MARCH 2012 Welcome to

This World Premiere production of Marc Acito and Jeffrey Stock’s enchanting A Room with a View marks the culmination of more than a year of development, workshops and rehearsals. It also represents The Old Globe’s ongoing commitment to launching new musicals and to making San Diego an artistic home for the best and brightest creative talent in theatre. A Room with HENRY DIROCCO HENRY a View follows a sheltered young English girl, Lucy Honeychurch, on her travels to Italy, where she learns about not only the world but also herself. We hope it will transport you to another time and place, sweeping you along on Lucy’s journey of discovery and romance.

We are also pleased to welcome director Scott Schwartz back to The Old Globe. Scott directed the Globe’s immensely successful productions of Golda’s Balcony, Broadway Bound, Brighton Beach Memoirs and Lost in Yonkers. Scott has been both a vital part of the development of A Room with a View and an ideal director for its World Premiere production.

As you may know, The Old Globe has embarked upon a nationwide search for new artistic leadership, assisted by the search firm AlbertHall&Associates. The firm was co-founded by former Globe Managing Director Tom Hall, whose knowledge of and commitment to The Old Globe will be a great asset to this process. We look forward to an exciting new chapter in the artistic life of The Old Globe as we continue to pursue our mission, serve our San Diego community and create some of the best theatre in the country.

Michael G. Murphy Interim Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS A ROOM WITH A VIEW

BOOK BY MUSIC AND LYRICS BY MARC ACITO JEFFREY STOCK

ADDITIONAL LYRICS BY MARC ACITO

BASED ON THE NOVEL BY E.M. FORSTER

Heidi Ettinger Judith Dolan David Lander Jon Weston SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Bruce Coughlin Jeffrey Stock Boko Suzuki Michael Jenkinson ORCHESTRATOR MUSICAL ARRANGEMENTS MUSIC DIRECTOR MUSICAL STAGING

Jan Gist Tara Rubin Casting Anjee Nero VOCAL AND DIALECT COACH CASTING STAGE MANAGER

DIRECTED BY SCOTT SCHWARTZ

By special arrangement with Rainy Day Productions, LLC.

Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center March 2 - April 8, 2012

2 PERFORMANCES MAGAZINE THE CAST (in order of appearance)

RAGAZZA...... Jacquelynne Fontaine ITALIANO...... Glenn Seven Allen CHARLOTTE BARTLETT...... Karen Ziemba LUCY HONEYCHURCH...... Ephie Aardema REVEREND MR. BEEBER...... Edward Staudenmayer MISS ALAN...... Will Reynolds THE OTHER MISS ALAN...... Etai BenShlomo MISS LAVISH...... Gina Ferrall MR. EMERSON...... Kurt Zischke GEORGE EMERSON...... Kyle Harris CECIL VYSE...... Will Reynolds MINNIE...... Jacquelynne Fontaine ALBERT...... Glenn Seven Allen FREDDY HONEYCHURCH...... Etai BenShlomo MRS. HONEYCHURCH...... Gina Ferrall IL POPOLO DI FIRENZE...... Glenn Seven Allen, Etai BenShlomo, Gina Ferrall, Jacquelynne Fontaine, Will Reynolds, Edward Staudenmayer, Karen Ziemba

SETTING Florence, Italy and Surrey, England. 1908.

There will be one 15-minute intermission.

STAGE MANAGEMENT STAFF Stage Manager...... Anjee Nero Assistant Stage Manager...... Jess Slocum Assistant Stage Manager...... Evangeline Rose Whitlock

PRODUCTION STAFF Associate Music Director...... Andrew Resnick Assistant Director...... J. Scott Lapp Assistant Scenic Design...... Sean Fanning Assistant Scenic Design...... Katherine Day Associate Costume Design...... Charlotte Devaux Assistant Lighting Design...... Matthew Taylor, Molly Tiede Associate Sound Design...... Jason Strangfeld Assistant Sound Design...... Sean Foote Moving Light Programmer...... Jason Rothberg Stage Management Interns...... Megan Gerber, Danielle Kimball

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors

The Old Globe’s premier place in the pantheon of American theatrical venues is secured in significant part by the consistent quality our resident professionals bring to the productions you see on our stages. The very length of our production schedule gives those professionals an opportunity to showcase their skills across a uniquely varied set of programs from musicals to classics to new plays and beyond. This spring, we give you both Eugene O’Neill’s landmark American classic Anna Christie and A Room with a View, an exciting World Premiere that brings E.M. Forster’s novel to the musical stage for the first time. While the quality and diversity of our 15-play production schedule is a key to our great success in maintaining an audience of more than 250,000 each year, the generosity of donors like you is ultimately what makes everything possible. Ticket sales last year covered slightly more than half our costs. Most of the rest came from donations large and small, and we take every opportunity to thank those of you responsible. Our future depends on growing our base of subscribers and donors. Your support for the Globe not only ensures San Diego’s access to the best that American theatre has to offer, but makes possible a broad range of educational and supplementary artistic programs that enrich the community far beyond our stages. Welcome to our theatres and enjoy the performance. Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Daphne Jameson Jim Wening Dolly Poet (1921-2007) Mary Beth Adderley* Jo Ann Kilty Lynne Wheeler Deborah Szekely Elizabeth Altman Ramin Pourteymour Karin Winner Hon. Pete Wilson Joseph Benoit Paula Powers* June Yoder Pamela Cesak Conrad Prebys* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Nicole A. Clay David Reagan Vicki Zeiger Garet B. Clark Peter J. Cooper* Sandra Redman J. Dallas Clark (1913–2005) *Executive Committee Member Valerie S. Cooper Reneé Schatz Bea Epsten Silvija Devine Jean Shekhter HONORARY DIRECTORS Sally Furay, R.S.C.J. Pamela A. Farr Ann Steck Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Karen Fox Daniel L. Sullivan, Ph.D. (1912–2005) Delza Martin (1915–2005) Victor P. Gálvez Julie H. Sullivan, Ph.D. Clair Burgener (1921-2006) Darlene Shiley Jean-Marie Hamel, Ph.D. Dean Thorp Mrs. John H. Fox (1908–2003) Patsy Shumway Kathryn Hattox* Evelyn Mack Truitt Audrey Geisel Elizabeth Helming Debra Turner Paul Harter Viviana Ibañez Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Deni Jacobs Crystal Watkins

4 PERFORMANCES MAGAZINE LEADERSHIP Sponsors of A Room with a View GIFTS Sheryl & Harvey White The Old Globe recognizes and thanks Over their long association with The Old Globe, the following generous individuals Sheryl and Harvey White have played many who have made extraordinary gifts leadership roles at the Globe, each serving of $1 million or more. These major terms as Chair of the Board of Directors, with contributions have been designated Harvey serving as Co-Chair of the Globe’s for artistic, endowment and facilities recently completed $75 million Capital and Endowment Campaign. Sheryl holds the projects, and help The Old Globe distinction of co-chairing seven successful remain one of our country’s great Globe Galas! The Whites have been Season theatre institutions. Sponsors for the past 10 years, previously sponsoring such plays as The Times They Are $20,000,000 or greater A-Changin’, two World Premiere musicals — Dancing in the Dark and The First Wives Club — Donald* and Darlene Shiley last year’s smash hit Maestro: The Art of Leonard Bernstein and the inaugural production of Lost in Yonkers in the new arena $10,000,000 or greater theatre that bears their name in recognition of their significant $6 million Capital Campaign gift. Conrad Prebys

$5,000,000 or greater

Sheryl and Harvey White

Kathryn Hattox United is proud to provide Globe artists nonstop service between San Diego and its New York area hub, Newark Liberty International Airport. United serves Karen and Donald Cohn over 370 destinations with more than 5,600 flights a day to 376 airports on six continents from hubs in Chicago, Cleveland, Denver, Guam, Houston, Los $2,000,000 or greater Angeles, New York/Newark Liberty, San Francisco, Tokyo and Washington, D.C. United is committed to the communities it serves and supports numerous Viterbi Family Foundation charitable organizations across the country.

$1,000,000 or greater

California Cultural and Historical Endowment

Estate of Dorothy S. Prough

The Rivkin Family

Estate of Beatrice Lynds Featuring the Fall Collection from World-Renowned Fashion Designer Audrey S. Geisel/ San Diego Foundation Monique Lhuillier Dr. Seuss Fund Presented by Neiman Marcus Mr. and Mrs. Victor H.* Ottenstein Tuesday, August 7, 2012 • Hilton San Diego Bayfront Mrs. Helen Edison* Auction - Luncheon - Live Fashion Show The Stephen & For more information: (619) 229-2090 Mary Birch Foundation [email protected] • www.GlobeGuilders.org The Kresge Foundation Proceeds support The Old Globe’s artistic, education and community programs. *In Memoriam

PERFORMANCES MAGAZINE 5 LIFE IN EdwardianEngland

BY DANIELLE MAGES AMATO

The Edwardian period in England (1901– to which entrance of a shop you were landscape as well. Industrialization 1910) is often described as a Golden permitted to use, to which railway car grew. Railways expanded, spreading out Age, a time of peace and prosperity that you could ride in, to which school you from London into the countryside. The was shattered by the First World War. could attend. As the upper levels of train and the bicycle worked together But it was also a time of transformation society found themselves invaded by to transform formerly rural places as social, cultural and political change new money, and the lower echelons of like the Honeychurch’s little parish of loomed on the horizon. society found help in new social welfare Summer Street found in E.M. Forster’s There was money to be earned and programs, those in the middle clung A Room with a View. Suddenly, new spent during this period — more money even more tightly to the outward signs classes of society — lower classes of than ever before, in the hands of people of class distinction, comforted by the society — could live in the country and who had never possessed it. Edwardian clear, bright lines that showed everyone commute easily into London. society was still rigidly separated by their place. Railways also carried English citizens class, a strict hierarchy that made itself The cultural changes that were abroad, giving them easy access to most felt in all aspects of life: from which pew underway were accompanied by of Europe. Forster satirizes the image you could occupy in your parish church, changes in the country’s physical of the English tourist in a foreign land

6 PERFORMANCES MAGAZINE Edwardian Timeline 1901 • Queen Victoria dies after 63 years on the throne; Edward VII becomes king. 1902 • End of the Second Boer War. • Emmeline Pankhurst forms the Women’s Social and Political Union. 1903 • Edward VII proclaimed Emperor of India. 1904 • J. M. Barrie’s Peter Pan written. 1905 • E.M. Forster’s Where Angels Fear to Tread published. • George Bernard Shaw’s Major Barbara written. 1906 • Liberals win in decisive election, begin pushing for reforms in England. • Official formation of British Labour Party. • British battleship HMS Dreadnought clutching her Baedeker — the distinctive or bankers, marriage was their best launched. little red guidebook that became a bible way to maintain — and their only way 1907 for the English abroad. Tourism, like so to improve — their economic and social • Guglielmo Marconi makes first many other aspects of Edwardian life, positions. The stakes could not have transatlantic radio broadcast. was something to be conducted by the been higher. • Rudyard Kipling wins Nobel Prize in Literature. book, according to a strict set of orderly By the end of the Edwardian period, principles. cracks were beginning to 1908 For traveling, Edwardians show in British imperialism, • First large suffragette rally in London. had their Baedekers. although one-fourth of • E.M. Forster’s A Room with a View published. At home, they had the world’s population countless manuals remained under British 1909 of etiquette and rule. The efforts of the • Trade Boards Act establishes behavior. (One of suffragette movement minimum wage in some of the lowest-paid trades. Forster’s childhood would soon pay off: favorites was simply women were granted 1910 titled, Don’t.) These the right to vote in • Edward VII dies. George V becomes king. rules and restrictions England in 1918. The • E.M. Forster’s Howard’s End fell most heavily on Liberal government that published. women, who were took power in 1906 had tightly corseted in more begun to institute vast ways than one. Especially social reform — pensions, for unmarried women of the national insurance, protection Edward VII middle and upper classes, like for labor unions — and also to raise Lucy Honeychurch, a violation of the taxes, changes that King Edward VII rules of behavior, a hint of scandal, feared would “set class against class.” could ruin their chances at marriage. As And soon, the Great War would change women were not permitted to pursue everything once again. professional careers as lawyers, doctors

MARTIN LOADER COLLECTION LOADER MARTIN (left) Whitney Station on England’s former Great Western branch line, ca. 1908; (top) Broad Street Station in London; (above) Woman wearing a corset, ca. 1903; (right) King Edward VII, 1907, by Sir Arthur Stockdale Cope. PERFORMANCESPERFORMANCES MAGAZINEMAGAZINE 77 AN AUTHOR WITH A VIEW

A Room with a View was E.M. Forster’s third published novel. It appeared in 1908, after Where Angels Fear to Tread (1905) and The Longest Journey (1907). Its optimism, humor and romance have made it one of his most popular works. Forster himself said it was his “nicest” novel, and he considered its heroine, Lucy Honeychurch, one of his most successful characters. Although the novel is not explicitly autobiographical, Forster drew heavily on his own personal history to create its characters and settings. Forster was born in London on January 1, 1879. After the death of his father, an architect, Forster was raised by his mother and her highly conservative family in Hertfordshire. An inheritance from his great-aunt gave him the financial means to attend Cambridge and to take the year-long tour of Italy and Greece that provided the spark for his literary imagination and fueled the writing of his early novels. In 1901, Forster traveled to Florence. He stayed in a small hotel on the banks of the Arno River, a pensione run by a Cockney landlady who catered to an almost exclusively English clientele. A young man of 22, Forster found himself hemmed in on all sides by older women, including his mother, who was his traveling companion. In a letter to a friend, he complained, E.M. Forster portrait, ca. 1900 “I wish I didn’t see everything with this horrible foreground of enthusiastic ladies, but it is impossible to get away from it.” In the countryside, culture and art of Italy, Forster found a This pensione — a little bastion of tea, biscuits and promise of freedom that captured his imagination. He set two Englishness holding firm against the chaotic and beautiful city novels and several short stories in Italy, always contrasting his of Florence — becomes the setting for the first half of A Room confined English characters against their passionate Italian with a View. The novel’s heroine, like Forster himself, both backdrop. When he returned to England, Forster gave a longs and fears to explore the world outside the window. But series of talks on Italian art for the Cambridge Local Lectures Lucy is held back by an intricate Board. web of social restrictions and family obligations, a web with Forster’s enthusiasm for travel continued throughout his life. which Forster was intimately After publishing Howard’s End in 1910, he traveled in India, familiar. worked for the Red Cross in Egypt and finally returned to India to work as the private secretary for the Maharajah of Throughout his young adulthood, Dewas. His travels there inspired his 1924 novel A Passage Forster struggled to come to to India, the last novel he published during his lifetime. From terms with his own sexuality. then until his death in 1970, he worked as an essayist, literary A gay man in a time when critic, BBC broadcaster and outspoken proponent of civil homosexuality was illegal, liberties. Forster’s youth was marked by a series of passionate attachments Following Forster’s death, one final novel appeared: Maurice upon which he could never (1971). Forster began writing Maurice in 1914, but because it The Florence pensione where dealt with homosexual characters in an open way, he chose to Forster stayed in 1901. act. He based the character of George Emerson on a classmate share it only with friends. (Some say it inspired D.H. Lawrence at Cambridge, Hugh Owen Meredith, to whom A Room with a to write Lady Chatterley’s Lover.) Even as he prepared the View is dedicated. Meredith’s physical beauty and grace, his work for posthumous publication, he left the manuscript with lower class origins and his sharp intelligence (he went on to this note: “Publishable — but worth it?” become an economic historian) all find expression in George, [D.M.A.] the object of Lucy’s desire and clearly Forster’s as well.

8 PERFORMANCES MAGAZINE Postcards from the Set Scenic designer Heidi Ettinger on her inspiration for the set of A Room with a View

In discussions with director Scott Schwartz, he emphasized that we needed to find a contemporary and somewhat abstract approach to the design. In the course of doing research, I sent him images of period postcards. Postcards are a very important plot element in the show, and it occurred to us that they become an apt metaphor for the ephemeral and fragile nature of these pivotal moments our heroine is going through over the course of the play. Every moment becomes potentially transformative for her. All of the images directly reference moments or locations in the show. Sometimes they are fragments of a place, or fragments of a painting that’s referred to. Sometimes you get a fragment of a sky that then appears again later. It’s like a jigsaw puzzle, in that the images are disassembled and then reassembled in other moments in the play. For example, there are references to the tourist guidebook — the Baedeker — and we see a page from the guidebook, which then appears in various other scenes and locations. It’s a kind of cross-referenced collage. Technical Director Ben Thoron has found a wonderful technique that allows us to print the images directly onto a translucent plastic twin-wall surface. It’s a material that’s frequently used to make greenhouses, in fact. It allows these pieces to be both structural and translucent, which is one of the critical parts of the show, that it feel very lightweight and very ethereal.

PERFORMANCES MAGAZINE 9 Profiles

EPHIE AARDEMA in The Light in the Piazza (Intiman with director Scott Schwartz (Lucy Honeychurch) is Theatre, Goodman Theatre). His (Manhattan Ensemble Theater). Her elated to be a part of the operatic roles include Il Duca in regional theatre credits include Beauty A Room with a View Rigoletto, Alfredo in La Traviata, and the Beast (North Shore Music family. Her national tours Roméo in Roméo et Juliette, Don José Theatre), Man of La Mancha (Pittsburgh include Chava in Fiddler in Carmen, Almaviva in Il Barbiere di Public Theater), Into the Woods on the Roof and Liesl in Siviglia, Tamino in Die Zauberflöte, (Theatre Under The Stars) and The The Sound of Music (Theatre of the Rodolfo in La Bohème, Ernesto in Don Music Man (Music Circus). She was Stars). She appeared Off Broadway as Pasquale and Rodolpho in William given the Bay Area Critics Circle Award Edwina in Dear Edwina at Daryl Roth Bolcom’s A View from the Bridge under for Side by Side by Sondheim. Ms. Theatre and reprised the role at Guild the supervision of the composer. Mr. Ferrall is a graduate of the American Hall. Her regional roles include Natalie Allen trained at the University of Conservatory Theater Advanced in Next to Normal (Pioneer Theatre Washington (M.F.A. in Acting) and the Training Program and went on to Company), Logainne in The 25th Annual University of Michigan (B.F.A. in Musical become a company member from Putnam County Spelling Bee (Paper Mill Theatre). 1986-1990. Playhouse, Philadelphia Theatre www.glennsevenallen.com. Company) and also Olive (The Media JACQUELYNNE Theatre for the Performing Arts), Adele ETAI BENSHLOMO FONTAINE Astaire in the World Premiere of Let’s (Freddy Honeychurch, (Ragazza, Minnie) is a Face the Music and Patsy in Crazy for The Other Miss Alan) Southern California You (Maine State Music Theatre, Cape comes directly from the native and has performed Playhouse), Peggy Sawyer in 42nd Broadway production of in concerts and operas in Street, Sheila in Hair, Little Red in Into Wicked, where he played the United States and the Woods, Gertrude in Seussical and the role of the lovelorn beyond. This summer she will perform Luisa in The Fantasticks. Ms. Aardema is munchkin Boq. He is thrilled to be in as Anna in The King and I (Opera an international award-winning tap warm San Diego, working with a North). In Italy, she appeared as Donna dancer and received a Congressional remarkable cast and creative team on Anna in Mozart’s Don Giovanni to great Medal for Outstanding Youth. She is the this beautiful piece – and happily acclaim in Viterbo and in an Italian youngest-ever graduate of Circle in the playing a young English boy, an Italian touring production of The Magic Flute Square Theatre School. thug and an 80-something-year-old in Pamina. Called a “charming and www.EphieAardema.com. grand dame – typecast as usual. His vivacious actress,” Ms. Fontaine other credits include Les Misérables, recently made her operetta debut with GLENN SEVEN ALLEN Annie and High School Musical (The the Pittsburgh Civic Light Opera as (Italiano, Albert) has Muny), Fiddler on the Roof (Kansas City Kathie in Sigmund Romberg’s The been hailed by The New Starlight Theatre) and developmental Student Prince. This past season saw York Times for his “strong workshops of Little Miss Sunshine, her debut as Violetta in La Traviata voice and presence” and Newsies and A Room with a View. He is (Rogue Opera). She holds a B.A. in has appeared on a proud graduate of the University of Music from California Lutheran Broadway and at major Michigan. University and an M.M. and partial theatre, concert and opera venues D.M.A. from the Thornton School of throughout the United States. His GINA FERRALL Music at the University of Southern Broadway and New York credits (Miss Lavish, Mrs. California. In 2006, Ms. Fontaine was include The Light in the Piazza (Lincoln Honeychurch) most crowned Miss California and placed in Center Theater), Girl Crazy (City recently starred as Rosie the Top 10 at Miss America 2007, also Center Encores!), Casino Paradise in Mamma Mia! on winning the talent award for her (Lincoln Center’s American Songbook) Broadway. Her past performance of Puccini’s “Vissi d’arte.” and A Fine and Private Place (York Broadway credits include www.jacquelynnefontaine.com. Theatre Company). His other highlights Madame de la Grande Bouche in include Alexius in The Chocolate Beauty and the Beast, Widow Douglas KYLE HARRIS Soldier (Bard SummerScape), for which in Big River, Mrs. Reed in Jane Eyre, (George Emerson), Opera News praised him as “an Sister Berthe in The Sound of Music, originally from Orange Edwardian matinee idol, giving by far Domina in A Funny Thing Happened on County, is incredibly the most detailed dramatic the Way to the Forum and Madame grateful to be working so performance,” Rutledge in 1776 Thénardier in Les Misérables. Ms. close to home at The Old (Goodspeed Musicals), Frederic in The Ferrall has had the pleasure of working Globe. His Broadway and Pirates of Penzance (Utah Shakespeare with Patti LuPone in Passion (“Live from National Tour credits include Sondheim Festival), Pontius Pilate in Jesus Christ Lincoln Center”), Elaine Stritch in Sail on Sondheim and Tony in West Side Superstar (North Carolina Theatre), Away (Carnegie Hall), Candide (New Story. His television and web credits Cliff in Cabaret (Arena Stage, Helen York City Opera) and New York include “Guiding Light”, “My Broadway Hayes nominee for Outstanding Lead Philharmonic. Some of her Off Debut” (CBS), Tony in “Web Site Story” Actor, Resident Musical) and Giuseppe Broadway credits include The Castle (CollegeHumor) and “Submissions

10 PERFORMANCES MAGAZINE Only.” His other credits include Mrs. starred in Monty Python’s Spamalot in (The Shakespeare Theatre Company, Sharp (Playwrights Horizons), Hair Las Vegas and toured in The Scarlet Hartford Stage), The Threepenny Opera (Arizona Theatre Company), Dream a Pimpernel, later playing the title (Williamstown Theatre Festival), Sylvia Little Dream (Florida Stage) and character for local audiences in San (Long Wharf Theatre), Steel Magnolias Urinetown (Arizona Repertory Theatre). Diego and Riverside. His other credits (Cape May Stage) and Boeing Boeing Mr. Harris received a B.F.A. from the include Beauty and the Beast (National (Riverside Theatre). Her film and TV University of Arizona. Love to the cast Theater Award nomination), Cats, appearances include The Producers, and creative team, Nicolosi & Co., Noises Off, Joseph and the Amazing Once More with Feeling, “Scrubs,” Russell at Regarding Entertainment, my Technicolor Dreamcoat, On the several of the New York “Law & Order” family and Stef. For Grandma. Twentieth Century, Bye Bye Birdie, series, “The Kennedy Center Honors” in www.kyleaharris.com. 1776, Jane Eyre, Gigi, Children of Eden tributes to Angela Lansbury and Julie and The Producers. He has also Harris and, for PBS’ “Great WILL REYNOLDS appeared in the World Premieres of Cy Performances,” My Favorite Broadway: (Cecil Vyse, Miss Alan) Coleman’s Exactly Like You and The The Leading Ladies, Ira Gershwin at couldn’t be happier to be Great Ostrovsky (Barrymore Award 100: A Celebration at Carnegie Hall and returning to The Old nomination), Maury Yeston’s In the Sondheim: A Celebration at Carnegie Globe after appearing Beginning, Disney’s Hercules (New Hall. Ms. Ziemba has recorded many last season as Frank Amsterdam Theatre), Neil Sedaka’s audiobooks and original cast albums Churchill in Jane Austen’s Breaking Up is Hard to Do and the new and received an Honorary Doctorate in Emma – A Musical Romantic Comedy. Alessandrini/Tchaikovsky holiday hit Fine Arts from Niagara University. His New York credits include The The Nutcracker and I. Mr. Staudenmayer Illusion by Tony Kushner (Signature has performed in concerts with New KURT ZISCHKE Theatre Company) and George Bailey in York City’s The Town Hall and with the (Mr. Emerson) on A Wonderful Life (John W. Engeman Baltimore, Syracuse, Bartlesville and Broadway, Off Broadway Theater at Northport). His National Adelaide, Australia Symphonies. He has and in National Tours Tours include Mamma Mia! He has also provided voices for MTV’s including Signs of Life, appeared regionally as Huck Finn in Big “Celebrity Deathmatch.” He is a UCLA Whistle Down the Wind, River (Goodspeed Musicals), Jason in graduate and a recipient of the Carol The Buddy Holly Story, Ordinary Days (Adirondack Theatre Burnett Award. He is currently the Three Sisters, Antigone, King Lear, A Festival), the title role in Candide and Associate Director of Off Broadway’s Doll’s House, The Beaux’ Stratagem, Curly in Oklahoma! (Chicago Light Sistas. George Abbott’s Broadway, Barbara’s Opera Works) and Gerald in A Woman Blue Kitchen and Ulysses in Nighttown, of No Importance (Pittsburgh Irish and KAREN ZIEMBA among others. Regionally he has Classical Theatre). He has also (Charlotte Bartlett) appeared in over 90 productions appeared in the film The Good previously appeared at ranging from Jack Lawson in Race to Shepherd directed by Robert De Niro. the Globe in Brighton Henry Higgins in My Fair Lady at such As a writer, Mr. Reynolds was honored Beach Memoirs, theatres as the Contemporary to be selected by ASCAP for the Broadway Bound, Six American Theater Festival, Pioneer Johnny Mercer Songwriters Project, Degrees of Separation Theatre Company, La Jolla Playhouse, and his musical The Greenwood Tree, and The First Wives Club. She received Huntington Theatre Company, with text by Shakespeare, was featured the Tony Award along with the Outer Pittsburgh Public Theater, Alliance in the New York Musical Theatre Critics Circle and Drama Desk Awards Theatre, Delaware Theatre Company, Festival and The Kennedy Center’s for her portrayal of The Wife in Contact Cincinnati Playhouse in the Park, Dallas Page-to-Stage festival. He trained at at Lincoln Center Theater. Her other Theater Center, Papermill Playhouse, Carnegie Mellon University. appearances on and Off Broadway American Shakespeare Theatre, The www.willreynoldsonline.com. include Curtains (Outer Critics Circle Repertory Theatre of St. Louis, Award, Drama Desk and Tony Westport Country Playhouse, EDWARD nominations), Never Gonna Dance Barrington Stage Company, STAUDENMAYER (Outer Critics Circle Award, Tony Connecticut Repertory Theatre, The (Reverend Mr. Beeber) nomination), Steel Pier (Tony, Drama Eugene O’Neill Theater Center, Marin starred on Broadway in Desk and Outer Critics Circle Theatre Company, Williamstown Wonderland as The nominations), And the World Goes Theatre Festival and the Alabama, New White Rabbit and ‘Round (Drama Desk Award), I Do! I Do! Jersey, and Utah Shakespeare Festivals. opposite Martin Short (at (Drama Desk nomination), Chicago, A His television and film credits include certain performances) in Martin Short: Chorus Line, 42nd Street, Crazy for You, “Law & Order: Criminal Intent,” “All My Fame Becomes Me. He has had a New York City Opera’s 110 in the Shade Children,” Sanford Meisner: The 17-year association with Forbidden and The Most Happy Fella and, for City Theatre’s Best Kept Secret and many Broadway, taking him Off Broadway, Center Encores!, Allegro, Bye Bye voiceovers and commercials. He is a around the world, onto three cast Birdie, Ziegfeld Follies of 1936 and The graduate of Stanford University and The recordings and, recently, a stint as Pajama Game. Regionally she has Neighborhood Playhouse, where he director for the Tampa production. He appeared in Much Ado About Nothing studied under Sanford Meisner. His

PERFORMANCES MAGAZINE 11 Profiles wife, Victoria Adams Zischke, is an actor Songs from an Unmade Bed presented Shore Music Theatre; 2008 IRNE Award, and a professor of theatre at Indiana at New York Theatre Workshop. Outstanding Director of a Musical). University—Purdue University Fort He wrote the score and libretto for Mr. Schwartz is a member of the Stage Wayne. He is most proud of their The Voice of Temperance, a musical Directors and Choreographers Society, seven-year-old daughter, Alexandra. about Prohibition commissioned by an Associate Artist at the Alley Theatre The Public Theater. He was resident and a graduate of Harvard University. MARC ACITO (Book and Additional composer at the Pacific Music Festival Lyrics) wrote the popular comic novel in Sapporo, Japan, where he studied BOKO SUZUKI (Music Director) has How I Paid for College: A Novel of Sex, with the celebrated composer Toru served as music director for both the Theft, Friendship and Musical Theater, Takemitsu. Mr. Stock has taught musical First and Second National Tours of which won the Ken Kesey Award for master classes at the Shanghai Theatre the hit musical Wicked as well as the Fiction and was Editors’ Choice by The Academy and at Beijing’s Central San Francisco production. He recently New York Times and a Top Teen Pick Academy of Drama. He has won music directed the World Premieres by the American Library Association. residencies at artist colonies including of And the Curtain Rises (Signature Translated into five languages, it also McDowell, Millay and Blue Mountain Theatre Company) and the new Off inspired a sequel, Attack of the Theater Center. He received a B.A. in music Broadway musical The Kid. Mr. Suzuki People. Mr. Acito’s comedy Birds of a from Yale University. spent three years music directing Feather, which tells the true story of www.jeffreystock.net. Rent on Broadway after having music the nationwide controversy caused by directed both National Tours, as well as gay penguins in the Central Park Zoo, SCOTT SCHWARTZ (Director) supervising the Australian production. received its World Premiere at The Hub directed the Broadway productions of He also music directed the National Theatre in July 2011. He also cowrote Golda’s Balcony and Jane Eyre (co- Tour of Swing!, for which he was the Christmas comedy Holidazed, directed with John Caird). He recently nominated for an Los Angeles Drama which ran for two seasons at Artists directed Brighton Beach Memoirs and Critics Circle Award, and the First Repertory Theatre, and Bastard Jones, Broadway Bound in repertory and National Tour of Mamma Mia! His other a rock musical adaptation of Henry Lost in Yonkers at The Old Globe. His credits include Cats, Les Misérables, Fielding’s The History of Tom Jones. Off Broadway work includes Bat Boy: The Music of Andrew Lloyd Webber, The A former professional opera singer, The Musical (Lucille Lortel and Outer Phantom of the Opera, Miss Saigon, The Mr. Acito regularly performs “singing Critics Circle Awards, Outstanding Off Who’s Tommy and Sunset Boulevard, as commentaries” on National Public Broadway Musical; Drama Desk Award well as appearing as guest conductor Radio’s “All Things Considered” and has nomination, Outstanding Director of with the Toronto Symphony Orchestra. written about theatre for The New York a Musical), tick, tick… BOOM! (Outer Times and Playbill. A product of the Critics Circle Award, Outstanding HEIDI ETTINGER (Scenic Design) is a musical theatre program at Carnegie Off Broadway Musical; Drama Desk theatrical designer and producer and Mellon University, Mr. Acito graduated nomination, Outstanding Director of a principal of Ettinger & Sons, a theatrical from Colorado College, which in 2009 Musical), Rooms: A Rock Romance, The design firm. Ms. Ettinger has designed awarded him an honorary doctorate. A Foreigner starring Matthew Broderick sets in London, Berlin and in theatres book doctor to writers of all mediums, (Roundabout Theatre Company), Franz throughout the United States. During Mr. Acito teaches story structure at Kafka’s The Castle (Outer Critics Circle her 30-year career, she has garnered New York University. nomination, Outstanding Director many awards, among them two Tony www.MarcAcito.com. of a Play), Miss Julie and No Way to Awards for the Broadway productions Treat a Lady. He also directed Golda’s of The Secret Garden and Big River, two JEFFREY STOCK (Music and Lyrics) Balcony on tour, in London, in Los OBIE Awards for Painting Churches and composed the music for the Tony Angeles at the Wadsworth Theatre A Midsummer Night’s Dream, numerous Award-nominated Broadway musical and in San Francisco at American Drama Desk and Outer Critics Circle Triumph of Love starring Betty Buckley, Conservatory Theater. He directed Awards and the Marahan Award for F. Murray Abraham and Susan Egan. the World Premiere of Séance on a Design. Her Broadway shows include Triumph has received over 100 Wet Afternoon at Opera Santa Barbara The Sound of Music, Smokey Joe’s Cafe, productions at theatres around the and subsequently at New York City Triumph of Love, ‘night, Mother, Moon country, as well as in Europe and Japan. Opera. Mr. Schwartz’s other recent Over Buffalo, Dracula, the Musical and His symphonic and choral work, Lulie credits include Arsenic and Old Lace The Adventures of Tom Sawyer. She the Iceberg, premiered at Carnegie Hall starring Tovah Feldshuh and Betty has designed opera at New York City with renowned cellist Yo-Yo Ma and Buckley (Dallas Theater Center), Opera and LA Opera. She currently the Orchestra of St. Luke’s, narrated Othello and Much Ado About Nothing sits on the boards of the Municipal Arts by Sam Waterston. Among the awards (Alley Theatre), My Fairytale (Pacific Society, the Hudson Valley Shakepeare he has received are the Guggenheim Conservatory of the Performing Arts), Festival and on the board of advisors Fellowship for music composition, an Reckless (The Denver Center for the for Yale School of Drama. She has a B.A. NEA grant and the Jonathan Larson Performing Arts) and a re-envisioning of from Occidental College and an M.F.A. Grant for the performing arts. Mr. Seven Brides for Seven Brothers (Paper from Yale School of Drama. She is also Stock was one of the composers of Mill Playhouse, Theatre Under The married to the playwright Jonathan the acclaimed Off Broadway musical Stars, Theatre on the Square and North Reynolds.

12 PERFORMANCES MAGAZINE JUDITH DOLAN (Costume Design) architectural lighting and public art Coming up is Far from Heaven by Scott has designed costumes for several installations in Denver, Houston, Frankel and Michael Korie, directed by productions for director Harold Prince New York City, Orlando, Pittsburgh, Michael Greif. www.brucecoughlin.com. including Candide (Tony Award). Providence and San Diego. Another collaboration with Mr. Prince, MICHAEL JENKINSON (Musical the musical The Petrified Prince, earned JON WESTON (Sound Design) Staging) currently resides on the her the Lucille Lortelle Award and a has designed the Broadway productions Central Coast of California where he 1995 Drama Desk Award nomination. of How to Succeed in Business Without is in residence at Pacific Conservatory Her other theatrical credits include Really Trying, 13, Les Misérables, The of the Performing Arts Theaterfest. costumes for The Miser (American Color Purple, The Glass Menagerie, For PCPA Mr. Jenkinson serves as an Repertory Theater), The Magic Flute Caroline, or Change (AUDELCO Equity actor, director, choreographer (Cleveland Orchestra), Idomeneo (Wolf Award), Nine, Imaginary Friends, and teacher (movement for the actor Trap Opera Company) and the original Thoroughly Modern Millie, The Green and musical theatre styles). For PCPA Broadway production of Joseph and the Bird, It Ain’t Nothin’ But the Blues, On he has choreographed and acted Amazing Technicolor Dreamcoat. Her the Town, Company in concert Lincoln in over 40 productions including designs have been seen in numerous Center Theater and Man of La Mancha Les Misérables, Ragtime and The international companies including starring Raul Julia and Sheena Easton. Hot Mikado and, most recently, he Abbey Theatre, Clwyd Theatr Cymru, His Off Broadway and regional credits choreographed the American Premiere The Old Vic and the Iasi National include The First Wives Club directed of Stephen Schwartz’s musical My Theatre in Romania where she recently by Francesca Zambello (The Old Fairytale directed by Scott Schwartz. designed The Misanthrope. Venues Globe), Dangerous Beauty (Pasadena As a director for PCPA, Mr. Jenkinson in the U.S. include The Kennedy Playhouse), Limelight: The Story of has staged The Music Man, West Side Center, Brooklyn Academy of Music, Charlie Chaplin directed by Warren Story (Santa Barbara Independent The Shakespeare Theatre Company, Carlyle (La Jolla Playhouse), Parade Award, StageSceneLA Award), Goodman Theatre, Alley Theatre, Mark directed by Rob Ashford (Mark Taper Hairspray (StageSceneLA Award) and Taper Forum, Hartford Stage, New York Forum), Rooms – A Rock Romance Legally Blonde (summer of 2012). He City Opera and Houston Grand Opera. directed by Scott Schwartz, A Little has also worked with other theatres Her recent Broadway work includes Night Music (Los Angeles Drama Critics including A Contemporary Theatre, the musicals Parade and LoveMusik Circle Award), Himself and Nora, The Balagan Theatre, Milwaukee Repertory (Outer Critics Circle and Drama Desk Thing About Men, tick, tick… BOOM!, Theater, Delaware Theatre Company, Award nominations). Ms. Dolan is a Bright Lights, Big City and Family Guy North Shore Music Theatre, Gateway professor of Design at UC San Diego’s Sings! (Carnegie Hall). Playhouse, TheatreWorks, Oregon Department of Theatre and Dance. Cabaret Theatre, Idaho Shakespeare BRUCE COUGHLIN (Orchestrator) has Festival, Sierra Repertory Theatre and DAVID LANDER (Lighting Design) orchestrated many shows on Broadway Sacramento Theatre Co. He has also designed the Broadway productions and regionally. His Broadway shows been a part of the national touring of Master Class, Bengal Tiger at the include Jeffrey Stock’s Triumph of Love, companies of Fame, Grease, the Macau, Baghdad Zoo (Drama Desk Award, 9 to 5, The Light in the Piazza (Tony China International Arts Festival tour Tony and Outer Critics Circle Award and Drama Desk Awards), Guys and of Grease and the Korean tour of Fame nominations), 33 Variations (Tony Dolls (2009 revival), Grey Gardens, (choreographer and dance supervisor). nomination), I Am My Own Wife Urinetown, The Wild Party, Annie Get Mr. Jenkinson is a proud member of (Drama Desk and Outer Critics Circle Your Gun, On the Town, The Sound of Actors’ Equity Association. nominations), A Man for All Seasons, Music, Once Upon a Mattress and The Dirty Blonde and Golden Child. King and I. His Off Broadway credits JAN GIST (Vocal and Dialect Coach) His selected Off Broadway credits include Floyd Collins, The Burnt Part has been Voice, Speech and Dialect include work at New York Theatre Boys, Children of Eden, Happiness Coach for Old Globe productions since Workshop, Playwrights Horizons, directed by Susan Stroman, Mother 2002. She has coached at theatres The Public Theater, Roundabout Courage with Meryl Streep and See around the country including Ahmanson Theatre Company, Signature Theatre What I Wanna See. Among his many Theatre, La Jolla Playhouse, Oregon Company and Vineyard Theatre. His regional productions are Tales of the Shakespeare Festival, The Shakespeare regional credits include Bengal Tiger City, Giant, Saving Aimee, The Grapes Theatre Company in DC, The American at the Baghdad Zoo at the Mark Taper of Wrath (opera by Ricky Ian Gordon Shakespeare Center, Utah Shakespeare Forum (Garland Award, Los Angeles and Michael Korie) and Candide Festival, Alabama Shakespeare Festival, Drama Critics Circle Award, LA Stage (National Theatre). His film credits Arena Stage, Milwaukee Repertory Alliance Ovation Award nomination), include Hairspray (“Miss Baltimore Theater, PlayMakers Repertory Alley Theatre, Arena Stage, Cincinnati Crabs” with Marc Shaiman) and Company, Indiana Repertory Theatre, Playhouse in the Park, The Kennedy Fantasia 2000 (principal arranger). He is American Players Theatre and Mo’olelo Center, Long Wharf Theatre, La Jolla the winner of a Tony, a Drama Desk and Performing Arts Company. Ms. Gist Playhouse, The Muny and The Old an OBIE Award. He has also received has been a guest on KPBS radio’s “A Globe. His films include The Sisterhood three additional Tony nominations and Way with Words,” narrated San Diego of the Traveling Pants 2. He has created six additional Drama Desk nominations. Museum of Art documentaries, coached

PERFORMANCES MAGAZINE 13 dialects for the film The Rosa Parks starring BD Wong, The Seven and The returned from a tour to the Dominican Story and recorded dozens of Books Adding Machine, to name a few. Ms. Republic with Eveoke’s Las Mariposas. To Listen To. She is a founding member Nero has worked with a number of She is an avid runner and figure skater of The Voice and Speech Trainers prominent regional theatres including and a UC San Diego M.F.A. Association and has presented at many Center Theater Group, SITI Company, national and international conference Huntington Theatre Company, Berkeley MICHAEL G. MURPHY (Interim workshops for them and for The Voice Repertory Theatre, Kansas City Managing Director) has been the Foundation. She has taught workshops Repertory Theatre and the Adirondack General Manager at The Old Globe in Russia for the International Voice Theatre Festival, among others. Her since 2003, overseeing the Production, Teachers Exchange at The Moscow other selected credits include the long- Education, Human Resources, Art Theatre and at London’s Central running production of Schick Machine Information Technology and Facilities School of Speech and Drama. She has with The Paul Dresher Ensemble Departments, as well as Front of House been published in VASTA Journals, (touring to Hong Kong later this year), operations. He also managed the and chapters in books include The multiple corporate events with MSI construction of the Globe’s new theatre Complete Vocal Warm-Up, More Stage Production Services, Inc., Dream Report and education facilities. Prior to the Dialects and an interview in Voice and with Allyson Green Dance featuring Lux Globe, he was the Managing Director Speech Training in the New Millennium: Borreal, as well as iMan and Garden of Austin Lyric Opera in Austin, Texas, Conversations with Master Teachers. Trilogy with San Diego-based dance Director of Administration of San She is a professor in The Old Globe/ company IMAGOmoves, including Diego Opera and General Manager of USD Graduate Theatre Program. Garden of Forbidden Loves and Garden San Diego Repertory Theatre. Before www.jangistspeaking.com. of Deadly Sound, both of which toured relocating to San Diego from New York, to the International Theatre Festival in he held similar positions at Theatre TARA RUBIN CASTING (Casting) Cluj, Romania. for a New Audience and the Joyce previously cast the Globe productions Theater Foundation’s American Theater of Robin and the 7 Hoods, Sammy and JESS SLOCUM (Assistant Stage Exchange. He also served as negotiating The First Wives Club. Their Broadway Manager) has previously worked at assistant for the League of Resident credits include Ghost, Hugh Jackman: the Globe on Richard O’Brien’s The Theatres and sales representative Back on Broadway, How to Succeed Rocky Horror Show, 2011 Shakespeare for Columbia Artists Theatricals in Business Without Really Trying, Festival, Rafta, Rafta…, Robin and Corporation. Mr. Murphy has served on Promises, Promises, A Little Night the 7 Hoods, Alive and Well, Sammy, the Board of Directors of the San Diego Music, Billy Elliot: The Musical, Shrek, Cornelia, Since Africa, Dr. Seuss’ Performing Arts League and serves as Guys and Dolls, The Country Girl, Rock How the Grinch Stole Christmas! a Management Trustee for San Diego ‘n’ Roll, The Farnsworth Invention, Young (‘07-’09) and The Glass Menagerie. County Theatrical Trusts, the pension Frankenstein, The Little Mermaid, Mary Her Broadway credits include In the and welfare trust for IATSE stagehands Poppins, My Fair Lady, The Pirate Heights. Her regional credits include in the San Diego region. He was also an Queen, Les Misérables, The History Ruined, The Third Story, Memphis and adjunct faculty member of the Music Boys, Spamalot, Jersey Boys, The 25th Most Wanted (La Jolla Playhouse), Department at the University of San Annual Putnam County Spelling Bee, Post Office (Center Theater Group) Diego. Mr. Murphy earned his B.F.A. The Producers, Mamma Mia!, Imaginary and Tranquility Woods (Steppenwolf degree in Stage Management from Friends, The Phantom of the Opera, Theatre Company). Her San Diego Webster University in St. Louis, Missouri Oklahoma!, Happiness, The Frogs, credits include Yellow Face (Mo`olelo and his M.F.A. in Performing Arts Contact and Thou Shalt Not. Their Off Performing Arts Company) and Festival Management from Brooklyn College of Broadway credits include Love, Loss, of Christmas 2011 (Lamb’s Players the City University of New York. and What I Wore and Second Stage Theatre). She is a graduate of Vanderbilt Theatre. Regionally they have cast at University. Proud member of Actors’ JACK O’BRIEN (Artistic Director Yale Repertory Theatre, The Kennedy Equity. Emeritus) served as the Artistic Center, La Jolla Playhouse and Dallas Director of The Old Globe from 1982 Theater Center. EVANGELINE ROSE WHITLOCK through 2007. Broadway: Catch Me If (Assistant Stage Manager) has worked You Can, Impressionism, The Coast of ANJEE NERO (Stage Manager) has regionally on Odyssey and Engaging Utopia (Tony Award), Dr. Seuss’ How previously worked on the Globe Shaw (The Old Globe), Limelight: The the Grinch Stole Christmas!, Dirty productions of Richard O’Brien’s The Story of Charlie Chaplin, HOOVER Rotten Scoundrels (Tony nomination), Rocky Horror Show, The Savannah COMES ALIVE! and A Dram of Henry IV (Tony Award), Hairspray Disputation, Cornelia, Kingdom and Drummhicit (La Jolla Playhouse), (Tony Award), Imaginary Friends, The the 2007 Shakespeare Festival. Her What is the Cause of Thunder? Invention of Love (Tony nomination, selected La Jolla Playhouse credits (Williamstown Theatre Festival) and Drama Desk Award), The Full Monty include the World Premiere of Arthur miXtape (Lamb’s Players Theatre). Her (Tony nomination), More to Love, Kopit’s play A Dram of Drummhicit, dance credits include Michigan Ballet Getting Away with Murder, Pride’s Ruined directed by Liesl Tommy, A Academy, Eveoke Dance Theatre, Crossing, The Little Foxes, Hapgood Midsummer Night’s Dream directed Malashock Dance and Grand Rapids (Lucille Lortel Award, Best Director), by Christopher Ashley, Herringbone Ballet Company. Ms. Whitlock recently Damn Yankees, Two Shakespearean

14 PERFORMANCES MAGAZINE Actors (Tony nomnation), Porgy and three honors representing education Bess (Tony Award). Metropolitan and theatre: Honorary Doctorate of Opera: II Trittico. London: Love Never Humane Letters, University of San Dies, Hairspray (Olivier nomnation), Diego, Honorary Doctorate in Fine BROADWAY’S BEST AND SAN DIEGO’S FINEST National Theatre: His Girl Friday. Six Arts, San Diego State University and movies for PBS’s “American Playhouse.” the annual Awards for Excellence in Awards: 2008 Theatre Hall of Fame Theatre named in his honor by the San Inductee, 2005 John Houseman Award, Diego Theatre Critics Circle. In 2007, he ArtServe Michigan 2008 International received the National Medal of Achievement Award, Honorary Arts — the nation’s highest honor for Doctorate, University of Michigan. artistic excellence — in a ceremony at Honorary Doctor of Humane Letters, the White House. Craig Noel died on University of San Diego. Film (actor): April 3, 2010 at the age of 94. Sex and the City 2.

CRAIG NOEL (Founding Director) TARA RUBIN CASTING was first appointed director in 1939, directing 15 productions prior to Tara Rubin, CSA World War II. Since then he directed Eric Woodall, CSA; Merri Sugarman, CSA; more than 200 plays of all styles and Dale Brown, CSA CLASSICS UP CLOSE periods and produced an additional 270 productions. His vision for The Old Kaitlin Shaw, Lindsay Levine Eugene O’Neill’s poetic Globe resulted in the establishment masterpiece won him his of the Shakespeare Festival and the San Diego Junior Theatre in the late second Pulitzer Prize. ‘40s, the expansion to two theatres SPECIAL THANKS ANNA CHRISTIE is a in the ‘50s, Globe Educational Tours gripping account of the in the ‘70s and Teatro Meta and the Digital Printing by Volume 11 Graphics relationship between an Old Globe/University of San Diego www.Volume11inc.com old sailor and the daughter MFA program in the ‘80s. During the Giotto Cloud Image: Scrovegni he hasn’t seen in almost 1940s, Mr. Noel served as dialogue (Arena) Chapel, Padua, Italy. director for the 20th Century Fox 20 years. Their new Courtesy of The Bridgeman Art Library. Studios and was the former director bond becomes strained of the Ernie Pyle Theatre in Tokyo. Margaret Grossman when she falls in love Described by Variety as the eminence with a young man whose Èttore Rabellino grise of San Diego theatre, Mr. Noel seafaring life isn’t what her is one of the few San Diegans to have Additional sound equipment father wants for her. When had an entire year (1987) proclaimed provided by PRG Audio in his honor, and to be named one of Anna reveals to both men San Diego’s “Living Treasures.” He was the shameful secret she a founder of the California Theatre This theatre operates under an agreement has been harboring, they Council and a former vice president between the League of Resident Theatres and Actors’ Equity Association, the union of come to understand the of the California Confederation of the professional actors and stage managers in the harsh reality of her past Arts. His numerous honors include United States. The San Diego Union-Tribune list of and show her compassion, 25 persons who shaped the city’s love and forgiveness. history; the Governor’s Award for the The Directors are members of the Society of Stage Directors and Choreographers, an Arts; University of Arizona Alumni independent national labor union. Association’s Outstanding Citizen, ANNA CHRISTIE for his contribution to their Fine By Eugene O’Neill This Theatre operates under an Agreement with Arts department; San Diego State the International Alliance of Theatrical Stage Directed by Daniel Goldstein University’s Outstanding Alumnus; Employees Local No. 122. Conservator of American Arts Award March 10 - April 15 from American Conservatory Theater; The Scenic, Costume, Lighting and Sound Sheryl and Harvey White Theatre the San Diego Press Club Headliner Designers in LORT Theatres are represented by Award; San Diego Gentleman of United Scenic Artists Local USA-826, IATSE. Conrad Prebys Theatre Center Distinction Award; and a combined tribute from the Public Arts Advisory (619) 23-GLOBE (234-5623) Council and the San Diego County The musicians are represented by the American Federation of Musicians, Local 325 San Diego. www.TheOldGlobe.org Board of Supervisors. Mr. Noel was particularly proud of the following

PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of whom has made a 2011/2012 annual donation of $50,000 or greater. Lead Season Sponsors

Mary Ann Blair Karen and Donald Cohn David C. Copley Conrad Prebys and Debra Turner Darlene Marcos Shiley Sheryl and Harvey White

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper The County of San Diego Audrey S. Geisel Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation June E. Yoder

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINE Education

Student Matinees at the Globe

Old Globe Artistic Director Emeritus Jack O’Brien famously specific details and open discussion, students explore the said that you don’t go to the theatre for the first time on your show before they see it and are better prepared for the own; someone brings you. experience when they arrive at the theatre. Our carefully That philosophy played heavily into the Globe’s decision to researched study guides provide teachers with the tools present student matinee performances of many of our shows. they need to present Standards-based lessons in class The idea was to bring students to the theatre for the first time both before and after students have seen the show. These in the hopes that they would learn to love theatre through lessons are designed to provoke discussion and reflection the experience. Students come away from our matinees with and to bring students to a deeper understanding of the play’s their eyes opened to new ideas and possibilities. They are content and of the role of theatre in society. inspired and awed. They want to talk about what they have Tickets to the theatre are an out-of-reach expense for many experienced and what it means to them. That is the power of of the students we serve. School budgets have been slashed theatre, and The Old Globe has worked tirelessly to ensure to the bone, so paying for a field trip to the theatre is a that thousands of students each year are provided the near-impossibility for most educational institutions. This is opportunity to see just what we’re about. where The Old Globe’s donors step up to the plate. They A strong student matinee program requires more than remember that once they were the ones who were invited just opening the doors. At The Old Globe, our Education to see a play for the very first time. They know how theatre Department works hard to ensure that students are provided has impacted their lives. And they provide the funding for a strong introduction to the shows they will see, through us to give these matinees at absolutely no charge to the study guides and classroom learning schools. experiences. Our professional We are proud to continue this Teaching Artists plan powerful pre- amazing program, and we thank our show workshops that are conducted donors for making it possible. For in school classrooms in the days more information about how you and weeks before students will see can sponsor a free student matinee the show. These sessions center on and become the person responsible the major themes in the plays and for bringing hundreds of students to how these themes may resonate for the theatre for the first time, contact students. Through interactive theatre Marilyn McAvoy Bergman at exercises, sharing of production- (619) 231-1941 x2309.

(top) Obba Babatundé (center), star of the World Premiere musical Sammy, with students of St. Augustine High School. PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Arts Audrey S. Geisel/The San Diego Darlene Marcos Shiley, & Culture Foundation Dr. Seuss Fund in memory of Donald Shiley David C. Copley Globe Guilders The Shubert Foundation The County of San Diego The James Irvine Foundation Sheryl & Harvey White Foundation Microsoft

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation Elizabeth & Ryan Williams Advised Fund at the San Diego Conrad Prebys & Debra Turner The Legler Benbough Foundation Human Dignity Foundation Qualcomm, Inc. John A. Berol Valerie & Harry Cooper United Mary Ann Blair Edgerton Foundation Wells Fargo California Bank & Trust Kathryn & John Hattox June E. Yoder, in memory of David Yoder The Family of Mary & Dallas Clark William Randolph Hearst Foundation Karen & Donald Cohn HM Electronics, Inc. Cohn Restaurant Group/ Joan & Irwin Jacobs Fund of the Prado Restaurant Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Barbara Kjos Sheraton San Diego Hotel & Marina Bank of America National Corporate Theatre Fund Mickey Stern Alan Benaroya Neiman Marcus Gillian & Tony Thornley Richard & Kathy Binford Paula & Brian Powers Union Bank Elaine & Dave Darwin Random House Children’s Books U.S. Bank Pamela A. Farr The San Diego Foundation, Mandell Weiss Charitable Trust Higgs Fletcher & Mack, LLP a grant made possible by the Karin Winner Leonard & Elaine Hirsch Ariel W. Coggeshall Fund Jo Ann Kilty SDG&E

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Lee & Frank Goldberg Tom & Lisa Pierce Arthur & Sophie Brody Fund of the Jean-Marie Hamel, PhD Allison & Robert Price Jewish Community Foundation The Hull Family Price Family Charitable Fund Pamela & Jerry Cesak Deni & Jeff Jacobs Reneé Schatz Nikki & Ben Clay Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway James S. Copley Foundation Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens Mr. & Mrs. Brian Devine Family Foundation Anne Taubman & David Boyle Nina & Robert Doede Sue & John Major Evelyn Mack Truitt Karen Fox & Harvey Ruben National Endowment for the Arts Brent V. Woods & Laurie C. Mitchell Hal & Pam Fuson Rafael & Marina Pastor Carolyn Yorston-Wellcome

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Chuck Freebern Mary & Eugene Rumsey, MD Kenneth & Marilyn Jones ($5,000 to $9,999) Charles & Millicent Froehlich Carole Sachs Louis & Mary Beth Kelly Lawrence G. Alldredge & Dawn Moore Joy & Dr. Fred Frye Warren & Beverly Sanborn Gayle & Jerry Klusky Joan & Jeremy Berg Elaine & Murray Galinson Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Barbara Bloom Victor & Jill Galvez Fund at the Rancho Santa Fe Courtney & Raymond Liddy The Louis Yager Cantwell Barbara & Albert Garlinghouse Foundation Don & Mary Jane Lincoln Private Foundation Bill & Judy Garrett Drs. Joseph & Gloria Shurman Edward & Nancy Lyon Clifford & Carolyn Colwell Drs. Thomas & Jane Gawronski Dee E. Silver, MD Jasna Markovac & Gary Miller R. Patrick & Sharon Connell Teresa George Paul Scott Silvera & Todd Schultz F. Dale & Lois Marriott Bernard J. Eggertsen & Nancy Reed Gibson Elene & Herb Solomon Peggy Matthews Florence Nemkov Wendy Gillespie Nancy & Alan Spector and Family Marcia Mattson Marion Eggertsen Robert Gleason & Marc Matys Nancy Steinhart & Valorie McClelland Dr. & Mrs. Robert Epsten Tom & Sheila Gorey Rebecca Goodpasture Dr. & Mrs. M. Joseph McGreevy Carol Spielman-Ewan & Joel Ewan Dr. & Mrs. William Gott Eugene & Hannah Step Jack Meek Martha & George Gafford Walter & Lola Green Pat & Jack Thomas Virginia Oliver Mary Ann & Arnold Ginnow Tim Haidinger Cherie Halladay Tirschwell Dr. Julie Prazich & Dr. Sara Rosenthal Diana Glimm Ms. Cheryl Haimsohn Carol Vassiliadis Robert & Doris Reed Alexa Kirkwood Hirsch Norm Hapke & Valerie Jacobs Hapke Doris & Lou Vettese Jeffrey & Vivien Ressler Dr. & Mrs. Harry F. Hixson, Jr. Pat & Rick Harmetz Mary R. Warkentin Wade & Candi Rich William Karatz Gordon & Phyllis Harris Zelda J. Waxenberg The Ralph B. Rogers Foundation Carol & George Lattimer Drs. Patrick Harrison & Eleanor Lynch Jan Harden Webster & Raul Ortega San Diego Concierge Association Peter Manes & Yoko Sakaguchi Susan & Dr. Ronald Heller The Patricia and Christopher Weil Alan & Esther Siman Paul & Maggie Meyer Rhonda Heth & Thomas Mabie Family Foundation Dave & Phyllis Snyder Money/Arenz Foundation, Inc. Richard & Janet Hunter Dr. Steve & Lynne Wheeler Jack & Louise Strecker Rebecca Moores Hutcheson Family Fund at Kathy & Jim Whistler Celeste & Gene Trepte Matthew & Judith Pollack The San Diego Foundation Stan & Anita Ulrich John & Marcia Price Drs. Sonia & Andrew Israel ($1,500 to $2,499) David & Irene Weinrieb Family Foundation Jerri-Ann & Gary Jacobs Anita Busquets & William Ladd Christy & Howard Zatkin Rivkin Family Fund I at Pat JaCoby Lisa & David Casey The San Diego Foundation Mary & Russell Johnson Devora & Ron Eisenberg GOLD Julie & Bob Sullivan Jackie Johnston of Great News! ($500 to $999) Deborah Szekely Katleman Family Fund of the Gary & Carrie Huckell Anonymous (4) Dixie & Ken Unruh Jewish Community Foundation William & Edythe Kenton George Amerault Jordine Skoff Von Wantoch Dr. Gerald & Barbara Kent Sherry & Larry Kline Drs. Michael & Gabriela Antos Pamela J. Wagner Bob* & Gladys King Robin J. Lipman & Miro Stano Alicia Atun & Elaine Rendon* Ken & Sheryl King Nancy & James Mullen Andris Baltins CRAIG NOEL CIRCLE Webster & Helen Kinnaird In Memory of Dolly & Jim Poet Richard & Linda Basinger ($2,500 to $4,999) Jane & Ray Klofkorn Marie & Don Prisby Bruce & Patricia Becker Dr. & Mrs. Wayne Akeson Curt & Nancy Koch Marisa SorBello & Peter Czipott Amnon & Lee Ben-Yehuda Gail Andrade and Brooke & Dan Koehler James & Ellen Weil Bob & Joyce Blumberg John & Jennifer Andrade Betty & Leonard Kornreich Shirli Fabbri Weiss Barbara Bolt Anonymous (3) Rosalie Kostanzer & Michael Keefe Dr. & Mrs. J. Brand Brickman Judith Bachner & Eric Lasley Regina Kurtz & Al Isenberg DIAMOND Greg & Loretta Cass Jan & Rich Baldwin Bob & Laura Kyle ($1,500 to $2,499) Luc Cayet & Anne Marie Pleska Bobbie Ball Jean & David Laing Jeff & Donna Applestein Lynne Champagne & Wilfred Kearse Diana J. Barliant & Nowell Wisch Peter Landin & Michelle Cardinal Mrs. Lazare F. Bernhard Jack & Carol Clark Melissa Garfield Bartell & Tadd S. Lazarus, MD Steve G. Bjorg Ken Crouch Michael Bartell Terry & Mary Lehr Mary-Kay Butler Ronald D. Culbertson Deron & Toni Bear Ms. Sherrill Leist Dr. & Mrs. Robert M. Callicott Walter & Cheryl Deegan Linda Birch James & Pamela Lester Jane Cowgill Dr. Donald & Eilene Dose Charlotte & Charles Bird Sandy & Arthur Levinson Enid Gleich Jacqueline & Stanley Drosch Paul Black Barbara & Mathew Loonin Leo S. Guthman Fund Elisabeth K. Ecke Dr. Herman & Irene Boschken Merriel F. Mandell, PhD Jerry Lester, MD/Rosarito, Mexico Bill Eiffert & Leslie Hodge Dr. & Mrs. Edgar D. Canada Charlie & Jackie Mann Paul Levin Esther & Robert Feier Edward & Pamela Carnot Elizabeth & Edward McIntyre Dr. Robert & Marcia Malkus Richard & Beverly Fink George & Ellen Casey Harold O. McNeil, Esq. Akiko Morimoto & Family Foundation Rudy & Carol Ceseña Elizabeth Meyer Hubert Frank Hamilton, Jr. Pauline Forman & Jack Burke Carol & Jeff Chang Barbara & Mike Morton Mark Niblack Susan & Steven Garfin Garet & Wendy Clark Jim & Ruth Mulvaney Foundation at Shearn & Linda Platt Peter & Christine Gault Ms. Heidi Conlan/The Sahan Daywi The San Diego Foundation Margery & John Swanson Theresa A. Georgi Foundation Elspeth & Jim Myer Arthur Getis Richard & Stephanie Coutts Joyce & Martin Nash PLATINUM Norman & Patricia Gillespie Susan Barlow Cowell National Alliance for Musical Theatre ($1,000 to $1,499) Louise & Doug Goodman Gigi & Ed Cramer Lyn Nelson Edward Anderson Edry & Robert Goot Timothy & Marie Cunning Arthur & Marilyn Neumann Anonymous Chris Graham & Michael Albo John* & Ann Davies Lawrence Newmark Sondra & Robert Berk Fund of the Carol & Don Green Darlene G. Davies, in memory Ben & Joan Pollard Jewish Community Foundation George C. Guerra of Lowell Davies Mo & Bill Popp Gary & Barbara Blake Family Fund of Richard & Candace Haden Pat & Dan Derbes Daniel Porte Jr., MD the Jewish Community Foundation Helen M. Hammond Mrs. Philip H. Dickinson Joanne Powers Steve & Elizabeth Bluhm Jamie Henson & Robert Houskeeper Jim & Sally Ditto The Arthur & Jeanette Pratt Nancy Brock Mike Hogan Enterprises Dan & Phyllis Epstein Memorial Fund Sandra & Harry Carter Stephen Hopkins & Dr. Carey Pratt Noddy & Ira Epstein Joseph & Jane Rascoff Ms. Dorothy R. Dring Dr. & Mrs. Clyde W. Jones Carol Fink Sarah B. Marsh-Rebelo & Paul & Clare Friedman Kathy & Rob Jones Mary & David Fitz John G. Rebelo Mr. & Mrs. Arthur A. Greenberg Patricia & Alexander Kelley Susanna & Michael Flaster Roger & Christine Roberts Kaaren Henderson Robert Kilian & Kathleen Slayton Jean & Sid Fox Nancy Robertson Bill & Nancy Homeyer Bill & Linda Kolb

PERFORMANCES MAGAZINE 19 Annual Fund Donors The Old Globe’s 2012 Annual Meeting of the Members (continued)

Dr. Marvin Kripps Clifford & Kay Sweet On January 30, 2012, The Old Globe held its Annual LABS, Inc./Silvia Dreyfuss Linda Terramagra Sherry & Rick Levin Dr. & Mrs. Charles B. Tesar Meeting, and Annual Fund donors gathered to hear about Marshall & Judy Lewis Fund of the Gertrude Trebon the state of the Globe from Board Chair Harold W. Fuson, Jewish Community Foundation Jeffrey & Sheila Truesdell Jr., Interim Managing Director Michael G. Murphy and Tony Carl Maguire & Margaret Sheehan Ms. C. Anne Turhollow & Sally & Luis Maizel Mr. Michael J. Perkins Award-winning Artistic Director Emeritus Jack O’Brien. McAuliffe Family Natalie C. Venezia & Paul A. Sager PHOTOS BY DOUG GATES. Drs. Betty Joan Maly & John Meyers Harold Walba Ron & Mercy Mandelbaum Douglas Wallingford Martin & Joanne Marugg Kathy & Jim Waring Rev. Stephen J. Mather Dave & Kim Washkowiak Ronald McCaskill & Robyn Rogers Ms. Sandy Wichelecki Charles & Billie McKnight Dennis & Carol Wilson Charles & Susan Muha Ms. Abbe Wolfsheimer Shirley Mulcahy Brendan M. & Kaye I. Wynne Marsha J. Netzer Rod & Barbara Orth *In Memoriam Barbara B. Oswalt In Memory of Margaret Peninger Dr. Ken Pischel & Dr. Katherine Ozanich Artistic Director Emeritus Jack O’Brien with Board Members and 2012 Globe Gala Drs. Paul & Katherine Ponganis This list current as of January 27, 2012 Co-Chairs Pamela Cesak, Vicki Zeiger and Jo Ann Kilty. Simon & Ruth Sayre Mr. & Mrs. Russell Schnapp For additional information on how you Linda J. Seifert may support The Old Globe’s artistic, Stella Shvil education and community programs, Beverly & Howard Silldorf please visit our website at www. Mr. & Mrs. Randall Silvia TheOldGlobe.org or contact Rachel Mr. William D. Smith & Dr. Carol Harter Plummer, Major Gifts Officer, at Susan Steele & Mike Conley (619) 231-1941 x2317 or rplummer@ Ron & Susan Styn TheOldGlobe.org. Public Support

Sue Major, Marc Matys, Season Sponsor Karen Cohn, Robert Gleason and Season Sponsor Sheryl White.

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

Robert Gleason, New Board Member Nikki Clay, Richard Wright, Board Member and Season Sponsor Mary Beth Adderley and Ben Clay. Stay Connected with The Old Globe

Visit us online at www.TheOldGlobe.org Globe Guilders Gigi Cramer, 2012 Celebrating Couture Fashion Show Chair Chrissy Roberts and Suzie Poet Turner with Roger Roberts.

20 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE National Corporate Theatre Fund is a not-for-profit ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley FOUNDER CIRCLE ($5,000 - $9,999) Citi UBS Bertrand at Mister A's Nokia Inc. Datacert, Inc. USA Today Break-Away Tours The Westgate Hotel Dorsey & Whitney Foundation Vernalis Systems Ernst & Young Wells Fargo Hyatt Regency La Jolla Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies Hoyle Cohen, LLC Goldman, Sachs & Co. Corporate Partners enjoy benefits and recognition, including the opportunity to The Cox Kids Foundation at Ladeki Restaurant Group – entertain clients and employees with exclusive receptions at the Theatre, behind- The San Diego Foundation Roppongi Restaurant the-scenes tours, and preferred seating at our shows. For information, please Cubic Corporation PRA Destination Management contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

What is the Craig Noel League? Old Globe Board of Directors has established specific giving Founded in 2000 and named for the areas that you may choose from, including classical theatre and Globe’s Founding Director, the League Shakespeare, education programs and new works. is a planned giving society for the Globe comprised of individuals who How do I make a Planned Gift? have included The Old Globe in their Simply call the Globe and schedule an appointment for a estate plans. Through their generosity, confidential meeting, or visit with your estate planner or these supporters of the Theatre are attorney. helping to ensure a long and bright Join us and become a part of our active community with a future for San Diego’s leading cultural variety of exciting events including an Annual Member Event,

CRAIG NOEL,CRAIG 1957 landmark. “Food for Thought” monthly lunches where you may dine What is a Planned Gift? with a Globe artist or attend one of the many Opening Night Planned giving is simply a way to support The Old Globe receptions held throughout the year. through your estate plans by establishing an irrevocable To become a member of the Craig Noel League or to tell us bequest of property, stock or cash; a charitable trust; a living of a gift you have already made, please contact Bridget Cantu estate; or some other deferred giving instrument. In your estate Wear, Associate Director of Development, Planned Giving, plans, you have the ability to designate the specific use of the at (619) 231-1941 x2312 or [email protected]. funds given to the Globe, and to help guide your decision, The

Craig Noel League Members

Anonymous (17) Frank A. Frye, III Jean & David Laing PACEM (Pacific Academy Jeanette Stevens Diana Barliant Mr. Alan Gary & Jerry Lester Foundation of Ecclesiastical Music) Eric Leighton Swenson Nancine Belfiore Ms. Joanee Udelf Heather Manion Sarah B. Marsh-Rebelo & Anne C. Taubman Alan Benaroya Nancy Reed Gibson Chris & Jill Metcalf John Rebelo Randy Tidmore Barbara Bolt Robert Gleason & Paul I. & Margaret W. Meyer Darlene Shiley Cherie Halladay Tirschwell Nancy Brock Marc Matys Steve Miller Patsy & Forrest Shumway Evelyn Mack Truitt Ronald Brown Marcy Goldstone Dr. Robert W. Miner B. Sy & Ruth Ann Silver Ginny Unanue Dr. & Mrs. Edgar D. Canada Carol & Don Green Shirley Mulcahy Dee Silver, M.D. Jordine Von Wantoch Garet & Wendy Clark Kathryn Hattox Laurie Dale Munday Stephen M. Silverman Merle Wahl R. Patrick & Sharon Connell David & Debbie Hawkins Stanley Nadel & Roberta Simpson Holly J. B. Ward Patricia W. Crigler. Ph. D., Jill Denison Holmes Cecilia Carrick Dolores & Rod Smith Sarah Woodruff Watkins CAPT/USN/Ret. Craig & Mary Hunter Alice B. Nesnow Marisa SorBello & Sheryl & Harvey P. White Carlos & Patricia Cuellar Bob Jacobs Arthur & Marilyn Neumann Peter Czipott Mrs. Jack Galen Whitney Mrs. Philip H. Dickinson Grace Johnston Ronald J. Newell John & Cindy Sorensen Julie Meier Wright Doug Druley & Becky Young Gladys H. King Greg & Polly Noel Nancy A. Spector & Carolyn Yorston-Wellcome Dr. & Mrs. Robert Epsten Marilyn Kneeland Alan R. Spector Judy L. Zimmerman

Globe Ambassadors

Globe Ambassadors are generous supporters Be rnard J. Eggertsen & Florence Nemkov◆ Jeannie & Arthur Rivkin of The Old Globe who contribute a minimum Ca rol Spielman-Ewan & Joel Ewan Donald* & Darlene Shiley◆ of $3,500 to the Annual Fund, attend special Danah H. Fayman◆ Ms. Jeanette Stevens◆ Globe meetings and activities and serve as Mary Ann & Arnold Ginnow Evelyn Mack Truitt advocates in the community for the Globe’s Alexa Kirkwood Hirsch◆ Dixie & Ken Unruh mission and goals. As a group, Ambassadors Leonard & Elaine Hirsch◆ Doris & Lou Vettese◆ sponsor one Globe production each season. Pat Jacoby Pamela J. Wagner◆ Mary & Russell Johnson◆ Jordine Von Wantoch◆ La wrence G. Alldredge & Dawn Moore Bob* & Gladys King◆ Paul Black◆ *In Memoriam Tadd S. Lazarus, M.D. Steven J. Cologne James & Pamela Lester◆ ◆Denotes increased giving in 2010 and 2011 R. Patrick & Sharon Connell◆ Dr. Jerry Lester Gigi & Ed Cramer◆ For additional information on how you may Merriel F. Mandell, Ph.D.◆ Elaine & Dave Darwin◆ become a Globe Ambassador, please contact Peter Manes & Yoko Sakaguchi Darlene G. Davies◆ Marilyn McAvoy Bergman, Major Gifts Director, Paul I. & Margaret W. Meyer Nina & Robert Doede at (619) 231-1941 x2309 or Joanne C. Powers◆ Marion Eggertsen◆ [email protected].

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in both the Sheryl and Harvey White Theatre and The Old Globe accepts Visa, Discover, MasterCard, or the Old Globe Theatre. A limited number of the lightweight American Express. Phone orders for non-subscribers headsets, as well as induction neck loops, may be obtained are subject to a $3.50 per ticket service charge. Ticket from the house manager prior to performances. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Saturdays and Sundays at 10:30am. Groups by reservation. [email protected]. $5 adults; $3 seniors and students. Phone (619) 238-0043 x2145 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information and a RESTROOMS description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre, the lobby of the White Theatre and adjacent to the premises. the Festival Theatre. Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — SEATING OF LATECOMERS are available upon request. Please ask an usher. Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Michael G. Murphy...... Interim Managing Director Properties DEVELOPMENT Richard Seer...... Interim Artistic Advisor and Neil A. Holmes...... Properties Director Marilyn McAvoy Bergman...... Major Gifts Director ...... Director of Professional Training Kristin Steva Campbell...... Assistant to the Director Annamarie Maricle...... Associate Director, Institutional Grants Edward Nelson...... Interim General Manager Kristine Hummel...... Prop Assistant Bridget Cantu Wear...... Associate Director, Planned Giving Dave Henson...... Director of Marketing and Communications M.H. Schrenkeisen...... Shop Foreman Eileen Prisby...... Events Manager Todd Schultz...... Director of Development Rory Murphy...... Lead Craftsman Rachel Plummer...... Major Gifts Officer Mark Somers...... Director of Finance Josh Camp, Trish Rutter...... Craftspersons Angelique von Thun...... Major Gifts Associate Robert Drake...... Director of Production David Medina...... Properties Buyer Diane Addis...... Membership Administrator Roberta Wells-Famula...... Director of Education Trevor Hay...... Property Master, Globe Kacie Bluhm...... Development Assistant Dan Klebingat...... Stage & Property Master, White Rico Zamora...... VIP Donor Ticketing ARTISTIC David Buess...... Property Master, Festival Adrian Noble...... Shakespeare Festival Artistic Director Donor Services Eric Louie, Justin Waldman...... Associate Producers Lighting Lee Conavay, Monica Jorgensen, Barbara Lekes, Danielle Mages Amato...... Literary Manager/Dramaturg Shawna Cadence...... Lighting Director Pamela Malone, Richard Navarro, Stephanie Reed, Bernadette Hanson...... Artistic Associate Lace King...... Lighting Assistant Judy Zimmerman...... Suite Concierges Matthew Lopez...... Playwright-in-Residence Tonnie Ficken...... Master Electrician, Globe Jim Dodd...... Master Electrician, White MARKETING PRODUCTION Kevin Liddell...... Master Electrician, Festival Jeffrey Weiser...... Public Relations Director Debra Pratt Ballard...... Associate Director of Production Jason Bieber, Meghan Bourdeau, Mark Dewey, Jessie Brunner...... Audience Development Manager Ron Cooling...... Company Manager Areta MacKelvie, Omar Ramos, Mike Hausberg...... Public Relations Associate Carol Donahue...... Production Coordinator Jason Rothberg...... Electricians Kelly Boyle...... Digital and Print Publications Coordinator Mark Dewey, Rafael Vallejo...... Follow Spot Operators Richard Steadham...... Graphics Coordinator Stage Management Marissa Haywood...... Marketing Assistant Leila Knox...... Production Stage Manager Sound Monica Jorgensen, Paul Peterson...... Sound Director Susie Virgilio...... Marketing/Events Assistants Technical Erik Carstensen...... Master Sound Technician, Globe Benjamin Thoron...... Technical Director Jeremy Siebert...... Master Sound Technician, White Subscription Sales Wendy Berzansky...... Associate Technical Director Dana Pickop...... Mic Runner, Globe Scott Cooke...... Subscription Sales Manager Tramaine Berryhill...... Assistant Technical Director Anna Bowen-Davies, Arthur Faro, Andy Fink, Sean Fanning...... Resident Design Assistant ADMINISTRATION Janet Kavin, Pamela Malone, Yolanda Moore, Jessica Morrow, Keith Perkins, Ken Seper, Eliza Korshin...... Technical Assistant/Buyer Brian Franko...... Assistant General Manager Cassandra Shepard, Jerome Tullmann, Christian Thorsen...... Stage Carpenter/Flyman, Globe Grant Walpole...... Subscription Sales Representatives Carole Payette...... Charge Scenic Artist Information Technology Dean Yager...... Information Technology Manager W. Adam Bernard, Daniel Capiro, Ticket Services Edee Armand, Victoria Erbe, Ed Roxburgh...... Scenic Artists Thad Steffen...... Information Technology Assistant Manager Bob Coddington...... Ticket Services Manager Gillian Kelleher...... Master Carpenter John Ralston...... Information Technology Assistant Marsi Fisher...... Ticket Operations Manager Andrew Young...... Charge Carpenter, White Dani Meister...... Group Sales Manager Laura McEntyre...... Automation Coordinator Human Resources Tony Dixon, Fernando Avitia, Curtis Carlsteen, Chris Chauvet, Sandra Parde...... Human Resources Director Rob Novak...... Lead Ticket Services Representatives Jason Chohon, Gabriel Easterling, Jack Hernandez, Kari Archer, Sarah Ditges, Kathy Fineman, Victor Hernandez, Eszter Julian, Josh Letton, Maintenance Merri Fitzpatrick, Steve Greenhalgh, Jeremy Luce, Seamus O’Bryan, Andy Recker...... Carpenters Randy McWilliams...... Facilities Manager Alejandro Gutierrez, Tyler Jones, Angela Juby, Brian Redfern...... Graphics Assistant Violanda Corona, Ismael Delgado, Miguel Gaspar, Cassie Lopez, Caryn Morgan, Christopher Smith, James Hern...... Technical Center Intern Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Diana Steffen...... Ticket Services Representatives Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Costumes Nicolas Torres, Leonardo Rodriguez ...... Building Staff PATRON SERVICES Stacy Sutton...... Director Mike Callaway...... Theatre Manager Charlotte Devaux Shields...... Resident Design Associate PROFESSIONAL TRAINING Brian Davis, Jessica Talmadge...... House Managers Maureen Mac Niallais...... Assistant to the Director Llance Bower...... Program Coordinator Kristen Cairns...... Front of House Assistant Shelly Williams...... Design Assistant/Shopper Maria Carrera, Cynthia Caywood, Ray Chambers, Elaine Gingery...... Food and Beverage Manager Michelle Souza...... Design Assistant Gerhard Gessner, Jan Gist, Fred Robinson, Timothy Acosta, Nellie R. del Rosario, Erin Cass, Marsha Kuligowski, Wendy Miller...... Drapers Liz Shipman, Abraham Stoll, George Yé...... MFA Faculty Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, Babs Behling, Annie Glidden Grace, Michelle Thorsen, Michelle R. Witmer...... Pub Staff Joan Mathison...... Assistant Cutters EDUCATION Jasmine Morgan, Stephanie Rakowski, Mary Miller...... Costume Assistant Kim Montelibano Heil...... Education Associate Lisa Reid...... Gift Shop Supervisors Keith Bonar, AnaMarie Nelson, Truman Schenck, Carol Green...... Speakers Bureau Coordinator Joanna Stypulkowska, Veronica von Borstel...... Stitchers David Carson, Amanda Cooley Davis, James Cota, Security/Parking Services Erin Carignan...... Craft Supervisor Jo Anne Glover, Lisel Gorell-Getz, Brian Hammond, Rachel “Beahr” Garcia...... Security Supervisor Stephanie Parker...... Craft Artisans Sarah Price-Keating, Jennifer Barclay Newsham, Dallas Chang, Sherisa Eselin, Molly O’Connor...... Wig and Makeup Supervisor Radhika Rao, Cynthia Stokes...... Teaching Artists Janet Larson, Jeffrey Neitzel...... Security Officers Kim Parker...... Assistant to Wig and Makeup Supervisor Alberto Holloway, Jeff Howell...... Parking Lot Attendants Ana Maldonado...... Wig Assistant FINANCE Danny Ray Ferguson, Beverly Boyd...... Wardrobe Supervisor Carly Bennett-Valle...... Senior Accountant Norman Ramos...... V.I.P. Valet Attendants Beth Merriman...... Crew Chief, Globe Trish Guidi...... Accounts Payable/Accounting Assistant Kristin Bongiovanni, Erin Dodd, Anna Noll, Adam Latham...... Payroll Coordinator/Accounting Assistant Heather Premo, Noelle van Wyk...... Wardrobe Crew, Globe Tim Cole...... Receptionist Anna MacDonald...... Crew Chief, White Jack O’Brien...... Artistic Director Emeritus Suzanne Noll...... Wardrobe Crew, White Craig Noel...... Founding Director Marie Jezbera...... Rental Agent

24 PERFORMANCES MAGAZINE