Fasc Facts January 2019
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2011 Table of Contents
AABANY Year-End Report for 2011 Table of Contents AABANY Year-End Report for 2011 ...................................................................................................... 1 Academic Committee Report ................................................................................................................. 12 Audit and Finance Committee Report .................................................................................................... 13 Communications Committee Report ...................................................................................................... 14 Corporate Law Committee ..................................................................................................................... 15 Government and Public Sector Committee ............................................................................................ 16 Immigration and Nationality Law Committee ........................................................................................ 17 In-House Counsel Committee ................................................................................................................. 18 Intellectual Property Committee ............................................................................................................. 19 Issues Committee .................................................................................................................................... 22 Judiciary Committee .............................................................................................................................. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
'Hokey Cokey' Approach to EU Membership
British Exit from the EU: Legal and Political Implications Edited by Graham Butler, Mads Dagnis Jensen, and Holly Snaith Journal of European Public Policy, Volume 23, Debate Section The ‘Hokey Cokey’ Approach to EU Membership: Legal options for the UK and EU Paul James Cardwell Abstract This contribution analyses the potential legal outcomes to meeting the UK’s demands in advance of the referendum and what they might mean for EU integration should the UK vote to remain in the Union. It argues that there is unlikely to be a ‘quick fix’ to meet the demands since there is no obvious legal mechanism which can satisfy the demands in either substance or the proposed time-frame, as supported earlier in the debate. Key words Brexit, European integration, subsidiarity, EU legal order. 1. Introduction The question to be put to the UK electorate, ‘Do you wish for the UK to remain a member of the European Union?’ (European Union Referendum Act 2015) on 23 June 2016 leaves open the additional question of what form a relationship would take in the event of a ‘remain’ vote. The referendum has been premised on the renegotiation of the relationship between the UK and the EU, as was the stated objective of Prime Minister David Cameron in his Bloomberg speech in 2013, which launched the referendum process. The manifesto commitment of the Conservative Party before the May 2015 general election was to bring forward renegotiation proposals as soon as possible, though these were only finally revealed in a letter to Council President Donald Tusk on 10 November 2015 (Cameron 2015a) and a speech at Chatham House on the same day (Cameron 2015b). -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MAY 17, 2021 | PAGE 1 OF 18 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Grand Ole Opry Moves Toward The Old Normal THIS As U.S. Reemerges From COVID-19 ISSUE It likely won’t have the shelf life of Throwback Thursdays or In ideal Opry fashion, the lineup reflected a variety of styles Taco Tuesdays, but “full-capacity Friday night” had an oddly and eras. Lorrie Morgan opened with her chart-topping 1990 Sam Hunt’s ‘90’s’ special ring to it on May 14. single “Five Minutes,” and the rest of the talent parade fea- Breaks Out Grand Ole Opry announcer tured current hitmaker Michael Ray, >page 4 Bill Cody uncorked the phrase as Western vocal quartet Riders in the the WSM-AM Nashville show had Sky, comedian Aaron Weber, Nash- every ticket in the 4,400-seat Opry ville actor Charles Esten and new- House available for the first time comer Brittney Spencer, who sang Underwood, since March 10, 2020, when the a new song, “Sober & Skinny,” for the Aldean, Brooks coronavirus pandemic forced live first time in public. In Play entertainment off the stage. Some Spencer’s appearance was a >page 10 2,400 tickets were sold, according personal milestone, for she made to Opry vp/executive producer Dan her Opry debut. While she felt its Rogers, as the reboot coincided significance (she conceded that her with an unexpected bonus: Barely breathing was more pronounced Makin’ Tracks: 24 hours before the show’s start, the during “Sober” as she fought off a Drew Parker’s city of Nashville dropped face-mask case of nerves), she was still present ‘BP PBR’ Song mandates. -
Die SWR1 Hitparade 2014
Rockig mit gelegentlichem Schlager Die SWR1 Hitparade 2014 Platz Titel Interpret 1 Stairway to heaven Led Zeppelin 2 Bohemian rhapsody Queen 3 Child in time Deep Purple 4 Atemlos durch die Nacht Fischer, Helene 5 Brothers in arms Dire Straits 6 Wish you were here Pink Floyd 7 Tage wie diese Toten Hosen 8 Nothing else matters Metallica 9 Music Miles, John 10 Auf uns Bourani, Andreas 11 Hells bells AC/DC 12 Summer of '69 Adams, Bryan 13 The carpet crawlers Genesis 14 Hotel California Eagles 15 Smoke on the water Deep Purple 16 Highway to hell AC/DC 17 Am Fenster City 18 Shine on you crazy diamond Pink Floyd 19 April Deep Purple 20 Hallelujah Cohen, Leonard 21 November rain (Long Version) Guns n'Roses 22 Let it be Beatles 23 Hymn Barclay James Harvest 24 Imagine Lennon, John 25 Comfortably numb Pink Floyd 26 Hotel California (unplugged) Eagles 27 Der Hafer- und Bananenblues Pferdle & Äffle 28 Sultans of swing Dire Straits 29 Barcelona Mercury, Freddie & Montserrat Caballé 30 Thunderstruck AC/DC 31 The rose Midler, Bette 32 Happy Williams, Pharrell 33 Locomotive breath Jethro Tull 34 Kashmir Led Zeppelin 35 One Cash, Johnny 36 Echoes (edit) Pink Floyd 37 Another brick in the wall, Part 2 Pink Floyd 38 Weit, weit weg von Goisern, Hubert 39 Satisfaction Rolling Stones 40 One Metallica 41 Someone like you Adele 42 Loch Lomond (live) Runrig 43 Oinr isch emmr dr Arsch Schwoißfuaß 44 Geboren um zu leben Unheilig Seite 1 von 41 SWR1 Hitparade 2014 Platz Titel Interpret 45 Ich war noch niemals in New York Jürgens, Udo 46 Lady in black Uriah Heep 47 Yesterday Beatles 48 Whole lotta love Led Zeppelin 49 Hey Jude Beatles 50 In the air tonight Collins, Phil 51 Wind of change Scorpions 52 Somewhere over the rainbow/What a.. -
Football Songs, Religious Hatred and the Hokey Cokey FINAL For
!1 M. J. Grant [email protected] ‘That’s what it’s all about’? Football songs, religious hatred, and the strange case of The Hokey Cokey Author’s note on the text below: Herein lies a tale. The article presented here was originally submitted to an academic human rights journal, and was sent back to me for only minor revisions after peer review. After these revisions were done, however, the editors of the journal asked me to make clearer the practical implications of my conclusions. This led to me redrafting the last section of the article, to include the numbered points on what lessons could be learned and what measures could be adopted in light of the points raised. One of these points focuses on the necessity of human rights education and training, specifically with reference to the right to freedom of expression, and necessary restrictions of that right . The editors accepted most of these points but felt that, here, I should have stressed how the songs cited can be used to demonstrate what is and what is not “hate speech”. Since I felt that this actually contradicted my argumentation as a whole, and if it was to be dealt with properly would open up a whole new can of worms, I cut the relevant point in its entirety – I was already far over the word limit, and by this stage the review and revision process had taken the best part of a year. The editors deemed this latest version almost ready for publication, but requested that I include a new paragraph in the conclusion. -
Black's Morayshire Directory, Including the Upper District of Banffshire
tfaU. 2*2. i m HE MOR CTORY. * i e^ % / X BLACKS MORAYSHIRE DIRECTORY, INCLUDING THE UPPER DISTRICTOF BANFFSHIRE. 1863^ ELGIN : PRINTED AND PUBLISHED BY JAMES BLACK, ELGIN COURANT OFFICE. SOLD BY THE AGENTS FOR THE COURANT; AND BY ALL BOOKSELLERS. : ELGIN PRINTED AT THE COURANT OFFICE, PREFACE, Thu ''Morayshire Directory" is issued in the hope that it will be found satisfactorily comprehensive and reliably accurate, The greatest possible care has been taken in verifying every particular contained in it ; but, where names and details are so numerous, absolute accuracy is almost impossible. A few changes have taken place since the first sheets were printed, but, so far as is known, they are unimportant, It is believed the Directory now issued may be fully depended upon as a Book of Reference, and a Guide for the County of Moray and the Upper District of Banffshire, Giving names and information for each town arid parish so fully, which has never before been attempted in a Directory for any County in the JTorth of Scotland, has enlarged the present work to a size far beyond anticipation, and has involved much expense, labour, and loss of time. It is hoped, however, that the completeness and accuracy of the Book, on which its value depends, will explain and atone for a little delay in its appearance. It has become so large that it could not be sold at the figure first mentioned without loss of money to a large extent, The price has therefore been fixed at Two and Sixpence, in order, if possible, to cover outlays, Digitized by the Internet Archive in 2010 with funding from National Library of Scotland http://www.archive.org/details/blacksmorayshire1863dire INDEX. -
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Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Literature Section TABLE of CONTENTS FOREWORD Mosaic Is a Magazine Created from the Efforts and Contributions of
Phillip D. Neal • Orpheus Aimee C. Nezhu·kumatathil • Lightning Bug Wine ·Mark Glover • Kaliedoscop~c Walk Alex Mark Glove Mosaic aptive Phill Undergraduate Art and Literature Magazine Sean Schne1 er • ng 1s ass 1chael Rauburn • Birthday Morning Rebecca M. Cook• The Observatory Steven Jost • A Burial Denied To Suicides James Tomas • Grandpappa's Good Suit Philip Bump •. Hierarchy Of the Demolition Man Marina Sbrochi • Living It Cheryl Honingford • Itchy the Sucker Mark Sumner• A Loss Of Hearing Aimee C. Nezh·ukumatathil • Juliet Ruminates In Pink Courtney Stewart• A Cab Ride Confession James Tomas • Sunset Mark Glover • The Local Superheroes Steven Jost • Wandering Grounds Adam Gray • Muliebrity Melissa Miller • Masek Mosaic Literature Section TABLE OF CONTENTS FOREWORD Mosaic is a magazine created from the efforts and contributions of ,.... Philip Bump many. Several visions and perspectives come together to create one final Phillip D. Neal 9_.., 0 Hierarchy Of the Demolition Man 2. Orpheus production. This year's format is a departure from recent years, but change is not uncommon in the magazine's eighteen-year history. The size, layout, and Aimee C. Nezhukumatathil L"1S Marina Sbrochi direction of the magazine have changed frequently, reflecting the changing 4 Lightning Bug Wine L Livinglt perspectives of the undergraduate student staffs and contributors. The flexibility in form and content makes Mosaic an even more significant outlet for the talent and inspiration of undergraduate students at the Ohio State Mark Glover 1._") ~ Cheryl Honigford Z.... Itchy the Sucker University. ;:, Kaleidoscopic Walk ~ Mosaic has many event~ throughout the year which reflect its goals of '""' / Mark Sumner providing a forum for authors and artists, and enhancing the opportunities / Alexander Robinson '-'"" \...''"'\ A Loss Of Hearing and climate at OSU. -
George Chisholm
1 The TROMBONE of GEORGE CHISHOLM Solographer: Jan Evensmo Last update: March 9, 2020 2 Born: Glasgow, Scotland, March 29, 1915 Died: Milton Keynes, England, Dec. 8, 1997 Introduction: We played again and again the marvellous Benny Carter session from Holland in 1937 with Coleman Hawkins. Then we realized that there was a great trombone player in there of British origin! Glad now to realize we had identified perhaps the best vintage trombone player on this side of the Atlantic! History: He took up trombone as a teenager after hearing Jack Teagarden. In 1936 he went to London with Teddy Joyce and played in clubs, notably the Nest Club, where the following year he took part in a jam session with Fats Waller, Coleman Hawkins and Benny Carter. Carter took him to Holland with a band that recorded eight titles for Decca (1937), and he played and recorded with Bert Ambrose’s orchestra in 1937-39. Chisholm was much in demand for session work; among his recordings was one with Waller for HMV in 1938. After joining the RAF he played in the all-star dance orchestra best known as the Squadronaires (1939-50). He was a member of the BBC Radio Show Band (1950-55) and played in Wally Stott’s orchestra in the “Goon Show” radio series, then performed with Jack Parnell and in musical shows until 1965. He continued to play jazz into the 1980s, both as a soloist – notably with Keith Smith’s Hefty Jazz – and with his own band, the Gentlemen of Jazz, in pubs, clubs and festivals.