1. Missionary Journal, “Chinese Character” This Article Was
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SUPERHEROES Maritheresa F
más+menos student magazine fall 2011 seville study center SUPERHEROES Maritheresa F. Frain: Director of the CIEE Study Center in Seville Oscar CEballos: Coordinator, editor, and graphic designer. Resident Editor’s Note Director of the Communication, New Media and Journalism program Oscar Ceballos Eduardo DEL CAMPO: Final editor of contents, staff reporter from El Mundo Gloria MARTÍNEZ: Coordination of University of Seville students and revision of English-Spanish translations Superman wore a cape Lauren SIEBEN: Revision of texts in English and editor assistant más+menos student magazine apes may be normal in Krypton, but on worse, once people get used to them, they’re and respect. After all, they’re just an exagger- fall 2011 Cplanet Earth they’re kind of weird. taken for granted. ated version of us. www.ciee.org/masmenos In one of my favourite absurd dialogues All superheroes are gifted—or cursed— In the pages of más+menos 17, we’ve tried seville study center from the iconic ‘90s sitcom “Seinfeld,” George with some sort of superpower, and they won’t to cover the whole superhero spectrum, even Constanza, the plump, middle-aged maniac be left alone until they put it to what the gener- including the cursed ones. We have stories played by Jason Alexander, gets quite upset al consensus thinks might be a good use. That about stars that once shined brightly, iconic when he realizes that his parents are planning is why, utterly disappointed by our selfishness, figures who died young, brave bullfighters who to divorce. As an only child, the mere idea many superheroes end up venturing into the become pathologically shy out of the spot- contents of having to celebrate two separate Thanks- dark side. -
Reflections on Discrimination
WERTHEIMER_POST AUTHOR EDIT.DOC 2/26/2007 1:23:23 PM Reflections on Discrimination ALAN WERTHEIMER* TABLE OF CONTENTS I. INTRODUCTION .................................................................................................. 945 II. DISCRIMINATION................................................................................................ 947 A. The Rhetoric of Discrimination................................................................ 947 B. What Makes Discrimination Wrong?....................................................... 948 C. How Wrong Is Discrimination? ............................................................... 951 D. Mating as Discrimination ........................................................................ 957 III. REACTION QUALIFICATION REVISITED ............................................................... 959 A. Laundering Preferences........................................................................... 969 B. Public and Private ................................................................................... 972 C. Perfectionism ........................................................................................... 975 I. INTRODUCTION I take it that my principal qualification for being asked to participate in the workshop that gave rise to this paper is that I published an article, Jobs, Qualifications, and Preferences (JQP) in 1983, in which I discussed an issue that had not received sufficient attention.1 Arguments for affirmative action frequently appealed to the social and psychological -
'Where We Would Extend the Moral
‘WHERE WE WOULD EXTEND THE MORAL POWER OF OUR CIVILIZATION’: AMERICAN CULTURAL AND POLITICAL FOREIGN RELATIONS WITH CHINA, 1843-1856 A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Mathew T. Brundage December 2015 © Copyright All rights reserved Except for previously published materials Dissertation written by Mathew T. Brundage B.A., Capital University, 2005 M.A., Kent State University, 2007 Ph.D., Kent State University, 2015 Approved by ________________________________ Chair, Doctoral Dissertation Committee Mary Ann Heiss, Ph.D. ________________________________ Kevin Adams, Ph.D. ________________________________ Gang Zhao, Ph.D. ________________________________ James Tyner, Ph.D. Accepted by ________________________________ Chair, Department of History Kenneth Bindas, Ph.D. ________________________________ Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS………………………………………………….. iii LIST OF FIGURES………………………………………………………... iv PREFACE ………………………………………………………………... vi ACKNOWLEDGEMENTS……………………………………………….. vii INTRODUCTION………………………………………………………… 1 CHAPTERS I. Chapter 1: China as Mystery ……………………………… 30 II. Chapter 2: China as Opportunity ..………………………… 84 III. Chapter 3: China as a Flawed Empire………………………146 IV. Chapter 4: China as a Threat ………………………………. 217 V. Chapter 5: Redefining “Success” in the Sino-American Relationship ……………………………………………….. 274 CONCLUSION…………………………………………………………….. 317 APPENDIX………………………………………………………………… 323 BIBLIOGRAPHY…………………………………………………………. -
The Economic Motives for Foot-Binding
Discussion Paper Series – CRC TR 224 Discussion Paper No. 187 Project A 03 The Economic Motives for Foot-binding Xinyu Fan* Lingwei Wu** June 2020 *Cheung Kong Graduate School of Business. Email: [email protected]. ** Department of Economics, University of Bonn. Email: [email protected]. Funding by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) through CRC TR 224 is gratefully acknowledged. Collaborative Research Center Transregio 224 - www.crctr224.de Rheinische Friedrich-Wilhelms-Universität Bonn - Universität Mannheim ∗ The Economic Motives for Foot-binding † ‡ Xinyu Fan and Lingwei Wu April, 2020 Abstract We study foot-binding – a practice that reshaped millions of women’s feet in his- torical China, yet in lack of a consistent explanation of its temporal, regional, class, and size variation. We present a model of foot-binding, where it serves as a premar- ital investment tool in response to a male-specific social mobility shock, and women trade off labor distortions for marriage prospects. Furthermore, the regional shifts on both sides of the trade-off explained its observed variation. Using county-level archival data on foot-binding, we corroborate the theory with empirical evidence. JEL Codes: O15, J16, N35, Z10 Key Words: Gender Norm, Marriage Market, Labor, Foot-binding ∗ We are deeply indebted to Albert Park for his mentoring and guidance, and James Kung, Paola Giuliano, Jane Zhang for insights and support. This work has benefited from the comments of Aloysius Siow, Bishnupriya Gupta, Carol Shiue, Christian Bayer, Christian Dippel, Cornelius Christian, Daniel Hamermesh, Elaine Liu, Erik Hornung, Fabio Mariani, Felipe Valencia Caicedo, Ingela Alger, James Fenske, James Z. -
The New Orphic Review
1 The New Orphic Review Editor-in-Chief Ernest Hekkanen Copy & Associate Editor Margrith Schraner Managing Editor Michael Connor _______________________________________________________ 2 Contents Copyright © THE NEW ORPHIC REVIEW for the authors First North American Serial Rights Reserved ISSN 1480-5243 The New Orphic Review, a journal devoted to publishing fiction, po- etry, reviews and essays, is published two times per year by New Or- phic Publishers. The review accepts no financial assistance from gov- ernment sources, but will accept advertising. EDITORIAL AND BUSINESS OFFICE: The New Orphic Review, 1095 Victoria Drive, Vancouver, British Co- lumbia, Canada, V5L 4G3. Make sure all inquires and manuscripts are accompanied by an SASE and that the return postage is Canadian. Manuscripts with insufficient return postage will be held for six months and then discarded. Payment to contributors is one copy of the review in which the au- thor’s work appears. The New Orphic Review purchases First North American Serial Rights only. Opinions expressed by contributors are not necessarily those of The New Orphic Review. SUBSCRIPTIONS PER YEAR (2 ISSUES) Individuals Canada $25 (CAD) Institutions Canada $30 (CAD) USA $25 (US) USA $30 (US) Individual issues $15.00 CAD or US as applicable. ADVERTISEMENTS (BLACK & WHITE CAMERA-READY ONLY): Inside covers: Other pages: Half pages: $200 CAD, $175 US $150 CAD, $125 US $75 CAD, $60 US Subscriptions and advertisements should be sent to the above ad- dress. Cheques should be made out to The New Orphic Review. -
Female Body Modification Through Physical Manipulation: a Comparison of Foot-Binding and Corsetry
Female Body Modification through Physical Manipulation: A Comparison of Foot-Binding and Corsetry Hannah Conroy [email protected] History Department April 7 th , 2014 ACKNOWLEDGEMENTS First and foremost, I would like to thank Aunt Bonnie’s Books for the donation of A History of Fashion in the 20th Century , by Gertrud Lehnert and Vintage Clothing 1880 - 1980 , by Maryanne Dolan. I walked in and asked about a very specific kind of book and you just handed me the only two you had, free of charge. You have a customer for life. One big “thank you!” to my mother, Suzie Conroy, for her continued support and hard work during my attendance at Carroll College; without her, I would not have attended Carroll. Hey mom, we made it! I would also like to thank the entire staff of the Carroll College Corette Library, especially Kathy Martin for getting every book I ever asked for. Thank you to both of my readers, Dr. Kay Satre and Dr. Jamie Dolan. You are wonderful women and I really appreciate your feedback. Last, but not least, thanks to Dr. Jeanette Fregulia for her support and patience with me as I wound my way through this education. Your guidance has been invaluable to me during each semester. ABSTRACT Over the past fifty years, with the continuing contributions of many Gender History scholars, historians are now presented with an opportunity to explore an often over- looked area within the physical manipulation of women’s bodies. There are a variety of means by which the female form is shaped by the cultural and societal norms, including the pressures to look young and beautiful. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Making of National Women: Gender, Nationalism and Social Mobilization in China’s Anti-Japanese War of Resistance, 1937-45 A Dissertation Presented by Dewen Zhang to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University December 2013 Copyright by Dewen Zhang 2013 Stony Brook University The Graduate School Dewen Zhang We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Iona Man-Cheong – Dissertation Advisor Associate Professor, Department of History Nancy Tomes - Chairperson of Defense Professor, Department of History Victoria Hesford Assistant Professor, Department of Cultural Analysis and Theory Danke Li Professor, Department of History Fairfield University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation The Making of National Women: Gender, Nationalism and Social Mobilization in China’s Anti-Japanese War of Resistance, 1937-45 by Dewen Zhang Doctor of Philosophy in History Stony Brook University 2013 Drawing on materials from the Second Historical Archive of China, the Rockefeller Archive Center, the Special Collection of American Bureau for Medical Aid to China, as well as other published and unpublished materials gathered in mainland China, Taiwan and the U.S., this dissertation discusses a broad spectrum of women of various social and political affiliations performed a wide range of work to mobilize collective resistance against Japanese aggression. -
Footbinding, Sexuality and Transnational Feminism Zhang Yuan
Footbinding, Sexuality and Transnational Feminism Zhang Yuan Footbinding, Sexuality and Transnational Feminism Zhang Yuan 3204235 June, 2009 Footbinding, Sexuality and Transnational Feminism Zhang Yuan Contents Introduction................................................................................ 1 I Footbinding in General........................................................... 2 II Footbinding under Western and Eastern Eyes.................. 12 (1) Western Interpretations of Footbinding ..................... 12 (2) Eastern Interpretations of Footbinding ...................... 16 III Footbinding and Sexuality................................................. 20 IV Can bound-feet women speak?.......................................... 25 V Transnational Feminism...................................................... 37 VI Conclusion........................................................................... 46 References and Bibliography.................................................. 49 Footbinding, Sexuality and Transnational Feminism Zhang Yuan Introduction Footbinding was a Chinese custom where women bound their feet with cloth to make them smaller. As a special culture, it has spread its influence deeply into various fields in Chinese social life (both female and male) during the past centuries, such as music, dance, painting, literature, costume, and so on. For instance, footbinding “had the regrettable consequence that it put a stop to the great old Chinese art of dancing” (Van Gulik, 1961) and thereby perhaps pushed females -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Children on the Margins: The Global Politics of Orphanage Care in Contemporary China Permalink https://escholarship.org/uc/item/4434c760 Author Wang, Leslie Kim Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Children on the Margins: The Global Politics of Orphanage Care in Contemporary China By Leslie Kim Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas B. Gold, Co-Chair Professor Barrie Thorne, Co-Chair Professor Marion Fourcade-Gourinchas Professor You-Tien Hsing Fall 2010 Abstract Children on the Margins: The Global Politics of Orphanage Care in China by Leslie Kim Wang Doctor of Philosophy in Sociology University of California, Berkeley Professor Thomas B. Gold, Co-Chair Professor Barrie Thorne, Co-Chair Since beginning its rapid transition to a market economy in 1978, the People’s Republic of China has sought to become internationally dominant. In order to develop human capital and labor power, it has implemented a range of ideologically-driven policies that have been geared towards improving the overall mental, moral and physical “quality” (suzhi) of the population. The current criteria for assessing the individual value of citizens have resulted in new lines of stratification being drawn among children. As a result, healthy rural daughters and special needs children in particular are now considered unworthy of intensive investment and face a higher likelihood of being abandoned to state care. -
Ben-Gurion University of the Negev
BEN-GURION UNIVERSITY OF THE NEGEV THE FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF FOREIGN LITERATURES AND LINGUISTICS THE REPRESENTATION OF JEWISH MASCULINITY IN CONTEMPORARY AMERICAN SITCOMS THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS SHANY ROZENBLATT 021692256 UNDER THE SUPERVISION OF: PROF. EFRAIM SICHER November 2014 BEN-GURION UNIVERSITY OF THE NEGEV THE FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF FOREIGN LITERATURES AND LINGUISTICS THE REPRESENTAION OF JEWISH MASCULINITY IN CONTEMPORARY AMERICAN SITCOMS THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS SHANY ROZENBLATT 021692256 UNDER THE SUPERVISION OF: PROF. EFRAIM SICHER Signature of student: ________________ Date: _________ Signature of supervisor: ________________ Date: _________ Signature of chairperson of the committee for graduate studies: _______________ Date: _________ November 2014 Abstract This thesis explores the representation of Jewish characters in contemporary American television comedies in order to determine whether Jews are still depicted stereotypically as emasculate. The thesis compares Jewish and non-Jewish masculinities in American Television sitcom characters in shows airing from the 1990's to the present: Seinfeld, Friends, and The Big Bang Theory. The thesis asks whether there is a difference between the representation of Jews and non-Jews in sitcoms, a genre where most men are mocked for problematic masculinity. The main goal of the thesis is to find out whether old stereotypes regarding Jewish masculinity – the "jew" as weak, diseased, perverted and effeminate – still exist, and how the depiction of Jewish characters relates to the Jews' assimilation and acceptance in America. -
Chapter Five Absenting the Chinese Man in the Ancestor Game In
113 Chapter Five Absenting the Chinese Man in The Ancestor Game The novel retells again and again the story of the person who is marooned on some kind of island of metaphor and who comes upon the tracks of another self. But always it is the story of the isolated self seeking to transcend its isolation by becoming the other, the other self, through communication of the subjective reality of the self. When we were children we all asked someone close to us the awesome question, What is it really like to be you? (Alex Miller, "Chasing My Tale" 6) In an interview, Alex Miller has said that The Ancestor Game was written for a Chinese artist friend: "I followed his experience. I wanted to validate him" (Ryle 1). Notwithstanding that the character Lang Tzu Feng is at one point described as having a "mischievous, primate quality of cunning" (17), Alex Miller's The Ancestor Game (1992) has one of the more sympathetic representations of a Chinese man in recent Australian literature. Although it presents a sympathetic representation, The Ancestor Game is also predicated upon the displacement of that Chinese male subject by another. Representation, as Sneja Gunew tells us, involves two meanings, "on the one hand... as 'depiction' and on the other as 'delegation' (speaking for)" ("Playing" 87). Within this "speaking for" we can see representation is also an impulse to displace. In the second of these meanings a line of authority is assumed, a position vis-a-vis the one who is spoken for. However representation is also a practice in the absence of the one spoken for, and despite Miller's validating intentions of "speaking for", I will argue in this chapter that it is also possible to detect how ambivalent, limiting and marginalising this representation as depiction of a Chinese man is across the text, and how it is predominantly a practice of absenting the other. -
Images of Women in Four Modern Chinese Historical Plays
Fall 1993 61 Male Ideology and Female Identity: Images of Women in Four Modern Chinese Historical Plays Haiping Yan Modern Chinese historical drama emerged with the modern spoken drama in the May 4th New Culture Movement in the early 20th century. The modern spoken drama, a Chinese imitation and appropriation of the form of Western modern drama which putatively began with Ibsen, was a radical negation of the Chinese traditional theatre represented by forms such as classical Peking Opera. Starting in 1917, New Youth, which was launched by a group of young intellectuals and became one of the most influential journals of the New Culture Movement, vigorously criticized the traditional theatre in which "no man speaks human language" and advocated a new drama about "real people's real life."1 In their radical challenge to the traditional theatre, some of the young intellectuals argued that the genre of historical drama could not do anything useful but "repeat the old habits and stories."2 Guo Mo-ruo, a radical activist and one of the founders of modern Chinese literature, had a different view on this issue. In his opinion, the long history of China contains "the soul of the nation and indicates its future fate." What he wanted to do, as he announced in 1923, was to project a living energy into the dead skin of history and to generate a new form of historical drama which combines the past and the present into an image of the future.3 The trilogy named Three Rebellious Women was his first dramatization of this theoretical claim and, in a literal sense, the beginning of modern Chinese historical drama.