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For Immediate Release July 1990 Summergarden JAZZ-INFLUENCED STRAVINSKY WORKS PERFORMED AT THE MUSEUM OF MODERN ART Friday and Saturday, July 20 and 21, 7:30 p.m. Sculpture Garden open from 6:00 to 10:00 p.m. Seven jazz-influenced works by the Russian composer Igor Stravinsky (1882-1971) are presented in the third week of SUMMERGARDEN at The Museum of Modern Art. Made possible by PaineWebber Group Inc., SUMMERGARDEN offers free weekend evenings in the Museum's Abby Aldrich Rockefeller Sculpture Garden. The 1990 concert series marks the fourth collaboration between the Museum and The Juilliard School. Paul Zukofsky, artistic director of SUMMERGARDEN, conducts artists of The Juilliard School performing: La Marseillaise (Claude Joseph Rouget de Lisle) (1919) Three Pieces (1918) Histoire du soldat (1918) Souvenir d'un marche Boche (1915) Valse pour les enfants (1916-17) Piano-Rag-Music (1919) Septet (1953) Four concerts in the SUMMERGARDEN series are being specially recorded at the Museum for PaineWebber's Traditions, a weekly radio program that is broadcast on Concert Music Network in over thirty major cities across the country. The first New York broadcast is scheduled for July 22 at 9:00 p.m. on WNCN-FM. more - Friday and Saturday evenings in the Sculpture Garden of The Museum of Modern Art are made possible by PaineWebber Group Inc. 11 West 53 Street, New York, N.Y 10019-5498 Tel: 212-708-9850 Cable: MODERNART Telex: 62370 MODART Telefax: 212-708-9889 2 During SUMMERGARDEN, the Summer Cafe serves light fare and beverages. The Garden is open from 6:00 to 10:00 p.m., and concerts begin at 7:30 p.m. Entrance to the Abby Aldrich Rockefeller Sculpture Garden is at 14 West 54 Street. Additional information about SUMMERGARDEN can be obtained by calling 212/708-9850. No. 52 For further press information or photographic materials, please call the Department of Public Information, 212/708-9750. .

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DANSES CQNCERTANTES by IGOR STRAVINSKY: an ARRANGEMENT for TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M
DANSES CQNCERTANTES BY IGOR STRAVINSKY: AN ARRANGEMENT FOR TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted August, 1994 t ACKNOWLEDGMENTS I would like to extend my appreciation to Dr. William Westney, not only for the excellent advice he offered during the course of this project, but also for the fine example he set as an artist, scholar and teacher during my years at Texas Tech University. The others on my dissertation committee-Dr. Wayne Hobbs, director of the School of Music, Dr. Kenneth Davis, Dr. Richard Weaver and Dr. Daniel Nathan-were all very helpful in inspiring me to complete this work. Ms. Barbi Dickensheet at the graduate school gave me much positive assistance in the final preparation and layout of the text. My father, Mr. Savino Purrone, as well as my family, were always very supportive. European American Music granted me permission to reprint my arrangement—this was essential, and I am thankful for their help and especially for Ms. Caroline Kane's assistance in this matter. Many other individuals assisted me, sometimes without knowing it. To all I express my heartfelt thanks and appreciation. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER L INTRODUCTION 1 n. GENERAL PRINCIPLES 3 Doubled Notes 3 Articulations 4 Melodic Material 4 Equal Roles 4 Free Redistribution of Parts 5 Practical Considerations 5 Homogeneity of Rhythm 5 Dynamics 6 Tutti GesUires 6 Homogeneity of Texmre 6 Forte-Piano Chords 7 Movement EI: Variation I 7 Conclusion 8 BIBLIOGRAPHY 9 m APPENDIX A.
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A Comparison of Rhythm, Articulation, and Harmony in Jean-Michel Defaye's À La Manière De Stravinsky Pour Trombone Et Piano
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