Music by Andrew Lloyd Webber Lyrics by Tim Rice

Total Page:16

File Type:pdf, Size:1020Kb

Music by Andrew Lloyd Webber Lyrics by Tim Rice MUSIC BY ANDREW LLOYD WEBBER LYRICSLYRICS BY BY TIM TIM RICE RICE IN ASSOCIATION WITH THE REALLY USEFUL GROUP LIMITED PRODUCTION BY REGENT'S PARK THEATRE, LONDON JCS_ProgramCover.indd 1 3/28/2018 10:29:44 AM THE BELOVED BROADWAY MUSICAL COMES TO LYRIC IN SPRING BERNSTEIN SONDHEIM LYRIC PREMIERE NEW COPRODUCTION MAY JUNE , LYRICOPERA.ORG .. DIRECTOR SET DESIGNER WEST SIDE STORY Based on a conception of Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Francesca Zambello Peter J. Davison A coproduction of Lyric Opera of Chicago, Houston Grand Opera, and Glimmerglass Festival. Original production directed and choreographed by Jerome Robbins. COSTUME DESIGNER LIGHTING DESIGNER Lyric Opera premiere of Bernstein’s West Side Story generously made possible by Lead Sponsor The Negaunee Foundation and cosponsors an Jessica Jahn Mark McCullough Anonymous Donor, Randy L. and Melvin R. Berlin, Robert S. and Susan E. Morrison, Mr. and Mrs. William C. Vance, and Northern Trust. LYRIC OPERA OF CHICAGO Table of Contents JOHAN PERSSON IN THIS ISSUE Jesus Christ Superstar – pp. 19-35 6 From the General Director 21 Cast 47 Look to the Future and Chairman 22 Synopsis/Musical Numbers/Orchestra 48 Major Contributors – Special Events 8 Board of Directors 23 Artist Profiles and Project Support 10 Women’s Board/Guild Board/Chapters’ Executive Board/Young Professionals/ 30 Musical Notes 49 Lyric Unlimited Contributors Ryan Opera Center Board 34 Director’s Note 50 Commemorative Gifts 12 Administration/Administrative Staff/ 35 After the Curtain Falls Production and Technical Staff 52 Ryan Opera Center Alumni 36 Patron Salute 14 The Thrill of It All: Lyric’s Around the World 2018/19 Season 37 Aria Society 53 Ryan Opera Center Contributors 19 Tonight’s Performance 46 Breaking New Ground 54 Planned Giving: The Overture Society ALL ABOUT NEXT SEASON pp. 14-18 56 Corporate Partnerships 57 Matching Gifts, Special Thanks, and Acknowledgements 58 Annual Individual and Foundation Support 64 Facilities and Services/Theater Staff MARTY SOHL / METROPOLITAN OPERA On the cover: Photo by Johan Persson from Jesus Christ Superstar, production by Regent’s Park Theatre, London. 2 | April - May, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Tony Ralenkotter Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. Strouse, Ltd. 847-835-5197 Editor Terry Luc Graphic Designer Roger Pines Lory Richards Graphic Designer Associate Editor Joy Morawez - Josie Negron Accounting Magda Krance Willie Smith Supervisor Operations Earl Love Operations Administrative Offices: Wilfredo Silva Operations 20 North Wacker Drive Steve Dunn Web & Internet Development Suite 860 You can view this program on your mobile device at performancemedia.us. Chicago, Illinois 60606 For advertising information call 847-770-4620. To see our Terms and Conditions relating to advertising orders, visit our website at www.performancemedia.us. All contents copyrighted. All rights reserved. Nothing may be reproduced in any manner without written permission. © 2018 Performance Media & Gail McGrath & Associates, Inc. is a Woman Owned Business 4 | April - May, 2018 LYRIC OPERA OF CHICAGO From the General Director and the Chairman STEVE LEONARD STEVE Welcome to Lyric, and to an extraordinary adventure in our exploration of iconic works from the world of Broadway. Up to now in our “Broadway at Lyric” series, we’ve concentrated on American classics. This season, however, for the first time we’re producing a work that didn’t originate in this country. It’s also our first production of a rock opera – in fact, a work that was central to the whole idea of rock opera: Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar. Audiences everywhere have embraced this piece for so many reasons. There is, first of all, the overwhelming drama with which Lloyd Webber and Rice depict the last days of Christ. There are the powerful characterizations of the central figures – Jesus, Judas, and Mary. Above all, there is the stupendous score that offers one memorable musical number after another, from the exhilarating “What’s the Buzz?” to the touching “I Don’t Know How to Love Him,” the hair-raising “Gethsemane,” and, of course, the stirring title song. The show is filled with an innovative and very exciting mix of musical styles, drawing on rock, gospel, folk, and funk themes. With the combination of orchestra and rock band, not to mention dazzlingly high-energy dance, the piece’s cumulative impact is electrifying. We’re thrilled that Lyric will be presenting the American premiere of one of the Anthony Freud TODD ROSENBERG TODD most triumphantly successful stagings that Jesus Christ Superstar has ever had. The production by director Timothy Sheader, artistic director of Regent’s Park Open Air Theatre in London, premiered there in 2016. It was received with enormous acclaim by critics and audiences alike, and its triumph was confirmed with the hugely prestigious Olivier Award for Best Musical Revival. By popular demand it was remounted at Regent’s Park the following summer, with audiences again responding to it with immense enthusiasm. The production reminds us that this is a truly unforgettable piece. It has made an amazing journey, from its beginnings as a “concept album” on LP in 1970 to the stage premiere on Broadway, the London premiere that ran for seven years, the justly celebrated film version, and hugely successful presentations over the past four decades at venues large and small all over the world. We hope Jesus Christ Superstar will thrill you, move you, and leave you eager to return to Lyric Opera next season. David T. Ormesher Anthony Freud David T. Ormesher General Director, President & CEO Chairman The Women’s Board Endowed Chair 6 | April - May, 2018 LYRIC OPERA OF CHICAGO Board of Directors OFFICERS LIFE DIRECTORS Michael T. Foley Elke Rehbock The Honorable Bruce Rauner Edgar Foster Daniels Anthony Freud*+ Anne N. Reyes* The Honorable Rahm Emanuel Richard J. Franke Mary Patricia Gannon J. Christopher Reyes Honorary Chairmen of the Board Edgar D. Jannotta Ronald J. Gidwitz William C. Richardson, Ph.D.° Edgar D. Jannotta George E. Johnson Ruth Ann M. Gillis* Brenda Robinson Co-Chairman Emeritus Robert H. Malott Brent W. Gledhill*+ Collin E. Roche Allan B. Muchin James J. O’Connor Ethel C. Gofen Edward B. Rouse Co-Chairman Emeritus Gordon Segal Howard L. Gottlieb* Joseph O. Rubinelli, Jr. David T. Ormesher Robert E. Wood II Melvin Gray Shirley Welsh Ryan* Chairman of the Board Maria C. Green+ E. Scott Santi* Lester Crown DIRECTORS Dietrich M. Gross* Claudia M. Saran Chairman of the Executive Katherine A. Abelson Dan Grossman Rodd M. Schreiber Committee Whitney W. Addington, M.D.* Carrie J. Hightman Jana R. Schreuder* Anthony Freud James L. Alexander* Elliot E. Hirsch Marsha Serlin General Director, President & John P. Amboian Eric L. Hirschfield Brenda M. Shapiro* CEO Paul F. Anderson J. Thomas Hurvis* Richard W. Shepro Sir Andrew Davis Larry A. Barden Gregory K. Jones Eric S. Smith* Vice President Julie Baskes* Stephen A. Kaplan° Pam F. Szokol Renée Fleming James N. Bay Kip Kelley II Franco Tedeschi Vice President Melvin R. Berlin Fred A. Krehbiel° Mark A. Thierer James L. Alexander Gilda R. Buchbinder Josef Lakonishok* Cherryl T. Thomas Vice President Allan E. Bulley, III Robert W. Lane° Donna Van Eekeren* Shirley Welsh Ryan John E. Butler James W. Mabie* William C. Vance* Vice President Marion A. Cameron* Craig C. Martin* Roberta L. Washlow William C. Vance Paul J. Carbone*+ Robert J. McCullen Miles D. White Vice President David W. Carpenter Blythe J. McGarvie Donna Van Eekeren Richard W. Colburn+ Andrew J. McKenna Secretary Michael P. Cole Frank B. Modruson+ Paul J. Carbone William Mason Vinay Couto Robert S. Morrison Treasurer General Director Emeritus Lester Crown* Allan B. Muchin* Elizabeth Hurley Marsha Cruzan Linda K. Myers* Chief Development Officer Sir Andrew Davis* Jeffrey C. Neal Roberta Lane Gerald Dorros, M.D.° Amélie Négrier-Oyarzabal Assistant Treasurer Ann M. Drake Sylvia Neil* Dan Draper John D. Nichols° Allan Drebin+ Kenneth R. Norgan Charles Droege Sharon F. Oberlander Chaz Ebert John W. Oleniczak*+ * Executive Committee Stefan T. Edlis Olufunmilayo I. Olopade, M.D. + Audit Committee Lois Eisen David T. Ormesher*+ ° National Member W. James Farrell William A. Osborn* Michael W. Ferro, Jr. Matthew J. Parr Matthew A. Fisher Jane DiRenzo Pigott* Renée Fleming* Jose Luis Prado Sonia Florian* Don M. Randel 8 | April - May, 2018 LYRIC OPERA OF CHICAGO Women’s Board Guild Board of Directors Ms. Judith A. Akers Members at Large † Nancy S. Searle † James A. Staples Mrs. Peggy Beata Vindya Dayananda President President Mrs. Gerry Bellanca Lena Dickinson † Mrs. Christopher Murphy † Marc Lacher Michael J. Brahill Fritzi Getz Vice President of Board Activities Vice President – Benefit Dr. Gerald Budzik Laura Guili † Caroline T. Huebner † Cathy Wloch Mrs. Robert C. DeBolt Joe Michalak Vice President of Education Vice President – Family Day Mrs. Ingrid Dubberke Shannon Shin * Mr. Jonathan Eklund J.J. Williams † Mrs. Julian W. Harvey *† Ms. Martina M. Mead Mrs. Nancy R. Fifield Vice President of Fundraising Vice President – Fundraising Rick Greenman † Mrs. Anne M. Edwards † Maggie Rock Dennis C. Hayes The Patrick G. and Shirley W. Vice President of Special Events Vice President – Membership Mrs. Mary Lunz Houston Ryan Opera Center Board † Nathaniel W. Pusey Virginia Jach Silvia Beltrametti Vice President – of Directors Mrs. Jackie Knight Patrick G. and Shirley Welsh Ryan Margot Stone Bowen Membership Engagement * Ms. Kate Letarte Suzette Bulley † Dorothy Kuechl Honorary Co-Chairs Mrs. Carole Luczak John Nitschke President Marie Campbell Secretary Judy Marshall Mamie Biggs Case † Ms.
Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
    MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945.
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Overture to Candide Leonard Bernstein Did You Know?
    nothing good about them, like violence, Did You Know? shipwrecks, or the Spanish Inquisition. • Less than two months before Candide’s In its initial Broadway run, in 1956–57, Broadway opening, Bernstein was named Candide played for 73 performances — Co-Principal Conductor of the New York hardly a stunning success — and Bernstein Philharmonic, alongside Dimitri Mitropoulos. would go on to alter the piece, again and • The Overture was heard in the Philharmon- again, for later revivals. Through all of ic’s historic 2008 performance in North Ko- the show’s transformations, the rollicking rea, when it was played without a conduc- Overture remained essentially untouched. tor, a tradition first adopted in tribute to Bernstein after his death. Born in Brooklyn, Aaron Copland polished his composing technique in France but and neighborly friendship. This expanse has returned home to establish what became found more success than the opera overall, recognized as a profoundly American sound, and it is often performed in a choral setting a musical language rich in folk inflections the composer prepared, with multiple voices and wide-open harmonies that proved irre- rendering each line. sistible to imitators. Copland’s Rodeo was also a stage work — His 1953 opera The Tender Land is a fine a ballet choreographed by Agnes de Mille, example of the lyrical aspect of Copland’s who said: Americana. Set in the 1930s, it tells the tale of Laurie, a teenager who is about to graduate It is not an epic, or the story of pioneer con- from high school and yearns for experiences quest.
    [Show full text]
  • Classics 3: Program Notes Overture to Candide Leonard Bernstein Born in Lawrence, Massachusetts, August 25, 1918
    Classics 3: Program Notes Overture to Candide Leonard Bernstein Born in Lawrence, Massachusetts, August 25, 1918; died in New York, October 14, 1990 After collaborating on The Lark, a play with incidental music about Joan of Arc, Leonard Bernstein and Lillian Hellman turned their attention in 1954 to Voltaire’s novella Candide. They thought it the perfect vehicle to make an artistic statement against political intolerance in American society, just as Voltaire had done in eighteenth-century France. After bringing in poet Richard Wilbur to write the lyrics, they worked intermittently on Candide for two years. Enormous amounts of money were spent on the production, which opened in Boston on October 29, 1956. Though many critics called it brilliant, the production failed financially; after moving to New York in December, it was shut down after just seventy-three performances. Everyone had someone to blame, but many thought it failed because of audience confusion about its hybrid nature—was it an opera, operetta, or a musical? Leonard Bernstein: celebrating his The story revolves around the illegitimate Candide, who centennial loves and is loved in return by Cunegonde, daughter of nobility. They are plagued by myriad disasters, which lead them from Westphalia to Lisbon, Paris, Cadiz, Buenos Aires, Eldorado, Surinam, and finally Venice, where they are united at last. Bernstein’s often witty, sometimes tender music has been considered the work’s greatest asset, both in the initial failed production and in later successful versions. The Overture, possibly Bernstein’s most frequently performed piece, perfectly captures the mockery and satire as well as the occasional introspective moment of Voltaire’s masterful creation.
    [Show full text]
  • Belvoir Terrace Staff 2018
    Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University
    [Show full text]
  • TRU Speak Program 021821 XS
    THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed
    [Show full text]
  • Elevating Voices Across Stage and Screen
    Elevating voices across stage and screen clients include beginners, aspiring singers Based in London, Fiona continued to coach and performing arts students as well as singers and, in 2010, started working for top-tier professionals. Passionate about Andrew Lloyd Webber and his production vocal health and technique, Fiona believes company, the Really Useful Group. She that anyone can sing and tailors each worked on her first major international lesson to the client’s needs. She works production in 2012, as the vocal coach on remotely via Skype and in person from her Lloyd Webber’s Jesus Christ Superstar, studio at the London Palladium. and has since worked on dozens of major shows across television, film and theatre Fiona grew up on a farm outside around the world. Edinburgh where she immersed herself in music from a young age, initially training Fiona is always at the leading edge of in dance. In 2006, she left Scotland to vocal education. She travels globally to FIONA study Music at the Paul McCartney conferences that are advancing the field Liverpool Institute for Performing Arts, of vocal science and is supported by MCDOUGAL where her vocal coach inspired her to a network of exceptional ENT doctors, study voice education alongside her speech and language therapists, and degree. When she graduated with a first physiotherapists. She is considered a Fiona has worked with some of the biggest class honours degree in 2010, she already valuable link between singers and industry names in the entertainment industry, from had three years of coaching experience. representatives and consults for record Glenn Close to Taylor Swift, Judi Dench to She was the lead singer in a pop duo labels, agents, managers, performing Jennifer Hudson – but her busy studio also called Untouched (along with songwriting arts colleges, choreographers, directors, embraces people who sing for pleasure partner David Wilson), which later signed songwriters, film studios, musicians and and want to improve their voice.
    [Show full text]
  • The Music of John Williams
    Dear Friends of Our New Philharmonic, On behalf of my colleagues in the orchestra, we are hoping that you are all safe, healthy, and we certainly miss seeing you! Recent months have set out challenges that I had never before seen in my lifetime. This period, however, reminds me greatly not only of what I learned from my parents’ lives, but also of my grandparents/great grandparents’ lives and the obstacles that they overcame in their overwhelmingly hard times. These people somehow though came through it all - with courage, grit, kindness, good spirits, good hearts. I have a sign on my fridge that says: “Wallace Hartley.” It is to remind me that this violinist on the Titanic was sharing music with his fellow passengers even in The most extraordinary moment for any musician in history. The calling that each of our musicians has felt in their lives is just that - music. We may not be good at flying airplanes, fixing teeth, or playing for the Hawks, but what we look to give the world is music. This coming year we have monster-great season, opening with the astonishing music of John Williams - a concert that celebrates Mr. Williams’ 66th year of composing music for film. And, for the first time we can offer you a Holiday Pops concert that is full of praise, fun and joy. New Year’s Eve and the opera/ Broadway concerts are both BLASTS with some of your favorite singers! In April, I have programmed something that I believe has never been done anywhere in the world before.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Andrew Lloyd Webber's Musicals
    MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography.
    [Show full text]