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Volume-04 ISSN: 2455-3085 (Online) Issue-05 RESEARCH REVIEW International Journal of Multidisciplinary May-2019 www.rrjournals.com[UGC Listed Journal] Shakti Worship, Shaktipithas and Seats of Solanki Period in Gujarat Dr. Vanrajsinh Chavada (M.A , Ph.D.) ________________________________________________________________________________________________________ 1. Introduction The copperplate inscriptions of the Maitraka period When archaeological material was available only to a contain references to serveral temples of Goddesses such as small extent, the early scholars in Gujarat tried to trace Pandura and Kottammahika at Trisangamaka, the earliest antiquity of the prevalence of Shakti-worship in Gujarat mainly references belonging to the reign of King Dronsinha (circa 500 based on the traditional accounts. Many of them were given in to 520 A.D.). the purans or puran-khandas of late origin, while some others were transmited orally through generations. Thus, epographic references allude to the prevalence, of th goddess-temples in Gujarat since 6 cent.A.D. The prevalence of shakti-worship in Gujarat probably received an impetus from Devi-mahatmya given in The evidence of sculptural remains in the form of Markandeya Puran. The origin of the worship of the Goddeess goddesses leads us to trace the antiquity of Shakti worship in in Gujarat can be traced to the primitive tribe of the Bhils and Gujarat still earlier. Excavations at Amerli have yielded two nd that it received further impetus through the Nagars and Jadeja icons of goddesses. The earlier one dated to 2 cent.A.D., is a Rajputs. However, he could not trace any evidence for its fragmentary stone-bust of a goddess holdinga spear in her prevalence in Gujarat before 1000 A.D. -
Narrating North Gujarat: a Study of Amrut Patel's
NARRATING NORTH GUJARAT: A STUDY OF AMRUT PATEL’S CONTRIBUTION TO FOLK LITERATURE A MINOR RESEARCH PROJECT :: SUBMITTED TO :: UNIVERSITY GRANTS COMMISSION :: SUBMITTED BY :: DR.RAJESHKUMAR A. PATEL ASSOCIATE PROFESSOR SMT.R.R.H.PATEL MAHILA ARTS COLLEGE, VIJAPUR DIST.MEHSANA (GUJARAT) 2015 Preface Literature reflects human emotions, thoughts and expressions. It’s a record of activities and abstract ideas of human beings. The oral tradition of literature is the aspect of literature passing ideas and feelings mouth to mouth. I’ve enjoyed going through the precious and rare pieces of folk literature collected and edited by Amrut Patel. I congratulate and salute Amrut Patel for rendering valuable service to this untouchable, vanishing field of civilization. His efforts to preserve the vanishing forms of oral tradition stand as milestone for future generation and students of folk literature. I am indebted to UGC for sanctioning the project. The principal of my college, Dr.Sureshbhai Patel and collegues have inspired me morally and intellectually. I thank them. I feel gratitude to Nanabhai Nadoda for uploding my ideas and making my work easy. Shaileshbhai Paramar, the librarian has extended his time and help, I thank him. Shri Vishnubhai M.Patel, Shri R.R.Ravat, Shri.D.N.Patel, Shri S.M.Patel, Shri R.J.Brahmbhatt, Shri J.J.Rathod., Shri D.S.Kharadi, B.L.Bhangi and Maheshbhai Limbachiya have suppoted me morally. I thank them all. DR.Rajeshkumar A.Patel CONTENTS 1. Introduction: 1.1 North Gujarat 1.2 Life and Works of Dr.Amrut Patel 1.3 Folk Literature-An Overview 2. -
Issue 06 | Sept 2015 Since 1987
Issue 06 | Sept 2015 Since 1987 Derek Quaid Derek Quaid from United States is an ardent traveller for the last decade, often shunning the regular itineraries for untreaded ones. His travels have taken him across many borders in South East Asia, Africa and Australia apart from his own backyard trips in United States. He admits, that by far, nothing has raised the bar more than India, where experiences on the road are concerned. In 2013, while on the temple trail of South India, he realised that there was certainly more fun in veering off the usual and taking a peek into the local life of coastal India instead of the enormous history laden temples, which he soon lost interest in. It was the mundane, usual and absolutely ordinary things that struck him as unique. Like the art of drinking coconut water with a straw – ingenuity at its best. So on the rest of his South India sojourn, Derek downed many a water filled coconuts.Besides, who could resist the bright red straws to slurp the water from? This picture summed up his love for coconut water, which pervaded more than just the palate – it is a love story that has overtaken his heart. It was a hot afternoon in Chennai, when Derek struck a conversation with a coconut seller, who told him to add Mamallapuram to his trip to Pondicherry – a suggestion he is ever thankful for. NUDGE THE STORYTELLER IN YOU TO SUBMIT A PHOTOGRAPH FROM YOUR TRAVELS AND WIN A TRIP TO EXPLORE THE MARVELS OF INDIA. SOUTH INDIA SPECIAL click here to submit Photo Location : Mylapore, Chennai Away from the urban sprawl of development in the cities, there is only one thing on many travel enthusiasts’ mind – where do I head out to refresh and reclaim my peace of mind. -
Review of Architectural Heritage of Gujarat by Miki Desai and Madhavi Desai
Review of Architectural Heritage of Gujarat by Miki Desai and Madhavi Desai. Gandhinagar: Commisionerate of Information 2012 This is a jewel of a book. Its photographs simply take one’s breath away as the realization sinks in of the history that lies about us in the monuments recorded here so accurately and lovingly. Temples and mosques emerging from the brown earth, the rounded huts of the Banni in Kutch, the interlacing carved woodwork in the havelis, the charm of elaborate chabutars or bird feeders—the richness is dazzling. The photographs taken by the authors invite general readers to pause and stare at all this while they gently and unobtrusively tell us about what we see, drawing our attention to the way in which these structures reflect the geography and culture of the groups that produced them. Fine drawings of building plans accompany, in many cases, the utterly beautiful photographs. They start with an era which clearly had town planning, Lothal and Dholavira, part of the Indus Valley Civilization, and move on to early forms of dwellings that survive among rural communities in villages, where houses are built without artisans and adorned by the people who live in them. Then come the towns, and history as we know it enters through more complex buildings as one age gives way to another. Buddhist caves of the 4th century offer a surprise in the form of columns that look familiar, till one realizes they are Graeco-Roman in style and probably derive from Gandhara art after Alexander’s invasion. We pass then to the medieval period of kings and patronage and elaborate places of worship: the 10th century temples of Polo, a city now abandoned, and the 11th century sun temple at Modhera. -
World Heritage Sites in India
World Heritage Sites in India drishtiias.com/printpdf/world-heritage-sites-in-india A World Heritage Site is a place that is listed by UNESCO for its special cultural or physical significance. The list of World Heritage Sites is maintained by the international 'World Heritage Programme', administered by the UNESCO World Heritage Committee. The United Nations Educational, Scientific and Cultural Organization (UNESCO) seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity. This is embodied in an international treaty called the Convention concerning the Protection of the World Cultural and Natural Heritage, adopted by UNESCO in 1972. India has 38 world heritage sites that include 30 Cultural properties, 7 Natural properties and 1 mixed site. Watch Video At: https://youtu.be/lOzxUVCCSug 1/11 United Nations Educational, Scientific and Cultural Organization It was founded in 1945 to develop the “intellectual and moral solidarity of mankind” as a means of building lasting peace. It is located in Paris, France. Cultural Sites in India (30) Agra Fort (1983) 16th-century Mughal monument Fortress of red sandstone It comprises the Jahangir Palace and the Khas Mahal, built by Shah Jahan; audience halls, such as the Diwan-i-Khas Ajanta Caves (1983) Archaeological Site of Nalanda Mahavihara at Nalanda, Bihar (2016) Remains of a monastic and scholastic institution dating from the 3 rd century BCE to the 13th century CE. Includes stupas, shrines, viharas (residential and educational buildings) and important artworks in stucco, stone and metal. Considered to be the most ancient university of the Indian Subcontinent. -
Water As a Natural Resource, Cultural Heritage and Tourism Attraction in India
ISSN 2052-0018 (print) Geographical Locality Studies – June 2013, Volume 1, Number 1. pp. 80–99. ZOLTÁN WILHELM PhD, habilitated Senior Lecturer Head of Department for General and Applied Environmental Geography and Director of the Asia Centre at the University of Pécs, Faculty of Sciences, Institute of Geography [email protected] Water as a Natural Resource, Cultural Heritage and Tourism Attraction in India Abstract The present study aims to discuss a social heritage that is based on a commonly utilised natural resource. The natural resource, in this case, is the groundwater and the infrastructure is the groundwater exploiting facility. This type of infra- structure is much more than a simple well or water extracting facility: it is part of the social heritage. This heritage appears through those wonderful stepwells out of which, luckily millions can still be found in the dryer, northwestern parts of India. As everyone knows, India is outstandingly rich taking into consideration its tourism attractions. Its natural and manmade attractions are incomparable. These attractions, at the same time, are exploited with an extremely low efficien- cy. Compared to other countries outstanding in tourism or in other aspects of world economy, the country significantly lags behind in terms of the internation- al inbound tourism. In addition to the presentation and a more effective market- ing of the stepwells of India—as well as the broadening of the tourism supply— the visitors could come to know such a traditional, sustainable water manage- ment method which, with its breath-taking art implementation, draws attention to the importance of the planet Earth’s ever decreasing natural resources. -
(Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session
Adv. No. 1/2019 Cat. No. 01, Junior Engineer (Electrical) (Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session Q1. निम्ि शब्द का पर्ाार्वाची शब्द बताइर्ᴂ | िेत्रजल A. दाख B. विलोचन C. आँसू D. अंशू Q2. निम्ि शब्द का ववपरीत (ववलोम) अर्ा बताइर्ᴂ | भाव A. प्रभाि B. अभाि C. स्िभाि D. अहमभाि Q3. िीचे ललखᴂ गर्े शब्द का एकवचि बिार्ᴂ| आररर्ⴂ A. आरी B. अरर C. आरर D. आररर Q4. िीचे ललखᴂ गर्े शब्द का बहुवचि बिार्ᴂ। पत्र्र A. पत्थरौ B. पतथरⴂ C. पत्थरⴂ D. पतथ्रⴂ Q5. िीचे ददर्े गर्े मुहावरे का उचचत अर्ा बतार्ᴂ | दीि दनु िर्ा से जािा A. कही का न रहना B. मर जाना C. घर से भाग जाना D. दखु ी होना Q6. __________ is the synonym of "INSANE." A. Sensible B. Insecure C. Foolish D. Meaningless May 1, 2019 Page 1 of 24 Adv. No. 1/2019 Cat. No. 01, Junior Engineer (Electrical) (Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session Q7. __________ is the antonym of "UNIQUE." A. Common B. Only one of a kind C. Dull D. Unusual Q8. Identify the meaning of the idiom in the sentence. "He ran off the stage at the drop of a hat." A. Instantly B. Happily C. Slowly D. Stylishly Q9. Sentence given below may contain one or more mistakes. Identify the correct sentence. "He always reach late for school." A. He always reaches late to school. B. He always do reach late for school. -
Appendix: 3 a List of Museums in Gujarat
Appendix: 3 A List of Museums in Gujarat Sr. Year of Name of Museum Governing Bodies No. Establishment 1. Kutch Museum, Bhuj 1877 Govt, of Gujarat 2. Barton Museum, Bhavnagar 1882 Govt, of Gujarat 3. Watson Museum, Rajkot 1888 Govt, of Gujarat 4. Sardar Vallabhbhai Patel Museum, 1890 Muni. Corpo., Surat Surat 5. Baroda Museum and Picture Gallery, 1894 Govt of Gujarat Vadodara 6. Junagadh Museum, Junagadh 1901 Govt, of Gujarat 7. Lady Wilson Museum, Dharampur 1928 Govt, of Gujarat (Dist. Valsad) 8. Health Museum, Vadodara 1937 Municipal Corporation 9. Archaeological Museum, Jamnagar 1946 10. B. J. Medical College Museum, 1946 Ahmedabad 11. Calico Museum of Textile, 1948 Trust Ahmedabad 12. University Museum, 1949 University Vallabh Vidhyanagar 13. Gandhi Memorian Residential 1950 Trust Museum (Kirti Mandir), Porbandar 14. Prabhas Patan Museum, Prabhas 1951 Govt, of Gujarat Patan 303 15. Shri Girdharbhai Children Museum, 1955 Trust Museum Amreli 16. Museum Department of 1956 University Archaeology, M.S. University of Baroda 17. City Museum, Ahmedabad 1957 Municipal Corporation 18. Dhirajben Bal Sangrahalay, 1959 Trust Kapadvanj 19. N.C. Mehta Gallery, Ahmedabad 1960 Trust 20. Gandhi Smirti Museum, Bhavnagar 1960 Trust 21. B. J. Institute Museum, Ahmedabad 1993 Trust 22. Shri Rajnikant Parekh Art and KB. 1960 Trust Parekh Commerce College, Khambhat 23. Maharaja Fatesing Museum, 1961 Trust Vadodara 24. Tribal Museum, Gujarat Vidhyapith, 1963 University Ahmedabad 25. Gandhi Memorial Museum, 1963 Trust Ahmedabad 26. Shri Ambalal Ranchchoddas Sura 1965 Trust Museum, Modasa 27. Karamchand Gandhi Memorial, 1969 Trust Rajkot 28. Lothal Museum, Lothal 1970 Govt, of India 29. Saputara Museum, Saputara 1970 Govt, of Gujarat 30. -
3-Art-Of-Indus-Valley.Pdf
Harappan civilization 2 Architecture 2 Drainage System 3 The planning of the residential houses were also meticulous. 4 Town Planning 4 Urban Culture 4 Occupation 5 Export import product of 5 Clothing 5 Important centres 6 Religious beliefs 6 Script 7 Authority and governance 7 Technology 8 Architecture Of Indus Valley Civilisation 9 The GAP 9 ARTS OF THE INDUS VALLEY 11 Stone Statues 12 MALE TORSO 12 Bust of a bearded priest 13 Male Dancer 14 Bronze Casting 14 DANCING GIRL 15 BULL 16 Terracotta 16 MOTHER GODDESS 17 Seals 18 Pashupati Seal 19 Copper tablets 19 Bull Seal 20 Pottery 21 PAINTED EARTHEN JAR 22 Beads and Ornaments 22 Toy Animal with moveable head 24 Page !1 of !26 Harappan civilization India has a continuous history covering a very long period. Evidence of neolithic habitation dating as far back as 7000 BC has been found in Mehrgarh in Baluchistan. However, the first notable civilization flourished in India around 2700 BC in the north western part of the Indian subcontinent, covering a large area. The civilization is referred to as the Harappan civilization. Most of the sites of this civilization developed on the banks of Indus, Ghaggar and its tributaries. Architecture The excavations at Harappa and Mohenjodaro and several other sites of the Indus Valley Civilisation revealed the existence of a very modern urban civilisation with expert town planning and engineering skills. The very advanced drainage system along with well planned roads and houses show that a sophisticated and highly evolved culture existed in India before the coming of the Aryans. -
The Global Connections of Gandhāran Art
More Gandhāra than Mathurā: substantial and persistent Gandhāran influences provincialized in the Buddhist material culture of Gujarat and beyond, c. AD 400-550 Ken Ishikawa The Global Connections of Gandhāran Art Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-695-0 ISBN 978-1-78969-696-7 (e-Pdf) DOI: 10.32028/9781789696950 www.doi.org/10.32028/9781789696950 © Archaeopress and the individual authors 2020 Gandhāran ‘Atlas’ figure in schist; c. second century AD. Los Angeles County Museum of Art, inv. M.71.73.136 (Photo: LACMA Public Domain image.) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ����������������������������������������������������������������������������������������������������������������������������iii Illustrations ����������������������������������������������������������������������������������������������������������������������������������������iii Contributors ��������������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������������ -
Junagadh in Gujarat Is Akin to Turning the Pages of Time
s FROM THE ANNALS OF HISTORY Sheathed in legends and rife with e historical anecdotes, a visit to Junagadh in Gujarat is akin to turning the pages of time. BY SANDY & VYJAY c ROUND 70 KILOMETRES from the home of the Asiatic lion at Gir National Park in Gujarat lies the city of Junagadh. While it’s thrilling to drive through a forest teeming with lions, n A the intricate layers of history and legends that Junagadh is wrapped in are no less exciting to explore. In fact, the very existence of the Asiatic lion in what is dubbed as its last wild home is linked to a e chapter of Junagadh’s history. Lions were once on the verge of extinction, owing to indiscriminate hunting and habitat loss, i but thanks to the conservation efforts of the last ruling Nawab of Junagadh, Muhammad Mahabat Khan III, the species got a fresh lease of life. The Nawab belonged to a dynasty r Travel + Leisure India & South Asia that had ruled over the princely state of Junagadh for around two centuries. After India gained Independence from the British in 1947 and partitioned into two countries, the Nawab saw it fi t to accede e to Pakistan even though nearly 99 per TRAVELLERS’ TALES, FROM NEAR AND FAR AND NEAR FROM TALES, TRAVELLERS’ cent of the population was Hindu. In a dramatic turn of events, a plebiscite led to Junagadh becoming a part of India. The Nawab reportedly fl ed to Karachi with his entourage of 200 dogs. p FORT FABLES Our fi rst tryst with Junagadh’s fascinating history begins at the entrance of an old citadel. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder.