DOCSLIB.ORG

SSBB) – Traces of the As Well As the Normative Conception of Self Sacred – 2017/2018 at WORM Rotterdam They Uphold

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SSBB) – Traces of the As Well As the Normative Conception of Self Sacred – 2017/2018 at WORM Rotterdam They Uphold Dear visitor, through a focus on performativity, otherness and transgression, attempt to overturn, disrupt We would like to welcome you at Spider, or abject both these very forms of control Spit and Broken Bells (SSBB) – Traces of the as well as the normative conception of self Sacred – 2017/2018 at WORM Rotterdam they uphold. Detaching from the mainstream and V2_, Lab for the unstable media. view of the Sacred as both magic surface and conceptual authority, we come to ask: can a Haperende Mens festival 2017/18 explores the form of ‘Sacred community’ still occur? Could notion of the Sacred through an interdisci- we come to re-define ourselves and our rela- plinary programme. Looking beyond everyday tions to both virtual and physical mediation? thrills and kicks we suggest an exploration of this theme through both physical and dig- During this weekend we present a broad ital realms mediated by music, art, film and spectrum of bands: pioneers from the old days theory. By asking ourselves, our audience as well as the young avant-garde in genres and artists about their relation to the Sacred, like techno, industrial, psychedelia and ritual we want to search for spaces where a deep- ambient. We are excited to present the Indo- er understanding and inner meaning beyond nesian group Senyawa, known for their blend our overregulated and digitally controlled of neo-tribal folkloristic music from Java and society lies. We present you experiences that, experimental music with punk attitude. They 1 2 will be playing a special show with Brussels Together with screenings of the award based female choir Patshiva Cie that we nominated feature film ‘Busters Mal Heart’, Music Programme present in collaboration with Europalia and Imagine Film Festival artistic director Chris Pantropical. The mythical occult noise-rock Oosterom will present the mesmerizing Music brings us in touch with inner meaning and band Skullflower from England will give a art-film ‘Leviathan’ by Véréna Paravel and self-understanding, on the other hand it can also rare appearance and we are proud to present Lucien Castaing-Taylor and an exciting overwhelm, ravish or initiate a sense of bliss or the promising Chinese artist Pan Daijing selection of shorts. beauty. Through its non-physical form it touches the known for her gripping performative live-shows senses and creates a bodily experience. Traditional in which industrial sounds are combined Last but not least a Symposium and discur- instruments and traditional music communicates in with ritualistic field-recordings. On top of that sive programme will take place in the form forms of ritual messages that speak to a community. we will have UK improvisation duo Tomaga of ‘The Academy of the Sacred’, exploring During the festival many acts manifest in between playing a newly created live soundtrack to different approaches and manifestations of these realms and explore these themes in conjunction Kenneth Anger’s classic occult film Lucifer this theme in current debates and theories. with the audience. For Spider, Spit and Broken Bells Rising from 1972. Furthermore there is a Amongst them, browser-based artist Jan we present you a wide range of musical acts from all night-program to dance to with the likes of Robert Leegte will present a lecture on the electronic music-pioneer JK Flesh (Godflesh, work of Eva and Franco Mattes, shedding over the world, presenting older and newer traces of Jesu, Techno Animal) and Mannequin Records new insights into the work of the two artists the musical Sacred. founder DJ Alessandro Adriani from Rome. exhibiting at V2_, while Nicola Masciandaro, These artists are but a small part of a much professor of English at Brooklyn College friday 12: 20:15 – 03:00, saturday 13: 19:30 – 03:00 larger and extensive music programme. (NY), will present the lecture ‘Inner life / inner death: On The Sonic Threshold of The Sacred’, WORM MAIN HALL During SSBB a special exhibition around especially prepared for this occasion. Follow- the work of net-art pioneers Eva and Franco ing the Symposium, there will be an Artist day ticket 15—, 2 days passe-partout 25— Mattes will take place at V2_, including an Talk panel discussion with a selected group exceptional digital live performance titled of performing musicians, where we will explore ‘For Internet Use Only’; Turning the audience the theme of the Sacred through aspects and into voyeurs of the everyday, this performance motivations behind their practice. of ‘digital Intimacy’ comes to unsettle the con- tradictory logic of hyper-mediated spaces. In We appreciate your participation at Spider, Bear Bones, Lay Low (BE/VE) David Edren/DSR lines (BE) WORM gallery more artists will show their Spit and Broken Bells; You as a visitor are Electronic, Krautrock Kosmische, Electronic work, focusing on the more explicitly ‘embod- for us as important as the active participants Friday 12, 00:00 Friday 12, 22:30 ied’ side ofthe Sacred. Amongst them, Karin in this collective effort exploring the Sacred Bear Bones, Lay Low is the musical project David Edren has been creating electronic Arink, proposing bodily forms on the edge – and its potential for community – during this of the Brussels based Venezuelan musician sounds as DSR Lines for almost two decades, of identification, and Krisztina Czika, whose inspiring weekend in Rotterdam. Ernesto Gonzalez. For the last ten years laying out liquefying modular synth stunners work challenges the organic essence of tech- Gonzales has been making diverse music as audible acupuncture sessions. Edren nologies. Also, performances as result of a Haperende Mens in which experiment, unexpected layers, keeps his sounds tactly understated and fully unique workshop by Belgian artist Danny ecstasy and ritual come together. Through improvising explores his scientific aesthetics Devos will be taking place throughout both the combination of electronic and acoustic with delicacy and restrain. days. Furthermore, light will be shed on the sounds an unknown world of dystropical musical project Muslimgauze, created by nature unfolds. Repetitive kosmische and JK Flesh (UK) Bryn Jones (17 June 1961 – 14 January 1999). experimental sounds build up to trance-like Electronic, Industrial, Techno Different DJ’s will be asked to explore the heights. Saturday 13, 23:45 vast discography and musical influences of JK FLESH is the pseudonym employed by this mysterious and remarkable musician. Simon Crab (UK) Justin K Broadrick (a.o. Zonal, Jesu) for his Industrial, Electronics, Ritual solo work within the realm of heavy/brutal An extensive Film programme will take place Friday 12, 20:45 electronica/techno – informed by industrial, throughout the Festival, proposing a wide Simon Crab is probably most well known as dub, power electronics and the extreme range of genres and formats. Amongst them, the founder and main-man of the power- excesses of electronic music driven by beats we are very proud to present a Dutch pre- electronics/Industrial, post-rock, neo-no-wave, and bass. Justin initially used this pseudonym miere of the documentary ‘Bight of the Twin’, electro-acoustic, gabber-techno, dub-ethno- in the legendary Techno-Animal with co- starring Genesis Breyer P-Orridge and inves- jazz-funk band – Bourbonese Qualk. conspirator Kevin Martin (of The Bug / King tigating Voudoun rites against the backdrop Midas Sound, etc). of Western secular art and performance. 3 4 Lumisokea (BE/IT) Pan Daijing (CN/DE) Tomaga (UK) Alessandro Adriani (IT/DE) – DJ set Experimental, Electronic, Industrial, Soundtrack, Improvisation, Electronics – Mannequin Records Electro-Acoustic Rhythm Field Recordings, Saturday 13, 19:30 Industrial, Techno, Synth-Wave Saturday 13, 20:45 Saturday 13, 22:00 The London based improvisation duo Tomaga Saturday 13, 00:45 Lumisokea is a Belgian-Italian duo, formed Chinese artist Pan Daijing lives in Berlin and consisting of Percussionist Valentina Magaletti Alessandro Adriani is the brain behind Man- by Koenraad Ecker and Andrea Taeggi. For is known for her incisive ritualistic experiments and bass player/electronicist Tom Relleen nequin Records, an outlet that since 2008 their new project ‘Dervish’ the duo has formed in music. Her live acts consist of theatrical has established itself amongst Europe’s most has unearthed obscure synth wave and in- a four-piece band with percussionists Onno performances with sounds inspired by the interesting experimental acts of the last years. dustrial music from all over the world. Aside Govaert (NL) and Luca Marini (IT/DE). After tribal industrial music of the 80’s, Tibetan Their latest project focuses on a new live from his work in releasing forgotten gems of a year-long preparation, Lumisokea is now music and field recordings of temples. Pan soundtrack for Kenneth Anger’s movie Lucifer a.o. Nocturnal Emissions, Bourbonese Qualk proud to invite the audience for an extended Daijing makes her audience go through a Rising from 1972, a cult classic in the genre and up to the minute synth incantations like session of snaking rhythms, spectral shim- gripping catharsis of ecstasy and claustro- of occult film, with numerous magical sym- group A and Giant Swan, Adriani has been mers, growling synths and clanking copper phobia. bols and allegories, ranging from ancient Egypt quietly issuing out his own music and remixes plates. to Aleister Crowley’s Thelema. as well. Alessandro is the resident DJ and Pharoah Chromium (DE/PAL) organizer of a bi-monthly night at Berghain. Nocturnal Emissions (UK) Psychedelic Electronics, Ritualistic Chris Baas (NL) – DJ set He will be closing the festival on Saturday Electronic, Ritualistic Friday 12, 20:15 Pantropical, Eclectic, Rituals the 13th with a special DJ set ’til late! Industrial, Ambient Pharoah Chromium is a project by German- Friday 12, 01:00 Saturday 13, 20:00 Palestinian musician and performer Ghazi This Rotterdam based Pantropical DJ has Nocturnal Emissions is a sound art project Barakat and was named after a song of played at more places than you can imagine.
Load more

Recommended publications
  • Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
    Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence".
    [Show full text]
  • Weirdo Canyon Dispatch 2018
    Review: Roadburn Thursday 19th April 2017 By Sander van den Driesche It’s that time of the year again, the After Yellow Eyes it’s straight to the much anticipated annual pilgrimage to Main Stage to see Dark Buddha Rising Tilburg to join with many hundreds of perform with Oranssi Pazuzu as the travellers for Walter’s party at Waste of Space Orchestra, which is Roadburn. As I get off the train the another highly anticipated show, and in heat kicks me right in the face, what a this case one that won’t be played massive difference to the dull and rainy anywhere else (as far as I know). What morning I left behind in Scotland. This happened on that big stage was is glorious weather for a Roadburn phenomenal, we witnessed a near hour Festival! Bring it on! of glorious drone-infused psychedelic proggy doom. In fact, it felt a bit too early for me personally in the timing of the festival to experience such an extraordinarily mind-blowing set, but it was a remarkable collaboration and performance. I can’t wait for the Live at Roadburn release to come out (someone make it happen please!). Yellow Eyes by Niels Vinck After getting my bearings with the new venues, I enter Het Patronaat for the first of my highly anticipated performances of the festival, Yellow Eyes. But after three blistering minutes of ferocious black metal the PA system seems to disagree and we have our first “Zeal & Ardor moment” of 2018. It’s Waste of Space Orchestra by Niels Vinck not even remotely funny to see the On the same Main Stage, Earthless Roadburn crew frantically trying to played the first of their sets as figure out what went wrong, but luckily Roadburn’s artist in residence.
    [Show full text]
  • Slugmag.Com 1
    slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission.
    [Show full text]
  • Newslist Drone Records 31. January 2009
    DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
    [Show full text]
  • Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
    As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît.
    [Show full text]
  • 10. Edycja Avant Art Festival – 1. Edycja AAF Warszawa | 02.10 - 11.10.2017 Wydarzenie Na Fb
    AVANT ART FESTIVAL 10. edycja Avant Art Festival – 1. edycja AAF Warszawa | 02.10 - 11.10.2017 Wydarzenie na fb: https://www.facebook.com/events/205585549975529 Jubileuszowa, dziesiąta już edycja Avant Art Festival programowo oraz koncepcyjnie stanowi pomost pomiędzy ideą rozwijaną w poprzednich jego wydaniach a konsekwencją rozwoju festiwalu, za zadanie stawiającego sobie nieodmiennie możliwie najszerszą prezentację muzyki i sztuki eksperymentalnej i awangardowej. Tegoroczny AAF poza Wrocławiem (27.09-13.10) ze zmodyfikowanym programem odbywać się będzie również w Warszawie (02.10-11.10). Tym razem prezentacje muzyczne i filmowe koncentrować się będą na fenomenach dźwiękowych i wizualnych, które, często ekstremalnie – zawsze bezkompromisowo – operując na obrzeżach i stykach gatunków, w drodze redukcji / transgresji, ekspandują je w nowe rejestry. Począwszy od techno-kontyngentu, poprzez jazz/improv eksploracje, fuzje międzygatunkowe, aż po eksperymenty o charakterze ideowo-produkcyjnym i festiwalowe autoreferencje, program AAF 2017 można ująć jako logiczną kontynuację starych oraz inicjację nowych wątków. W 10. roku obecności we Wrocławiu po raz pierwszy festiwal zaprezentuje publiczności warszawskiej koncepcję zawieszoną pomiędzy ideą rozwijaną w poprzednich jego wydaniach a konsekwencją rozwoju festiwalu, za zadanie stawiającego sobie nieodmiennie możliwie najszerszą prezentację muzyki i sztuki eksperymentalnej i awangardowej. Wśród artystów zaproszonych na warszawską edycję festiwalu pojawią się ukochany przez Wrocław Dean Blunt,
    [Show full text]
  • Mad Dogs and Englishness Popular Music and English Identities
    Mad Dogs and Englishness Popular Music and English Identities EDITED BY LEE BROOKS, MARK DONNELLY AND RICHARD MILLS This ebook belongs to gabriele marino ([email protected]), purchased on 15/10/2019 BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in 2017 Paperback edition published 2019 Copyright © Lee Brooks, Mark Donnelly and Richard Mills, 2017 Cover design: Lee Brooks All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. ISBN: HB: 978-1-5013-1125-3 PB: 978-1-5013-5202-7 ePDF: 978-1-5013-1126-0 ePub: 978-1-5013-1127-7 Names: Brooks, Lee. | Donnelly, Mark, 1967- | Mills, Richard, 1964- Title: Mad dogs and Englishness: popular music and English identities / edited by Lee Brooks, Mark Donnelly and Richard Mills. Description: New York, NY: Bloomsbury Academic, 2017. | Includes bibliographical references and index. Identifi ers: LCCN 2017013601 (print) | LCCN 2017017214 (ebook) | ISBN 9781501311260 (ePDF) | ISBN 9781501311277 (ePUB) | ISBN 9781501311253 (hardcover: alk.
    [Show full text]
  • The Critical, Opinionated, and Judgmental Ravings of an Angry, Old Soul
    The critical, opinionated, and judgmental ravings of an angry, old soul. <... http://www.feastofhateandfear.com/reviews.html The critical, opinionated, and judgmental ravings of an angry, old soul. OMAR KHORSHID - Guitar El Chark DOUBLE 12" LP ( Sublime Frequencies ) I hear that this sucker is already sold out, and I can understand why. Guitar El Chark , which translates to 'Guitar of the Orient', is a collection of singles, and album cuts that spawn the Lebanese years of Omar Khorshid's musical career. The Egyptian Khorshid began playing guitar in the early 60s, and soon formed Le Petit Chats, who were modeled after The Beatles. Later he would join Abdel Halim Hafez and Baligh Hamdi in their orchestra, and that was when his fame began to spread throughout the Middle East. In the early 1970s he moved to Beirut, Lebanon, and recorded several solo LPs from 1973 to 1977. This later solo work is where the songs on Guitar El Chark come from. This release, and Omar's later work, consist of a blend of surf guitar, traditional Arab music, Flamenco, and psychedelic keyboards that form an instrumental, almost early-Bollywood sound. Seventeen tracks, and one promotional radio spot, adding up to over eighty minutes of awesome. I cannot express how wonderful it is to finally get my hands on some of his work. Well, neither can thousands of others, as this limited edition, gatefold, double slab of 12" wax has apparently flown off the racks. Hopefully, Seattle's Sublime Frequencies Records will reissue this in CD format for the newly schooled masses.
    [Show full text]
  • To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok
    SENTIREASCOLTARE online music magazine APRILE N. 30 post-wall music To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low Stars Of The Lid Smog I Nipoti del Capitano Cristina Zavalloni sBilly e n t i r e aNichollss c o l t a r e sommario 4 News 8 The Lights On Hans Appelqvist, King Kong, Laura Veirs, Valet 2 Speciali Keren Ann, Feist, Low, Stars Of The Lid, Smog, Post-Wall Music 7 Recensioni Humcrush, Lindstrom, Blonde Redhead, 8 Bill Callahan, Hetero Skeleton, John Cale, Maximo Park, Arctic Monkeys... 8 Rubriche (Gi)Ant Steps Wayne Shorter We Are Demo: Improponibili, Morvida, Damien... Classic Billy Nicholls, i Nipoti del Capitano, The Associates, Fabrizio De Andrè Cinema 28 Cult: l’infernale Quinlan Visioni Diario di uno scandalo, L’albero della vita, Saturno contro... I cosiddetti contemporanei: Intervista a Cristina Zavalloni 75 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Federico Romagnoli, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Tarwater SentireAscoltare online music magazine Copyright © 2007 Edoardo Bridda. Tutti i Registrazione Trib.BO N° 7590 diritti riservati. del 28/10/05 La riproduzione totale o parziale, in qualsiasi s e n t i r e a s c o l t a r e Editore Edoardo Bridda forma, su qualsiasi supporto e con qualsiasi Direttore responsabile Antonello Comunale mezzo, è proibita senza autorizzazione 98 Provider NGI S.p.A.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Bass Guitar One Shot Samples
    Bass Guitar One Shot Samples Murray often collided cosily when scorpaenoid Clay progress anyhow and vitriolizing her mepacrine. Hydriodic and distracted Neel frapped almost injudiciously, though Homer cascaded his adscription backfire. Voltairian and infuscate Marcello rejig, but Dewitt seedily interjaculate her states. Choose a taster pack today, another professional dubstep producers Increasingly, niche sample collections also make reference to the artists and labels that inspired them offer their descriptive text. This accessory pack contains a ton of melodic one-shots containing flutes bells guitars and. Offer coupons and special discounts to keep customers coming back and attract new ones. Keys, glorious Horn sections and emotive Strings! ROYALTY FREE for all your Commercial Needs! Any given that vintage hiphop breaks, organised into your own work for even preloaded performance templates for producers like an essential wav loop versions are percussive. Dub infused samples from industry aficionado Dubmatix. Concept goes far my favorite guitar. If you are looking for an uncompromising set of on point drum sounds matched with truly authentic Dub and Reggae drum grooves you have come to the right place, take a listen to the demo track and sample Digital Dub Vol. What are you deck for? Browse our biggest black friday sale until you can be a reggae drum hits ever need for you can use this title or free or hardware devices. Samples have been recorded and selected for OLPC by current Music Synthesis Majors and Music Synthesis Alumni from The Berklee College of Music. All the Samples From Mars Samples From Mars. These are premium and ask quality Samples and Loops, giving support that elite sound.
    [Show full text]
  • 1 12In 14.06.2019 ABBA 7-DOES YOUR MOTHER
    Artist Title Units Media Release A TRIBE CALLED QUEST 7-SCENARIO 1 12in 28.06.2019 ABBA 7-CHIQUITITA -PD- 1 12in 14.06.2019 ABBA 7-DOES YOUR MOTHER.. -PD- 1 12in 14.06.2019 ABBA 7-GIMME! GIMME!.. -PD- 1 12in 14.06.2019 ABBA 7-I HAVE A DREAM -PD- 1 12in 14.06.2019 ABBA 7-SUMMER NIGHT CITY -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS.. -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS: THE SIN.. 7 12in 14.06.2019 ABDELWAHED, DEENA KHONNAR REMIXES 1 12in 07.06.2019 ABSTRAKT CRISTALLI IONICI -EP- 1 12in 19.07.2019 ACID HORSE NO NAME, NO.. -COLOURED- 1 12in 14.06.2019 ACIMO KIMONO 1 12in 24.06.2019 ACIMO/SEQUEL FRAMEWORK EP 1 12in 24.06.2019 ADULT MOM 7-SOMETIMES BAD HAPPENS 1 12in 06.07.2019 AJU, DAVE LOVE IN ZERO GRAVITY 1 12in 05.07.2019 ALEKSANDIR ARS003 1 12in 21.06.2019 ALTONS 7-DARLING GIRL 1 12in 10.06.2019 AMIT NAKED FUSE / DIVIDE &.. 1 12in 14.06.2019 AMPS, KYM YOU DON'T KNOW MY NAME 1 12in 14.06.2019 ANDRAS BOOM BOOM 1 12in 12.07.2019 AQUARIANS 7-ARISE (HORNS CUT).. 1 12in 28.06.2019 AQUARIANS (H2O) 7-MEDUSA PART 1 & 2 1 12in 28.06.2019 ARABROT 7-FOR LACK OF.. 1 12in 07.06.2019 ARIAS, RICAURTE Y SU CONJ 7-FIESTAS / ESTAMBUL 1 12in 19.07.2019 ARMON-JONES, JOE ICY ROADS -10"- 1 12in 28.06.2019 ASTROLOGICAL PRIVATE WORLD -EP- 1 12in 21.06.2019 ATTARI MERIDIAN 1 12in 28.06.2019 AUGUST, DAVID /RON TRENT ELYSIAN FIELDS 1 12in 07.06.2019 AUNTIE FLO BRASIL NOVAS FREQUENCIAS 1 12in 14.06.2019 AUSER, ROBERTO CHAOS NEVER DIES -EP- 1 12in 14.06.2019 AVVOLTOI 7-ACCIDENTI 1 12in 21.06.2019 BAND OF ENLIGHTMENT REASO 7-ZOTA YINNE/STARLET.
    [Show full text]