Information Night AMTC Committee

Total Page:16

File Type:pdf, Size:1020Kb

Information Night AMTC Committee Information Night AMTC Committee President – Laura Turner Vice President – Ron Hawthorne Secretary – Julie Fraser Treasurer – Greg Lloyd Committee – Merrin Ross, Graham Dyer, Julia Armstrong, Angelique Rioux, Leanne Girdlestone, Wendy Bilbey Superstar Production Team Producer / Director – Ron Hawthorne Assistant Producer – Leanne Girdlestone Musical Director – Mark McKinnon Vocal Team – Merrin Ross, Graham Dyer Choreographer – Sarah Smith Stage Manager – Greg Lloyd Set Designs – Oli Gait, Peter Clark Costume Designer - TBA Lighting – Ben Gibson & Everlight Productions Sound – Brendan Vitiello Special Effects – Matthew MacKenzie Publicity – Wendy Bilbey Superstar Key Dates Rehearsals - November 2021 • Wed 27th Oct – Sitzprobe • Mon 1st – Dress Rehearsal • Wed 3rd – Dress Rehearsal Production Week • Mon 8th – Tech Rehearsal • Tue 9th – Full Dress Rehearsal • Wed 10th – Full Show Run Show Week • Fri 12th – Evening Show • Sat 13th – Evening Show • Sun 14th – Afternoon Matinee • Fri 19th – Evening Show • Sat 20th – Evening Show • Sun 21st – Afternoon Show (followed by Bump Out) Superstar Principal Roles Character Voice type Description Title role, leader of the twelve disciples, called the "Son of God" and Jesus Christ tenor (A2–G5) the "King of the Jews." Judas Iscariot tenor (D3–B5) One of Jesus' twelve apostles; concerned for the poor and the consequences of Jesus's fame. Mary Magdalene mezzo-soprano (F3–E♭5) A female follower of Jesus who finds herself falling in love with him. Governor of Judea who foresees the events of Jesus's crucifixion from Pontius Pilate baritone / tenor (A2–B♭4) beginning to aftermath in a dream and finds himself being presented with that very situation. Caiaphas bass (C♯2–F4) High priest who sees Jesus as a threat to the nation. Fellow priest at the side of Caiaphas who is persuaded by Caiaphas countertenor (G2–D5) Annas into seeing Jesus as a threat. Peter baritone (A2–G4) One of Jesus's twelve apostles; denies Jesus three times upon the night of Jesus's arrest to save himself. Simon Zealots tenor (G3–B4) One of Jesus's twelve apostles; urges Jesus to lead his followers into battle against the Romans. King Herod baritone (C♯3–G4) The King of Galilee; Jesus is brought to him for judgment after first being taken to Pilate. Superstar Ensemble Roles • Males & Females required • Speaking and silent roles • Soprano, mezzo-soprano, tenor baritone, bass • No age limitations, but all cast members must have a believable stage age of young adult and up Ensemble Roles • Lepers • Cured Lepers • Merchants • Apostles • Soldiers • Judas’ tormentors • Reporters • Temple ladies • Soul girls Superstar Songs Act One • Overture - Instrumental • Heaven on Their Minds – Judas • What's the Buzz – Apostles, Jesus, Mary • Strange Thing Mystifying – Jesus, Mary, Judas, Apostles • Everything's Alright – Mary, Women, Judas, Jesus, Apostles • This Jesus Must Die – Annas, Caiaphas, Apostles, Priests • Hosanna – Caiaphas, Jesus, Ensemble • Simon Zealotes – Simon, Ensemble • Poor Jerusalem – Jesus • Pilate's Dream – Pilate • The Temple – Ensemble, Jesus • Everything's Alright (Reprise) – Mary, Jesus • I Don't Know How to Love Him – Mary • Damned For All Time/Blood Money – Judas, Annas, Caiaphas, Priests Superstar Songs Act Two • The Last Supper – Apostles, Jesus, Judas • Gethsemane – Jesus • The Arrest – Judas, Jesus, Peter, Apostles, Ensemble, Annas, Caiaphas • Peter's Denial – Maid by the Fire, Peter, Soldier, Old Man, Mary • Pilate and Christ – Pilate, Annas, Jesus, Ensemble • King Herod's Song - Herod, *Ensemble • Could We Start Again Please? – Mary, Peter • Judas' Death – Judas, Annas, Caiaphas, Ensemble • Trial By Pilate/Thirty-Nine Lashes – Pilate, Caiaphas, Annas, Jesus, Ensemble • Superstar – Judas, Soul Sisters, Angels • The Crucifixion – Jesus, Ensemble • John 19:41 – Instrumental Superstar Orchestra This production will include a full orchestra, which may include any or all of the following: • Electric guitar/acoustic guitar • Electric bass guitar • Piano/organ • Drums/percussion • Trumpet I, II • Trombone • French horn • Flute/piccolo • Flute/clarinet • Oboe • Bassoon • Violin I, II • Cello • Viola Superstar Dancers • Dance workshop auditions - • Sun 2nd May – 12 to 12:45pm, or • Sat 8th May – 12 to 12:45pm • There will be a tap dance in the show • If you wish to be a part of dance ensemble you will need to take part in the dance workshop auditions – please indicate this on the online audition form • As a member of this tap dance group you may wish to be only in the tap item or you may wish to audition for ensemble or BVs as well – please indicate this preference on the online audition form Superstar Pit Singers • There will be a number of Pit Singers in the orchestra pit • The precise number will depend upon the audition results and vocal arrangement requirements, as determined by the Music Director and Vocal Team • Pit Singers who do not wish to be part of the performing ensemble should indicate this preference at their audition Superstar Rehearsals • First rehearsal – 31st May and then every Monday and Thursday thereafter • Most rehearsals will be at the Nowra School of Arts or Annexe • Closer to showtime we will move to the Nowra Showground building • A rehearsal schedule will be published in a cast Facebook group • You are expected to attend all rehearsals to which you are called • Some extra rehearsals may be called on Sundays closer to show dates Superstar Auditions This is what you have been waiting for … • Auditions will take place at the Nowra School of Arts • Sunday 2nd May – 10:00am to 4:00pm • Saturday 8th May – 10:00am to 4:00pm • Sunday 9th May – 10:00am to 4:00pm • Call Backs (if needed) will be Sunday 16th and / or Monday 17th May • You must provide am MP3 backing track on a thumb drive • The maximum length of your audition should be 3 - 4 minutes • You will need to prepare a song that shows your vocal range and ability, but not from Jesus Christ Superstar • Judas needs to prepare a rock song that demonstrates the vocal range and power of your voice • Jesus and Mary will need to prepare a song that demonstrates both range and dramatic ability Superstar Auditions How to book an audition - • Follow the link on the AMTC website, or Facebook page • Complete the online audition form • The audition form will be closed off Friday 30th April at 5pm • You will be emailed or messaged your audition timeslot based on your preference indicated on the application form. The emails / messages will be rolled out progressively from tomorrow onwards, with first in, first served for available slots • The audition form is broken into 30 minute slots. There will be 3 auditions available in each 30 minute slot. You may be any time in that 30 minutes • Arrive at the School of Arts 15 minutes before your allocated time • Please bring a passport sized photo of yourself, to be used by the audition panel during the casting process Superstar Casting • The audition panel will cast the show according to the talent demonstrated during the auditions • There is no pre-determined casting preferences towards any individuals or groups • The audition panel will be open to various styles or interpretations for any given role • It is AMTC policy for all cast, crew and orchestra members to have a completed Working With Children Check within 4 weeks of the start of your involvement in the show. Superstar Questions • Question Time Thank You … and good night..
Recommended publications
  • This Jesus Must Die ]Esus Christ Superstar Moderato Annas                 Good Cai-  A- Phas The Coun- Cil Waits for You
    This Jesus Must Die ]esus Christ Superstar Moderato Annas Good Cai- a- phas the coun- cil waits for you. Tbe Pha- ri- Moderato f 4 sees and Priests are here for you. Caiaphas Ah gent tle 2 6 men you why we arehere.We'venot much time and quite a pro-blem here. Mob (outside )Boys Ho Mob (Outside) Girls 10 Ho sannaSu per star ho san nasup per star san-naSu-per-star,Ho- san.na Su-per-star,Ho- san-na Su-per-star,Ho- san- na Su-per- star cresc poco a poco 3 14 Annas listen tothat howl-ingmobofblock-headsinthe street! A [guide part poco ad lib ] Fm7 Bb7 Fm7 Bb7 16 Annas and Preist2 trickortwowith le-persandthewholetown'son it'sfeet. Heis dan ger Preist1 Caiaphas & Priest 3 He is dan ger Fm7 Bb7 Fm7 Bb7 Bb E Bb 4 19 Preist 3 ous He is dan ger ous that ous He is dan ger ous Mob (outside) Je-susChrist Su-per-star TeIl that you're who they Je-susChrist Su-per-star TeIl that you're who they B
    [Show full text]
  • Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
    Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
    [Show full text]
  • Andrew Lloyd Webber's Musicals
    MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography.
    [Show full text]
  • Jesus Christ Superstar Is an We Are So Excited That You Have Joined Us Excellent Opening to This Exploration
    PATIOBILL Directed by Deborah Zimmer + Produced by Brenda Townsend 116 S. Kalmia Street, Escondido www.patioplayhouse.com ph. 760-746-6669 ~ Welcome ~ It is my unmistakable honor as Artistic and all of North County for over 50 years, Manager to welcome you to the 52nd and we continue to grow each year. Our season of Patio Playhouse and Patio youth program has long provided a Plays in the Park. nurturing environment for kids and teens to explore the theater arts, free of This season we are bringing you shows charge. that explore family and finding where you belong. Jesus Christ Superstar is an We are so excited that you have joined us excellent opening to this exploration. The today and we entreat you to continue to last days of Jesus, told from the join us for the rest of the year. We follow perspective of Judas Iscariot, this Jesus Christ Superstar with Annie and In musical examines the relationships the Heights at Kit Carson Amphitheater. between Jesus and his disciples and If you wish to join the Patio Family and Mary Magdalene as they delve into become involved with Patio Playhouse, whether there was any other way the please speak to any of our ushers or visit story could end. How inevitable was our website at Judas’ betrayal and how does that affect www.patioplayhouse.com. Jesus’ relationships with Judas and Thank you so much for your patronage! everyone else? Matt FitzGerald Patio Playhouse has been providing Artistic Manager affordable theater and performance opportunities to the people of Escondido ~ Director’s Note ~ Thank you for attending this evening's drowned out! One of the songs that is not performance of Jesus Christ Superstar on my original album states exactly how I and sharing one of my most precious feel today: 'Could We Start Again theatrical dreams! I fell in love with this Please?' I point this out in the hope that rock musical in 1970, when I purchased when you leave the theater tonight, you the first released recording on vinyl LP.
    [Show full text]
  • JESUS CHRIST SUPERSTAR (JCS Logo Here)
    RRCA MUSICAL THEATRE LOGO Proudly presents JESUS CHRIST SUPERSTAR (JCS logo here) Music by Lyrics by ANDREW LLOYD WEBBER TIM RICE JESUS CHRIST SUPERSTAR is presented through and exclusive arrangement with R & H Theatricals, 1065 Avenue of the Americas, Suite 2400, New York, New York 10018 and Two Knights Rights Limited, www.rnhtheatricals.com April 27-29, 2006 Page 2 Show Synopsis It seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent '60s, should have at its center a social and political rebel. Jesus' meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As His radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ's final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, JESUS CHRIST SUPERSTAR illuminates the transcendent power of the human spirit with a passion that goes straight to the heart. Originally produced on Broadway by Robert Stigwood, JESUS CHRIST SUPERSTAR opened on Broadway at the Mark Hellinger Theatre on October 12, 1971 playing for 720 performances. Musical Numbers Overture Heaven on Their Minds What's the Buzz? Strange Thing Mystifying Everything's Alright Hosanna This Jesus Must Die King Herod's Song Hosanna Simon Zealots/Poor Jerusalem Pilate's Dream The Temple Everything’s Alright (Reprise) I Don't Know How to Love Him Damned for All Time/Blood Money 15 Minute Intermission The Last Supper Gethsemane The Arrest Peter's Denial Pilate and Christ King Herod’s Song Could We Start Again Please? Judas’s Death Trial by Pilot Superstar Crucifixion John 19:41 Page 3 The Cast Jesus .......................................................................................................
    [Show full text]
  • Andrew Lloyd Webber's Andrew Lloyd Webber's
    49th SEASON AndrewAndrew LloydLloyd Webber’sWebber’s Lyrics by Tim Rice All performances at the SARATOGA CIVIC THEATER 13777 Fruitvale Avenue in Saratoga March 8 - April 5, 2014 ✩ PRESIDENT’S MESSAGE Welcome to Andrew Lloyd Webber’s “Jesus Christ, Superstar”, the second production of WVLO Musical Theatre Company’s 49th Season. We hope you enjoy this dramatic and realistic recreation of the last seven days in the life of Jesus Christ. It is a timely reminder of His sacrifice for us during this upcoming Lenten and Easter seasons. Our final production of this 49th season in June/July will be “Crazy For You”, a wonderful all-Gershwin musical with great music, scintillating dance and lots of fun! Presents You’re Invited!! Whether you are already one of our 1000+ subscribers or here Andrew Lloyd Webber’s in the Saratoga Civic Theatre for the very first time, we invite you to join us this November for our 50th season. We increased our prices last season due to higher costs, but we intend to maintain those same prices for our new season. And we will continue our policy of not charging any additional fees for tickets purchased through our Box Office and/or with a credit card. Look at Our Centerfold!!! Included in this program is a special blue insert which we invite you to use to subscribe to WVLO Musical Theatre Company’s 50th Lyrics by Tim Rice musical season. Subscribe NOW to ensure good seats and substantial savings over the cost of individual tickets. Current subscribers may also use this form to renew for next season.
    [Show full text]
  • Two Perspectives on the High Priest Joseph Caiaphas: Challenges for Religious Educators Presenting Jesus’ Passion
    TWO PERSPECTIVES ON THE HIGH PRIEST JOSEPH CAIAPHAS: CHALLENGES FOR RELIGIOUS EDUCATORS PRESENTING JESUS’ PASSION MAURICE RYAN Introduction Along with Pontius Pilate, the high priest Joseph Caiaphas moves to centre stage when the most dramatic events of the Christian story unfold – the arrest, interrogations and execution of Jesus of Nazareth. Despite his central role in the unfolding drama, the gospel authors present Caiaphas as a shadowy figure and offer little context which might assist readers to judge his character, motivations and intentions. His role is crucial to the unfolding drama, but his presence is muted in the gospel accounts. As a result, most Christians remain unaware and uninformed about Joseph Caiaphas. His name is not well known in the Christian story, especially when compared with Pontius Pilate who has attained greater recognition, in part because he is mentioned in the Church creeds while Caiaphas is not. His persona tends to be submerged among the general Temple leadership and Jewish opponents of Jesus. Caiaphas may indeed be their leader but the gospel authors tend to hide him among the crowd of Jesus’ aristocratic opponents. Notwithstanding this lack of information, medieval folklorists, novelists, film-makers, artists, scripture scholars and Christian preachers have rounded out his character, generated their own rationale to explain his decisions and presented Caiaphas as vengeful, jealous, self-serving and misguided. These characteristics of the key Jewish leader have profound implications for the way modern Christians understand Jesus within his Jewish culture. Contemporary understanding of the relationship between Jesus and Caiaphas also has implications for the course of relationships between modern Jews and Christians.
    [Show full text]
  • Jesus Christ Superstar- Dance Party Finale 15 the Crucificxion
    Sing-a-Long Lyrics Table of Contents Page Title 1 Heaven on Their Minds What’s the Buzz 2 Strange Thing Mystifying Then We Are Decided 3 Everything’s Alright 4 Hosanna This Jesus Must Die 5 Poor Jerusalem 6 Pilate’s Dream The Temple 7 I Don’t know How to Love Him Damned for All Time 8 Blood Money The Last Supper 9 Gethsemene 10 The Arrest 11 Peter’s Denial Pilate & Christ Herod’s Song 12 Could We Start Again Please 13 Judas’ Death Trial Before Pilate 14 Thirty Nine Lashes Jesus Christ Superstar- Dance Party Finale 15 The Crucificxion Heaven On Their Minds (Judas) Listen Jesus do you care for your race? Don't you see we must keep in our place? My mind is clearer now— We are occupied— At last all too well Have you forgotten how put down we are? I can see where we all soon will be If you strip away the myth from the man You I am frightened by the crowd will see where we all soon will be for we are getting much too loud. And they'll crush us if we go too far Jesus! You've started to believe If we go too far!!! The things they say of you Listen, Jesus to the warning I give You really do believe Please remember that I want us to live This talk of God is true But it's sad to see our chances weakening And all the good you've done with every hour Will soon get swept away You've begun to matter more All your followers are blind! Than the things you say Too much Heaven On Their Minds It was beautiful but now it's sour Listen, Jesus I don't like what I see Yes it's all gone sour! All I ask is that you listen to me Ah--Ah-Ah-Ah-Ah-Ah-Ah-Ah-Ah-Ah-Ah-Ah!! And remember— Listen Jesus to the warning I give I've been your right hand man all along Please remember that I want us to live You have set them all on fire So come on, come on, listen to me.
    [Show full text]
  • Christology in Film and Musical Drama
    CHRISTOLOGY IN FILM AND MUSICAL DRAMA PETER A HARSCH STEPHEN M BEALL, PHD MARCUS PLESTED, DPHIL MAY 2015 1 Jesus of Nazareth is a sufficiently complex character that there is an entire field of academic study devoted to His identity: Christology. This makes Him exceedingly difficult to portray in fictionalised adaptions, not to mention His religious import to numerous audience members. Nevertheless, attempts have been made, and controversy inevitably ensued. But were these portrayals even Christologically heretical, as commonly alleged, or instead orthodox? To answer this, we shall consider Martin Scorsese’s adaption of Nikos Kazantzakis’ The Last Temptation of Christ, Lord Andrew Lloyd Webber & Sir Tim Rice’s Jesus Christ Superstar, Stephen Schwartz’ Godspell, and Mel Gibson’s The Passion of the Christ. All of these, except perhaps Gibson’s, are typically accused of portraying Jesus as predominately, or even solely, human. In order to evaluate these works’ orthodoxy, we must first define what orthodox Christology even is. To over simplify, Christology may be understood as a spectrum of views regarding Christ. On one end is the heresy of Docetism, that Christ is fully divine and not at all human. On the other end is the heresy of Ebionism, that Christ is fully human and not at all divine. The orthodox position, as defined by the Fourth Ecumenical Council of Chalcedon, lies in the middle of the spectrum: that Christ is “united in one Person [prosopon] and subsistence [hypostasis]”1 and that this “unity of Person…is to be understood as existing in both the natures”,2 with the two natures being “perfect in Godhead and perfect in manhood”.3 Where a work falls on this spectrum partially depends on how much emphasis is placed on Christ’s humanity (leans towards Ebionism) or Christ’s divinity (leans towards Docetism).
    [Show full text]
  • Music by Andrew Lloyd Webber Lyrics by Tim Rice
    MUSIC BY ANDREW LLOYD WEBBER LYRICSLYRICS BY BY TIM TIM RICE RICE IN ASSOCIATION WITH THE REALLY USEFUL GROUP LIMITED PRODUCTION BY REGENT'S PARK THEATRE, LONDON JCS_ProgramCover.indd 1 3/28/2018 10:29:44 AM THE BELOVED BROADWAY MUSICAL COMES TO LYRIC IN SPRING BERNSTEIN SONDHEIM LYRIC PREMIERE NEW COPRODUCTION MAY JUNE , LYRICOPERA.ORG .. DIRECTOR SET DESIGNER WEST SIDE STORY Based on a conception of Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Francesca Zambello Peter J. Davison A coproduction of Lyric Opera of Chicago, Houston Grand Opera, and Glimmerglass Festival. Original production directed and choreographed by Jerome Robbins. COSTUME DESIGNER LIGHTING DESIGNER Lyric Opera premiere of Bernstein’s West Side Story generously made possible by Lead Sponsor The Negaunee Foundation and cosponsors an Jessica Jahn Mark McCullough Anonymous Donor, Randy L. and Melvin R. Berlin, Robert S. and Susan E. Morrison, Mr. and Mrs. William C. Vance, and Northern Trust. LYRIC OPERA OF CHICAGO Table of Contents JOHAN PERSSON IN THIS ISSUE Jesus Christ Superstar – pp. 19-35 6 From the General Director 21 Cast 47 Look to the Future and Chairman 22 Synopsis/Musical Numbers/Orchestra 48 Major Contributors – Special Events 8 Board of Directors 23 Artist Profiles and Project Support 10 Women’s Board/Guild Board/Chapters’ Executive Board/Young Professionals/ 30 Musical Notes 49 Lyric Unlimited Contributors Ryan Opera Center Board 34 Director’s Note 50 Commemorative Gifts 12 Administration/Administrative Staff/ 35 After the Curtain Falls Production and Technical Staff 52 Ryan Opera Center Alumni 36 Patron Salute 14 The Thrill of It All: Lyric’s Around the World 2018/19 Season 37 Aria Society 53 Ryan Opera Center Contributors 19 Tonight’s Performance 46 Breaking New Ground 54 Planned Giving: The Overture Society ALL ABOUT NEXT SEASON pp.
    [Show full text]
  • Superstar Backgrounder
    production summary A global phenomenon that has wowed audiences for over 40 years, Jesus Christ Superstar is a timeless rock opera set against the backdrop of an extraordinarily well known series of events, with a modern twist and an undeniably powerful score. This musical classic illuminates the transcendent power of the human spirit with a passion that goes straight to the soul. Featuring the amazing music of Andrew Lloyd Webber and lyrics by Tim Rice. Phénomène mondial qui séduit le public depuis plus de 40 ans, Jesus Christ Superstar est un opéra-rock intemporel qui a pour trame une série d’évènements extraordinaires bien connus, présentés avec une approche moderne et une musique absolument puissante. Cette œuvre classique fait la lumière sur le pouvoir transcendant de l’esprit humain avec une passion qui va droit au cœur. En vedette, l’incroyable musique d’Andrew Lloyd Webber et les paroles de Tim Rice. the 2018 charlottetown festival team Artistic Director Acting Music Director Production Manager ADAM BRAZIER CRAIG FAIR KELLIE D. KNIGHT Festival Music Director Associate Artistic Director Technical Director BOB FOSTER MARY FRANCIS MOORE DOUG MORUM General Manager of Theatre Associate Producer Theatre Administrator DEAN CONSTABLE SARAH DENMAN-WOOD CINDY RILEY Jesus Christ Superstar Stage Management Team Production Stage Manager MATTHEW MacINNIS Stage Manager SAMIRA ROSE Assistant Stage Managers AL GADOWSKY / ERIKA MOREY / CHANTAL HAYMAN Apprentice Stage Manager COLE VINCENT 10 tickets: 1 800 565.0278 Superstar backgrounder INTERVIEW WITH DIRECTOR ADAM BRAZIER MUSICAL SYNOPSIS JESUS CHRIST SUPERSTAR WHO’S WHO JESUS CHRIST SUPERSTAR If you think about it, the creation of the rock opera Jesus Christ Superstar is, in a way, a miracle.
    [Show full text]
  • Katedra Anglistiky a Amerikanistiky Magisterská
    Masarykova univerzita v Brně Filozofická fakulta Katedra anglistiky a amerikanistiky Magisterská diplomová práce 2006 Helena Kalábová Masaryk University in Brno Faculty of Arts Department of English and American Studies English Language and Literature Helena Kalábová Film vs. Stage Versions of Translations of Song Lyrics in Hair and Jesus Christ Superstar M.A. Major Thesis Supervisor: Mgr. Simona Mazáčová 2006 2 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 3 Acknowledgements: I would like to thank to Mgr. Simona Mazáčová for helping me to delineate the subject of my thesis, for providing me with some useful materials and for comments, advice and suggestions. I would equally like to thank to prof. PhDr. Miloš Štědroň, CSc. for recommendations of relevant and useful reference materials and for advice. 4 Table of Contents 1. Introduction ............................................................................................................................7 2. Musical theatre .......................................................................................................................8 2.1 Definition .............................................................................................................................8 2.2 History ..................................................................................................................................9 2.3 Basic Characteristics ..........................................................................................................10
    [Show full text]