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Opmaak 1 -..:: Companions 360Opera The dust of the economic crisis is settling and the first signs of recovery are getting stronger, also for the entertainment industry. It was no foresight when we announced in the beginning of 2008 to take a break of 2 to 3 years. Our break started right after our Nabucco performance for 57.000 spectators in Paris in October 2008 and coincided with the economic crisis. The impact of the crisis made clear to us that we needed a new way to present our arena productions. We have followed the international discussions about the changes needed in our industry, which helped us to develop our new approach. We learned from past productions that introducing our high quality, grand scale 360 degree arena opera in a new market is always, at first, faced with scepticism. Recognition and appreciation, from both press and audience, comes only after experiencing one of our productions. Knowing this we propose the local partner a partnership-plan for a minimum of 3 years in which we expand, year by year, the market for our product. In the 1st year we start with a well-known opera which as production is less expensive. This way we are able to ‘open’ the market cautiously and get the worth-of-mouth working for us. In the following 2 years we bring the more popular titles, as well as adding more performances. Once the 1st year is extremely successful, we can expand the plan from 3 to 5 years by adding 2 more of our productions. At the moment we are working closely with several partners/cities to implement this concept, with the first performances starting in 2012/2013. In our new marketing approach we emphasize that our productions are a family-entertainment- product, for an audience between 8 and 100. More than ever our focus is on 1-to-1 communication with the use of the social media platforms. We also introduce a new brand name: ‘Companions 360opera’, to distinguish our productions from the regular operas in opera houses. In this brochure we present our product. We start with the 5 available arena-productions, followed by the productions we have done once, but can be adapted on demand. The last 3 productions in the brochure are our available stadium versions. Details about the productions and the artists who have worked with us can be found on the last pages. People who have met me know that I have not only a passion for opera but also a desire to bring this little world of opera to a larger audience. With our 360 degree opera-approach for arenas and stadiums we have a prestigious and profitable product to make this happen! Peter Kroone Producer 3 Arena Giuseppe Verdi (1813-1901) Opera in four acts Libretto: Temistocle Solera Direction: Charles Roubaud Scenery: Emmanuelle Favre Costumes: Katia Duflot Light & projection: Fabrice Kebour SAP Arena Mannheim, Germany Premiere: April 27th, 2007 Performances: 3 Visitors: 20.000 o2 World Hamburg, Germany (Color Line Arena) Premiere: March 2nd, 2007 Performances: 3 Visitors: 24.000 Nabucco facts & figures Best known for its ‘Chorus of the Hebrew Slaves - Va pensiero’. During the first rehearsal on stage in 1842 even the stage hands shouted their approval, then beat on the floor and the sets with their tools to create an even noisier demonstration of their praise. 1 Baal statue • four 40ft trucks for sound, light & projection • four 40ft trucks for set, props & costumes • 10 moving stages 90 orchestra • 96 choir • 134 talents • 320 costumes 4 5 Arena Giuseppe Verdi (1813-1901) Opera in three acts Libretto: Francesco Maria Piave Direction: Ken Caswell•Craig Revel Horwood Scenery: Bernard Arnould Choreography: Craig Revel Horwood Costumes: AZIZ•Aziz Bekkaoui Light: Marc Heinz Hallenstadion Zurich, Switzerland Premiere: November 23rd, 2007 Performances: 3 Visitors: 21.000 Olympiahalle Munich, Germany Premiere: December 26th, 2001 Performances: 2 Visitors: 15.500 Ahoy Arena Rotterdam, The Netherlands Premiere: January 20th, 2000 Performances: 5 Visitors: 26.000 Traviata facts & figures The most touching love story. ‘Violetta’: favourite opera role of Maria Callas. Based on the still popular book ‘the lady of the camellias’ by Alexandre Dumas. Two 40ft trucks for set,props & costumes • four 40ft trucks for sound, light, projection • 18 hand-painted score pages as floor • 89 orchestra • 96 dancers • 96 choir • 332 costumes • 1800 square meter stage 6 7 Arena Georges Bizet (1838-1875) Libretto: Henri Meilhac and Ludovic Halévy after the novel by Prosper Mérimée Direction: Bernard Broca Scenery & costumes: Bernard Arnould Light: Simon Mills (since 2003)•Marc Heinz (until 1999)• Philip Arlaud (1995) o2 World Hamburg, Germany (Color Line Arena) Premiere: February 17th, 2006 Performances: 3 Visitors: 25.000 Hallenstadion Zurich, Switzerland Premiere: December 17th, 2003 Performances: 5 Visitors: 27.000 Lotto Arena Antwerp, Belgium (Sportpaleis) Premiere: March 6th, 1998 Performances: 2 Visitors: 19.600 Ahoy Arena Rotterdam, The Netherlands Premiere: January 25th, 1995 Performances: 7 Visitors: 45.000 Carmen facts & figures Best known opera title. ‘Habanera’ most frequent downloaded opera ring tone. Four 40ft trucks for sound & light • five 40ft trucks for set, props & costumes • 7 horses • 24 flamenco dancers • 48 children choir • 64 children on stage • 84 orchestra • 96 rifles • 96 choir • 102 kg paella on stage • 192 talents • 320 tons red sand • 573 costumes • 1.200 hand fireworks • 26.000 carnations 8 9 Arena Giacomo Puccini (1858-1924) Opera in three acts Lbretto: Giuseppe Adami & Renato Simoni Direction: Bernard Broca Scenery & costumes: Bernard Arnould Light: Philippe Arlaud Ahoy Arena Rotterdam, The Netherlands Premiere: January 24th, 1996 Performances: 7 Visitors: 36.000 Turandot facts & figures Pavarotti sung the aria ‘Nessun dorma’ into the popular music hit parades with the 3 tenors concert in Atlanta. Producers’ favourite. Four 40ft trucks for sound & light • eight 40ft trucks for set, props & costumes • 30 Buddha’s in a 30 x 11 meters wall • 32 children choir • 65 Terra-cotta warriors • 84 orchestra • 96 choir • 205 talents • 237 costumes 10 11 Arena Giuseppe Verdi (1813-1901) Opera in four acts Libretto: Antonio Ghislanzoni Direction: Petrika Ionesco Scenery & costumes: Bernard Arnould Choreography: Krzysztof Pastor Light: Marc Heinz SAP Arena Mannheim, Germany Premiere: May 19th, 2006 Performances: 3 Visitors: 23.000 Olympiahalle Munich, Germany Premiere: April 15th, 2006 Performances: 2 Visitors: 16.000 TUI Arena Hannover, Germany Premiere: February 12th, 2005 Performances: 3 Visitors: 20.000 o2 World Hamburg, Germany (Color Line Arena) Premiere: February 6th, 2004 Performances: 3 Visitors: 30.000 Ahoy Arena Rotterdam, The Netherlands Premiere: January 23rd, 1998 Performances: 7 Visitors: 45.000 Aida facts & figures Most often performed opera in the world. Aida already reached New York in 1837, before it went in any of the great European opera houses. 1 bird of prey • four 40ft trucks for sound & light • six 40ft trucks for set, props & costumes • 11 horses • 24 ballet • 32 children ballet • 76 orchestra • 96 choir • 175 square meter plants & water parts • 270 talents • 380 tons white sand • 495 costumes 12 13 Arena Giuseppe Verdi (1813-1901) Opera in four acts Direction & choreography: Craig Revel Horwood Scenery: Bernard Arnould Costumes: Roberto Rosello Light: Howard Harrison Ahoy Arena Rotterdam, The Netherlands Premiere: January 16th, 2002 Performances: 4 Visitors: 18.000 Trovatore facts & figures The libretto of Il Trovatore is considered the acme of absurdity. But the ‘Anvil Choir’ and the aria ‘Di quella pira’, with the longest high C in history, made this opera for many years a publics’ favourite. Three 40ft trucks for sound & light • seven 40ft trucks for set, props & costumes • 20 dancers • 84 orchestra • 96 choir • 158 talents • 318 costumes 14 15 Open Air Giuseppe Verdi (1813-1901) Opera in three acts Libretto: Francesco Maria Piave Direction & scenery: Bernard Broca Choreography: Noes Fiolet Costumes: Oscar Suleyman Light: Marc Heinz Harbour of Rotterdam Open-Air, The Netherlands Premiere: September 6th, 2001 Performances: 4 Visitors: 14.000 Rigoletto facts & figures The 1st open-air harbour performance. The famous ‘La donna e mobile’ aria made an instantaneous hit when it premiered in La Fenice in Venice. Soon all Venice was mad over it; and the men, they say, sang it in the streets into the ears of the women. One 8000-seats covered tribune • 1 light boat • 2 floating docks • six 40ft trucks for sound & light • twenty-two 40ft trucks for set, props, costumes & tribune • 60 choir • 64 containers • 84 orchestra • 97 talents • 134 costumes 16 17 Arena Pietro Mascagni (1863-1945) Opera in one act Libretto: Targioni-Tozzetti & G. Menasci Ruggero Leoncavallo (1858-1919) Opera in prologue and two acts Libretto: Ruggero Leoncavallo Direction: Bruno Stefano Scenery & costumes: Bernard Arnould Light: Michel Theuil Lotto Arena Antwerp, Belgium (Sportpaleis) Premiere: February 26th, 1999 Performances: 2 Visitors: 10.000 Ahoy Arena Rotterdam, The Netherlands Premiere: January 21st, 1999 Performances: 5 Visitors: 22.000 Ahoy Arena Rotterdam, The Netherlands Premiere: January 19th, 1994 Performances: 9 Visitors: 35.000 Cavalleria rusticana facts & figures First opera that plays in daily life and present time. ‘Intermezzo’ famous as background music for documentaries and funerals. one 4-meter long sculpture of Christ on the Cross • 2 horses • four 40ft trucks for sound & light • eight 40ft trucks for set, props & costumes • 28 original church pieces from Sicily for use in the procession •
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