The First Opium War in 1842
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Conceptualizing the Blue Frontier: the Great Qing and the Maritime World
Conceptualizing the Blue Frontier: The Great Qing and the Maritime World in the Long Eighteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultüt der Ruprecht-Karls-Universität Heidelberg Vorgelegt von Chung-yam PO Erstgutachter: Prof. Dr. Harald Fuess Zweitgutachter: Prof. Dr. Joachim Kurtz Datum: 28 June 2013 Table of Contents Abstract 2 Acknowledgments 3 Emperors of the Qing Dynasty 5 Map of China Coast 6 Introduction 7 Chapter 1 Setting the Scene 43 Chapter 2 Modeling the Sea Space 62 Chapter 3 The Dragon Navy 109 Chapter 4 Maritime Customs Office 160 Chapter 5 Writing the Waves 210 Conclusion 247 Glossary 255 Bibliography 257 1 Abstract Most previous scholarship has asserted that the Qing Empire neglected the sea and underestimated the worldwide rise of Western powers in the long eighteenth century. By the time the British crushed the Chinese navy in the so-called Opium Wars, the country and its government were in a state of shock and incapable of quickly catching-up with Western Europe. In contrast with such a narrative, this dissertation shows that the Great Qing was in fact far more aware of global trends than has been commonly assumed. Against the backdrop of the long eighteenth century, the author explores the fundamental historical notions of the Chinese maritime world as a conceptual divide between an inner and an outer sea, whereby administrators, merchants, and intellectuals paid close and intense attention to coastal seawaters. Drawing on archival sources from China, Japan, Korea, Vietnam, and the West, the author argues that the connection between the Great Qing and the maritime world was complex and sophisticated. -
The Opium War, 1839–1842
Chapter 8 The Opium War, 1839–1842 At the end of the great opium debate, the Daoguang Emperor appointed the morally-upright Lin Zexu (1785–1850) as imperial commissioner to sup- press the opium trade. Lin arrived in Canton in March 1839. Within months, Commissioner Lin arrested thousands of opium smokers, destroyed tens of thousands of opium pipes, and confiscated large stockpiles of opium from Chinese smugglers. His foremost concern, however, was to force the British firms to surrender their supplies and sign a bond guaranteeing never to deal in opium again. When the British traders refused, Lin ordered soldiers to sur- round the Thirteen Factories, where the British and other foreigners lived, and demanded the opium. To the surprise of everyone, Superintendent of Trade Charles Elliott promised the traders that the British crown would indemnify them for their losses; within weeks they surrendered more than 20,000 chests, weighing approximately 2.6 million pounds, with a value of some £2 million. The British refused to sign the bond, however. Minor military clashes followed shortly thereafter, in September and November, that started what became known as the Opium War. There are many scholarly debates about the origins of the Opium War. Was it the culmination of a cultural clash between China and the West because of the incompatibility of their different systems of international relations? Was it a moral and economic crusade by the Qing government to end the “great scourge” of opium and relieve the financial pressure on the population from the “silver famine”? Was it a war to secure free trade for British merchants? A war to defend the honor and prestige of the British flag? The answer to this question depends in large part on the perspective being adopted. -
Houqua and His China Trade Partners in the Nineteenth Century
Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wong, John. 2012. Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9282867 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 – John D. Wong All rights reserved. Professor Michael Szonyi John D. Wong Global Positioning: Houqua and his China Trade Partners in the Nineteenth Century Abstract This study unearths the lost world of early-nineteenth-century Canton. Known today as Guangzhou, this Chinese city witnessed the economic dynamism of global commerce until the demise of the Canton System in 1842. Records of its commercial vitality and global interactions faded only because we have allowed our image of old Canton to be clouded by China’s weakness beginning in the mid-1800s. By reviving this story of economic vibrancy, I restore the historical contingency at the juncture at which global commercial equilibrium unraveled with the collapse of the Canton system, and reshape our understanding of China’s subsequent economic experience. I explore this story of the China trade that helped shape the modern world through the lens of a single prominent merchant house and its leading figure, Wu Bingjian, known to the West by his trading name of Houqua. -
Part 7: Invasions, Rebellions, and the End of Imperial China Part 7 Introduction Pre-Modern Vs
Part 7: Invasions, Rebellions, and the End of Imperial China Part 7 Introduction Pre-modern vs. Modern When does modern Chinese history begin? Some say during the Opium War, the late 1830s and 1840s. Others date modern history from 1919 and the May Fourth Movement. In this course we take the 18th century, when the Qing was at its height, to begin modern Chinese history. Considering that modern history bears some relation to the present, what events signified the beginning of that period? In Europe, historians often chose 1789, the French Revolution. The signifying events, the transitional events, for China begin with its transition from empire to nation-state, with population growth, with the inclusion of Xinjiang and Tibet during the Qianlong reign, and with the challenges of maintaining unity in a multi-ethnic population. Encounter with the West In the 19th century this evolving state ran head-on into the mobile, militarized nation of Great Britain, the likes of which it has never seen before. This encounter was nothing like the visits from Jesuit missionaries (footnote 129 on page 208) or Lord Macartney (page 253). It challenged all the principles of imperial rule. Foreign Enterprise Today’s Chinese economy has its roots in the Sino-foreign enterprises born during these early encounters. Opium was one of its main enterprises. Christianity was a kind of enterprise. These enterprises combined to weaken and humiliate the Qing. As would be said of a later time, these foreign insults were a “disease of the skin.”165 It was the Taiping Rebellion that struck at the heart. -
William Jardine (Merchant) from Wikipedia, the Free Encyclopedia
William Jardine (merchant) From Wikipedia, the free encyclopedia For other people with the same name see "William Jardine" (disambiguation) William Jardine (24 February 1784 – 27 February 1843) was a Scottish physician and merchant. He co-founded the Hong Kong conglomerate Jardine, Matheson and Company. From 1841 to 1843, he was Member of Parliament for Ashburton as a Whig. Educated in medicine at the University of Edinburgh, Jardine obtained a diploma from the Royal College of Surgeons of Edinburgh in 1802. In the same year, he became a surgeon's mate aboard the Brunswick of the East India Company, bound for India. Captured by the French and shipwrecked in 1805, he was repatriated and returned to the East India Company's service as ship's surgeon. In May 1817, he left medicine for commerce.[1] Jardine was a resident in China from 1820 to 1839. His early success in Engraving by Thomas Goff Lupton Canton as a commercial agent for opium merchants in India led to his admission in 1825 as a partner of Magniac & Co., and by 1826 he was controlling that firm's Canton operations. James Matheson joined him shortly after, and Magniac & Co. was reconstituted as Jardine, Matheson & Co in 1832. After Imperial Commissioner Lin Zexu confiscated 20,000 cases of British-owned opium in 1839, Jardine arrived in London in September, and pressed Foreign Secretary Lord Palmerston for a forceful response.[1] Contents 1 Early life 2 Jardine, Matheson and Co. 3 Departure from China and breakdown of relations 4 War and the Chinese surrender Portrait by George Chinnery, 1820s 5 Death and legacy 6 Notes 7 See also 8 References 9 External links Early life Jardine, one of five children, was born in 1784 on a small farm near Lochmaben, Dumfriesshire, Scotland.[2] His father, Andrew Jardine, died when he was nine, leading the family in some economic difficulty. -
'Where We Would Extend the Moral
‘WHERE WE WOULD EXTEND THE MORAL POWER OF OUR CIVILIZATION’: AMERICAN CULTURAL AND POLITICAL FOREIGN RELATIONS WITH CHINA, 1843-1856 A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Mathew T. Brundage December 2015 © Copyright All rights reserved Except for previously published materials Dissertation written by Mathew T. Brundage B.A., Capital University, 2005 M.A., Kent State University, 2007 Ph.D., Kent State University, 2015 Approved by ________________________________ Chair, Doctoral Dissertation Committee Mary Ann Heiss, Ph.D. ________________________________ Kevin Adams, Ph.D. ________________________________ Gang Zhao, Ph.D. ________________________________ James Tyner, Ph.D. Accepted by ________________________________ Chair, Department of History Kenneth Bindas, Ph.D. ________________________________ Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS………………………………………………….. iii LIST OF FIGURES………………………………………………………... iv PREFACE ………………………………………………………………... vi ACKNOWLEDGEMENTS……………………………………………….. vii INTRODUCTION………………………………………………………… 1 CHAPTERS I. Chapter 1: China as Mystery ……………………………… 30 II. Chapter 2: China as Opportunity ..………………………… 84 III. Chapter 3: China as a Flawed Empire………………………146 IV. Chapter 4: China as a Threat ………………………………. 217 V. Chapter 5: Redefining “Success” in the Sino-American Relationship ……………………………………………….. 274 CONCLUSION…………………………………………………………….. 317 APPENDIX………………………………………………………………… 323 BIBLIOGRAPHY…………………………………………………………. -
Chinese Bird-And-Flower Wallpaper from Painting to Decorative Arts
CHINESE BIRD-AND-FLOWER WALLPAPER FROM PAINTING TO DECORATIVE ARTS A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Yixin Xu December 2020 © 2020 Yixin Xu ABSTRACT This thesis investigates what remains of the Chinese bird-and-flower wallpaper export in Britain today in an attempt to answer the long-existing question of how these wallpapers, as one of the most successful and unique global products in the 18th century, have changed from a type of oriental painting to a Western interior decoration style. Apart from the summary and literature review, this thesis is divided into six parts. The first part introduces the “Chinoiserie” trend popular in Britain in the 18th century and how bird-and-flower wallpapers entered the UK market, while the second part traces the oriental source of inspiration of the Chinese bird-and-flower wallpaper export, known as Chinese bird-and-flower painting. The third part investigates how the emerging assembly line painting workshop in Canton, China, where most export wallpapers were produced, promoted the birth of this unprecedented global commodity, and the fourth part analyzes the impact of the enthusiasm for oriental plants in Britain on the market demand for Chinese bird-and-flower wallpapers and discusses the relationship between bird-and-flower wallpapers and the export of botanical paintings. The fifth part examines how Chinese painters created large decorative art based on traditional art under the influence of Western customers from the perspective of artistic style, proving that both Chinese producers and Western consumers contributed to the birth of bird-and- flower wallpapers. -
'Catastrophe of This New Chinese Mission': the Amherst Embassy To
1 The ‘catastrophe of this new Chinese mission’: the Amherst Embassy to China of 1816. PETER J. KITSON Amherst’s Embassy and Early Nineteenth-Century Sino-British Relations Two hundred years ago in the early hours of the morning 29 August 1816 (Jiaqing 21), William Pitt, Lord Amherst, unrested after travelling overnight, was unceremoniously manhandled in an attempt to usher him physically with his two deputies, George Thomas Staunton and Henry Ellis, into the presence of the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Exhausted, dirty after a very uncomfortable overnight journey and separated from his diplomatic credentials and ambassadorial robes, Amherst and his two deputies resisted, leaving the palace in anger. It was reported to the emperor that Amherst’s inability to attend the audience was occasioned by an indisposition, as was that of his deputies. The emperor, when discovering the diplomatic nature of this evasion, immediately and perhaps impulsively, dismissed the embassy without granting it an imperial audience and rejected its ‘tribute’ of gifts. Amherst’s party then began their long, overland journey south to Canton (Guangzhou) where the group embarked for home. British accounts, of which they were several, laid this ostensible ‘failure’ of the embassy to secure an imperial audience not on the Jiaqing Emperor, but on the scheming of certain senior court officials who had unwisely assured him that Amherst had practiced and was prepared to perform the ceremony of the full imperial koutou (or ketou both Mandarin) or ‘kowtow’ (anglicised) with three kneelings accompanied by three knockings of the forehead for each prostration. -
The Changing Representation of the Late Qing History in Chinese Film Guo Wu Allegheny College
100 Media Resources The Changing Representation of the Late Qing History in Chinese Film Guo Wu Allegheny College Introduction From the 1950s to the 1990s, Chinese film never ceased to represent the turbulent late Qing history on the screen. The representations, all carrying the mark of their own time, not only tell a story about the late Qing Chinese predicament and dilemma of its modernization, but also reveal the trajectory of the changing ideologies behind their own production. In this sense, the films can be read as both historical and contemporary texts. This article attempts to trace the changing representation by comparing and analyzing major historical films of China from the 1950s to the 1990s, and focuses the discussion on several main themes. National Heroes, Martyrs, and Villains A motif in Chinese historical film is the portrayal of national heroes and the roles they play in China’s self-defense against Western and Japanese invasions. Two films, Lin Zexu, 1958) and The Naval Battle of 1894 (Jiawu fengyun, 1962) created the images of two well-known heroes: Commissioner Lin Zexu and Captain Deng Shichang. In Lin Zexu, Lin is portrayed as a dedicated and conscientious minister par excellence. Always grateful that the Emperor’s trusted him to put down opium smuggling in Guangdong Province, Lin announces in the film that he is willing to thoroughly sacrifice himself (gannao tudi) ASIANetwork Exchange Late Qing History in Chinese Film 101 to accomplish the task. He shows a strong concern with the security and moral integrity of the nation, and holds an explicitly hawkish position of suppressing opium smuggling by closing down opium dens, surrounding the Western firms involved in the smuggling, destroying the opium in public, and forcing the smugglers to sign bonds. -
175 Years of Looking to the Future
175 Years of Looking to The Future of Looking 175 Years C M Y K Merchant Adventurers 5 Great Foresight and Market Knowledge 9 Independent Spirit 13 Courageous and Determined 17 Further Transformation and Innovation... 23 Calculated Risk Takers 27 Looking Ahead 31 A Market Leader Today 33 Timeline 38 Contents An Enterprising Spirit 175 years ago, William Jardine and James Matheson formed a trading partnership that was to become one of the most successful, long lasting, diversified enterprises in Asia. The success of Jardine Matheson has been due in no small part to its unique character, which to this day clearly reflects many of the personal traits of the founders. Not only did the two founding Scotsmen, one highlander and one lowlander, instil an enterprising spirit into their newly created trading venture in 1832, but also qualities such as a strong work ethic, an independent spirit, financial prudence, business foresight, determination and the understanding of the need to build strong relationships in business. Over the years, these qualities have helped those working for Jardines overcome many challenges and consolidate its position in Asia. There has been a constant evolution in the nature of the business interests of Jardine Matheson, or ‘the Firm’ as it has been affectionately known for most of its existence. Its business activities have kept pace with the times during its long history as new opportunities were sought when the profitability of older ventures waned. Today, Jardines’ businesses are at the forefront of their chosen markets. They include property investment and development, luxury hotels, retail, motor vehicles, financial services and insurance, engineering and construction, agribusiness, mining, restaurants and IT services. -
The Incompetence of Qing Dynasty Officials in the Opium Wars, and the Consequences of Defeat
An Indefensible Defense: The Incompetence of Qing Dynasty Officials in the Opium Wars, and the Consequences of Defeat DANIEL CONE The Opium Wars were small scale wars fought with global implications. With fewer than five thousand troops and twenty naval vessels the British were able to win the First Opium War, allowing them to rewrite trade laws that were demonstrably unfair to the Chinese. After losing the First Opium War, the Qing Dynasty then had to deal with the Taiping Rebellion (caused in part by anti- foreign sentiment sprung from the Opium War) and a subsequent Second Opium War, which created more unequal trade stipulations. The Manchus and the British had very different militaries, as “Britain experienced an industrial revolution that produced military technology far beyond that of the Qing forces,” writes Peter Worthing.1 While the Manchus would almost certainly be defeated by the British in an open, “fair fight,” there are many other ways of engaging an enemy while maintaining a tactical advantage. This is especially true when fighting an invading force, as the Manchus could utilize defensive structures to their advantage. According to the traditionalist view, the Manchus could not have competed with such a superior force,2 but I contend it was the incompetency of Qing officials, not the superiority of European warfare, that caused the Qing Dynasty to capitulate. Qing officials anticipated an armed conflict would be necessary to halt the importation of British opium, but the Manchus vastly underestimated the foe they were to face. The preparations made before the invasion were underfunded, underutilized, and most importantly undermanned; often leaving local provinces to fight without any assistance. -
The Mediated Myth of Lin Zexu
The Mediated Myth of Lin Zexu Thesis accepted by the Faculty of Arts and Humanities of the University of Cologne for the Degree of Doctor of Philosophy in 2016 Doctoral Candidate: Angelo Maria Cimino Supervisor: Prof. Dr. Stefan kramer Second Supervisor: Prof. Dr. Huang Weiping Abstract The present study aims at determining the role played by the media representations of the myth of Lin Zexu in China. It precisely attempts to illustrate how, as a media form of popular culture, the myth of Lin Zexu epitomizes precise practices of representations embedded in a wider cultural network whithin which, determined actors, agencies, signs, and practices – somewhat struggling and interacting over the production, communication and consumption of specific meanings and ideologies – give shape to a peculiar articulation of the social and cultural texture of Chinese society. The subject of this study are thus a series of representations of Lin Zexu conveyed by distinct Chinese media since 1978. I endeavour at analysing how Lin Zexu is a meaning-making resource produced and communicated by specific Chinese media such as Television products and various Internet content, and consumed by Chinese media users through a multiplicity of media forms – movies, documentaries, digital images, cartoon, songs, Internet database research engines, microblogs, and digital photographs – in order to allow the constructed myth of Lin Zexu of upholding Chinese society’s institutions, to legitimize its rulers, to celebrate their values, and more generally to preserve China’s trajetory and the specific way of life that follows it. By semiotically examining Lin Zexu representations’ content and meaning, their political economy of production, and partially the users’ reception and response to such media representations, I try to weave the cultural network that they generate and are simultaneously part of.