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Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Friends Newsletter
FRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery. -
New Phi Ep, Tau Delt Houses Called 'Urgent' by Committee
Homecoming Football Welcome Home St. Lawrence Saturday Afternoon FIAT LUX Alumni Phone 587-5402 Vol. 51, No. 4 ALFRED, NEW YORK, TUESDAY, OCTOBER 8, 1963 President, Deans to Host New Phi Ep, Tau Delt Houses Alfred Exhibit in Syracuse Following the "Open House" at Called 'Urgent' by Committee High school guidance counsel- ors from eight counties in the the bank, the counselors joined Syracuse area have been invited alumni and parents of students Alumni to Return Fraternity Presidents Comment from Syracuse and the surround- to an "Open House," held today New housing for Phi Epsilon Pi and Tau Delta Phi fra- fcy Alfred University at its speci- ing area art; the University Club For Homecoming al exhibit in the Onondaga Coun- for a social hour and dinner. ternities will be recommended to the new University Planning President Drake talked to the Homecoming is here again as ty Savings Bank in Syracuse from Alfred prepares to greet alumni Committee this Saturday as an "immediate urgency," said Dr. 4 to 5 p.m. group following the dinner and Milton A. Tuttle, chairman of a Board of Trustees subcom- entertainment was provided by (returning to the campus for the The . exhibit includes a series the Alfred University Varsity 7. weekend. The program begins mittee concerned with fraternity housing, in a Fiat Lux in- of pictures and informative pan- Friday, Oct. 11, with the tradi- terview yesterday. els, demonstrations of operating University personnel in the tional fraternity parties. host group who attended the Dr. Tuttle, who is also associ- laboratory equipment, and dis- An Alfred-St. -
Person, Place, and Thing a Dissertation Presented to the Faculty
Person, Place, and Thing A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Sarah E. Einstein April 2016 © 2016 Sarah E. Einstein. All Rights Reserved. 2 This dissertation titled Person, Place, and Thing by SARAH E. EINSTEIN has been approved for the Department of English and the College of Arts and Sciences by Dinty W. Moore Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT EINSTEIN, SARAH E., Ph.D., April 2016, English Person, Place, and Thing Director of Dissertation: Dinty W. Moore The dissertation is divided into two sections: an essay titled “The Self-ish Genre: Questions of Authorial Selfhood and Ethics in Creative Nonfiction” and an essay collection titled, Person, Place, and Thing. “The Self-ish Genre: Questions of Authorial Selfhood and Ethics in Creative Nonfiction” engages with late modern and postmodern theories of selfhood in the service of moving towards an understanding of the ethical nature of the authorial character in the personal essay. I will position the authorial character within the framework of Paul Ricouer’s construction of the narrative self, identifying it as an artifact of the work of giving an account of oneself. I will consider how this artifact can be imagined to function inside a Levinasian ethics, and ask whether or not the authorial character can adequately serve as an “Other” with whom both the reader interacts in their own formations of self. Finally, I will turn to Judith Butler to suggest a way the ethical act of giving an account of oneself can be rescued from the postmodern disposition of the self. -
Question Asked Best Answer General Surfing My Answer Techniques/Endurance Need Help with a 6'5" Fish Surfboard? I Think You Probably Just Need a Little More Practice
The following questions were asked on Yahoo Answers with selected best answers provided by Bruce Gabrielson Question Asked Best Answer General Surfing My Answer Techniques/Endurance Need help with a 6'5" fish surfboard? I think you probably just need a little more practice. As you paddle I'm able to handle longboarding quite more the rocking will taper off and you will naturally develop better well and so before i left for college i got a balance. shorter board. it's a 6'5" fish with a round A couple of things to think about are how you take off with a short nose like a longboard. it's a very classic board and what you need to do immediately that you can't do well on fish style board. I've been able to catch a longboard. To start with, when you take off on your fish, lean some waves but a lot of the times i either forward and push your board down the face. You don't necessarily feel really shaky or as if I’m just going to need to paddle harder if you can get into the steep part of the wave a completely nose dive in. advice?? Also, little later than on a longboard. Also, you have more room to drop and paddling, I know you have to paddle turn with your fish. It will seem like you are too late to make the wave harder but i see people with these super since the transition from a longboard requires less room to maneuver short boards just gliding. -
Surfboard Blank Catalog
SurfboardSurfboard BlankBlank CatalogCatalog FOAM E-Z 6341 Industry Way #I Westminster, CA 92683 Phone (714) 896-8233 Fax (714) 896-0001 www.foamez.com Catalog current as of October , 2004 1 TABLE OF CONTENTS INTRODUCTION..................................... PAGE 1 As a consequence our catalog is often changed. We therefore do not produce a lot of catalogs in ad- PURPOSE ................................................. PAGE 1 vance but instead, make them as we need them. On the lower right corner of the front page we put the CURRENT VERSION OF CATALOG.... PAGE 1 date the catalog was printed. At the date of printing the catalog is current. Keep in mind that a few days DESCRIPTION OF BLANK PICTURES.. PAGE 1 later it might be changed. We realize the impor- tance of keeping customers updated on new close DENSITY INFORMATION ..................... PAGE 2 tolerance blanks, as they save the shaper a lot of time. We have a considerable investment in this STRINGER INFORMATION .................. PAGE 3 technology, and for this reason, we encourage shapers to request a current version of our catalog ROCKER INFORMATION ..................... PAGE 3 as often as they wish. INVENTORY MANAGEMENT TOOLS . PAGE 6 DESCRIPTION OF BLANK PICTURES MATERIAL SAFETY DATA SHEET .... PAGE 7 TO-SCALE BLANK PICTURES BLANK CODE DESCRIPTION .............. PAGE 9 . All blank pictures in this catalog are drawn to the REPLACEMENT BLANK LIST ............. PAGE 10 actual scale of the blanks. The blanks under 9 feet are on a scale of 1 to 12 and the blanks 9 feet and BLANK PICTURES ................................ PAGE 13 longer are on a scale of 1 to 16. The rocker is taken from the “natural” rocker template and is also to scale. -
EPS BLOCK CUT BLANKS Manufactured from White Hot Surfboard Foam Billets Available in 1.5 Lb
WELCOME Our mission at US Blanks is to establish a close partnership with customers to produce the best surfboard possible. We are committed to design, technology and to maintaining the highest level of quality while offering a wide range of products for custom ordered blanks, including an extensive variety of blank sizes, weights, stringers, rockers and glue colors. If there is anything we can help you with at any time, please let us know. Our success is mea- sured by our ability to accommodate your needs. OUR COMPANY The US Blanks team is comprised of former Clark Foam employees and leaders in the surf industry, with unparalleled experience in surfboard blank production. Every blank we manufacture comes from our Southern California facility, making us the only polyurethane blank manufacturer producing exclusively US made surfboard blanks. Operat- ing in California ensures that we exercise the highest standards in environmental protection and safety precautions for our entire team. Our location and industry-leading practices allow us to maintain longevity among staff and clients and provide unmatched customer service. RECYCLING US Blanks also proudly maintains a highly prioritized recycling initiative. Our EPS foam scraps and off-cuts are compacted and melted off-site. They are then recycled for use in a variety of applications from packaging to construction insulation. Our wood scraps, off-cuts, and sawdust from stringer production and packaging are reclaimed off-site for use outside of the surf industry. Our paper, plastic, and metal related to manufacturing, packaging, and office use is recycled using best practices and local recycling facilities. -
Commander's Ball
Galley Gossip COLUMBUS SAIL AND POWER SQUADRON A UNIT OF UNITED STATES POWER SQUADRONS APRIL 2008 VOL. 46, NO. 2 DISTRICT 29 www.usps.org/localusps/columbus/ Columbus Sail & Power Squadron Commander’s Ball Saturday, April 12 Honoring Commander Larry Whiting Dublin Crowne Plaza Hotel, 600 Metro Place North Cash Bar at 6 p.m. Dinner at 7 p.m. Program at 8 p.m. Please mail reservation by 4 April to Steve or Debbie Smith, 535 Pointview Drive, Westerville, OH 43081-3432, and enclose your check. Price $43 per person. Menu: Buffet with Roast Round of Beef with Pepper Jus, Five Spice Roast Loin of Pork, Blackened Red Snapper with Roasted Red Pepper Cream, Homemade Soup, Fresh Green Beans Almondine, Honey Glazed Carrots, Au Gratin Potatoes, Long Grain Wild Rice, Rolls, Butter, Coffee, Iced and Hot Tea, and Dessert Dress: Beach Formal (no bathing suits) or Uniform A with Black Tie (optional) Theme: Making Headway. Off to an Island Beach Entertainment: We are pleased to present 176 Keys, a professional dueling piano act from California. They play the songs we request and encourage singing and other audience participation. This is a high-energy performance of music and comedy— a one-of-a-kind show with lots of hilarity and genuine fun. April 2008 1 2005 Galley Gossip COLUMBUS SAIL AND POWER SQUADRON Official Publication of Columbus Sail & Power Squadron Cdr Larry R. Whiting, P Lt David R. Fannon, AP Commander Editor Chartered 1940 • Hdq.: 8492 Cotter St., Lewis Center, Ohio 43035-7139 • 614-384-0245 • [email protected] CALENDAR OF COMING EVENTS Secretary Lt/C Steven Smith, JN APRIL 7,14,21 Monday Public Boating Class - Grandview Heights HS 7:30 pm Photography Lt Jeff Mirgon, S 12 Saturday Commander’s Ball - Crown Plaza, Dublin 22 Tuesday Executive Committee Meeting - HQ MAY Distribution 1 Thursday Monthly Dinner Meeting - HQ Excelsior Printing Co. -
Watch Gidget Goes Hawaiian Free Onli
Watch gidget goes hawaiian free onli Continue GENRE : STAR-CAST : Deborah Wally, Carl Reiner, Jeff Donnell, Mimsey Farmer, Peggy Cass, James Darren, Eddie Foy Jr., Johnny Gilbert, Gerardo Decordovier, Vivian Marshall, Guy Lee, Kam Fong, Bart Patton, Don Edmonds, Joey Baker, Michael Callan, SYNOPSIS: Frances in despair: her parents want to get her to go on vacation with them When he invites her to do it, she's even more in a panic - doesn't he want to be with her? So she goes to Hawaii in a worse mood. On the plane, she meets a sociable Abby, who gives her advice to forget about Jeff - and regrets it soon after, when Frances follows the advice and steals her boyfriend Eddie, a famous dancer. But then Jeff discovers that he is missing Francis... Watch Gidget Goes Hawaiian (1961) Full Film Online Close Ad by Clicking Small x. Gidget Goes Hawaiian (1961) Movie Alternative Links HD PLAYER LINK Gidget Goes Hawaiian Movie HD Player Link Movie Gidget Goes Hawaiian was released in 1961 and the film 101 minutes from the moment of its available here, so you can watch Gidget Goes Goes for free online. The film's director Paul Wendkos. Both actors and actress in the Gidget Goes Hawaiian film Deborah Wally, Carl Reiner, Jeff Donnell, Mimsey Farmer, Peggy Cass, James Darren, Eddie Foy Jr., Johnny Gilbert, Jerado Decordovier, Vivian Marshall, Guy Lee, Cam Fong, Bart Patton, Don Edmonds, Jobe Baker, Michael Callan, Looks like some famous Stars Right Cast. It belongs to the genre of Comedy, Music, Romance,. Free Movies Online Without Downloading or Registration Search Terms: Download Gidget Goes Hawaiian Full Movie Online Free Gidget Goes Hawaiian Film Watch online Enjoy free movie Gidget Goes Hawaiian free movies online without downloading or registering Watch Gidget Goes Hawaiian in high definition Full Film Gidget Goes Hawaiian Watch Free Online Putlocker 0 Rating (0) Frankin (0) Frankin (0) to get her to go with them on vacation to Hawaii - only for two weeks when her beloved Moondoggie is at home from college. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Debra Bernardi* “YOU're NOT GOING to LET SOME SILLY OLD RULE STAND in YOUR WAY!” ALTERNATIVE VISIONS of the MODERN in MID
Iperstoria – Testi Letterature Linguaggi www.iperstoria.it Rivista semestrale ISSN 2281-4582 Debra Bernardi* “YOU’RE NOT GOING TO LET SOME SILLY OLD RULE STAND IN YOUR WAY!” ALTERNATIVE VISIONS OF THE MODERN IN MID-CENTURY AMERICAN-WOMEN-IN- ITALY FILMS Italy—both as an actual place and an imagined idea—has loomed large in the American mindset since at least the 19th century when significant numbers of US tourists began to travel to the peninsula.1 US popular culture became especially fascinated during the post-World War II years. As travel to Europe increased after the War, Italy became the favorite overseas destination for Americans (Williams 1979, 552).2 Moreover Italian-produced films became popular with US audiences: from the 1950s to 60s, the Italian film industry was the second most important in the world, producing half as many films as Hollywood (Gundle 2007, 157) —with one Life magazine article (August 1954) referring to Rome as “Hollywood on the Tiber.” Furthermore, as taxes made film-making in Italy economically viable for American producers, it is not surprising that post- War Hollywood turned its attention to stories about Americans visiting Italy. Critic Ilaria Serra (2009) points out that post-War films frequently feature practical, competent American men aiding a primitive, if beautiful, defeated nation. Such narratives play off long-standing British and US images of Italy as a premodern, uncivilized culture: Robert Casillo and Robert Russo demonstrate that as early as the end of the Renaissance and Baroque periods Italy had been figured as a place in decline (2011, 4), representing “‘nature’ far more than ‘civilization’” (65).