February 2019 List

Total Page:16

File Type:pdf, Size:1020Kb

February 2019 List February 2019 Catalogue Issue 34 Prices valid until Wednesday 27 March 2019 unless stated otherwise 0115 982 7500 “Calais Sands at Low Water: Poissards Collecting Bait” by JMW Turner (1830), used as the cover image for Warner Classics’s new Complete Berlioz Edition. [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, 2019 is certainly shaping up to be a big year for Berlioz celebrations! February sees the release of the eagerly anticipated ‘Complete Works’ box from Warner Classics (also including recordings originally made by EMI, Virgin, Decca and DG), details of which can be found on the page opposite. Featuring content as recent as John Nelson’s highly acclaimed ‘Les Troyens’ alongside legendary staples of the catalogue such as Janet Baker’s ‘Les Nuits d’ete’, they certainly haven’t held back on the quality of the selections, making it seem a bit of a bargain at just over £2 per CD. Harmonia Mundi are our other label to highlight with regard to Berlioz this month: below you will find our choice for ‘Disc of the Month’ - a brand new recording of ‘Harold en Italie’ coupled with ‘Les Nuits d’ete’, featuring violist Tabea Zimmermann and baritone Stephane Degout, both brilliantly supported by Francois-Xavier Roth and his group, Les Siecles - plus they have just issued a fascinating version of ‘Symphonie fantastique’, performed on a two-keyboard Pleyel instrument in a new arrangement by Jean-Francois Heisser. Piano transcriptions have always had a rather niche following, but we would urge you to give this one a try - we have thoroughly enjoyed the soundworld of the instrument and the musical insights that result. We have actually had to cram an unusually large number of new releases in this month (partly due to catching up since Christmas), but highlights to point out include the start of a new Schubert Symphony cycle from Edward Gardner (Chandos); beautifully performed late-Liszt from Cedric Tiberghien (Hyperion); a box of the complete keyboard works of Francois Couperin from Carole Cerasi (recorded by Metronome to mark the anniversary last year); Parry’s complete violin and piano works (EM Records); a superb Handel Acis and Galatea from The Sixteen (Coro); Schubert and Weber Piano Sonatas from Paul Lewis (Harmonia Mundi); and a previously unrecorded operatic work by Liszt, ‘Sardanapalo’ (Audite). Great to see the classical record industry still going strong! As always, you will find plenty of new special offers to explore, including the catalogues of some excellent independent labels such as CPO, ECM New Series, Coro and Berlin Classics, selections from Hyperion and Brilliant Classics, archive anthologies from Scribendum, and DVDs/Blu-rays from Euroarts. Best regards from, The Europadisc Team DISC OF THE MONTH Berlioz Harold en Italie, Les Nuits d’ete £12.95 Tabea Zimmermann, Stephane Degout, Les Siecles, Francois-Xavier Roth or pay just Harmonia Mundi 902634P £9.95 With Debussy Year barely over, it’s already time for the record companies to start if your order value marking 2019’s 150th anniversary of the death of Hector Berlioz. How extraordinary to think that barely 50 years separate the deaths of these two great French composers, exceeds £50* both so revolutionary in their musical achievements yet inhabiting such different * to qualify for the special price, your order value must exceed a soundworlds. Few groups today are better placed to open up those worlds than total of £50 excluding this François-Xavier Roth’s period instrument orchestra Les Siècles, and now, following their recording and before any applicable carriage charges. critically acclaimed accounts of Debussy’s Jeux and Trois Nocturnes, they treat us to two Offer available while stocks last. of Berlioz’s most characteristic scores, the symphony for obbligato viola and orchestra Harold en Italie and the set of orchestral songs Les Nuits d’été. And what a treat it is! Here is historically informed performance at its absolute best, the ranks of French wind instruments in particular immaculately voiced and blended to make this whole disc an absolute joy to listen to. The viola soloist is Tabea Zimmermann, already well experienced in this score, whose beauty of tone, exquisite phrasing and natural stylishness infuse the passive observer Harold with a particularly sympathetic mien. Les Nuits d’été doesn’t normally appear on disc alongside Harold en Italie on disc, nor is it usually heard with a male singer, but here it is extraordinarily effective, a yin to Harold’s yang. And with a baritone of Stéphane Degout’s musicality and sensitivity to text, Théophile Gautier’s verses are as well served as they have ever been. (Full review available to read inside.) 2 PRIORITY NEW RELEASES Warner Classics and Erato Offenbach/Gulda Songplay Cello Concertos Combining the worlds of Moreau, Les Forces opera, jazz and tango! Majeures, Merlin DiDonato, Terry, Istraels, £10.95 Madison, Greco, Porter Erato 9029 552612 £10.95 due 15/2 Erato 9029 553438 9029 563313 Songs of the Cello Homage to Pablo Casals Taeguk Man;Chi Ho Han £10.95 9029 549948 Fantastic Berlioz Major Works 3CD Barbirolli;Jansons;Bernstein;Rattle;Nelson;Plasson etc £11.95 9029 550696 The Da Vinci Sound Renaissance Motets, Songs, Madrigals etc 2CD Munrow;Rooley;Vellard etc £11.95 9029 554278 Anne Queffelec The Complete Erato Recordings 21CD Queffelec etc £44.95 Erato Veritas x2 Two new releases in the series 9029 554305 Bach, JS Motets, Cantatas BWV50 & 118 2CD Monteverdi Choir;Gardiner £6.95 9029 554315 Purcell Birthday Odes + Elizabethan Lute Songs 2CD The Early Music Consort of London £6.95 Warner Original Jacket Collection Five new releases in the series due 15/2 9029 553459 Auric Imaginees Debost;Desurmont;Command;Lodeon;Cazauran;Quatuor Parrenin;Collard £6.95 9029 553487 Beethoven Cello Sonatas 2CD Starker;Sebok £10.95 9029 552819 Berlioz Grande Messe des morts (Requiem) 2CD Tear;LPO;Previn £10.95 9029 553456 Berlioz Les Nuits d’ete; Ravel Sheherazade Baker;New Philharmonia;Barbirolli £6.95 9029 553928 Wolf Song Recital (Salzburg Festival, August 1953) Schwarzkopf;Furtwangler £6.95 Berlioz The Complete Works £59.95 9029 561444 (27CD) Honouring the 150th anniversary of the composer’s death, Berlioz: The Complete Works is the first-ever complete Hector Berlioz edition, containing a wealth of milestone recordings. Carefully selected from the Warner Classics and Erato catalogues with some additions from Decca and Deutsche Grammophon, they span more than 60 years, from 1956 to 2018. Among them are: the multi-award winning 2017 recording of Les Troyens conducted by John Nelson; the Symphonie fantastique and Lélio conducted by Jean Martinon; Janet Baker singing Les Nuits d’été conducted by Sir John Barbirolli, and L’Enfance du Christ conducted by John Eliot Gardiner. The edition also contains a number of world premiere recordings, most notably the surviving fragments of the unfinished opera La Nonne sanglante. Featuring leading French soprano Véronique Gens, these were recorded at their world premiere performance at the 2018 Berlioz Festival in La Côte-Saint-André, near Lyon. The edition offers a special bonus in the form of the two earliest recordings of Berlioz’s music, produced by Pathé at the beginning of 20th century: two of Didon’s arias from Les Troyens are sung by Marie Delna and Félia Litvinne, and for the very first time on CD the first ever recording of the Symphonie fantastique under Rhené-Baton’s baton, recorded in 1923. Berlioz was born in La Côte-Saint-André in 1803. The town’s Hector Berlioz Museum, an official partner in Hector Berlioz: The Complete Works, has supplied numerous documents and images for the lavish 160-page booklet. Along with material from France’s Bibliothèque Nationale, they complement fascinating notes by David Cairns – perhaps the world’s leading authority on Berlioz. 3 PRIORITY NEW RELEASES Sony/RCA New Year’s Day Sibelius Concert 2019 Symphonies 1-7 from Vienna Orchestre de Paris, VPO, Thielemann Paavo Jarvi £12.95 £34.95 Sony 19075 902822 (2CD) RCA 19075 863412 (11CD) also available on DVD & Blu-ray Black Composers Series 1974-1978 £26.95 19075 862152 (10CD) Black Composers Series is a collection of a ground-breaking series of recordings which features the music of black composers. This reissue of the Black Composer Series contains 10 CDs, 9 of which are remastered from the original analogue tapes and the bonus 10th CD is an album which features Symphonic Spirituals. All ten albums released as part of this collection feature the pioneering conductor, composer, and founder of the Chicago Sinfonietta, Paul Freeman. The composers featured in this collection span several centuries and they all come from many different backgrounds and cultures. The earliest composer featured is the unique Chevalier de Saint-Georges (1745–1799). The collection also features works by the English composer Samuel Coleridge-Taylor (1875-1912). His music was successful during his lifetime and he was a huge influence on the African-American composer William Grant Still (1895 –1978) whose work is also featured in the collection. The orchestras featured in this collection include the London Symphony Orchestra, the Baltimore Symphony Orchestra, the Detroit Symphony Orchestra and the Royal Philharmonic Orchestra. Juilliard String Quartet The Complete RCA Recordings £36.95 19075 863412 (11CD) By popular demand following the success of the Juilliard Quartet’s previous reissues, Sony Classical presents an 11-disc collection of all the recordings that the Julliard Quartet made at RCA between 1957-1960. The Juilliard String Quartet, which was founded in 1946 is one of the most prestigious string quartets in the world. In February 2011, the quartet received the NARAS Lifetime Achievement Award for its outstanding contributions to recorded classical music.
Recommended publications
  • English Madrigal School
    THE ENGLISH MADRIGAL SCHOOL Transcribed, Scored and Edited by REV. EDMUND HORACE FELLOWES M.A., Mus.Bac, Oxon. VOL. V. ORLANDO GIBBONS First Set of MADRIGALS AND MOTETS OF FIVE PARTS (Published in 1612) LONDON: STAINER AND BELL, LTD., 58, BERNERS STREET, OXFORD STREET, W. 1914 THE^ENGLISH MADRIGAL SCHOOL. LIST OF SUBSCRIBERS To VOLUMES V.-VIII. Dr. Guido Adler, Proressor of Musical Research in Percy C. Buck, Esq., Mus.Doc, Professor of Music in Vienna University. Trinity College, Dublin ; Director of Music, Harrow W. G. Alcock, Esq., M.V.O., Mus.Doc, Organist and School. Composer to His Majesty's Chapels Royal. F. C. Butcher, Esq., Mus.Bac, Organist and Music B, C. Allchin, Esq., Organist of Hertford College, Master, Hoosac School, New York, U.S.A. Oxford. L. S. R. Byrne, Esq. Hugh P. Allen, Esq., Mus.Doc, Choragus of Oxford University, Organist and Fellow of New College, Capt. Maurice Caillard. Oxford. Sir Vincent H. P. Caillard. The Right Hon. Viscount Alverstone, G.C.M.G., Cardiff University College Library. D.C.L., formerly Lord Chief Justice of England. F. Clive Carey, Esq. (2 copies). E. Amphlett, Esq. Rev. T. B. Carter. W. Anstice, Esq. Sir Francis Champneys, Bart., M.D. Mrs. Argles. The City Glee Club. Godfrey E. P. Arkwright, Esq. J. B. Clark, Esq. Miss Marian Arkwright, Mus. Doc. Rev. Allan Coates. Frl. Amaiie Arnheim. Mrs. Somers V. Cocks. Franck Arnold, Esq. H. C. Colles, Esq., Mus.Bac. Miss R. Baines. The Hon. Mrs. Henn Collins. E. L. Bainton, Esq. Mrs. A. S. Commeline. E. C.
    [Show full text]
  • EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
    EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court.
    [Show full text]
  • The Hungarian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and Ideological Parallels Between Liszt and Bartók David Hill
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Spring 2015 The unH garian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and ideological parallels between Liszt and Bartók David B. Hill James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Musicology Commons Recommended Citation Hill, David B., "The unH garian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and ideological parallels between Liszt and Bartók" (2015). Dissertations. 38. https://commons.lib.jmu.edu/diss201019/38 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. The Hungarian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and Ideological Parallels Between Liszt and Bartók David Hill A document submitted to the graduate faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music May 2015 ! TABLE!OF!CONTENTS! ! Figures…………………………………………………………………………………………………………….…iii! ! Abstract……………………………………………………………………………………………………………...iv! ! Introduction………………………………………………………………………………………………………...1! ! PART!I:!SIMILARITIES!SHARED!BY!THE!TWO!NATIONLISTIC!COMPOSERS! ! A.!Origins…………………………………………………………………………………………………………….4! ! B.!Ties!to!Hungary…………………………………………………………………………………………...…..9!
    [Show full text]
  • Jouer Bach À La Harpe Moderne Proposition D’Une Méthode De Transcription De La Musique Pour Luth De Johann Sebastian Bach
    JOUER BACH À LA HARPE MODERNE PROPOSITION D’UNE MÉTHODE DE TRANSCRIPTION DE LA MUSIQUE POUR LUTH DE JOHANN SEBASTIAN BACH MARIE CHABBEY MARA GALASSI LETIZIA BELMONDO 2020 https://doi.org/10.26039/XA8B-YJ76. 1. PRÉAMBULE ............................................................................................. 3 2. INTRODUCTION ......................................................................................... 5 3. TRANSCRIRE BACH À LA HARPE MODERNE, UN DÉFI DE TAILLE ................ 9 3.1 TRANSCRIRE OU ARRANGER ? PRÉCISIONS TERMINOLOGIQUES ....................................... 9 3.2 BACH TRANSCRIPTEUR ................................................................................................... 11 3.3 LA TRANSCRIPTION À LA HARPE ; UNE PRATIQUE SÉCULAIRE ......................................... 13 3.4 REPÈRES HISTORIQUES SUR LA TRANSCRIPTION ET LA RÉCEPTION DES ŒUVRES DE BACH AU FIL DES SIÈCLES ....................................................................................................... 15 3.4.1 Différences d’attitudes vis-à-vis de l’original ............................................................. 15 3.4.2 La musique de J.S. Bach à la harpe ............................................................................ 19 3.5 LES HARPES AU TEMPS DE J.S. BACH ............................................................................. 21 3.5.1 Panorama des harpes présentes en Allemagne. ......................................................... 21 4. CHOIX DE LA PIECE EN VUE D’UNE TRANSCRIPTION ...............................
    [Show full text]
  • Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università Degli Studi Di Milano)
    TRANS 18 (2014) DOSSIER: VOCAL PERFORMANCE AND TECHNOLOGICAL PRACTICES: NEW PERSPECTIVES IN THE STUDY OF VOCAL MUSIC TRADITION Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università degli Studi di Milano) Resumen Abstract A partire dalla rilettura di Notre Dame proposta da Davide Daolmi, In connection with the interpretation of Notre Dame proposed by si indagano le ragioni che hanno permesso l’invenzione moderna Davide Daolmi in this journal, the article analyzes the reasons that dell’esecuzione polifonica del XII-XIII secolo, ripercorrendo gli allowed the modern invention of polyphonic performance of 12th esperimenti promossi nel corso del primo Novecento e and 13th centuries, tracing experiments promoted during the early consolidatisi, in pieno early music revival, verso la fine degli anni 20th century and strengthened in the early music revival in the late Settanta. Le scelte musicali compiute appaiono espressione del Seventies. The musical choices appear as expressions of a cultural mainstream culturale più che dell’evidenza documentaria e mainstream more than documentary evidence: at the beginning the tuttavia, se all’inizio le ragioni musicologiche, pur provvisorie e musicological reasons are references for the first performances (with pregiudiziali sul Medioevo, rimangono riferimento per le prime preconceptions about Middle Age), then the vocal interpretation of esecuzioni, in seguito le proposte vocali del Dopoguerra hanno the second Postwar became extraneous to the historical research preferito una strada slegata dalla ricerca storica (in realtà priva di (moreover lacking of any new contribution) and found aesthetic nuovi apporti) per trovare ragioni e alibi estetici in ambiti alibis in different environment (social, politic, market).
    [Show full text]
  • Gibbons US 6/8/06 11:30 AM Page 16
    557681 bk Gibbons US 6/8/06 11:30 AM Page 16 1 Prelude ™ The First Song of Moses (Gibbons arr. A. Pitts) [Song 1] 0:46 (Gibbons arr. A. Pitts) [Song 1] 2:07 2 A Song of Joy / Christmas Day £ Lord, who by Thy Resurrection (Gibbons arr. A. Pitts) [Songs 47/46] 3:34 (A. Pitts) 1:05 GIBBONS 3 The Song of Angels ¢ The Song of Hannah (Gibbons arr. A. Pitts) [Song 34] 0:45 (Gibbons arr. A. Pitts) [Song 4] 2:14 4 Interlude ∞ The Song of Deborah (Gibbons) [Song 13] 0:23 (Gibbons arr. A. Pitts) [Song 3] 2:21 Hymns and Songs of the Church 5 Thine for ever! § O Lord Most High (A. Pitts) 1:29 (Richard James Pitts) 2:40 6 Amen 0:17 ¶ Amen 0:19 7 The First Canticle • Veni Creator TONUS PEREGRINUS (Gibbons arr. A. Pitts) [Song 9] 2:23 (Gibbons arr. A. Pitts) [Song 44] 2:28 8 The Fifth Canticle ª St Matthias (Gibbons arr. A. Pitts) [Song 13] 2:47 (Gibbons arr. A. Pitts) [Song 67] 0:57 9 The Sixth Canticle º Veni Creator (Gibbons arr. A. Pitts) [Song 14] 4:11 (Gibbons arr. A. Pitts) [Song 44] 1:08 0 The Tenth Canticle ⁄ We are of Thee (Gibbons arr. A. Pitts) [Song 18] 1:30 (Gibbons arr. A. Pitts) [Song 1] 1:40 ! Thy way, not mine ¤ Hark, my soul! (John Michael Pitts) 2:02 (A. Pitts) 2:07 @ Amen 0:18 ‹ Amen 0:20 # There is a green hill far away › Come unto Me (A.
    [Show full text]
  • PMMS Josquin Des Prez Discography June 2021
    Josquin des Prez Discography Compiled by Jerome F. Weber This discography of Josquin des Prez (Josquin Lebloitte dit des Prez), who has been indexed as Josquin Desprez, Des Près, and Pres, adopts the format of the Du Fay discography previously posted on this website. It may be noted that at least three book titles since 2000 have named him simply “Josquin,” bypassing the spelling problem. Acknowledgment is due to Pierre-F. Roberge and Todd McComb for an exhaustive list of records containing Josquin’s music in www.medieval.org/emfaq. It incorporates listings from the work of Sydney Robinson Charles in Josquin des Prez: A Guide to Research (Garland Composer Resource Manuals, 1983) and Peter Urquhart in The Josquin Companion (ed. Richard Sherr, Oxford, 2000), which continued where Charles left off. The last two lists each included a title index. This work has also used the following publications already incorporated in the three cited discographies. The 78rpm and early LP eras were covered in discographic format by The Gramophone Shop Encyclopedia of Recorded Music (three editions, 1936, 1942, 1948) and The World’s Encyclopaedia of Recorded Music (three volumes, 1952, 1953, 1957). James Coover and Richard Colvig compiled Medieval and Renaissance Music on Long-Playing Records in two volumes (1964 and 1973), and Trevor Croucher compiled Early Music Discography from Plainsong to the Sons of Bach (Oryx Press, 1981). The Index to Record Reviews compiled by Kurtz Myers (G. K. Hall, 1978) provided useful information. Michael Gray’s classical-discography.org has furnished many details. David Fallows offered many valuable suggestions.
    [Show full text]
  • Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
    Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.
    [Show full text]
  • A Structural Analysis of the Relationship Between Programme, Harmony and Form in the Symphonic Poems of Franz Liszt Keith Thomas Johns University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt Keith Thomas Johns University of Wollongong Recommended Citation Johns, Keith Thomas, A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt, Doctor of Philosophy thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/1927 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A STRUCTURAL ANALYSIS OF THE RELATIONSHIP BETWEEN PROGRAMME, HARMONY AND FORM IN THE SYMPHONIC POEMS OF FRANZ LISZT. A thesis submitted in fulfilment of the requirements for the award of the degree of DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by KEITH THOMAS JOHNS (M.Litt.,B.A.Hons.,Grad.Dip.Ed., F.L.C.M., F.T.C.L., L.T.C.L. ) SCHOOL OF CREATIVE ARTS 1986 i ABSTRACT This thesis examines the central concern in an analysis of the symphonic poems of Franz Liszt, that is, the relationship between programme,harmony and form. In order to make a thorough and clear analysis of this relationship a structural/semiotic analysis has been developed as the analysis of best fit. Historically it has been fashionable to see Liszt's symphonic poems in terms of sonata form or a form only making sense in terms of the attached programme. Both of these ideas are critically examined in this analysis.
    [Show full text]
  • GEORG PHILIPP TELEMANN Musikalische Werke (Auswahlausgabe)
    Musikwissenschaftliche Editionen – Publikationsverzeichnis – Stand: Mai 2019 GEORG PHILIPP TELEMANN Musikalische Werke (Auswahlausgabe) (Finanzierung durch das Akademienprogramm bis 31.12.2010) Herausgeber: Akademie der Wissenschaften und der Literatur, Mainz, in Verbindung mit dem Zentrum für Telemann-Pflege und -Forschung Magdeburg. Anschrift: Telemann-Auswahlausgabe, Schönebecker Str. 129, 39104 Magdeburg Verlag: Bärenreiter-Verlag, Kassel Umfang der Ausgabe: 50 Bände mit Kritischen Berichten und 3 Supplementbände. Band I: Zwölf methodische Sonaten. 1–6 für Violine oder Querflöte und Basso continuo, 7–12 für Querflöte oder Violine und Basso continuo. Hamburg 1728 und 1732. Herausgegeben von Max Seiffert. 1955, 71983. VIII, 126 S. Band II: Der Harmonische Gottesdienst. Ein Jahrgang von 72 Solokantaten für 1 Singstimme, 1 Instrument und Basso continuo. Hamburg 1725/1726. Teil I [Nr. 1–15]: Neujahr bis Reminiscere. Herausgegeben von Gustav Fock. 1953, ³1981. XI, 132 S. Band III: Der Harmonische Gottesdienst. Ein Jahrgang von 72 Solokantaten für 1 Singstimme, 1 Instrument und Basso continuo. Hamburg 1725/1726. Teil II [Nr. 16–31]: Oculi bis 1. Pfingsttag. Herausgegeben von Gustav Fock. 1953, ³1982. IV, 140 S. Band IV: Der Harmonische Gottesdienst. Ein Jahrgang von 72 Solokantaten für 1 Singstimme, 1 Instrument und Basso continuo. Hamburg 1725/1726. Teil III [Nr. 32–50]: 2. Pfingsttag bis 16. Sonntag nach Trinitatis. Herausgegeben von Gustav Fock. 1970, 41998. VII, 152 S. Band V: Der Harmonische Gottesdienst. Ein Jahrgang von 72 Solokantaten für 1 Singstimme, 1 Instrument und Basso continuo. Hamburg 1725/1726. Teil IV [Nr. 51–72]: 17. Sonntag nach Trinitatis bis Sonntag nach Weihnachten. Herausgegeben von Gustav Fock. 1957. VII, 163 S. Band VI: Kammermusik ohne Generalbaß [I].
    [Show full text]
  • ‚Aufgeweckte Einfälle' Und ‚Sinnreiche Gedanken' – Witz Und Humor
    ‚aufgeweckte Einfälle‘ und ‚sinnreiche Gedanken‘ – Witz und Humor in Ouvertürensuiten Georg Philipp Telemanns Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg vorgelegt von: Sarah-Denise Fabian Erstgutachterin: Prof. Dr. Silke Leopold Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, Juli 2014, überarbeitete Fassung August 2015 Für meine Eltern und Großeltern Dank Bei der vorliegenden Arbeit handelt es sich um eine geringfügig überarbeitete Fassung meiner im Juli 2014 von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg an- genommenen Dissertation. Während ihrer Entstehung habe ich diverse Unterstützungen ver- schiedener Personen und Einrichtungen erhalten. Zu allererst gebührt Prof. Dr. Silke Leopold für die Betreuung der Arbeit ein herzliches Dankeschön! Sie hat alle Phasen der Dissertation – Themenfindung, Anlage und Konzeption, Verschriftlichung – mit wertvollen Hinweisen und Anregungen zum Über- und Weiterdenken begleitet. Außerdem hat sie mir ermöglicht, wäh- rend der gesamten Promotionsphase ununterbrochen unter anderem als wissenschaftliche Hilfs- kraft am Musikwissenschaftlichen Seminar der Universität Heidelberg angestellt zu sein, und damit einen finanziellen Rahmen für die Arbeit geschaffen. Dafür bin ich ihr ebenfalls sehr dankbar. Daneben hat Prof. Dr. Dorothea Redepenning im Doktorandenkolloquium immer wie- der das Projekt mit nützlichen Ratschlägen unterstützt und zudem dankenswerterweise das Zweitgutachten übernommen. Überhaupt danke ich allen Teilnehmern des Doktorandenkollo- quiums: Zum einen habe ich in den Diskussionen nach meinen Referaten stets positive Anre- gungen für die Gestaltung der einzelnen Kapitel erhalten, zum anderen hat die Lektüre kultur- wissenschaftlich orientierter Texte im Rahmen des Kolloquiums dazu geführt, gewinnbringend aus einer anderen Blickrichtung auf die eigene Arbeit zu schauen. Den Vorsitz bei meiner im Dezember 2014 stattgefundenen Disputatio hat freundlicherweise PD Dr.
    [Show full text]
  • WOLFRAM LATTKE Tenor ROBERT POHLERS Tenor FRANK OZIMEK Bariton DANIEL KNAUFT Bass HOLGER KRAUSE Bass
    WOLFRAM LATTKE Tenor ROBERT POHLERS Tenor FRANK OZIMEK Bariton DANIEL KNAUFT Bass HOLGER KRAUSE Bass Unverwechselbarer Klang, atemberaubende Homogenität, musikalische Stilsicherheit und eine gehörige Portion Charme und Witz sind die besonderen Markenzeichen von amarcord. Das äußerst Facettenreiche und breitgefächerte Repertoire umFasst Gesänge des Mittelalters, Madrigale und Messen der Renaissance, Kompositionen und Werkzyklen der europäischen Romantik und des 20. Jahrhunderts sowie A-cappella-Arrangements weltweit gesammelter Volkslieder und bekannter Songs aus Soul und Jazz. Dem Neuen gegenüber auFgeschlossen, legen die Sänger großen Wert auF die PFlege und Förderung zeitgenössischer Musik. So schrieben u.a. Bernd Franke, SteFFen Schleiermacher, Ivan Moody, James MacMillan, Sidney M. Boquiren, Siegfried Thiele und Dimitri Terzakis Werke für amarcord. Wenngleich reine A-cappella-Programme im Mittelpunkt der Konzerttätigkeit stehen, gibt es regelmäßig Projekte mit namhaFten Ensembles und Künstlern wie dem Gewandhausorchester Leipzig, der Lautten Compagney, dem Swedish Chamber Orchestra, dem Vogler-Quartett, dem Ensemble Modern, der Pianistin Ragna Schirmer, dem Bandoneonvirtuosen Per Arne Glorvigen, der Gambistin Hille Perl und Friend 'n Fellow. Das Vokalensemble ist Preisträger zahlreicher internationaler Wettbewerbe (Tolosa/Spanien, Tampere/Finnland, Pohlheim/Deutschland, 1. Chor-Olympiade in Linz/Österreich). Im Jahr 2002 gewann das Ensemble den Deutschen Musikwettbewerb, nachdem es bereits zwei Jahre zuvor mit dem Stipendium und der
    [Show full text]