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100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
Renown Pictures New Dvd Release Includes Everything on These Two Pages
Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, At last, we can finally announce that tickets are now on sale for our 8th Festival of Film/ Road Show on Sunday 10th October 2021, 11am-7pm at the iconic Plaza, Stockport. We also have a special event planned on Saturday 9th at the beautiful Savoy Cinema, just around the corner at Heaton Moor. The Savoy is very much like ‘The Bijou’ from The Smallest Show on Earth, (without all the problems!), so we decided to hold a proper Saturday Morning Pictures Show on Saturday 9th October 2021 from 9am-12pm – bring your pop guns and wear your badges! There will be a special guest and a separate Film Quiz with Afternoon Tea in the afternoon from 1-4pm. It will be a smaller event than The Plaza on the Sunday so get your tickets quick! There’s not many seats available at The Savoy. If you have specific seating requests for ANY EVENT, then call us to book your tickets rather than online or on the order form. When booked we will send you a fact sheet on parking and hotels etc. Exciting times – we’ve got some great guests lined up for this year! For those of you who have tickets already from last year – we will post out your new packs as soon as we can. More details on pages 26-28. At last we can all have a get together to look forward to! This month there’s something very special for Gracie Fields fans, a limited edition necklace with her autograph, and TWO DVDs for just £20. -
Dorothy Fields and the American Musical
Journal of Film Music 4.2 (2011) 171-175 ISSN (print) 1087-7142 doi:10.1558/jfm.v4i2.171 ISSN (online) 1758-860X REVIEWS Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical Oxford and New York: Oxford University Press, 2010. [xxii, 298 p. ISBN: 9780195111101. $27.95 (hardcover)] Broadway Legacies. Illustrations, appendices, index, and songs, shows, and films index. MELissA UrsuLA DAWN GOLdsmiTH Elms College, Chicopee, Massachusetts [email protected] orothy Fields (1905–74), whose work interested in the business), her initial work as a lyricist straddled stage and screen, had a for Mills Music as well as for Cotton Club revues (for D tremendously successful career as a lyricist example, Blackberries, which opened on September 29, and librettist. Fields grew up in a famous American 1929), and her lifelong concurrent work for Broadway theatre family: Her father was Lew Fields, a comedian, musicals and films. According to Greenspan, Fields actor, producer, and theater manager, and half of the was a lyricist for “more than four hundred songs, famous Weber and Fields duo of vaudeville. As the mostly distributed in nineteen Broadway shows and youngest member of her family, Dorothy spent most more than thirty films, as well as librettos for nine of her childhood years living with both her father’s musicals” (pp. 223-24). Close partnerships included, celebrity as a leading Broadway producer as well as among others, composers Jimmy McHugh, Jerome with his success in the business (p. xii). Greenspan Kern, Arthur Schwartz, Albert Hague, and Cy explains that, in the Fields house, “she grew up in an Coleman. -
Make Mine Manhattan
MAKE MINE MANHATTAN Sketches and Lyrics by ARNOLD B. HORWITT Music by RICHARD LEWINE Directed by BEN WEST Final Draft Mar. 4, 2012 UnsungMusicalsCo. Inc. P.O. Box 722 New York, New York 10159 © Horwitt/Lewine www.unsungmusicals.org CHARACTERS Boy 1 (Nicolas Dromard) Boy 2 (Dennis O’Bannion) Boy 3 (Bret Shuford) Boy 4 (Greg Reuter) Girl 1 (Gabrielle Ruiz) Girl 2 (Nadine Isenegger) Girl 3 (Kristen J. Smith) Girl 4 (LaQuet Sharnell) SKETCHES AND MUSICAL NUMBERS “Anything Can Happen in New York” .................... B1 & Company “My Brudder and Me” ....................................... G1 & B2 Stage Door Fifi ............................... B1, B2, B4, G2 & G4 “Old Fashioned Girl” ........................................... B1 “Manhattan in the Spring” ............................. G2, G1 & G3 Hollywood Heads East .................. B2, B3, B4, G1, G2, G3 & G4 “Movie House in Manhattan” ..................................... G4 “I Don’t Know His Name” ................................... G3 & B3 “Talk to Me” .............................................. B4 & G4 “Anything Can Happen in New York” ..................... B1, G2 & G3 “Subway Song” .................................................. B3 “Gentleman Friend” ........................................ G3 & B3 “Saturday Night in Central Park” ................. G2, B2 & Company “Schrafft’s” ................................................... G4 “New York Gal” ................................................. G1 “I Gotta Have You” ........................................ B1 & G1 “I Fell in -
Time Together While We Are Apart St
Time Together While We are Apart St. Mary’s Whitechapel and Trinity Episcopal Churches Wednesday, June 24, 2020 Good day, dear church communities, Our animals of the week are the grand-dogs of Donna and Pete Ransone! These three dogs live with their daughter Rachael and her husband Gio in Florida. As you may recall from our prayer list notes, Gio is stationed in Afghanistan, and he and his teammates are currently at the Air Force base there, being treated for COVID-19. The hope is that Gio will still be coming home as scheduled in July. Their dear pups are all rescues; Bernard is a terrier/boxer mix; Jackson is a German spitz, and Lady is a corgi/chihuahua mix. Though Lady is clearly the smallest of the dogs, Donna writes that “Lady keeps the others in line as if she was the mother!” Many thanks, Pete and Donna, for sharing your sweet children, and grand-dogs with us! A letter was sent by email on Monday of this week, and is included in this Newsletter for anyone who missed it, detailing our plans to begin an in-person worship service this Sunday, June 28th at 10am in the Pavilion at Trinity. Please note that if you want to attend the service, you will need to make a reservation as our spaces are limited. You can reserve a spot by emailing, calling, or texting Megan. ([email protected] 804-477-5515) Mask are required to attend, and six feet of social distance will be maintained. The letter gives other details and guidelines. -
IN SULLIVAN's SHADOW: the USE and ABUSE of LIBEL LAW DURING the CIVIL RIGHTS MOVEMENT a Dissertation Presented to the Facult
IN SULLIVAN’S SHADOW: THE USE AND ABUSE OF LIBEL LAW DURING THE CIVIL RIGHTS MOVEMENT A Dissertation presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by AIMEE EDMONDSON Dr. Earnest L. Perry Jr., Dissertation Supervisor DECEMBER 2008 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled: IN SULLIVAN’S SHADOW: THE USE AND ABUSE OF LIBEL LAW DURING THE CIVIL RIGHTS MOVEMENT presented by Aimee Edmondson, a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ________________________________ Associate Professor Earnest L. Perry Jr. ________________________________ Professor Richard C. Reuben ________________________________ Associate Professor Carol Anderson ________________________________ Associate Professor Charles N. Davis ________________________________ Assistant Professor Yong Volz In loving memory of my father, Ned Edmondson ACKNOWLEDGEMENTS It would be impossible to thank everyone responsible for this work, but special thanks should go to Dr. Earnest L. Perry, Jr., who introduced me to a new world and helped me explore it. I could not have asked for a better mentor. I also must acknowledge Dr. Carol Anderson, whose enthusiasm for the work encouraged and inspired me. Her humor and insight made the journey much more fun and meaningful. Thanks also should be extended to Dr. Charles N. Davis, who helped guide me through my graduate program and make this work what it is. To Professor Richard C. Reuben, special thanks for adding tremendous wisdom to the project. Also, much appreciation to Dr. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
2017 Issue #03 (Apr)
Midway Village Museum Rockford, Illinois – September 2016 Photos by Heinz Thiel THE EDGE * VOLUME 26 * ISSUE 3 * APRIL 2017 Midway Village Museum Rockford, Illinois – September 2016 Photos by Rebecca Tulloch * * THE EDGE * VOLUME 26 * ISSUE 3 * APRIL 2017 * Page 2 of 47 * * * * THE EDGE * VOLUME 26 * ISSUE 3 * APRIL 2017 * Page 3 of 47 * * “Forces’ Sweetheart” to release album at 100 By Michael Krizsanitz, 70th Tank Btn Re-enactor, WW2 HRS After the War Vera Lynn continued to set entertainment records throughout her career. In 1952, "Auf Wiederseh'n Sweetheart" topped the US charts for nine weeks, becoming the first record by a British performer to do so. Lynn also appeared as a regular on “The Big Show”, Tallulah Bankhead's US radio program. Her 1950s popularity topped in 1954 with a number-one hit "My Son, My Son". In 1960 Lynn left Decca Records after working with them for some 25 years and joined EMI, recording the song "The Day After Tomorrow" for the 1962 musical “Blitz!”. Characters in the play were depicted as listening to the song while in a London bomb shelter. The 1964 film Dr. Strangelove ends with clips of Atomic and Nuclear explosions accompanying Vera Lynn's song “We'll Meet Again”. 1966 saw the album “Hits of the Blitz”. Contrary to oft Likely by the time you read this, Dame Vera Margaret Lynn’s new album "Vera Lynn 100" will have been on sale for far fewer weeks, than years she has repeated Vera Lynn lore, she neither sang nor recorded "Rose of been on earth. -
Track Title Other Composed by Performed by CD No. Disc Tra Ck
Track title Other Composed by Performed by CD no. disc Tra ck Album title Compiled by 007 Suite Medley (James Bond Theme then Norman, M then Bart, The Mantovani Orchestra From Russia With Love then Never say Never L then Legrand, M CD 101 ~ tr 5 The Mantovani Collection Double Play with Mantovani Again then Goldfinger) then Barry, J 1 Corinthians 13 reading traditional Tony Blair CD 55 ~ tr 10 Diana Princess Of Wales 1961-1997 BBC Worldwide Los Angeles Philharmonic 1812 Overture Finale Tchaikovsky, P I CD 7 ~ tr 12 Your Hundred Best Tunes, Volume 7 Decca Orchestra with Zubin report - sets the scene off the Normandy 25 Minutes To H-Hour Standing, M Michael Standing CD 158 ~ tr 13 D-Day - Prelude To Victory D-Day - A Commemoration In Sound coast as the landings approach 42nd Street Medley (We're In The Money then from 42nd Marc Joseph, Julie Paton, About A Quarter To Nine then You're Getting Warren & Dubin CD 89 ~ tr 8 The Wonderful West End Castle Street Laurel Ford & M Rennie To Be A Habit With Me then Lullaby Of report - watches the 5 Minutes To H-Hour Standing, M Michael Standing CD 158 ~ tr 15 D-Day - Prelude To Victory D-Day - A Commemoration In Sound assault forces go in Band Of The Royal Air 633 Squadron march Goodwin CD 28 ~ tr 3 633 Squadron Chandos Collect Series Force College Cranwell Choir Of King's College A Ceremony Of Carols: 'There Is No Rose' Britten CD 18 ~ tr 14 The Sound Of King's EMI Cambridge Mazurka Philadelphia Orchestra A Dance Rhapsody No.2 Delius, F CD 83 ~ tr 5 Vaughan Williams & Delius - Works For Orchestra -
The Valiant Fighters a Large Number of Polish Expats Polish Pilots
OCTOBER / NR 233 PUBLISHED EVERY THREE MONTHS The Valiant Fighters A large number of Polish expats Polish pilots. Flight Lieutenant John A Kent, One pilot, Sergeant Antoni Glowacki of attend our November Remembrance who was later posted to 303 (Polish) Fighter No. 501 Squadron RAF, claimed five enemy ceremony at Amsterdam, where there Squadron during the Battle of Britain, wrote bombers shot down in three combat sorties are 18 graves of Polish aircrew. at the time: ‘All I knew about the Polish Air on 24th August 1940. During the Battle of It is interesting to know that the Force was that it had only lasted Britain, a total of 145 experienced about three days against the Polish airman fought Poles played an important role in Luftwaffe, and I had no reason in the conflict – the the Royal Air Force’s war against the to suppose that they would largest non-British Luftwaffe, as you can read below. shine any more brightly opera- contingent. Sadly, 31 Poland was invaded by the German ting from England’. Polish pilots died in Army on September 1st 1939. The Polish As Fighter Command the conflict. Four Polish armed forces put up a valiant fight but the casualties mounted over the officers were awarded odds were stacked against them - they were summer and it ran out of ne- the Distinguished Flying outnumbered and outmatched by the well wly trained pilots, the military Cross. trained and equipped German forces. After chiefs turned to the Poles, The C in C of Figh- their country’s defeat, tens of thousands of who were keen to fight ter Command ACM Polish servicemen made their way to France.