Hairspray Craig Wrotniak Central Washington University

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Hairspray Craig Wrotniak Central Washington University Central Washington University ScholarWorks@CWU Graduate Student Projects Spring 2015 Direction of the Musical: Hairspray Craig Wrotniak Central Washington University Follow this and additional works at: http://digitalcommons.cwu.edu/thesis_projects Part of the Theatre and Performance Studies Commons Recommended Citation Wrotniak, Craig, "Direction of the Musical: Hairspray" (2015). Graduate Student Projects. Paper 25. This Graduate Project is brought to you for free and open access by ScholarWorks@CWU. It has been accepted for inclusion in Graduate Student Projects by an authorized administrator of ScholarWorks@CWU. Direction of the Play: Hairspray A Project Report Presented to The Graduate Faculty Central Washington University In Partial Fulfillment Of the Requirements for the Degree Master of Arts Theatre Production by Craig Wrotniak June 2015 1 ABSTRACT PROJECT REPORT Hairspray Book by: Mark O'Donnell & Thomas Meehan Music by: Marc Shaiman Lyrics by: Scott Wittman & Marc Shaiman North Surrey Secondary Directed by Craig Wrotniak May 2015 This project entailed the selection, background research and documentation, casting, direction, and post­ production analysis of North Surrey Secondary School's production of Hairspray. Documentation includes research and analysis of the play, and an evaluation of the play as a production vehicle for the Drama and Theatrical Arts Department at North Surrey Secondary School. 111 Craig Wrotniak Courses presented for the Master's degree Number Course of Quarter No. Course Title Credits Instructor Completed TH521 Curr & Prog Development 3 Forier Summer2010 TH540 Grad Directing I 3 Smith Summer2010 TH560 Stage/TV Makeup 3 McMillen Summer2010 TH568 Lighting Techniques 3 Barrigan Summer2010 TH539 Direct & Teach Young Actors 3 Forier Summer 2011 TH501 Intro to Grad Studies 1 Bellah Summer2012 TH 544 Acting Styles Application 3 Pearse Summer 2012 TH580 Scenic Methods 3 Barnett Summer2012 TH 502 Intro to the Creative Project 1 Bellah Summer2013 TH510 Theatre Lit, Theory & Crit I 4 Ball Summer 2013 TH536 Advanced Stage Movement 3 Bellah Summer2013 TH 541 Grad Directing II 3 Hubbard Summer 2013 TH565 Costuming Methods 3 McMillen Summer2013 TH596 Grad Research 3 Hubbard Summer2013 TH571 Design Methods 3 Haniak Summer 2014 TH700 Master Thesis Project 1 Hubbard Spring 2015 TH700 Master Thesis Project 2 Hubbard Summer2015 Total Credits Required: 45 v BIOGRAPHICAL INFORMATION Craig Wrotniak Undergraduate Study: Bachelor of Hwnan Kinetics, University of British Colwnbia (2006) Bachelor of Education, University of British Colwnbia (2007) Graduate Study: Central Washington University, 2010-2015 Professional Experience: High School Drama & Theatrical Arts Teacher: 2007-Present Vl TABLE OF CONTENTS SECTION PAGE I. Title Page .................... ..................... ........ ... ...................... .i II. Approval Page ................................. .... ................................ .ii III. Abstract .............................................................................. iii IV. Table of Contents ...................... ........... .......... ................. ...... vii v. SECTION 1: PRIMARY INFORMATION a. Copy of Playscript Approval Form ............................................ 1 b. Copy of Script, PianoNocal Score ............................. ...............6 c. Copy of Committee and Option Approval Form ..... ..... ... .............211 d. Permission of Hiring Authority ..............................................212 e. Project Parameters ... ...... ..... ........ .......... ........................ .. .... 213 f. Project Schedule ... .. ............ ... .... .. ... .. .............................216 g. Evaluation of Play as a Production Vehicle ................................221 h. Concept Statement ........ ....... .... ...... ..... ...... ..................... .... 223 VI. SECTION 2: PRE-PRODUCTION ANALYSIS a. Initial Action/Conflict Analysis ..................................... ....... 228 b. Given Circumstances ............................................ ... .........229 c. Previous Action ..... ... ................................... ....... ... .......... 243 d. Analysis of Dialogue .................................... ........ ............. 249 e. Analysis of Dramatic Action ................................................ 253 f. Titles of Units and Summary of the Action ................... ............ .317 g. Character Analysis ... .. ........................ ...... ........................ 329 vu VI. (Cont.)h. Idea of the Play .............. ................ .... ............... ............. 337 i. Moods of the Play I Sense Adjectives ...... ................................ 339 j. Tempo ...................................................... .............. .... ... 362 k. Tone ............ ............. .. ................ .. .. ........... .. ............. ... 369 1. Previous Reviews/Past Productions ...................... ....... .. ......... 370 m. The Creative Team Biographies ........................... .... .. ...... .. .. 373 n. List of Student Learning Goals and Outcomes ............. .............. 376 VII. SECTION 3: POST-PRODUCTION MATERIALS a. Production Journal. ............. ......... .... ..... ...... ...... ........ ....... 379 b. Written Evaluation of Project Committee ....... ......................... .429 c. Self Evaluation ................................ ..... .. .......... ... ........... 435 VIII. BIBLIOGRAPHY a. Works Cited ...... ....... ...................... .... ... ... ..... .. ..... .......... 446 b. Works Consulted .. .. .. ... .............. .......... ........ ................. ... 448 XI. APPENDICIES Appendix A - Student Assessment Criteria Sheets ............. ......... ..... 450 Appendix B - Ground Plan (rough sketches) ..... ... .. ... ......... .. ..... .. .456 Appendix C - Production Photos ............................................. .472 Appendix D - Performance Program ......................................... .482 Appendix E - Publicity Posters, Tickets, T-shirt & Sign design ......... .490 Appendix F - Front of House 1960's Soda Shop Menu & Costume ..... .495 Appendix G - Backstage hair/makeup process photos ..................... .497 Appendix H - Lighting checklists, cue lists and other documentation .... 508 Appendix I - Sound checklists, cue lists and other documentation ....... 542 Appendix J - Educational Study Guide .......................................552 vm XI. (Cont.) Appendix K- Hairspray Dictionary ....................... .................. 560 Appendix L- Production Music and ETC Ion saved show on USB. .... 613 Appendix M-Administration and Student Thank You Cards ...........614 IX Wrotniak 1 MASTER'S THESIS PROJECT PLAYSCRIPT APPROVAL FORM (PLEASE MAKE SURE THAT YOU HA VE READ THE PLAY SELECTION CRITERIA SECTION IN YOUR GRADUATE HANDBOOK) 1 Student Name Craig Wrotniak Anticipated Production Dates Mav 11' ' -22""2015 SCRIPT TITLE__ Hairspray __ PLAYWRIGHT(S) [If musical, list lyricist/composer]_Book by Mark O'Donnell & Thomas Meehan, Music by Marc Shaiman Lyrics by Scott Wittman & Marc Shaiman NUMBER OF ACTS 2 APPROXIMATE TOTALPLAYINGTME 1 HOUR 55 MIN. --- ---- - - CAST (fill in with the appropriate numbers) MEN_l 7 plus chorus/dancers _WOMEN_l 8_plus chorus/dancers__ CHILDREN_n/a_OVER 40 n/a ROLES REQUIRING PEOPLE OF COLOR__ Multiple (almost Yi the cast)__ ROLES COULD DOUBLE all Could be--- TOTAL NUMBER OF CAST___]approx 50 plus__ )THER CASTING CONCERNS: ARTISTIC STAFF (check those needed for this play or production idea) double click on grey box; select checked to mark or use a pen 0MUSICAL DIRECTOR ~DANCE CHOREOGRAPHER 0FIGHT CHOREOGRAPHER 0DIALECT COACH ~SPECIALTY HIRES (vocal coach for selected songs, & a stage carp/set and lighting designer & costume designer & program/publicity manager) D ORCHESTRA/BAND (specify what size)__ __N/A Fully Canned Tracks__ Will you be fulfilling any of the above? If so, which? DANCE CHOREOGRAPHER (for at least some of the songs) with student dance choreographers doing the majority of the large dance numbers Will a guest artist be fulfilling any of the above? Yes, a lighting designer, perhaps also a costume designer. SCENERY/PROPS (check those needed for this play or your concept of the play) UNIT SET? C8JYES ONO NUMBER OF LOCATIONS_Multiple__ HISTORICAL PERIOD_l 962__ GEOGRAPHICAL LOCATION _ Baltimore Maryland USA_ JRIEF DESCRIPTION OF SET CONCERNS OR SPECIAL REQUIREMENTS: A major musical, large set, needs to change locations multiple times during act I and 2, so I need a strong set design to help keep set changes fast and clean. APPROXIMATE NUMBER OF PROPS 60-75 - - PERIOD__ Early 1960's America__ DIFFICULT OR UNUSUAL PROPS? DYES [8]No DESCRIBE: NIA WEAPONS OR FIREARMS? DYES C8JNO HOW MANY - - - - - DESCRIBE: COSTUMES (CHECK THOSE NEEDED FOR THIS PLAY OR YOUR CONCEPT OF THE PLAY) APPROXIMATE NUMBER OF COSTUMES PER CHARACTER__ l to 4 per character (Tracy has the most, but most of the other characters only have 1 or 2 costumes_ _ HISTORICAL PERIOD _ _ America 1962 ... time/geographical area of racial segregation and race riots__ SEASON_Spring.__ _ SPECIAL REQUIREMENTS: n/a JUSTIFICATION FOR CHOICE OF SCRIPT HA VE YOU SEEN THIS SCRIPT PRODUCED? 0YES [gjNO HAVE YOU DONE THIS PLAY BEFORE? BRIEFLY DESCRIBE YOUR INVOLVEMENT IN THE PRODUCTION: No I have not. WHY SHOULD YOUR ORGANIZATION PRODUCE THIS SCRIPT? North Surrey Secondary should produce it because it is a fun production to do! It involves lots of students so that should help grow our program. Our school is racially diverse
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