Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large

Total Page:16

File Type:pdf, Size:1020Kb

Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large AUGUST 2019 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Romeo and Juliet. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. PERFORMANCES MAGAZINE 1 OUR THANKS PRODUCTION SPONSORS PRODUCTION SPONSORS DIANE AND JOHN BEROL THE JEANNIE POLINSKY RIVKIN ARTISTIC FUND Being aware of the dependence on charitable support for artistically driven theatre, Diane and Jeannie Polinsky Rivkin, longtime Globe supporter and former Chair of the theatre’s John Berol are delighted to continue a tradition that began in 1995 of sponsoring productions. Advancement Campaign—which raised over $10 million for the theatre in 1993—established Their sponsorships have included Dancing at Lughnasa, Voir Dire, Labor Day, Pericles, Much Ado The Jeannie Polinsky Rivkin Artistic Fund in 2010. This generous legacy gift is part of The Old About Nothing, The Two Noble Kinsmen, The Winter’s Tale, Titus Andronicus, Measure for Measure, Globe’s Endowment Fund to secure and enhance the artistic mission of The Old Globe. Jeannie The Merry Wives of Windsor, The Taming of the Shrew, As You Like It, A Midsummer Night’s Dream, and her husband Arthur Rivkin are civic and philanthropic leaders devoted to the performing The Winter’s Tale, Love’s Labor’s Lost, King Richard II, The Tempest, and Twelfth Night in 2001, arts, children’s welfare, public broadcasting, and many other community treasures. The Old 2009, and 2015. (Photo: Kate Burton in The Tempest, 2018. Photo by Jim Cox.) Globe thanks and applauds Jeannie Polinsky Rivkin for her unique legacy gift, which will benefit San Diego theatregoers for generations to come. KAREN AND DONALD COHN THE ERNA FINCI VITERBI ARTISTIC DIRECTOR FUND Karen and Donald Cohn have served in leadership roles at The Old Globe for nearly 25 years. In 2016 Andrew J. Viterbi and his family created The Erna Finci Viterbi Artistic Director Karen, a graduate of University of San Diego’s School of Law, is involved with numerous major Fund in memory of their beloved wife and mother. This generous and visionary gift is helping arts and cultural institutions. Don is the founder and former CEO of Dataquick Information sustain The Old Globe for many years as it encourages others to contribute to the theatre’s Systems Inc. and is owner of Ballena Vista Farms in Ramona, one of Southern California’s long-term stability. The Viterbi family’s passion for philanthropy is inspiring, and The Old largest thoroughbred racing, breeding, and training facilities. Don has served as Board Chair Globe is proud to have been a beneficiary of their largesse for years, including a leadership gift of the Globe and continues his work on the Executive and other committees. Karen first joined of $2 million to the Capital Campaign in 2006. Erna loved the arts, and theatre in particular, the Globe Board in 1992. She has successfully co-chaired numerous Galas over the years. She and her magnanimous spirit and considerable warmth touched many. The Old Globe believes also served two terms as Chair of the Board of Directors. The Cohns have supported many it is fitting that her name is now attached to the values of the Globe’s artistic output while the productions, including Sense and Sensibility; Kiss Me, Kate; Picasso at the Lapin Agile; Hamlet; theatre’s body of work honors her blessed memory. The Tempest; and Life After. Karen and Don helped launch the Globe’s Capital Campaign in 2006 with a significant gift, and, in recognition, the Globe’s education center is named in their honor. ARTIST SPONSORS ANN DAVIES Born and raised in England, Ann Davies moved to San Diego after living in Canada. She was Artist Sponsor for Louisa Jacobson (Juliet) married to the late John Davies, son of Lowell Davies, in whose honor the Festival Theatre is named. Following an elementary school teaching career, Ann now focuses much of her volunteer CALIFORNIA BANK & TRUST work on children’s charities. She has been involved with Junior League, St. Germaine Auxiliary, California Bank & Trust (CB&T) has been a generous corporate partner of The Old Globe for more than two decades. CB&T has and Voices for Children. She served on the board of the Child Abuse Prevention Foundation provided both volunteer and financial contributions to the Globe over the years, including service on the Board of Directors and is a former board president of the San Diego Museum of Art. Currently, Ann delivers through the leadership of CB&T’s Senior Vice President, Sandra Redman, who was instrumental in the bank’s unwavering for Meals on Wheels and serves on the boards of The Old Globe and The Parker Foundation. support of the Globe’s Securing a San Diego Landmark Capital and Endowment Campaign. The bank’s previous sponsorships She has enjoyed theatre at the Globe for many years and has sponsored many productions, include such plays as Henry V, God of Carnage, A Gentleman’s Guide to Love and Murder, Meteor Shower, Ken Ludwig’s Robin Hood!, including Twelfth Night, Love’s Labor’s Lost, Guys and Dolls, The Importance of Being Earnest, and and Barefoot in the Park. The Old Globe is grateful to California Bank & Trust for its very generous support and its commitment Much Ado About Nothing. and dedication to the arts. PAMELA FARR AND BUFORD ALEXANDER Artist Sponsor for Aaron Clifton Moten (Romeo) Pamela Farr and Buford Alexander spread their time across Rancho Santa Fe; Greenwich, Connecticut; and Amsterdam. Pam joined the Globe’s Board of Directors in 2005 and is a JUNE YODER member of the Executive, Audit, Finance, and Governance Committees. Pam’s relationship June Yoder and her late husband Paul became subscribers to The Old Globe in 1963 upon moving to San Clemente, and for 55 with The Old Globe goes back much further, however; as an amateur actor and dancer, she years June has been making the trip from Orange County to attend performances. She served as a member of the Globe’s Board performed on the green at the Globe when she was a high school and college student. She is of Directors for many years and continues to be an enthusiastic advocate for the Globe’s artistic mission and arts engagement also a board member of Theatre Forward and Washington Performing Arts. Pam has served the programs. June and Paul raised five children, all of whom were introduced to the Globe and live theatre by accompanying their American Red Cross as Chair of the Greenwich Chapter and as National Chair of Volunteers, parents to productions of the Summer Shakespeare Festival. Now their children bring their own children, and June remains and she received the Harriman Award for Distinguished Volunteer Service. Pam and Buford passionate about bringing the world of the theatre to young people. June has sponsored many productions, including Into the met through McKinsey & Company, where, after 32 years (most of which were in Europe), Woods; Kiss Me, Kate; Macbeth; Hamlet; and Much Ado About Nothing. Buford is now a Senior Partner Emeritus. In recognition of his not-for-profit work to enhance cultural, business, and educational relations between the U.S. and the Netherlands, Queen Beatrix bestowed upon him the Royal Distinction of Officer in the Order of Oranje-Nassau. For additional information on how to support the Globe at these extraordinary levels, please contact Llewellyn Crain at (619) 684-4141 or [email protected]. 2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 EXTRAORDINARY LEADERSHIP The Old Globe is deeply grateful to our Artistic Angels and Benefactors, whose vital support of the Annual Fund Since the founding of The Old Globe in 1935, heroic leadership has made the theatre a cultural icon in San Diego and a leader in the helps us make theatre matter to more people. For additional information on how to support the Globe at these American theatre. The following individuals and organizations, recognized for their tremendous cumulative giving, comprise a special extraordinary levels, please contact Llewellyn Crain at (619) 684-4141 or [email protected]. group of friends who have played leading “behind-the-scenes” roles, helping to create productions on the three stages and programs in the community.
Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • STEPHEN MARK, ACE Editor
    STEPHEN MARK, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. DELILAH (series) Various OWN / Warner Bros. Television EP: Craig Wright, Oprah Winfrey, Charles Randolph-Wright NEXT (series) Various Fox / 20th Century Fox Television EP: Manny Coto, Charlie Gogolak, Glenn Ficarra, John Requa SNEAKY PETE (series) Various Amazon / Sony Pictures Television EP: Blake Masters, Bryan Cranston, Jon Avnet, James Degus GREENLEAF (series) Various OWN / Lionsgate Television EP: Oprah Winfrey, Clement Virgo, Craig Wright HELL ON WHEELS (series) Various AMC / Entertainment One Television EP: Mark Richard, John Wirth, Jeremy Gold BLACK SAILS (series) Various Starz / Platinum Dunes EP: Michael Bay, Jonathan Steinberg, Robert Levine, Dan Shotz LEGENDS (pilot)* David Semel TNT / Fox 21 Prod: Howard Gordon, Jonathan Levin, Cyrus Voris, Ethan Reiff DEFIANCE (series) Various Syfy / Universal Cable Productions Prod: Kevin Murphy GAME OF THRONES** (season 2, ep.10) Alan Taylor HBO EP: Devid Benioff, D.B. Weiss BOSS (pilot* + series) Various Starz / Lionsgate Television EP: Farhad Safinia, Gus Van Sant, THE LINE (pilot) Michael Dinner CBS / CBS Television Studios EP: Carl Beverly, Sarah Timberman CANE (series) Various CBS / ABC Studios Prod: Jimmy Smits, Cynthia Cidre, MASTERS OF SCIENCE FICTION (anthology series) Michael Tolkin ABC / IDT Entertainment Jonathan Frakes Prod: Keith Addis, Sam Egan 3 LBS. (series) Various CBS / The Levinson-Fontana Company Prod: Peter Ocko DEADWOOD (series) Various HBO 2007 ACE Eddie Award Nominee | 2006 ACE Eddie Award Winner Prod: David Milch, Gregg Fienberg, Davis Guggenheim 2005 Emmy Nomination WITHOUT A TRACE (pilot) David Nutter CBS / Warner Bros. Television / Jerry Bruckheimer TV Prod: Jerry Bruckheimer, Hank Steinberg SMALLVILLE (pilot + series) David Nutter (pilot) CW / Warner Bros.
    [Show full text]
  • Legally Blonde: Introduction
    Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1.
    [Show full text]
  • READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • Annual Stockholders Meeting
    2019 ANNUAL STOCKHOLDERS MEETING MAY 7, 2019 DISCLAIMERS Our comments today may contain forward-looking statements and This presentation is intended to summarize the projects on which management may make additional forward-looking statements in we are working and our plan for moving our Company forward. response to your questions. Such written and oral disclosures are made pursuant to the Safe Harbor provision of the Private Securities Many of the projects are in their early stages and will be subject to Litigation Reform Act of 1995. various Governmental and Board approvals. Accordingly, no assurances can be given that the plans discussed herein will be Although we believe our expectations expressed in such forward- achieved. looking statements are reasonable, we cannot assure you that they will be realized. Investors are cautioned that such forward-looking Further, some of the design concepts included in this presentation statements involve risks and uncertainties that could cause actual include proposed architectural renderings that represent works in results to differ materially from the anticipated results, and progress. therefore we refer you to a more detailed discussion of the risks and uncertainties in the Company’s filings with the Securities & Exchange Commission. FINANCIAL RECONCILATIONS We use EBITDA in the evaluation of our Company’s performance since we believe that EBITDA EBIT and EBITDA also fail to take into account the cost of interest and taxes. Interest is clearly a real provides a useful measure of financial performance and value. We believe this principally for the cost that for us is paid periodically as accrued. Taxes may or may not be a current cash item but are following reasons: nevertheless real costs that, in most situations, must eventually be paid.
    [Show full text]
  • Performance Measurement Report
    THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome.
    [Show full text]
  • Donor-Advised Fund
    WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST.
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
    IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
    [Show full text]
  • Abigail Mckern
    Abigail McKern Agents Charlotte Davies Assistant [email protected] Cat Palethorpe +44 (0)20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company MERCHANT OF VENICE Nerissa Peter Hall West End THE CHERRY ORCHARD Dunyarsha Sam Mendes Aldwych Theatre DEATH OF A SALESMAN The Woman Robert Falls Lyric Theatre THE MAGISTRATE Agatha Poskitt Nick Broadhurst Savoy Theatre SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company 5 CHARACTERS IN SEARCH TBA Mike Alfreds Shared Experience OF A GOOD NIGHT'S SLEEP, NORTH BY NORTHWEST Mrs Thornhill Simon Philips Adelaide Festival NORTH BY NORTHWEST Mrs Thornhill Simon Philips Bath Theatre Royal and Toronto Royal Alexander A ROOM WITH A VIEW Mrs Honeychurch Adrian Noble CAT ON A HOT TIN ROOF Big Mama Rob Hastie Theatr Clwyd BRAVE NEW WORLD Linda James Dacre Northampton Royal and Derngate United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PRIDE AND PREJUDICE Lady Catherine De Tamara Harvey Sheffield Crucible Theatres Bourgh SHAKESPEARE IN LOVE The Nurse Declan Donellan/ West End Noel Coward A TALE OF TWO CITIES Miss Pross James Dacre Northampton Royal and Derngate TRAVELLING LIGHT Ida Nick Hytner National Theatre TRAVESTIES Nadya Philip Wilson Birmingham Rep THE IMPORTANCE OF Miss Prism Philip Wilson Birmingham Rep BEING ERNEST BUS STOP Grace James Dacre New Vic/Scarborough co- production LINGUA FRANCA, Madge Fox
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
    MARCH 2012 Welcome to This World Premiere production of Marc Acito and Jeffrey Stock’s enchanting A Room with a View marks the culmination of more than a year of development, workshops and rehearsals. It also represents The Old Globe’s ongoing commitment to launching new musicals and to making San Diego an artistic home for the best and brightest creative talent in theatre. A Room with HENRY DIROCCO HENRY a View follows a sheltered young English girl, Lucy Honeychurch, on her travels to Italy, where she learns about not only the world but also herself. We hope it will transport you to another time and place, sweeping you along on Lucy’s journey of discovery and romance. We are also pleased to welcome director Scott Schwartz back to The Old Globe. Scott directed the Globe’s immensely successful productions of Golda’s Balcony, Broadway Bound, Brighton Beach Memoirs and Lost in Yonkers. Scott has been both a vital part of the development of A Room with a View and an ideal director for its World Premiere production. As you may know, The Old Globe has embarked upon a nationwide search for new artistic leadership, assisted by the search firm AlbertHall&Associates. The firm was co-founded by former Globe Managing Director Tom Hall, whose knowledge of and commitment to The Old Globe will be a great asset to this process. We look forward to an exciting new chapter in the artistic life of The Old Globe as we continue to pursue our mission, serve our San Diego community and create some of the best theatre in the country.
    [Show full text]