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Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Arts Council England Grant-In-Aid and Lottery Annual Report and Accounts 2007/08 HC
/<<C/:@3D73E & Review 08 State of the arts 7\bS`dWSeeWbV8]\ EW\abO\ZSgQ`SOb]` ]T;O\QVSabS`¸ac\W_cS AYSbQV1Wbg 4WdSgSO`a]T 5`O\baT]`bVSO`ba /Z]]YOb/`ba1]c\QWZ Tc\RSR^`]U`O[[Sa 1VOW`¸a`S^]`b $/gSO`OQ`]aabVSO`ba 1]\bS\ba Sir Christopher Frayling reflects on Arts Council staff across music, the heated debates and successful theatre, literature, dance and visual outcomes of the past year. arts consider their personal highlights of 2007/08. "1VWST3fSQcbWdS¸a`S^]`b Alan Davey reflects on an eventful '7[OUSa]TbVSgSO` year, and considers how we must A selection of images that showcase create the conditions under which work we have funded across 2007/08. great art must flourish. %4WdSgSO`a]T5`O\baT]`bVSO`ba $4W\O\QSaObOUZO\QS Our open application programme In 2007/08, we invested more than celebrated its fifth year in April 2008, £529 million of public money from making over 2,800 grants totalling the government and the National nearly £57 million in 2007/08. Lottery in the arts. !BVSgSO`ObOUZO\QS &/`bWabW\bS`dWSe( From the reopening of the Southbank 8]\EW\abO\ZSg Centre to Liverpool becoming Sketch City’s Jon Winstanley talks European Capital of Culture, it’s motivation, music, and street art. been a significant year for the arts. /`bWabW\bS`dWSe( ! =c`^`W]`WbWSa <Oh`W\1V]cRVc`g Our priorities for 2006–2008 are: Author Nazrin Choudhury explains children and young people, the creative how a Grants for the arts award economy, internationalism, vibrant gave her time to write her first novel, communities, celebrating diversity, My England. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
Queens' College Record 2009
QUEENS’ COLLEGE RECORD • 2009 Queens’ College Record 2009 The Queens’ College Record 2009 Table of Contents 2 The Fellowship (March 2009) The Sporting Record 38 Captains of the Clubs 4 From the President 38 Reports from the Sports Clubs The Society The Student Record 5 The Fellows in 2008 44 The Students 2008 9 Retirement of Professor John Tiley 44 Admissions 9 Book Review 45 Director of Music 10 Thomae Smithi Academia 45 Dancer in Residence 10 Douglas Parmée, Fellow 1947–2008 46 Around the World and Back: A Hawk-Eye View 11 The Very Revd Professor Henry Chadwick 47 On the Hunt for the Cave of Euripides Fellow 1946–59, Honorary Fellow 1959–2008 48 Five Weeks in Japan 13 Richard Hickox, Honorary Fellow 1996–2008 49 Does Anyone Know the Way to Mongolia? 50 South Korea – As Diverse as its Kimchi 14 The Staff 51 Losing the Granola 52 Streetbite 2008 The Buildings 52 Distinctions and Awards 15 The Fabric 2008 54 Reports from the Clubs and Societies 16 The Chapel The Academic Record 62 Learning to Find Our Way Through Economic Turmoil 18 The Libraries 64 War in Academia 19 Newly-Identified Miniatures from the Old Library The Development Record 23 The Gardens 66 Donors to Queens’ 2008 The Historical Record The Alumni Record 24 1209 And All That 69 Alumni Association AGM 26 A Bohemian Mystery 69 News of Members 29 Robert Plumptre – 18th-Century President of Queens’ 80 The 2002 Matriculation Year and Servant of the House of Yorke 81 Deaths 33 Abraham v Abraham 82 Obituaries 37 Head of the River 1968 88 Forthcoming Alumni Events The front cover photograph shows the Martyrdom of St Lucy from a miniature attributed to Pacino di Bonaguida, from the Old Library. -
New Tribal America
SENTIREASCODIGITALLTA MAGAZINE FEBBRRAIOE N. 40 WHITE HINTERLAND MAGNETIC FIELDS ATLAS SOUND FIRE ON FIRE SETOLA DI MAIALE MICHAEL roTHER GLENN GOULD THE FRENCH COWBOYS NO KIDS THAO NEW TRIBAL AMERICA DIRETTORE Edoardo Bridda 4 NEWS COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero WHITE INTERLAND, THE CALORIFER IS VERY HOT, THAO NGUYEN... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia 16 TUNE IN DEAD MEADOW HA NNO C OLL A BOR A TO Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Marco Canepari, Manfredi Lamartina, Paolo Grava, Massimo Padalino, Giulio Pasquali, 20 DroP OUT Stefano Pifferi, Andrea Provinciali, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo MAGNETIC FIELDS, SETOLA DI MAIALE, NEW TRIBAL AMERICA Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE 46 RECENSIONI Adriano Trauber (1966-2004) BLACK LIPS, CASS MCCOMBS, VAMPIRE WEEKEND, BEACH HOUSE... GR A FI ca Edoardo Bridda 90 WE ARE DEMO IN C OPERTIN A Aa (Daniel Arnold) 92 REARVIEW MIrror SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 MICHAEL ROTHER, DISCO NOT DISCO, CARL CRAIG, COMMON... Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La ripro- 108 LA SERA DELLA PRIMA duzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di AMERICAN GANGSTER, COUS -
Hanfparade 2009 Auf Seite 6
#107 kostenlos unabhängig, überparteilich, legal HanfJournal.de / Ausgabe 08.09 + Cannabis und Schizophrenie ist ein Thema, das immer wieder Wel- Massagen, Moskitos und Marihuana - Freut euch auf len schlägt. Zum Glück haben wir den Franjo, der euch über diese den zweiten Teil des spannend-eindrucksvollen Er- "zwiespältige Beziehung" auf Seite 4 aufklärt ... lebnisberichts "Laos - Eine Fahrt auf dem Mekong" Hanfparade 2009 auf Seite 6 ... Für eine freie Wahl & 2 news 5 guerilla growing 6 anderswo 8 wirtschaft 9 cooltour 12 fun action Am 1. August 2009 werden zum 13. Mal im Rahmen der Hanfparade Menschen auf die Straße gehen, um für die längst überfällige Cannabislegalisierung zu demonstrie- ren. Nach dem Start am Berliner Fernsehturm wird die Hanf- parade 2009 über die Karl-Liebknecht-Straße, die Span- Bitte ausziehen! dauer Straße über die Spandauer Brücke in die Oranien- burger Straße ziehen. Von dort wird es weiter durch die Kontrollierte Lebensqualität Text: Michael Knodt Friedrichstraße in die Reinhardstraße bis zur Spree gehen, dann entlang des nördlichen Spreeufers vorbei an der n Heidelberg (Juni 2009) und anderen süddeut- Südseite des Hauptbahnhofs und über die Willy-Brandt- schen Städten werden an Wochenenden ein- Straße in den Spreebogen. Von dort führt der Weg vorbei facheI Passanten gefilzt, die ins Zielgruppenbild der an der Schweizer Botschaft, dem Bundeskanzleramt, dem Polizei passen, in Hamburg (Juli 2009) und Han- Reichstag und dem Brandenburger Tor zum Ziel, der Stra- nover (Oktober 2008) werden mehrere Tausend ße des 17. Juni. BürgerInnen in Augenschein genommen, um Wenn Du Dich von doppelmoralischen Gesundheitsa- dann bei Anfangsverdacht in einer extra heran- posteln und verlogenen Politikern Deine Selbstbestim- gekarrten Kabine bis auf die Unterhose ausgezo- mung nicht nehmen lassen willst und von den Verant- gen zu werden. -
Clouds Above Berlin
Arts HOusE, ANTONY HamiltON & MElaNIE LANE PRESENT ANTONY HamILTON & MELanIE LanE C l O u d s AbOve Berlin Black Project 1 has been supported by Tilted Fawn explores the relationship Lucy Guerin Inc. and the Tanja Liedtke Foundation between sound, objects and the body. ARTS HOUSE Tilted Fawn has been supported by Programm A visual sound installation constructed NORTH MELBOURNE TOWN HALL Kultur, Looping and Lucy Guerin Inc. with an orchestra of tape machines, objects WEd 7 – SUN 11 MAR 2012 Clouds Above Berlin has been supported by and choreography propels a lone dancer Post-show Q&A: Thu 8 the City of Melbourne through Arts House through landscapes that are at times stark, Image: courtesy Antony Hamilton Projects melancholic, dark and mythical. DURATION: 90 minutes, including Melanie Lane 15 minute interval “…the choreography, light, sound ABOUT BLacK PROJECT 1 and visuals come together as an The concept for Black Project 1 initially CAST/CREATIVE expressive totality, which impresses came as a response to a previous work I had created called Blazeblue Oneline. In Tilted Fawn with its dynamism and produces Choreography/Concept/Performer: that work I was attempting to transform an an evening of thrills.” Melanie Lane environment through physical actions such tanzpresse.de (on Melanie Lane’s Tilted Fawn) as graffiti, leaving unique visual artefacts in Sound Composition and Installation: the space. Chris Clark “…an hypnotic mass of overlapping Artistic Collaboration: Morgan Belenguer motion which blurred the lines In Black Project 1 I wanted to move Dramaturgy: Bart van der Eynde between the organic and the away from the influence of sub-cultural Costume/Props: Melanie Lane mechanical…technically sophisticated iconography to arrive at something Lighting Design: Max Stelzl and visually complex.” more subjectively spacious, less easily categorised, and driven by the Black Project 1 RealTime (on Antony Hamilton’s The Counting) subconscious. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
World Scientists' Warning of a Climate Emergency
Supplemental File S1 for the article “World Scientists’ Warning of a Climate Emergency” published in BioScience by William J. Ripple, Christopher Wolf, Thomas M. Newsome, Phoebe Barnard, and William R. Moomaw. Contents: List of countries with scientist signatories (page 1); List of scientist signatories (pages 1-319). List of 153 countries with scientist signatories: Albania; Algeria; American Samoa; Andorra; Argentina; Australia; Austria; Bahamas (the); Bangladesh; Barbados; Belarus; Belgium; Belize; Benin; Bolivia (Plurinational State of); Botswana; Brazil; Brunei Darussalam; Bulgaria; Burkina Faso; Cambodia; Cameroon; Canada; Cayman Islands (the); Chad; Chile; China; Colombia; Congo (the Democratic Republic of the); Congo (the); Costa Rica; Côte d’Ivoire; Croatia; Cuba; Curaçao; Cyprus; Czech Republic (the); Denmark; Dominican Republic (the); Ecuador; Egypt; El Salvador; Estonia; Ethiopia; Faroe Islands (the); Fiji; Finland; France; French Guiana; French Polynesia; Georgia; Germany; Ghana; Greece; Guam; Guatemala; Guyana; Honduras; Hong Kong; Hungary; Iceland; India; Indonesia; Iran (Islamic Republic of); Iraq; Ireland; Israel; Italy; Jamaica; Japan; Jersey; Kazakhstan; Kenya; Kiribati; Korea (the Republic of); Lao People’s Democratic Republic (the); Latvia; Lebanon; Lesotho; Liberia; Liechtenstein; Lithuania; Luxembourg; Macedonia, Republic of (the former Yugoslavia); Madagascar; Malawi; Malaysia; Mali; Malta; Martinique; Mauritius; Mexico; Micronesia (Federated States of); Moldova (the Republic of); Morocco; Mozambique; Namibia; Nepal; -
Hip-Hop Is My Passport! Using Hip-Hop and Digital Literacies to Understand Global Citizenship Education
HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Curriculum, Teaching and Educational Policy – Doctor of Philosophy 2013 ABSTRACT HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton Hip-hop has exploded around the world among youth. It is not simply an American source of entertainment; it is a global cultural movement that provides a voice for youth worldwide who have not been able to express their “cultural world” through mainstream media. The emerging field of critical hip-hop pedagogy has produced little empirical research on how youth understand global citizenship. In this increasingly globalized world, this gap in the research is a serious lacuna. My research examines the intersection of hip-hop, global citizenship education and digital literacies in an effort to increase our understanding of how urban youth from two very different urban areas, (Detroit, Michigan, United States and Sydney, New South Wales, Australia) make sense of and construct identities as global citizens. This study is based on the view that engaging urban and marginalized youth with hip-hop and digital literacies is a way to help them develop the practices of critical global citizenship. Using principled assemblage of qualitative methods, I analyze interviews and classroom observations - as well as digital artifacts produced in workshops - to determine how youth define global citizenship, and how socially conscious, global hip-hop contributes to their definition Copyright by AKESHA MONIQUE HORTON 2013 ACKNOWLEDGEMENTS I am extremely grateful for the wisdom and diligence of my dissertation committee: Michigan State University Drs.