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Interview with Robert C. Haney
Library of Congress Interview with Robert C. Haney The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project ROBERT C. HANEY Interviewed by: Charles Stuart Kennedy Initial interview date: September 21, 2001 Copyright 2004 ADST Q: Today is September 21, 2001. This is an interview with Robert C. Haney. This is being done on behalf of the Association for Diplomatic Studies and Training, and I'm Charles Stuart Kennedy. Let's start at the beginning. Tell me when and where you were born and something about your family. HANEY: I was born in 1921 in Independence, Iowa, a town with a population of about 3,500. Both my mother and father had been to college. My father was an instructor in manual training at the local school. My mother was a housewife. She had been a teacher. My father was from Nebraska. He had been drafted into the Army during World War I, but served only in the United States. He was of Irish origin. My paternal grandfather was still alive when I was growing up. He had been a blacksmith. I remember going out with my father to light up the forge in the blacksmith shop behind my grandparents' house. My mother was Norwegian. Unfortunately, I did not learn Norwegian as a child because we were not living in a Norwegian community. She was born in the United States but did not learn English until she was about 14 years old. She lived in a small town in Iowa called Roland, where the schools, churches, shops, everything and everybody was Norwegian. -
Index Volume 46
THE NEWSLETTER FOR COLLECTORS, DEALERS AND INVESTORS September 2019 – August 2020 Volume 46 A Adams, 83, 117, 130 Index Volume 46 Advertising, 4-5, 11, 14, 20-21, 23, 35, 37, 40, 42, 47, 49, Numbers 1 - 12 53, 58-59, 71, 73, 78-79, 82-83, 95, 98-99, 107, 115, 119, 121, September 2019 - August 2020 124, 129-131, 133, 138-139, 143 Pages 1 - 144 Alabaster, 83, 118 Aluminum, 2, 5, 11, 14, 43, 47, 50-51, 63, 143 Amberina, 97, 100 PAGES ISSUES DATE Amphora, 1, 4, 74 1-12 No. 1 September 2019 Anna Pottery, 127 13-24 No. 2 October 2019 Architectural, 7, 32, 91 25-36 No. 3 November 2019 Argenta, 23, 25, 28 37-48 No. 4 December 2019 Argy-Rousseau, 131 49-60 No. 5 January 2020 Art Deco, 23, 28, 34-35, 59, 71, 78-79, 95, 119, 136 61-72 No. 6 February 2020 Art Glass, 10, 23, 97, 100 73-84 No. 7 March 2020 Art Nouveau, 4, 75, 101, 105, 131, 143 85-96 No. 8 April 2020 Art Pottery, 4, 85 97-108 No. 9 Arts & Crafts, 6-7, 59, 131, 143 May 2020 Austria, 4 109-120 No. 10 June 2020 Auto, 59 121-132 No. 11 July 2020 Avon, 95 133-144 No. 12 August 2020 B Blanket Chest, 47, 85, 92 Baccarat, 11, 41 Blown Glass, 12, 107 Badge, 96 Blue Glass, 83, 107 Bank, 17, 57, 70, 110, 143 Blue Onion, 35 Barber, 95, 138 Boehm, 107 Barometer, 131 Bookends, 23, 83, 85, 89, 107-108 Baseball, 14, 79, 94, 106, 141 Bossons, 59 Basket, 18, 71, 93, 95, 99, 107, 109, 113, 125 Bottle, 9, 11, 14, 21, 23, 35, 38, 40, 46-47, 59, 64, 88, 93-95, 97, 104- Bavaria, 46, 58, 96, 120 105, 107, 122, 126, 130-131, 143 Beatles, 3, 38, 47, 127, 129, 143 Bottle Cap, 131 Beehive, 47 Box, 2, 6-7, 11-12, -
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
07.09.07 Final Submission.Pdf (6.841Mb)
THE BREAK by Zubin Kishore Singh A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2007 © Zubin Kishore Singh 2007 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Through surfi ng man enters the domain of the wave, is contained by and participates in its broadcast, measures and is in turn measured, meets its rhythm and establishes his own, negotiates continuity and rupture. The surfer transforms the surfbreak into an architectural domain. This thesis undertakes a critical exploration of this domain as a means of expanding and enriching the territory of the architectural imagination. iii Supervisor: Robert Wiljer Advisors: Ryszard Sliwka and Val Rynnimeri External Examiner: Cynthia Hammond To Bob I extend my heartfelt gratitude, for your generosity, patience and encouragement over the years, for being a true mentor and an inspiring critic, and for being a friend. I want to thank Val and Ryszard for their valuable feedback and support, as well as Dereck Revington, for his role early on; and I would like to thank Cynthia for sharing her time and her insight. I would also like acknowledge the enduring support of my family, friends and fellow classmates, without which this thesis could not have happened. iv For my parents, Agneta and Kishore, and for Laila. -
Parade Called for Tomorrow
Community Chest Carnival Today Weather Editorial See Your Counselor (Homtfrttnrt Sailg (Eampus Weelc f% Cloudy See Page 2 'Serving Storrs Since 1896" VOlUMf CXI Complete UP Wire Service SIORRS. CONNECTICUT, WEDNESDAY, APRIL 30. 1958 Offices in Student Union Building No 114 UN Security Council Debates Inspection Of Arctic Zone, Varied CCC Festivities Open; US Armed Training Flights New York. April 29 —(UP) "the United States believes Parade Called For Tomorrow fear of contradicting its self- —The United Nations Security that what is now needed styled pose as a peace-loving Riillelin — The Dully « am- .i Dan e, Beta Sigma Council debated the crucial is- is the will to take (the first) nation. pus WHS ml.H mril lute last Gamma .md Merritt-A; Ringo iue of how to prevent a war constructive action. Our pres- However, the Kremlin let it m:; In that the 1 mmmiiiil \ Booth. Theta XI; Pitch a today. ent proposal in no way dimin- be known it isn't going to give Ckssl carnival, originally Penny, Student Marketing As- The United States and the ishes our belief that discus- in easily on the matter. As -. hi-ilnl. .1 for today only, will sociation. Douse the Flame, Soviet Union each had their sions should be renewed ur- today's debate began, Soviet now run both today and to- Kappa Kappa Gamma; Ten ideas on the subject. Each gently on the general question Foreign Minister Gromyko is- morrow because of Inclement Cents a Dame. W'heeler-C; accused the other of attempt- of disarmament." sued a new ultimatum in Mos- weather. -
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION Bid.Mbaauction.Com Items Begin to Close at 10AM on Thursday 6/24
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION bid.mbaauction.com Items begin to close at 10AM on Thursday 6/24 25% Buyers Premium Added to All Bids Serigraph Framed- 46x34" 3018 Modern Artist Proof Signed Embossed ALL ITEMS MUST BE PICKED UP Serigraph Framed- 46x34" WITHIN 7 DAYS OF AUCTION CLOSE! 3019 Designer Gold Leaf Buddha Gallery Framed Lithograph- 53x42" Bid.mbaauction.com 3020 John Richard Collection Persian Horse Painting on Cloth Framed- 47x67" Lot Description 3021 Large Egyptian Hieroglyph Painting on Papyrus Framed- 38x75" 3000 Italian Leather Bound Stacking Book End 3022 K. Berata Large Balinese Painting of Nude Table with Drawers- 21x21x15" Women Framed- 42x82" 3001 Scroll Arm Upholstered Chair- 33x25x28" 3023 Ambrogin Modern Collage 4 Panel Screen- 3002 Bianchi Barbara Inlaid Italian Chess Set 37x73" with Board- 20x20" 3024 Pascal Cucaro Enameled Still Life Plaque in 3003 Pair Vintage French Marble Table Lamps- Gilt Frame- 15x13" 29" 3025 Pascal Cucaro Enameled Modern Figures 3004 Designer Wrought Iron 'Fasces' Glass Top Plaque in Gilt Frame- 15x13" Coffee Table- 20x47x23" 3026 Hand Colored 'Piper Indicum Medium' 3005 Victorian Iron Marble Top Floral Side Pepper Plant Botanical Framed Etching- Stand- 33x20x12" 30x26" 3006 Old Italian Inlaid Mahogany 2 Drawer 3027 Antique Gilt Archtop Framed Mirror- Stand- 29x22x12" 45x29" 3007 Pair Designer Monkey Table Lamps- 26" 3028 Italian Gilt Decorated Hanging Barometer- 3008 Pair Chapman Brass Designer Table Lamps- 35x19" 36" 3029 Bombay -
Connecticut Daily Campus T-I ".-' "- Serum^ Storrs Since 1896 a £3 O
STATE LIBRARY Of, 4^^3c-a^ MAT'tMW? c- *•* 0't&(<*< 8*0 C - c- Connecticut Daily Campus t-i ".-' "- Serum^ Storrs Since 1896 a £3 o VOL. CXVI, NO. 121 STORRS, CONNECTICUT FRIDAY, MAY 3, 1963 New Election Method Ackerman To Receive Awar<f to Discussed By Senate For Contributions To Uconn 37 The MOUld meeting of the Tlie Steering Committee, under Laurence J. Ackerman, nation-, Business Administration and He has been visiting professor 19(13-1964 Student Senate, under the Elections Committee, intro- ally-known dean of the Univer- dean of Uconn's college of insur- at Harvard and Stanford and is the Era of Achievement dealt duced Senator Gadarowski's Bill sity of Connecticut School of ance, has been named to receive currently a visiting lecturer and primarily with Committee Re- No. 2 to the senate floor. The the Uconn Club"s annual award consultant in Harvard's Insur- ports and the much debated Bill motion called for the abolition of for "Outstanding contribution to ance Management course No. 2, "Voting in Senate Elec- the "Hare System" of voting and the growth of the University." Nationally Kimun tions at the University of Con- its replacement by the preferent- The award will be presented The Uconn Dean is nationally necticut." The bill, dealing with ial plurality system. In this sys- to Dean Ackerman at tlie Uconn known in the insurance and bu- Club's 10th annual dinner sched- the abolishment of the present tem the student body would vote siness fields. He is a director of ••hare system" used in election lor a majority of tlie candidates duled for May 8 at VVaverly Inn procedure, suggests replacement running for particular senate in Cheshire. -
September/October 2019
20- 30- 40 GLASS SOCIETY OF ILLINOIS THE SOCIETY PAGE Volume 40 Issue 5 August-September, 2019 NEXT MEETING When: October 12, 2019 The Society enjoys Where: American Legion Hall Pheasant Under Glass! 900 S. LaGrange Rd. La Grange, IL AGENDA: 10:30 a.m. Social Hour President’s Comments ... 11:30 Lunch We were treated to a wonderful informative Power Point presentation by Jackie 1:00 Program Norland of the Fox Valley & Northern Illinois Candlewick Collectors on Metal 3:00 Adjournment Decorated Candlewick by Imperial. Jackie also had many beautiful items on Cost: $10.00 pp. display for us to view. I have seen a lot of Candlewick, but not any like these. This was indeed special. Alice Ewert arranged for this presentation and I thank This will be our usual “Eat in Style” Luncheon, please bring a dish to her for making this possible. pass to serve at least 8. Chicken will be provided by the Society. The second part of the program was presented by Bette Wittenberg and Angela McEntee which featured Children’s Dishes of various types with a large number of examples to view. Bette and Angela provided much information on these small dishes. My thanks to Jackie, Bette and Angela for these great programs. And, for more detailed information about the programs, please see Bev Kennett’s wonderfully Inside this issue: detailed minutes. We also had a number of special guests at this meeting. As you read in the July- President’s 1-2 August issue of THE SOCIETY PAGE, an invitation was extended to The De- Comments pression Era Glass Society of Wisconsin with members Vicki Beckman and Mischell Houck in attendance; and The Fox Valley & Northern Illinois Candlewick Vice-President’s 1-3 Collectors with 4 members present: Jackie Norland (our guest speaker), Bunny Wustefeld, Pat Turen and Laura Marsh. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
The Identification of Collective Bargaining Issues for the Korea Baseball Organization Jongmi Joo
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 The Identification of Collective Bargaining Issues for the Korea Baseball Organization Jongmi Joo Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF EDUCATION THE IDENTIFICATION OF COLLECTIVE BARGAINING ISSUES FOR THE KOREA BASEBALL ORGANIZATION By JONGMI JOO A Dissertation submitted to the Department of Sport Management, Recreation Management, and Physical Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2003 The members of the Committee approved the dissertation of Jongmi Joo defended on August 25, 2003. Annie Clement Professor Directing Dissertation David Pargman Outside Committee Member Alvin Stauber Outside Committee Member Tom Ratliffe Committee Member Approved: Charles Imwold, Chair, Department of Sport Management, Recreation Management, and Physical Education The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my father, Cheongon Joo, mother, Seonggu Lee, father in law, Dr. Donghee Choi, and mother in law, Yongjae Kim iii ACKNOWLEDGMENTS This dissertation might never be completed without the help of a number of individuals. I would like to thank Dr. Annie Clement, major professor, whose leadership, understanding, guidance, patience, and friendship have been a constant source of encouragement and motivation. I offer my sincere thanks to the other members of my committee, Dr. David Pargman, Dr. Alvin Stauber, and Dr. Tom Ratliffe for their excellent suggestions, which were instrumental in the completion of this study. I feel truly blessed to have had such a wonderful committee members. -
Friends Newsletter
FRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery. -
Lot Description LOW Estimate HIGH Estimate 1 Chinese Enameled
LOW HIGH Lot Description Estimate Estimate Chinese enameled porcelain stick neck vase, with a yellow ground decorated with 1 magpies amid pink prunus, base with an apocryphal Guangxu mark, 14"h $ 250 - 450 (lot of 4) Chinese Peking glass bowls, one pair of pink hue and a pair of blue hue, each 2 carved with birds and flowers, 6.25"w $ 250 - 450 Chinese hardwood brush pot, cylindrical body with thick walls, the well fitted with a 3 central plug (with spliced pieces to the interior), 7.75"h $ 500 - 700 (lot of 2) Chinese Ge-type ceramic Longquan style tripod censer, with everted rim and 4 compressed body, with wood stand; together with an arrow vase, with a rectangular mouth and a flattened body raised on a tapering base, 4.75"h $ 300 - 500 Chinese hardwood document box, the shallow rectangular box with a circular lock plate 5 and ruyi form mount, 10.75"w $ 250 - 450 Chinese gilt lacquered box, the lid decorated with figures in a landscape, concealing five 6 stacked shallow tiers, 8.6"w $ 300 - 500 (lot of 2) Chinese Jian style ceramic tea bowls, each coated with a hare's fur glaze 7 stopping short of the unglazed base and foot, 4.75"w $ 500 - 700 (lot of 2) Chinese soapstone seals, each carved with a fu-lion in raised stance on a tall 8 plinth, underside carved, 3"h $ 250 - 450 (lot of 2) Chinese soapstone seals, the first of fan shape with a poetic colophon; the 9 second, a rectangular chop incised with a long inscription, with the seal script characters to the base, each with a wood stand, first: 2.5"w $ 300 - 500 (lot of 2) Chinese