Chinese Overlay Peking Glass Vases, One Pair, Of
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Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
Index Volume 46
THE NEWSLETTER FOR COLLECTORS, DEALERS AND INVESTORS September 2019 – August 2020 Volume 46 A Adams, 83, 117, 130 Index Volume 46 Advertising, 4-5, 11, 14, 20-21, 23, 35, 37, 40, 42, 47, 49, Numbers 1 - 12 53, 58-59, 71, 73, 78-79, 82-83, 95, 98-99, 107, 115, 119, 121, September 2019 - August 2020 124, 129-131, 133, 138-139, 143 Pages 1 - 144 Alabaster, 83, 118 Aluminum, 2, 5, 11, 14, 43, 47, 50-51, 63, 143 Amberina, 97, 100 PAGES ISSUES DATE Amphora, 1, 4, 74 1-12 No. 1 September 2019 Anna Pottery, 127 13-24 No. 2 October 2019 Architectural, 7, 32, 91 25-36 No. 3 November 2019 Argenta, 23, 25, 28 37-48 No. 4 December 2019 Argy-Rousseau, 131 49-60 No. 5 January 2020 Art Deco, 23, 28, 34-35, 59, 71, 78-79, 95, 119, 136 61-72 No. 6 February 2020 Art Glass, 10, 23, 97, 100 73-84 No. 7 March 2020 Art Nouveau, 4, 75, 101, 105, 131, 143 85-96 No. 8 April 2020 Art Pottery, 4, 85 97-108 No. 9 Arts & Crafts, 6-7, 59, 131, 143 May 2020 Austria, 4 109-120 No. 10 June 2020 Auto, 59 121-132 No. 11 July 2020 Avon, 95 133-144 No. 12 August 2020 B Blanket Chest, 47, 85, 92 Baccarat, 11, 41 Blown Glass, 12, 107 Badge, 96 Blue Glass, 83, 107 Bank, 17, 57, 70, 110, 143 Blue Onion, 35 Barber, 95, 138 Boehm, 107 Barometer, 131 Bookends, 23, 83, 85, 89, 107-108 Baseball, 14, 79, 94, 106, 141 Bossons, 59 Basket, 18, 71, 93, 95, 99, 107, 109, 113, 125 Bottle, 9, 11, 14, 21, 23, 35, 38, 40, 46-47, 59, 64, 88, 93-95, 97, 104- Bavaria, 46, 58, 96, 120 105, 107, 122, 126, 130-131, 143 Beatles, 3, 38, 47, 127, 129, 143 Bottle Cap, 131 Beehive, 47 Box, 2, 6-7, 11-12, -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Opening a Museum for Everyone
From One Louvre to Another: Opening a Museum for Everyone Jean Garnier (Meaux, 1632–Paris, 1705) Allegory of Louis XIV, Protector of Arts and Sciences 1672. Oil on canvas. H. 163; W. 204 cm Versailles, Musée National des Châteaux de Versailles et de Trianon, MV 2184. Provenance: Presented at the Academy on 30 January 1672 as a reception piece; confiscated during the Revolution in 1793; Dépôt de Nesle in 1796; Musée Spéciale de l’École Française à Versailles, Dogs’ Antechamber in Versailles under Louis-Philippe. In painting this reception piece at the Royal Academy of Painting and Sculpture, Jean Garnier was giving an astute response to the subject that had been imposed upon him. He was first instructed to paint the ‘Portrait du Roy en tableau, au milieu de divers fruictz et instruments des Arts’ [Portrait of the King in a tableau, surrounded by various fruits and instruments of the Arts]. This may seem a strange choice as it induced him to present the portrait of Louis XIV in an oval frame, suspended on braids by a red ribbon, which at first glance seems to reduce it to a purely decorative item in the midst of all the other elements comprising the still life. The work, however, is open to several levels of interpretation. Indeed, its symbolic nature did not escape contemporary viewers: ‘The King appears surrounded by fruit and a number of musical instruments, signifying in allegorical fashion the bounty of the kingdom and the harmony and concord that prevail in the government of the State.’ Louis XIV dominates the scene. -
A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied -
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION Bid.Mbaauction.Com Items Begin to Close at 10AM on Thursday 6/24
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION bid.mbaauction.com Items begin to close at 10AM on Thursday 6/24 25% Buyers Premium Added to All Bids Serigraph Framed- 46x34" 3018 Modern Artist Proof Signed Embossed ALL ITEMS MUST BE PICKED UP Serigraph Framed- 46x34" WITHIN 7 DAYS OF AUCTION CLOSE! 3019 Designer Gold Leaf Buddha Gallery Framed Lithograph- 53x42" Bid.mbaauction.com 3020 John Richard Collection Persian Horse Painting on Cloth Framed- 47x67" Lot Description 3021 Large Egyptian Hieroglyph Painting on Papyrus Framed- 38x75" 3000 Italian Leather Bound Stacking Book End 3022 K. Berata Large Balinese Painting of Nude Table with Drawers- 21x21x15" Women Framed- 42x82" 3001 Scroll Arm Upholstered Chair- 33x25x28" 3023 Ambrogin Modern Collage 4 Panel Screen- 3002 Bianchi Barbara Inlaid Italian Chess Set 37x73" with Board- 20x20" 3024 Pascal Cucaro Enameled Still Life Plaque in 3003 Pair Vintage French Marble Table Lamps- Gilt Frame- 15x13" 29" 3025 Pascal Cucaro Enameled Modern Figures 3004 Designer Wrought Iron 'Fasces' Glass Top Plaque in Gilt Frame- 15x13" Coffee Table- 20x47x23" 3026 Hand Colored 'Piper Indicum Medium' 3005 Victorian Iron Marble Top Floral Side Pepper Plant Botanical Framed Etching- Stand- 33x20x12" 30x26" 3006 Old Italian Inlaid Mahogany 2 Drawer 3027 Antique Gilt Archtop Framed Mirror- Stand- 29x22x12" 45x29" 3007 Pair Designer Monkey Table Lamps- 26" 3028 Italian Gilt Decorated Hanging Barometer- 3008 Pair Chapman Brass Designer Table Lamps- 35x19" 36" 3029 Bombay -
PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso. -
Picasso Sculpture Pdf, Epub, Ebook
PICASSO SCULPTURE PDF, EPUB, EBOOK Ann Temkin,Anne Umland | 320 pages | 24 Nov 2015 | MUSEUM OF MODERN ART | 9780870709746 | English | New York, United States Picasso Sculpture PDF Book Look carefully. After purchasing an estate in Boisgeloup in , Picasso set up a sculptor studio in a coach house. Picasso: My Grandfather. Madrid held many other attractions. And of every building inspector who took a wad from a slum owner to make it all possible Girl Before a Mirror. Paris: capital of the arts, — Wood, metal and plaster were used separately or in combination with each other. The first issue was published on 31 March , by which time the artist had started to sign his work Picasso. Cubism , Surrealism. Boston: Houghton Mifflin Harcourt. The sculpture, one of the most recognizable landmarks in downtown Chicago, was unveiled in Between and he wrote over poems. The public who look at the picture must interpret the symbols as they understand them. The 33 volumes cover the entire work from to , with close to 16, black and white photographs, in accord with the will of the artist. The first volume of the catalogue, Works from to , published in , entailed the financial ruin of Zervos, self- publishing under the name Cahiers d'art , forcing him to sell part of his art collection at auction to avoid bankruptcy. From Wikipedia, the free encyclopedia. The medium in which Picasso made his most important contribution was painting. Informed of this, Picasso offered three paintings and a sketch to the city and its museum and was later made an honorary citizen by the city. -
September/October 2019
20- 30- 40 GLASS SOCIETY OF ILLINOIS THE SOCIETY PAGE Volume 40 Issue 5 August-September, 2019 NEXT MEETING When: October 12, 2019 The Society enjoys Where: American Legion Hall Pheasant Under Glass! 900 S. LaGrange Rd. La Grange, IL AGENDA: 10:30 a.m. Social Hour President’s Comments ... 11:30 Lunch We were treated to a wonderful informative Power Point presentation by Jackie 1:00 Program Norland of the Fox Valley & Northern Illinois Candlewick Collectors on Metal 3:00 Adjournment Decorated Candlewick by Imperial. Jackie also had many beautiful items on Cost: $10.00 pp. display for us to view. I have seen a lot of Candlewick, but not any like these. This was indeed special. Alice Ewert arranged for this presentation and I thank This will be our usual “Eat in Style” Luncheon, please bring a dish to her for making this possible. pass to serve at least 8. Chicken will be provided by the Society. The second part of the program was presented by Bette Wittenberg and Angela McEntee which featured Children’s Dishes of various types with a large number of examples to view. Bette and Angela provided much information on these small dishes. My thanks to Jackie, Bette and Angela for these great programs. And, for more detailed information about the programs, please see Bev Kennett’s wonderfully Inside this issue: detailed minutes. We also had a number of special guests at this meeting. As you read in the July- President’s 1-2 August issue of THE SOCIETY PAGE, an invitation was extended to The De- Comments pression Era Glass Society of Wisconsin with members Vicki Beckman and Mischell Houck in attendance; and The Fox Valley & Northern Illinois Candlewick Vice-President’s 1-3 Collectors with 4 members present: Jackie Norland (our guest speaker), Bunny Wustefeld, Pat Turen and Laura Marsh. -
Jacques-Louis David
Jacques-Louis David THE FAREWELL OF TELEMACHUS AND EUCHARIS Jacques-Louis David THE FAREWELL OF TELEMACHUS AND EUCHARIS Dorothy Johnson GETTY MUSEUM STUDIES ON ART Los ANGELES For my parents, Alice and John Winter, and for Johnny Christopher Hudson, Publisher Cover: Mark Greenberg, Managing Editor Jacques-Louis David (French, 1748 — 1825). The Farewell of Telemachus and Eucharis, 1818 Benedicte Gilman, Editor (detail). Oil on canvas, 87.2 x 103 cm (34% x 40/2 in.). Elizabeth Burke Kahn, Production Coordinator Los Angeles, The J. Paul Getty Museum (87.PA.27). Jeffrey Cohen, Designer Lou Meluso, Photographer Frontispiece: (Getty objects, 87.PA.27, 86.PA.740) Jacques-Louis David. Self-Portrait, 1794. Oil on canvas, 81 x 64 cm (31/8 x 25/4 in.). Paris, © 1997 The J. Paul Getty Museum Musee du Louvre (3705). © Photo R.M.N. 17985 Pacific Coast Highway Malibu, California 90265-5799 All works of art are reproduced (and photographs Mailing address: provided) courtesy of the owners, unless otherwise P.O. Box 2112 indicated. Santa Monica, California 90407-2112 Typography by G&S Typesetters, Inc., Library of Congress Austin, Texas Cataloging-in-Publication Data Printed by C & C Offset Printing Co., Ltd., Hong Kong Johnson, Dorothy. Jacques-Louis David, the Farewell of Telemachus and Eucharis / Dorothy Johnson, p. cm.—(Getty Museum studies on art) Includes bibliographical references (p. — ). ISBN 0-89236-236-7 i. David, Jacques Louis, 1748 — 1825. Farewell of Telemachus and Eucharis. 2. David, Jacques Louis, 1748-1825 Criticism and interpretation. 3. Telemachus (Greek mythology)—Art. 4. Eucharis (Greek mythology)—Art. I. Title. -
Bibliographie Française De La Tauromachie (La)
PERIEUR DE BIBLIOTHECAIRE MEMOIRE DE FIN D'ETUDES Jacques DALQUIER LA BIBLIOGRAPHIE FRANCAISE DE LA TAUROMACHIE. ANNEE : 1,984-1985 21 eme PROMOTION ECOLE NATIONALE SUPERIEURE DES BIBLIOTHEQUES 17-21, Boulevard du 11 Novembre 1918 - 69100 VILLEURBANNE DIPLOME SUPERIEUR DE BIBLIOTHECAIRE MEMOIRE DE FIN D'ETUDES Jacques DALQUIER BIBLIOGRAPHIE FRANCAISE DE LA TAUROMACHIE: -METHODOLOGIE ESSAI DE THESAURUS APPROCHE BIBLIOLOGIQUE /M ANNEE: 1984-1985 21 e PROMOTION. ECOLE NATIONALE SUPERIEURE DES BIBLIOTHEQUES 17-21, Boulevard du 11 Novembre 1918 - 69100 VILLEURBANNE. DALQUIER (Jacques). - La Bibliographie frangaise de la tauromachie: MSthodologie,Essai de thesau- rus, Approche bibliologique: mcmoire / prSsen- te par Jacques Dalquier. - Villeurbanne: Ecole Nationale SupSrieure des Bibliotheques, 1985 . - 100 f.: figure; 30 cm. MSmoire E.N.S.B.: Villeurbanne: 1980: Tauromachie, bibliograpMe / Fragce. - Tauromachie, thesau- rus. *' Tauromachie, bibliologie. Essai de bibliographie frangaise de la tauromachie: prin- cipes et mSthodologie; essai de thesaurus avec liste alphabetique et tableaux thematiques; approche biblio- logique du livre taurin depuis 1945. 2 TABLE DES MATIERES - INTRODUCTION 3 I - BIBLIOGRAPHIE 1.1.: PROLEGOMENES 1.1.1.:Historique de la bibliographie taurine 5 1.1.2.:Principes de la bibliographie frangaise de la tauromachie 8 1.1.3.:Contenu et mSthodologie 9 1.2.: BIBLIOGRAPHIE FRANCAISE DE LA TAUROMACHIE 13 1.3.: INDEX DES VEDETTES ADOPTEES (maquette) 57 II -THESAURUS 11.1.:METHODOLOGIE ET INTRODUCTION 59 11.2.:LISTE ALPHABETIQUE DES DESCRIPTEURS ET NON DESCRIPTEURS , 62 11.3.:TABLEAUX THEMATIQUES 79 III-LE LIVRE TAURIN: APPROCHE BIBLIOLOGIQUE. III.1.:ELEMENTS BIBLIOMETRIQUES 111.1.1.:M6thode 90 111.1.2.:Tableau statistique 91 III.1 . 3.: Commentaire 92 III. -
Dictionary.Pdf
THE SEAFARER’S WORD A Maritime Dictionary A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Ranger Hope © 2007- All rights reserved A ● ▬ A: Code flag; Diver below, keep well clear at slow speed. Aa.: Always afloat. Aaaa.: Always accessible - always afloat. A flag + three Code flags; Azimuth or bearing. numerals: Aback: When a wind hits the front of the sails forcing the vessel astern. Abaft: Toward the stern. Abaft of the beam: Bearings over the beam to the stern, the ships after sections. Abandon: To jettison cargo. Abandon ship: To forsake a vessel in favour of the life rafts, life boats. Abate: Diminish, stop. Able bodied seaman: Certificated and experienced seaman, called an AB. Abeam: On the side of the vessel, amidships or at right angles. Aboard: Within or on the vessel. About, go: To manoeuvre to the opposite sailing tack. Above board: Genuine. Able bodied seaman: Advanced deckhand ranked above ordinary seaman. Abreast: Alongside. Side by side Abrid: A plate reinforcing the top of a drilled hole that accepts a pintle. Abrolhos: A violent wind blowing off the South East Brazilian coast between May and August. A.B.S.: American Bureau of Shipping classification society. Able bodied seaman Absorption: The dissipation of energy in the medium through which the energy passes, which is one cause of radio wave attenuation. Abt.: About Abyss: A deep chasm. Abyssal, abysmal: The greatest depth of the ocean Abyssal gap: A narrow break in a sea floor rise or between two abyssal plains.