New Musical Express 1990-1999
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Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petr Husseini Nick Cave’s Lyrics in Official and Amateur Czech Translations Master‟s Diploma Thesis Supervisor: Mgr. Renata Kamenická, Ph.D. 2009 Declaration I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. .................................................. Author‟s signature 2 Acknowledgements I would like to thank my supervisor, Mgr. Renata Kamenická, Ph.D., for her kind help, support and valuable advice. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Translation of Lyrics and Poetry .............................................................................. 9 1.1 Introduction ................................................................................................... 9 1.2 General Nature of Lyrics and Poetry ........................................................ 11 1.3 Tradition of Lyrics Translated into Czech ............................................... 17 1.4 Conclusion ................................................................................................... 20 2. Nick Cave’s Lyrics in King Ink and King Ink II ................................................... 22 2.1 Introduction ................................................................................................. 22 -
A VISION of DEAD DESIRE As Recorded by Manic Street Preachers (From the 1992 Single "You Love Us")
A VISION OF DEAD DESIRE As recorded by Manic Street Preachers (from the 1992 Single "You Love Us") Transcribed by Jon Britton Words by Richey Edwards, Nicky Wire Music by James Dean Bradfield, Sean Moore A Intro P = 130 D5 G5 Fb5 E5 A5 B5 D5 G5 Fb5 E5 A5 B5 c c 1 4 V j c j V j c j I 4 V V gV V gV V V gV V gV V V gV V V V V V gV V V V V V V V V V V V Gtr I T 7 2 4 7 2 4 A 7 5 4 2 2 4 7 5 4 2 2 4 B 5 5 4 2 0 2 5 5 4 2 0 2 3 2 0 3 2 0 B Verse 1 D5 G5 Fb5 E5 A5 B5 D5 G5 Fb5 E5 A5 B5 c c 5 V j c j V j c j I V V gV V gV V V gV V gV V V gV V V V V V gV V V V V V V V V V V V T 7 2 4 7 2 4 A 7 5 4 2 2 4 7 5 4 2 2 4 B 5 5 4 2 0 2 5 5 4 2 0 2 3 2 0 3 2 0 A5 G5 E5 G5 9 c c I W V U V U W V U W V U W V U W V U T 2 A 2 5 5 2 5 5 B 0 5 5 2 5 5 3 3 0 3 3 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ A VISION OF DEAD DESIRE - Manic Street Preachers Page 2 of 13 D5 G5 Fb5 E5 A5 B5 D5 G5 Fb5 E5 A5 B5 c c 13 V j c j V j c j I V V gV V gV V V gV V gV V V gV V V V V V gV V V V V V V V V V V V T 7 2 4 7 2 4 A 7 5 4 2 2 4 7 5 4 2 2 4 B 5 5 4 2 0 2 5 5 4 2 0 2 3 2 0 3 2 0 C Pre-Chorus A5 c c 17 k k I V V V V V V V V V V V V V V V V V V V V V V V V T 2 2 2 2 2 2 2 2 2 2 2 2 A 2 2 2 2 2 2 2 2 2 2 2 2 B 0 0 0 0 0 0 0 0 0 0 0 0 V W W V I u u Gtr II FullM T 12 12 12 12 A 14 14 14 14O B Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ A VISION OF DEAD DESIRE - Manic Street Preachers Page 3 of 13 D Chorus C5 D5 19 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V -
2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
Exposed: Labour's Year-Old Lie Over Fees
ed980312.qxd 21/04/98 15:55 Page 1 (1,1) Issue 932 - Weekly Thursday 12th March 1998 Exposed: Labours year-old lie over fees Money for University tuition to come from public purse said spokesman Exclusive media-managers teamed up port. We believe there is a twenty soundbite-filled min- with the Labour student balance to be struck in the utes answering two ques- movement to bring in as contribution to the cost of tions, then left shortly after- Matt Pannell many student papers as pos- higher education, between wards, leaving spokesmen sible, only a few weeks the individual and the public to give answers on more Editor before the May general elec- purse. The public purse specific education issues. tion. At the time, debate on should support tuition fees, Bare Facts raised questions year ago, almost to higher education funding and the individual - in a fair about division within the the day, senior centred on the issue of and much more progressive party, and the lack of spon- ALabour party maintainence grants, and fashion - should repay their taneous questioning in the spokesmen misled students Labour’s manifesto made maintainence costs.” election campaign. Party across the country by lying vague promises about managers ironically offered to student newspaper ‘reform’ in this area. On the Labour has since insisted to respond to this last ques- Editors over plans for the subject of tuition fees, that no such promise was tion by fax. reform of Higher Education though, the education ever made, as the election Funding. spokesman - well aware of manifesto made no refer- At least one aspect of his audience - went further ence to tuition fees. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
“Etre Fédérateur Sans Dénaturer L'identité Du Festival”
Depuis deux ans, deux aux festivaliers évidem- nouvelles scènes ont été ment qui nous permettent The Beta Band, ajoutées. Cette année, nous de sauver le festival à 75%. “Etre fédérateur sans avons une grande première Nous avons énormément de Quelques chiffres groupe lambda ? avec un premier live sur la passionnés, beaucoup sont dénaturer l’identité du plage. Au Palais, on voulait conscients de ça, on les présenter des artistes qui remercie, c’est gràce à eux “ La pomme de The Beta Band festival” ont leur place à 100% à la qu’on continuera. - 550 bénévoles a suffisamment mûri et est Route du Rock mais pour qui De notre côté, on essaie de - 300 journalistes remplie de larves, elle doit tomber de l’arbre et Entretien avec François ce n’est pas forcément un maximiser les services, avec cadeau de faire jouer sur une la navette gratuite, le camp- - 52 poubelles laisser ses graines retourner à Floret, directeur du fes- la terre. “. tival : grande scène.Ils sont plus à ing, la plage gratuite, le pass l’aise au Palais, dans un cadre collection. On essaie de faire - 50 kW de son Sa huitième bougie à peine beaucoup plus convivial et un maximum pour remercier soufflée, le groupe pop Comment envisages-tu cette - 30 groupes britannique vient d’annoncer nouvelle édition ? intimiste. notre public car on lui est Enfin, un des attraits du fes- énormément reconnaissant. - 14 runners sa séparation. Richard Greentree et ses acolytes On peut raisonnablement tival est sûrement son cadre particulier, à la mi-aout. Il y a Nous remercions d’avance - 13 containers raccrochent, en laissant espérer entre 19000 et 22000 derrière eux trois albums dont spectateurs ce qui serait un la mer, la plage, et des sites les 550 bénévoles qui sont - 9 pays extraordinaires comme le fort sur le site, qui ont pour chefs “ Heroes to Zeros “ beau succès par rapport à dernier effort somptueux l’année précédente (13000 de St-Père, le Palais du Grand d’équipe Francis et Morgan. -
Cultural Images of Contemporary
Masaryk University Faculty of Education DepartmentofEnglishLanguageandLiterature A COURSE DESIGN : CULTURAL IMAGES OF CONTEMPORARY BRITAIN IN POPULAR LYRICS Diploma Thesis Brno2007 ŠárkaMlčochová Supervisor: Mgr.Lucie Podroužková,PhD. Prohlašuji, že jsem diplomovou práci zpracovala samostatně a použila jen pramenyuvedenévseznamuliteratury. ____________________ ŠárkaMlčochová I would like to thank Mgr. Lucie Podroužková, PhD. for her kind and patient supervision and for the advice she provided to me during my work on this diploma thesis. CONTENT 4 _______________________________________________________________________ 1. INTRODUCTION 6 1.1. ARGUMENT 6 1.2. POPULAR CULTURE 7 1.3. LEARNING A SECOND CULTURE 10 1.3.1. WHY POPULAR LYRICS ? 12 1.4. HOW TO USE THE TEXTBOOK 12 1.5. PREFACE TO THE TEXTBOOK 14 2. THE TEXTBOOK 16 2.1. MONARCHY , POLITICS AND CLASS 16 2.1.1. GOD SAVE THE QUEEN 16 2.1.2. MR. CHURCHILL SAYS 18 2.1.3. POST WORLD WAR II BLUES 20 2.1.4. SHIPBUILDING , ISLAND OF NO RETURN 21 2.1.5. GHOST TOWN 24 2.1.6. A DESIGN FOR LIFE 24 2.1.7. COCAINE SOCIALISM , TONY BLAIR 25 2.1.8. I’M WITH STUPID 27 2.1.9. GORDON BROWN 28 2.2. LIFESTYLE , LEISURE AND MEDIA 30 2.2.1. TOO YOUNG TO BE MARRIED 30 2.2.2. YOUNG TURKS 31 2.2.3. NO CLAUSE 28 32 2.2.4. KASHKA FROM BAGHDAD 33 2.2.5. PROBLEM CHILD 34 2.2.6. HERE COMES THE WEEKEND , POOR PEOPLE 35 2.2.7. TWO PINTS OF LAGER AND A PACKET OF CRISPS PLEASE , 37 HURRY UP HARRY 2.2.8. -
2 CITIES 4 PROJECTS Mercedes, İstanbul ONS İncek, Ankara Batı Dental, Ankara Köker, Ankara
Work Life, Architecture, Culture and Art December 2015 TIME MOMENTS OF TIME Faruk Malhan IN BETWEEN ART, CRAFT AND DESIGN Dilek Öztürk PRODUCTION OF TIME Özlem Sert 2 CITIES 4 PROJECTS Mercedes, İstanbul ONS İncek, Ankara Batı Dental, Ankara Köker, Ankara www.koleksiyoninternational.com Contents Prologue Koray Özsoy ‘Time’ is one of the words that we Speaking of time; maybe the Looking at micro level; we can All these varieties make us mention all are assumed to know very well famous painting ‘The Persistence define time as a plane formed by about a major ‘change’ from daily until it turns into a difficult matter to of Memory’ by Dali comes first to moments. A fourth dimension to things, needs to permanent habits explain when some one asks the our minds. Although the artist in his width, height and length in space! and traces that would settle for 26 real meaning behind. Referring to unique way that he was inspired But it cannot be undone and years, eras and influence societies. WORKS & NOTES basic dictionaries; time is described by the Camambert cheese melting controlled; there is only one direction Just like the creative-destructive as “a duration, period which uses under the sun on a hot August day, to go: forward (for now). Time is effects of time driving the change Salon 6 the regular and periodic celestial this piece of art is interpreted as a composed of subjective marks, or in objects and spaces... IN BETWEEN TIME, Alper Derinboğaz CRAFT AND DESIGN events of past, present and future”. protest against the concept of time ‘moments’, created individually by However; we need to be reading that is unquestionable, strict and each of us as we go forward. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Murder Ballads.Pdf
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition. -
Music in His Own Image: the Aphex Twin Face
Nebula 1.1, June 2004 Music in His Own Image: The Aphex Twin Face. By Peter David Mathews Beyond the dark, intense vision of his music, a further disturbing dimension of Aphex Twin’s project is illuminated by his video clips. In particular, his two most famous videos, “Come to Daddy” and “Windowlicker,” are the fruit of collaborations with director Chris Cunningham; awards for “Come to Daddy” first brought both these artists into the mainstream eye in 1997. The outstanding feature of these clips is undoubtedly the face of Richard D. James. James, the man behind the Aphex Twin pseudonym, stares mockingly at the viewer, inevitably flashing his trademark leer. The unsettling characteristic of this smile is how the lips are stretched to the point of exaggeration. The initial impression of a broad, cheerful smile is quickly replaced by a feeling of incipient unease. Figure 1: Cover of Aphex Twin’s Richard D. James Album James’s grin becomes an inverted grimace, the tension of which is clearly visible in the creases around his eyes, nose and forehead. The look imbues these images with an intensity embellished by the fact that James’s expression never changes. Mathews: Music in His Own Image. 65 Nebula 1.1, June 2004 The initial impact of this look is augmented and intensified in several ways. The most obvious is through a process of multiplication. In each Aphex Twin clip, the secondary actors take on the face of their Creator. “Come to Daddy,” for instance, opens with an old woman walking her dog in a grimy, industrial setting.