DOCSLIB.ORG

Summer Issue, Vol. 16 No. 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer Issue, Vol. 16 No. 2 Table of Contents Openning Comments & Announcemen ts .... ... ... p 1-3 Poster Art by Steven Rushcfsky .. .. .... .. p A "Theatrical" Morris EvenJ by Alisa Jensen ..... p 5-6 Dancing In White by Patrice Bennet-Alder P 7-8 The Hobby Animals of N orth America .. ...... .. ... .. .... .. P 9-22 Lucy the Bear by Gwen Dandridge p 9- 10 Sally, the Sheep by Sarah Jane Gilmour p 11 Bonzo, the Hobby Cow by Nancy Winneg p 12-1 6 An Interview with Middlesex Morris' Hobby Rabbit by Lyn Mullen p 16-17 The Black Jokers' Horse by Ishmael J. Stefamov-Wagner p 18-19 "Old Dick". The Ritual Drama Team Souling Horse by Rudd Rayfield p 20-22 Volume 16, Number 1 Team News ........................... ................ ........... ........... ..... .. p 23-24 July/August 1992 COVER DESIGN: This year's summer issue coverhas been designed by Sleven Rushefsky, professional artist. and Morris Dancer with the Bonwerie Boys in «D1J)~Im ~Iml! <C~rmlDllelJlll~ New York City. American Morris Newsletter is published three times a year in March/ Something about certain perfonnances, or even particular dances, seems April. July/August, and November/December. Supplements include the Annual to mesh perfectly. As a dancer you come away feeling everything - the Directory of Morris Sides in North America and the AMN Reprint Series. music, the dancing, the audience - clicked; everything went perfectly. These Subscription rates are $1O.00/year or S17.00/ two year subscription for an cathartic experiences, of the group dancing as one, are what keep us coming individual, or, at a bulk rate of S8.50/year for a minimwn of six copies mailed back time after time after time. Like lovemaking, dancing can sometimes to the same address. Overseas subscribers add $4.00. All checks should be in USA currency, made payable to. and mailed to: American Morris slip into just a regular routi ne. It's the "occasional orgy" (apologies to Newsletter, c/o James C. Brickwedde. 3101 11th Ave. SOUlh. Minneapolis. Graham Greene) , the non-routine effort, that creates new levels of Minnesota 55407-1607; (612)721 -8750. excitement Editor of the Newslener is James C. Brickwedde. Production Assistant is Kay I and my sidemates, Ramsey's Braggarts, had the pleasure of attending Lara Schoenwener. Regional Editors include John Dexter (NY), Alisa Jensen the London Ale this year. Wi th borrowed music (Alistair Brown, Thames (CA). John Mayberry (Ontario), Adam Moskowitz (MA), Jocelyn Reynolds Valley and Alan Dodson, Ann Arbor), we particjpated in a delightfully paced (MA), and Ken Smith (WA). Covers redesigned in 1992 by Lisa Friedlander of weekend of dancing. In front of the Stratford Theatre there was a point Minneapolis, building upon the original designs of Barbara Prentice-O'Rourke where everything clicked - the dancing, the set ensemble, the music, the of Bampton. England. audience, the camaraderie of fellow morris dancers, and a glimpse at a future ADVERTISING: The rear jacket is reserved for non-profit organizations generation of morris on the continent. My complimeDls to the Ale hosts supplying services and mater ials to the morris d ance com munity. and feUow guests for a very wonderful time. Il is moments like that that AnnoWlcements regarding workshops, dance events etc. are printed as a co urtesy keep us all dancing. to the morris community. COMMERCIAL Rates are $40.00 (USA) full page; $25.00 (USA) half-page; $15.00 (USA) quarter page. Here's hoping for those created moments for all. BACK ISSUES: Back issues of selected Newsletters are av ailable for $1.00 a copy (pos tage included). Vol. 1 thru Vol. 6 is only available as a photocopied bound book for $17.00 (postage included unless overseas where charge is per destination.) -- J American Morris Newsletter page 2 of 25 American Morris Newsletter page 3 of 2S privilege at a silent auction at Pinewoods Camp back in the late seventies. lIm '!1'1hlll~ IImllliDlE The other two individuals gave their lives as senior editors of AMN for more years than maybe they cared to have given - someday I'll ascend to this calegory. Hobbies - as in Hobby Horses, Cows, Rabbits, etc. - are the feature th is So, how many of you reaUy read this fine print anyway? How much issue. A MN asked morris sides around the continent to provide a history of mail can this request generate? How much would a life subscription be the reasons for the selection of their panicular hobby animal, the role it worth'! Send your postcards with your thoughts (they must be clean) to the plays at dance events, and any special construction features that might be editor. useful to other builders. Thank you to all those sides that provided the short features on their sides hobbies. AMN regional editor Alisa Jensen has contributed a piece on "theatrical M~ll'(!'ilm am New ~alnlllD~ morris" in the Bay Area. Patrice Bennet-Alder writes a very sensitive piece on the morris and the AIDS Memorial Quilt. Thank you to all who Lake AMN recently was contacted by the New Zealand Morris the rime to contribute. Sphere. It is the Newsletter's counterpart in that country in the far Enjoy the remaining weeks of the summer. southern reaches of the globe. Ifanyone is interested in being in contact and Cheers! finding what it Lakes to receive a copy, write to: Alison Knight, Editor, New Zealand Morris Sphere, 11 Greer Cres., Tawa, Wellington, New Alb<Dmn illli ~ <C@nll' Zealand. In the continuing tradition of inviting Morris anisLS to design the cover of the summer issue.AMN invited Steven Rushefsky of New York City to do this year's honors. Steven bas been dancing since 1977. His Morris childhood was spent in Binghamton with the Binghamton Morris Men. In 1979, he was among the founding members of the Bouwerie Boys in NYC with whom he continues to grace sets. He is an artist, painting and drawing works on paper. Recent training in 3D Computer Model-Making has resulted in an interest in painting 2,3 and 4-sided boxes. (Flat work on 3D boxes.) Ru, as all call him, supports himself as an Art Director. His public has reason to suspect his brain waves are being affected by continued computer study. Thanks from all al AMN! ~memn4~mG lFw ~Ilile IEtilM@I!' At the end of a recent note LO the Editor, Sarah Strong wrote, "P.S. have you ever considered offering lifetime subscriptions?" After an initial reaction of "G-- forbid!", a certain amusing thought popped imo my head. What WOULD a life subscription to AMN be really wonh? What do readers REALLY feel about receiving A M N •til death do you part? Now mind you, three people already receive a life subscription to the newsletter. The very first, a prominent CDSS personality, paid for the o of o American Morris Newsletter page 5 25 "­ A "Theatrical" Morris Event 3 ~ . Alisa Jensen ;;.... Mayfield Morris ~ ~ ;n" Last fall I participated in a unique morris "event" (111 use that for lack "~ of a better one-word description!) and think it deserves some documentation ~ t;l before Ihe memories fade any further. It began in Ihe summer of 1991, wilh 5" g the return of Jocelyn Reynolds to San Francisco. Jocelyn is a West Coast .. dancer studying morris with Dr. Tony Barrand at Boston University. She ~ came borne for a few months to study, pursue interviews, reach at dance ~ camp -- and renew some friendships. One of her friends, Carmen Hennida, works as an adminislrative assi.stant for the Lamplighters, a popular GiJben and Sullivan theater company in San Francisco. The company was working on ways to increase their audience on Friday nights and Sunday matinees. Carmen and Jocelyn came up with a plan to produce a "green show" (some lheateT before the main play) composed of morris dances on selected Fridays and Sundays. The upcoming production in October was to be "Ruddygore" ­ - the perfect Halloween selection. since it deals in ghosts. Jocelyn's tasks were not easy: First.. she had to find morris dancers who would look reasonable together and who were willing to commit to several months of rehearsal and a month of perfonnance -- for no money. She found eight dancers besides herself and a musician, though we lost a dancer to injwy dwing rehearsal. We were a mixed side. Seven of us were from local Bay Area sides (Berkeley, Mayfield. Deer Creek) and two were not cwrently on a side but had illustrious morris pasts! Second, she had to decide what tradition to use to unify our disparate experience. She chose to teach us something none of us knew: Duns Tew, a new tradition that Jocelyn learned at Sidmouth in 1988 from Scratch Manis. It was a great choice - it was not hard to learn, and our lack: of (J'J previous knowledge of it avoided the ubiquitous moms whloe, "bul that's r:w o / . I nOl how we do it ... "! ...... r/ ...'--. :::... ..--J c:: We practiced every Sunday through August, September and part of """t 0­ »~ October at the Lamplighter's !beater in San Francisco. OnJy two of us r:w actually live in San Francisco, so lhat meant a commute for the rest of us, ~ Zo eilher figbting traffic across the Bay Bridge or traveling 30 miles up the c:: O;N peninsula from Palo Alto. Besides the Duns Tew dances, we learned the - ShTOpshire Bedlams' border Morning Star. This provided variety (and :l ft) Z:;v challenge -- iL wasn't easy to learn!) We spent extra Lime being ..... photographed and measured for costumes. And. in time-honored morris (,Jl CJ(7) fashion. we hit the local pub after practice.
Load more

Recommended publications
  • Es & the Language Centre
    DEPAnT:lm,;T OF FOLKLOr.E MeUlorial Uniycr~ity of ?\cWfo\uHUand The journal of The Survey of Language and Folklore The University of Sheffield Departments of ~~~~~S~u~~7~~~~es & The Language Centre DEPART~Ir::XT OF rOL!{LOaE Memorial Univcr::;lty of )l"c-,',follnJ!and Editorial Launching a new jo urnal is at best a risky business, not least at a time of economic stringency. It was with high ho pes, t ho ugh wit h some misgiv ings, t hat t he Survey of Language and Fo lklore first decided to publish Lore alld Language in July 1969. Si nce then t he journal has established itself in the small but select. field of similar publications, and has a steadil y increasing circulation not only in the British Isles but also elsewh ere in Europe, North America and beyond. Our policy is to publish articles, notes and queries on the full range of cultural tradition, concentrating on language and folklore as topics of central concern . A journal o f this kind offers a unique opportunity for the exchange of information o n t he extremely wide-ranging aspects of cultural tradition. It also offers younger writers, as well as those o f established reputation, a chance to ma ke their views known. Indeed, one o f the most heartening developments in the journal has been the response of both the established and t he lesser known writers who have contributed material for publication and so in­ creased the continuing d ialogue bet ween all of those concerned with these kindred fi eld s of research.
    [Show full text]
  • Distant Book
    A Distant Land to Roam Anglo-American songs and tunes from Texas to Maine MTCD516 1 Mountain Rangers Mellie Dunham’s Orchestra 2 Oh Molly Dear B F Shelton 3 Mountaineer’s Courtship Mr & Mrs Ernest V Stoneman 4 Wild Hog in the Woods Lonesome Luke & His Farm Boys 5 Ethan Lang Emry Arthur 6 Old Molly Hare Riley Puckett 7 Cat Man Blues Blind Boy Fuller 8 The Two Sisters Bradley Kincaid 9 Silly Bill The Hill Billies 10 The Fox Hunter’s Song Will Starks 11 Soldier, Will You Marry Me? Riley Puckett 12 Jimmie and Sallie The Dixon Brothers 13 The Export Girl Louisiana Lou 14 Hop Light Ladies Ernest V Stoneman and the Dixie Mountaineers 15 Two Babes in the Woods The Red Fox Chasers 16 Darby’s Ram Bascom Lamar Lunsford 17 Tom Sherman’s Barroom Dick Devall 18 Money Musk Medley John Batzell 19 Fair Ellen Bradley Kincaid 20 Little Glass of Wine The Stanley Brothers 21 Soldier’s Joy Taylor’s Kentucky Boys 22 The Railway Flagman’s Sweetheart Frank Jenkin’s Pilot Mountaineers 23 Leather Breeches Gid Tanner and His Skillet Lickers 24 The Nick Nack Song Ridgel's Fountain Citians 25 Wind the Little Ball of Yarn The Southern Melody Boys A Distant Land to Roam to America by the early European settlers. And so I approached Rod Stradling, suggesting that we might Anglo-American Songs & Tunes issue some of these recordings so that they could from Texas to Maine become better available to a British audience. The result is A Distant Land to Roam, a show case for twenty-five of the greatest recordings ever made of Introduction.
    [Show full text]
  • The Folk Interlude: Dramatic Aspects of Traditional Games, Gambols and Songs
    Folk Drama Studies Today - International Traditional Drama Conference 2002 The Folk Interlude: Dramatic Aspects of Traditional Games, Gambols and Songs Thomas Pettitt (This is a prose version of the conference presentation, which was based on notes: it includes some material omitted on that occasion to comply with time constraints. There are also one or two adjustments in response to points raised in discussion. The “Appendix” referred to is identical with the circulated handout.) This paper represents a shift in my work on traditional drama, or perhaps a return to an aspect glanced at many years ago and since neglected. A lot of my work - most of my presentations at these conferences; most of my publications in this field (cf. the bibliography at the beginning of the appendix) - has been on the mummers' plays: on the history, or indeed on the origins of the mummers' plays. I have now taken this line of thought as far as it can go on the basis of currently available historical evidence, and published my finding in their latest form in item 12 in the bibliography (in the journal Medieval English Theatre): the mummers' plays were born when a cluster of traditional, seasonal, perambulatory shows (it is convenient, but inaccurate, to call them “mummings”) acquired a distinctly dramatic item - let's call it the “play” - probably sometime in the late-sixteenth or early seventeenth century. A mummers' play is a mumming with a play in it (except that it's not really a mumming and not really a play). But I have not come here today to argue that thesis anew: Rather to move on to the history of traditional, dramatic performances occurring under customary auspices other than the seasonal perambulation/house-visit.
    [Show full text]
  • Morris Matters Vol 20 Issue 1
    Volume:20 Number 1. orris' allers MorrisMatters. Volume 20. Number1 Januan,2001 Contents of Volume 20, Number 1 Useful source material ( 1) 3 Oxford Dictionary of Folklore - review by Roy Dommett What I Did on my Holidays - a Sidmouth Review 6 by Rhian Collinson Eight Days Wonder - in print 8 Tradition from the Bare Bones 9 by Chas Marshall Beyond the Black Book with Berkshire Bedlam 17 by Jameson Wooders Pub Morris 22 Useful source material (2) 23 Chipping Campden - collected comments by Keith Chandler Letters 27 Morris Matters is published twice a year by Beth Neill 27 Nortoft Road, Chalfont St Peter, Bucks SL9 OLA; phone 01494 871465 Subscriptions are £5 for two issues (EU countries; or £7 outside these areas) published in January and July. Please make cheques or postal orders payable to Morris Matters Thanks to Jill Griffiths for help in checking text and to Steve Poole for getting it all printed out OK. MorrisMatters. Volume 20. Number 1 Januan,2001 EDITORIAL This issue we are trying something new - colour pictures. It all started when I realised that one of the featured teams would not come out very well in black and white (see the pictures and you'll see why!) so - into the unknown with colour reproduction. Thanks to Jeff Bates, Chas Marshall and Malcolm Major for supplying the pictures in various formats; I have had to learn all about the differences ( or not) between jpg and tif files and discover which ones just cause my printer to give up in despair. Having said that, now the process has been set in motion, if any other teams would like a bit of self-profiling and have got some good photos - especially if you go back a few years ..
    [Show full text]
  • Wassailing in South Yorkshire
    Wassailing in South Yorkshire RUAIRIDH GREIG Seasonal house-visiting customs are a fascinating part of our traditional popular culture. The formal visit to a house by an individual or group at a “special” time of year, with some form of performance, ranging from the most complex mummers’ play or sword dance to the simplest rhyme, has been found throughout these islands and beyond, with evidence dating back to at least the eighteenth century. Those customs that have attracted most scholarly attention have, naturally, been those showing the most complex characteristics. The mummers’ play with its variety of characters, substantial text, use of costume and disguise and dramatic action is the prime example, having received more scholarly attention than any other. The intrinsic interest of the mummers’ play has made it the target of many far-fetched theories of origin which have in recent times been largely discarded. It was partly with the intention of challenging these theories that I embarked on my study of seasonal house visiting customs in 1973.1 I was interested to find more about the whole genre – to see how different types of house-visit might be distributed and co-exist in a defined geographical area, within South and West Yorkshire, and how their success or failure could be influenced by external factors such as audience reaction, settlement patterns, and topographical features. Data was gathered through postal questionnaires, through local schools and appeals in local newspapers and on local radio. By far the most successful means of gathering information was by personal visits to the selected communities and talking to people whenever and wherever they could be found.
    [Show full text]
  • No. 56 WINTER 1999 Seasons Greetings Dore Old School 49 Days to the Millennium Victorian Market INSIDE
    !DOOR DORE VILLAGE SOCIETY No. 56 WINTER 1999 ISSN 0965-8912 Seasons Greetings The committee of the Dore Village Society would like to take this opportunity to send seasons greetings to all members of the society and readers of DORE to DOOR, wherever you might be. Dore old school Dore Old School has served the village of Dore for nearly 300 years. Now a Grade II listed building, it continues to serve the community through a rich variety of activities, enjoyed by groups of all ages. The Dore School and Charity Land Trust holds the school on behalf of the community and comprises 5 trustees including the local \ .~ vicar, who is a permanent and ex-officio '. ~ member. ,~ ":T, Most of our readers will know by now that the Old School is soon to be restored, refurbished and extended under an ambitious plan to preserve and enhance its usefulness as a centre of community activity, well into the 21st century. View of the Old School by Brian Smith, on sale in aid of the Old School Appeal. As part of the fund-raising effort in support of that plan, the Old School Appeal has commissioned professional artist Brian Smith the macro and micro level, with the love of to produce a superb watercolour painting 49 days to the millennium Jesus Christ. So the Millennium, on the one depicting the Old School, sitting in the very hand, is not particularly important; on the heart of the village, with the King Ecgbert The year 2000 is only 49 days or so away. other hand, it is an opportunity for a new start.
    [Show full text]
  • Pageant for Leith Hospital, in Edinburgh
    1 ACTA ACADEMIAE REGIAE GUSTAVI ADOLPHI 98 2 sid2 3 ACTA ACADEMIAE REGIAE GUSTAVI ADOLPHI XCVIII Masks and Mumming in the Nordic Area Edited by Terry Gunnell UPPSALA 2007 Kungl. Gustav Adolfs Akademien för svensk folkkultur 4 Printed with grants from The Joint Committee of the Research Councils for the Humanities (NOS-H) The Nordic Culture Fund Letterstedtska föreningen © The respective authors and Kungl. Gustav Adolfs Akademien för svensk folkkultur 2007 ISSN 0065-0897 ISBN 978-91-85352-70-8 Printed in Sweden 2007 Textgruppen i Uppsala AB 5 In memory of HERBERT HALPERT and GEORGE M. STORY 6 7 Contents List of maps and figures . 11 Foreword . 21 Bengt af Klintberg Acknowledgements . 23 Abbreviations . 25 Introduction . 27 Terry Gunnell I: NATIONAL AND AREA SURVEYS OF MUMMING Masks and Mumming Traditions in Norway: A Survey . 47 Christine Eike Masks and Mumming Traditions in Sweden: A Survey . 107 Eva Knuts (trans. Sue Glover Frykman) Masks and Mumming Traditions in Denmark: A Survey . 189 Carsten Bregenhøj and Hanne Pico Larsen Masks and Mumming Traditions in the North Atlantic: A Survey . 275 Terry Gunnell Masks and Mumming Traditions in Finland and Karelia: An Introductory Survey . 327 Urpo Vento (trans. Susan Sinisalo) Masks and Mumming Traditions in Estonia: A Survey . 367 Ülo Tedre (trans. Maris Leponiemi) Masks and Mumming Traditions in Greenland: A Survey . 449 Adriënne Heijnen 8 II: ARTICLES Themes in Masks and Mumming Talking About the Talking Masks of Ærø . 485 Hanne Pico Larsen Disguise as Ritualised Humour in Norway, Past and Present . 497 Christine Eike Eros in Disguise: Eroticism in Mumming Interaction .
    [Show full text]
  • A Note from the Chairman
    Whitefaced Woodland Sheep Society Newsletter 69 – March 2010 Chairman’s Message entries forward) carries with it the now usual high costs of inspection by RBST and DNA testing. Woody weather!! The RBST Hill Flock Register is not what we Deserves comment doesn’t it? If only in general want at all, and indeed, we are rather pointedly commiseration with all of us longing to see the excluded from any participation in it whatsoever. colour green return to the landscape and a fresh bite for our long suffering ewes. And after all So, our Society’s committee, now nine strong, that lovely flushing grass in the autumn as well, resolved last month, to continue with our “hill now a distant memory. Still, on the bright side, register” as it was called when started last year, any barrens will be welcome down at the market but to re brand it the Register of Whitefaced with “strong woodlands” making £64 plus at Woodland Sheep. Our Register will continue to Bakewell last week, beating “meated swales” be open to tups (from their second year of birth) which were at £50. Strong woody ewe lambs and ewes (any age) drawn from any flock. Sheep were selling at £72 in Leek towards the end of the will be subject to inspection (free of charge for autumn store and breeding sheep sales, with the time being) by two nominated inspectors (one lesser late born lambs reaching £45. of whom will be a senior inspector) with the criteria for acceptance being achieving a superior Woodland register grade within the card grading system.
    [Show full text]
  • Interim Bibliography by Paul Smith
    TRADITIONAL DRAMA: WORKING BIBLIOGRAPHY Paul Smith BIBLIOGRAPHIES AND FINDING GUIDES WWW SITES PERIODICALS DEFINITIONS, THEORIES AND METHODOLOGY - The Revival - Modernity ANALYSIS BIOGRAPHIES - Maurice Willmore Barley (1909-1991) - Charles Read Baskervill (1872-1935) - James Madison Carpenter (1888-1954) - Sir Edmund Kerchever Chambers (1866-1954) - Herbert Halpert (1911-2000) - Alex Helm (1920-1970) - Robert Morton Nance (1873-1959) - Thomas Fairman Ordish (1855-1924) - Reginald John Elliott Tiddy (1880-1916) BRITISH TRADITIONS - Hero/Combat - England - Scotland - Ireland - Individual Traditions - Ampleforth - Antrobus - Papa Stour - Revesby - Symondsbury - Sword Dancing - Early Accounts of Mummers' Plays (Pre 1800) - Ritual Animal Disguise - Dorset Ooser - Hobby Horse - The Hooden Horse - The Mari Lwyd - The Old Ball - The Old Horse - T'Owd Tup - Chapbooks - St. George, The Seven Champions, etc. - Robin Hood Plays, etc. THE CALUSARI: ROUMANIAN HOBBY HORSE Page 1 of 178 TRADITIONAL DRAMA: WORKING BIBLIOGRAPHY Paul Smith AUSTRALIAN IMMIGRANT TRADITIONS NORTH AMERICAN IMMIGRANT TRADITIONS - British/North American Traditions - Boston - Caribbean - Kentucky - Philadelphia - Newfoundland - Nova Scotia - Canadian - Misc. - African-American Traditions - John Canoe Festival - Jewish - Los Pastores and Spanish-American Traditions - Belsnickling - Sernatin - Julebukking (Norwegian) - Mock Weddings NATIVE AMERICAN TRADITIONS OTHER REGIONAL TRADITIONS - African - Asian - Chinese - Japanese - Indian and Ceylon - European - Greek - Russian THE WREN
    [Show full text]
  • Of Christmas Country Customs an a - Z O F Ch R I S T M a S Co U N T R Y Cu S T O M S Cavan Scott Explores the Origins of Our Festive Traditions
    Festive cheer An A-z of CHristmAs Country Customs AN A - Z OF CHRISTM A S COUNTRY CUSTOMS Cavan Scott explores the origins of our festive traditions. Some are familiar, some forgotten, but many still take place throughout the countryside, bringing communities together at Christmas IS FOR A SHEN F A GGOT This West Country tradition, which still takes place in pubs across Somerset and Devon, is a localised version of the Yule log and has strong Pagan connotations. Originally a fertility rite, the faggot is a bundle of green ash sticks bound together with nine bands of hazel. On Christmas Eve it is burnt on a fire created by the last remnants of last year’s faggot. When each band breaks in the homes, a toast goes up and cider is glugged. Over time, many of the traditions from old religions were Christianised, and this is no different; the use of the ash was sanctified to represent the wood Mary used to warm the infant Jesus. IS FOR BO A R ’S HE A D For a medieval lord, no Christmas dinner was complete without the entrance of the boar’s head, presented with an orange or apple in its mouth. The tradition came to Britain with the Viking invaders, where it was served in honour of the heroes of Valhalla and in praise Illustrated London News/Mary Evans Picture Library of the Sun Boar. Today the tradition carries on at Queen’s College Oxford, with the boar’s head being presented on the same silver platter as it has (opposite page) been since 1668 and accompanied with a special rendition of the Boar’s Head Carol.
    [Show full text]
  • THE COUNTRY DANCER WINTER RITUALS Editor: May Gadd
    THE COUNTRY DANCE SOCIETY OF AMERICA C.D.S. NATIONAL COUNCIL THE President: Mrs. Richard K. Conant, Lincoln, Mass. Vice Presidents : Nati·onal H.Q. Area: Mrs. Frederic W. Bancroft, New york, N.Y. Eastern Area: Mr. E. Leland Durkee, Bethlehem,Pa. COUNTRY Central Area: Mr. James B. Rosser, Winnetka, Ill. Southern Area: Mr. Frank H. Smith, Berea, Ky. Western Area: Dr. Mooshy Sergis, Stockton, Calif. At Large: Dr. Raymond F. McLain DANCER Treasurer: Mr. Benjamin Harrow, New York, N.Y. Secretary: Mrs . Mireille Backer, New York, N.Y. General Membership Representatives: Miss ~orwood Baker, New York, N.Y. 1952-1955 Miss Elizabeth Balmer , Washington, D.C. 1952-1955 Mr. Georg Bidstrup, Brasstown, N.C. 1954-1957 Mr. James S. Brown, Lexington, Ky. 1952-1955 Mr. Duncan Hay , Concord, Mass. 1952-1955 Mr. Robert H. Hider, Glen Ridge, N.J. 1953-1956 Dr. John M· Ide, Quaker Hill, Conn. 1954-1957 Miss Katherine L. Jacobs, Boston, Mass. 1954-1957 Mrs. Charles M. Judson, Old Greenwich, Conn. 1953-1956 Mrs. Max K. Sellers, New Milford, Conn. 1953-1956 Dr. Edward W. Shrigley, New Augusta, Ind. 1954-1957 Dr. George Zimmerman, Bryn Mawr, Pa. 1954-1957 Auditor: Mr. Leo L. Leuw, Certified Public Accountant, New York In addition to the officers and twelve members who are elected by the general membership, the Council also includes twelve repre­ ... sentatives of c.r.s. Centers, elected by the Centers themselves . C.D.S. EXECUTIVE COMMITTEE Appointed by the National Council, for three-year terms. Members of the Executive Committee must reside in the Headquarters Area, in order to attend the monthly meetings in New York.
    [Show full text]
  • Volume-5-Number-5.Pdf (Link Is External)
    The Morris Dancer (Online) ISSN 2056-8045 The Morris Dancer Being an occasional publication of the Morris Ring Volume 5, Number 5 September 2017 98 THE MORRIS DANCER Edited, on behalf of the Morris Ring, by Mac McCoig 8 Redhills, Eccleshall, Stafford, ST21 6JW 01785 851052 [email protected] Volume 5, No. 5 September 2017 Contents: Editorial Page 100 The Oxford University Morris Men 1899 – 1914 Part Two (Continued from MD Vol 5 No. 3 Nov 2014) Roy Judge (1970) Page 101 The Golden Bough, Mumming and St George Julian Whybra Page 103 Thomas Slye, Kemp’s Pipe and Taborer Julian Whybra Page 123 Book Reviews: Page 126 The History of Morris Dancing 1458-1750 by John Forrest. Review by Brian Tasker Cover picture: Front Cover of The Esperance Morris Book Part 2 by Mary Neal (1911) At the 2014 Jigs Instructional, the three Editors agreed to remind readers what sort of material would be accepted for each Ring publication. In the case of The Morris Dancer, it is any article, paper or study which expands our knowledge of the Morris in all its forms. It is better that the text is referenced, so that other researchers may follow up if they wish to do so, but non-referenced writing will be considered. Text and pictures should be forwarded to: Mac McCoig, [email protected] 01785 851052 99 Editorial The Golden Bough, Mumming and St George Julian Whybra’s interesting article on Mumming and St George fans a spark into the much-derided works of Sir James George Fazer.
    [Show full text]