A Rough Guide to Papers Used
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*1 "~~ E and Was Unable to Identify Any Record With
, 92/ , JPM: tz I-A 9-2 98 The January 114, 1961 Ins Angeles Mirror contained , an article reflecting that on January 14, 1961 srzva ALLDI had given a talk at the Ins Angeles High School to more than 2,000 teachers, which talk was sponsored by the American Federation of Teachers, local 1021. lhe article reflected that pickets had marched around the school. According to the ' article, DOM SULLIVAN, 27, of 12220 Montana, admitted that some of the placards were used when ALLEN -ras picketed Wednesday at a restaurant in the San Fernando Valley. The article said that SULLIVAN, a public relations man, said he had organized the demonstration on January 14, 1961, that he was a member of - the Policy Board of "For America", a local patriotic group, but that the group had had nothing to do with the pickaeting. '1he newspaperquoted SULLIVAN as saying that the piclcets came from a number of patriotic groups, including the American Legion, John Birch Society, Young Republicans, Californians for America, and America First. According to the article, SULLIVAN said the demonstration was not officially organized by the groups and that he had paid for the new placards out oi his own pocket. __,_ On January 17, 1 ascertained *~"'~'there that was no record of wi h the Retail Merchants Credit Association. On January19, 1961 Sl?. checked the *1_,_ records"~~ e and of the Los Angeleswas Police unableto partmen identify anya Los recordAngeleswith On January21, 1961] _ __ |Personnel Depart- ment,| Los Angeles, b,_r advised SA that a wa ed '' and that his superv sor was 3'13 P°"°z R°""°' FEDERAL BUREAU OF |NVESTlGA""'7N - Date _ 2/2/61 at-he isl a he is in charge of e Speakers Bureau fox-| | lie stated that has a "Tree IxTterprise Program", the purpose o ' - s - '--v e spealoers to alert the public to the dangers of Communi = -- . -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Making Paper from Trees
Making Paper from Trees Forest Service U.S. Department of Agriculture FS-2 MAKING PAPER FROM TREES Paper has been a key factor in the progress of civilization, especially during the past 100 years. Paper is indispensable in our daily life for many purposes. It conveys a fantastic variety and volume of messages and information of all kinds via its use in printing and writing-personal and business letters, newspapers, pamphlets, posters, magazines, mail order catalogs, telephone directories, comic books, school books, novels, etc. It is difficult to imagine the modern world without paper. Paper is used to wrap packages. It is also used to make containers for shipping goods ranging from food and drugs to clothing and machinery. We use it as wrappers or containers for milk, ice cream, bread, butter, meat, fruits, cereals, vegetables, potato chips, and candy; to carry our food and department store purchases home in; for paper towels, cellophane, paper handkerchiefs and sanitary tissues; for our notebooks, coloring books, blotting paper, memo pads, holiday greeting and other “special occasion’’ cards, playing cards, library index cards; for the toy hats, crepe paper decorations, paper napkins, paper cups, plates, spoons, and forks for our parties. Paper is used in building our homes and schools-in the form of roofing paper, and as paperboard- heavy, compressed product made from wood pulp-which is used for walls and partitions, and in such products as furniture. Paper is also used in linerboard, “cardboard,” and similar containers. Wood pulp is the principal fibrous raw material from which paper is made, and over half of the wood cut in this country winds up in some form of paper products. -
The Method of Making Models from Sheets of Blotting Paper
THE METHOD OF MAKING MODELS FROM SI-IEETS OF BLOTTING PAPER. BY SUSANNA PHELPS GAGE. Ithaca, New York. The Born Method of reconstructing models from wax plates is in use in all the larger laboratories of Anatomy and Embryology. Various modifications of that method have been introduced, notably at Johns IIopkins University. For smaller laboratories and isolated investigators the wax plates are difficult to prepare or to obtain already made. More- over, in the larger laboratories ihe preparation of the plates is a much dreaded piece of drudgery to be done in the basement. The apparatus is cumbersome and if at all accurate, expensive. Like any other ap- paratus it requires some skill to use it with success. Any one who has either cast or rolled wax plates will not need a statement of the inconveniences. In 1905, it occurred to me that sheets of blotting paper might serve instead of wax plates. A small model was at once made which showed its feasibility. Models made of this material were demonstrated at thc Association of American Anatomists in December, 1905, ( Amer. Jour. Anat. V., 1905-06, p. XXIII) and the method was further demonstrated at the International Zoological Congress held in Boston, August, 1907'. It has also been used successfully in the embryologic and anatomic laboratories of Cornell University and the University of West Virginia. Blotting paper models were demonstrated by Dr. J. H. Hathaway and by Dr. J. B. Johnston at the Association of American Anatomists held in New York, 1906 (Proc. Assoc. Amer. Anatomists, Anat. Record, April 1, 1907,). -
Printing and Writing Paper-GS-7-2021
GS-7 GREEN SEAL® STANDARD FOR PRINTING AND WRITING PAPER EDITION 6.1 JULY 12, 2013 Green Seal, Inc. • 1001 Connecticut Ave. NW, Ste 827 • Washington, DC USA 20036-5525 (202) 872-6400 • FAX (202) 872-4324 • www.greenseal.org Green Seal’s Standards are copyrighted to protect Green Seal’s publication rights. There are no restrictions on using the criteria in the design or evaluation of products. ©2021 Green Seal, Inc. All Rights Reserved July 12, 2013 PRINTING AND WRITING PAPER, GS-7 2 GREEN SEAL® Green Seal is a non-profit organization whose mission is to use science-based programs to empower consumers, purchasers, and companies to create a more sustainable world. Green Seal sets leadership standards that aim to reduce, to the extent technologically and economically feasible, the environmental, health, and social impacts throughout the life-cycle of products, services, and companies. The standards may be used for conformity assessment, purchaser specifications, and public education. Green Seal offers certification of products, services, and companies in conformance with its standards. For additional information on Green Seal or any of its programs, contact: Green Seal 1001 Connecticut Avenue, NW, Suite 827 Washington, DC 20036-5525 (202) 872-6400 • FAX (202) 872-4324 [email protected] www.greenseal.org Copyright © 2021 Green Seal, Inc. All Rights Reserved. July 12, 2013 PRINTING AND WRITING PAPER, GS-7 3 GREEN SEAL STANDARD FOR PRINTING AND WRITING PAPER, GS-7 TABLE OF CONTENTS FOREWORD ...............................................................................................................................................................4 GREEN SEAL STANDARD FOR PRINTING AND WRITING PAPER, GS-7 ..................................................5 1.0 SCOPE .............................................................................................................................................................5 1.1 PRINTING AND WRITING PAPER. -
Joseph Cornell Letters to Susanna De Maria Wilson and Other Papers
http://oac.cdlib.org/findaid/ark:/13030/c8m049xf Online items available Finding aid for the Joseph Cornell letters to Susanna De Maria Wilson and other papers Isabella Zuralski Finding aid for the Joseph Cornell 2014.M.30 1 letters to Susanna De Maria Wilson and other papers Descriptive Summary Title: Joseph Cornell letters to Susanna De Maria Wilson and other papers, Date (inclusive): 1963-1994, undated Number: 2014.M.30 Creator/Collector: Cornell, Joseph Physical Description: 2.17 Linear Feet(3 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Collection of thirty-three unpublished letters from Joseph Cornell to Susanna De Maria Wilson, one of his assistants and wife of the minimalist sculptor Walter De Maria. The letters feature poetic and philosophical musings on various topics as well as practical information about the artist's work and document aspects of Cornell's relationship with De Maria Wilson. Besides the textual content, the aestethic composition of the letters, comprising multiple envelopes frequently contained within each other, collaged elements and the inclusion of objects, produces a layered reading and viewing experience. The letters are as much a collection of collage work and mail art as they are archival documents. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English. Biographical / Historical Note The American artist Joseph Cornell (1903-1972) was a pioneer and celebrated pratcitioner of collage and assemblage art, and experimental filmmaker. -
Recycling Potential of Textile Solid Waste
Waste Management and the Environment IX 125 RECYCLING POTENTIAL OF TEXTILE SOLID WASTE MOHAMMAD FAHIM HASAN, NOWRIN MOW, MOHAMMAD RAKIBUL ALAM, SARDAR MOHAMMAD ABIR HASAN & ROWSHAN MAMTAZ Bangladesh University of Engineering and Technology (BUET), Bangladesh ABSTRACT With increasing production of textile products, textile industries (TIs) are generating a considerable amount of liquid and solid wastes which bring in many adverse impacts on the environment such as landfill occupation, contamination of air, soil, surface water, and groundwater. In Bangladesh, while prioritizing the disposal and management of textile liquid wastes, the necessity of management of textile solid wastes (TSWs) are often neglected. TSW is generated in a considerable amount but no proper management or disposal system is followed by the industries. An attempt has been made in this study to find a sustainable disposal option for TSW. The experiments were conducted throughout 2016. This research is concerned with a particular type of solid waste, very dusty in composition, generated from slitting, brushing and sueding machine in the dyeing unit of the composite TI. Using this particular type of TSW, papermaking was attempted following manual procedures. TSW at ten different ratios were added to scrap abandoned paper mixture (paper : waste = 1 : 0.25, 1 : 0.5, 1 : 0.75, 1 : 1, 1 : 1.5, 1 : 2, 1 : 2.25, 1 : 2.5, 1 : 2.75, 1 : 3, etc.) to produce papers. A pulp consistency test and different tests on produced paper e.g. basis weight, bulk, and density, book bulk, thickness, hygroexpansivity, formation, moisture, and finish were conducted according to Technical Association of the Pulp and Paper Industry (TAPPI) methods and ISO standards were followed to determine the quality of pulp and type of papers. -
Commodity Master List
Commodity Master List 005 ABRASIVES 010 ACOUSTICAL TILE, INSULATING MATERIALS, AND SUPPLIES 015 ADDRESSING, COPYING, MIMEOGRAPH, AND SPIRIT DUPLICATING MACHINE SUPPLIES: CHEMICALS, INKS, PAPER, ETC. 019 AGRICULTURAL CROPS AND GRAINS INCLUDING FRUITS, MELONS, NUTS, AND VEGETABLES 020 AGRICULTURAL EQUIPMENT, IMPLEMENTS, AND ACCESSORIES (SEE CLASS 022 FOR PARTS) 022 AGRICULTURAL IMPLEMENT AND ACCESSORY PARTS 025 AIR COMPRESSORS AND ACCESSORIES 031 AIR CONDITIONING, HEATING, AND VENTILATING: EQUIPMENT, PARTS AND ACCESSORIES (SEE RELATED ITEMS IN CLASS 740) 035 AIRCRAFT AND AIRPORT, EQUIPMENT, PARTS, AND SUPPLIES 037 AMUSEMENT, DECORATIONS, ENTERTAINMENT, TOYS, ETC. 040 ANIMALS, BIRDS, MARINE LIFE, AND POULTRY, INCLUDING ACCESSORY ITEMS (LIVE) 045 APPLIANCES AND EQUIPMENT, HOUSEHOLD TYPE 050 ART EQUIPMENT AND SUPPLIES 052 ART OBJECTS 055 AUTOMOTIVE ACCESSORIES FOR AUTOMOBILES, BUSES, TRUCKS, ETC. 060 AUTOMOTIVE MAINTENANCE ITEMS AND REPAIR/REPLACEMENT PARTS 065 AUTOMOTIVE BODIES, ACCESSORIES, AND PARTS 070 AUTOMOTIVE VEHICLES AND RELATED TRANSPORTATION EQUIPMENT 075 AUTOMOTIVE SHOP EQUIPMENT AND SUPPLIES 080 BADGES, EMBLEMS, NAME TAGS AND PLATES, JEWELRY, ETC. 085 BAGS, BAGGING, TIES, AND EROSION CONTROL EQUIPMENT 090 BAKERY EQUIPMENT, COMMERCIAL 095 BARBER AND BEAUTY SHOP EQUIPMENT AND SUPPLIES 100 BARRELS, DRUMS, KEGS, AND CONTAINERS 105 BEARINGS (EXCEPT WHEEL BEARINGS AND SEALS -SEE CLASS 060) 110 BELTS AND BELTING: AUTOMOTIVE AND INDUSTRIAL 115 BIOCHEMICALS, RESEARCH 120 BOATS, MOTORS, AND MARINE AND WILDLIFE SUPPLIES 125 BOOKBINDING SUPPLIES -
Download PDF Rendition
Ref. Ares(2015)1821197 - 29/04/2015 European Commission, Enterprise and Industry Directorate General Study on the Wood Raw Material Supply and Demand for the EU Wood-processing Industries Final Report December 4, 2013 Helsinki, Finland A11-04451 DISCLAIMER Indufor makes its best effort to provide accurate and complete information while executing the assignment. Indufor assumes no liability or responsibility for any outcome of the assignment. Copyright © 2013 Indufor All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including, but not limited to, photocopying, recording or otherwise. TABLE OF CONTENTS EXECUTIVE SUMMARY 1 1. INTRODUCTION 12 2. WOOD-PROCESSING INDUSTRIES AND BIO-ENERGY SECTOR – MAJOR RAW MATERIAL SUPPLIERS 15 2.1 Forests and other wooded land 15 2.2 Wood 24 2.2.1 EU sources 24 2.2.2 EU External Wood Trade 39 2.3 Recovered wood 43 2.3.1 EU Sources 43 2.3.2 EU external recovered wood trade 47 2.4 Recovered paper 47 2.4.1 EU collection and utilisation 47 2.4.2 EU external recovered paper trade 61 2.5 Other sources 66 2.5.1 Black liquor 66 2.6 Main issues arising on main supply sources 68 3. PRODUCTION AND DEMAND 70 3.1 Sawnwood 70 3.1.1 EU 70 3.1.2 EU external sawnwood trade 77 3.2 Wood-based panels 80 3.2.1 EU 80 3.3 Pulp 86 3.3.1 EU 86 3.3.2 External pulp trade 91 3.4 Paper and board 94 3.4.1 EU 94 3.4.2 EU external paper and paperboard trade 106 3.5 Bio-energy 107 3.5.1 EU 107 3.5.2 EU external pellet trade 119 3.6 Main issues arising on the production and demand of wood 120 4. -
The Fine Art Trade Guild Standards for Mountboard (Mat Board) and Other Boards Used in Framing
The Fine Art Trade Guild Standards for Mountboard (Mat Board) and other boards used in framing. Amended 10th June 2004 Copyright C Sumner, Fine Art Trade Guild Introduction These standards are directed to the composition, combinations, and characteristics of papers and paper-boards used in the framing of artwork, keepsakes and memorabilia. They help to give material categorisation of these to fit into the five levels of framing specified by the Fine Art Trade Guild. The objective of each level of framing is stated, with examples of the kinds of things for which that level is suitable. At present, all board that does not meet either the Cotton Museum Board standard or the Conservation Board standard will be deemed to be Standard Board and suitable for Commended, Budget and Minimum levels of framing only. The specifications for Standard Board may be further refined in due course as the quality of boards in this category vary greatly. Conservation Board is deemed to be acceptable for all levels except Museum level framing. Museum Board is deemed to be acceptable for all levels of framing. It is a prerequisite that the type of surface and texture must be specified relating to any board purporting to meet Guild Standards. If the surface is designed to accept decoration and embellishments, as in the case of Mountboard unless otherwise stipulated, it should be fit for the purpose. (FACTS Institute, USA, Test No. 6-97). International – Note that in some markets no distinction is made between Museum and Conservation Framing. In others, the terminology is reversed, i.e. -
What Colors Make up the Ink in My Black Felt-Tip Pen? to Find Out, It
What colors make up the ink in my black felt‐tip pen? To find out, it takes a little water, patience and blotting paper 1 2 In this experiment, we will copy a technique commonly used in laboratories to separate different chemicals that are present in a mixture. – in this case the ink in a black felt‐tip pen. The technique is called chromatography. When we deposit the black ink onablottingpaper,eachofits components will interact of a 3 4 different way with the paper and water. It is a kind of race where the components in of the ink finish by separating (because they do not move not all to the same speed when exposed to water), revealing the palette of colors present in a simple black felt. 1. For this experiment, Emma needs of blotting paper (from coffee filters, by example), of a pair of scissors, of two transparent glasses, a black felt pen, two paperclips, and two wooden sticks. 2. Our young chemist cuts two rectangles from the blotting paper. On the first, she draws a point. On the second, a line. Each time to about one‐half inch from the edge as on the photo. 3. It is then a question of fastening the rectangles of blotter paper onto the sticks using the paperclips. The operation is delicate and the help of a adult may prove necessary 4. Emma fills the 2 glasses with a little water, just enough for the end of the blotter paper to become wet. Then she balances the sticks on the edge of the glasses water. -
Paper Used for United States Stamps
By Paper Used For Version 1.0 Bill Weiss United States Stamps 2/12/2014 One area that seems to confuse most beginning or novice collectors is paper identification. While catalogs generally provide a brief explanation of different paper types, only the major types are included in catalog Introductions, often no detailed explanations are given, and many of the types found are only mentioned in the Introduction to the category area, ie; paper used for Revenue stamps are listed there. This article will attempt to cover all of the various papers used to print United States stamps and present them in the order that we find them in the catalogs, by Issue. We believe that way of describing them may be more useful to readers then to simply list them in alpha order, for example. UNDERSTANDING DIFFERENCE BETWEEN “HARD” AND “SOFT” WOVE PAPER Wove paper is made by forming the pulp upon a wire cloth and when this cloth is of a closely-woven nature, it produces a sheet of paper which is of uniform texture. Wove paper is further defined as being either “hard” or “soft”. Because there is a difference in the value or identification of some U.S. stamps when printed on both hard and soft paper, it is therefore very important that you can tell them apart. Pre-1877 regular-issue U.S. stamps were all printed on hard paper, but beginning about 1877 Continental Bank Note Company, who held the postage stamp contract at that time, began to use a softer paper, which was then continued when the 1879 consolidation of companies resulted in the American Banknote Company holding the contract.