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1973 Chevrolet. Building a better way to seethe USA j Chevrolet , Art for everyone's sake

More than a repository, The Atlanta Memorial Arts Center continues its forward thrust, its dedicated presentation of the arts as a force in today's life, an inspiration for tomorrow's. Rich's salutes the gifted men and women who have made this so. 1

vs JEWELRY COMPANY 195 Mitchell Street, S.W , Phone (404) 522-2150 and now our second location 107 Peachtree Street. N.E., Phone (404) 522-4786 Atlanta, Georgia 30303 Of Sp ecial interest AT THE CENTER

ATLANTA SYMPHONY ORCHESTRA Don’t go A Variety of "Specials" through Will Highlight Symphony Season life A sell out audience for all Thursday without evening performances kicks off the twen­ ty-eighth season for Robert Shaw and the your own Atlanta Symphony Orchestra. In addition to the 48 subscription con­ personal ceits performed on Thursday, Friday, life Saturday and/or Sunday, an exciting year of specials will also be presented by the Orchestra. These specials include two evenings of Bach cantatas; three programs with the Atlanta Ballet; two concert-operas; two programs of contemporary works called FLOURNOY, III “Music Now”; and a special Christmas |g:.L.U. concert, Schickele’s P.D.Q. Bach.

A NEIGHBOR TO

This season the Atlanta Boy Choir will be heard with the Atlanta Symphony in Benjamin Brit­ ten’s "War Requiem."

Highlights for the subscription season include: James Levine conducting Mahler’s “Symphony No. 2”; James De- Preist conducting Dvorak’s “Symphony No. 9”; Aldo Ceccato conducting Haydn’s “Symphony No. 75”; and Robert Shaw conducting a concert version of the opera “Oedipus Rex” with Robert Moulson performing the role of Oedipus. Mr. Shaw will also conduct Benjamin Brit­ ten’s “War Requiem” and Haydn’s “The Seasons.” continued symbol of a quest

As surely as life rose from the sea, the future of life depends on it. It is the salient feature of the globe. Its fate is ours. With population rising, some scientists talk of farming the oceans. Others speak of extracting products from igneous rock and seawater. But whatever men may evolve, the role of the sea in the chemistry and health of our planet is crucial. The better we understand it, the better our chances of protecting the ecological balance among all of earth's creatures—from marine life to man. Yet, even while fact displaces mystery, our awe of the sea endures. The pecten shell is an emblem for companies known around the world. But its beauty is no less in its origin than its form. And it reminds us to keep a sense of urgency in the quest for knowledge of our environment. AT THE CENTER, continued Other guest conductors and artists in­ clude: Bruno Leonardo Gelber, pianist; Hiroyuki Iwaki, conductor: Charles Treg- er, violinist; Horacio Gutierrez, pianist; x Georg Semkow, conductor; Jacques Hout- rnann, conductor; Natalie Hinderas, pian­ ist; Ronald Turini, pianist; and Alfred Wallenstein, conductor. For the first time this year, a half­ season subscription ticket is available. Those desiring to hear only eight per­ formances can choose either Saturday evenings or Sunday matinees. In conjunction with the Atlanta Sym­ phony, WETV (Channel 30) will present special programs about the Symphony with emphasis on upcoming concerts, third Friday through April at 11:45 a.m. Professional... and 7:30 p.m. There is still time to purchase season tickets. Just present your stub to Nancy Burke in the Symphony office and she will apply the cost of your single ticket to the cost of a season ticket. high museum of art Current Exhibition Features Collection of Oriental Rugs The exhibition, “Today’s Collector Ex­ amines Oriental Rugs,” was organized by the High Museum with the prime pur­ pose of educating the novice oriental rug collector who would like to learn about quality rugs that can still be obtained at relatively reasonable prices. The more seasoned collector will find several ex­ HAAS AND DODD-INSURANCE tremely rare pieces which have been pre­ «(C #000,. #000/ viously exhibited and published. The nucleus of the exhibition is the private collection of H. McCoy Jones, Founder and President of the Washing­ ton (D.C.) Hajji Baba Society. Also in­ Tours and Cruises ... cluded in the show are a few local pieces selected by Mr. Jones for inclusion in by Air and Steamship this varied group of weavings, which date from the late 18th to the early 20th century. Stylistic origins as well as the typical design features and color combi­ nations will be traced in descriptive ma­ terials, and Mr. Jones has prepared a ATLANTA TRAVEL AGENCY catalogue for the exhibition, which will ' 217 Georgia Life & Health Building be on view through October 29. 66 Luckie Street, N.W. continued Atlanta, Georgia 30303-Alex Hitz. Jr. You have great ideas about fashion and they come to life at Sears AT THE CENTER, continued

Antiques Show Opens October 11 The High Museum Antiques Show and Spend the day at Sale is a truly major league antiques show on a par with similar shows in New York, Philadelphia, and Boston. This year’s show runs October 11-14 at the Merchandise Mart. The finest deal­ ers — 40 in all — from New England and the mid-Atlantic states will bring outstanding examples of American, Eng­ lish and Continental furnishings for public display and purchase.

The full-size fashion store

at Phipps Plaza —with great

clothes for the whole family­ A Bit of the Roman Aqueduct, oil on canvas, by George Innes (American, 1825 — 1894), gift home fashions, too, including of the Members Guild, 1969, with funds raised from their First Annual High Museum Antiques interesting antiques. Show. And marvelous gifts we found A special preview reception will be held October 10, when friends of the arts for you all over the world, may view and purchase antiques prior to opening. Tickets are $25 each and cover many available only at refreshments, dinner, and admission to Lord & Taylor. the four-day show. Other special events include Young Stay for luncheon or tea Collectors night, October 13; guided tours of the Show, October 12 and 13; tour of in our enchanting Bird Cage homes, October 11 and 12; two lectures. restaurant, open every October 12 and 13; and a daily “Antiques Game,” where the person who guesses shopping day. the appraised value of antique items donated by the dealers wins the antique. Lord & Taylor, Phipps Plaza Mrs. William C. Appleby is general Peachtree, Road between Wieuca chairman of this year's Show, a project of the Museum Members Guild. For the and Lenox Roads—266-0600 second year, Colony Square is underwrit­ Open Monday thru Saturday ing the Show, and all proceeds will be used to expand Museum exhibitions and 9:30 a.m. to 5:30 p.m. acquisitions and to support the Junior Activities Center. Open Monday and Thursday Show hours at the Mart are noon to 9 evenings until 9:00 p.m. p.m., except Saturday, 10:00 a.m. to 4:00 p.m. For further information, call 892- 3600, Ext. 302. continued following program notes IMPORTS

EDITIONS DE

das alt6 werk <|> u'mmwmastL’OISEAU-LYRE T By TELEFUNKEN A TREASURY OF UNIQUE 81 DEFINITIVE RECORDINGS

ARGO HANDEL: ODE FOR ST. CECILIA S DAY BACH: ODE TO SORROW "LASS, Kurt Equiluz, tenor BLOW: VENUS & ADONIS HAYDN: MASS NO. 9 THE NELSON' The Academy of FURSTIN. LASS NOCH EINEN SKW 2/1-2 Margaret Ritchie; Gordon Clinton; Simon Preston, organ St. Martin-in-the-Fields STRAHL" MONTEVERDI: IL RITORNO D’ULISSE L'Ensembie Orchestral ZRG 5325 ZRG 563 Gustav Leonhardt, organ and IN PATRIA de L'Oiseau-Lyre EVENSONG FOR ASH WEDNESDAY MENOELSSOHN-BARTHOLDY: harpsichord Concentus Musicus. Vienna OLS 128 Choir of King’s College, Cambridge OCTET OP. 20 SAWT 9496 (with original instruments) and many others to choose from ZRG 5365 BOCCHERINI: CELLO QUINTET MONTEVERDI: VESPRO DELLA Paul Esswood; Max van Egmond; HANDEL: CONCERTI GROSSI FOR OP. 37 NO. 7 BEATA VERGINE (1610) Junge Kantorei ZRG 569 SKB-T-23/1-4 WIND AND STRINGS OPUS 3 Concentus Musicus of Vienna NEW RELEASES The Academy of VICTORIA: REQUIEM MASS - (with original instruments) BACH: COMPLETE SEX VOCIBUS HARPSICHORD CONCERTOS St. Martm-in-the-Fields SAWT 9501 02 HANDEL: Music for the ZRG 5400 Choir of St. John’s College, Leonhardt Consort Cambridge SECULAR MUSIC, c. 1300 Royal Fireworks Water REUBKE: SONATA 'THE 94th PSALM’ The Early Music Quartet Concentus Musicus of Vienna Simon Preston, organ ZRG 570 (BWV 1052) Music VIVALOI: THE FOUR SEASONS (with original instruments) 2RG 5420 SAWT 9504 (with original instruments) ZRG 697 MESSIAEN: LA NATIVITE Academy of St. Martin-in-the-Fields SCA 25022/1-5 ZRG 654 PURCELL: CONSORT MUSIC FOR BACH: ST. JOHN'S PASSION GERHARD: Symphony Simon Preston, organ of STRINGS AND HARPSICHORO, c. Westminster Abbey MONTEVERDI MADRIGALS BWV 245 No. 4 (New York) and Purcell Consort of Voices 1680-1695 Vienna Boys Choir; ZRG 5447 Leonhardt Consort Violin Concerto MENOELSSOHN-BARTHOLDY: ZRG 668 Concentus Musicus, Vienna CAVALLI: L’ORMINDO (with original instruments) (with original instruments) ZRG 701 STRING SYMPHONIES SAWT 9506 The Academy of John Wakefield, tenor; SKH 19/1-3 SHAKESPEARE: Othello London Philharmonic Orchestra BACH: VIOLIN CONCERTOS ON BACH: B MINOR MASS BWV 232 St. Martin-in-the-Fields ZRG 5467 ZNF 8/10 ORIGINAL INSTRUMENTS, c. 1720 Vienna Boys Choir; ZPR 204-7 HANDEL: CHANDOS ANTHEMS THE GOLDEN AGE OF THE PIANO Concentus Musicus of Vienna Concentus Musicus. Vienna ARGO (Stereo) VIRTUOSI. Record 1 (with original instruments) (with original instruments) (RECORD 1) SAWT 9508 Four Record Boxed Set Choir of King's College, Cambridge; Josef Lh&vinne. piano SKH 20/1-3 John Langdon, organ DA 41 BACH. FOUR SUITES FOR ORCHESTRA, MONTEVERDI: L'ORFEO THE LIVING TRADITION ZRG 5490 THE GOLDEN AGE OF PIANO BMW 1066-1069 Capella Antiqua Munich; Music from Bangla Desh VIRTUOSI. Record 2 RAMEAU: COMPLETE Concentus Musicus of Vienna Concentus Musicus. Vienna ZFB 74 ARGO (Stereo) HARPSICHORD WORKS Moritz Rosenthal. (with original instruments) (with original instruments) Sergi Rachmaninoff, piano SAWT 9509/10 SKH 21/1-3 BACH: Missa 1733 George Malcolm, harpsichord DA 42 ENGLISH MUSIC FOR RECORDERS L’OISEAU LYRE ZRG 5491/2 THE GOLDEN AGE OF THE PIANO DAS ALTE WERK HAYDN: MASS NO. 10 AND A CONSORT OF VIOLS HANDEL: ACIS AND GALATEA VIRTUOSI. Record 3 (16th A 17th Centuries) (Stereo) •THE THERESA' DA 43 Joan Sutherland, soprano SAWT 9581 The Academy of BrOggen Consort SOL 60011/12 COLERIDGE: POEMS SAWT 9511 St. Martin-in-the-Fields HANDEL: CONCERTOS FOR BACH: Complete Read by Richard Burton ZRG 5500 Yvonne Bonnamy, William Devlin. HARPSICHORD MUSIC PLAYED ON LUTE AND HARP Cantatas Series VIVALDI: GLORIA ANCIENT INSTRUMENTS Desmond Dupri, lute, John Neville Volume III The Academy of PLP 1039 Gustav Leonhardt, harpsichord Ossian Ellis, harp St. Martin-in-the-Fields SAWT 9512 SOL 60013 (Cantatas BWV 9-11) ZRG 505 BEYOND THE BLUES CARMINA BURANA - VOLUME II (AMERICAN NEGRO POETRY) CONCERTI GROSSI -VOLUME 1 SKW 3/1-2 ROSSINI: STRING SONATAS The Early Music Quartet Academy of St. Martin-in-the-Fields Das Alte Werk (Stereo) NOS. 1. 3. 5 AND 6 Read by Brock Peters. Gordon Heath. (with original instruments) SOL 60045 The Academy of Vinette Carroll. Cleo Laine SAWT 9522 PURCELL: DIDO ANO AENEAS HANDEL: Sosarme PLP 1071 St. Martin-in-the-Fields VIVALDI: CONCERTI A CINQUE. A St. Anthony Singers L'Oiseau-Lyre ZRG 506 DYLAN THOMAS: UNDER MILK WOOD QUATTRO. A TRE. c. 1705-1720 SOL 60047 HAYDN: MASS NO. 12 Readers include Richard Burton and Frans Briiggen, alto recorder BERLIOZ: BEATRICE AND BENEDICT (Reprocessed Stereo) ■HARMONIEMESSE' Rachel Roberts SAWT 9528 St. Anthony Singers OLS 124-6 SW 501 2 Choir of St. John's College, RECORDER CONCERTOS SOL 256/7 Three Record Boxed Set Cambridge DYLAN THOMAS: POEMS Frans Briiggen. alto recorder CONCERTI GROSSI - VOLUME II with Libretto ZRG 515 Read by Richard Burton Concentus Musicus of Vienna Academy of St. Martin-in-the-Fields CHORAL MUSIC BY BRUCKNER, SW 503 (with original instruments) SOL 264 BRAHMS: Piano Quartet DEBUSSY. MESSIAEN A SCHONBERG THE W0N0ER OF THE AGE - SAWT 9533 HUMMEL: SEPTET IN D MINOR, John Alldis Choir in C minor Op. 60 MR. EDISON'S NEW TALKING BACH: ST. MATTHEW’S PASSION OP. 87; QUINTET IN E FLAT ZRG 523 PHONOGRAPH MAJOR. OP. 87 SCHUMANN: Piano SCHUBERT: PART SONGS Kurt Equiluz. tenor Narrated by Gary Watson, Max Van Egmond. bass Melos Ensemble Quartet in E Flat Major The Elizabethan Singers Richard Bebb. Peter Orr. SOL 290 ZRG 527 Concentus Musicus of Vienna Op. 47 Freda Dowie. Frank Duncan (with original instruments) PURCELL: THE INDIAN QUEEN ENGLISH ORGAN MUSIC ZPR 122/3 The St. Anthony Singers L'Oiseau-Lyre (Stereo) Simon Preston, organ SAWT 9572/75 SOL 294 SOL 320 ZRG 528 THE VIRTUOSO TRUMPET BERLIOZ: LA MORT DE CLEOPATRE; TIPPETT: SYMPHONY NO. 2 Concerto Amsterdam April Cantelo. sopfano L’OISEAU LYRE: Henze, London Symphony Orchestra TELEFUNKEN The Mertens, trnmpet PURCELL: COME YE SONS OF ART Takemitsu, Maxwell Davies, ZRG 535 SLT 43091 LULLY: MISERE Stomu Yamashita HANDEL: CHANDOS ANTHEMS TELEMANN: SIX SONATAS FOR HINDEMITH: DIE 7 Alfred Deller; Margaret Ritchie; (RECORD 2) RECORDER AND BASSO CONTINUO KAMMERMUSIKEN (COMPLETE) St. Anthony Singers DSLO 1 The Academy of Frans Briiggen, recorder Albert de Klerk, organ OLS 102 ARGO: Works of Shake­ St. Martin-in-the-Fields SAWT 9435 Concerto Amsterdam FOUR ITALIAN OBOE CONCERTOS ZRG 541 CARMINA BURANA SLT 43110'12 Pierre Pierlot. oboe; speare, Julius Caesar HAYDN: MASS NO. 8 ‘HEILIGMESSE’ The Eary Music Quartet BACH: COMPLETE CANTATAS - L'Ensembie de L'Oiseau-Lyre ZPR 218-220 (with original instruments) Choir of St. John's College, VOLUME 1 (Cantatas BWV 1-4) OLS 104 L'OISEAU LYRE: BACH: Cambridge SAWT 9455 Vienna Boys Choir; HANDEL: SEMELE ZRG 542 BACH: BRANDENBURG CONCERTOS Concentus Musicus. Vienna Jennifer Vyvyan, Helen Watts.- Orchestral Suites No. 3 and HAYDN: TRUMPET CONCERTO; Concentus Musicus of Vienna (with original instruments) St. Anthony Singers; 4, Concerto For Two Vio­ SIX ALLEMANDS (with original instruments) SKW 1/1-2 New Symhony Orchestra of London; lins, Philomusica d'Art. Alan Stringer, trumpet SAWT 9459/60 BACH: COMPLETE CANTATAS - Thurston Dart, harpsichord ZRG 543 EARLY MUSIC OF ITALY. VOLUME 2 (Cantatas BWV S-8) OLS 111/3 OLS 105 MOZART: DIVERTIMENTI FRANCE ANO BURGANOV Concentus Musicus. Vienna; MASTER OF EARLY ENGLISH HANDEL: SOSARME The Academy of The Early Music Quartet Leonhardt Consort; KEYBOARD MUSIC St. Martin-in-the-Fields (with original instruments) (with original instruments) Thurston Dart; harpsichord, OLS 124-6 ZRG 554 SAWT 9466 Max van Egmond. bass; clavichord, organ oi? RECORD BAR FRANKLIN MUSIC JIM SALLES DISCOUNT RECORDS North Lake Mall Perimeter Mall Buckhead Buckhead

Simon House RECORDS SOUTHEAST Edward Jarman Branch Manager •Mr/ DISTRIBUTING CORPORATION Sales Manager ATLANTA Subscription Concerts SYMPHONY Thursday and Friday evenings 8:30 September 21 and 22, 1972 ORCHESTRA Sunday afternoon 2:30 ROBERT SHAW September 24, 1972 Music Director and Conductor ROBERT SHAW Conducting Assisting Artist: RUGGIERO RICCI, Violin

PROGRAM

Dvorak “Concerto for Violin and Orchestra in A minor, Op. 53, (1879-1880)

( Allegro ma non troppo ( Adagio ma non troppo Finale: Allegro giocoso, ma non troppo

Mr. Ricci

INTERMISSION

Bruckner ‘‘Symphony No. 9 in D minor (unfinished) (1894)

Feierlich, Misterioso Scherzo: Bewegt, lebhaft—Trio: Schnell Adagio: Sehr langsam, feierlich

“First performances at these concerts.

The use of recording devices and cameras during concerts is strictly prohibited. The Permamatic You may want another one someday but you’ll probably never need a new one.

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' Luggage Corp., Empire State Building, N.Y. Copyright 45 1971, 1972, I>ark Luggage Corp. All rights reserved. Made in U.S.A. PROGRAM NOTES BY PAUL AFFELDER Concerto for Violin and Orchestra in folk dance, the furiant, which is marked A Minor, Op. 53 by a great deal of syncopation. Antonin Dvorak The orchestral portion of the concerto (Born September 8, 1841, in Muhlhausen, is scored for two flutes, two oboes, two Bohemia; died May 1, 1904, in Prague) clarinets, two bassoons, four horns, two Like the popular violin concerti by trumpets, kettledrums and strings. Johannes Brahms and Max Bruch, (Copyrighted) Dvorak’s Concerto in A Minor owes its existence in a large part to the great nineteenth century violinist, conductor and composer, Joseph Joachim. Dvorak Symphony No. 9 in D Minor (unfinished) began work on the concerto in 1879 — Anton Bruckner the very year, in fact, in which Joachim (Born September 4, 1824, in Ansfelden, introduced the Brahms Concerto. During Upper Austria; died October 11, 1896, in the following year, DvoYak revised his Vienna) score and sent it to Joachim for his approval and advice. The violinist kept Bruckner was a deeply religious man it for two years, during which time he who spent the early years of his career rewrote a considerable portion of the solo as a church organist. He was, in fact, part. among the most devout and humble of Finally, in September 1882, Dvorak all the great composers. Not only did he went to Berlin, where he and Joachim dedicate his Ninth Symphony to God but played over the concerto. Both men were during his last years he prayed constant­ pleased with it, and all that remained to ly, asking the Lord to grant him time to be done was to alter certain sections in finish the composition. “If He does not,” the finale. But when they tried it over at Bruckner once said, “He must take the an orchestral rehearsal two months later, responsibility for its incompleteness.” the agent for Dvorak's publisher made The composer’s prayers were in vain. some additional suggestions concerning He had begun the symphony in Septem­ various parts of the work. This annoyed ber 1887, and more than seven years the composer greatly, and a series of later only three movements were com­ angry letters passed between him and his pleted .though he had taken time out to publisher. Ultimately, he agreed to make revise some earlier symphonies. Bruckner some cuts in the last movement, but lived for two more years, given free steadfastly refused to touch any other lodging by the Emperor in the Imperial section of the work. Palace of Belvedere in Vienna. He labor­ As might be expected, when the con­ ed over the symphony’s Finale; but his certo was published, it was dedicated steadily declining health made each suc­ “with deepest respect” to Joachim. Never­ cessive effort harder, and he died before theless, it was not Joachim but the Czech he could finish it. Thus, the three move­ violinist, Franz OndrTcSk, who gave the ments of the Ninth Symphony constitute concerto its first performance. This took the composer’s swan song. place in Prague on October 14, 1883, at Since Bruckner had premonitions that a concert conducted by Moriz Anger. he would never finish the Ninth Sym­ The Violin Concerto is in the customary phony, he suggested that his earlier Te three movements; but the songful though Deum be sung as a final movement. This somewhat energetic first movement, Al­ was done at the symphony’s initial per­ legro ma non troppo, is connected direct­ formance; but it has been the general ly to the ensuing Adagio ma non troppo, consensus that the symphony has a cer­ which is also very lyrical. It is in the tain completeness as it stands, so that no strongly rhythmic finale that Dvorak extraneous finale is needed. “There can shows his national colors. This movement, be no doubt that Bruckner considered Allegro giocoso, ma non troppo, is a the symphony unfinished,” wrote Erwin spirited rondo in the style of the Czech Doernberg in his book The Life and ANYONE CAN BURN a rick of wood to ashes. But it takes skill to produce hard maple charcoal to smooth out Jack Daniel’s Whiskey. We only use hard maple from high ground. And it has to be sawed and stacked just right so the burning charcoal drops inward. Then you need CHARCOAL to control the burn by pointing a water hose MELLOWED to it in just the right places. We don’t know 6 which of these steps is the most important. DROP But the sippin’ smoothness our charcoal 6 gives Jack Daniel’s makes each of them BY DROP well worthwhile.

© 1972, Jack Daniel Distillery, Lem Motlow, Prop., Inc. TENNESSEE WHISKEY • 90 PROOF • DISTILLED AND BOTTLED BY JACK DANIEL DISTILLERY • LYNCHBURG (POP. 361), TENNESSEE Symphonies of Anton Bruckner. “It was For example, at the time of the Ninth alien to his nature to end a symphony Symphony's premiere, and for nearly otherwise than with an assertion of virili­ thirty years thereafter, no one knew that ty and power. The Adagio ending is now Lowe had tried to "improve” the work by familiar to us. Further, accustomed as making numerous changes of harmony we are to several symphonies with such and instrumentation in the score. It was endings, we are less disturbed by a quiet what Lawrence Gilman once referred to ending than Bruckner must have been: as a “sandpapered” version, in which Tchaikovsky’s ‘Pathetique,’ Brahms’s many of the composer’s intentionally Third or Mahler’s Ninth, for instance. strong — often strident — harmonies Certainly, neither Bruckner nor Beethoven had been watered down and conventional­ would ever have chosen to end a sym­ ized. Not until 1932, when the original phony in such a manner.” At the same version was printed, was it discovered time, Doernberg remarks that “it is most how many changes Lowe had made. fortunate indeed that the work was de­ Since then, several other editions of the signed with the Scherzo as the second symphony have appeared, all of them movement, as the symphony thus ends seeking to restore to its pristine state in sublime beauty, without any impression this noble work. of fragmentary conclusion.” In casting his Ninth Symphony in the The Ninth Symphony was performed key of D minor. Bruckner was conscious for the first time in Vienna on February of the fact that he was paralleling Bee­ 11, 1903, more than six years after thoven; but this was the key in which he Bruckner’s death. The conductor was the felt the music. He was a simple, humble composer’s pupil, Ferdinand Lowe. man; and once, when a Berlin critic Throughout his life, Bruckner had no referred to him as a second Beethoven, end of difficulty in gaining recognition he was deeply shocked. for his music. He and his compositions The symphony opens with a movement belonged to the Wagner camp, which was marked Feierlich (Solemn), Misterioso, always at war with the advocates of that is rich in elements of the prescribed Johannes Brahms. Had he lived in Bay­ solemnity and mystery, along with mo­ reuth or Weimar, Bruckner probably ments of grandeur, drama and warm would have had a fighting chance. But lyricism. The middle movement is a he was a resident of Vienna, which was Scherzo, whose main section bears the decidedly a Brahms stronghold, ruled indication Bewegt, lehhaft (Moving, live­ over by the eminent but acid-tongued ly). It is scarcely the playful movement critic, Eduard Hanslick. Hanslick poured that the name Scherzo suggests; it is full such abuse upon the shy, mild-mannered of clashing dissonances, and, in Doern- Bruckner and his symphonies that when berg’s words, “the character of the music the Emperor Franz Joseph once asked alternates between incorporeal ghostliness the composer to make a wish and it would and defiant assertion.” The trio — or be granted, he half-jokingly asked the contrasting middle section — is marked monarch to issue an injunction preventing Schnell (Fast) and is considerably lighter Hanslick from denouncing him in print. in mood, though even it has its poignant Yet ,without realizing it, poor Bruck­ moments. The symphony concludes with ner had even greater, more lasting trou­ a movement marked Adagio; langsam bles with some of his friends, troubles (slow), feierlich. It is a long, nobly which are still reflected in the perform­ eloquent farewell to life. ance of some of his symphonies today. The symphony is scored for three The two chief offenders were two Vien­ flutes, three oboes, three clarinets, three nese conductors, Ferdinand Lowe and bassoons, eight horns — four of which Franz Schalk, both of whom had been are interchangeable with Wagner tubas his pupils. Both men, presumably all in (small tubas designed by Wagner for use good faith, tried to improve on their in his Ring tetralogy) — three trumpets, teacher’s compositions. Their tampering three trombones, contra-bass tuba, kettle­ resulted in garbled, abridged editions of drums and strings. several of the symphonies. (Copyrighted) meet umbari

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I------“Going” Rate —Africa I 10 Deluxe Tour Programs with over 160 departures—from 15 to 71 days I Travelworld, Inc. i Dept. S-ORD —from $1395.00 (including air fare) ] 6922 Hollywood Blvd. also—South Pacific i Los Angeles, California 90028 7 Deluxe Tour Programs with over J Please send me the following brochures: 100 departures—from 22 to 49 days 1 O Africa O South Pacific O Orient South America i O South America O Around-the-World 5 Deluxe Tour Programs with over My travel agent is:------60 departures—from 22 to 42 days I I Please send to Travelworld-with more tours to more places I part of the General Mills Family I Name------I Offices in: Nairobi. Sydney. Auckland. I Address------Hong Kong, Manila. New Delhi, Tokyo, I I City______State____ Zip Code — Guam, Micronesia. I I I ™Travelworld is a registered trademark. I______ATLANTA Subscription Concerts SYMPHONY Thursday, Friday and Saturday evenings 8:30 October 5, 6 and 7, 1972 ORCHESTRA JAMES LEVINE Conducting ROBERT SHAW Music Director Assisting Artists: and Conductor JENNIE TOUREL, Mezzo-soprano CHARLENE PETERSON. Soprano ATLANTA SYMPHONY ORCHESTRA CHORUS

PROGRAM

Mahler Symphony No. 2 in C minor for Orchestra, Soprano and Contralto Solos, and Mixed Chorus (“Resurrection”) (1894)

Allegro maestoso— with serious and solemn expression throughout

Andante moderato—very leisurely

Scherzo—in a quietly flowing manner

“Urlicht (Primal Light”)—very solemn but simple, like a chorale (Contralto solo)

Finale (with chorus, soprano and contralto solos)

The use of recording devices and cameras during concerts is strictly prohibited. Signed English Landscape, 1874. Frame size 19x23". $235.00 D Representative of a collection, circa 1800-1880. Davison’s Corner Shops, downtown and Lenox Square.

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2630 The Equitable Building PROGRAM NOTES BY PAUL AFFELDER Symphony No. 2 in C Minor these as the basis of instrumental and Gustav Mahler vocal movements in his Second, Third (Born July 7. 1860. in Kalischt, Bohemia; and Fourth Symphonies. In the case of died May 18, 1911 in Vienna) the Second Symphony, the third move­ ment — the Scherzo — is an instrumental Throughout his career, Mahler led a reworking of his Wunderhorn song, Des double life, dividing his energies between Antonins von Padua Fisch predigt (St. conducting and composing. The conduct­ Anthony of Padua’s Sermon to the Fishes), ing occupied him during the winter, but while the fourth movement is a setting during the summer months he was usually for contralto solo and small orchestra free to compose. of Uriicht (Primeval Light) from the same Mahler began his Second Symphony collection. while he was serving as conductor of the Hamburg Opera. Soon after his arrival Where Mahler ran into trouble was in in Hamburg in 1891, he struck up a close finding a suitable text for the symphony’s friendship with the great conductor of the big finale. He wanted it to be some sort Hamburg symphony concerts, Hans von of a setting for chorus and orchestra, but Billow. Each admired the other as a con­ he searched everywhere in vain for the ductor, and each attended the other’s appropriate words. Then, in February performances. When it came to discus­ 1894, his friend von Billow died in Cairo. sions of Mahler’s music, however, von At the funeral service in Hamburg, the Billow had to admit reluctantly that he church choir sang the ode Aufersteh’n did not care for it. Though neither man (Resurrection) by the German poet Fried­ could know it at the time, von Billow rich Klopstock (1724-1803). Here was was ultimately to be responsible, in an exactly what Mahler had been looking indirect way, for providing Mahler with for. By adding some words of his own to the necessary inspiration for the finale of Klopstock’s ode, he was able to assemble his Second Symphony. the text he needed for the finale of the In 1893, about two years after Mahler symphony. It is because of this finale came to Hamburg, von Bulow was obliged that the work is often referred to as the by ill health to relinquish his post as Resurrection Symphony. conductor of the symphony concerts, and Richard Strauss, who was an early Mahler succeeded him. What with con­ champion of Mahler’s music, gave the ducting both concert and operatic per­ Second Symphony a partial premiere on formances all winter, Mahler really need­ March 4, 1895, at a concert of the Berlin ed a change during the summer. Accord­ Philharmonic Orchestra; he presented ingly, beginning in the summer of 1893, only the first three movements — the he spent his vacations at Steinbach, a purely instrumental ones. The music was picturesque little town on the Attersee in enthusiastically received by the public Austria. During that first summer, he was and just as enthusiastically denounced by able to complete the first four of the five the critics. When Mahler himself con­ movements which comprise the Second ducted the symphony in its complete Symphony. form for the first time with the same About the time he finished his First orchestra on December 13 of the same Symphony in 1888, Mahler became at­ year, these same critics were rude enough tracted to Des Knahen Wunderhorn (The to stay away for the first three movements, Youth’s Magic Horn), a large collection showing up only to hear the two new of old German folk poetry that had been ones. Mahler was again on the podium gathered by Ludwig Achim Von Arnim when the symphony was introduced to and Clemens Brentano and published in the United States by the New York Sym­ 1805 and 1808. Des Knahen Wunderhorn phony Orchestra on December 8, 1908. was to exert a powerful influence on his Mahler, who was loath to attach any music for the next decade and a half. Not kind of program to his music, was obliged only did he make vocal settings of a num­ to admit that the Second Symphony did ber of the poems, he also used several of actually have such a program. To a GALLERY OF ART ON PEACHTREE

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Immediately arise the great questions: There came an angel and he would Why have you lived? Why have you reject me. suffered? Has it all been a huge, frightful A h no, 1 would not be rejected. joke? . . . Whoever hears this call must 1 am of God and will home, back to give a reply. And this reply 1 give in my God. last movement.” Beloved God a candle-light will lend me The second movement is a light, grace­ And onward to eternal blissful life will ful intermezzo, which the composer de­ send me! clared to be a nostalgic backward glance at some of life’s brighter moments. The In the fifth movement, these words Scherzo is based on the song, St. Anthony from Klopstock’s Resurrection ode are of Padua's Sermon to the Fishes, from used: Des Knahen Wunderhorn, which tells Aufersteh’n, ja aufersteh’n wirst du, mein how St. Anthony, finding the church de­ Staub, nach kurzer Ruh! serted, goes to the river to preach to the Unsterblich Leben! Unsterblich Leben fishes, who find his sermon pleasant but wird der dich rief dir geben. at its conclusion promptly forget all he Wieder aufzuhliih’n wirst de gesdt! has taught them and go back to their Der Herr der Ernte geht und sammelt accustomed ways. In the symphony, this Garben movement was intended by Mahler as an Uns ein, die starben. ironic commentary on life’s more frightful aspects. You will rise again, my dust, after a The fourth movement is the setting of short rest! Urlicht (Primeval Light) from Des Knaben Immortal life will he grant who called; Wunderhorn for contralto solo and small The seed sown will bloom again; orchestra; it expresses man’s trust that The Lord of harvests goes forth God will show him the way to the blessed To bind the sheaves of those who died. life beyond. This leads directly into the To these, Mahler added these lines of finale — the big Resurrection movement his own: — for soprano and contralto solos, mixed chorus and orchestra — ‘‘a colossal fresco O glauhe, mein Herz, O glaube: es geht of the Day of Judgment,” as Mahler dir nichts verloren! described it. Dein ist, dein, ja dein, was du gesehnt! Here is the text of Urlicht used in the Dein, was du geliebt, was due gestritten! fourth movement, together with an Eng­ O glaube: du wardst nicht unsomst lish translation: geboren! Hast nicht unsomst geliebt, gelitten! O Roschen roth Was enstanden ist, das muss vergehen! Der Mensch liegt in grosster Noth! Was vergangen, aufersteh’n! Der Mensch liegt in grosster Pein! Hor auf zu beben! Lieber mocht ich in Himmel sein. Bereite dich zu leben! Da kam ich auf einem breiten Weg; O Schmerz! Du Alldurchdringer! Da kam ein Engelein und wollt’ rnich Dir bin ich entrungen, abweisen; O Tod! Du Allbezwinger! Ach nein! Ich Hess mich nicht abweisen. Nun bist du bezwungen! Ich bin von Gott und will wieder zu Gott! Mit Fliigeln die ich mir errungen, Der liebe Gott wird mir ein Lichtchen In Liebesstreben werd’ ich entschweben geben, Zum Licht zu dem kein Aug’ Wird leuchten mir bis in das ewig selig gedrungen! Leben! Sterhen werd’ ich um zu leben! Aufersteh’n, ja aufersteh’n wirst du, mein O Rosebud red Herz, in einem Nu! We’re sort of between the Governor’s Mansion and Neiman-Marcus. Which is precisely where erators with ice makers, and you would expect to find individual washer/dryer units Atlanta's most convenient and are conveniences which posi­ attractive rental residences— tion The Paces far above every The Paces. other Atlanta rental property. Situated in the heart of Thus we feel confident that Northwest Atlanta, the advan­ overall convenience, privacy, tages of Paces' living begin with and attractiveness are present its proximity to the finest throughout every aspect of life shopping areas, the most at The Paces. If you find such a distinctive residential neighbor­ lifestyle personally appealing, hoods, and downtown Atlanta. we invite you to call 237-7759 or All of this location conven­ come to visit The Paces between ience is enhanced still further by 10:00 a.m. and 5:00 p.m. week­ the quiet, relaxed atmosphere days, and on Sundays beginning and styling of The Paces. The one hour later. beautifully landscaped grounds are immaculately kept by a truly professional staff, as is the se­ cluded pool and garden house area. Two- and three-bedroom styles are ready for occupancy. Many feature large wood­ burning fireplaces and hand­ some dens,and even the smallest Paces residence offers over 1500 square feet of functional and yet graceful living space. Large separate-entrance foyers, nine- foot ceilings, frost-free refrig­ Was du geschlagen A nd he home up. through struggle, to Zu Gott wird es dich tragen! God!

Believe, my heart, you have lost nothing. Everything you longed for is yours: yes. In addition to the two vocal soloists yours. and mixed chorus, the score calls for an You were not horn in vain. unusually large orchestra: four flutes, You have not lived and suffered in vain. four piccolos, four oboes, two English What has been must go. horns, five clarinets, two E flat clarinets, What has gone will rise again. bass clarinet, four bassoons, two contra­ Stop trembling. bassoons, six horns, six trumpets, four Get ready to live. trombones, tuba, two sets of kettledrums, O Pain, all-penetrating one. one or more snare drums, cymbals, tri­ I have escaped you. angle, large and small tam-tams, Ruthe O Death, all-conquering one, (a bundle of sticks or a birch-broom), Now you are conquered. three bells, glockenspiel, organ, two harps With wings I have won for myself. and strings. Besides, there is an offstage In fervent love I shall soar band consisting of four horns, four trum­ To the Light unseen. pets, kettledrums, bass drum, cymbals I shall die to live. and triangle. You will rise again, my heart, in a moment, (Copyrighted)

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| IT TAKES MORE THAN APPLAUSE . . . You are cordially invited to join the music lovers who are shareholders in building an ever greater ATLANTA SYMPHONY ORCHESTRA

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City & State------Zip------Phone------Categories: Patron $1,000 and over; Donor $500 to $999; Sponsor $250 to $499; Sustaining $100 to $249; Supporting $50 to $99; Contributing $25 to $49; Single $10 to $24; Friend, under $10. | Please make check payable to: ■ Atlanta Symphony Orchestra Maintenance Fund ; and mail to: I 1280 Peachtree Street, Atlanta, Georgia 30309 Contributions to the Atlanta Symphony are tax deductible A polished performance in aluminum with amber glassd'One nice thing after another from Jgrfrf Atlanta Decorative Arts Center

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ROBERT SHAW Music Director and Conductor

Michael Palmer Alan Balter Associate Conductor Apprentice Conductor

VIOLINS CONTRABASSES TRUMPETS Martin Sauser Dale Schmidt Concert master John Head Acting Principal Principal Robert Harrison Jane Little Associate Concertmaster Joseph Walthall Associate Principal Larry Black Willard Shull Harvey Kaufman Principal, Second Violins Michael Kenady TROMBONES Jacqueline Anderson Thomas Thoreson Harry Maddox David Arenz Randolph Ujcich Principal Frances Arm Wiley Weaver Richard Hansbery Barbara Beck John Zugel Donald Wells Judy Benedict Shalom Ben-Uri FLUTES BASS TROMBONE Anita Cahoon Warren Little Donald Wells Leslie Clark Principal Valerie Gardner Paul Brittan TUBA Martha Head Benson Prichard Michael Moore Frances Henrickson Stephen Horvath PICCOLO TIMPANI Karen Matthews Benson Prichard Eugene Rehm Principal Alice Oglesby OBOES Lorentz Ottzen Jack Bell Oscar Pereira Joseph Robinson Assistant Principal Principal Benjamin Picone PERCUSSION Susan Pitard Eric A. Barr Ronda Respess Ass't Principal- Jack Bell Mary Kay Robinson Principal Second Oboe Principal Richard Robinson Patrick McFarland William Wilder William Rusconi ENGLISH HORN HARP Patricio Salvatierra Judy Beattie Edward Scruggs Patrick McFarland Linda Smith CLARINETS KEYBOARD Frank Walton Michael Palmer James White Alan Balter Principal ASS'T TO THE MUSIC DIRECTOR VIOLAS Norman Baker William F. Noll Robert Jones Associate Principal Principal Robert Wingert PERSONNEL MANAGER Peter Bertolino Douglas Smith Martin Sauser Ardeth Cohen BASS CLARINET John Detrino PERSONNEL MGR. EMERITUS David George Douglas Smith Harry Robkin Enid Jones E-FLAT CLARINET LIBRARIAN Haskell Marrinson Norman Baker Robert Parcells Stephen Horvath VIOLONCELLOS BASSOONS STAGE MANAGER Carl Nitchie Donovan Schumacher Michael Destazio Principal Principal MASTER ELECTRICIAN Edmond Basson Daniel Dowdakin Assistant Principal Assistant Principal Robert Spradlin Nan Barker Charles Nussbaum Jere Flint CONTRA BASSOON Eleanor Hodges Daniel Dowdakin Bruce Klingbeil Kay Lortz FRENCH HORNS Bonita Potts John Henigbaum Paul Warner Principal Jeanne Andrus John Keene Brice Andrus Christopher Scheufler BUSINESS IS OUR ONLY BUSINESS.

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1801 Piedmont Avenue, N.E. Atlanta, Georgia 30324 qM on are cordially invited to AAernbership »VA\' in the omen s Association Atlanta Symphony (Orchestra

The Women's Association offers a wide range of opportunities for service in support of the Orchestra—in committees of every size or in­ dependently. There are educational, fund-raising and service projects, social events, backstage parties, programs of broad interest.

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Fill out the coupon below, return it with your $10.00 annual dues, mail to Membership Chairman, Women’s Association, Atlanta Symphony Orchestra, 1280 Peachtree Street, N.E., Atlanta, Georgia 30309 — and let us welcome you into the Women's Association.

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1972-73 SEASON SUBSCRIPTION CONCERTS

Concerts conducted by Robert Shaw unless otherwise noted.

September 21, 22, 24 Ruggiero Ricci, Violinist October 5, 6, 7 James Levine, Conductor Charlene Peterson, Soprano Jennie Tourel, Mezzo-Soprano October 19, 20, 22 Bruno Leonardo Gelber, Pianist November 2, 3, 4 Hiroyuki Iwaki, Conductor November 16, 17, 19 “Oedipus Rex” — Stravinsky Nov. 30, Dec. 1, 2 Michael Palmer, Conductor Charles Treger, Violinist December 14, 15, 17 Horacio Gutierrez, Pianist January 18, 19, 20 Aldo Ceccato, Conductor February 1, 2,4 Georg Semkow, Conductor February 15, 16, 17 “War Requiem” — Brittan March 8, 9, 11 Jacques Houtmann, Conductor Maxumi Fujikawa, Violinist March 22, 23, 24 Natalie Hinderas, Pianist April 5, 6, 7 James De Preist, Conductor April 26, 27, 28 Ronald Turini, Pianist May 24, 25, 27 Alfred Wallenstein, Conductor May 31, J une 1, 2 “The Seasons” — Haydn

Single tickets for all concerts, except the Thursday Evening series, are available at the Atlanta Memorial Arts Center Box Office, Peachtree at 15th Streets, phone 892-2414. Prices — $7.00, $6.00, $5.00, $3.50, $2.50. Students — $2.00 one hour before curtain. For Mail Orders, send payment and stamped, self-addressed envelope to: Box Office, Atlanta Memorial Arts Center, 1280 Peachtree Street, N.E., Atlanta, Georgia 30309. Building with Atlanta It takes more than sticks and stones to build a great city It takes foresight, planning and faith Any city is only as great as its people their homes and communities Since 1946. the Roy D Warren Company has helped to build Atlanta not with sticks and stones but with planning and financing We develop land, build homes, provide mortgage money and home-owner insurance to buyers all from the same source The Roy D Warren Company helping to build the greatness of Atlanta

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TAURUSPORSCHE I AUDI Elwyn C. Tomlinson, President 500 W. Peachtree 577-8500 ATLANTA SYMPHONY ORCHESTRA

ROBERT SHAW, Music Director SURER SPECIALS

GREAT OPERAS IN CONCERT

OCT. 12, 14, 15, 1972 “The Marriage of Figaro” — Mozart James Levine, conducting

JAN. 25, 27, 28, 1973 “Porgy and Bess” — Gershwin Robert Shaw, conducting

NOW BACH CONCERTS Robert Shaw, conducting NOV. 21, 1972

APR. 17, 1973

MUSIC NOW CONCERTS Robert Shaw, Michael Palmer and Alan Balter, conducting

NOV. 25, 1972 Works of Messiaen, Bartok, Varese, Crumb

APR. 21, 1973 Daniel Kobialka, Violinist

HOLIDAY SPECIALS

DEC. 11. 1972 “P. D. Q. BACH” Michael Palmer, conducting

DEC. 19, 1972 Sixth Annual Christmas Concert Robert Shaw, condicting

Single tickets for the above events will be available after October 1, 1972, at the Atlanta Memorial Arts Center Box Office, Peachtree and 15th Streets, phone 892-2414 Prices — $7.00, $6.00, $5.00, $3.50, $2.50. (Annual Christmas Concert — $5.50, $4.50, $3.50, $2.50) Special rates for Children and Students. For Mail Orders, send payment and stamped, self-addressed envelope to: Box Office, Atlanta Memorial Arts Center, 1280 Peachtree Street, N.E., Atlanta, Georgia 30309. THORNDIKE. DORAN. PAINE z&p LEWIS. INC. Investment Counsel -/

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NOV. 6-12 CLASSIC & CONTEMPORARY An evening of repertoire, featuring works from the fields of the classics and the contemporaries. Four Wonderful performances. DEC. 26-30 THE NUTCRACKER Atlanta’s all-time favorite Holiday attraction. For children of all ages. Last year most performances were complete sell-outs. Don’t disappoint the children in your life, order tickets today. Eight Fantastic performances. MARCH 12-18 NIGHT & DAY Two premiere works to celebrate the beginning of The Atlanta Ballet’s 45th year. Four Exciting performances.

ORDER YOUR SEASON TICKETS TODAY: FROM $6.00 to $16.00 SYMPHONY BOX OFFICE: 892-2414 AT THE CENTER, continued

The Alliance Theatre Club Forms for Singles and Young Marrieds

One of the newest groups organized to support theatre in Atlanta is the Al­ liance Theatre Club. The purpose of the club whose mem­ bership will include singles and young marrieds is three-fold — social, educa­ tional and supportive. 'RMpk-Stulti, 3m. In addition to an evening of theatre 2~19 EAST PACES FERRY ROAD, N.E. and social activities once every three ATLANTA, GEORGIA 30305 weeks during ATC’s ’73 season, the 233-1179 group plans programs of an educational nature which will include discussion of the plays and talks by visiting play­ wrights, directors and actors. William E. Rudolph, A. I. D. Membership in the Alliance Theatre Helen J. McBrayer, N. S. I. D. Club is open. Anyone interested can con­ tact Sue Deer at the ATC Office.

INTERIORS ANTIQUES

Atlanta Boy Choir to Perform with Symphony Again This Season

DUNCAN PEEK INC. For the past five seasons the Atlanta 1270 TECHWOOD DR., N.W. yf Boy Choir has been performing with the ATLANTA, GA. 30318 Atlanta Symphony, and this year the PHONE: 404 873-1092 Choir will be heard with the Symphony in Benjamin Britten’s “War Requiem.” Whether the choir is singing in Sym­ phony Hall or abroad on one of their INSURANCE many international tours, listeners gen­ FINANCIAL SERVICES erally agree that it is one of the finest boy choirs to be found in the world today. The Atlanta Boy Choir School of Mu­ sic which sometimes admits talented out­ side students (girls as well as boys) presently has over 150 members ranging in age from six to 16. The seven artist PINKERTON & LAWS faculty members who teach cover a wide BUILDS TH range of musical subjects which include private lessons in piano, harpsichord, REMEMBERER. organ, harp, guitar, voice and violin. Assistant directors of the Boy Choir are THE PINKERTON & LAWS COMPANY Samuel Hope who serves as academic Member Associated General Contractors of America dean, and William Huckaby, organist 2700 Cumberland Parkway, N.W. Atlanta 30339 / 432-0171 and choir-master at St. Lukes Episcopal church. CALL US to acquire or dispose of Atlanta land It's what we do best.

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SEPTEMBER AND OCTOBER AT THE CENTER SH: Symphony Hall AT: Alliance Theatre HM High Museum HA: Hill Auditorium ST: Studio Theatre G: Galleria For ticket information, call the Box Office at 892-2411. Concerts

THURSDAY & FRIDAY SEPTEMBER 21 & 22

Atlanta Symphony, 8:30, SH. Subscription Series. Robert Shaw conducting; Ruggiero Ricci, violin. DvoTdk: Concerto for Violin and Orchestra in A Minor; Bruckner: Symphony No. 9 in D Minor (unfinished). 4090 ROSWELL RD. SUNDAY, SEPTEMBER 24

Atlanta Symphony, 2:30, SH. Subscription Series. Same program as September 21 & 22.

THURSDAY. FRIDAY & SATURDAY OCTOBER 5, 6 & 7 (After tlje (theater.... Atlanta Symphony, 8:30, SH. Subscription Series. James Levine, guest conductor; Charlene Peterson, soprano; jennieTourel, mezzo-soprano; Atlanta Symphony Orchestra Chorus. Mahler: Symphony No. 2 in C Minor ("Resur­ rect ion ’’). ______TUESDAY, OCTOBER 10

Pro-Mozart Society Concert, 8:00, HA. Sante'H

THURSDAY & FRIDAY OCTOBER 19 & 20

Atlanta Symphony, 8:30, SH. Subscription Series. Robert Shaw conducting; Bruno Leonardo Gelber, piano. Brahms: Concerto for Piano and Orchestra No. 2 in B-flat Major, Op. 83; Bamert: “Septuria Lunaris" for Orchestra; Hinde­ mith: Symphonic Metamorphosis on Themes by von Weber.

SUNDAY, OCTOBER 22

Atlanta Symphony, 2:30, SH. Subscription Series. Same program as October 19 & 20

MONDAY THRU FRIDAY OCTOBER 23 THRU 27

Atlanta Symphony Young People’s Concerts, 10:30 and 12:30. SH. Michael Palmer conducting. TUESDAY, OCTOBER 24

"Weather Report” (jazz group), 8:30, SH. Silver Star Pro- d uct ions.______WEDNESDAY & THURSDAY OCTOBER 25 & 26 UNDERGROUND ATLANTA

“Rod McKuen in Concert,” 8:30, SH. Rod McKuen Enter­ RESERVATIONS 577-1800 prises. a/nu^iJirtf and cuinnt Opera

THURSDAY, SATURDAY & SUNDAY Dinner OCTOBER 12, 14 & 15 Mon. — Sat. Atlanta Symphony, 8:00, SH. Opera I. James Levine, guest 6 — Midnight conductor. Mozart’s Opera (concert version), "The Mar­ riage of Figaro" (in English). Assisting artists: Justino Diaz; Judith Blegen; Lenus Carlson; Eleanor Steber; Maria Ewing; Andrew Foldi; Eunice Alberts; Susan Belling; The Gaines­ (aid ville Chorale. David Johnson, Director.

• Banquets • Parties • Catering High Museum Events

High Museum hours: Mon. thru Sat., 10:00 to 5:00; Sun., 60-B Kenney's Alley • Underground Atlanta • 523-6251 12 noon to 5:00. Beginning in October, open Thursday evenings until 10:00. Art Shop hours: Tues, thru Sat., 10:00 to 4:00; Sun., 12 noon to 5:00; after Oct. 1, Thurs. until 10:00, closed Mon.

THROUGH OCTOBER 29 Today's Collector Examines Oriental Rugs. HM. An exhibi­ Crow, Pope and Land Enterprises... tion featuring 71 rugs from the major mideastern rug weav­ ing areas, many from the private collection of H. McCoy meeting the special needs and Jones, president and founderof the Washington Hajji Baba. requirements of owners and CONTINUING 1972 Shapes: Adventure and Discovery, HM. Junior Activities investors for successful Center. An exhibition aimed at giving young people a chance to experience how shapes affect space. Explanations development and also in Braille. Open to the public on Saturdays and Sun­ days, 12 noon to 5:00. Adm: adults, 50C; children, 250. The exhibition is reserved during the week for JAC sched­ management of uled programs only; closed to public Monday through Friday. • Apartments FRIDAY, SEPTEMBER 22 • Condominiums Program of Films, including We Have No Art ... . and This • Retail shopping centers Is the House of Mrs. Levant Graham. 10:30 a.m. HA. Free. • Office buildings and parks SUNDAY, SEPTEMBER 24 • Hotels Opening of the Art Shop’s Fall Show, 12 to 5:00. • Total living communities OCTOBER 1 THRU OCTOBER 29 Aubusson Tapestries by Alexander Calder. G. Twenty tap­ estries designed by Alexander Calder. The tapestries are limited to editions of six and were woven in the Aubusson- Crow, Pope & Land Condominium Enterprises Felletin region of France. Crow, Pope & Land Services, Inc. Calder in Atlanta. HM. A group of drawings and gouaches Crow, Pope & Land Management Company from Atlanta private collections and the Museum's perma­ Crow, Pope & Land Construction Company nent collection, presented as an adjunct exhibition to the Enterprise Realty & Mortgage Company Aubusson Tapestries by Alexander Calder. SUNDAY, OCTOBER 1 CROW, POPE & LAND ENTERPRISES, INC. Executive Offices: 1100 Spring St., N.W., Atlanta, Ga. 30309 Opening of the Calder exhibitions, Aubusson Tapestries by Calder, and Calder in Atlanta. 12 noon to 5:00. HM. 1404) 875-7431 MONDAY, OCTOBER 2

Pioneers of Modem Painting film series, written and nar­ rated by Kenneth Clark. Program One: Edouard Manet. 7:00, 8:00 and 9:00. HA Free SUNDAY, OCTOBER 8 HOUSE o thebaut Calder Improvisations jazz concert, with the Mary Sue PST Rehm Trio. 3:00. G. Free. INC. Tour of the exhibition: Today's Collector Examines Oriental HEDY THEBAUT WILLIAM L. THEBAUT Rugs, conducted by Mrs. J. Ray Efird, guest lecturer. 2:00. MAY 17, 1971 HM.

We Specialize in WEDNESDAY, OCTOBER 11 Beautiful Lamps and Shades Pioneers of Modem Painting film series, written and nar­ Repairing—Custom Styling rated by Kenneth Clark. Program Two: Paul Cezanne. 7:00, 8:00 and 9:00. HA Free. ACCESSORIES - WEDDING GIFTS CUSTOM FLORAL DESIGNS WEDNESDAY. THURSDAY & FRIDAY OCTOBER 11, 12 & 13 Telephone 261-4166 High Museum Antiques Show. 12 noon until 9:00. Mer­ 3718 Roswell Road, N. W. — Atlanta, Ga. 30305 chandise Mart. Admission: $2.50. THURSDAY, OCTOBER 12 GIFTS-CHRISTMAS SHOP-CRAFTS Wellesley Decorative Arts Forum. 10:00 a m. HA. By reser­ • • vation only. xi A SATURDAY, OCTOBER 14 5 High Museum Antiques Show. 10:00 until 4:00. Merchan­ dise Mart. Admission: $2.50. -K

SUNDAY, OCTOBER 15 g Program of Films, including Why Man Creates, and Alex­ ander Calder From the Circus to the Moon. 3:00. HA Free. c z LA MONDAY, OCTOBER 16 • m Pioneers of Modem Painting film series, written and nar­ £ 3756 ROSWELL ROAD rated by Kenneth Clark. Program Three: Claude Monet. r? 7 00, 8:00 and 9:00. HA. Free. ar 2.37-51 • WEDNESDAY, OCTOBER 18 • cAn Jlduenturt in Shopping •

Great Artists/lecture series. 10:00 a.m. and 8:00. HA. Series admission: Museum Members, $8.00; general, $12.00. SUNDAY, OCTOBER 22

Tour of the exhibition. Today’s Collector Examines Oriental Rugs, conducted by Mrs. Katharine Farnham, Curator of Decorative Arts. HM. 2:00.

MONDAY, OCTOBER 23

Pioneers of Modem Painting film series, written and nar­ rated by Kenneth Clark. Program Four: Georges Seurat. HA. 7:00. 8:00 and 9:00. Free.

SATURDAY, OCTOBER 28 THERE ARE SO MANY WAYS TO Audubon Wildlife Film, 8:15. HA. “West Side Story — COME INTO MONEY Mexico to Alaska " Admission: $1.75; students, $1.25. MONDAY, OCTOBER 30 ONE IS CERTAIN TO HAPPEN TO YOU. Lecture by Dr. J. Newton Hill, Adjunct Professor of the History of African Art at New York University. HA. 8:00. Sponsored by the Atlanta School of Art and Morris Brown College. When you come into money Theatre come into FRIDAY & SATURDAY OCTOBER 27 & 28

The Tempest, 8:30, SH. Famous Artists Series. Dance

FRIDAY & SATURDAY OCTOBER 20 & 21, 27 & 28

Carl Ratcliff Dance Theatre, 8:30. ST. The Safe Place Lectures P.O BOX 1077 • ATLANTA, GEORGIA 30301

SUNDAY, OCTOBER 22

“Preview ’73,” 8:00. SH A symposium. Editors and staff of the Christian Science Monitor look at where we are and where we are going. Let Cotton States NOVEMBER protect your world. AT THE CENTER

Concerts Cotton States

Atlanta Symphony, 8:30, Nov. 2, 3 & 4, SH. Subscription is insurance. Series. Hiroyuki Iwaki, guest conductor. Mayuzumi; Mozart; Sibelius. Atlanta Symphony, 8:30, Nov. 16 & 17; 2:30, Nov 19. SH. Subscription Series. Robert Shaw conducting; Martin Sauser, violin, Donovan Schumacher, violoncello; William Noll, piano. Beethoven: Concerto for Violin, Violoncello, Piano & Orchestra in C Major, Op. 56. Stravinsky: “Oedipus Rex" (opera-oratorio). Assisting Artists: Robert Moulson; Barbara Dean: Peter Harrower; Robert Fischer; Clyde Hern­ don; David Johnson; Morehouse College Glee Club; Men of ATLANTA'S the Atlanta Symphony Orchestra Chorus. "Herbie Mann Sextet," 7:00 & 10:00. Nov. 18, SH. Famous Artists Series. ACREAGE Atlanta Symphony, 8:30, Nov. 21, SH Bach Cantata I. Robert Shaw conducting. Guest artists to be announced. AGENTS "City-wide Gospel Rally," 8:00, Nov. 24. SH. Sponsored by Glenhaven Baptist Church. Atlanta Symphony, 8:30, Nov. 25, SH. “Music Now” I (con­ temporary). Robert Shaw, Michael Palmer and Alan Balter conducting. Guest artists and program to be announced. FALK REALTY Atlanta Symphony, 8:30, Nov. 30. Dec 1 & 2, SH. Subscrip­ tion Series. Michael Palmer conducting. Charles Treger, violin. R. Strauss; Berg; Beethoven. High Museum Events 1064 W. Peachtree St., N.W. Pioneers of Modern Painting film series, Nov. 6 & 13, HA, Specialists in investment Acreage 7:00. 8:00 & 9:00. 876-1947 Great Artists/lecture series, conducted by Dr. John Howett of Emory University, Nov. 1, 8, 15 & 29, HA. 10:00 a.m. & Developers of fine lake 8:00. Georgia Artists II, an exhibition of work created in Georgia, selected by Gudmund Vigtel, Director, High Museum. Communities Opening Nov. 12. Theatre

Robin Hood. 2:30. Nov 4. 12 & 18. AT. The Atlanta Chil­ dren’s Theatre. Dance

The Atlanta Symphony and The Atlanta Ballet, 8:00, SH, Nov. 9, 10 & 11; 2:30, Nov. 12. Series I. John Head con­ ducting. Repertoire Ballet.

Home of Regency, Grieco Illi Middleton IN AND AROUND ATLANTA Fine Clothes for Men All listings are based on information supplied by contribut­ ing organizations. This calendar is offered as a community Prank Bros. Shoes service and is believed to be correct at time of printing. Organizations wishing to submit material for this column B&B Clothes for Young Men must send copy six weeks in advance of publication date which is the first of each month. Send copy to: Mrs. Christo­ Miss B&B Sportswear pher Lee Marshall. 79 Roswell Ct., N.E., Atlanta, 30305. Phone: 266-0194 for Ladies Galleries

Allison Art Acres Gallery and School of Art — 3940 N. arks hambers Peachtree Rd.. Chamblee. 457-3080. Paintings in all media; P -C art classes. Mon-Sat 10-5, Tues & Wed 7-9. ESTABLISHED 1896 Artists Associates Gallery — 1105 Peachtree St., N.E., DOWNTOWN • LENOX SQUARE 892-7681 Ceramics, graphics, sculpture and paintings by local and southeastern artists. Thru 9/30, paintings by W. PACES FERRY • PERIMETER MALL George Kress; 10/11-11/4, paintings by M. Hill Burton. Tues-Sat 10-5. Sun 2-6. Atlanta Artists Club Gallery — 3099 Peachtree Rd., N.E., 237-2324. Thru 9/24, "People Show," featuring figures and faces; 10/1-10/15, show featuring Adair Williams Lorraine White, Ann Huffmaster. Robert Braqq, Joe Coq- gins. Tues-Sat 10-4, Sun 2-6. We hove it!

Barclay Gallery — 3500 Peachtree Rd., Phipps Plaza. 233-8712. Exhibitions of new acquisitions: original graphics by Friedlander. Manzu, Moti, Bragg. Boulanger, others /omething Mon-Sat 9-5:30, Mon & Thurs till 9. Sarah Brown Studio Gallery — 3108 Roswell Rd., NW 233-1800, 261-2575. New drawings, paintings. Art classes' worth coming Mon-Fri 9:30-4, Wed & Thurs 6:30-9:30, Sat by appt. Donald J. Brundage — 2941 Redding Rd., N.E., 233-4760 home to.. 237-8632. Antiqued reproductions of Civil War scenes Mon-Fri 9-4, Sat by appt.

Cathreen's Gallery — 516 E. Paces Ferry Rd., 261-1960 Oils and water colors by award winning contemporary R« AITOR/ artists. Portraits in oils, water color, pastels by appt. Mon- 266-2560 Fri 10-4. 3330 PEACHTREE RD N.E / ATLANTA. GA 30326

Creative Cancer Art Gallery — 133 Nassau St., N.W., 525-3600. 20th Century realism in paintings, sculptures, prints. Mon-Fri 10-6, Sat & Sun 11-4. Decatur Art Center — 113 Trinity Place, Decatur, 378-6441 Inc. 10/8-10/31. drawings and paintings by Peggy Mount Perk- fRank aLarx erson. Mon-Thurs 10-5, Fri 10-1, Sat & Sun by appt. “A new concept in gift giving” Gallery 18—18 Lombardy Way, 892-2825. New group show­ ing by Lea, Yarborough, Blakey, Loehle, Crouse. Mon-Fri 9-5, Sun by appt. Galerie lllien — 123 14th St., N.E., 892-2696. Thru Sept., new graphics by Richard Smith. Thru Oct., new paintings by Joel Reeves. Mon-Fri 10-5. Sat & Sun 1-6 and by appt.

Gavant Gallery — 2126 N. Decatur Rd.. Decatur. 634-2340 115-F Hammond Dr., Sandy Springs, 255-6340. Original graphics by Chagall, Picasso. Boulanger. Dali, others. Mini­ art: original designs for crewel, needlepoint. Mon-Sat 10:30-6. Thurs 8-11.

The Golden Easel — 60-F Kenney's Alley, Underground Atlanta. 577-3669. Thru Sept., an exhibition of paintings by Jim Pace. Haber's Art Gallery — 3493 Northside Pkwy., N.W., W Paces Ferry Plaza, 261-9691. Popular named original oils and graphics. Art classes, custom framing. Daily 11-9, Sun 1-6. Image South Gallery — 1931 Peachtree St., N.E , 351-3179. Thru 9/29, show of prints by Ben Smith; thru 10/20, paint­ ings by Bunn Gray: opening 10/20, show of relief and free standing sculptures by Dorothy Berge. Tues-Sat 10-5, Mon 12-5. Sun 1-4

Ann Jacob Gallery — 8 Woodlawn Dr., Marietta, 971-8302. Contemporary paintings, sculpture, graphics, pottery, textiles. Mon-Sat 11-5, Sun 2-5. What could be more elegant to accentuate a table setting than crystal candlesticks like these Ray Ketcham Gallery — 3232 Roswell Rd., N.W., 237-0700. by Kosta. At Frank Alan you will find crystal Pre-1930 paintings by Bensell, Bridgman, G. L. Brown. stemware, barware, and accessories from over Harrison, Herzog. Inness Jr., Kost. Lewis. Murphy, Ocht- twelve European countries. man. Robbins, Shapleigh and others. Daily 10-5, closed Sun. NORTHLAKE MALL / LOWER LEVEL Eugene O’Karma, Inc. — 1050 Spring St., N.W., 874-9461. 934-2957 Exhibition of 19th and 20th century original water colors, thru Oct. Mon-Fri 8:30-5, Sat 8:30-4.

Period Pictures, Ltd. — 2277 Peachtree Rd., N.E., 355-2431. Selection of 17th. 18th and 19th century oils; 10/10-10/30, American primitive and folk art paintings. Mon-Fri 9:30-5, Sat 10-4. Reflections — 3445 Peachtree Rd., N.E., Suite One, 262-3800. Specialists in art leasing. 10/1-10/31, exhibiting the Calder Show in conjunction with the High Museum of Art. Tues-Sat 10-5, Sun 12-5. Scott Gallery - 525 Pharr Rd., N.E., 233-4994. 9/16-10/13, paintings of new photographic realism by Biff Elrod. Mon­ Sat 10-5. The Signature Shop — 3269 Roswell Rd., N.W., and 225 Peachtree St.. N.E., 237-4426. 10/15-11/15, Eskimo 4, fourth showing of Eskimo sculpture. Mon-Fri 9:30-5:30, Sat 10-5:30. GOURMET DINNER 7:00 P.M. - SHOWTIME 8:30 P.M. Swan Coach House Gallery — 3130 Slaton Dr., N.W., TERRELL MILL RD. OFF MARIETTA 4 LANE HWY. 41 261-0224. Continuous gallery open to public. 10/5, juried show of 24 of best Georgia artists. Mon-Sat 10-5. BY RESERVATIONS ONLY - TELEPHONE 436-6262 Twentieth Century Gallery — 2289 Peachtree Rd., N.E., 355-0275. Custom framing. Original art, graphics. Old and new prints. Mon-Sat 9:30-5:30. Willens Galleries — 349 Peachtree Hills Ave., N.E., plant lovers 237-2991. Featuring better grade original oils, contemporary and antique, in a broad range of subjects, periods. Mon-Fri 10-4, Sat 12-4 rejoice Special Exhibitions

Agnes Scott College — Dalton Galleries, Dana Fine Arts Now, you can select beautiful Bldg., E. College Ave., Decatur, 377-1200. 10/22-12/8, loan exhibition from the High Museum of Art from 19th live plants and trees from and early 20th centuries. Atlanta Artists Club Show — October “Print and Drawing Plantscape House, Atlanta's Show," N. DeKalb Center, 10/15, 10-9. For information, completely professional ifldoor call 237-2324 planting specialist. Be sure Creative Arts Guild — Dalton, Ga. 9/30-10/1. Georgia Institute of Technology — Student Center Art Gallery. 9/29-10/15, Dale Pierson Hill, embossed prints; to see our plants performing 10/10-11/10, Constantin and Roman Chatov, oils.

in the main lobby. Morris Brown College — Special exhibition of African and Afro-American Art. Student Union Building, 10/30-10/31.

Theatre

Academy Theatre — 3213 Roswell Rd., N.E., 261-8550. Birthmark, original series of modern dance by Leslie Mor­ ris & company, Sept. 22. 23, 24. 28. 29 & 10/1, 8:00: The Primitive Wonder, an Academy company developed play opening 10/5, every Thurs and Sat, 8:30. The Chameleons, original song cycle on marriage, opening 10/6, every Fri Plantscape House & Sun, 8:30. Barn Dinner Theatre — 1690 Terrell Mill Rd., S.E., Marietta, 432-7157 436-6262. Dinner at 7:00, performance at 8:30. Ninety Day Mysteries, 9/6-10/1: Fiddler on the Roof, 10/4-10/29. DeKalb College — Fine Arts Auditorium, 555 N. Indian Creek Dr., Clarkston. 292-1520, Ext. 255. Drama perform­ ance. Haunt! 10/13-10/14. 8:00 Concerts

Atlanta Symphony Orchestra — Free concert for the City of Atlanta. 10/1 at 3:00. Civic Center. Rigoletto — presented by Boris Goldovsky. All Star Concert Series, 10/13 & 14. 8:30. Civic Center.

Dionne Warwick, 10/23. 8:30. Civic Center.

Big Band Cavalcade. 10/26. 8:30. Civic Center

Festival of Music — Chet Atkins. Floyd Cramer. Boots Ran­ dolph. 10/27 & 10/28, 8:00. Civic Center.

Atlanta Dixieland Jazz Society — Pianist Art Hodes and the Capital City Jazz Band, 10/14, 3-7. Ruby Red’s Ware­ house, Underground Atlanta. (659-1852)

STRIKE A HEALTHY NOTEh

The Atlanta Nutrition Centers, Inc. 571 Peachtree St., N.E. Buford-Clairmont Mall 872-2297 633-5722 1385 Oxford Rd., N.E. South DeKalb Mall 373-2032 243-1681 Emory University’s Festival of Music — All performances at Glenn Memorial Auditorium. 1652 N. Decatur Rd.. N.E.

10/6 — Pat Berry, soprano; Edith Bruner, piano 8 15' 10/8 - Emory String Quartet. 4:00; 10/13 - Candler Concert IT PAYS TO BUY “BLUE CHIP” Series. Daniel Barenboim, piano. 8:15; 10/15 — Baroque Trio Concert. 4:00; 10/20 — Harry Moon, tenor; Beverly Gibbons, piano, 8:15; 10/22 — Chamber music of Handel Known for more than a and Haydn. 4:00: 10/27 — Kathy Farmer, flute Beverly Gibbons, piano. 8 15: 10/29 — Janet Stewart, recital 8 15 century for its personal­ 10/31 — Candler Concert Series. Dong-Suk Kang violin 8:15. ized service to policyhold­ Georgia State University - Recital Hall. Music and Art ers, Connecticut Mutual Bldg.. 33 Gilmer St.. S.E. 9/26 — Opening faculty concert series. William Masselos, piano. Life is the “Blue Chip” Company. Our sole pur­ Dance pose is to provide the finest possible life insur­ Swan Lake — The Ballet of Canada, starrinq RudolDh Nureyev. 10/5 thru 10/7, 8:30. Civic Center. p ance at the lowest pos­ sible cost. Lectures So when you think of The City — Agenda for Tomorrow — lecture series on prob­ life insurance, think “Blue lems relating to Atlanta. Oct. 9. 11, 13, 16. 18 & 19, 7-9 p.m. Atlanta Public Library (Central) Chip” . . . think Con­

Morris Brown College — lecture by Dr J. Newton Hill, necticut Mutual. eminent black scholar, educator and internationally recog­ nized authority on African and Afro-American art, 10/31 1:00. Cunningham Auditorium. Information: 525-7831 Ext. 43 or 22 James T. Mills, General Agent 705 Fulton Federal Bldg., Children Atlanta, Georgia 30303

Shapes: Adventure and Discovery — Junior Activities Cen- *• ter, Memorial Arts Center. An exhibition giving young peo­ Connecticut Mutual Life ple a chance to experience how shapes affect space. Open THE BLUE CHIP COMPANY • SINCE 1846 to the public Sat. & Sun., 12-5. Adults 50C; children 25C.

The Atlanta Symphony — Michael Palmer, assistant conduc­ tor, presents a pre-symphony concert before the first Young People’s Concert of the 1972-73 season, Oct. 3 at 7 00 p m WETV. CH. 30.

The Atlanta Ballet — Robert Barnett, director, presents scenes from forthcoming Nov. performances. Oct 31 * 7:00 p-m . WETV. CH. 30.

The Academy Theatre — 3213 Roswell Rd.. 261-8550. ^ WRECKING BAK BLIP-. DIP. SLUG AND FANTASIA, Oct. 7 thru Nov. 18, INC. Tues, Wed. Thurs & Sat. 1:30.

The Vagabond Marionettes — HANSEL AND GRETEL, t Sat. Sept. 23. 10:00 & 2:00. East Point City Auditorium S1.00.

Piccadilly Puppets in performance on Sept. 26 at 7 00 p.m., WETV. CH 30.

Fembank Science Center — 156 Heaton Park Dr., N.E. Planetarium program thru Oct. 29. “Starlight Waltzes,” the story of the waltz king. Johann Strauss. Also, nature trails, observatory, bookstore, library, science exhibits. Information; 378-4311. Arc hiiectural Antiques

EUROPEAN & providing indoor comfort for Atlantans since 1898 DOMESTIC we specialize in air conditioning hard-to-cool homes & offices 292 Moreland Ave., N.E. 935 Chattahoochee Atlanta, Georgia Phone 351-3611 404 - 524-7117 mi Atlanta Arts Monthly magazine of the Atlanta Memorial Arts Center 1280 Peachtree Street, N.E. Atlanta Georgia 30309

OCTOBER 1972 VOLUME V ISSUE 1

THE ATLANTA ARTS ALLIANCE William C. Herring President James K. Griffeth Controller THE ATLANTA SYMPHONY ORCHESTRA Frank Ratka General Manager Richard W. Thompson Assistant Manager Mrs. Nancy S. Burke Director of Season Ticket Sales THE HIGH MUSEUM OF ART Gudmund Vigtel Director WIGGINS AND COMPANY, INC. Miss Paula Hancock Curator of Education THE ATLANTA SCHOOL OF ART John H. Rogers Dean Mrs. Guthrie Foster 3838 First National Bank Building Assistant Dean THE ALLIANCE THEATRE COMPANY Atlanta, Georgia 30303 David Bishop Managing Director

PARKING FACILITIES Center Parking garage with covered parking direct­ ly adjacent to Center, entrances on Peachtree and Lombardy Way; also commercial parking across from Peachtree entrance to Center, and north of First Presbyterian Church. BOX OFFICE Telephone: (404) 892-2414 Hours: Monday 9:30 a.m. - 5:30 p.m.; Tuesday thru Friday noon - 8:00 p.m.; Saturday noon - 8:00 p.m.; Sunday noon - 3:00 p.m. The Memorial Center Box Office handles tickets for the Atlanta Symphony, Atlanta Children’s Thea­

3644 MEMORIAL DR.. STONE MDUNTArN.GA.,30083, PO.BOX 857 tre, Alliance Theatre Company, Atlanta Music Club TEL 404 292-8181 Membership Series, Famous Artists Series, Atlanta Hawks, Theatre Atlanta Off Peachtree; all Ticketron - TineTlantah?ton Specialties events, also, on night of performance, all tickets for lKTHEBfiST 'IRWil'HOfl OF THU any event scheduled in the Memorial Arts Center. OLP South- . TOURS - Koon BUFFET - MOY —"Fre For information on regular weekday tours or group - Special Sunday "Buffet tour arrangements, call (404) 892-3600. RESTROOMS - Banquet Facilitibs For. Located off the Galleria Balcony across from both GhouPj From I5-G5O Symphony Hall and the Alliance Theatre. Also lo­ cated adjacent to the balcony lobbies inside Symphony Hall.

OUR COVER - Meles Prayer Rug - Anatolia (Turkey), Part of a Loan Exhibition, assembled and directed by H. McCoy Jones, President and GOODMAN Founder, The Washington Hajji Baba, at The High Museum of Art, Sept. 15 — Oct. 29, 1972.

PAINTING & ATLANTA ARTS Magazine is published for the Atlanta Memorial Arts Center, by The Conger WALLCOVERING Printing Co., Inc. in Atlanta, Georgia. All rights to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from this magazine in whole or in part without permission is prohibited. Editorial Office, 146 Marietta St., N.W., Atlanta ATLANTA 30303, Phone (404) 524-6700. 872-5846 L. W. CONGER, JR. LIZ GILLIAM Publisher Editor GAIL MARSHALL ERNEST DeVANE In and Around Atlanta Art Director /W "l^l *14"* A picturesque background combining a nature-filled I river terrain, the ® • quiet enchantment I of the small town of MM W Vinings and an ex­ to live clusive New Paces Ferry Road address ... and then makes Glen- oaks ideal tor those desiring more ^b| ■■ 111*. than “a place to live"... Cr^FBMBw® The Chattahoochee is just a short walk away... inviting rafting, canoeing, wading, fishing or what­ ever. Gienoaks provides a complete leisure center tofurther enhance your natural living environment.

Gienoaks.. .condominiums designed to complement a life-style of pride, of elegant ownership, plus the maximum enjoyment of maintenance-free leisure environment with all the benefits of home ownership. Available for occupancy in August.

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