TPTV Schedule August 20Th - 26Th 2018
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The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
PETER BROOK Motivos Y Estrategias
UNIVERSIDAD DE GRANADA FUNDAMENTOS DE LA PUESTA EN ESCENA EN EL TEATRO DE PETER BROOK Motivos y estrategias TESIS DOCTORAL FUNDAMENTOS DE LA PUESTA EN ESCENA EN EL TEATRO DE PETER BROOK Motivos y estrategias Autor Juan Antonio Bottaro Montoto Directores María José Sánchez Montes Carlos Alba Peinado Departamento de Lingüística General y Teoría de la Literatura Granada 2014 Editor: Editorial de la Universidad de Granada Autor: Juan Antonio Bottaro Montoto D.L.: GR 2119-2014 ISBN: 978-84-9083-141-0 AGRADECIMIENTOS A mi directora de tesis, la Dra. María José Sánchez Montes, por la sabiduría con la que me ha guiado, su paciencia y su gran colaboración. A mi director de tesis, Dr. Carlos Alba Peinado, por su ánimo, guía e inesti- mable apoyo. Al Dr. Ángel Berenguer, por su impresionante labor al frente del programa de Teoría, historia y práctica del teatro (UAH), en el que tanto aprendí y que tanto ha hecho por el avance de los estudios teatrales. A los tres, de nuevo, mi más sincero agradecimiento. A Victoria ÍNDICEÍNDICE 1. INTRODUCCIÓN 10 1.1. Objetivo de la tesis 10 1.2. Estado de la cuestión 10 1.3. Metodología 15 1.4. Estructura 20 2. GÉNESIS Y MOTIVOS EN PETER BROOK 21 2.1. Peter Stephen Paul 21 2.2. El director de escena 29 2.3. La crisis del teatro 43 2.4. La muerte del teatro 49 2.5. Las raíces del teatro 62 2.6. El «teatro sagrado» 74 2.7. El «teatro tosco» 89 2.8. La metáfora del círculo 94 2.9. -
Drake Plays 1927-2021.Xls
Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St. -
Mccarthy Era and the American Theatre Author(S): Albert Wertheim Source: Theatre Journal, Vol
The McCarthy Era and the American Theatre Author(s): Albert Wertheim Source: Theatre Journal, Vol. 34, No. 2, Insurgency in American Theatre, (May, 1982), pp. 211 -222 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/3207451 Accessed: 16/04/2008 16:42 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org The McCarthy Era and the American Theatre Albert Wertheim Eric Bentley's Thirty Years of Treason, Lillian Hellman's Scoundrel Time, Lately Thomas's When Even Angels Wept, and Robert Goldston's The American Nightmare are only a few of the many studies that have been written about that unsettling and aberrant period of recent American history frequently known as the McCarthy era.1 The very titles of the books tell us immediately with what loathing and shame most Americans now look back to that time of political paranoia. -
New Mexico Lobo, Volume 045, No 5, 9/18/1942 University of New Mexico
University of New Mexico UNM Digital Repository 1942 The aiD ly Lobo 1941 - 1950 9-18-1942 New Mexico Lobo, Volume 045, No 5, 9/18/1942 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1942 Recommended Citation University of New Mexico. "New Mexico Lobo, Volume 045, No 5, 9/18/1942." 45, 5 (1942). https://digitalrepository.unm.edu/ daily_lobo_1942/33 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1941 - 1950 at UNM Digital Repository. It has been accepted for inclusion in 1942 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. , • rr Page Four NEW MEXICO LOBO Friday, September 11, 1942 Publications Heads Scat Backs l=eatured • Tough Grid Drill s ' Fifty-nine Men Swim in ENGLISH DEPARTMENT Barnes Looks Forward Weekly Publication of the Associated Students of the University of New Mexico In the ADDS TWO INSTRUCTORS f . VoL. XLV Z437 ALjlUQUERQUE, NEW MEXICO, FRIDAY, SEPTEM;BER 18,1942 No 5 D>. c v Wlcket and MISS JaneT0 Success ul Season • Kluckhohm have JDmed the Eng .. Intramural Water Event L a I r lJsh depaitment to 1:eplace Dr Wil LIGHT, SOUND TO PLAY IMPORTANT Famed Fiction lis Jacobs who has been d1aftcd Rigorous Training Planned to Prepare for CLASS ELECTION WED. and Dt, E. A Swallow who has ac Opener Sept. Seconds Win First Scrimmage ROLE IN RODEY'S "THUNDER ROCK, Collection Uses As Sigs Take First Place By BOB LOCKWOOD cepted n posJt10n at Westetn State J9, co11ege m Colorado, Now under the watchful eye of Head Ooach Wdhs Barnes, the L1ght and sound will play Important roles m "Thunder Rock," Rodey D1, C. -
Renown Pictures New Dvd Release Includes Everything on These Two Pages
Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, At last, we can finally announce that tickets are now on sale for our 8th Festival of Film/ Road Show on Sunday 10th October 2021, 11am-7pm at the iconic Plaza, Stockport. We also have a special event planned on Saturday 9th at the beautiful Savoy Cinema, just around the corner at Heaton Moor. The Savoy is very much like ‘The Bijou’ from The Smallest Show on Earth, (without all the problems!), so we decided to hold a proper Saturday Morning Pictures Show on Saturday 9th October 2021 from 9am-12pm – bring your pop guns and wear your badges! There will be a special guest and a separate Film Quiz with Afternoon Tea in the afternoon from 1-4pm. It will be a smaller event than The Plaza on the Sunday so get your tickets quick! There’s not many seats available at The Savoy. If you have specific seating requests for ANY EVENT, then call us to book your tickets rather than online or on the order form. When booked we will send you a fact sheet on parking and hotels etc. Exciting times – we’ve got some great guests lined up for this year! For those of you who have tickets already from last year – we will post out your new packs as soon as we can. More details on pages 26-28. At last we can all have a get together to look forward to! This month there’s something very special for Gracie Fields fans, a limited edition necklace with her autograph, and TWO DVDs for just £20. -
The Law Rentian
Th e La w r e n t ia n Z 821 Vol. 60. No. 17. LAWRENCE COLLEGE, APPLETON, WIS. Friday, Feb. 20, 1942 Women to Choose Winternitz Invite Students Hold Banquet Most Handsome Of Local Schools Vote for Prexy Men on Campus Gives Series To View New Play For Best Loved Next Monday after convocation Approximately 300 students and Of Student Body the fourth annual election of the six Of Lectures faculty members of neighboring Four Senior Girls to be most handsome men on campus will high schools will be guests of the Group of American Honored; Mrs. Barrow be held. Lawrence college theatre this week The election is sponsored by the Colleges Sponsors at performances of Thunder Rock, At Polls Today To be Guest Speaker Lawrentian and the results will be the modern drama of a newspaper announced in next weeks’ paper. Prominent Speaker reporter who seeks to hibernate Harkins, Harvey and Lawrence is eagerly awaiting the Any man regularly onrolcd in the from the present world by living Celebration of one of its loveliest Dr. Emanuel Winternitz, promi Grady are Candidates college or conservatory is eligible. in a light-house in northern Lake traditions—the Best Loved. Every nent philosopher, art historian and Four of the six men chosen la.;t Michigan. In Intensive Contest year iour senior girls are chosen as musician, member of the staff of year are still in school; they are The play, the second major pro the Metropolitan Museum and fac Today is election day at Law- the best loved by a vote of all Law- John Disher, George Carman, Bill duction of the year by the Law rence! We have read the candidate^ rence^vomen. -
J C Trewin Papers MS 4739
University Museums and Special Collections Service J C Trewin Papers MS 4739 The collection contains both personal papers and material collected by Trewin relating to the English stage. The latter includes theatre programmes 1906-1989, theatre posters 1783-1936, photographs (original and reproduction) of productions 1905-1970, issues of theatrical periodicals 1906-1986, albums of press cuttings, and other miscellaneous material. There are also letters collected by Trewin to and from Constance and Frank Benson, and eighteen letters and postcards (three original and fifteen facsimile) from George Bernard Shaw. The personal material includes many letters written to Trewin over the course of his career on theatrical and literary subjects. Major correspondents (with more than ten letters) include Enid Bagnold, Guy Boas, Charles Causley, Christopher Fry, Val Gielgud, Paul Scofield, Robert Speaight and Ben Travers. Other correspondence includes letters of congratulation on the presentation of Trewin's OBE in 1981, and letters of condolence written to Wendy Trewin on the death of her husband. There is also material relating to Trewin's biography of Robert Donat and a legal dispute with the playwright Veronica Haigh which arose from it. The collection contains drafts and typescripts of some of Trewin's work, over fifty notebooks, and drafts of an account by Trewin's father of his early years at sea. The Collection covers the year’s 1896-1990. MS 4739/1/1 Letter from Constance Benson (wife of Shakespearian actor Frank) to Mr Neilson. 22 September, undated 1 file MS 4739/1/2 Letter from Constance Benson to Sir Archibald Flower, of the Stratford brewing family who were supportive of the early Stratford theatres. -
Th E La W R E N T Ia N
o í ‘ '."‘wV / f s , H t t Ÿ O l LU*' T h e L a w r e n t i a n 60. No. 14. Z 821 LAWRENCE COLLEGE, APPLETON, WIS. Mondoy, Jon. 19, 1942 Barrows Tells Bober to Leave Dinko Tom asic to Join To New Post Students of New In Washington College Faculty Staff New Professor Former Professor to W ork on M em ber of University Summer Session W ar Price Control for Staff in Y ugoslavia Governm ent Agency 'Is Part of Program President Tnomas N. Barrows In Support of W ar Mr. Mandel Morton Bober, pro has announced the appointment of fessor of economics, is leaving Professor Dinko Tomasic of New Effort/ He Stated Lawrence after having been at the York City as lecturer in economica college for fourteen years. A summer session of ten and a His departure is accompanied at Lawrence college. He will begin half weeks will be offered at Law with three honors that Lawrence is his new duties at the start of tho proud to enumerate. rence to enable men to accelerate ; second semester at which time Dr. The first of these is the fact that Lawrence W. Towle, associate pro* their college course, according to ( he had been elected a member of an announcement made ir. convoca the National Council of the Amer lessor of economics, goes to tho tion this morning by President Fred Trezise ican Association of University Pro University of Florida on leave for fessors for this district; the dis the second semester. -
IN SULLIVAN's SHADOW: the USE and ABUSE of LIBEL LAW DURING the CIVIL RIGHTS MOVEMENT a Dissertation Presented to the Facult
IN SULLIVAN’S SHADOW: THE USE AND ABUSE OF LIBEL LAW DURING THE CIVIL RIGHTS MOVEMENT A Dissertation presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by AIMEE EDMONDSON Dr. Earnest L. Perry Jr., Dissertation Supervisor DECEMBER 2008 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled: IN SULLIVAN’S SHADOW: THE USE AND ABUSE OF LIBEL LAW DURING THE CIVIL RIGHTS MOVEMENT presented by Aimee Edmondson, a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ________________________________ Associate Professor Earnest L. Perry Jr. ________________________________ Professor Richard C. Reuben ________________________________ Associate Professor Carol Anderson ________________________________ Associate Professor Charles N. Davis ________________________________ Assistant Professor Yong Volz In loving memory of my father, Ned Edmondson ACKNOWLEDGEMENTS It would be impossible to thank everyone responsible for this work, but special thanks should go to Dr. Earnest L. Perry, Jr., who introduced me to a new world and helped me explore it. I could not have asked for a better mentor. I also must acknowledge Dr. Carol Anderson, whose enthusiasm for the work encouraged and inspired me. Her humor and insight made the journey much more fun and meaningful. Thanks also should be extended to Dr. Charles N. Davis, who helped guide me through my graduate program and make this work what it is. To Professor Richard C. Reuben, special thanks for adding tremendous wisdom to the project. Also, much appreciation to Dr. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society.