2017-06 Catch Me If You Can.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2017-06 Catch Me If You Can.Pdf PRESIDENT’S MESSAGE elcome to the third and final production of WVO Musical Theatre W Company’s 52nd Season, “Catch Me If You Can” . We hope you will enjoy this new and entertaining musical which we are presenting for the very first time . It was originally a very popular film, starring Leonardo DiCaprio and Tom Hanks and made into a Broadway hit in 2011 . YOU ARE INVITED!! DON’T WAIT!!! JOIN US NOW FOR OUR NEW 53rd SEASON! Whether you are already one of our 1200+ subscribers or here in Presents the Saratoga Civic Theatre for the first time, we invite you to join us this coming November for our 2017–2018 season . It will open with a South Bay Premiere of “Bullets Over Broadway”, followed by “Sister Act, the Divine Comedy” and closing with another great comedy, Monty Python’s “Spamalot” . Look at Our Centerfold! Included in this program is a special blue insert which we invite you to use to subscribe to WVLO Musical Theatre Company’s 53rd musical (Based on the DreamWorks Motion Picture) season . Subscribe NOW to ensure good seats and substantial savings over the cost Music by Marc Shaiman • Lyrics by Scott Willman and Marc Shaiman • Book by Terrence McNally of individual tickets . Current subscribers may also use this form to renew for next Arrangements by Marc Shaiman • Orchestrations by Marc Shaiman and Larry Blank season . All subscription and individual tickets orders will be processed according to Originally Produced on Broadway by Margo Lion and Hal Luftig the date on which they are received, and actual tickets will be assigned and mailed Starring as soon as they are processed . TYLER SAVIN and JERY ROSAS Let me close by stating that you, the audience members who share your support And Featuring and enthusiasm for WVLO Musical Theatre Company’s endeavors, make it a truly gratifying experience for all of us involved, both on the stage and behind the Rachelle Abbey, Elizabeth Cox, Sandra Henschke, scenes . And we extend our special gratitude to those subscribers who have donated Hank Lawson and Steve Sammonds additional funds to ensure the excellent quality of sets and costumes that we strive Director: Lisa Milanes; Music Director: Ron Bowman; to bring to this stage . We hope that you have a marvelous time at this musical and Vocal Director: Asa Stern; Choreographer: Lisa Callaghan; that you will join us for our future productions . Producer: Nancy Kwong — Edward Hand, President WVLO Musical Theatre Company Gala Champagne Opening: June 24, 2017 . 8:00 PM Fridays: July 7, 14, 21 . 8:00 PM Saturdays: July 1, 15, 22 . 8:00 PM WVLO MUSICAL THEATRE COMPANY Saturday Matinee: July 8 . 2:30 PM ANNOUNCES Sunday Matinees: June 25, July 2, 9, 16 . 2:30 PM NEXT SEASON: 2017–2018 The World Premiere of “Catch Me If You Can” was produced by The 5th We invite you to become a subscriber to our New Season . Avenue Theatre, David Armstrong, Executive Producer and Artistic Director; Please use the insert in this program! Bernadine Griffin, Managing Director; and Bill Berry, Producing Director . Subscribe NOW to assure good seats and substantial savings! “Catch Me If You Can” is presented through special arrangement with and all authorized performance materials are supplied by Music Theatre International (MTI), 421 West 54th St ., New York, NY 10019 . Current subscribers may use this form to renew for next season . Visit our Web Site: www wvlo. org;. E-mail: wvlo@wvlo org;. 24-hour Voice Mail: 1-408-268-3777 CAST OF CHARACTERS (In Order of Appearance) Frank Abagnale, Jr . Tyler. Savin Carl Hanratty . Jery Rosas A Note from the Director Frank Abagnale, Sr . Hank Lawson Paula Abagnale . Sandra. Henschke rowing up, most of us at one point or another had a situation that prob- Brenda Strong . Rachelle Abbey ably seemed insurmountable and we entertained the thought of running Carol Strong . Elizabeth Cox away from home . After great consideration regarding consequences, it Roger Strong . Steve Sammonds Gwas best we stayed and we worked things out . Agent Branton . Ken Powell What I love about our journey back to the 1960’s is that we get to immerse Agent Cod . Brett Carlson ourselves into the real life and times of Frank Abagnale Jr . Based on a true story, our Agent Dollar . Ethan Dea musical is based on a charismatic and creative young man, who faced a debilitat- Trio . Michelle Alindogan, Ashley Faus, and Jennifer Young ing situation with his parents . He thought he had only one decision to make—to Cheryl Ann . Krista Warner run away . Stewardess Cindy & Nurse . Rhona. MacFadyen Of course, Frank found it extremely difficult to survive so he had to dig deep Stewardess Kellie & Nurse . Amanda Vogel and gather all the tools he had at his disposal . This story though is so much more Stewardess Lindy & Nurse . Andrew Furtado than a teenager who looks a bit older than his years, who finds glamour in bringing Stewardess Mindy & Nurse . Daria Keidar his scams to fruition, then enjoying his success to excess . Stewardess Jane & Nurse . Rachelle Abbey It is about a boy who comes from a good family, father and mother are in Stewardess Shellie & Nurse . Elizabeth Cox love, he attends a good school but then everything comes crashing down one day Betty & Tourist . Noelle. Dea when he is told his parents are divorcing . It catapults him into a life he did not Principal & Motel Manager . Cynthia Greaves really choose but more evolved out of a necessity to survive, however some of it Bank Teller & Tourist . Samantha. Kinley with style and pinstripes! Agent & Intern . .Devin Adler Frank Jr . doesn’t feel any animosity or contempt for the people he’s fooling Agent, Doctor & Mitch Miller . David. Lamcke when he pretends to be a pilot, doctor and lawyer; he just wants them to like him, Agent & Ben Casey . AJ Duprey okay, especially the girls . He is lonely . There is always that constant look-over-the- Agent & Doctor . .Timothy Ford shoulder existence and great concern about getting caught or being greatly injured . Atlanta Doctor & Tailor . Steve. Zbin He does suffer terribly when finally apprehended but when one prison cell door Jack Barnes & Bartender . .Frank Sherlock closes another FBI door opens . Bartender . Mike. MacKenzie The great irony about our very real Frank Abagnale Jr, is that here is a con man who’s so good he winds up working for the very people who put him behind bars . It’s the ultimate validation of Frank’s fantasies, through all those fake characters he portrayed, who winds up as a real-life FBI employee and then heads a most successful Security company! Thank you to ALL the diligent and creative folks involved in our show and Scan this with your smartphone to go directly to our . thank you to the amazing actors who have been working so relentlessly to bring this show to life . Living life is what this story is about . Trials and tribulations . Figuring out the most important lesson of all, we need love and family . Don’t run away! Enjoy the show! web page Facebook page —Lisa Milanes 2 3 ORCHESTRA SYNOPSIS OF SCENES AND MUSICAL NUMBERS Conductor . Ron. Bowman ACT I Reeds . .Asa Stern, Richard Krishnan, and Jerry Holmes Prologue: Miami International Airport, circa 1960’s Trumpets . .Warren Necochea, Nate Schofield, and Paul Olivo “Live In Living Color” . Frank Jr ., Hanratty and Ensemble Dancers Trombone . John Fitzhugh Keyboard 1 . Amanda. Ku and Mary Flinsbaugh Scene 1: Living Room, the Abagnale House, New Rochelle Keyboard 2 . Sean Green “The Pinstripes Are All That They See” . Frank. Jr ., Frank Sr . and Girls Keyboard 3 . Wendy. Tran Scene 2: New Rochelle High School Guitar . .Graham Houts “Pinstripes Tag” . Frank Jr ., and Frank Sr . Bass . .Michael Nitzberg Scene 3: The Abagnale Apartment, Downtown New Rochelle Drums . Jerald Bittle “Someone Else’s Skin” . Frank Jr . Not all musicians will play for each performance . Scene 4: Family Court and Train Station, New Rochelle “Someone Else’s Skin” . Frank Jr . and Ensemble Dancers MUSICIAN SPOTLIGHT Scene 5: Chase Bank, Manhattan “A Word From The Sponsors” . Frank Jr . and Trio Wendy Tran started playing piano when she was 7, then Scene 6: Outside the Tudor Hotel, Manhattan and In The Skies took up percussion at 11, mostly self-taught, but she’s “Jet Set” . Frank. Jr ., Stewardesses and Pilots had some excellent band directors that have guided her in Scene 7: The Plaza Hotel, Manhattan the right direction . She played both piano and percussion until after HS and then had to focus on one so she chose Scene 8: A Firing Range, FBI Training Ground, Quantico, VA percussion and practiced piano whenever she could find “Don’t Break The Rules” . Hanratty and Agents time . Since there seems to be a greater need for a pianist/keyboardist, she Scene 9: The Latin Quarter, New York City decided to return to that . She holds a Medical Billing and Coding Degree “Latin Quarter Pinstripes” . Trio from Heald College . During the day, she is an Office Coordinator for Made In “Butta Outta Cream” . Frank Jr ., Frank Sr ., and Girls Space, a space-based manufacturing company which sent the first 3D printer to the International Space Station in 2016 . She has played for LTSJ shows, Scene 10: Idlewild Airport Motel, Room 135 and often plays with the Ohlone Wind Orchestra, Nova Vista Symphony, “The Man Inside The Clues” . Hanratty Cambrian Symphony and the SF Wind Ensemble . Scene 11: A Motel Patio and Room in Los Angeles Scene 12: A Phone Booth and the FBI Building in Washington, DC “Phil Spector’s Favorite Christmas” . Trio “My Favorite Time Of Year” . Hanratty, Frank Jr ., Paula and Frank, Sr .
Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Understanding Steven Spielberg
    Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1.
    [Show full text]
  • Usc Thornton Symphony
    USC THORNTON THORNTON SYMPHONY UNIVERSITY CHORUS: TONIGHT! Friday | APRIL 23, 2016 | 8:00 PM ST. JOHN’S EPISCOPAL CATHEDRAL 514 WEST ADAMS BOULEVARD LOS ANGELES, CA 90007 SHOU PING LIU conductor JEREMY S. BAKKEN conductor CHOONGWOO STEVE KO conductor NAN DENG piano This recital is presented in partial fulfillment of the requirements for the Masters and Doctor of Musical Arts degrees in Choral Music and is supported in part by the Noble Foundation Grant for Graduate Choral Music Recitals. PROGRAM LEONARD BERNSTEIN “Something’s Coming/Tonight” ARR. ED LOJESKI (from West Side Story) Jeremy S. Bakken, conductor Joanna Smeeton, soloist Choongwoo Steve Ko, soloist CARL ORFF Carmina Burana II. Reie XXV. O Fortuna Shou Ping Liu, conductor WOLFGANG AMADEUS MOZART Thamos, King of Egypt, K. 345 I. Maestoso Shou Ping Liu, conductor Hope Thompson, Soprano Kirstina Rasmussen Collins, Alto David Rakita, Tenor Daniel Kim, Bass GIUSEPPE VERDI “Anvil Chorus” (from Il Trovatore) Choongwoo Steve Ko, conductor STEPHEN SONDHEIM “Send In the Clowns” ARR. MAC HUFF (from A Little Night Music) Shou Ping Liu, conductor Yidan Hu, soloist Beth Newcomb, soloist Kiera Nowacki, soloist Elisa Shimada, soloist Alex Norwick, soloist GEORGE GERSHWIN “The Jolly Tar and the Milkmaid” (from Damsel in Distress) Jeremy S. Bakken, conductor Audrey Weber, soloist Gino In, soloist MORTEN LAURIDSEN Where Have the Actors Gone ARR. IAN FREEBAIRN-SMITH Jeremy S. Bakken, conductor MARC SHAIMAN “You Can’t Stop the Beat” ARR. ROGER EMERSON (from Hairspray) Jeremy S. Bakken, conductor ELTON JOHN “Circle of Life” ARR. KEITH CHRISTOPHER (from The Lion King) Choongwoo Steve Ko, conductor The use of flash cameras, video cameras, and other recording devices is not permitted.
    [Show full text]
  • To Academy Oral Histories Marvin J. Levy
    Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410
    [Show full text]
  • An Afternoon on Broadway Marks the Beginning of the Band’S 33Rd Season
    Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Our musical director is Mr. Marion Scott. Mr. Scott formed the Band in 1985 to provide a performance outlet for adult musicians in the area. Our membership, currently numbering about 80, includes people of all ages representing many occupations. Most of our concerts have a specific theme upon which the music focuses. Those themes have often led us to include exceedingly difficult works, which we willingly do, and to include special guest artists. The Band gives several concerts throughout the year. Our concerts include many diverse musical genres, composers, and often previously unpublished works for band. Each program is planned to please a variety of musical tastes. If you would like more information about the Band, or wish to join, send us a message to [email protected] or contact David Scarborough at (321) 338-6210. Like us on Facebook at Community Band of Brevard and visit our Web site at http://www.CommunityBandOfBrevard.com. CBOB’S FL DEPARTMENT OF AGRICULTURE & CONSUMER SERVICES REGISTRATION NUMBER IS CH35170. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800- 435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. Board of Directors Conductor .............................................................. Marion Scott Chairman ......................................................
    [Show full text]
  • “Catch Me If You Can” Is Inspired by the True Story of the F.B.I.'S Hunt for A
    Document and Handwriting Analysis Name: Catch Me If You Can Date: “Catch me if you Can” is inspired by the true story of the F.B.I.’s hunt for a ‘brilliant master of deception: Frank Abagnale, Jr.’ who posed as a pilot, lawyer and doctor. The key players in the movie are Frank Abagnale Jr. (DiCaprio), Carl Hanratty-FBI agent (Hanks) & Frank Abagnale Sr. (Walken). PART I – MOVIE WORKSHEET 1. Describe the financial troubles that Frank Abagnale Sr. and his family have at the beginning of the movie. 2. Keep a running list of each scam that Frank Abagnale Jr. accomplishes, and a brief explanation. (use the notes you took during the movie) Scam Description of how he defrauds people/organizations. 3. Explain how Frank Abagnale Jr. tries to bring happiness to his father again; does it work? 4. On the surface level, it appears that Frank Abagnale Jr. is bad, and Carl Hanratty (Tom Hanks) is good. However, describe what underlying problems they both deal with. 5. Frank Abagnale Jr. calls Carl Hanratty on Christmas Eve; why does he do this? 6. By defrauding literally hundreds of people, Frank Abagnale Jr. had anything he wanted, or almost anything. What was missing in his life and how did it affect him? 7. Give an example from the movie for each situation where Frank’s fraudulent activities: a. only affected the finances of a large business. b. directly affected the lives of people around him. c. negatively affected his own personal life. 8. Why did the airlines have such a difficult time catching and prosecuting Frank for impersonating a pilot and forging payroll checks? 9.
    [Show full text]
  • Catch Me If You Can
    Catch Me If You Can Viewing Guide Catch Me If You Can Directed by: Steven Spielberg Release date: December 2002 Running time: 141 mins Genre: Biographical crime film VIEWING RECOMMENDATIONS (Pre-viewing questions) Read the recommendation before viewing the film • Read the Pre-viewing discussion questions. Carefully read through the Pre-viewing discussion questions in preparation for discussing what you already know about the topic, setting and genre of the film in class or online. • Discuss the Pre-viewing questions. After preparing your answers to the Pre-viewing questions, discuss them with your classmates in class or online. • Read the film synopsis. Reading the synopsis will help you understand the film’s narrative. Use the short glossary under the synopsis to help you with more difficult vocabulary. • Watch the film in English. Watching films in English is an excellent way to improve your English because films are an example of multimodal input – the simultaneous presentation of audio, images and text – which makes comprehension easier. • Use subtitles. Research findings strongly indicate that subtitles help students improve listening comprehension and learn more vocabulary. • Use subtitles in your first language at lower levels. When watching a film, a minimum level is necessary to deal with subtitles in English. Therefore, for lower levels (A1, A2 and B1) it is better to watch with subtitles in your first language and progress to subtitles in English when you have reached a higher level. • Use subtitles in English at higher levels. Students at higher levels (B1+, B2, C1 and C2) should watch films with subtitles in English.
    [Show full text]
  • “Passing.” Review of Steven Spielberg, Catch Me If You Can (California: Dreamworks Pictures Movie, 2002)
    www.ucalgary.ca/hic/ · ISSN 1492-7810 2004 · Vol. 4, No. 1 “Passing.” Review of Steven Spielberg, Catch Me If You Can (California: Dreamworks Pictures movie, 2002). Reviewed by Maurice Yacowar, University of Calgary Though offered and (well) received as a holiday comic romp, Steven Spielberg’s Catch Me If You Can may be his most personal film since Schindler’s List (1993). There, as Spielberg has remarked, he for the first time reflected upon his Jewish identity. Consciously or not, Spielberg’s saga of conman Frank W. Abagnale (Leonardo DiCaprio) addresses the rest of his own career, when he hid his personal identity behind escapist entertainments — that is, when he “passed” undefined as Jewish. As in Woody Allen’s Zelig (1983), the Jew’s temptation to disappear behind a false identity broadens to any ethnic identity’s hunger for assimilation or Everyschnook’s fear of being different in a culture that worships the uniform (Pan Am and up). The only Jewish characters in the film are the absent Mrs. Roberta Glass, the French teacher, and her victimized substitute, whom Frank turns away. As Frank replaces the Jewish element, Jewishness is consigned to the implicit. For example, when people are eager to be duped, Frank responds “Even better,” a phrase more familiar as the Yiddish, “Noch besser.” His father’s Rotary Club story, which Frank recycles as a Lutheran grace, is a Jewish parable of survival. Two mice are stuck in a bucket of cream. One sinks and drowns, the other struggles until he turns the cream to butter and walks away.
    [Show full text]
  • Coffee House Cabaret
    THE ARTS at ST. MARGARET’S PRESENTS THE 2019 PLEASE JOIN US FOR THESE UPCOMING PERFORMANCES FEB 8 MS Tartan Jam MAR 13-16 LS Grades 1-3 Musical, Magic Tree House: Pirates Past Noon MAR 20-23 US Musical, Into the Woods APR 15 Spring Orchestra Concert Coffee House Cabaret APR 16 MS/US Spring Band Concert APR 17 MS/US Spring Vocal Concert APR 26 MS/US Spring Dance Concert APR 27 Dance Conservatory Spring Concert MAY 9-11 MS Play, The Miraculous Journey of Edward Tulane MAY 16-18 LS Grades 4-5 Musical, Peter Pan, jr. TICKETS: www.smes.org/boxoffice SPECIAL APPRECIATION St. Margaret’s would like to thank all of the student and parent volunteers, the Gerayli family, the PTF Arts Alliance, the Coffee House Cabaret Event Chairs Elizabeth Plumb and Susan Giusto, and the PTF Arts Alliance Chair Valerie Jones. PLEASE FOLLOW US ON SOCIAL MEDIA: McGregor Family Theater SMESArts The Arts at St. Margaret’s smesarts THURS., JAN. 31, 6:30 P.M. SAT., FEB. 2, 1:30 P.M. FRI., FEB. 1, 6:30 P.M. SAT., FEB., 2 6:30 P.M. PERFORMERS PIECE CREDITS Nicholas Jacome “Almost There” COFFEE HOUSE CABARET BAND from The Princess and the Frog Randy Newman Director/Arranger: Chris Carbajal Grace Zhou Jazz Etude No. 6, “Pastoral” Nicholai Kapustin Claire Sele “Talking to the Moon” Bruno Mars Piano and Keyboard: Lex Leigh Jaden Rosenhain, Will Weiss “Purple Rain” Prince Electric Bass: Chris Carbajal Layla Shakerin, Sarah Thurin “Jubilate Agno” Christopher Smart Chrissy Powell, Shea Tomaselli “Falling Slowly” from Once Glen Hansard, Markéta Irglová Guitar: Tony Cinquini Lulu
    [Show full text]
  • 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 A.M
    Title 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 a.m. Matchbox 20 A Lot of Lovin' to Do Charles Strouss Bye, Bye Birdie A Thousand Miles Vanessa Carlton A Whole New World Aladdin Aladdin A Wonderul Guy Rodgers & Hammerstein South Pacific All I Ask of You Andrew Lloyd Webber Phantom of the Opera Duet Another Suitcase in Another Hall Andrew Lloyd Webber Evita Anthem Chess Chess Anything You Can Do Irving Berlin Annie Get Your Gun Duet Apologize One Republic Bad Michael Jackson Bali Hai Rodgers & Hammerstein South Pacific Barnum (Complete Score) Cy Coleman Barnum Beautiful Christina Aguilera Beauty and the Beast Beauty and the Beast Beauty and the Beast Beauty School Dropout Grease Grease Beethoven Day You're a Good Man Charlie Brown You're a Good Man Charlie Brown Before I Gaze at You Again Lerner & Loewe Camelot Believe Cher Bennie & the Jets Elton John Best of Beyonce (Anthology) Beyonce Better Edward Kleban A Class Act Bewtiched Ella Fitzgerald Pal Joey Beyond the Sea Bobby Darin Black Coffee Ella Fitzgerald Blackbird The Beatles Blue Christmas Elvis Presley Blue Moon Elvis Presley Bohemian Rhapsody Queen Bombshell (music from SMASH) Marc Shaiman Bombshell Born this Way Lady Gaga Bosom Buddies Jerry Herman Mame Duet Both Sides Now Joni Mitchell Brand New You Jason Robert Brown 13, the Musical Breeze Off the River The Full Monty The Full Monty Bring Him Home Boublil & Schoenberg Les Miserables Bring On the Men Leslie Bricusse Jekyll & Hyde Broadway Baby Stephen Sondheim Follies Broadway, Here I Come Smash Smash Brown-Eyed
    [Show full text]
  • WHEN I Look Back at WHAT I DID NEARLY 50 YEARS AGO AS A
    CULTURE Frank Abagnale FROM MASTER OF DECEPTION TO THE FBI’S LEADING EXPERT ON FORGERY AND FRAUD, FRANK AbAGNALE HAS UNDERGONE A REMARKABLE TRANSFORMATION SINCE HIS CAPTURE AND IMPRISONMENT IN 1969. CLAIRE VANNER CATCHES UP WITH THE WORLD’S MOST FAMOUS EX-CONMAN “My story is incredible not for the things I did, “Just being a father and a husband and the colour separations, negatives, plates and type but that I did those things and where my life importance of bringing children into the world, settings meant that creating a fake cheque was has taken me since,” says Frank Abagnale, the that’s what really changed my life,” he says. He quite a feat of engineering. Nowadays, advances most notorious ex-conman of all time. Many are is also giving back by using his expertise to in technology mean that every year around familiar with his story from Spielberg’s 2002 advise people on how to prevent their identity $20bn in the US alone is lost to cheque forgery. blockbuster Catch Me If You Can, in which being stolen and protecting their assets from “When I look back at what I did nearly 50 Leonardo DiCaprio portrays Abagnale dur- modern fraudulent techniques. years ago as a teenage boy, it’s 4,000 times easier ing his teenage years. He became an expert in to do today,” says Abagnale. All it requires is identity theft and stole $2.5m by perfecting the Forging change someone opening their laptop, visiting a corpo- art of writing fraudulent cheques. Since then Some consider the cheque to be an out-dated ration’s website to capture its corporate logo and he has paid back every cent and flipped from form of payment overshadowed by credit or working their magic on a computer program.
    [Show full text]
  • Was Macht Eigentlich
    PEOPLE WAS MACHT EIGENTLICH ... ... FRANK ABAGNALE? Der Meisterfälscher wurde bekannt durch die Verfilmung seiner Lebens- geschichte im Hollywood Blockbuster „Catch me if you can“ von Dina Spahi in und wieder kommt ein Film in die Kinos, Hdessen Hauptfigur so faszinierend ist, dass wir gerne wüssten, was nach dem Abspann aus ihr ge- worden ist. Das gilt auch für Steven Spielbergs Film Catch Me If You Can aus dem Jahr 2002 mit Leonardo DiCaprio als Frank Abagnale und Tom Hanks als der FBI-Agent, der ihn rund um den Globus jagte. Basierend auf einem Buch, das von Herrn Abagnale selbst geschrieben wurde, umreisst die Geschichte in groben Zügen fünf Jahre seines Lebens als einer der wohl besten Trickbetrüger der Welt, der sich erfolg- reich als Pilot, Arzt, Professor und sogar als stellver- tretender Generalstaatsanwalt für den Staat Louisiana ausgab. Die geborgten Identitäten waren allerdings nur die eine Seite der Medaille, denn dem damali- gen Teenager gelang es, Millionen von Banken und Institutionen zu betrügen, indem er Schecks fälschte und Sicherheitsmassnahmen überlistete, die für einen Mann wie ihn, der scheinbar für jedes Problem eine Lösung parat hat, nicht narrensicher genug waren. Aber das war damals, und „damals“ bezieht sich auf einen bemerkenswert kurzen Abschnitt seines Lebens vor fast 50 Jahren, als er im zarten Alter von 16 Jah- ren zu seinen Abenteuern aufbrach und versuchte, der Justiz zu entkommen, um schliesslich mit 21 von einem besonders hartnäckigen FBI-Agenten gefasst zu werden. Die Geschichte, die die meisten von uns „Ich habe den Film über Frank Abagnale nicht wegen seiner Taten gedreht, sondern aufgrund dessen, was er aus seinem Leben in den letzten 30 Jahren gemacht hat.“ Leonardo DiCaprio verkörpert Frank Abagnale in dem Hollywoodstreifen „Catch me if you can“ STEVEN SPIELBERG Leonardo DiCaprio portraits Frank Abagnale in the Hollywood movie “Catch me if you can“ 8 ON LOCATION PEOPLE IN PERSON A word with Frank Abagnale.
    [Show full text]