i'S our cal expertise. The Railing Stone s in concert with gobs of atmosphere. Should be instant gold. EZ.x; KICKIN' Roulette SR - TEMPTATIONS GREATEST HITS, VOLUME 2- AN ALIVE 'N - iI1fIF{ir 42052 Gordy 954 by the Temptation fans, warm up your turntables, Though the first two single releases to the bubble gum audi- here is. Volume 2 in the continuing saga group seem to cater for it release is hitmakers. From "I Wish It ences, their first album basically of these super come on strong Would Rain," with all its gentleness to the rock oriented. Alive 'N Kickin' with such self penned material as "Hitter whirlwind "Ball Of Confusion," this is a beau- Creek," be here Man," "Mississippi Mud," "Junction tiful album. Other charters to found per- Next To You," "Kentucky Fire," and the beautifully are "Cloud Nine," "I Can't Get produced "Psychedelic Shack" and "Run Away Child, formed ballad "Jordan." The LP was James and Bob King, and should Running Wild." This is a greatest hits album by Tommy a lot of chart action in the weeks to which really is - these hits are the greatest. be seeing Watch this deck shoot up the chart. come. MAVERICK CHILD - David Rea - Capitol SKAO-548 Newcomer Picks David Rea has been acknowledged as one ASHTON, GARDNER & DYKE-Capitol 563 of the industry's finest and most tasteful Premier album in this country by Britain's guitarists. What can be more natural than a freaked out trio comes on like the six -o -nine solo album for him. He along with musician express roaring down the tracks flat out. Tony (he plays bass and piano on the set) pro- Ashton, on keyboards and vocals reminiscent ducer Felix Pappalardi, and many well known of Chris Farlowe, wrote or co -wrote the highly friends have constructed a crystalline ice -clear original tracks which effectively blend rock LP of David Rea compositions. The songs are with jazz on "Let It Roll," with blues on "I'm eclectic.: the title track is softly country-tinged Your Spiritual Breadman," (which features with a familiar voice providing fine harmony George Harrison on electric swivel guitar), and for David's lead vocals, "Bad Luck Blues" is with gospel on "Hymn To Everyone." Ashton's just what it says and, consequently has a much playing is faultless and, at times even inspired. harder feel to it. "Little Lady Margaret" Kim Gardner plays fine bass lines on both sounds like authentic Cajun and is attacked electric and string bass. And Roy Dyke dis- with great elan by David. Standout tracks are plays a total knowledge of his drum kit and the duets between David and Felix, "Cannibal how to use it to the fullest extent. All in all Christians" and "Bird Of Paradise," which are a hard hitting, well thought out album. superb and highly atmospheric. And of course Felix's brilliant production work lifts the LP into the stellar class. An auspicious debut. Pop Best Bets RPOAT'OVE "HEINE IMFTMEONO FROM ,w AS -N ON n CLEAR O A^ SWE.o:,Y°OUT Of HIT MOVIE THEMES Enoch Light and the ME FRON1,1/1.-426VER' TANG STREET GOSPEL John Hurley RCA LSP- - EAU TrFEIME MECES Of - - Light Brigade - Project Three -5051 En.,,.,Nn,DARLING COULD EVER No,ON' ' 4355 Enoch Light and company mix the selec- On this album, John Hurley sings about tions beautifully on this new album, beginning people and circumstances, about religion and with the powerful "Theme From Z," which the world today. He preaches and prays, with combines mandolin and guitar, to the more the hope that someone is listening. His songs relaxing "Airport Love Theme" which features are beautifully arranged, and frightfully to the the strings. Side two opens with the dynamic point. Hurley demonstrates the ability to com- percussion filled "Theme From Patton" and is municate both musically and lyrically, which followed by "The Out Of Towners," "Pieces Of makes him an important new talent. There are Dreams," "On A Clear Day," "Love Is A Funny ten tracks on this LP, and they're all good. Thing," and "Song From M.A.S.H." The album "Sweet Pain," "Love Of The Common People," is delightful and enchanting. "Grandview Baptist Church," and "Land Of Milk And Honey," just to name a few. WITH A LOTTA HELP FROM MY FRIENDS - Junior Mance - Atlantic SD 1562 Like many other musicians with roots in jazz, pianist Mance has been making the DINOSAUR SWAMPS - The Flock - Colum- transition to a rockier contemporary sound bia 30007 and the news about this album is that he has The Flock has always been making very succeeded and in quite an extraordinary interesting music, and this new album is no fashion. Focal point of a quartet which also exception. There are only seven cuts on the includes Eric Gale, guitar; Chuck Rainey, bass LP, but each averages some five minutes in and Billy Cobham, drums, Mance applies his length. "Crabfoot," "Uranian Sircus," "Horn- established artistry on the fresh likes of schmeyer's Island," and "Lighthouse," are "Spinning Wheel" and the Sly Stone favorite among the lengthier and more interesting "Thank You." Keep an eye right on this LP; tracks, but the entire album, including its un- it's got it all. usual cover, is a new concept for the group. FALLA: NIGHTS IN THE GARDENS OF SPAIN; BACH: ITALIAN CONCERTO AND CHROMATIC Classical Picks SAINT-SAENS: PIANO CONCERTO NO. FANTASY AND FUGUE; HAYDN: SONATA NO. 2 - Rubenstein - Ormandy - RCA LSC- 3165 33; NEWMAN: CHIMAERAS I & II Anthony - Pianist Artur Rubenstein and Eugene Or- Newman - Columbia M 30062 Of harpsichordist Anthony Newman the New mandy with the Philadelphia Orchestra have York Times has said "dazzling and phenomen- teamed up to present an utterly delightful al." His third LP for Columbia proves just how album. The Saint-Saens Concerto is delivered right they are. Bach's Italian Concerto and the with both delicacy and strength, giving it an Haydn Sonata are the more orthodox works almost supernatural air. Andalusian composer and are handled with great panache. But the Manuel de Falla's soaring intricate work re- Bach Chromatic and Newman's own works are sembles Debussey without ever really sound- spectacular. His technique is faultless; his ing like him. But the same, darting qualities style pyrotechnic. A brilliant album that is an of, say "La Mer" is in "Nights In The Gardens important addition to any classical collection. Of Spain." As usual Rubenstein's piano shines on brightly, as does Ormandy's talented baton. Cash Box - September 26, 1970 37 .
Recommended publications
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • 47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
    181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of
    [Show full text]
  • BAM R&B Festival at Metrotech Returns with 10 Free Concerts, Jun 7
    BAM R&B Festival at MetroTech returns with 10 free concerts, Jun 7—Aug 9 The stellar lineup includes Bernard Purdie, Bobbi Humphrey, Savion Glover, Terence Blanchard, Vivian Green, and Marcus Miller Forest City Ratner Companies is the Presenting Sponsor of BAM R&B Festival at MetroTech BAM R&B Festival at MetroTech Thursdays, noon—2pm, Jun 7—Aug 9 Free admission, MetroTech Commons at MetroTech Center Produced by Danny Kapilian Jun 7 Bernard Purdie’s All-Star Shuffle with guests Bobbi Humphrey and Quiana Lynell Jun 14 Savion Glover featuring Marcus Gilmore Jun 21 PJ Morton Jun 28 Vivian Green Jul 5 Delgres Jul 12 Amalgarhythm with Kris Davis and Terri Lyne Carrington Jul 19 Jupiter & Okwess Jul 26 Terence Blanchard featuring the E-Collective Aug 2 Ranky Tanky Aug 9 Marcus Miller May 3, 2018/Brooklyn, NY—BAM R&B Festival at MetroTech, Downtown Brooklyn’s best summer tradition, returns from June 7 to August 9 with 10 afternoons of jazz, soul, R&B, and some tap dancing. Now in its 24th year, the festival continues to feature music legends alongside groundbreaking emerging artists. Producer Danny Kapilian said, “It’s so great to bring dynamic artists every year to perform in Downtown Brooklyn. This is one of those adventurous years where we are stepping into some thrilling new musical territory. Four of our star artists this summer live where R&B and jazz combine to create something totally new. Legendary tap dancing star Savion Glover presents a duo performance with the brilliant young jazz drummer Marcus Gilmore. Terri Lyne Carrington is a three-time Grammy-winning drummer who’s bridged the music of Dianne Reeves, Esperanza Spalding, and Valerie Simpson.
    [Show full text]
  • NEW TEMPLE MISSIONARY BAPTIST CHURCH 8730-8736 South Broadway; 247-259 West 87Th Place CHC-2019-4225-HCM ENV-2019-4226-CE
    NEW TEMPLE MISSIONARY BAPTIST CHURCH 8730-8736 South Broadway; 247-259 West 87th Place CHC-2019-4225-HCM ENV-2019-4226-CE Agenda packet includes: 1. Final Determination Staff Recommendation Report 2. City Council Motion 19-0310 3. Commission/ Staff Site Inspection Photos—June 27, 2019 4. Staff Site Inspection Photos—March 27, 2019 5. Categorical Exemption 6. Historic-Cultural Monument Application 7. Letter of Support from Owner Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2019-4225-HCM ENV-2019-4226-CE HEARING DATE: August 1, 2019 Location: 8730-8736 South Broadway; TIME: 10:00 AM 247-259 West 87th Place PLACE: City Hall, Room 1010 Council District: 8 – Harris-Dawson 200 N. Spring Street Community Plan Area: Southeast Los Angeles Los Angeles, CA 90012 Area Planning Commission: South Los Angeles Neighborhood Council: Empowerment Congress EXPIRATION DATE: August 5, 2019 Southeast Area Legal Description: Tract 337, Lots FR 2, 4, and 6 PROJECT: Historic-Cultural Monument Application for the NEW TEMPLE MISSIONARY BAPTIST CHURCH REQUEST: Declare the property an Historic-Cultural Monument OWNER: New Temple Missionary Baptist Church 8734 South Broadway Los Angeles, CA 90003 APPLICANT: City of Los Angeles 221 North Figueroa Street, Suite 1350 Los Angeles, CA 90012 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property an Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings.
    [Show full text]
  • BENNY GOLSON NEA Jazz Master (1996)
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th.
    [Show full text]
  • November 2017 Distributor Newsletter
    SeneScenes November 2017 Distributor Newsletter Get your business off on a profitable path in your first 90 days! Build up your business, and earn valuable product sets for personal use or demonstration. Now, more than ever, it pays to be a SeneGence Distributor! Message from the Founder Dear Lovely, It is amazing that we are only a couple of weeks away from 2018, and I’m sure you are just as excited as I am for the upcoming festive holiday season, with US Thanksgiving, Hanukkah and Christmas just around the corner! There is so much to be thankful for this year, but I am most thankful for my family, health, and all of you amazing Lovelies who are truly my greatest friends, and who I have the honor of watching succeed. Joni Rogers-Kante Founder & CEO Use this holiday season as the perfect time to grow your business! With sponsoring being such a critical step of your SeneGence career, I am sharing with you what I am calling “Joni's SeneScenes Law”: DISTRIBUTOR NEWSLETTER • Five – 1st line Newbies per month equals NOVEMBER 2017 | OCTOBER 2017 RECOGNITION growth. Contact Information: • Three – 1st line Newbies per month equals USA & Canada maintenance. SeneCare [email protected] How many have you sponsored since April 19651 Alter st Foothill Ranch, CA 92610 1 ? If you are sponsoring to grow, that would st Phone: (949) 860-1860 be 35 1 line Newbies to date. At what level of For updated news & productivity are you “actually doing the work”? information about SeneGence products and events: Your activity is ALWAYS seen in the results.
    [Show full text]
  • "Look at the Birds in the Sky; Tley Do Not Sow Or Reap, They Gather Nothing
    A WEEKLY BULLETIN OF ME ST. ANNE CATHOLIC COMMUNITY "Look at the birds in the sky; tley do not sow or reap, ■ they gather nothing into barns, 19. yet your heavenly Father feeds them. Are not you more important than they. -Mt 6:26 ver de,qn.11rtircptll Hrage rom ncr VAn.v......p!pl Eighth Sunday in Ordinary Time Volume 7, No. 14 - This People is the House of God - February 27, 2011 MASS INTENTIONS Monday, February 28th 8:15 St. Anne Perpetual Mass Society nne-f Tuesday, March 1st CathOliccommuni 8:15 People of St. Anne Wednesday, March 2nd 8:15 Paul Masaracchia—Helen and Kim Gardner Our Parish Mission and Core Values: Thursday, March 3rd Led by the Spirit, the Catholic community of St. Anne 8:15 People of St. Anne strives to live the example of Jesus, who said, Friday, March 4th "I came so that you might have life, 8:15 St. Anne Perpetual Mass Society and have it more abundantly." (John 10:10) Michael Krafcisin—Mr. and Mrs. Eugene Kaski Saturday, March 5th ❖ As a united community of believers, we gather in worship, prayer, celebration and fellowship to 8:15 People of St. Anne deepen our relationship with God and one another. 5:15 Charlene Taylor—Tom Taylor Whenever two or more are gathered in my name, Art Cramer—Pat Cramer I am with you. (Matthew 18:20) Sunday, March 6th 7:15 People of St. Anne ❖ As a Christian community, we invite and welcome all and are enriched by their presence. 9:00 Angela Dentamaro—Roseann and Nick Santoro Love one another as / have loved you.
    [Show full text]
  • Greenville, MS 38702-1873 with Your Continued Service to Those in Need, Especially the Children
    NATIONAL ASSOCIATION OF JUNIOR AUXILIARIES, INC. 845 South Main Street Greenville, Mississippi 38701 Mailing Address: Post Office Box 1873 Greenville, Mississippi 38702-1873 Telephone: (662) 332-3000 Facsimile: (662) 332-3076 E-Mail: [email protected] Web site: www.najanet.org Facebook: https://www.facebook.com/NAJAinc Follow us on Twitter: najainc Pinterest: http://pinterest.com/najainc/ LinkedIn: http://www.linkedin.com/groups/National-Association-Junior-Auxiliaries-Inc-4502392 The Junior Auxiliary membership list provided in this Bulletin is for the use of the Junior Auxiliary only and cannot be used for promotion of any activity unrelated to the Junior Auxiliary. “The Junior Auxiliary membership list shall not be made available for commercial purposes or for the purpose of solicitation.” Association Standing Rules I. Association. C. Fund Raising and Contributions. Junior Auxiliary Prayer Send us, O God, as Thy messengers to the hearts without a home, to lives without love, to the crowds without a guide. Send us to the children whom none have blessed, to the famished whom none have visited, to the fallen whom none have lifted, to the bereaved whom none have comforted. Kindle Thy flame on the altars of our hearts, that others may be warmed thereby; cause Thy light to shine in our souls, that others may see the way; keep our sympathies and insight ready, our wills keen, our hands quick to help others in their need. Grant us clear vision, true judgment, with great daring as we seek to right the wrong; and so endow us with cheer- ful love that we may minister to the suffering and forlorn even as Thou wouldst.
    [Show full text]
  • HOLLYWOOD REDEVELOPMENT PROJECT CCS- O R 3
    / c f c / l r"' t COMMUNITY REDEVELOPMENT AGENCY CITY OF LOS ANGELES HOLLYWOOD REDEVELOPMENT PROJECT CCS- o r 3 D / "i O JANUARY 1986 c; 7 - SCH# 85052903 PREPARED FOR: COMMUNITY REDEVELOPMENT AGENCY i OF THE CITY OF LOS ANGELES 354 SOUTH SPRING STREET- SUITE 800 LOS ANGELES. CALIFORNIA 90013 [213) 977-1600 CONTACT PERSON: ILEANA LIEL PREPARED BY: ENVIRONMENTAL SCIENCE ASSOCIATES. INC. CONTACT PERSON; BRUCE CAMPBELL 760 HARRISON STREET ESA SAN FRANCISCO. CA 94107 PLANNING AND ENVIRONMENTAL SERVICES {4151 896-S900 $ I This Environmental Impact Report was prepared by . Environmental Science Associates, Inc., San Francisco, California, to conform to the California Environmental Quality Act and State Guidelines for its implementation. ESA has applied its best efforts to prepare an inclusive informational document that identifies and evaluates possible environmental impacts and possible measures to mitigate adverse impacts of the proposed project, and considers alternatives to the o project as proposed. _ f ■■ This report is intended to be a full disclosure document i and is provided solely to assist in the evaluation of the proposed project. ESA shall not be liable for costs or > damages of any client or third parties caused by use of this document for any other purposes, or for such costs or damages of any client or third parties caused by delay 5 or termination of any project due to judicial or •£~ administrative action, whether or not such action is 2 based on the form or content of this report or portion C thereof prepared by ESA. o' *0 O ^ v. ; ( ERRATA ( i The following text is added following the fourth paragraph on p.
    [Show full text]
  • Bob James Three Mp3, Flac, Wma
    Bob James Three mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Three Country: Japan Released: 1979 Style: Fusion MP3 version RAR size: 1638 mb FLAC version RAR size: 1116 mb WMA version RAR size: 1430 mb Rating: 4.5 Votes: 930 Other Formats: XM AAC VOC VQF DTS DMF WAV Tracklist Hide Credits One Mint Julep A1 9:04 Drums – Andy NewmarkGuitar – Jeff Mironov A2 Women Of Ireland 8:00 Westchester Lady B1 7:23 Bass – Will Lee Storm King B2 6:33 Bass – Will Lee B3 Jamaica Farewell 5:21 Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Gary King (tracks: A1, A2, B3) Bass Trombone – Dave Taylor* Bass Trombone, Tuba – Dave Bargeron Cello – Alan Shulman, Charles McCracken Design [Album] – Rene Schumacher Drums – Harvey Mason (tracks: A2 to B3) Engineer – Rudy Van Gelder Flute – Hubert Laws, Jerry Dodgion Flute, Tenor Saxophone – Eddie Daniels Guitar – Eric Gale (tracks: A2 to B2), Hugh McCracken (tracks: A2 to B2) Harp – Gloria Agostini Keyboards – Bob James Percussion – Ralph MacDonald Photography By – Richard Alcorn Producer – Creed Taylor Tenor Saxophone, Tin Whistle – Grover Washington, Jr. Trombone – Wayne Andre Trumpet – John Frosk, Jon Faddis, Lew Soloff, Marvin Stamm Viola – Al Brown*, Manny Vardi* Violin – David Nadien, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Cykman, Lewis Eley, Matthew Raimondi, Max Ellen Notes Pressing variation with "Side 1 and 2" in upper left of labels. Bottom edge text includes "Unauthorized duplication is a violation of applicable laws". LP housed in company "CTI" sleeve. Recorded at Van Gelder Studios. ℗ 1976, Creed Taylor, Inc.
    [Show full text]
  • Lemmy Kilmister Was Born in Stoke-On-Trent
    Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders.
    [Show full text]
  • Downbeat.Com July 2010 U.K. £3.50
    .K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette,
    [Show full text]