IN DAVID FRIEDRICH STRAUSS's Life of Jesus Critically Examined

Total Page:16

File Type:pdf, Size:1020Kb

IN DAVID FRIEDRICH STRAUSS's Life of Jesus Critically Examined THE “NOCTURNAL SIDE OF SCIENCE” IN DAVID FRIEDRICH STRAUss’S LIFE OF JESUS CRITICAllY EXAMINED Press SBL Emory Studies in Early Christianity Vernon K. Robbins, General Editor David B. Gowler, General Editor Bart B. Bruehler, Associate Editor Robert H. von Thaden Jr., Associate Editor Richard S. Ascough Juan Hernández Jr. Susan E. Hylen Brigitte Kahl Mikeal C. Parsons Christopher C. Rowland Russell B. Sisson Elaine M. Wainwright Press SBLNumber 17 THE “NOCTURNAL SIDE OF SCIENCE” IN DAVID FRIEDRICH STRAUSS’S LIFE OF JESUS CRITICALLY EXAMINED Thomas Fabisiak Press SBL Press SBLAtlanta Copyright © 2015 by SBL Press Publication of this volume was made possible by the generous support of the Pierce Pro- gram in Religion of Oxford College of Emory University. The editors of this volume express their sincere gratitude to David E. Orton and Deo Pub- lishing for publication of this series 2009–2013. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, SBL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Fabisiak, Thomas. The “nocturnal side of science” in David Friedrich Strauss’s Life of Jesus critically examined / By Thomas Fabisiak. p. cm. — (Society of Biblical Literature Emory studies in early Christianity ; 17) Originally presented as the author’s thesis (doctoral)—Emory University, 2014. Includes bibliographical references and index. ISBN 978-1-62837-108-6 (paper binding : alk. paper) — ISBN 978-1-62837-110-9 (electronic format) — ISBN 978-1-62837-109-3 (hardcover binding : alk. paper) 1. Strauss, David Friedrich, 1808–1874. Das leben Jesu. 2. Jesus Christ—Biography. I. Title. BT301.S73F33 2015 230.092—dc23 2015005710 Cover design is an adaptation by Bernard Madden of Rick A. Robbins, Mixed Media (19" x 24" pen and ink on paper, 1981). Online: http://home.comcast.net/~rick1216/Archive/ 1981penink.htm. Cover design used by permissionPress of Deo Publishing. Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence. SBL Contents Acknowledgments ...........................................................................................vii Abbreviations ....................................................................................................ix Introduction .......................................................................................................1 1. Strauss on the Science of the Nocturnal Side of Nature .........................23 2. The Nocturnal Side of Strauss’s Historical Critique of Miracle Stories .............................................................................................69 3. Strauss on Myth and the Nocturnal Side of Nature ..............................103 4. The Nocturnal Side of Christian and Modern Origins ........................141 Conclusion: Strauss’s Visions of Modernity and Historical Science .......177 Works Cited ....................................................................................................199 Biblical Index .................................................................................................211 Modern Primary Sources Index ..................................................................213 Modern Authors Index .................................................................................Press 217 SBL Press SBL Acknowledgements I wish first to thank my Ph.D. dissertation committee, in whom I was unusually fortunate, for the environment where this manuscript origi- nated. Professor Geoffrey Bennington and Professor Tina Pippin’s com- ments and questions were crucial to the development of the manuscript. I am grateful for the time that they dedicated to reading and discussing my work, especially as my focus changed. I owe thanks above all to my co-chairs, Professor Jill Robbins and Professor Vernon Robbins. Jill Rob- bins has done more than anyone, through her teaching, her mentorship, and the example of her own work, to raise the standards to which I strive in thinking and writing. In my first semester at Emory, Vernon Robbins introduced me to the then unfamiliar landscape of eighteenth- and early nineteenth-century biblical criticism. Since then, his support, encourage- ment, and scholarly example have been invaluable to me. Vernon Rob- bins and Jill Robbins also deserve special thanks for the time that they dedicated to meeting with me during the final stages of the writing of the manuscript. I benefited from their knowledge and insight in these meet- ings, and I enjoyed our conversations. They trusted me to pursue the way- ward course of my research and helped me draw it back within the realm of legibility. I am also highly grateful for the generous support of the Pierce program in Religion of Oxford College of Emory University, which made possible the publication of this volume. I am deeply indebted to Professor Elisabeth Schüssler Fiorenza, who taught me to think critically about thePress discipline of biblical studies and encouraged me to imagine what it might be. For their guidance, example, and encouragement, I must also thank Professors Kim Haines-Eitzen, Nancy Bouzrara, Eric Reinders, Elizabeth Bounds, Deborah Ayer, Carol Newsom, and Carl Holladay. Conversations with Professors Yvonne Sher- wood, Steven Kraftchick, and Sander Gilman also influenced the course of my research. SBL-vii - viii ACKNOWLEDGEMENTS The students, teachers, and staff of the Candler Certificate in Theolog- ical Studies Program at Lee Arrendale Correctional Facility; the adminis- tration, graduate fellows, and undergraduate staff of the Emory Writing Center; the staff of the Emory Writing Program; and the staff of the Grad- uate Writing Support Service at Woodruff Library have all contributed to my intellectual and writerly development. My work in these contexts con- tributed to a number of the driving questions behind the manuscript. Many friends deserve thanks for their important roles in my life and work as I completed this project. Conversations with Joseph Laycock and Catherine Morgan had a significant impact on the manuscript. Tiffany Hodge, Anne Dalphin, and George Dalphin provided essential moral support and intellectual inspiration. Christopher Keister, Regan Eldridge, Justin Roig, Susannah Laramee-Kidd, Joshua Laramee-Kidd, Leah Rosenberg, Jean-Paul Cauvin, David Morgen, Sarah Feuquay, and Steven Alvarez have been invaluable conversation partners and have generally been a blast to be around over the last few years. I have benefited as well from conversations and friendships with Samira Mehta, Cayenne Claas- sen-Luttner, Ingrid Lilly, Yoshimi Azuma, Janelle Peters, Letitia Camp- bell, Barry Sawicki, Christina Conroy, Cathy Zappa, Galen Richmond, Meggie Dant, Emily Brennan, Manuela Ceballos, Kelly Murphy, George Branch-Trevathan, Elizabeth Venell, Carl Hughes, Moira Diaz-French, Kate Wilkinson, Nate Hofer, Kazumi Hasegawa, Diana Louis, and Camila Restrepo. For her incredible support in the final stages of the project, I wish to thank Christy Bradley. Lastly, I wish to thank my family, Kathleen Fox, Stan Fox, Susie Fox, and Seann Colgan, along with my best friend, Tyson Black. You deserve more gratitude than I can express. I am grateful for your support, of course, and patience, but also because I can see the influence of each of you in this work, which have been a consolation and an encouragement throughout the process. I dedicate this book to my uncle andPress godfather, Raymond Fabisiak. SBL Abbreviations ARA Annual Review of Anthropology CH Church History HLQ Huntington Library Quarterly JR Journal of Religion JWK Jahrbücher für wissenschaftliche Kritik LJ 1835 Strauss, David Friedrich. Das Leben Jesu: Kritisch bearbe- itet. Vol. 1. Tübingen: Osiander, 1835. LJ 1836 Strauss, David Friedrich. Das Leben Jesu: Kritisch bearbe- itet. Vol. 2. Tübingen: Osiander, 1836. LJ 1840 Strauss, David Friedrich. Das Leben Jesu: Kritisch bearbe- itet. Vol. 2. Tübingen: Osiander, 1840. LJ 1892 Strauss, David Friedrich. The Life of Jesus Critically Exam- ined. Translated by George Eliot. New York: Macmillan, 1892. Translation of Das Leben Jesu: Kritisch bearbeitet. 2 vols. 4th rev. ed. Tübingen: Osiander, 1839–1840. NLJ 1865 Strauss, David Friedrich. A New Life of Jesus. London: Williams & Norgate, 1865. Translation of Das Leben Jesu: Für das deutsche Volk bearbeitet. Leipzig: Brockhaus, 1864. NTM Zeitschrift für Geschichte und Ethik der Naturwissen- schaften, Techik, und Medizin NTS New Testament Studies OFN 1872 Strauss, David Friedrich.Press The Old Faith and the New: A Confession. Translated by Mathilde Blind. 2 vols. New York: Holt, 1873. Translation of Der alte und der neue Glaube: Ein Bekentniss. 6th edition. Leipzig: Hirzel, 1872. OFN 1873 Strauss, David Friedrich. Der alte und der neue Glaube: Ein Bekentniss. 6th ed. Leipzig: Hirzel, 1872. RH 19 Revue d’histoire du XIXe siècle SBL-ix - x ABBREVIATIONS Streitschriften Strauss, David Friedrich. Die Evangelische Kirchenzei- tung, die Jahrbücher für wissenschaftliche Kritik und die theologischen Studien und Kritiken in ihrer Stellung zu meiner kritischen Bearbeitbung des Lebens Jesu. Vol. 3 of Streitschriften zur
Recommended publications
  • Conclusions * Deism Is Commonly Regarded As a Major Religious Expression of the Enlightenment
    Cover Page The handle http://hdl.handle.net/1887/66795 holds various files of this Leiden University dissertation. Author: Berg, J. van den Title: Thomas Morgan (1671/2-1743): from presbyterian preacher to Christian deist : A contribution to the study of English deism Issue Date: 2018-11-08 135 Conclusions * Deism is commonly regarded as a major religious expression of the Enlightenment. Much has been written about various aspects of Deism, including questions about the label as such, whether Deism covers a movement, or even whether it is a myth. Since David Hume there has been discussion about the so-called deist movement, and who belonged to it. Thomas Morgan called himself a Christian deist, but he did not belong to any organized group of deists. The literature since Leland brought them together as English deists. But an organized group of deists in England never existed. This notion has been questioned by various authors. As to the term deist, so much is clear that hardly any so-called deist wanted to be labelled as such since it was seen by many as a defamatory label. Only few used the term in a positive sense. Thomas Morgan was one of them. In contrast to other deists he was proud to call himself a deist. He even went so far as to call himself a “Christian Deist”. What did he mean with this particular label? What did it involve in this case? What are the differences between ‘Chistian Deism’ and Deism as such? These are questions which are central to this dissertation.
    [Show full text]
  • Mathilde Blind
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 1998 Mathilde Blind Graham Handley Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Handley, Graham, "Mathilde Blind" (1998). The George Eliot Review. 316. https://digitalcommons.unl.edu/ger/316 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. MATHILDE BLIND by Graham Handley The first titles in the Eminent Women Series published in 1883 by W. H. AlIen included stud­ ies of Emily Bronte and George Sand (Margaret Fuller, Maria Edgeworth, Elizabeth Fry, and Harriet Martineau would be in the next wave) as well as Mathilde Blind's pioneering, sensi­ tive, uneven and sympathetically feminist exposition of George Eliot's life and art. Blind her­ self deserves a full-length study, and at particular points her own life and works touch those of George Eliot. Born Mathilde Cohen in Mannheim in 1841, she took her stepfather's name when her mother remarried. Dr Karl Blind was an ardent republican in Baden, was imprisoned, freed, then exiled himself, first to Belgium then to England, the family settling in St John's Wood a couple of years after the European year of Revolutions in 1848. Richard Gamett, in the Memoir prefixed to the Poetical Works of Mathilde Blind (1900) refers to her unpublished autobiographical writings in which he notes her strong attachment to another girl at her school, her love of music and dancing (exemplified in her novel Tarantella, 1885) and her embracing of Christianity in her girlhood as 'this profoundly personal religion'.
    [Show full text]
  • A Flaming World Embrace”: Lucretian Materialism and the Question of Human Sympathy in Mathilde Blind’S the Ascent of Man
    “A flaming world embrace”: Lucretian Materialism and the Question of Human Sympathy in Mathilde Blind’s The Ascent of Man Melanie Asselmans (01711546) Promotor: Dr. Brecht de Groote Co-promotor: Prof. Dr. Elisabeth Bekers Masterproef voorgelegd tot het behalen van de graad van Master in Gender en Diversiteit Academiejaar 2018-2019 (28 mei 2019) Academisch artikel Woordaantal: 9.777 Deze masterproef is een examendocument dat niet werd GecorriGeerd voor eventueel vastGestelde fouten. In publicaties maG naar dit werk worden Gerefereerd, mits schriftelijke toelatinG van de promotor(en) die met naam op de titelpaGina is vermeld. Abstract It is known that the oeuvre of Victorian aesthete Mathilde Blind (1841-1896) was influenced by evolutionary theory. Her epic poem The Ascent of Man (1889) most attests to this. However, critics have yet to examine in depth Blind’s cultural critique on Darwin’s view of gender relations through her evocation of a universal emotion, in part shaped by her esteem for a Shelleyan brand of Romantic radicalism. This article examines Blind’s exploration of sympathetic citizenship in relation to the debate on materialism that pervaded much of Victorian thouGht and the conflict between the bodily and the spiritual it laid bare. It does so through the analysis of Lucretius’ De Rerum Natura and the notion of clinamen, and focuses on her poem The Ascent of Man. By exploring the notion of human sympathy, Blind offers the means for an alternative to the prevailinG conventions of the time. Het oeuvre van de Victoriaanse dichter Mathilde Blind (1841-1896) toont de invloed van evolutietheorie aan, waarvan haar episch gedicht The Ascent of Man (1889) het grootste voorbeeld is.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G.
    [Show full text]
  • Nineteenth-Century Gender Studies Issue 7.2 (Summer
    NINETEENTH-CENTURY GENDER STUDIES # ISSUE 7.2 (SUMMER 2011) ‘Over my boundless waste of soul’: Echoes of the Natural World, or a Feminine Naturphilosophie, in the Poetry of Emily Brontë and Mathilde Blind(1) By Paula Alexandra Guimarães, University of Minho (Braga), Portugal Tall ferns, washed down in sunlight, Beckoned with fingers green; Tall flowers nodded strangely, With white and glimm’ring sheen; They sighed, they sang so softly, They stretched their arms to me; […] (M. Blind “Entangled”) <1>Victorian women poets were confronted with the need to reassess the Romantic concepts on Man and Nature and to ‘re-present’ the natural world as also a feminine realm or domain. Poets such as Emily Brontë and Mathilde Blind – themselves professing a sort of nature religion – have not only questioned the notion of Creation as a male myth but also challenged the prevailing anthropocentric view of life on Earth. Brontë and Blind have not only generally reconsidered the place of feminine consciousness in the ecological web but also responded to their bioregional sensibilities, namely by expressing a strong sense of place/space. In their respective and diverse attempts to ‘translate’ Nature into Language, the two women poets seem both to cooperate with the natural realm by ‘writing with’ it and to diverge from it, thus subverting the traditional conceptions. They see themselves as fundamentally divided between creative imagination and natural reality, dramatically confronting Nature and Text. <2>These poets’ lines abound with vivid, deliberately placed depictions of the environment: weather, landscape and the seasons, communicating an excess of vital stimulation. But besides exalting community with a living, breathing Nature, Brontë and Blind expound an existential philosophy that, in spite of its implicit pantheism, is concerned with the ultimate destination of the human soul.
    [Show full text]
  • CUM Smith Harry Whitaker Editors
    History, Philosophy and Theory of the Life Sciences C.U.M. Smith Harry Whitaker Editors Brain, Mind and Consciousness in the History of Neuroscience Brain, Mind and Consciousness in the History of Neuroscience History, Philosophy and Theory of the Life Sciences Volume 6 Editors: Charles T. Wolfe, Ghent University, Belgium Philippe Huneman, IHPST (CNRS/Université Paris I Panthéon-Sorbonne), France Thomas A.C. Reydon, Leibniz Universität Hannover, Germany Editorial Board: Marshall Abrams (University of Alabama at Birmingham) Andre Ariew (Missouri) Minus van Baalen (UPMC, Paris) Domenico Bertoloni Meli (Indiana) Richard Burian (Virginia Tech) Pietro Corsi (EHESS, Paris) François Duchesneau (Université de Montréal) John Dupré (Exeter) Paul Farber (Oregon State) Lisa Gannett (Saint Mary’s University, Halifax) Andy Gardner (Oxford) Paul Griffi ths (Sydney) Jean Gayon (IHPST, Paris) Guido Giglioni (Warburg Institute, London) Thomas Heams (INRA, AgroParisTech, Paris) James Lennox (Pittsburgh) Annick Lesne (CNRS, UPMC, Paris) Tim Lewens (Cambridge) Edouard Machery (Pittsburgh) Alexandre Métraux (Archives Poincaré, Nancy) Hans Metz (Leiden) Roberta Millstein (Davis) Staffan Müller-Wille (Exeter) Dominic Murphy (Sydney) François Munoz (Université Montpellier 2) Stuart Newman (New York Medical College) Frederik Nijhout (Duke) Samir Okasha (Bristol) Susan Oyama (CUNY) Kevin Padian (Berkeley) David Queller (Washington University, St Louis) Stéphane Schmitt (SPHERE, CNRS, Paris) Phillip Sloan (Notre Dame) Jacqueline Sullivan (Western University, London,
    [Show full text]
  • Life: 1882-1884
    LIFE: 1882-1884 In 1882 Sharp decided his best hope was a concentrated effort to make a living by writing. In March, he accepted an invitation to visit Rossetti in Birchington. A week after he returned to London, Rossetti died. Deeply affected by the loss of his friend and mentor, Sharp also lamented the absence of his best critic and his chief entry into the literary life of London. Attempting to turn deprivation to gain, he accepted, in June, an invitation from Macmillan and Company to write a biography of Rossetti. Thus began his first attempt at a lengthy work in prose. During the summer, while staying with his mother and sisters at a cottage in Clynder on the Gare-loch, Sharp completed two-thirds of the manuscript. He finished it in the fall after returning to London, and Dante Gabriel Rossetti: A Record and A Study was published in December. The book was widely read, and its generally favorable reception provided a significant boost to Sharp’s literary career. His first book of poems, The Human Inheritance; The New Hope; Motherhood, also appeared in 1882, published by Elliott Stock. According to Elizabeth, he considered this book “the beginning of the true work of his life.” As suggested by the title, it consists of three long poems. The first, “The Human Inheritance,” contains four sections which depict, in turn, childhood, youth, manhood/womanhood, and old age. “The New Hope” forecasts a spiritual regeneration of the world; and “Motherhood” attempts to demonstrate — by depicting the experience of giving birth — commonality of experience among all living creatures.
    [Show full text]
  • The Rediscovery of Jewish Christianity : from Toland to Baur / F
    THE REDISCOVERY OF JEWISH CHRISTIANITY FROM TOLAND TO BAUR Edited by F. Stanley Jones Society of Biblical Literature Atlanta THE REDISCOVERY OF JEWISH CHRISTIANITY From Toland to Baur Copyright © 2012 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Offi ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data The rediscovery of Jewish Christianity : from Toland to Baur / F. Stanley Jones, editor. p. cm. — (Society of Biblical Literature history of biblical studies ; no. 5) Includes bibliographical references. ISBN 978-1-58983-646-4 (paper binding : alk. paper) — ISBN 978-1-58983-647-1 (electronic format) 1. Messianic Judaism—History. 2. Jewish Christians—History. 3. Toland, John, 1670–1722. 4. Baur, Ferdinand Christian, 1792–1860. I. Jones, F. Stanley. BR158.R43 2012 270.1072—dc23 2012006434 Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence. Contents Series Editor’s Foreword .................................................................................vii Preface F. Stanley Jones ...........................................................................................ix
    [Show full text]
  • NINETEENTH-CENTURY GENDER STUDIES ISSUE 14.1 (SPRING 2018) 'Dare to Think Ye Free:' Being a Woman of Letters in Late-Victori
    NINETEENTH-CENTURY GENDER STUDIES ISSUE 14.1 (SPRING 2018) ‘Dare to think ye free:’ Being a Woman of Letters in late-Victorian England Mathilde Blind. Late-Victorian Culture and the Woman of Letters. James Diedrick. Charlottesville and London: University of Virginia Press, 2016. 313 pp. Reviewed by Maria Luigia Di Nisio, Gabriele D’Annunzio University, Chieti-Pescara <1>The emergence of the woman of letters in late-Victorian England has been tackled from a number of critical perspectives, particularly in relation to the Decadence movement and feminist issues. Critical attention has focused on the ways in which the figure of the woman writer interrogates current cultural binaries, especially those defining the idea of ‘true’ femininity, like the opposition between public life and domesticity. <2>James Diedrick’s recent study throws new light on the topic by reconstructing the life and artistic career of Mathilde Blind (1841-1896), poet, essayist, translator and novelist. As the subtitle suggests, his approach aims at connecting Blind’s biography to much broader issues regarding the role of women in fin-de-siècle society. Accordingly, each of the eight chapters is pivoted on a single cultural category such as the Feminist, the New Woman, and the Aesthete, showing how each construct shaped her experience (both personal and literary) and how in turn she contributed to their definition. <3>One of the most fascinating artistic experiences this book explores is Blind’s active involvement in British aestheticism. Women aesthetes, as Talia Schaffer has pointed out in her seminal study on Forgotten Female Aesthetes, challenged the very meaning of the artistic movement they joined; however, in her discussion Schaffer forgets Blind, who indeed, as her biographer makes clear, ‘remained an aesthete to the end’ (244).
    [Show full text]
  • Recalling the Poetics and Politics of the Exilic and Migrant Other in Some English Women’S Poetry
    Paula Alexandra Guimarães UNIVERSITY OF MINHO, PORTUGAL [email protected] Recalling the Poetics and Politics of the Exilic and Migrant Other in Some English Women’s Poetry Fain would I know if distance renders Relief or comfort to her woe. (C. Brontë) In her work on The Artistry of Exile (2013), Jane Stabler explains that “[i]t seems to have taken about five centuries for the concept of exile in English to grow from an externally imposed sentence into a form of identity” (p. 5) and, I would add, into collective memory as well. Although famous exiles such as those of Ovid and Dante1 can be interpreted both as historical events and as ‘states of mind’, she stresses that “the figurative meaning of the noun ‘exile’ to describe a banished person only emerged in the Romantic period” (p. 5) as such, when identification with historical and literary outcasts began to serve both political and aesthetic purposes.2 Therefore, literal and figurative dimensions of the term are inextricably related in the poets analysed here, in whose texts the imaginative conditions of the categories of exile, refugee, expatriate and émigré overlap and run into each other. Furthermore, the power and role of women in national histories, whether of Britain or of other European countries, also preoccupy many of the poets analysed here; as Andrew Ashfield states, they “remain unique examples of how historical realities such as the invasion threats of the 1790s and the drama of the expanding empire in the 1830s” combined with their own domestic and artistic concerns (1995, p.
    [Show full text]
  • Introduction: Passengers of Modernity
    Notes Introduction: Passengers of Modernity 1. Quoted in Robert Secor, ‘Robert Browning and the Hunts of South Kensington’, Browning Institute Studies. An Annual of Victorian Literary and Cultural History, ed. by William S. Peterson, Vol. 7 (1979), 130. 2. Michael Field, Works and Days, British Library, Add. MS. 46780 f.139. When quoting from manuscript material, I have retained the original manuscript format of underlining text, implying italics. 3. Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993), 479. 4. Amy Levy, A London Plane-Tree and Other Verse (London: T. Fisher Unwin, 1889). 5. Mass transport, also called public transport or transportation, mass transportation, or mass transit in America, refers to a system designed to convey large numbers of paying people in various types of vehicles (in the nineteenth century omnibuses, trams, underground and suburban trains) from place to place along fixed routes in cities, suburbs, and larger metropolitan areas. I will use here the term mass trans- port as opposed to mass transportation to avoid any confusion with the British English use of the term ‘transportation’, which historically means ‘removal to penal colony’ (OED). 6. I will be referring throughout this book to Michael Field, not ‘Field’. The reason for this is that ‘Field’ was the name in this co-authorial partnership that referred to Edith Cooper, just as ‘Michael’ referred to Katharine Bradley. 7. Michael Field, Works and Days, British Library, Add. MS. 46780 f.89. Michael Field, Sight and Song (London: Elkin Mathews and John Lane at the Sign of the Bodley Head, 1892).
    [Show full text]
  • 1443 © Bernard Quaritch 2020 [ABOLITION.] Part-Printed Form to Advertise a Petition for the Abolition of the Slave Trade, the 1
    BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Cover illustration adapted from item 4 (Appian/Polemon) Illustration right from item 54 (Paradin) Tailpiece from item 9 (Brown) Recent lists: 2020/11 The Library of Sir Geoffrey Bindman Part II 2020/10 Natural History 2020/9 Summer Miscellany 2020/8 The Library of Brian Aldiss 2020/7 Art & Design Recent catalogues: 1442 The English & Anglo-French Novel 1740-1840 1441 The Billmyer–Conant Collection — Hippology 1440 English Books & Manuscripts Catalogue 1443 © Bernard Quaritch 2020 [ABOLITION.] Part-printed form to advertise a petition for the abolition of the slave trade, the 1. blanks left uncompleted. [Alnwick?] [Dated at the head:] February 18. 1792. Part-printed form (left uncompleted), visible area 83 x 149 mm, creased; framed and glazed. £2500 A very rare survival — testimony to the mechanics of the abolition movement. This form was designed to be completed with the name and location of any party willing to host a petition in favour of abolition in the run up to the presentation of Wilberforce’s bill before Parliament in April 1792.
    [Show full text]