Flyer Runterladen

Total Page:16

File Type:pdf, Size:1020Kb

Flyer Runterladen Freitag 19.10.2019 Start 24 Uhr Mannequin Records Nacht XI Freitag 19.10.2019 Start 24 Uhr Mannequin Records Nacht XI Panorama Bar Panorama Bar Alessandro Adriani mannequin Carlos Souffront interdimensional transmissions Alessandro Adriani mannequin Carlos Souffront interdimensional transmissions JASSS mannequin Tony Carrasco JASSS mannequin Tony Carrasco Carlos Souffront wird gerne als DJ's DJ bezeichnet – ein Vollblut-DJ, der ausschließlich auflegt und die Zeit zwischen den Gigs nicht im Tonstudio verbringt, sondern seiner zweiten Leidenschaft, das Handeln mit exquisitenCarlos Käse, Souffrontnachgeht. wird Tasty! gerne Ursprünglich als DJ's DJ zur bezeichnet dritten Generation – ein Vollblut-DJ, der Motorstadt-DJs der ausschließlich und fester auflegt Teil derund Interdimensional-Transmission-Partys die Zeit zwischen den Gigs nicht im Tonstudio zählend, verbringt,lebt Souffront sondern inzwischen seiner zweiten in San Francisco.Leidenschaft, Er ist das ein Handeln Mann mit mit vielen exquisiten musikalischen Käse, nachgeht. Welten, Tasty! der gleichermaßen Ursprünglich inzur Indie-Rock, dritten Generation Post-Punk, der Motorstadt-DJs und fester Teil der Interdimensional-Transmission-Partys zählend, lebt Souffront inzwischen in San Francisco. Er ist ein Mann mit vielen musikalischen Welten, der gleichermaßen in Indie-Rock, Post-Punk, experimenteller Musik, Ambient, Rock, Acid, House und Techno verwurzelt ist. Zu dieser Mannequin Nacht in der Panorama Bar spielt Souffront zusammen mit Tony Carrasco und den Mannequin-Residents Allesandro Adriani,experimenteller JASSS. Carrasco Musik, Ambient, war u.a. alsRock, Teil Acid, des Producer-DuosHouse und Techno Klein verwurzelt & MBO für ist. den Zu Italodieser Überhit Mannequin „Dirty NachtTalk“ (1982)in der Panorama verantwortlich Bar spielt und hatSouffront bis Mitte zusammen der 90er untermit Tony unzähligen Carrasco Pseudonymen und den Mannequin-Residents frühe Italo-House-Klassiker Allesandro veröffentlicht. Adriani, JASSS. Carrasco war u.a. als Teil des Producer-Duos Klein & MBO für den Italo Überhit „Dirty Talk“ (1982) verantwortlich und hat bis Mitte der 90er unter unzähligen Pseudonymen frühe Italo-House-Klassiker veröffentlicht. Samstag 20.10.2019 Start 23 Uhr Snax Club Samstag 20.10.2019 Start 23 Uhr Snax Club Berghain Berghain Boris ostgut ton DVS1 hush Steffi ostgut ton Boris ostgut ton DVS1 hush Steffi ostgut ton Lab.oratory Lab.oratory Cormac Dan Beaumont chapter 10 nd_baumecker ostgut ton Nick Höppner ostgut ton Cormac Dan Beaumont chapter 10 nd_baumecker ostgut ton Nick Höppner ostgut ton Classic Snax Club. Men Meat In Action. Play Safe. Dresscode Dirty & Fetish. Classic Snax Club. Men Meat In Action. Play Safe. Dresscode Dirty & Fetish. Mittwoch 02.10.2019 Start 24 Uhr Revolting Samstag 05.10.2019 Start 24 Uhr Klubnacht Freitag 11.10.2019 Start 24 Uhr Finest Friday Freitag 18.10.2019 Start 24 Uhr PAN × Mannequin Records Nacht XIV Donnerstag 24.10.2019 Start 22 Uhr Liber Null Donnerstag 31.10.2019 Tür 19 Uhr, Start 20 Uhr Lab.oratory Berghain Panorama Bar Berghain – PAN Säule Berghain Rex The Dog LIVE kompakt Boston 168 LIVE bpitch control Carlos Souffront Erika interdimensional transmissions Pelada LIVE pan An-i LIVE citietrax Common Poetry and Nullam Rem Natam LIVE liber null ZONAL feat. Moor Mother + Puce Mary LIVE Juan MacLean dfa Justin Strauss nd_baumecker ostgut ton Ben Klock klockworks Dasha Rush fullpanda Developer modularz Gilb'R versatile Kenny Larkin planet e Bill Kouligas pan crystallmess B2B Toxe Objekt pan Tzusing bedouin O/H LIVE Unhuman LIVE liber null ZONAL ist das gemeinsame Projekt von Kevin Martin und Justin K. Broadrick. Unter dem Na- Unsere zweimal jährlich stattfindende Crossover-Dance-Party for all genders, vor dem Feiertag Freddy K key vinyl Kyle Geiger blank code Leeon discos nutabe Olin argot Der Detroiter Carlos Souffront legt seit Mitte der 90er Jahre auf, angeblich besitzt er die größte Panorama Bar – Mannequin Records Nacht XIV Impure Secretion MXM men Techno Animal haben sie bereits ab Mitte der 90er bis zur Jahrtausendwende als einer der innovativsten, abstrakten Dance-Acts zusammengearbeitet, mit The Bug (Martin) und JK Flesh wie immer ab Mitternacht im Lab! Mit Rex The Dog haben wir einen Live-Act eingeladen, der vor Panorama Bar Sammlung von Acid-Platten überhaupt. In den vergangenen Jahren legte er regelmäßig auf Partys Liber Null heißt das Standardwerk von Peter James Carroll, einem britischen Okkultisten und Legowelt pr. Gladio LIVE l.i.e.s. (Broadrick) konnten sie daraufhin solo eine starke musikalische Reputation aufbauen. Ihre ge- 15 Jahren seinen Einstand auf Kompakt feierte und mit Tracks wie „Prototype“ dem damals gras- Cormac I-F viewlexx Jennifer Cardini correspondant Kittin nobody's business wie die von Interdimensional Transmissions organisierte No Way Back in Detroit, The Bunker in Mitbegründer der Illuminaten von Thanateros, in dem er seine Definition der Chaosmagie aus- Alessandro Adriani B2B Phase Fatale Identified Patient pinkman JASSS mannequin meinsame Leidenschaft für einen langsamen, ultratief angesetzten Sound, der Bass, Dub, Drone sierenden Electro-House-Fieber einige überschäumende Hits bescherte. Seine Musik ist zwischen New York oder Honey Soundsystem in seiner aktuellen Heimatstadt San Francisco auf. Stilistisch führt. Das gleichnamige Berliner Avantgardelabel hat seinen Namen sicherlich nicht umsonst daran Krystal Klear running back Massimiliano Pagliara funnuvojere und Noise kombiniert, wirkt auf ihrer im Juli auf Relapse Records erschienenen EP Cage Version / pumpendem Trance-Brett und humorvollem House angesiedelt, ganz nach dem nachvollzieh- spielt er sich laut Eigenauskunft mit durchschnittlich 24 Tracks pro Stunde gerne durch sämtliche Großes Takeover von PAN und Mannequin in Berghain und Panorama Bar mit wohlbekannten angelehnt – ihre Performances sind oft grenzüberschreitende, düstere Rituale, bei der neben der rRoxymore don't be afraid Soundstream soundstream No Version noch massiver und monolithischer als je zuvor. Bevor im Oktober das Debüt-Album barem Motto: the bigger the better. Woof! Wie man Drama auf dem Dancefloor insziniert, wissen Mikro-Dance-Kategorien und lässt sich ungern in eine Box packen. Ebenfalls aus Detroit kommt Label-Acts und einigen freshen Künstlern. Pelada ist ein kanadisches Duo, das Anfang Oktober Musik auch mal der irre Poet und Sexualmagier Aleister Crowley zitiert wird. Damit stehen sie in Wrecked erscheint, spielen sie zusammen mit der US-amerikanischen Dichterin und Musikerin auch die DJs der Nacht. Mit Juan MacLean und Justin Strauss gibt es neben Revolting-Resident Techno und Autostädte – eine immer wieder gelungene Kombination. Sergio Pace und Vincenzo Erika, Teil des Electro-Duos Ectomorph, Mitbetreiberin von Interdimensional Transmissions, Ana- sein Debütalbum auf Bill Kouligas' Label PAN veröffentlichen wird. Movimiento Para Cambio ist bester Tradition mit Industrial-Pionieren wie Genesis Breyer P-Orridge oder Current 93, die in ihren Camar Ayewa alias Moor Mother live im Berghain. Moor Mother gilt als eine der stärksten und nd_baumecker zwei US-amerikanische DJs und Produzenten zu hören, die aus unterschiedlichen Ferramosca kommen aus Turin, der italienischen Stadt, die bekannt sein dürfte als Sitz von Fiat. logsynthesizer-Geek und Internet-Radio-Pionierin. Als dritter im Bunde spielt heute Gilb'R zu die- ein radikal politisches Werk, auf dem die Sängerin Chris Vargas Themen wie Big Data, Identität Werken regelmäßig okkulte und magische Themen aufgegriffen haben. Zu Liber Null in der Säule radikalsten afrofuturistischen KünstlerInnen der vergangenen Jahre. Als Support-Act spielt die Generationen stammend Dance Music mit Punk, Funk, Pop und Disco gedacht haben und die mit Mit ihrem Projekt Boston 168 spielen sie auch gezielt mit einem gewissen Warehouse-Charakter: sem Finest Friday. Ohne ihn wäre die Geschichte der elektronischen Musik in Frankreich komplett und Umweltgerechtigkeit verhandelt. Danny Wolvers alias Legowelt präsentiert wiederum eines gibt es unter anderem Live-Acts der ausschließlich mit Latexmasken auftretenden Common Poetry dänische Künstlerin Frederikke Hoffmeier alias Puce Mary. Auf ihren Alben für Labels wie Posh diesem eklektischen Ansatz natürlich bestens ins Labgetümmel passen. Acid Techno mit großen Hooks, teils getragen von eingängigen Melodien und Trance-Parts, teils anders verlaufen, wahrscheinlich weniger subtil und reich an musikalischer Finesse. Als Betreiber seiner kultigsten Aliase – Gladio – live: jackin' Chicago House und deepe Electro Cuts vom Meister und Nullam Rem Natam, dem Label-Mitbetreiber Manos Simotas alias Unhuman und dem auf Isolation und PAN kreiert sie einen harschen, experimentellen Sound, mit dem sie persönliche von wuchtigen Drums. Ihre Platten erschienen auf Labels wie Enemy und Bpitch Control, heute des Labels Versatile hat er die Karrieren von I:Cube (mit dem er auch zusammen als Chateau Flight analoger Fantasiewelten, die er für dieses Projekt in der griechisch-römischen Antike ansetzt. Dazu Cititrax und L.I.E.S. veröffentlichendem An-i. nacht spielen sie live neben DJ-Sets von u.a. Ben Klock, Dasha Rush und Freddy K. Große Hook- produziert), Joakim und Pépé Bradock angestoßen, seine tiefgreifenden Sets haben ihm zum Ruf Solo-DJ-Sets von Objekt oder Tzusing, als auch ein B2B von crystallmess und Toxe, beziehungs- Geschichten und Gedanken formuliert. Mittwoch 02.10.2019 Start 24 Uhr Finest Wednesday lines zu spielen, also charakteristische, eingängige Melodiephrasen, war auch immer schon eine eines
Recommended publications
  • Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
    Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence".
    [Show full text]
  • 10. Edycja Avant Art Festival – 1. Edycja AAF Warszawa | 02.10 - 11.10.2017 Wydarzenie Na Fb
    AVANT ART FESTIVAL 10. edycja Avant Art Festival – 1. edycja AAF Warszawa | 02.10 - 11.10.2017 Wydarzenie na fb: https://www.facebook.com/events/205585549975529 Jubileuszowa, dziesiąta już edycja Avant Art Festival programowo oraz koncepcyjnie stanowi pomost pomiędzy ideą rozwijaną w poprzednich jego wydaniach a konsekwencją rozwoju festiwalu, za zadanie stawiającego sobie nieodmiennie możliwie najszerszą prezentację muzyki i sztuki eksperymentalnej i awangardowej. Tegoroczny AAF poza Wrocławiem (27.09-13.10) ze zmodyfikowanym programem odbywać się będzie również w Warszawie (02.10-11.10). Tym razem prezentacje muzyczne i filmowe koncentrować się będą na fenomenach dźwiękowych i wizualnych, które, często ekstremalnie – zawsze bezkompromisowo – operując na obrzeżach i stykach gatunków, w drodze redukcji / transgresji, ekspandują je w nowe rejestry. Począwszy od techno-kontyngentu, poprzez jazz/improv eksploracje, fuzje międzygatunkowe, aż po eksperymenty o charakterze ideowo-produkcyjnym i festiwalowe autoreferencje, program AAF 2017 można ująć jako logiczną kontynuację starych oraz inicjację nowych wątków. W 10. roku obecności we Wrocławiu po raz pierwszy festiwal zaprezentuje publiczności warszawskiej koncepcję zawieszoną pomiędzy ideą rozwijaną w poprzednich jego wydaniach a konsekwencją rozwoju festiwalu, za zadanie stawiającego sobie nieodmiennie możliwie najszerszą prezentację muzyki i sztuki eksperymentalnej i awangardowej. Wśród artystów zaproszonych na warszawską edycję festiwalu pojawią się ukochany przez Wrocław Dean Blunt,
    [Show full text]
  • Mad Dogs and Englishness Popular Music and English Identities
    Mad Dogs and Englishness Popular Music and English Identities EDITED BY LEE BROOKS, MARK DONNELLY AND RICHARD MILLS This ebook belongs to gabriele marino ([email protected]), purchased on 15/10/2019 BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in 2017 Paperback edition published 2019 Copyright © Lee Brooks, Mark Donnelly and Richard Mills, 2017 Cover design: Lee Brooks All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. ISBN: HB: 978-1-5013-1125-3 PB: 978-1-5013-5202-7 ePDF: 978-1-5013-1126-0 ePub: 978-1-5013-1127-7 Names: Brooks, Lee. | Donnelly, Mark, 1967- | Mills, Richard, 1964- Title: Mad dogs and Englishness: popular music and English identities / edited by Lee Brooks, Mark Donnelly and Richard Mills. Description: New York, NY: Bloomsbury Academic, 2017. | Includes bibliographical references and index. Identifi ers: LCCN 2017013601 (print) | LCCN 2017017214 (ebook) | ISBN 9781501311260 (ePDF) | ISBN 9781501311277 (ePUB) | ISBN 9781501311253 (hardcover: alk.
    [Show full text]
  • To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok
    SENTIREASCOLTARE online music magazine APRILE N. 30 post-wall music To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low Stars Of The Lid Smog I Nipoti del Capitano Cristina Zavalloni sBilly e n t i r e aNichollss c o l t a r e sommario 4 News 8 The Lights On Hans Appelqvist, King Kong, Laura Veirs, Valet 2 Speciali Keren Ann, Feist, Low, Stars Of The Lid, Smog, Post-Wall Music 7 Recensioni Humcrush, Lindstrom, Blonde Redhead, 8 Bill Callahan, Hetero Skeleton, John Cale, Maximo Park, Arctic Monkeys... 8 Rubriche (Gi)Ant Steps Wayne Shorter We Are Demo: Improponibili, Morvida, Damien... Classic Billy Nicholls, i Nipoti del Capitano, The Associates, Fabrizio De Andrè Cinema 28 Cult: l’infernale Quinlan Visioni Diario di uno scandalo, L’albero della vita, Saturno contro... I cosiddetti contemporanei: Intervista a Cristina Zavalloni 75 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Federico Romagnoli, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Tarwater SentireAscoltare online music magazine Copyright © 2007 Edoardo Bridda. Tutti i Registrazione Trib.BO N° 7590 diritti riservati. del 28/10/05 La riproduzione totale o parziale, in qualsiasi s e n t i r e a s c o l t a r e Editore Edoardo Bridda forma, su qualsiasi supporto e con qualsiasi Direttore responsabile Antonello Comunale mezzo, è proibita senza autorizzazione 98 Provider NGI S.p.A.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Universidade De São Paulo Escola De Comunicações E Artes
    UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIA DA INFORMAÇÃO JADE AUGUSTO DE MACEDO GOLA FERNANDES A informatividade da música eletrônica v. 1 São Paulo 2015 JADE AUGUSTO DE MACEDO GOLA FERNANDES A informatividade da música eletrônica v. 1 Dissertação apresentada ao Programa de Pós-Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Ciência da Informação Área de Concentração: Cultura e Informação Linha de Pesquisa: Apropriação Social da Informação Orientadora: Prof.ª Dr.ª Lúcia Maciel Barbosa de Oliveira São Paulo 2015 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo(a) autor(a) Fernandes, Jade Augusto de Macedo Gola A informatividade da música eletrônica / Jade Augusto de Macedo Gola Fernandes. -- São Paulo: J. A. M. G. Fernandes, 2015. 189 p. + CD. Dissertação (Mestrado) - Programa de Pós-Graduação em Ciência da Informação - Escola de Comunicações e Artes / Universidade de São Paulo. Orientadora: Prof ª. Dr ª. Lúcia Maciel Barbosa de Oliveira Bibliografia 1. Música eletrônica 2. Música e informação 3. Informatividade 4. Categorização Musical 5. Interculturalidade I. , Prof ª. Dr ª. Lúcia Maciel Barbosa de Oliveira II. Título. CDD 21.ed. - 020 FERNANDES, J. A. M. G. A informatividade da música eletrônica. Dissertação apresentada ao Programa de Pós- Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Ciência da Informação Aprovada em: Banca Examinadora Prof.
    [Show full text]
  • How Do You Make Music a Body Without Organs? Gilles Deleuze
    How Do You Make Music a Body without Organs? Gilles Deleuze and Experimental Electronica Christoph Cox (This article appeared in German translation as “Wie wird Musik zu einem organlosen Körper? Gilles Deleuze und experimentale Elektronika” in Soundcultures: Über digitale und elektronische Musik, ed. Marcus S. Kleiner and Achim Szepanski [Frankfurt: Suhrkamp Verlag], 162–93. A version in Italian was published in Millesuoni: Deleuze, Guattari, e la Musica Elettronica, ed. Roberto Paci Dalo and Emanuele Quinz [Napoli: Edizioni Cronopio, 2006].) Gilles Deleuze wrote about music only in passing. Throughout his philosophical corpus, one finds a scattering of musical examples and references to the classical modernists (Berg, Messiaen, Varèse, Stockhausen, etc.) who were clearly his cultural heroes. Yet Deleuze never wrote about music with the same depth and dedication that he devoted to literature, cinema, and painting. It might seem odd, then, that, in the nine years since his suicide, Deleuze’s philosophy has come to be closely linked with music and, moreover, with a musical milieu very different from the one that he called his own. For Deleuze has become the intellectual hero of experimental “electronica”—electronic music with its roots in hip hop, house, and techno rather than in the tradition of classical modernism. This relationship was initially marked by the release, a year after Deleuze’s death, of two compilations of experimental electronica presented in his honor: Mille Plateaux’s In Memoriam Gilles Deleuze and Sub Rosa’s Folds and Rhizomes for Gilles Deleuze. Since then, the discourse around electronica has referenced Deleuze at every turn. What accounts for the curious connection between this philosophical ontologist and a music scene about which he knew little and wrote nothing? It is that Deleuze helps us to think how music might become a body without organs.
    [Show full text]
  • Technodeleuze and Mille Plateaux Achim Szepanski's
    Simon Reynolds Katja Diefenbach Technodeleuze and Mille Plateaux Achim Szepanski’s Interviews (1994-1996) series of books strongTHE OF THE FUTURE 5 Simon Reynolds Katja Diefenbach Technodeleuze e Mille Plateaux THE Interviste con Achim Szepanskistrong 1994-1996 OF THE FUTURE 1 THE collana strongi forti OF THE FUTUREDELL’AVVENIRE 2 5 strongTHE OF THE FUTURE 3 SF005 eng The book series entitled «The Strong of the Future» deals with accelerationist philosophy, in particular with the thought based on Nietzsche, Klossowski and Acéphale magazine, Deleuze and Guattari, Foucault and Lyotard. Issues: SF001 :: OBSOLETE CAPITALISM, The Strong of the Future (July 2016) SF002 :: OBSOLETE CAPITALISM, Acceleration, Revolution and Money in Deleuze and Guattari’s Anti-Oedipus (August 2016) SF003 :: EDMUND BERGER, Grungy Accelerationism (September 2016) SF004 :: OBSOLETE CAPITALISM, Deleuze and the Algorithm of the Revolution (October 2016) SF005 :: SIMON REYNOLDS - KATJA DIEFENBACH, Technodeleuze and Mille Plateaux. Achim Szepanski’s Interviews (1994-1996) (January 2017) Next issue: SF006 :: SARA BARANZONI - PAOLO VIGNOLA, Bifurcating at the Root (February 2017) SF007 :: LAPO BERTI, Accelerated Fantasies (March 2017)) SF008 :: EDMUND BERGER, Underground Streams: A Micro-History of Hyperstition and Esoteric Resistance (April 2017) Katja Diefenbach/Szepanski :: translated in English by NON, Letizia Rustichelli and Paolo Davoli. Low End Theory, Copyright Text by Simon Reynolds Making Sound Streams Quake, Copyright Text by Katja Diefenbach Everything Else,
    [Show full text]
  • Steinski and the Origins of Mashup
    KTRU 91.7 FM THE THRESHER is NOT REspOnsiBLE FOR THE CONTENT OF THE riCE RADIO FOLIO. SPRING 2009 Various Artists Year in Review: African Scream Contest Analog Africa This new compilation of recordings from the 1970s in Benin and Togo present a broad and vibrant blend of traditional rhythms, Cuban and Brazilian drumming Best Albums of 2008 styles, psychedelic flares, and a healthy funk that draws equally from Fela Kuti and James Brown. Benin and its neighbor Togo Rap and folk, soul and post-punk—2008 brought albums for every taste, and with this round- are couched between social and musical powerhouse Nigeria up of our favorites, KTRU presents a musical smorgasbord with an emphasis on the local scene. (home to Fela and his Africa 70, the fountainhead of afrobeat) and Ghana (the home of highlife), two sounds that are very In no particular order, here’s some of the best the year had to offer. influential on the local music. But Benin also houses a large B L A C K I E Studemont Project population descended from the repatriated slaves of liberated Wilderness of North America Warmth of the Midnight Sun Brazil, who brought the musical styles and rhythms from their Self-Released Self-Released erstwhile home. And finally Benin is the place of origin of the B L A C K I E’s live set, framed by his cus- One of the hardest working acts in the Vodoun (or Voodoo) religion, where music holds a special trance- tom multi-kilowatt wall of sound, has quickly local scene, Studemont Project not only of- inducing power.
    [Show full text]
  • Festival Publication2 MB
    The Mole Keeps on Digging Animals / Politics / Performance 26.9. –8. 10.2 01 7 The Mole Keeps on Digging. Animals / Politics / Performance 26.9. –8.10.2017 Festival with works by Frédérique Aït-Touati, Fahim Amir, Melanie Bonajo, Nicoleta Esinencu, Jack Halberstam, Bruno Latour, Amanda Piña, Alexandra Pirici, Philippe Quesne, Cord Riechelmann, Felix Stalder, Midori Takada, Oxana Timofeeva, Myriam Van Imschoot, Sarah Vanhee, Mariana Villegas, Raluca Voinea a.o. Giant fluffy animals roll rocks through their cave, rejoice at the sight of earthworms, make music, and copulate. What, however, seems cute at first soon turns into in a massacre and ends in psychedelic sounds. How much human is in a mole, how much mole in a human being? With its figure of the blind tunnel digger, director and artist Philippe Quesne’s last piece “La Nuit des taupes” (“Night of the Moles”) opens up a new imaginative perspective: from below, one glances upwards, from the underworld to the surface. “I want to understand,” Quesne re - marks, “how to protect myself from the world and disconnect myself from it, how to think about it from below rather than above.” While moles are typically known to be solitary ani - mals, in Quesne’s piece they build a community. And yet they are not simply allegoric figures resembling humankind. They are human and animal at once. The experimental setting of the cave raises an essential question: how can new forms of co-habitation arise from and thrive in unconventional contexts? Evading human sight, the mole is at once present and absent. Because of its life in caves and its only visible trace, the molehill, it has often been turned into a metaphorical figure repre - senting numerous political, literary, and theoretical ideas.
    [Show full text]
  • The Second Coming of Industrial Music
    The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Second Coming of Industrial Music (These are excerpts from my book "A History of Rock and Dance Music") Chicago's Industrial Music, 1989-92 Towards the end of the 1980s, Chicago became the epicenter of the new industrial genre (Ministry's, not Throbbing Gristle's), thanks to a plethora of bands. The most infernal atmosphere and beats were packed on Disco Rigido (1989), the debut album by Die Warzau (1). Chicago also benefited by the work of former Killing Joke's drummer Martin Atkins, whose supergroup Pigface (1) interpreted industrial music as a producer's product, not unlike the producer of hip-hop: rhythm and noise form the foundation for a slew of guest vocalists such as Chris Connelly, Trent Reznor (Nine Inch Nails), Nivek Ogre (Skinny Puppy), Mary Byker (Gaye Bykers On Acid) and En Esch (KMFDM) to deliver shocking lyrics on albums such as Fook (1992). From this fertile soil Trent Reznor's Nine Inch Nails (12) were born, and the fate of industrial music changed dramatically. Reznor created a persona that was a cross of Dostoevsky's "demons", Goethe's Werther, Nietzsche's "ueber-mensch", and De Sade's perverts.
    [Show full text]
  • SSBB) – Traces of the As Well As the Normative Conception of Self Sacred – 2017/2018 at WORM Rotterdam They Uphold
    Dear visitor, through a focus on performativity, otherness and transgression, attempt to overturn, disrupt We would like to welcome you at Spider, or abject both these very forms of control Spit and Broken Bells (SSBB) – Traces of the as well as the normative conception of self Sacred – 2017/2018 at WORM Rotterdam they uphold. Detaching from the mainstream and V2_, Lab for the unstable media. view of the Sacred as both magic surface and conceptual authority, we come to ask: can a Haperende Mens festival 2017/18 explores the form of ‘Sacred community’ still occur? Could notion of the Sacred through an interdisci- we come to re-define ourselves and our rela- plinary programme. Looking beyond everyday tions to both virtual and physical mediation? thrills and kicks we suggest an exploration of this theme through both physical and dig- During this weekend we present a broad ital realms mediated by music, art, film and spectrum of bands: pioneers from the old days theory. By asking ourselves, our audience as well as the young avant-garde in genres and artists about their relation to the Sacred, like techno, industrial, psychedelia and ritual we want to search for spaces where a deep- ambient. We are excited to present the Indo- er understanding and inner meaning beyond nesian group Senyawa, known for their blend our overregulated and digitally controlled of neo-tribal folkloristic music from Java and society lies. We present you experiences that, experimental music with punk attitude. They 1 2 will be playing a special show with Brussels Together with screenings of the award based female choir Patshiva Cie that we nominated feature film ‘Busters Mal Heart’, Music Programme present in collaboration with Europalia and Imagine Film Festival artistic director Chris Pantropical.
    [Show full text]