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Gibbons US 6/8/06 11:30 AM Page 16 557681 bk Gibbons US 6/8/06 11:30 AM Page 16 1 Prelude ™ The First Song of Moses (Gibbons arr. A. Pitts) [Song 1] 0:46 (Gibbons arr. A. Pitts) [Song 1] 2:07 2 A Song of Joy / Christmas Day £ Lord, who by Thy Resurrection (Gibbons arr. A. Pitts) [Songs 47/46] 3:34 (A. Pitts) 1:05 GIBBONS 3 The Song of Angels ¢ The Song of Hannah (Gibbons arr. A. Pitts) [Song 34] 0:45 (Gibbons arr. A. Pitts) [Song 4] 2:14 4 Interlude ∞ The Song of Deborah (Gibbons) [Song 13] 0:23 (Gibbons arr. A. Pitts) [Song 3] 2:21 Hymns and Songs of the Church 5 Thine for ever! § O Lord Most High (A. Pitts) 1:29 (Richard James Pitts) 2:40 6 Amen 0:17 ¶ Amen 0:19 7 The First Canticle • Veni Creator TONUS PEREGRINUS (Gibbons arr. A. Pitts) [Song 9] 2:23 (Gibbons arr. A. Pitts) [Song 44] 2:28 8 The Fifth Canticle ª St Matthias (Gibbons arr. A. Pitts) [Song 13] 2:47 (Gibbons arr. A. Pitts) [Song 67] 0:57 9 The Sixth Canticle º Veni Creator (Gibbons arr. A. Pitts) [Song 14] 4:11 (Gibbons arr. A. Pitts) [Song 44] 1:08 0 The Tenth Canticle ⁄ We are of Thee (Gibbons arr. A. Pitts) [Song 18] 1:30 (Gibbons arr. A. Pitts) [Song 1] 1:40 ! Thy way, not mine ¤ Hark, my soul! (John Michael Pitts) 2:02 (A. Pitts) 2:07 @ Amen 0:18 ‹ Amen 0:20 # There is a green hill far away › Come unto Me (A. Pitts) 3:51 (A. Pitts) 2:30 $ Interlude [There is a green hill far away] fi The Second Song of Isaiah (A. Pitts) 0:51 (Gibbons arr. A. Pitts) [Song 20] 0:45 % Take my life fl The Prayer of Habakuk (Gibbons arr. A. Pitts) [Song 13] 3:55 (Gibbons arr. A. Pitts) [Song 31] 2:11 ^ Amen 0:21 ‡ Interlude & Lord, who by Thy perfect offering (Gibbons arr. A. Pitts) [Song 13] 1:08 (A. Pitts) 1:04 ° The Song of the Three Children * Lamentation I (Gibbons arr. A. L’Estrange) [Song 41] 1:56 (Gibbons arr. A. L’Estrange) [Song 24] 4:43 · Amen 0:20 ( The Lamentation of David ‚ Miserere Domine (Gibbons arr. A. L’Estrange) [Song 5] 2:33 (A. Pitts) 1:53 ) As now the sun’s declining rays a The Prayer of Hezekiah (A. L’Estrange) 1:33 (Gibbons arr. A. Pitts) [Song 22] 1:22 ¡ Amen 0:25 b Amen 0:26 8.557681 16 557681 bk Gibbons US 6/8/06 11:30 AM Page 2 Hymnes and Songs of the Church Though the fig-tree blossom not, · Amen and the vine no cluster yield; Music: arr. Antony Pitts “Since my childhood I have been aware that the music Testament, translated into English Measures, follow on though the olive labour fails that moves me most stems from chorales and hymns.” from a Reformation-led interest in metrical versions of nor the meat be in the field; Songs of hope So said Glenn Gould in an interview with Bruno the Psalms in the vernacular; a famous English example when cut off the flock from fold Monsaingeon in 1979, “Indeed I always said the most from half a century earlier is Archbishop Parker’s and no herd found in the stalls; ‚ Miserere Domine fascinating beautiful little piece in all of music is a Psalter complete with Thomas Tallis’s adaptable Music: Antony Pitts hymn by Orlando Gibbons, by the name Thus Angels musical settings. Yet will I in Him rejoice Text: E.O. Sang. I couldn’t count the times I’ve let these bars Hymns and “spiritual songs” have been part of God of my salvation, wander through my mind, or how often I’ve played Christian worship since New Testament times, joy in Him, my Lord and God, In that dim and awful day, them on the piano, or how often I’ve listened to the specifically described by Paul in his letter to the for the Lord God is my strength: when this world shall pass away, Deller Consort sing them – hundreds, probably Colossians (3:16) as two creative outlets alongside the He will make my feet like hinds’ where shall be the sinner’s stay? thousands of times.” This present disc is believed to be (by then) one-thousand-year-old Jewish tradition of and to walk safe on the heights. Miserere Domine! the first complete recording of all of the hymn melodies psalm-singing. Famous saints Ambrose in the fourth ascribed to Orlando Gibbons and included in [The] century, Bernard of Clairvaux in the twelfth, and ‡ Song 13 (instrumental excerpts) Not alone, but one with Thee, Hymnes and Songs of the Church published by George Thomas Aquinas in the thirteenth have all written Music: Orlando Gibbons (arr. Antony Pitts) in Thy true humanity, Wither in 1623. hymns that are still in use today (often in English Saviour, shall my portion be. 1623 was also the year that John Donne wrote in translations by diligent nineteenth-century scholars and ° Song 41: The Song of the Three Children Miserere Domine! Meditation XVII from his Devotions upon Emergent hymn-writers). Completely new texts, such as the hymn Music: Orlando Gibbons (arr. Alexander L’Estrange) Occasions: “The church is Catholic, universal, so are all to the Holy Trinity that was discovered with musical Text: George Wither At that awful judgment-tide, her actions; all that she does belongs to all. When she notation on a papyrus at Oxyrhyncus, appeared from the Rock of Ages, let me hide baptizes a child, that action concerns me; for that child first centuries of the Christian Era, while the primary Oh all you Creatures of the Lord; deep within Thy wounded side. is thereby connected to that head which is my head too, source for much of the new poetry continued to be the You Angels of the Lord most high; Miserere Domine! and ingrafted into that body whereof I am a member”. It Psalms and other Biblical texts; George Wither’s 1623 You Heav’ns with what you do afford; is in the spirit of Donne’s famous meditation that we collection combines both these strands of hymnody, as And Waters all above the sky: a Song 22: The Prayer of Hezekiah have approached this recording, arranging the Gibbons its full title explains: “The hymnes and songs of the Bless ye the LORD, Him praise, adore, Music: Orlando Gibbons (arr. Antony Pitts) melodies in eight short sequences that broadly cover the Church diuided into two parts. The first part and magnify Him evermore. Text: George Wither unfolding of the Church’s liturgical year; each sequence comprehends the canonicall hymnes, and such parcels is garnished with a recent musical offshoot of the of Holy Scripture as may properly be sung, with some Thou Earth, you mountains, and you hills, O Lord of Hosts and God of Israel! English hymn-writing tradition, linked directly to the other ancient songs and creeds. The second part consists and whatsoever thereon grows; Thou, who between the Cherubim dost dwell; performers on this disc. of spirituall songs, appropriated to the seuerall times and you fountains, rivers, springs, and rills; of all the world Thou only art the King, George Wither was a colourful character, and like occasions obserueable in the Church of England”. And you seas, and all that ebbs, or flows: and heav’n and earth, unto their form didst bring. Donne, distinctly English in tenacity and in the tension the connection to the Psalms was both historic and Bless ye the LORD, Him praise, adore, between worldly pursuits and spiritual devotion. Both literal: Wither’s publication was initially granted a royal and magnify Him evermore. b Amen men spent time in prison – Donne for secretly marrying monopoly to be “bound up with every copy of the Music: arr. Antony Pitts his patron’s sixteen-year-old niece and Wither twice for authorized metrical psalms on sale” (in various printed Let Israel the LORD confess; writing satirical material which upset the Establishment. formats), thus bringing together the Apostle Paul’s three so let His priests, that in Him trust; Although Wither has neither the reputation nor the categories of musical worship in one volume. Him let His servants also bless; genius of Donne, he can certainly be celebrated for The terms hymn and song, however, cause some ye souls and spirits of the just: creating one of the very earliest prototypes of an English confusion: Gibbons’ tunes are known as Song 1 etc., yet Bless ye the LORD, Him praise, adore, hymnal. The Hymnes and Songs of the Church, and we think of them as hymns. A distinction between and magnify Him evermore. Wither’s own 1621 precursor to it, the Songs of the Old public and private worship is hinted at by Wither, but in 8.557681 2 15 8.557681 557681 bk Gibbons US 6/8/06 11:30 AM Page 14 We are of Thee, the children of Thy love, Songs of faith the blurred practice of the intervening centuries there 13 to Song 34, and leads into Thine for ever, a joyful brothers and sisters of Thine own dear Son; remains little difference for us today, and for the rest of modern counterpart with florid inner parts 5. descend, O Holy Spirit, like a dove, › Come unto Me this booklet the terms are used interchangeably. into our hearts, that we may be as one: Music: Antony Pitts Orlando Gibbons was baptized in Oxford in 1583 Songs of love (7-@) as one with Thee, to Whom we ever tend; Text: William C.
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