Conference Book

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 1 2 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

TABLE OF CONTENTS

Letters of Welcome ...... 4 Past Presidents of AAM and Past Conference Locations ...... 12 Officers of AAM ...... 13 Schedule ...... 14 Maps and Directions ...... 19 Sunday ...... 28 Monday ...... 36 Tuesday ...... 65 Wednesday ...... 84 Thursday ...... 115 Professional Development Offerings ...... 134 Biographies ...... 138 Ensembles ...... 160 Venues ...... 163 Organ Specifications ...... 176 Exhibitors...... 184 Advertisers...... 186 DC Conference Planning Committee ...... 187 Acknowledgments ...... 188

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 3

A WELCOME FROM THE CONFERENCE PLANNING COMMITTEE

Welcome to the 2014 Washington, DC, Conference of the Association of Anglican Musicians and a warm welcome to RXUQDWLRQ¶VFDSLWDO:KLOHWKH'LVWULFWRI&ROXPELDLVDKLJK- powered, hot seat of national and international politics, it is also much more. The Washington, DC, metropolitan area is one of the ten largest in the country. Washington, DC, itself is home to a plethora of renowned museums, historic buildings, and beautiful avenues, making the capital city a real sight to behold. While there is not much free time during this back (left to right): Michael Lodico, Brandon Straub, Ben Hutto, Benja- min Straley, Sonya Sutton, Ben Hutchens, Tad Cavuoti, Peter Crisafulli; busy conference, perhaps you will have opportunities before middle (left to right): Jason Abel, Jeff Kempskie, Tom Smith, Robert RUDIWHUWKHZHHN¶VHYHQWVWRH[SORUHWKLVZRQGHUIXOFLW\'XU McCormick, Gregory Hooker, Sam Carabetta, Mike Menne; front (left to right): Barbara Collins, Ben Keseley, Jane Bourdow, Kyle Babin, Judy ing the week, we will be visiting many landmark sites of the Dodge, David Hoover, William Bradley Roberts District of Columbia and surrounding area.

Virginia Theological Semi- nary²as well as to the colonial locus of Old Town. Moreover, our conference planning committee is comprised of members from Baltimore to Richmond and from three Episcopal dioceses: the Dioceses of Washington, Virginia, and Maryland, comprising nearly 126,200 Episcopalians. Thus, this 2014 conference is much larger than Wash- ington, DC.

2XUFRQIHUHQFHWKHPH³+HDUWDQG9RLFH8QLWLQJ´H[SUHVVHVKRZZH as church musicians and ministers of music, view our vital and sacred role in the liturgy. We will explore many facets of this theme during WKHZHHNLQFOXGLQJD³&OHUJ\'D\´RQ:HGQHVGD\LQZKLFKZHZLOO join our own hearts and voices with those of our brother and sister clergy²LQERWKZRUVKLSVRQJDQGGLVFXVVLRQ³+HDUWDQG9RLFH8QLW LQJ´ LV WDNHQ IURP WKH H[TXLVLWH K\PQ E\ -RKQ ( %RZHUV ³:H WKH /RUG¶V SHRSOH KHDUW DQG YRLFH XQLWLQJ´ 7KLV K\PQ ZKLFK ZH VKDOO sing during the conference, was set to music by a key Washington musical figure, the late Richard Wayne Dirksen. And so, the music of many local musicians and composers, both living and dead, will be represented during the various worship services this week. Finally, the liturgies of this conference encompass a range of styles and forms, but undergirding them all is the desire to be true²as much as possible²to the manner of worship normally found in the different host churches.

We on the conference committee have greatly enjoyed the fellowship shared during our planning meetings for the past two years, and hope you will enjoy your stay in Washington, in addition to reuniting with friends and colleagues. May God bless you during this week and bless the work, mission, and ministry of the Association of Anglican Musicians!

4 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

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PAST PRESIDENTS OF AAM

1968-69 James Litton 1985-86 Geoffrey Butcher 1969-70 Raymond Glover 1986-87 David Lowry 1970-71 Gerre Hancock 1987-88 Betty Jean Bartholomew 1971-72 Elwyn Davis 1988-89 Benjamin Hutto 1972-73 Ronald Arnatt 1989-91 Sam Batt Owens 1973-74 Robert Quade 1991-93 Richard Webster 1974-75 David Farr 1993-95 Judith (Breneman) Dodge 1975-76 Arthur Rhea 1995-97 Thom Robertson 1976-77 Edgar Billups 1997-99 John Hooker 1977-78 Frederick DeHaven 1999-2001 Carolyn Darr 1978-79 Donald Wilkins 2001-03 Dale Adelmann 1979-80 Marilyn Keiser 2003-05 Jack Burnam 1980-81 Frederick Burgomaster 2005-07 Martha Johnson 1981-82 Charles Rigsby 2007-09 Michael Messina 1982-83 Carol Doran 2009-11 Bryan Mock 1983-84 Thomas Foster 2011-13 David Shuler 1984-85 Carol Doran

PAST CONFERENCE LOCATIONS

1966 Indianapolis 1990 Charleston-Savannah 1967 Washington, DC 1991 Minnesota 1968 Detroit 1992 Seattle-Portland 1969 Spokane 1993 Princeton, NJ 1970 Cincinnati 1994 Hampton Roads, VA 1971 Los Angeles 1995 San Diego-Los Angeles 1972 St. Louis 1996 Washington, DC 1973 New York City 1997 London-Oxford (UK) 1974 Louisville 1998 San Francisco 1975 San Francisco 1999 Boston 1976 Washington, DC 2000 Palm Beach, FL 1977 Grosse Pointe, MI 2001 New York City 1978 Croydon (UK) 2002 Jackson-Natchez, MS 1979 New York City 2003 Atlanta 1980 Pittsburgh 2004 Cincinnati-Lexington 1981 Charlotte-Asheville 2005 Baltimore 1982 Memphis 2006 Indianapolis 1983 Toronto 2007 Durham (UK) 1984 Los Angeles 2008 Houston 1985 North Texas (Dallas) 2009 Los Angeles 1986 Atlanta 2010 Hartford 1987 London (UK) 2011 The Carolinas 1988 New Haven, CT 2012 Philadelphia 1989 Chicago 2013 Denver

12 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

OFFICERS OF THE ASSOCIATION OF ANGLICAN MUSICIANS

Executive Board Anglican Musicians Foundation Officers Alan Lewis, Ph.D., President David Shuler, President ¶ David Shuler, Past-President G. Ernest Plunkett, Treasurer ¶ Margaret E. Marshall, Secretary Jack Warren Burnam, Secretary ¶ George A. Emblom, Treasurer Michael Smith, Director-at-Large Anglican Musicians Foundation Board Linda Morgan Stowe, Director-at-Large 'DOH$GHOPDQQ3K' ¶ 0LFKDHO(+XQWHU ¶ Appointed Officers 0DUWKD1-RKQVRQ'0 ¶ Alan C. Reed, Archivist /LQGD3LWWPDQ.HOO\ ¶ William P. Saviers, Jr., Esq., Chancellor 6RQ\D1.HQQHG\ ¶ 7KH5W5HY¶G.HLWK:KLWPRUHChaplain 0\URQ3DWWHUVRQ'60 ¶ Brian S. Driscoll, D.M.A., Communications Advisor Paul M. Ellison, Ph.D., Editor, The Journal Anglican Musicians Foundation Appointees Michael S. Burnette, D.M.A., Placement Advisor 7KH5HY¶G7KRPDV0F&DUW3K'Investment David Perry Ouzts, D.S.M., Professional Concerns Committee Chair & Development Chair William P. Saviers, Jr., Esq., Chancellor

Region Chairs The Journal Editorial Board Region 1: Peter Berton Paul M. Ellison, Ph.D., Editor 5HJLRQ7KH5HY¶G&OD\WRQ/0RUULV Alan Lewis, Ph.D., Consulting Editor Region 3: Michael Lodico Giles Brightwell, Ph.D. Region 4: John Cummins Jonathon Hampton Region 5: Rob Lehman Brian P. Harlow, D.M.A. Marilyn Haskel Region 6: Marty Burnett Victor Hill, Ph.D. Region 7: Joe Causby Kevin Kwan Region 8-N: Carol Foster David M. Lowry, D.M.A. Region 8-S: Tom Neenan Pamela McCaslin Iain Quinn, Ph.D.

The Journal Contributors Jonathan E. Dimmock, Reviews of Recordings Erik W. Goldstrom, Ph.D., Reviews of Books Brian P. Harlow, D.M.A., Instrumental Music Reviews

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 13

THE WEEK¶S SCHEDULE

Sunday, June 15 (pre-conference worship and events)

2:00²7:00 Registration/Hospitality Desk open Key Bridge Marriott (Capital View Ballroom) 4:00 Choral Evensong Washington National Cathedral Sung by the Choir of Lincoln Cathedral, UK 6:00 Solemn Evensong and Benediction 6W3DXO¶V3DULVK.6WUHHW 7:30 Pre-Conference concert 6W-RKQ¶V/DID\HWWH6TXDUH 1DYH

The Choir of St. Martin-in-the-Fields, London 7:30²12:00 a.m. Exhibits with cash bar Key Bridge Marriott (Capital View Ballroom) 9:00²11:00 Registration/Hospitality Desk open

Monday, June 16

7:30 Breakfast on your own Breakfast buffet available (at cost) at Key Bridge Marriott 7:30²9:00 Registration/Hospitality Desk open Key Bridge Marriott (Capital View Ballroom) 8:30 In transit: metro/shuttle/walk Guides at Rosslyn & Foggy Bottom Metro stations 10:00 Opening Eucharist: Solemn Mass 6W3DXO¶V.6WUHHW 1DYH 11:45 Boxed Lunch/Regional Meetings 6W3DXO¶V.6WUHHW YDULRXVORFDWLRQV

12:45²1:45 Plenary Session I 6W3DXO¶V.6WUHHW 1DYH 2:00²3:15 Professional Development: 6W3DXO¶V.6WUHHW 1DYH

Conference Choir Rehearsal w/Julian Wachner

3:15²4:00 In transit: walk/shuttle 4:00²4:30 Refreshments 6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ3DULVK

(Blake Hall & Lawn)

4:30²5:30 Choral Evensong 6W-RKQ¶V*HRUJHWRZQ 1DYH

5:30²5:45 In transit: walk/taxi transport

5:45 Cocktails The George Town Club

6:15 Dinner The George Town Club

7:45 In transit: walk/car transport 8:00 Concert by the Washington Bach Consort: 6W-RKQ¶V*HRUJHWRZQ 1DYH

J. Reilly Lewis, conductor; Jeremy Filsell, organist

9:00 Board buses to conference hotel 9:30²12:00 a.m. Exhibits with cash bar Key Bridge Marriott (Capital View Ballroom)

14 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Tuesday, June 17

7:30 Breakfast on your own Breakfast buffet available (at cost) at Key Bridge Marriott 7:30²8:15 Twelve Step Meeting Key Bridge Marriott (Washington Room, 3rd floor)

7:30²9:00 Registration/Hospitality Desk open Key Bridge Marriott (Capital View Ballroom)

8:30 In transit: metro/shuttle 10:00 Morning Prayer: 6W&ROXPED¶V(SLVFRSDO&KXUFK 1DYH Music of the African-American Tradition:

The Ministers of Music, Patrick Lundy, director 11:15 Plenary Session II 6W&ROXPED¶V 1DYH

12:15 Lunch on your own Tenleytown/Cathedral Heights

1:00 In transit: walk/bus/shuttle 2:00²3:15 Professional Development: 6W$OEDQ¶V3DULVK 1DYH

Conference Choir Rehearsal w/Julian Wachner

3:30²4:30 Free Time Washington National Cathedral Close

4:30 Afternoon Refreshments 6W$OEDQ¶V3DULVK 6DWWHUOHH+DOO

4:30 1HZ0HPEHUV¶5HFHSWLRQ 6W$OEDQ¶V3DULVK 3DULVK5HFWRU\

5:10 Organ Prelude to Choral Evensong Washington National Cathedral (Great Choir)

5:30 Choral Evensong Washington National Cathedral (Great Choir)

6:30 Cocktails St. Albans School (Senior Circle)

7:15 Catered Dinner St. Albans School (Cafritz Refectory) 8:15 Featured Speaker: Craig Windham St. Albans School (Cafritz Refectory)

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9:00 Board buses for conference hotel 9:30²12:00 a.m. Exhibits with cash bar Key Bridge Marriott (Capital View Ballroom)

Wednesday, June 18: Clergy Day in Alexandria

7:30 Breakfast on your own

Breakfast buffet available (at cost) at Key Bridge Marriott 7:30²8:15 Twelve Step Meeting Key Bridge Marriott (Washington Room, 3rd floor)

7:30²9:00 Clergy & Daily Registration/Welcome Virginia Theological Seminary (Welcome Center)

8:15 Board buses at hotel for Virginia Seminary

8:45 Sung Morning Prayer Episcopal High School (Callaway Chapel)

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 15

9:15 Coffee Break I Episcopal High School (Quad)

9:30 $GGUHVVE\7KH5HY¶G'U)UDQN:DGH Episcopal High School (Pendleton Hall)

10:30 Coffee Break II Episcopal High School (Quad) 10:45 Professional Development: Panel Discussion Episcopal High School (Pendleton Hall) 7KH5W5HY¶G'U0DULDQQ(GJDU%XGGHSDQHOLVW 7KH5W5HY¶G6KDQQRQ-RKQVWRQSDQHOLVW 7KH5W5HY¶G(XJHQH6XWWRQSDQHOLVW 7KH5W5HY¶G.HLWK:KLWPRUHSDQHOLVW 7KH5HY¶G(ULND7DNDFVSDQHOLVW 7KH9HU\5HY¶G'U,DQ0DUNKDPPRGHUDWRU Dr. Janette Fishell and Mr. Richard Webster, musicians

12:00 Buffet Lunch Virginia Theological Seminary (Refectory) 1:00 Opening of the Charles Winfred Douglas Virginia Theological Seminary Library Memorial Collection 1:00 Optional Exhibits/Walking Tours: Virginia Theological Seminary Campus New VTS chapel

Taylor & Boody Organ Builders 2:00 A Celebration in Music and Readings: Episcopal High School Youth Choir from Mid-Atlantic Episcopal Schools and Churches (Callaway Chapel)

Julian Wachner, conductor 3:00 Board buses at Virginia Seminary

for Christ Church, Alexandria

3:30 Afternoon Tea Christ Church, Alexandria (Churchyard) 3:30 'RQRUV¶5HFHSWLRQ Christ Church, Alexandria (McMurray Commons, Fowler House)

4:15²5:15 Professional Development: Christ Church, Alexandria (Nave) Conference Choir Rehearsal w/Julian Wachner Clergy Options: I. Observe Conference Choir Rehearsal (Nave) II. &KDQWLQJWKH/LWXUJ\Z7KH5HY¶G'U:LOOLDP%UDGOH\5REHUWV (Choir Room, Fowler House) III. ³&RXQFLORI-DPQLD5HGX[:KDW'R:H7DNHLQWR (Meade Room)

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5:30 Choral Evensong (Conference Choir) Christ Church, Alexandria (Nave) 6:30 In transit: shuttle to conference hotel (primarily for those with mobility issues) 6:30 Dinner on your own Old Town, Alexandria

Return shuttle buses will be provided throughout the evening. 6:45 Board buses at Christ Church for the conference hotel

8:00 OPTIONAL%RDUGEXVHVDW&KULVW&KXUFKIRU&RPSOLQHDW6W0DU\¶V$UOLQJWRQ 8:00 Board buses at Christ Church for the conference hotel

8:30 OPTIONAL: Compline 6W0DU\¶V$UOLQJWRQ

16 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

8:30 Board buses from Old Town to conference hotel 9:00 Board buses at Christ Church for the conference hotel 9:00 %RDUGEXVIURP6W0DU\¶VWRFRQIHUHQFHKRWHO 9:00²12:00 a.m. Exhibits with cash bar Key Bridge Marriott (Capital View Ballroom) Thursday, June 19

7:30²9:00 Registration/Hospitality Desk open Key Bridge Marriott 8:15 Breakfast with Address by Martin Neary Key Bridge Marriott 9:15 Professional Development: Breakout Sessions Key Bridge Marriott Planning Liturgies for Same-Sex Blessings in the Episcopal Church (Various Locations) Servant Leadership for Musicians: More than Conflict and Closure 10:00 Exhibits Key Bridge Marriott (Capital View Ballroom) 11:00 In transit: Metro/shuttle Guides at Rosslyn & Federal Triangle Metro stations

12:10 &RQFHUW³/D\D*DUODQG´ National Gallery of Art Cathedra, Michael McCarthy, director (West Building, West Garden Court) 1:15 Free afternoon/lunch on your own Tours of National Gallery (sign-up by Monday) 2:00²4:00 Exhibits (final purchases) Key Bridge Marriott (Capital View Ballroom) 4:45 Prelude to Closing Eucharist 6W-RKQ¶V&KXUFK/DID\HWWH6TXDUH 1DYH 5:00 Closing Eucharist 6W-RKQ¶V&KXUFK/DID\HWWH6TXDUH 1DYH 6:45 In transit: walk/shuttle 7:00 Cocktails National Press Club 8:00 Dinner National Press Club 9:00 Dessert and Entertainment: National Press Club Uptown Vocal Jazz Quartet 10:00 Board buses for conference hotel

Friday, June 20: ³&KXUFK 6WDWH´(post-conference event)

9:00²9:30 Leave Key Bridge Marriott for Church of the Epiphany (Orange Line: Rosslyn to McPherson Square) 10:00²11:30 United States Army Chorus Concert and Workshop/Presentation Church of the Epiphany

11:30²12:30 p.m. Lunch Church of the Epiphany

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 17

PM 12:15²1:00 Walk to Metro Center (4 blocks; 7 minutes) and ride to Capitol South Station, then walk to Library of Congress (1 or 2 blocks; 6 minutes)

1:00²3:30 View seminal manuscripts and letters from the Anglican tradition Library of Congress

CHRIST EPISCOPAL CHURCH 107 South Washington Street Rockville, Maryland 20850

9:00 & 11:00 Choral Eucharist / September ² May

First Sundays ² Sung Mass at 11:00

10:00 Choral Eucharist / June ² August

7KH5HY·G-RKQ60F'XIILH5HFWRU Thaddeus Cavuoti, Music Director & Organist

Boy & Girl Choristers ² Teen Choral Scholars Adult Choir with Staff Singers

Chancel Organ ² REUTER 2003 ² 38 Ranks Organ ² OBERLINGER 1998 ² 3 Ranks Piano ² STEINWAY 1905 ² Model A

www.christchurchrockville.org

BERKSHIRE MUSIC PUBLISHING

Featuring the choral compositions of Thaddeus P. Cavuoti Catalogue & Commissions

e-mail: [email protected]

18 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC Maps 19

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SSOCIATION A Please note: You must be in line by 11:45 a.m. in order to be guaranteed a seat for the concert at the National Gallery of Ar of Gallery the National at the concert for seat a guaranteed be to in order a.m. by 11:45 line be in must You note: Please Walk from the Key Bridge Marriott to the Rosslyn Metro Station (see p. 19 for detailed directions). Take either a Blue or Orange Line train (it does not matter which) in the direction of Largo or New Carrollton. Ride the train for five stops (about 8 min.) and exit at the Federal Triangle Metro Station. Upon exiting anoth- for and NW, walk the Ave., Constitution turn left onto and Cross mi. 0.1 station, for NW, St., 12th on south and head turn right er beto 0.4 of entrance will Art mi. The the Gallery on National your and right of NW, at the 6th St., intersection Court. Garden West Building, West the be in will concert The NW. Ave., Constitution DZD\IURPWKH:KLWH+RXVHDQGWKURXJKWKHSDUNWRZDUG+6W1:6W-RKQ¶VZLOOEHDFURVVWKHVWUHHWDQGVOLJKW right. to thely -RKQ¶VZLOOEHRQ\RXUOHIW$OWHUQDWHO\ZKLOHZDONLQJXSWK6W1:\RXPD\WXUQOHIWRQWR3HQQV\OYDQLD$YH NW only), and a(open get traffic to close-pedestrian

1DWLRQDO*DOOHU\RI$UWWR6W-RKQ¶V&KXUFK/DID\HWWH6TXDUH+6W1: (Between 10:15 and 11:15 a.m.) a.m.) 11:15 and 10:15 (Between a.m.) 11:15 and 10:15 (Between Thursday Thursday Maps 24

New Carrollton. Ride the train for two stops (about 5 min.) and exit at the Farragut West Metro Station. Exit the Exit Station. Metro West Farragut the at exit and min.) 5 (about stops two for train the Ride Carrollton. New or Largo of direction the in which) matter not does (it train Line Orange or Blue a either Take directions). tailed (6:30 p.m.) ft., FURVVLQJWK6W1:7KH:KLWH+RXVHZLOOEHWR\RXUULJKW6W-RKQ¶V&KXUFKZLOOEHRQWKHOHIW500 another for walk and NW, St., H onto left Turn ft. 450 about for continue and NW, Ave., Connecticut usingstation 17ththe St. exit. St.,WalkoneastI NW, against theflowtraffic, of for about200Turnft. rightonto (between 3:30 and 4:30 p.m.) Rosslyn the at exit and Station.Metro min.) Walk north on N. Fort Meyer Dr. to the Key Bridge 8 Marriott. (about stops five for Franconia-Springfield or Vienna of direction the in which) matter not does (it train Line Orange or Blue a either Take directions.) detailed for 23 p. (See NW. St., 12th on Station Metro Triangle Federal the to back steps your retrace concert, the after hotel the to return to wish you If travel time 1DWLRQDO*DOOHU\RI$UWWR.H\%ULGJH0DUULRWW (approx. 1:15 p.m., Thursday,cont. A SSOCIATION

OF for those wishing toreturn the to hotel A

NGLICAN M USICIANS

2014 C ONFERENCE F & 14th of corner the Streets, NW. at left, your on be will Club Press National The mi. 0.2 another for tinue con- and NW, St., 14th onto right Turn mi. traffic,0.2 for of flow the with NW, St., H on east Head 0.5 mi., approx. 9 travelmin. time 1::DVKLQJWRQ'& The National PressClub, 529 14th St., 6W-RKQ¶V/DID\HWWH6TXDUHWR 0.8 mi. 0.8 of walking, approx. min. total 30 ) timetravel 0.5 mi. of walking,approx. 20 min. :DVKLQJWRQ'& Lafayette Square, H St.,NW, .H\%ULGJH0DUULRWWWR6W-RKQ¶V osy Mto tto (e p 1 fr de- for 19 p. (see Station Metro Rosslyn the to Marriott Bridge Key the from Walk

: ASHINGTON , DC ,

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ONFERENCE 2014 C 2014

USICIANS M 0.2 mi. of walking, approx. 15-20 min. total travel time travel total min. 15-20 approx. walking, of0.2 mi. NGLICAN A OF

SSOCIATION A St., St., SE. Turn right onto Independence SE. Ave., The Building Madison of the Library of Congress will be on your right. Retrace Retrace your steps back to the Metro Center Metro Station. Take either a Blue or Orange Line train (it does not matter which) in the direction of Largo or New Carrollton. Ride the train for five stops (about 9 min.) and get off at the Capitol South Metro Station. Exit the station and continue straight, walking up the hill and north on 1st

Church of the Epiphany to Library of Congress, Madison Building, 101 Independence Independence 101 Building, Library Madison to Congress, of Epiphany the of Church $YH6(:DVKLQJWRQ'&

Walk from the Key Bridge Marriott to the Rosslyn Metro Station. (See p. 19 for detailed directions.) Take either a Blue or Orange Line train (it does not matter which) in the direction of Largo or New Carrollton. Ride the train for four stops (about 7 min.) and get off at the Metro Center Metro Station. Exit the station using the 13th & G St. exit. Cross G St., NW, and 13th St., NW, and continue west on G St., right. be your on will Epiphany NW, for 0.1 mi. The Church of the .H\%ULGJH0DUULRWWWR&KXUFKRIWKH(SLSKDQ\*6W1::DVKLQJWRQ'& Friday Friday 0.4 mi. of walking, approx. 20 min. travel time travel 20min. approx. walking, of 0.4 mi. Maps 26 Fort N. on north Walk Station. Metro Rosslyn the Meyer Dr. tothe Key Bridge Marriott. at off get and min.) 16 (about stops nine for train the Ride Franconia-Springfield. or Vienna of direction the in which) matter not does (it train Line Orange or Blue a ther ei- Take SE. Streets, C & First of intersection the at Station Metro South Capitol the to back steps your Retrace 0.2 mi of walking, approx. totalmin. 15-20 travel time /LEUDU\RI&RQJUHVVWR.H\%ULGJH0DUULRWW Friday,cont. A SSOCIATION

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: ASHINGTON , DC ,

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 27 Sunday 28

Justorum inmanu animae Dei sunt, Justorum animae Jubilate laudem, montes Laetentur coeli, et exultet terra. Laetentur coeli alleluia. exultemus et laetemur in ea, dies Haec quam fecit Dominus: diesHaec My soul, (from there is acountry I was glad et tangetnon illos tormentum mortis. illi pace. autemsunt in Visi sunt oculis insipientium mori,

quia Dominus noster veniet, et pauperumet suorum miserebitur. Psalm122:1, 4, 6,5, 7, with Gloria Patri Words: Son, to and the Holy Ghost; asit wasin the beginning, is now, and ever shall be, world without end. Amen. Father,theto the to and be thyGlory palaces.lovePeaceplenteousnesswithinthee.within thy and be walls: that prosper shall they Jerusalem: of peace the for pray O David. of house the of seat the even judgment: of seat the is there For Lord. the of Name the unto thanks give to Israel, unto testify to Lord: the of tribes the evenup, go tribes the thither For Lord. the of house theinto go will We me: unto said they when glad was I Words: Isaiah 49:13 Words: All skillful wars: in the Where stands a winged sentry beyondFar the stars, My soul, is there acountry A SSOCIATION 2IIHUWRU\IRU$OO6DLQWV¶'D\

OF A NGLICAN

Songs of Farewell M USICIANS ) Program

2014 C P The souls of thejust are the in hand ofGod, and the and torment death of shall touch not them. but they but they are peace.in In thesight of the unwise they seemed to die; because our Lord come,will Let themountains bejoyful with praise, Let theheavens beglad and let theearth rejoice. alleluia. uslet rejoice and beglad therein, This the is day thewhich Lord hath made: and and will show mercy to his poor. RE

ONFERENCE -

CONFERENCE The ChoirThe of St. Martin- Charles Hubert HastingsCharles Hubert Parry (1848-1918)

: 6W-RKQ¶V&KXUFK/DID\HWWH6TXDUH ASHINGTON Herbert Howells (1892-1983) Henry Henry Purcell (1659-1695) Sunday, June 15, 7:30 p.m. Matthew Morrison, William Byrd (1543-1623) C , DC , Andrew Andrew Earis, in

-the-Fields, London

ONCERT

William Byrd Organist Director

Sunday 29 , DC , DC ASHINGTON Gabriel Jackson (b. 1962) 1962) (b. Jackson Gabriel James MacMillan (b. 1959) 1959) (b. MacMillan James :

Charles Hubert Hastings Parry HubertCharles Hastings ONFERENCE

2014 C 2014

Lord Jesus Christ, Lord Jesus thy hand, hither Reach of the nails. the print behold and believing, but faithless, be not and Alleluia, who created, redeemed, and preordained preordained and redeemed, who created, I am, that this me to be with me; to do you wish what you know in accordance do me with will, your with with mercy. alleluia. alleluia. USICIANS ) ) M ) ) NGLICAN

Songs of Farewell of Songs

1620) 1695) -1471); trans. Paul Pascal Pascal Paul trans. -1471); Strathclyde Motets Strathclyde (from (from SSOCIATION A King Henry VI (1421 VI Henry King alleluia. alleluia. Words: (1567- Campion Thomas (YHUEORRPLQJDUHWKHMR\VRIKHDYHQ¶VKLJKSDUDGLVH eyes: our dims vapor nor ears our there not age deafs Cold see:only blessed the beams whose outshines sun there the Glory to thee! sprite my and raise Lord, glorious quickly, O come Words: (1622- Vaughan Henry to shore. bent willing more sail Never weather-beaten 1HYHUWLUHGSLOJULP¶VOLPEVDIIHFWHGVOXPEHUPRUH breast: troubled of my out to fly longs now sprite wearied Than my to rest. my soul and take Lord, sweetest quickly, O come ranges, foolish then thy Leave thee secure can none For changes, never who But One cure. thy thy life, Thy God, thither, get but canst If thou 7KHUHJURZVWKHIORZ¶URI3HDFH wither, cannot that The Rose ease. thy and Thy fortress There, above noise and danger danger and noise above There, smiles with crowned sits Peace Sweet a manger in born One, And files. beauteous the Commands friend gracious thy is He awake! soul, O my And, descend in pure love Did sake. thy for die here To A Prayer of King Henry VI VI Henry King of Prayer A Never weather-beaten sail sail Never weather-beaten Words: 20:27 John tuam, Mitte manum (from tuam Mitte manum Words: clavorum. loca et cognosce sed fidelis, esse incredulus et noli Alleluia, Christe, Jesu Domine, et preordinasti redemisti,

sum, quod ad hoc vis; me facere de quid tu scis me secundum fac de tuam voluntatem misericordia. cum Sunday 30 The Turtle Dove A New Song Lilliburlero (from Words: Lilliburlero bullen a la. And he will cut all de English troate, Ho! by Shaint Ty burn't is de Talbote, Lillibur . . . Dat we shall have a new deputie, Lilliburl . . . Ho! broder Teague dost hear decree, de Lillibur . . . Lilliburlero bullen a la. English folksong Words: As Iwill do for thee. As Iwill do for my thee, dear, amoan forA-making the loss of his love, He doth sit on yonder high tree, O yonder doth sitthat little dove, turtle Till things all these be done. Till all things these be done, my dear, But Inever will prove false to bonny the lass I love, Nor the rocks melt with the sun, seaThe will never rundry, my dear, Till fall stars the from the sky. Till fall stars the from the sky, my dear, But Inever will prove false to bonny the lass I love, inSo deep love amI; So my fair thou art, bonny lass, Though I roam ten thousand miles. Though I roam ten thousand miles, my dear, ,I,URDPDZD\,¶OOFRPHEDFNDJDLQ And leave you for awhile; Fare you well, my dear, Imust gone, be Ps.96:1-2, 13 Words: with and righteousness to judge the world, and the people with his truth. For he cometh, for he cometh tojudge the earth, * telling be of his salvation from dayto day. untoSing the Lord, and praise hisName; * unto sing the Lord, all the whole earth. untoO sing the Lord a new song; * A SSOCIATION Anonymous Four Four Songs the from British Isles

OF A NGLICAN M

USICIANS )

2014 C ONFERENCE

Ralph Vaughan Williams (1872-1958) : ASHINGTON Michael Tippett (1905-1998) , DC , James MacMillan

Sunday 31 , DC , DC Nils Lindberg (b. 1933) 1933) (b. Lindberg Nils ASHINGTON Ralph Vaughan Williams Williams Vaughan Ralph :

George Shearing (1919-2011) (1919-2011) Shearing George ONFERENCE 2014 C 2014

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Three Shakespeare Songs Shakespeare Three SSOCIATION A love be my and me with Live

rocks, the we sit upon There will their flocks, feed shepherds the see And falls whose by rivers, By shallow sing madrigals. birds Melodious I. love, my be and me, with Live prove pleasures the all we And will and fields, dales and valleys, hills That yields. mountains craggy the all And Words: Shakespeare William 6ZLIWHUWKDQWKHPRRQ¶VVSKHUH queen, fairy the serve I And green. the upon orbs dewTo her be; pensioners her tall cowslips The see; you coats spots gold In their fairy favours, rubies, Those be savours: their live freckles In those here, dew-drops some go seek I must $QGKDQJDSHDUOLQHYHU\FRZVOLS¶VHDU Over hill, over dale, dale, over hill, Over briar, thorough bush, Thorough pale, over park, Over fire thorough flood, Thorough everywhere. wander I do Words: (1564- Shakespeare William But thy eternal summer shall not fade not shall summer eternal But thy 1RUORVHSRVVHVVLRQRIWKDWIDLUWKRXRZ¶VW 1RUVKDOO'HDWKEUDJWKRXZDQGHU¶VWLQKLVVKDGH growest: thou to time lines eternal in When see,can eyes or can breathe men as long So to thee. life gives this and this, lives long So 6KDOO,FRPSDUHWKHHWRDVXPPHU¶VGD\" Thou art more lovely and more temperate: temperate: and more lovely art more Thou May, of darling buds the shake do winds Rough $QGVXPPHU¶VOHDVHKDWKDOOWRRVKRUWDGDWH shines, heaven of eye the hot too Sometime $QGRIWHQLVKLVJROGFRPSOH[LRQGLP¶G declines, fair sometime fair from every And %\FKDQFHRUQDWXUH¶VFKDQJLQJFRXUVHXQWULPP¶G Songs and Sonnets of Shakespeare Shakespeare of Sonnets and Songs

(from dale over hill, Over 6KDOO,FRPSDUHWKHHWRDVXPPHU¶VGD\ Sunday 32

Go down, Moses (from od: Traditional spiritual Words: These pretty pleasures might move, me Then live with me and be my love. And ifthese pleasures may thee move, Withcoral clasps and amber studs; A belt ofstraw and ivy buds, III. down Egypt in land;tell old Pharaoh, to letmy people go. 0RVHVVDLG/HWP\SHRSOHJR,IQRW,¶OOVPLWH\RXUILUVWERUQGHDG/HWP\SHRSOHJR*RGRZQ0RVHVZD\ bold Lord, the Egyptspake Thus go. peoplein my Let stand.was not could they Israelhard so Oppressed go. When people my let go.land, people my let to Pharoah, old tell land; Egypt in down way Moses, down, Go To live with thee and be thy love. Ifthat the world and love were young, A of cap flowers, and akirtle Witha thousand fragrant posies, There will I make thee abed of roses, A Itwasalover and hislass SSOCIATION Sweet lovers love the spring. When birds dosing, hey ding a ding, ding; Inthe spring time, the only pretty ring time, Witha andhey, a ho, a and hey nonino, And, therefore, take the present time Sweet lovers love the spring. When birds dosing, hey ding a ding, ding; Inthe spring time, the only pretty ring time, How life that wasbut a flower Witha andhey, a ho, a and hey nonino, Thiscarol they began that hour, Sweet lovers love the spring. When birds dosing, hey ding a ding, ding; Inthe spring time, the only pretty ring time, These pretty country folks would lie, Witha andhey, a ho, a and hey nonino, Between the acres of the rye, Sweet lovers love the spring. When birds dosing, hey ding a ding, ding; Inthe spring time, the only pretty ring time, Witha andhey, a ho, a and hey nonino, Itwasalover and hislass,

)RUORYHLVFURZQ¶GZLWKWKHSULPH $QGWUXWKLQHYHU\VKHSKHUG¶VWRQJXH /29(¶6$16:(5 (PEURLGHU¶GDOOZLWKOHDYHVRIP\UWOH 7KDWR¶HUWKHJUHHQFRUQ

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: ASHINGTON Traditional, arr. Michael Tippett , DC ,

Sunday 33 , DC , DC ASHINGTON :

Traditional, arr. Moses Hogan (1957-2003) (1957-2003) Hogan Moses arr. Traditional, ONFERENCE 2014 C 2014

USICIANS

NGLICAN A OF

SSOCIATION A And the walls came tumbling down. Joshua fit. . . . . fit. Joshua down. tumbling came walls the And Words: spiritual Traditional to blow, began horns sheep ram The lamb to sound, began trumpets the And $QG-RVKXDFRPPDQGHG³1RZFKLOGUHQVKRXW´ Jericho of walls to the up Straight hand, in spear with marched He ³*REORZWKDWUDP¶VKRUQ´-RVKXDFULHG Gideon, kings of your about talk may You Saul of men your about talk may You %XWWKHUH¶VQRQHOLNHJRRGROG-RVKXD . . fit. Joshua Jericho. of the battle At Joshua; commanded the Now Lord ³,FRPPDQG\RXDQGREH\\RXPXVW walls city those to march straight just You . . fit. Joshua turn to dust. will walls the And ³)RUWKHEDWWOHLVLQP\KDQG´-RVKXDILW Joshua fit the battle of Jericho, Jericho, of fit the battle Joshua Jericho; Jericho, Jericho of fit the battle Joshua down. tumbling came walls the And The Battle of Jericho Jericho of Battle The

34 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Monday Monday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 35

SOLEMN MASS

Monday, June 16, 10:00 a.m. 6W3DXO¶V3DULVK.6WUHHW

Monday 7KH5W5HY¶G-DPHV/-HOLQHNCelebrant 7KH5W5HY¶G(XJHQH7D\ORU6XWWRQPreacher

Photo: Dean Meyers 7KH5HY¶G'U7KRPDV:LOOLDPVDeacon of the Mass 7KH3DULVK&KRLURI6W3DXO¶V3DULVK.6WUHHW Robert McCormick, Director of Music & Organist John Bradford Bohl, Assistant Director of Music & Organist Martin Neary, Guest Conductor

7KHFKRUDOVHWWLQJRIWKH0DVV2UGLQDU\LV³&RURQDWLRQ´*ORULDLQ%-flat, op. 128, and Communion Service in B-flat, op. 10, by Charles Villiers Stanford (1852-1924).

The Entrance Rite

VOLUNTARY: Rhapsody in C-sharp Minor, op. 17 no. 3 Herbert Howells (1892-1983)

At the sound of the bell, all stand for the entrance of the Sacred Ministers into the church. The Choir sings

INTROIT ANTIPHON Benedicta sit sancta Trinitas Plainsong, Mode VIII

Blessed be the holy Trinity, and the undivided Unity: we will praise him, because he hath shewed his mercy upon us. (adapted from Tob. 12:6)

All sing

HYMN: Holy, holy, holy! Lord God Almighty!

36 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Monday Monday

Words: Reginald Heber (1783-1826), alt. Music: Nicaea, John Bacchus Dykes; descant by Robert McCormick (b. 1978)

THE OPENING ACCLAMATION

The Celebrants sings

THE COLLECT FOR PURITY

Almighty God, unto whom all hearts are open, all desires known, and from whom no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy holy Name; through Christ our Lord. Amen.

The Choir sings

KYRIE ELEISON

Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 37

GLORIA IN EXCELSIS

Glory be to God on high, and on earth peace, good will towards men. We praise thee, we bless thee,

Monday we worship thee, we glorify thee, we give thanks to thee for thy great glory, O Lord God, heavenly King, God the Father Almighty. O Lord, the only-begotten Son, Jesus Christ; O Lord God, Lamb of God, Son of the Father, that takest away the sins of the world, have mercy upon us. Thou that takest away the sins of the world, receive our prayer. Thou that sittest on the right hand of the Father, have mercy upon us.

For thou only art holy; thou only art the Lord; thou only, O Christ, with the Holy Ghost, art most high ? in the glory of God the Father. Amen.

THE COLLECT OF THE DAY

Celebrant The Lord be with you. People And with thy spirit. Celebrant Let us pray.

Almighty God, who hast revealed to thy Church thine eternal Being of glorious majesty and perfect love as one God in Trinity of Persons: Give us grace to continue steadfast in the confession of this faith, and constant in our worship of thee, Father, Son, and Holy Spirit; for thou livest and reignest, one God, now and for ever. Amen.

The People sit.

The Liturgy of the Word

THE FIRST LESSON: Exodus 3:11-15

%XW0RVHVVDLGWR*RG³:KRDP,WKDW,VKRXOGJRWR3KDUDRKDQGEULQJWKH,VUDHOLWHVRXWRI(J\SW"´+H VDLG³,ZLOOEHZLWK\RXDQGWKLVVKDOOEHWKHVLJQIRU\RXWKDWLWLV,ZKRVHQW\RXZKHQ\RXKDYHEURXJKWWKH SHRSOHRXWRI(J\SW\RXVKDOOZRUVKLS*RGRQWKLVPRXQWDLQ´%XW0RVHVVDLGWR*RG³,I,FRPHWRWKH,VUD HOLWHVDQGVD\WRWKHPµ7KH*RGRI\RXUDQFHVWRUVKDVVHQWPHWR\RX¶DQGWKH\DVNPHµ:KDWLVKLVQDPH"¶ ZKDWVKDOO,VD\WRWKHP"´*RGVDLGWR0RVHV³I AM WHO I AM´+HVDLGIXUWKHU³7KXV\RXVKDOOVD\WRWKH ,VUDHOLWHVµ,AM KDVVHQWPHWR\RX¶´*RGDOVRVDLGWR0RVHV³7KXV\RXVKDOOVD\WRWKH,VUDHOLWHVµ7KH/RUG

38 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

WKH*RGRI\RXUDQFHVWRUVWKH*RGRI$EUDKDPWKH*RGRI,VDDFDQGWKH*RGRI-DFREKDVVHQWPHWR\RX¶

This is my name forever, and this my title for all generations. Monday

Reader The Word of the Lord. People Thanks be to God.

The Choir sings

PSALM 29 Afferte Domino Chant: Walter Parratt (1841-1924)

1 Ascribe unto the Lord, O ye mighty, * ascribe unto the Lord worship and strength.

2 Ascribe unto the Lord the honor due unto his Name; * worship the Lord with holy worship.

3 The voice of the Lord is upon the waters; * it is the glorious God that maketh the thunder.

4 It is the Lord that ruleth the sea; the voice of the Lord is mighty in operation; * the voice of the Lord is a glorious voice.

5 The voice of the Lord breaketh the cedar-trees; * yea, the Lord breaketh the cedars of Lebanon.

6 He maketh them also to skip like a calf; * Lebanon also, and Sirion, like a young unicorn.

7 The voice of the Lord divideth the flames of fire; the voice of the Lord shaketh the wilderness; * yea, the Lord shaketh the wilderness of Kadesh.

8 The voice of the Lord maketh the hinds to bring forth young, and strippeth bare the forests: * in his temple doth everything speak of his honor.

9 The Lord sitteth above the water-flood, * and the Lord remaineth a King for ever.

10 The Lord shall give strength unto his people; * the Lord shall give his people the blessing of peace.

THE SECOND LESSON: Romans 11:33-36

O the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how LQVFUXWDEOHKLVZD\V³)RUZKRKDVNQRZQWKHPLQGRIWKH/RUG"2UZKRKDVEHHQKLVFRXQVHORU"´³2UZKR KDVJLYHQDJLIWWRKLPWRUHFHLYHDJLIWLQUHWXUQ"´)RUIURPKLPDQGWKURXJKKLPDQGWRKLPDUHDOOWKLQJV To him be the glory forever. Amen.

Subdeacon The Word of the Lord. People Thanks be to God.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 39

All stand and sing

HYMN: :HWKH/RUG¶VSHRSOHKHDUWDQGYRLFHXQLWLQJ

Monday

Words: John E. Bowers (b. 1923), alt. Music: Decatur Place, Richard Wayne Dirksen (1921-2003) Words and music from The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

The Cantors sing the Alleluia, which is then repeated by all. The Choir sings the verse, after which all repeat the Alleluia.

ALLELUIA Benedictus es, Domine Deus patrum nostrorum Plainsong, Mode VIII

Blessed art thou, O Lord God of our Fathers: and worthily to be praisèd for ever. (Dan. 3:52)

THE HOLY GOSPEL: Matthew 28:18-20

Deacon The ? Holy Gospel of our Lord Jesus Christ according to Matthew. People Glory be to thee, O Lord.

$QG-HVXVFDPHDQGVDLGWRWKHP³$OODXWKRULW\LQKHDYHQDQGRQHDUWKKDVEHHQJLYHQWRPH*RWKHUHIRUH and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything that I have commanded you. And remember, I am with you al- ZD\VWRWKHHQGRIWKHDJH´

Deacon The Gospel of the Lord. People Praise be to thee, O Christ.

The People sit.

THE SERMON: 7KH5W5HY¶G(XJHQH7D\ORU6XWWRQBishop of Maryland

40 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

All stand and sing

THE NICENE CREED Monday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 41

Monday

? ?

Setting: Plainsong, Mode V

THE PRAYERS OF THE PEOPLE, FORM I

Deacon :LWKDOORXUKHDUWDQGZLWKDOORXUPLQGOHWXVSUD\WRWKH/RUGVD\LQJ³/RUGKDYHPHUF\´ For the peace of the world, for the welfare of the holy Church of God, and for the unity of all peoples, let us pray to the Lord.

People

Deacon For Katharine, our Presiding Bishop; Mariann, our Bishop; and for all the clergy and people, let us pray to the Lord. People Lord, have mercy.

Deacon For Barack our President, for the leaders of the nations, and for all in authority, let us pray to the Lord. People Lord, have mercy.

Deacon For this city, for every city and community, and for those who live in them, let us pray to the Lord. People Lord, have mercy.

Deacon For the good earth which God has given us, and for the wisdom and will to conserve it, let us pray to the Lord. People Lord, have mercy.

42 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Deacon For those who travel on land, on water, or in the air, let us pray to the Lord.

People Lord, have mercy. Monday

Deacon For the aged and infirm, for the widowed and orphans, and for the sick and the suffering, let us pray to the Lord. People Lord, have mercy.

Deacon For the poor and the oppressed, for the unemployed and the destitute, for prisoners and captives, and for all who remember and care for them, let us pray to the Lord. People Lord, have mercy.

Deacon For all who have ? died in the hope of the resurrection and for all the departed, let us pray to the Lord. People Lord, have mercy.

Deacon For deliverance from all danger, violence, oppression, and degradation, let us pray to the Lord. People Lord, have mercy.

Deacon For the ? absolution and remission of our sins and offenses, let us pray to the Lord. People Lord, have mercy.

Deacon That we may end our lives in faith and hope, without suffering and without reproach, let us pray to the Lord. People Lord, have mercy.

Deacon In the communion of the ever-blessed and glorious Virgin Mary, blessed Paul our Patron, and of all the saints, let us commend ourselves, and one another, and all our life, to Christ our God. People

The Celebrant adds a concluding collect.

People

THE PEACE

The Ministers and the People may greet one another in the Name of the Lord.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 43

The Holy Communion

The People sit. The Choir sings

OFFERTORY ANTIPHON Benedictus sit Deus Pater Falsobordone by L.G. da Viadana and Karl Enderes Monday Blessed be God the Father and the only begotten Son of God: likewise the Holy Spirit: because he hath shewed his mercy upon us. (adapted from Tob. 12:6)

OFFERTORY ANTHEM: Behold, O God our defender

Behold, O God our defender: and look upon the face of thine Anointed. For one day in thy courts: is better than a thousand.

Words: Ps. 84:9-10 Music: Herbert Howells

All stand at the censing of the People.

ORATE FRATRES AC SORORES

The Celebrant may offer the intentions of the Mass and then says

Pray, my brothers and sisters: that this our sacrifice may be acceptable unto God the Father Almighty. People May the Lord receive this sacrifice at thy hands, to the praise and glory of his Name, to our benefit and that of all his holy Church.

EUCHARISTIC PRAYER II

Facing the Altar, the Celebrant proceeds

It is very meet, right, and our bounden duty, that we should at all times, and in all places, give thanks unto thee, O Lord, holy Father, almighty, everlasting God. For with thy co-eternal Son and Holy Spirit, thou art one God, one Lord, in Trinity of Persons and in Unity of Substance; and we celebrate the one and equal glory of thee, O Father, and of the Son, and of the Holy Spirit. Therefore with Angels and Archangels, and with all the company of heaven, we laud and magnify thy glorious Name; evermore praising thee, and saying,

44 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

The Choir sings

SANCTUS AND BENEDICTUS QUI VENIT Monday

Holy, Holy, Holy, Lord God of Hosts: Heaven and earth are full of thy glory. Glory be to thee, O Lord Most High.

? Blessed is he that cometh in the Name of the Lord. Hosanna in the highest.

The People kneel. The Celebrant continues

All glory be to thee, O Lord our God, for that thou didst create heaven and earth, and didst make us in thine own image; and, of thy tender mercy, didst give thine only Son Jesus Christ to take our nature upon him, and to suffer death upon the cross for our redemption. He made there a full and perfect sacrifice for the whole world; and did institute, and in his holy Gospel command us to continue, a perpetual memory of that his precious death and sacrifice, until his coming again.

For in the night in which he was betrayed, he took bread; and when he had given thanks to thee, he broke it, DQGJDYHLWWRKLVGLVFLSOHVVD\LQJ³7DNHHDWWKLVLVP\%RG\ZKLFKLVJLYHQIRU\RX'RWKLVLQUHPHPEUDQFH RIPH´?

/LNHZLVHDIWHUVXSSHUKHWRRNWKHFXSDQGZKHQKHKDGJLYHQWKDQNVKHJDYHLWWRWKHPVD\LQJ³'ULQNWKLV all of you; for this is my Blood of the New Covenant, which is shed for you, and for many, for the remission of VLQV'RWKLVDVRIWDV\HVKDOOGULQNLWLQUHPHPEUDQFHRIPH´?

Wherefore, O Lord and heavenly Father, we thy people do celebrate and make, with these thy holy gifts which we now offer unto thee, the memorial thy Son hath commanded us to make; having in remembrance his blessed passion and precious death, his mighty resurrection and glorious ascension; and looking for his coming again with power and great glory.

And we most humbly beseech thee, O merciful Father, to hear us, and, with thy Word and Holy Spirit, to bless and sanctify these gifts of bread and wine, that they may be unto us the Body and Blood of thy dearly-beloved Son Jesus Christ.

And we earnestly desire thy fatherly goodness to accept this our sacrifice of praise and thanksgiving, whereby we offer and present unto thee, O Lord, our selves, our souls and bodies. Grant, we beseech thee, that all who partake of this Holy Communion may worthily receive the most precious Body and Blood of thy Son Jesus Christ, and be filled with thy ? grace and heavenly benediction; and also that we and all thy whole Church may be made one body with him, that he may dwell in us, and we in him; through the same Jesus Christ our Lord; By whom, and with whom, and in whom, in the unity of the Holy Ghost all honor and glory be unto thee, O Father Almighty, world without end. AMEN.

THE LORD¶S PRAYER

Celebrant And now as our Savior Christ hath taught us, we are bold to say,

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Monday

Setting: Plainsong, adapt. Charles Winfred Douglas (1867-1944). From The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

THE BREAKING OF THE BREAD

The Celebrant breaks the consecrated Bread.

A period of silence is kept.

AT THE INVITATION

Facing the People, the Celebrant offers the following invitation

Celebrant ? Behold the Lamb of God; behold him that taketh away the sins of the world. People Lord, I am not worthy that thou shouldest come under my roof; but speak the word only, and my soul shall be healed.

The Bread and the Cup are given to the communicants with these words

The Body of Christ, the bread of heaven. Amen. The Blood of Christ, the cup of salvation. Amen.

During the distribution of Communion, the Choir sings

AGNUS DEI

O Lamb of God, that takest away O Lamb of God, that takest away the sins of the world, the sins of the world, have mercy upon us. grant us thy peace.

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COMMUNION ANTIPHON Benedicimus Deum caeli Plainsong, Mode IV

Monday Monday We bless the God of heaven, and in the sight of all that live will we praise him: because he hath shewed his mercy upon us. (adapted from Tob. 12:6)

COMMUNION ANTHEM: Wisdom and knowledge (world premiere)

O the depth of the riches both of the wisdom and knowledge of God! How unsearchable are his judgments, and his ways past finding out! For who hath known the mind of the Lord? Or who hath been his counselor? Or who hath first given to him, and it shall be recompensed until him again? For of him, and through him, and to him, are all things: to whom be the glory for ever. Amen.

Words: Romans 11:33-36 Music: =DFKDU\:DGVZRUWK E FRPPLVVLRQHGE\6W3DXO¶V3DULVKIRUWKH'&&RQIHUHQFHRIWKH$VVRFLDWLRQRI$QJOLFDn Musicians

The commissioning of this anthem was made possible by the support of the Ann Stookey Fund for New Music (www.annstookeyfund.org).

HYMN AT THE ABLUTIONS: Round the Lord in glory seated

Words: Richard Mant (1776-1848) Music: Rustington, Charles Hubert Hastings Parry (1848-1918)

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POSTCOMMUNION PRAYER

Celebrant Let us pray. Almighty and everliving God, People we most heartily thank thee for that thou dost feed us, in these holy mysteries, with the spiritual food of the most precious Body and Blood of thy Son our Savior Jesus Christ; and dost assure us thereby of thy favor and goodness towards us; and that we are very members

Monday incorporate in the mystical body of thy Son, the blessed company of all faithful people; and are also heirs, through hope, of thy everlasting kingdom. And we humbly beseech thee, O heavenly Father, so to assist us with thy grace, that we may continue in that holy fellowship, and do all such good works as thou hast prepared for us to walk in; through Jesus Christ our Lord, to whom, with thee and the Holy Ghost, be all honor and glory, world without end. Amen.

THE BLESSING

The Celebrant blesses the People, singing

The peace of God, which passeth all understanding, keep your hearts and minds in the knowledge and love of God, and of his Son Jesus Christ our Lord; and the blessing of God Almighty, the Father, the Son, and the Holy Ghost, be amongst you and remain with you always. Amen.

THE DISMISSAL

The Deacon dismisses the People with these words

HYMN: Immortal, invisible, God only wise

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Monday

Words: Walter Chalmers Smith (1824-1908), alt. Music: St. Denio, Welsh hymn, from Caniadau y Cyssegr, 1839; adapt. John Roberts (1822-1877); harm. The English Hymnal, 1906, alt.; descant by Robert McCormick (b. 1978)

VOLUNTARY: Improvisation

Dr. Myron B. Patterson

Director of Music & Organist Holy Family Catholic Church South Ogden, Utah

Adjunct Associate Professor of Music School of Music University of Utah www.myronpatterson.com

M. Brett Patterson. B.Mus., M.Mus.

Director of Music and Organist St. Francis Xavier Cathedral Alexandria, Louisiana

Director of Diocesan Music Roman Catholic Diocese of Alexandria www.brettpattersonmusic.com

Epiphany Parish of Seattle

Thomas Foster, Director of Music Carol Foster, Music Associate Matthew Piel, Music Associate Carole Terry, Artist-in-Residence

1RDFN,,,3DVL,,

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CHORAL EVENSONG

Monday, June 16, 4:30 p.m. 6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ3DULVK

Monday 7KH5HY¶G(OL]DEHWK/RFKHUOfficiant 7KH&KRLURI6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ Samuel Carabetta, Director of Music David Sinden, Organist

WELCOME: 7KH5HY¶G9LUJLQLD*HUEDVL5HFWRURI6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ3DULVK

PRELUDE (begins at 4:30 p.m.): By the waters of Babylon (U.S. premiere)

By the waters of Babylon we sat down and wept when we remembered thee, O Sion. As for our harps, we hanged them up upon the trees that are therein. For they that led us away captive required of us then a song DQGPHORG\LQRXUKHDYLQHVV6LQJVLQJXVRQHRIWKHVRQJVRI6LRQ+RZVKDOOZHVLQJWKH/RUG¶VVRQJLQD strange land? If I forget thee, O Jerusalem, let my right hand forget her cunning. If I do not remember thee, let my tongue cleave to the roof of my mouth; yea, if I prefer not Jerusalem in my mirth. Remember the children RI(GHQ2/RUGLQWKHGD\RI-HUXVDOHPKRZWKH\VDLG³GRZQZLWKLW´³GRZQZLWKLWHYHQWRWKHJURXQG´ O daughter of Babylon, wasted with misery, yea, happy shall he be who rewardest thee as thou hast served us.

Words: Psalm 137 Music: Herbert Howells (1892-1983)

Martin Neary, Conductor Mark Duer, Baritone David Sinden, Organist Natasha Bogachek, Violinist Yvonne Caruthers, Cellist

7KLV86SUHPLHUHRI+HUEHUW+RZHOOV¶VBy the waters of Babylon is made possible by a grant from WKH+HUEHUW+RZHOOV6RFLHW\DQGE\JLIWVIURP'U&3HWHU0DJUDWK 7KH5HY¶G6XVDQ&7KRQDQG Samuel J. Carabetta & Richard A. Molinaroli.

CHORAL INTROIT: Truly the Lord is in this place

Truly the Lord is in this place. This is no other than the house of God. This is the gate of heaven.

Words: Genesis 28:17 Music: Bernard Barrell (1919-2005)

52 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

As the procession enters the nave, the People stand and sing

HYMN: God himself is with us Monday

Words: Gerhardt Tersteegen (1697-1769); tr. Hymnal 1940, alt., © 1985, Church Publishing, Inc.; st. 3, tr. Henry Sloane Coffin (1877-1954), © 1982, Church Publishing, Inc. All rights reserved. Reprinted under OneLicense.net E-802862. Music: Tysk, from Psalm und Choralbuch, 1719

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THE PRECES

Monday

All sing

HYMN: O gladsome Light, O grace

Words: Greek, 3rd cent.; tr. Robert Seymour Bridges (1844-1930); para. of O Gracious Light Music: Le Cantique de Siméon, melody Louis Bourgeois (1510?-1561?); harm. Claude Goudimel (1514-1572)

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The People sit as the Choir sings the appointed Psalm.

PSALM 77 Voce mea ad Dominum Chant: John Stainer (1840-1901) Monday

1 I will cry unto God with my voice; * even unto God will I cry with my voice and he shall hearken unto me.

2 In the time of my trouble I sought the LORD: * my sore ran and ceased not in the night-season; my soul refused comfort. 3 When I am in heaviness I will think upon God; * when my heart is vexed, I will complain.

4 Thou holdest mine eyes waking: * I am so feeble that I cannot speak.

5 I have considered the days of old, * and the years that are past.

6 I call to remembrance my song, * and in the night I commune with mine own heart and search out my spirits.

7 Will the Lord absent himself for ever? * and will he be no more entreated?

8 Is his mercy clean gone for ever? * and is his promise come utterly to an end for evermore?

9 Hath God forgotten to be gracious? * and will he shut up his loving-kindness in displeasure?

10 And I said, It is mine own infirmity; * but I will remember the years of the right hand of the most Highest.

11 I will remember the works of the LORD, * and call to mind thy wonders of old time.

12 I will think also of all thy works, * and my talking shall be of thy doings.

13 Thy way, O God, is holy: * who is so great a God as our God?

14 Thou art the God that doeth wonders, * and hast declared thy power among the people.

15 Thou hast mightily delivered thy people, * even the sons of Jacob and Joseph.

16 The waters saw thee, O God, the waters saw thee and were afraid; * the depths also were troubled.

17 The clouds poured out water, the air thundered, * and thine arrows went abroad.

18 The voice of thy thunder was heard round about: * the lightnings shone upon the ground; the earth was moved and shook withal.

19 Thy way is in the sea and thy paths in the great waters, * and thy footsteps are not known.

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20 Thou leddest thy people like sheep, * by the hand of Moses and Aaron.

Glory be to the Father, and to the Son: and to the Holy Ghost;

as it was in the beginning, is now, and ever shall be,

Monday world without end. Amen.

THE FIRST LESSON: Numbers 9:15-23; 10:29-36

On the day the tabernacle was set up, the cloud covered the tabernacle, the tent of the covenant; and from evening until morning it was over the tabernacle, having the appearance of fire. It was always so: the cloud covered it by day and the appearance of fire by night. Whenever the cloud lifted from over the tent, then the Isra- elites would set out; and in the place where the cloud settled down, there the Israelites would camp. At the command of the LORD the Israelites would set out, and at the command of the LORD they would camp. As long as the cloud rested over the tabernacle, they would remain in camp. Even when the cloud continued over the tabernacle many days, the Israelites would keep the charge of the LORD, and would not set out. Sometimes the cloud would remain a few days over the tabernacle, and according to the command of the LORD they would remain in camp; then according to the command of the LORD they would set out. Sometimes the cloud would remain from evening until morning; and when the cloud lifted in the morning, they would set out, or if it continued for a day and a night, when the cloud lifted they would set out. Whether it was two days, or a month, or a longer time, that the cloud continued over the tabernacle, resting upon it, the Israelites would remain in camp and would not set out; but when it lifted they would set out. At the command of the LORD they would camp, and at the command of the LORD they would set out. They kept the charge of the Lord, at the command of the LORD E\0RVHV$QG0RVHVVDLGWR+REDEVRQRI5HXHOWKH0LGLDQLWH0RVHV¶IDWKHU-in- ODZ³:HDUHVHWWLQJRXWIRUWKHSODFHRIZKLFKWKHLORD VDLGµ,ZLOOJLYHLWWR\RX¶FRPHZLWKXVDQGZHZLOO treat you well; for the LORD KDVSURPLVHGJRRGWR,VUDHO´%XWKHVDLGWRKLP³,ZLOOQRWJREXW,ZLOOJREDFN WRP\RZQODQGDQGWRP\NLQGUHG´+HVDLG³'RQRWOHDYHXVIRU\RXNQRZZKHUHZHVKRXOGFDPSLQWKH wilderness, and you will serve as eyes for us. Moreover, if you go with us, whatever good the LORD does for us, WKHVDPHZHZLOOGRIRU\RX´6RWKH\VHWRXWIURPWKHPRXQWRIWKH/RUGWKUHHGD\V¶MRXUQH\ZLWKWKHDUNRI the covenant of the LORD JRLQJEHIRUHWKHPWKUHHGD\V¶MRXUQH\WRVHHNRXWDUHVWLQJSODFHIRUWKHPWKH cloud of the LORD being over them by day when they set out from the camp. Whenever the ark set out, Moses ZRXOGVD\³$ULVH2LORDOHW\RXUHQHPLHVEHVFDWWHUHGDQG\RXUIRHVIOHHEHIRUH\RX´$QGZKHQHYHULW FDPHWRUHVWKHZRXOGVD\³5HWXUQ2LORD RIWKHWHQWKRXVDQGWKRXVDQGVRI,VUDHO´

Reader The Word of the Lord. People Thanks be to God.

All stand and sing

HYMN: All my hope on God is founded

56 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Monday Monday

Words: Robert Seymour Bridges (1844-1930), alt., after Joachim Neander (1650-1680). © 1992, The Pilgrim Press. All rights reserved. Reprinted under OneLicense.net E-802862. Music: Michael, Herbert Howells (1892-1983). © 1968 Novello & Company Limited. Used by permission.

The People remain standing. The Choir sings

THE SONG OF MARY Magnificat

My soul doth magnify the Lord, and my spirit hath rejoiced in God my Savior. For he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me, and holy is his Name. And his mercy is on them that fear him throughout all generations. He hath showed strength with his arm; he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel, as he promised to our forefathers, Abraham and his seed for ever. Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning, is now, and ever shall be, world without end. Amen.

Music: 6W3HWHU¶V&DPEULGJH6HUYLFH, Carson Cooman (b. 1982) Words: Luke 1:46-55, with Gloria Patri

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The People sit.

THE SECOND LESSON: Romans 1:1-15

Paul, a servant of Jesus Christ, called to be an apostle, set apart for the gospel of God, which he promised be- forehand through his prophets in the holy scriptures, the gospel concerning his Son, who was descended from

Monday David according to the flesh and was declared to be Son of God with power according to the spirit of holiness by resurrection from the dead, Jesus Christ our Lord, through whom we have received grace and apostleship to bring about the obedience of faith among all the Gentiles for the sake of his name, including yourselves ZKRDUHFDOOHGWREHORQJWR-HVXV&KULVWWRDOO*RG¶VEHORYHGLQ5RPHZKRDUHFDOOHGWREHVDLQWV*UDFHWR you and peace from God our Father and the Lord Jesus Christ. First, I thank my God through Jesus Christ for all of you, because your faith is proclaimed throughout the world. For God, whom I serve with my spirit by announcing the gospel of his Son, is my witness that without ceasing I remember you always in my prayers, DVNLQJWKDWE\*RG¶VZLOO,PD\VRPHKRZDWODVWVXFFHHGLQFRPLQJWR\RX)RU,DPORQJLQJWRVHH\RXVRWKDW I may share with you some spiritual gift to strengthen you²or rather so that we may be mutually encouraged by HDFKRWKHU¶VIDLWKERWK\RXUVDQGPLQH,ZDQW\RXWRNQRZEURWKHUVDQGVLVWHUVWKDW,KDYHRIWHQLQWHQGHG to come to you (but thus far have been prevented), in order that I may reap some harvest among you as I have among the rest of the Gentiles. I am a debtor both to Greeks and to barbarians, both to the wise and to the foolish²hence my eagerness to proclaim the gospel to you also who are in Rome.

Reader The Word of the Lord. People Thanks be to God.

The People stand. The Choir sings

THE SONG OF SIMEON Nunc dimittis

Lord, now lettest thou thy servant depart in peace, according to thy word. For mine eyes have seen thy salvation, which thou hast prepared before the face of all people, To be a light to lighten the Gentiles, and to be the glory of thy people Israel. Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning, is now, and ever shall be, world without end. Amen.

Music: 6W3HWHU¶V&DPEULGJH6HUYLFH, Carson Cooman Words: Luke 2:29-32, with Gloria Patri

All remain standing and sing

THE APOSTLES¶&REED

58 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

and sitteth on the right hand of God the Father almighty.

From thence he shall come to judge the quick and the dead. Monday I believe in the Holy Ghost, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen.

Officiant The Lord be with you. People And with thy spirit. Officiant Let us pray.

Officiant Our Father, People who art in heaven hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, for ever and ever. Amen.

THE SUFFRAGES

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Monday

The Officiant sings the following collects.

THE COLLECT OF THE DAY

Keep, O Lord, we beseech thee, thy household the Church in thy steadfast faith and love, that through thy grace we may proclaim thy truth with boldness, and minister thy justice with compassion; for the sake of our Savior Jesus Christ, who liveth and reigneth with thee and the Holy Spirit, one God, now and for ever. Amen.

A COLLECT FOR PEACE

O God, who art the author of peace and lover of concord, in knowledge of whom standeth our eternal life, whose service is perfect freedom: Defend us, thy humble servants, in all assaults of our enemies; that we, surely trusting in thy defense, may not fear the power of any adversaries; through the might of Jesus Christ our Lord. Amen.

A COLLECT FOR MISSION

Keep watch, dear Lord, with those who work, or watch, or weep this night, and give thine angels charge over those who sleep. Tend the sick, Lord Christ; give rest to the weary, bless the dying, soothe the suffering, pity the afflicted, shield the joyous; and all for thy love's sake. Amen.

60 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

The People sit. The Choir sings

THE ANTHEM: O Lord, support us Monday

O Lord, support us all the day long, until the shadows lengthen and the evening comes, and the busy world is hushed, and the fever of life is over, and our work is done. Then in thy mercy grant us a safe lodging, and a holy rest, and peace at the last. Amen.

Words: John Henry Newman (1801-1890) Music: David Briggs (b. 1962)

All stand and pray together

THE GENERAL THANKSGIVING

Officiant Almighty God, Father of all mercies, People we thine unworthy servants do give thee most humble and hearty thanks for all thy goodness and loving-kindness to us and to all men. We bless thee for our creation, preservation, and all the blessings of this life; but above all for thine inestimable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory. And, we beseech thee, give us that due sense of all thy mercies, that our hearts may be unfeignedly thankful; and that we show forth thy praise, not only with our lips, but in our lives, by giving up our selves to thy service, and by walking before thee in holiness and righteousness all our days; through Jesus Christ our Lord, to whom, with thee and the Holy Spirit, be all honor and glory, world without end. Amen.

The Officiant prays

A PRAYER OF ST. JOHN CHRYSOSTOM

Almighty God, who hast given us grace at this time with one accord to make our common supplication unto thee; and hast promised through thy well-beloved Son that when two or three are gathered together in his Name thou wilt be in the midst of them: Fulfill now, O Lord, the desires and petitions of thy servants as may be best for us; granting us in this world knowledge of thy truth, and in the world to come life everlasting. Amen.

The Officiant then concludes with

The grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Ghost, be with us all evermore. Amen.

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HYMN: The day thou gavest, Lord, is ended

Monday

Words: John Ellerton (1826-1893) Music: St. Clement, Clement Cottevill Scholefield (1839-1904); descant by Paul Halley (b. 1952)

POSTLUDE: Paean Herbert Howells

David Sinden, Organist

SAMUEL CARABETTA

Organist and Choirmaster Artistic Director, Georgetown Concert Series

6W-RKQ·V(SLVFRSDO&KXUFK*HRUJHWRZQ3DULVK 3240 O St. NW Washington, DC 20007 [email protected]

62 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

CONCERT Monday

Monday, June 16, 8:00 p.m. 6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ

The Washington Bach Consort J. Reilly Lewis, Conductor Jeremy Filsell, Organist

Program

Fantasia and Fugue in G Minor, BWV 542 Johann Sebastian Bach (1685-1750)

Jeremy Filsell, Organist

Mass in G Minor, BWV 235 Johann Sebastian Bach

I. Chorus (SATB)

Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy.

II. Chorus (SATB)

Gloria in excelsis Deo, Glory to God in the highest Et in terra pax hominibus bonae voluntatis. and on earth peace to men of good will. Laudamus te, We praise you, benedicimus te, we bless you, adoramus te, we worship you, glorificamus te. we glorify you.

III. Aria (Bass)

Gratias agimus tibi propter magnam gloriam tuam. We give you thanks for your great glory. Domine Deus, Rex coelestis, Deus Pater omnipotens. Lord God, heavenly king, God the Father almighty.

IV. Aria (Alto)

Domine Fili unigenite Jesu Christe. Lord, only begotten Son, Jesus Christ, Domine Deus, Agnus Dei, Filius Patris, Lord God, Lamb of God, Son of the Father, qui tollis peccata mundi, who takes away the sins of the world, miserere nobis. have mercy on us.

V. Aria (Tenor)

Qui tollis peccata mundi Who takes away the sins of the world, suscipe deprecationem nostram. receive our prayer, Qui sedes ad dexteram Patris, who sits at the right hand of the Father, miserere nobis. have mercy on us.

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Quoniam tu solus sanctus, since you alone are holy, tu solus Dominus, you alone are the Lord, tu solus altissimus you alone are most high Jesu Christe. Jesus Christ.

VI. Chorus (SATB)

Monday Cum Sancto Spiritu in gloria With the Holy Spirit in the glory of Dei Patris. Amen. God the Father. Amen.

*Translations by Francis Browne (http://www.bach-cantatas.com/). Used by permission.

64 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC MORNING PRAYER

Tuesday, June 17, 10:00 a.m. 6W&ROXPED¶V(SLVFRSDO&KXUFK

7KH5W5HY¶G-RVHSK*%XUQHWWOfficiant The Ministers of Music Patrick Lundy, Director John Hurd, Accompanist

Tuesday CHORAL PRELUDE (begins at 10:00 a.m.)

IN THE FACE

When I come into your presence, I will give you humble reverence, no other name. For your goodness and your mercy, I will ever love and trust thee. So lead me, guide me, cleanse me Lord, this day attune my heart with yours, oh Lord, I pray. In the face of the Lord, there is joy, there is peace; in the face of the Lord, there is liberty. So, I will stay in the face of the Lord forevermore; oh, for a closer walk with thee, Lord, I pray.

Words: Patrick Lundy. Used by permission. Music: Patrick Lundy

I LOVE THE LORD

I love the Lord, he heard my cry and pitied every groan, long as I, I live and troubles rise, I hasten to his throne.

Chorus: Oh, I love the Lord, I sure do, surely do love the Lord. He heard, he heard my cry and pitied every JURDQ\HVKHGLGHYHU\JURDQORQJDV,OLYHORQJDV,,OLYHDQGWURXEOHVULVHWURXEOHVULVH,¶OOKDVWHQWR,¶OO KDVWHQ , OO KDVWHQWR KLV WKURQH KROG RQ 7HDUV DUH VWUHDPLQJ GRZQ P\ H\HV ,¶OO KDVWHQ ,¶OO KDVWHQ WRKLV WKURQH

Words: Richard Smallwood (b. 1948). Used by permission. Music: Richard Smallwood

TOTAL PRAISE

Lord, I will lift my eyes to the hills, knowing my help is coming from you. Your peace you give me in time of the storm. You are the source of my strength. You are the strength of my life. I lift my hands in total praise to you. Amen.

Words: Richard Smallwood. Used by permission. Music: Richard Smallwood

All stand.

THE INVITATORY

Officiant Lord, open our lips. People And our mouth shall proclaim your praise. All Glory to the Father, and to the Son, and to the Holy Spirit: As it was in the beginning, is now, and will be for ever. Amen. Alleluia.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 65 The People sit.

CHORAL PSALMS

THE MAJESTY AND GLORY OF YOUR NAME (PSALM 8)

When I look into the night sky and see the work of your fingers, the moon and stars suspended in space. Oh, what is man that you are mindful of him? You have given man, a crown of glory and honor and have made him, a little lower than the angels. You have put him in charge of all creation, the beasts of the field, the birds of the air, the fish of the sea, but what is man, oh, what is man, that you are mindful of him? O Lord, our God, the majesty and glory of your name, transcends the earth and fills the heavens, O Lord, our God. Little children praise you perfectly and so would we, and so would we. Alleluia, alleluia. The majesty and glory of your name.

HALLELUJAH IS THE HIGHEST PRAISE

Tuesday Hallelujah is the highest praise, is the highest praise. O, give thanks unto the Lord, for he is good. Great is the Lord and greatly to be praised. Praise him for his mighty acts, praise him for his mighty acts, praise ye the Lord. With the sound of the trumpets, with the sound of the trumpets, praise ye the Lord. Hallelujah. . . Praise him, I want to praise the Lord. Hallelujah. . . Praise him, I want to praise the Lord.

Words: Daniel M. Cason; copyright Daniel M. Cason, Professionals for Christ Publications (BMI). Used by permission. Music: Daniel M. Cason

THE FIRST LESSON: 1 Samuel 1:21²2:11

The man Elkanah and all his household went up to offer to the LORD the yearly sacrifice, and to pay his vow. %XW+DQQDKGLGQRWJRXSIRUVKHVDLGWRKHUKXVEDQG³$VVRRQDVWKHFKLOGLVZHDQHG,ZLOOEULQJKLPWKDW he may appear in the presence of the LORD, and remain there forever; I will offer him as a nazirite for all WLPH´+HUKXVEDQG(ONDQDKVDLGWRKHU³'RZKDWVHHPVEHVWWR\RXZDLWXQWLO\RXKDYHZHDQHGKLPRQO\² may the LORD HVWDEOLVKKLVZRUG´6RWKHZRPDQUHPDLQHGDQGQXUVHGKHUVRQXQWLOVKHZHDQHGKLP:KHQ she had weaned him, she took him up with her, along with a three-year-old bull, an ephah of flour, and a skin of wine. She brought him to the house of the LORD at Shiloh; and the child was young. Then they slaughtered WKHEXOODQGWKH\EURXJKWWKHFKLOGWR(OL$QGVKHVDLG³2KP\ORUG$V\RXOLYHP\ORUG,DPWKHZRPDQ who was standing here in your presence, praying to the LORD. For this child I prayed; and the LORD has granted me the petition that I made to him. Therefore I have lent him to the LORD; as long as he lives, he is given to the LORD´6KHOHIWKLPWKHUHIRUWKHLORD+DQQDKSUD\HGDQGVDLG³0\KHDUWH[XOWVLQWKHLORD; my strength is exalted in my God. My mouth derides my enemies, because I rejoice in my victory. There is no Ho- ly One like the LORD, no one besides you; there is no Rock like our God. Talk no more so very proudly, let not arrogance come from your mouth; for the LORD is a God of knowledge, and by him actions are weighed. The bows of the mighty are broken, but the feeble gird on strength. Those who were full have hired themselves out for bread, but those who were hungry are fat with spoil. The barren has borne seven, but she who has many children is forlorn. The LORD kills and brings to life; he brings down to Sheol and raises up. The LORD makes poor and makes rich; he brings low, he also exalts. He raises up the poor from the dust; he lifts the needy from the ash heap, to make them sit with princes and inherit a seat of honor. For the pillars of the earth DUHWKH/RUG¶VDQGRQWKHPKHKDVVHWWKHZRUOG+HZLOOJXDUGWKHIHHWRIKLVIDLWKIXORQHVEXWWKHZLFNHG shall be cut off in darkness; for not by might does one prevail. The LORD! His adversaries shall be shattered; the Most High will thunder in heaven. The LORD will judge the ends of the earth; he will give strength to his NLQJDQGH[DOWWKHSRZHURIKLVDQRLQWHG´7KHQ(ONDQDKZHQWKRPHWR5DPDKZKLOHWKHER\UHPDLQHGWR minister to the LORD, in the presence of the priest Eli.

Reader The Word of the Lord. People Thanks be to God.

66 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC All stand and sing

THE FIRST SONG OF ISAIAH Ecce, Deus

Tuesday Tuesday

Surely, it is God who saves me; * I will trust in him and not be afraid. For the Lord is my stronghold and my sure defense, * and he will be my Savior. Refrain

Therefore you shall draw water with rejoicing * from the springs of salvation. And on that day you shall say, * Give thanks to the Lord and call upon his Name; Refrain

Make his deeds known among the peoples; * see that they remember that his Name is exalted. Sing the praises of the Lord, for he has done great things, * and this is known in all the world. Refrain

Cry aloud, inhabitants of Zion, ring out your joy, * For the great one in the midst of you is the Holy One of Israel. Glory to the Father, and to the Son, and to the Holy Spirit; * as it was in the beginning, is now, and will be for ever. Amen. Refrain

Setting: Music and refrain words by Carl Haywood (b. 1949), from Fraction Anthems, Canticles, and Chants. Copyright 1997. From Wonder, Love, and Praise, © 1997 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 67 THE SECOND LESSON: Romans 1:16-25

For I am not ashamed of the gospel; it is the power of God for salvation to everyone who has faith, to the Jew first and also to the Greek. For in it the righteousness of God is revealed through faith for faith; as it is writ- WHQ³7KHRQHZKRLVULJKWHRXVZLOOOLYHE\IDLWK´)RUWKHZUDWKRI*RGLVUHYHDOHGIURPKHDYHQDJDLQVWDOOXQ godliness and wickedness of those who by their wickedness suppress the truth. For what can be known about God is plain to them, because God has shown it to them. Ever since the creation of the world his eternal power and divine nature, invisible though they are, have been understood and seen through the things he has made. So they are without excuse; for though they knew God, they did not honor him as God or give thanks to him, but they became futile in their thinking, and their senseless minds were darkened. Claiming to be wise, they became fools; and they exchanged the glory of the immortal God for images resembling a mortal human being or birds or four-footed animals or reptiles. Therefore God gave them up in the lusts of their hearts to impurity, to the degrading of their bodies among themselves, because they exchanged the truth about God for a lie and worshiped and served the creature rather than the Creator, who is blessed forever! Amen.

Reader The Word of the Lord. People Thanks be to God. Tuesday All stand and sing

THE SONG OF THE REDEEMED Magna et mirabilia

O ruler of the universe, Lord God, great deeds are they that you have done, * surpassing human understanding. Your ways are ways of righteousness and truth, * O King of all the ages. Refrain

68 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Who can fail to do you homage, Lord, and sing the praises of your Name? * For you only are the holy One. All nations will draw near and fall down before you, * because your just and holy works have been revealed. Refrain

Glory to the Father, and to the Son, Tuesday and to the Holy Spirit; * as it was in the beginning, is now, and will be for ever. Amen. Refrain

The People remain standing and all say together

THE APOSTLES¶&REED

Officiant I believe in God, the Father almighty, People creator of heaven and earth; I believe in Jesus Christ, his only Son, our Lord. He was conceived by the power of the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins the resurrection of the body, and the life everlasting. Amen.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 69 The Officiant continues

Officiant The Lord be with you. People And also with you. Officiant Let us pray.

The Ministers of Music sing

THE LORD¶S PRAYER

Our Father, which art in heaven, hallowed be thy name. thy kingdom come, thy will be done, in earth as it is in heaven. Give us this day our daily bread. And forgive us our debts,

Tuesday as we forgive our debtors. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever. Amen.

Music: Albert Hay Malotte (1895-1964)

THE SUFFRAGES

Officiant Save your people, Lord, and bless your inheritance; People Govern and uphold them, now and always. Officiant Day by day we bless you; People We praise your Name for ever. Officiant Lord, keep us from all sin today; People Have mercy on us, Lord, have mercy. Officiant Lord, show us your love and mercy; People For we put our trust in you. Officiant In you, Lord, is our hope; People And we shall never hope in vain.

The Officiant continues with

THE COLLECT OF THE DAY

Keep, O Lord, your household the Church in your steadfast faith and love, that through your grace we may proclaim your truth with boldness, and minister your justice with compassion; for the sake of our Savior Jesus Christ, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

A COLLECT FOR THE RENEWAL OF LIFE

O God, the King eternal, whose light divides the day from the night and turns the shadow of death into the morning: Drive far from us all wrong desires, incline our hearts to keep your law, and guide our feet into the way of peace; that, having done your will with cheerfulness while it was day, we may, when night comes, rejoice to give you thanks; through Jesus Christ our Lord. Amen.

70 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC A COLLECT FOR MISSION

O God, you have made of one blood all the peoples of the earth, and sent your blessed Son to preach peace to those who are far off and to those who are near: Grant that people everywhere may seek after you and find you; bring the nations into your fold; pour out your Spirit upon all flesh; and hasten the coming of your kingdom; through Jesus Christ our Lord. Amen.

The People sit. The Ministers of Music sing

THE ANTHEM: Amazing grace

Amazing grace, how sweet the sound, that saved a wretch like me. I once was lost but now am found, was EOLQGEXWQRZ,VHHµ7ZDVJUDFHWKDWWDXJKWP\KHDUWWRIHDUDQGJUDFHP\IHDUVUHOLHYHG+RZSUHFLRXVGLG Tuesday WKDWJUDFHDSSHDUWKHKRXU,ILUVWEHOLHYHG7KURXJKPDQ\GDQJHUVWRLOVDQGVQDUHV,KDYHDOUHDG\FRPHµWLV JUDFHWKDWEURXJKWPHVDIHWKXVIDUDQGJUDFHZLOOOHDGPHKRPH:KHQZH¶YHEHHQWKHUHWHQWKRXVDQG\HDUV EULJKWVKLQLQJDVWKHVXQZH¶YHQROHVVGD\VWRVLQJ*RG¶VSUDLVHWKDQZKHQZH¶YHILUVWEHJXQ

Words: John Newton (1725-1807) Music: New Britain, arr. Evelyn Simpson-Cureton

The People stand. The Officiant continues with

A PRAYER OF ST. JOHN CHRYSOSTOM

Almighty God, you have given us grace at this time with one accord to make our common supplication to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will be in the midst of them: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.

CONCLUDING VERSICLE AND RESPONSE

Officiant Let us bless the Lord. People Thanks be to God.

The Officiant concludes

May the God of hope fill us with all joy and peace in believing through the power of the Holy Spirit. Amen.

Please turn the page for the closing hymn.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 71 All sing

HYMN: Blessed Assurance

Tuesday

72 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Words: Fanny J. Crosby (1820-1915) Music: Phoebe P. Knapp (1839-1908)

The People sit. Tuesday

CHORAL DISMISSAL: The Benediction Song

Now unto Him who is able, to keep you from falling, from slipping away And to present you faultless before the presence of his glory, With exceeding joy, exceeding joy, To the only wise God our Savior, be glory and majesty, dominion and power, Both now and forever. Amen.

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50 descants, re-harmonizations, and choral harmonies for unison hymns by DC AAM Conference Committee members

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$YDLODEOHDW&OLII+LOO¶VH[KLELWERRWKDWWKH.H\%ULGJH0DUULRWW

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 73 CHORAL EVENSONG

Tuesday, June 17, 5:30 p.m. Washington National Cathedral, Great Choir

7KH5HY¶G&DQRQ*LQD&DPSEHOOOfficiant Michael McCarthy, Director of Music Benjamin Straley, Organist The Cathedral Choir of Men and Girls

ORGAN PRELUDE (begins at 5:10 p.m.)

Carillon Leo Sowerby (1895-1968) Psalm Prelude, Set II no. 2 Herbert Howells (1892-1983)

Tuesday ³

CHORAL INTROIT: Show us your mercy, O Lord

Show us your mercy, O LORD, * and grant us your salvation.

I will listen to what the LORD God is saying, * for he is speaking peace to his faithful people and to those who turn their hearts to him.

Truly, his salvation is very near to those who fear him, * that his glory may dwell in our land.

Words: Ps. 85:7-9 Music: Peter Hallock (1924-2014)

The performance of this piece is offered to the glory of God and in loving memory of Peter Rasmussen Hallock, AAM friend and colleague.

As the procession enters, the People stand and sing

HYMN: Rejoice, ye pure in heart!

74 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Tuesday

Words: Edward Hayes Plumptre (1821-1891) Music: Vineyard Haven, Richard Wayne Dirksen (1921-2003). © 1974, Harold Flammer, Inc. from The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY .

WELCOME: 7KH5HY¶G&DQRQ*LQD&DPSEHOOCanon Precentor of Washington National Cathedral

The Choir sings

THE PRECES

Officiant O Lord, open thou our lips; Choir And our mouth shall show forth thy praise. Officiant O God, make speed to save us; Choir O Lord, make haste to help us. Officiant Glory be to the Father, and to the Son, and to the Holy Ghost. Choir As it was in the beginning, is now, and ever shall be: world without end. Amen. Officiant Praise ye the Lord. Choir The Lord's Name be praised.

Music: Stephen Caracciolo (b. 1962)

The Office candles are lighted while the Choir sings

O GRACIOUS LIGHT Phos hilaron

O gracious Light, pure brightness of the everliving Father in heaven, O Jesus Christ, holy and blessed!

Now as we come to the setting of the sun, and our eyes behold the vesper light,

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 75 we sing thy praises, O God: Father, Son, and Holy Spirit. Thou art worthy at all times to be praised by happy voices, O Son of God, O Giver of life, and to be glorified through all the worlds.

Words: Ancient Christian hymn Music: Gary Davison (b. 1961)

The People are seated for

PSALM 78:40-72 Quoties exacerbaverunt Chants: Craig S. Lang (1891-1971), Alec Wyton (1921-2007)

40 How often the people disobeyed you in the wilderness * and offended you in the desert!

41 Again and again they tempted you * and provoked you, the Holy One of Israel

42 They did not remember your power * Tuesday in the day when you ransomed them from the enemy;

43 How you wrought your signs in Egypt * and your omens in the field of Zoan.

44 You turned their rivers into blood, * so that they could not drink of their streams.

45 You sent swarms of flies among them, which ate them up, * and frogs, which destroyed them.

46 You gave their crops to the caterpillar * the fruit of their toil to the locust.

47 You killed their vines with hail * and their sycamores with frost.

48 You delivered their cattle to hailstones * and their livestock to hot thunderbolts.

49 You poured out upon them your blazing anger: * fury, indignation, and distress, a troop of destroying angels.

50 You gave full rein to your anger; you did not spare their souls from death; * but delivered their lives to the plague.

51 You struck down all the firstborn of Egypt, * the first-fruits of their strength in the dwellings of Ham.

52 You led out your people like sheep * and guided them in the wilderness like a flock.

53 You led them safely, and they were not afraid; * but the sea overwhelmed their enemies.

54 You brought them to your holy land, * the mountain your right hand had won.

76 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 55 You drove out Canaanites before them and apportioned an inheritance to them by lot; * you made the tribes of Israel to dwell in their tents.

56 But they tested you, O Most High, and defied you * and did not keep your commandments.

57 They turned away and were disloyal like their forebears; * they were undependable like a warped bow.

58 They grieved you with their hill-altars * and provoked your displeasure with their idols.

59 When you heard this you were angry * Tuesday and utterly rejected Israel.

60 You forsook the shrine at Shiloh, * the tabernacle where you had lived among your people.

61 You delivered the ark into captivity, * \RXUJORU\LQWRWKHDGYHUVDU\¶VKDQG

62 You gave your people to the sword * and were angered against your inheritance.

63 The fire consumed their young men; * there were no wedding songs for their maidens.

64 Their priests fell by the sword, * and their widows made no lamentation.

65 Then you awoke, O God, as though from sleep, * like a warrior refreshed with wine.

66 You struck your enemies on the backside * and put them to perpetual shame.

67 You rejected the tent of Joseph * and did not choose the tribe of Ephraim;

68 You chose instead the tribe of Judah * and Mount Zion, which you loved.

69 You built your sanctuary like the heights of heaven, * like the earth which you founded for ever.

70 You chose David your servant * and took him away from the sheepfolds.

71 You brought him from following the ewes, * to be a shepherd over Jacob your people and over Israel your inheritance.

72 So he shepherded them with a faithful and true heart, * and guided him with skillfulness of his hands.

Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning, is now, and ever shall be, world without end. Amen.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 77 THE FIRST LESSON: Numbers 11:1-23

Now when the people complained in the hearing of the LORD about their misfortunes, the LORD heard it and his anger was kindled. Then the fire of the LORD burned against them, and consumed some outlying parts of the camp. But the people cried out to Moses; and Moses prayed to the LORD, and the fire abated. So that place was called Taberah, because the fire of the LORD burned against them. The rabble among them had a strong FUDYLQJDQGWKH,VUDHOLWHVDOVRZHSWDJDLQDQGVDLG³,IRQO\ZHKDGPHDWWRHDW:HUHPHPEHUWKHILVKZH used to eat in Egypt for nothing, the cucumbers, the melons, the leeks, the onions, and the garlic; but now our VWUHQJWKLVGULHGXSDQGWKHUHLVQRWKLQJDWDOOEXWWKLVPDQQDWRORRNDW´1RZWKHPDQQDZDVOLNHFRULDQGHU seed, and its color was like the color of gum resin. The people went around and gathered it, ground it in mills or beat it in mortars, then boiled it in pots and made cakes of it; and the taste of it was like the taste of cakes baked with oil. When the dew fell on the camp in the night, the manna would fall with it. Moses heard the people weeping throughout their families, all at the entrances of their tents. Then the LORD became very angry, and Moses was displeased. So Moses said to the LORD³:K\KDYH\RXWUHDWHG\RXUVHUYDQWVREDGO\":K\ have I not found favor in your sight, that you lay the burden of all this people on me? Did I conceive all this SHRSOH"'LG,JLYHELUWKWRWKHPWKDW\RXVKRXOGVD\WRPHµ&DUU\WKHPLQ\RXUERVRPDVDQXUVHFDUULHVD VXFNLQJFKLOG¶WRWKHODQGWKDW\RXSURPLVHGRQRDWKWRWKHLUDQFHVWRUV":KHUHDP,WRJHWPHDWWRJLYHWRDOO Tuesday WKLVSHRSOH")RUWKH\FRPHZHHSLQJWRPHDQGVD\µ*LYHXVPHDWWRHDW¶,DPQRWDEOHWRFDUU\DOOWKLVSHRSOH alone, for they are too heavy for me. If this is the way you are going to treat me, put me to death at once²if I have found favor in your sight²DQGGRQRWOHWPHVHHP\PLVHU\´6RWKHLORD VDLGWR0RVHV³*DWKHUIRUPH seventy of the elders of Israel, whom you know to be the elders of the people and officers over them; bring them to the tent of meeting, and have them take their place there with you. I will come down and talk with you there; and I will take some of the spirit that is on you and put it on them; and they shall bear the burden of the people along with you so that you will not bear it all by yourself. And say to the people: Consecrate yourselves for tomorrow, and you shall eat meat; for you have wailed in the hearing of the LORDVD\LQJµ,I RQO\ZHKDGPHDWWRHDW6XUHO\LWZDVEHWWHUIRUXVLQ(J\SW¶7KHUHIRUHWKHLORD will give you meat, and you shall eat. You shall eat not only one day, or two days, or five days, or ten days, or twenty days, but for a whole month²until it comes out of your nostrils and becomes loathsome to you²because you have rejected the LORD ZKRLVDPRQJ\RXDQGKDYHZDLOHGEHIRUHKLPVD\LQJµ:K\GLGZHHYHUOHDYH(J\SW"¶´%XW0RVHVVDLG³7KH SHRSOH,DPZLWKQXPEHUVL[KXQGUHGWKRXVDQGRQIRRWDQG\RXVD\µ,ZLOOJLYHWKHPPHDWWKDWWKH\PD\HDW IRUDZKROHPRQWK¶$UHWKHUHHQRXJKIORFNVDQGKHUGVWRVODXJKWHUIRUWKHP"$UHWKHUHHQRXJKILVKLQWKHVHD WRFDWFKIRUWKHP"´7KH LORD VDLGWR0RVHV³,VWKH/RUG¶VSRZHUOLPLWHG"1RZ\RXVKDOOVHHZKHWKHUP\ ZRUGZLOOFRPHWUXHIRU\RXRUQRW´

Reader The Word of the Lord. People Thanks be to God.

The People stand. The Choir sings

THE SONG OF MARY Magnificat

78 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel, as he promised to our forefathers, Abraham and his seed for ever. Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning, is now, and ever shall be, world without end. Amen.

Music: Evening Service in E Minor, Leo Sowerby

Words: Luke 1:46-55, with Gloria Patri Tuesday

All sit.

THE SECOND LESSON: Matthew 17:22-27

$VWKH\ZHUHJDWKHULQJLQ*DOLOHH-HVXVVDLGWRWKHP³7KH6RQRI0DQLVJRLQJWREHEHWUD\HGLQWRKXPDQ KDQGVDQGWKH\ZLOONLOOKLPDQGRQWKHWKLUGGD\KHZLOOEHUDLVHG´$QGWKH\ZHUHJUHDWO\GLVWUHVVHG:KHQ WKH\UHDFKHG&DSHUQDXPWKHFROOHFWRUVRIWKHWHPSOHWD[FDPHWR3HWHUDQGVDLG³'RHV\RXUWHDFKHUQRWSD\ WKHWHPSOHWD["´+HVDLG³

Reader The Word of the Lord. People Thanks be to God.

All stand. The Choir sings

THE SONG OF SIMEON Nunc dimittis

Music: Evening Service in E Minor, Leo Sowerby Words: Luke 2:29-32, with Gloria Patri

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 79 All remain standing and, facing the High Altar, together say

THE APOSTLES¶&REED

Officiant I believe in God, the Father almighty, People maker of heaven and earth; And in Jesus Christ his only Son our Lord; who was conceived by the Holy Ghost, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, dead, and buried. He descended into hell. The third day he rose again from the dead. He ascended into heaven, and sitteth on the right hand of God the Father almighty. From thence he shall come to judge the quick and the dead. I believe in the Holy Ghost,

Tuesday the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen.

Officiant The Lord be with you. Choir And with thy spirit. Officiant Let us pray.

Choir Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us.

Our Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil.

The Choir and Officiant continue with

THE SUFFRAGES

Officiant O Lord, show thy mercy upon us; Choir And grant us thy salvation. Officiant O Lord, save the State; Choir And mercifully hear us when we call upon thee. Officiant Endue thy ministers with righteousness; Choir And make thy chosen people joyful.

80 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC Officiant O Lord, save thy people; Choir And bless thine inheritance. Officiant Give peace in our time, O Lord; Choir Because there is none other that fighteth for us, but only thou, O God. Officiant O God, make clean our hearts within us; Choir And take not thy Holy Spirit from us.

Music: Stephen Caracciolo

7KH2IILFLDQWVLQJVWKHIROORZLQJDQGWKH&KRLUUHVSRQGV³$PHQ´

THE COLLECT OF THE DAY Tuesday Keep, O Lord, we beseech thee, thy household the Church in thy steadfast faith and love, that through thy grace we may proclaim thy truth with boldness, and minister thy justice with compassion; for the sake of our Savior Jesus Christ, who liveth and reigneth with thee and the Holy Spirit, one God, now and for ever. Amen.

A COLLECT FOR AID AGAINST PERILS

Lighten our darkness, we beseech thee, O Lord; and by thy great mercy defend us from all perils and dangers of this night; for the love of thy only Son, our Savior Jesus Christ. Amen.

A COLLECT FOR MISSION

O God, who dost manifest in thy servants the signs of thy presence: Send forth upon us the Spirit of love, that in companionship with one another thine abounding grace may increase among us; through Jesus Christ our Lord. Amen.

Then is sung

Cantor Let us bless the Lord. Choir Thanks be to God.

The People sit. The Choir sings

THE ANTHEM: The Twelve

Without arms or charm of culture, Persons of no importance From an unimportant Province, They did as the Spirit bid, Went forth into a joyless world Of swords and rhetoric To bring it joy.

When they heard the Word, some demurred, some mocked, some were shocked: but many were stirred and the Word spread. Lives long dead were quickened to life; the sick were healed by the Truth revealed; released into peace from the gin of old sin, men forgot themselves in the glory of the story told by the Twelve. Then the Dark Lord, adored by this world, perceived the threat of the Light to his might. From his throne he spoke to his own. The loud crowd, the sedate engines of State, were moved by his will to kill. It was done. One by one, they were caught, tortured, and slain.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 81 II

O Lord, my God, Though I forsake thee Forsake me not, But guide me as I walk Through the valley of mistrust, And let the cry of my disbelieving absence Come unto thee, Thou who declared unto Moses: ³,VKDOOEHWKHUH´

III

Children play about the ancestral graves, for the dead no longer walk. Excellent still in their splendor are the antique statues: but can do neither good nor evil. Beautiful still are the starry heavens: but our fate is not written there. Holy still is speech, but there is no sacred tongue: the Truth may be told in all. Tuesday Twelve as the winds and the months are those who taught us these things: envisaging each in an oval glory, let us praise them all with a merry noise.

Words: W.H. Auden (1907²1973) Music: William Walton (1902-1983)

The People stand for

THE PRAYERS

O God, by whom the meek are guided in judgment, and light riseth up in darkness for the godly: Grant us, in all our doubts and uncertainties, the grace to ask what thou wouldest have us to do, that the Spirit of wisdom may save us from all false choices, and that in thy light we may see light, and in thy straight path may not stumble; through Jesus Christ our Lord. Amen.

Lord, make us instruments of thy peace. Where there is hatred, let us sow love; where there is injury, pardon; where there is discord, union; where there is doubt, faith; where there is despair, hope; where there is darkness, light; where there is sadness, joy. Grant that we may not so much seek to be consoled as to con- sole; to be understood as to understand; to be loved as to love. For it is in giving that we receive; it is in par- doning that we are pardoned; and it is in dying that we are born to eternal life. Amen.

Grant, we beseech thee, Almighty God, that the words which we have heard this day with our outward ears, may, through thy grace, be so grafted inwardly in our hearts, that they may bring forth in us the fruit of good living, to the honor and praise of thy Name; through Jesus Christ our Lord. Amen.

The Officiant says

The grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Ghost, be with us all evermore. Amen.

82 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC All sing

HYMN: Abide with me: fast falls the eventide

Tuesday Tuesday

Words: Henry Francis Lyte (1793-1847) Music: Eventide, William Henry Monk (1823-1889); harmony and descant for verse 4 by Thaddeus P. Cavuoti (b. 1955)

During the closing voluntary, the sacred ministers and choir process from the Great Choir.

VOLUNTARY: Fugue in E-flat major, BWV 552 Johann Sebastian Bach (1685-1750)

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 83 SUNG MORNING PRAYER

Wednesday, June 18, 8:45 a.m. Episcopal High School, Callaway Chapel

7KH5HY¶G(ULND7DNDFVOfficiant John Bradford Bohl, Schola Conductor

All stand. The Officiant begins the service with the opening sentence.

The Lord is in his holy temple; let all the earth keep silence before him. (Habakkuk 2:20)

All sing responsively, led by the Officiant

THE PRECES

Wednesday

All sing the following.

VENITE

Cantor All

84 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Wednesday

All

Antiphon Setting: Plainsong, Mode 4; adapt. Norman Mealy (1923-1987). From The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 85 The appointed portion of the psalter is then sung, antiphonally by whole verse between upper and lower voices, with the People sitting at the midpoint of the first verse.

PSALM 119:97-120

/ /

Mem Quomodo dilexi!

Cantor 97 Oh, how I lóve your law! * Upper voices all the day long it / is ín my mind.

Lower voices 98 Your commandment has made me wiser than my énemies, * and it is al/ways wíth me.

Upper voices 99 I have more understanding than all my téachers, * for your decrees are / my stúdy.

100 I am wiser than the élders, * because I observe your / commándments.

101 I restrain my feet from every évil way, * that I / may kéep your word.

102 I do not shrink from your júdgments, * because you yourself / have táught me.

103 How sweet are your words to my táste! * they are sweeter than ho/ney tó my mouth.

104 Through your commandments I gain understánding; * therefore I hate ever/y lýing way.

Nun Lucerna pedibus meis Wednesday 105 Your word is a lantern tó my feet * and a light / upón my path.

106 I have sworn and am detérmined * to keep your right/eous júdgments.

107 I am deeply tróubled; * preserve my life, O LORD, accord/ing tó your word.

108 Accept, O LORD, the willing tribute of my líps, * and teach me / your júdgments.

109 My life is always in my hánd, * yet I do not / forgét your law.

110 The wicked have set a tráp for me, * but I have not strayed from your / commándments.

111 Your decrees are my inheritance for éver; * truly, they are the joy / of mý heart.

112 I have applied my heart to fulfill your státutes * for ever / and tó the end.

86 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC / /

Samekh Iniquos odio habui

113 I hate those who have a divíded heart, * but your law / do Í love.

114 You are my refuge and shiéld; * my hope / is ín your word.

115 Away from me, you wícked! * I will keep the command/ments óf my God.

116 Sustain me according to your promise, that Í may live, * and let me not be disappoint/ed ín my hope.

117 Hold me up, and I sháll be safe, * and my delight shall be ever in / your státutes.

118 You spurn all who stray from your státutes; * their deceitful/ness ís in vain.

119 In your sight all the wicked of the earth are but dróss; * therefore I / love yóur decrees.

120 My flesh trembles with dréad of you; * I am afraid of / your júdgments. Wednesday

Glory to the Father, and tó the Son, * and to the Ho/ly Spírit;

as it was in the beginning, is nów, * and will be for ev/er. Ámen.

THE FIRST LESSON: Numbers 11:24-35

Moses went out and told the people the words of the LORD; and he gathered seventy elders of the people, and placed them all around the tent. Then the LORD came down in the cloud and spoke to him, and took some of the spirit that was on him and put it on the seventy elders; and when the spirit rested upon them, they prophe- sied. But they did not do so again. Two men remained in the camp, one named Eldad, and the other named Medad, and the spirit rested on them; they were among those registered, but they had not gone out to the tent, DQGVRWKH\SURSKHVLHGLQWKHFDPS$QGD\RXQJPDQUDQDQGWROG0RVHV³(OGDGDQG0HGDGDUHSURSKHV\ LQJLQWKHFDPS´$QG-RVKXDVRQRI1XQWKHDVVLVWDQWRI0RVHVRQHRIKLVFKRVHQPHQVDLG³0\ORUG0R VHVVWRSWKHP´%XW0RVHVVDLGWRKLP³$UH\RXMHDORXVIRUP\VDNH":RXOGWKDWDOOWKH/RUG¶VSHRSOHZHUH prophets, and that the LORD ZRXOGSXWKLVVSLULWRQWKHP´$QG0RVHVDQGWKHHOGHUVRI,VUDHOUHWXUQHGWRWKH camp. Then a wind went out from the LORD, and it brought quails from the sea and let them fall beside the FDPSDERXWDGD\¶VMRXUQH\RQWKLVVLGHDQGDGD\¶VMRXUQH\RQWKHRWKHUVLGHDOODURXQGWKHFDPSDERXWWZR cubits deep on the ground. So the people worked all that day and night and all the next day, gathering the quails; the least anyone gathered was ten homers; and they spread them out for themselves all around the camp. But while the meat was still between their teeth, before it was consumed, the anger of the LORD was kindled against the people, and the LORD struck the people with a very great plague. So that place was called Kibroth-hattaavah, because there they buried the people who had the craving. From Kibroth-hattaavah the people journeyed to Hazeroth.

Reader The Word of the Lord. People Thanks be to God.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 87 All stand and sing

THE THIRD SONG OF ISAIAH Surge, illuminare

Cantor All

Wednesday

Setting: Plainsong, Tone 5, adapt. The Standing Commission on Church Music, 1979, alt. From The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

The People are seated for

THE SECOND LESSON: Matthew 18:1-9

:KHQWKH\ZHUHLQ&DSHUQDXPWKHGLVFLSOHVFDPHWR-HVXVDQGDVNHG³:KRLVWKHJUHDWHVWLQWKHNLQJGRPRI KHDYHQ"´+HFDOOHGDFKLOGZKRPKHSXWDPRQJWKHPDQGVDLG³7UXO\,WHOO\RXXQOHVV\RXFKDQJHDQGEH come like children, you will never enter the kingdom of heaven. Whoever becomes humble like this child is WKHJUHDWHVWLQWKHNLQJGRPRIKHDYHQ:KRHYHUZHOFRPHVRQHVXFKFKLOGLQP\QDPHZHOFRPHVPH³,IDQ\RI

88 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC you put a stumbling block before one of these little ones who believe in me, it would be better for you if a great millstone were fastened around your neck and you were drowned in the depth of the sea. Woe to the world because of stumbling blocks! Occasions for stumbling are bound to come, but woe to the one by whom the VWXPEOLQJEORFNFRPHV³,I\RXUKDQGRU\RXUIRRWFDXVHV\RXWRVWXPEOHFXWLWRIIDQGWKURZLWDZD\LWLVEHW ter for you to enter life maimed or lame than to have two hands or two feet and to be thrown into the eternal fire. And if your eye causes you to stumble, tear it out and throw it away; it is better for you to enter life with one eye than to have two eyes and to be thrown into the hell of fire.

Reader The Word of the Lord. People Thanks be to God.

All stand and sing the following.

THE SONG OF ZECHARIAH Benedictus Dominus Deus

Cantor

All

Cantor All Wednesday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 89

All

Wednesday

Setting: Plainsong, Tone 8; adapt. Bruce E. Ford (b. 1947). Copyright © 1985 Bruce E. Ford. From The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY.

Led by the Officiant, all sing

THE APOSTLES¶&REED

90 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC He will come again to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins the resurrection of the body, and the life everlasting. Amen.

The Officiant and People continue with

THE LORD¶S PRAYER

Officiant Our Father in heaven, People hallowed be your Name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial, and deliver us from evil. For the kingdom, the power, and the glory are yours, Wednesday now and for ever. Amen.

The Officiant and People sing responsively

THE SUFFRAGES

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 91

The Officiant sings the following collects.

THE COLLECT OF THE DAY

A COLLECT FOR GRACE

Lord God, almighty and everlasting Father, you have brought us in safety to this new day: Preserve us with your mighty power, that we may not fall into sin, nor be overcome by adversity; and in all we do, direct us to the fulfilling of your purpose; through Jesus Christ our Lord. Amen.

A COLLECT FOR MISSION

Almighty and everlasting God, by whose Spirit the whole body of your faithful people is governed and sancti- fied: Receive our supplications and prayers which we offer before you for all members of your holy Church, that in their vocation and ministry they may truly and devoutly serve you; through our Lord and Savior Jesus Christ. Amen.

Wednesday Then is sung

HYMN: 2VSOHQGRURI*RG¶VJORU\EULJKW

Cantor (first verse) All

All Upper voices Lower voices Schola All

92 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Music: Splendor paternae gloriae, plainsong, Mode 1, Worcester MS., 13th cent. Words: Ambrose of Milan (340-397); tr. Robert Seymour Bridges (1844-1930), alt.

CONCLUDING VERSICLE AND RESPONSE

The Officiant concludes with

Glory to God whose power, working in us, can do infinitely more than we can ask or imagine: Glory to him from generation to generation in the Church, and in Christ Jesus for ever and ever. Amen. Wednesday Wednesday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 93 HEART & VOICE UNITING: A CELEBRATION IN MUSIC & READINGS

Wednesday, June 18, 2:00 p.m. Episcopal High School, Callaway Chapel

7KH5HY¶G*LGHRQ/.3ROODFKOfficiant Youth Choir from Mid-Atlantic Episcopal Schools and Churches Julian Wachner, Conductor Brandon Straub, Accompanist

The People stand and sing

THE OPENING HYMN: Living God, your word has called us

Wednesday

Words: Jan Berry (b. 1953). © 1999, Kevin Mayhew. All rights reserved. Reprinted under OneLicense.net E-802862. Music: Blaenwern, William Penfro Rowlands (1860-1937) 94 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC The Officiant continues with

THE OPENING SENTENCE

7KXVVD\VWKHKLJKDQGORIW\2QHZKRLQKDELWVHWHUQLW\ZKRVHQDPHLV+RO\³,GZHOOLQWKHKLJKDQGKRO\ place and also with the one who has a contrite and humble spirit, to revive the spirit of the humble and to UHYLYHWKHKHDUWRIWKHFRQWULWH´

THE BIDDING PRAYER

Dear People of God: As we gather to celebrate and make this offering of praise and thanksgiving to God for WKHJUHDWJLIWRIPXVLFDQGRXUYRFDWLRQWRRIIHULWLQ*RG¶VQDPHOHWXVSUHSDUHRXUVHOYHVLQKHDUWDQGPLQG WRHQWHULQWR*RG¶VKRO\SUHVHQFH

Purify our thoughts, O Lord, and draw us into your presence through the gift of your Holy Spirit. Let us find you in this time of reflection and praise, and hear you speak as you have declared your purpose throughout time and through many voices.

Grant us grace to desire you with our whole heart; that so desiring, we may seek and find you; and so finding, may love you; and so loving, may hate those sins from which you have delivered us.

We remember before you, O Lord, your holy Church: inspire it for your service, draw it ever more closely together and to you, that it may be a witness to your loving purposes and mission.

We remember before you the needs of your whole world: for justice and peace on the earth, for those who are sick, and those who mourn, the lonely, and unloved, those of every age, as well as those who do not yet know

you. Wednesday

Make us instruments of divine charity, of mercy, of hope, and of new possibility. Give us eyes to see, ears to hear, the will to act, and a discerning and generous heart that we may serve you in whatever way we are able.

And as we seek to worship you in spirit and in truth we pray in the words which you have taught us saying:

All Our Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, for ever and ever. Amen.

The People sit.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 95 INTROIT: Set me as a seal

Set me as a seal upon your heart, as a seal upon your arm, for love is strong as death. Many waters cannot quench love, neither can the floods drown it.

Words: Song of Solomon 8:6 Music: René Clausen (b. 1953)

:HWKH/RUG¶VSHRSOHKHDUWDQGYRLFHXQLWLQJ

SCRIPTURE LESSON: Exodus 14:10, 13, 21-23, 26-27, 15:1-3

As Pharaoh drew near, the Israelites looked back, and there were the Egyptians advancing on them. In great fear the Israelites cried out to the Lord. %XW0RVHVVDLGWRWKHSHRSOH³'RQRWEHDIUDLGVWDQGILUPDQGVHH the deliverance that the Lord will accomplish for you today; for the Egyptians whom you see today you shall QHYHUVHHDJDLQ´7KHQ0RVHVVWUHWFKHGRXWKLVKDQGRYHUWKHVHD7KH Lord drove the sea back by a strong east wind all night, and turned the sea into dry land; and the waters were divided. The Israelites went into the sea on dry ground, the waters forming a wall for them on their right and on their left. The Egyptians pursued, and ZHQWLQWRWKHVHDDIWHUWKHPDOORI3KDUDRK¶VKRUVHVFKDULRWVDQGFKDULRWGULYHUV7KHQWKH Lord said to Mo- VHV³6WUHWFKRXW\RXUKDQGRYHUWKHVHDVRWKDWWKHZDWHUPD\FRPHEDFNXSRQWKH(J\SWLDQVXSRQWKHLUFKDU LRWVDQGFKDULRWGULYHUV´ So Moses stretched out his hand over the sea, and at dawn the sea returned to its normal depth. As the Egyptians fled before it, the Lord tossed the Egyptians into the sea. Then Moses and the Israelites sang this song to the /RUG³,ZLOOVLQJWRWKH Lord, for he has triumphed gloriously; horse and rider he has thrown into the sea. The Lord is my strength and my might, and he has become my salvation; this is my God, and I will praise him, P\IDWKHU¶V*RGDQG,ZLOOH[DOWKLP The Lord is a warrior; the Lord LVKLVQDPH´

COLLECT

O God, whose wonderful deeds of old shine forth even to our own day, you once delivered by the power of your mighty arm your chosen people from slavery under Pharaoh, to be a sign for us of the salvation of all nations by the water of Baptism: Grant that all the peoples of the earth may be numbered among the offspring of Wednesday Abraham, and rejoice in the inheritance of Israel; through Jesus Christ our Lord. Amen.

²from the Great Vigil of Easter

ANTHEM: Shall we gather by the river

6KDOOZHJDWKHUE\WKHULYHUZKHUHEULJKWDQJHOV¶IHHWKDYHWURGZLWKLWVFU\VWDOWLGHIRUHYHUIORZLQJE\WKH throne of God?

Words & Music: Robert Lowry (1826-1899) Arrangement: Aaron Copland (1900-1990)

Praise him who called us out of sin and darkness

SCRIPTURE LESSON: Isaiah 6:1-9

In the year that King Uzziah died, I saw the Lord sitting on a throne, high and lofty; and the hem of his robe filled the temple. Seraphs were in attendance above him; each had six wings: with two they covered their faces, and with two they covered their feet, and with two they flew. $QGRQHFDOOHGWRDQRWKHUDQGVDLG³+RO\KRO\ holy is the Lord RIKRVWVWKHZKROHHDUWKLVIXOORIKLVJORU\´7KHSLYRWVRQWKHWKUHVKROGVVKRRNDWWKHYRLFHV

96 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC of those who called, and the house filled with smoke. $QG,VDLG³:RHLV me! I am lost, for I am a man of unclean lips, and I live among a people of unclean lips; yet my eyes have seen the King, the Lord RIKRVWV´ Then one of the seraphs flew to me, holding a live coal that had been taken from the altar with a pair of tongs. 7KHVHUDSKWRXFKHGP\PRXWKZLWKLWDQGVDLG³1RZWKDWWKLVKDVWRXFKHG\RXUOLSV\RXUJXLOWKDV GHSDUWHGDQG\RXUVLQLVEORWWHGRXW´ 7KHQ,KHDUGWKHYRLFHRIWKH/RUGVD\LQJ³:KRPVKDOO,VHQGDQG ZKRZLOOJRIRUXV"´$QG,VDLG³+HUHDP,VHQGPH´

COLLECT

Give us grace, O Lord, to answer readily the call of our Savior Jesus Christ and proclaim to all people the Good News of his salvation, that we and all the whole world may perceive the glory of his marvelous works; who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.

²Collect for the Third Sunday after The Epiphany

ANTHEM: Alleluia

Alleluia.

Music: Randall Thompson (1899-1984)

Into his own light, that he might anoint us a royal priesthood

SCRIPTURE LESSON: Philippians 2:1, 5-11 Wednesday

If then there is any encouragement in Christ, any consolation from love, any sharing in the Spirit, any compassion and sympathy, make my joy complete: Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emp- tied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death²even death on a cross. Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.

COLLECT

O God, who wonderfully created, and yet more wonderfully restored, the dignity of human nature: Grant that we may share the divine life of him who humbled himself to share our humanity, your Son Jesus Christ; who lives and reigns with you, in the unity of the Holy Spirit, one God, for ever and ever. Amen.

²Collect for the Second Sunday after Christmas Day

MOTET: Ubi caritas

Ubi caritas et amor, Where true charity and love dwell, Deus ibi est. God himself is there. Congregavit nos in unum Christi amor. Since the love of Christ has joined us in one body, Exsultemus, et in ipso jucundemur. let us all rejoice and be glad now and always. Timeamus, et amemus Deum vivum. And as we hear and love our Lord, the living God, Et ex corde diligamus nos sincero. so let us in sincerity love all people.

Words: Latin, tr. Joyce MacDonald Glover (1923-2012), copyright 1982. From The Hymnal 1982, © 1985 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY. Music: Maurice Duruflé (1902-1986)

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 97 7KLVLVWKH/RUG¶VKRXVHKRPHRIDOOKLVSHRSOH

SCRIPTURE LESSON: Revelation 21:1-6

Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. $QG,KHDUGDORXGYRLFHIURPWKHWKURQHVD\LQJ³6HHWKHKRPHRI*RGLV among mortals. He will dwell with them; they will be his peoples, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed DZD\´$QGWKHRQHZKRZDVVHDWHGRQWKHWKURQHVDLG³6HH I am making all things QHZ´$OVRKHVDLG³:ULWHWKLVIRUWKHVHZRUGVDUHWUXVWZRUWK\DQGWUXH´ 7KHQKHVDLGWRPH³,WLVGRQH, am the Alpha and the Omega, the beginning and the end. To the thirsty I will give water as a gift from the VSULQJRIWKHZDWHURIOLIH´

COLLECT

Almighty God, kindle, we pray, in every heart the true love of peace, and guide with your wisdom those who take counsel for the nations of the earth; that in tranquility your dominion may increase, until the earth is filled with the knowledge of your love; through Jesus Christ our Lord. Amen.

²from The Solemn Collects for Good Friday, The Book of Common Prayer

ANTHEM: Wie lieblich sind deine Wohnungen

Wie lieblich sind deine Wohnungen, How dear to me is your dwelling, Herr Zebaoth! Meine seele verlanget O Lord of hosts! My soul has a desire und sehnet sich nach den Vorhhofen and longing for the courts des Herrn; mein Leib und Seele of the Lord; my heart and my flesh freuen sich in dem lebendigen Gott. rejoice in the living God. Wohl denen, die in deinem Hause Happy are they who dwell in your house!

Wednesday wohnen, die loben dich immerdar. They will always be praising you.

Words: Ps. 84:1, 3 Music: Johannes Brahms (1833-1897)

School for the faithful, refuge for the sinner

SCRIPTURE LESSON: Psalm 11

In the LORD have I taken refuge; * how then can you say to me, ³)O\DZD\OLNHDELUGWRWKHKLOOWRS

For see how the wicked bend the bow and fit their arrows to the string, * to shoot from ambush at the true of heart.

When the foundations are being destroyed, * what FDQWKHULJKWHRXVGR"´

The LORD is in his holy temple; * the LORD¶S throne is in heaven.

His eyes behold the inhabited world; * his piercing eye weighs our worth.

98 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC The LORD weighs the righteous as well as the wicked, * but those who delight in violence he abhors.

Upon the wicked he shall rain coals of fire and burning sulphur; * a scorching wind shall be their lot.

For the LORD is righteous; he delights in righteous deeds; * and the just shall see his face.

COLLECT

Lord of all power and might, the author and giver of all good things: Graft in our hearts the love of your Name; increase in us true religion; nourish us with all goodness; and bring forth in us the fruit of good works; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God for ever and ever. Amen.

²Proper 17

The Conference Choir sings

HYMN-ANTHEM (music provided in conference packet): O for a closer walk

O for a closer walk with God, a calm and heavenly frame, a light to shine upon the road that leads me to the

Lamb! Return, O holy Dove, return, sweet messenger of rest; I hate the sins that made thee mourn, and drove Wednesday thee from my breast. So shall my walk be close with God, calm and serene my frame; so purer light shall mark the road that leads me to the Lamb.

Words: William Cowper (1731-1800) Music: Charles Villiers Stanford (1852-1924)

Rest for the pilgrim, haven for the weary; all find a welcome

READING: from Robert Frost (1874- ³7KH$LP:DV6RQJ´

Before man came to blow it right The wind once blew itself untaught, And did its loudest day and night In any rough place where it caught.

Man came to tell it what was wrong: ,WKDGQ¶WIRXQGWKHSODFHWREORZ It blew too hard²the aim was song. And listen²how it ought to go!

He took a little in his mouth, And held it long enough for north To be converted into south, And then by measure blew it forth.

By measure. It was word and note, The wind the wind had meant to be² A little through the lips and throat. The aim was song²the wind could see.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 99 COLLECT

+RO\*RGZKRFDOOVXVEH\RQGWKHOLPLWVRIRXUSRRUXQGHUVWDQGLQJVDQGKROGVZLGHKHDYHQ¶VGRRUWRUHFHS tive hearts, take us in this holy place, we pray, by the grace of music, into the wonder that silences all agitation, into the praise that knits up all fear. And lead us on by the way of music to glimpse a oneness which cannot yet be fully seen, and find a rest which cannot yet be fully known. So shall we perceive that unity which fore- shadows the end of all divisions and that silence which heralds the beginning of all joys; and know ourselves to be, at last, your redeemed people; graced and raised by song. Amen.

²Canon Patrick Woodhouse, Precentor of Wells Cathedral

GOSPEL SONG: Spirit! Sweet Holy Spirit!

Spirit! Sweet Holy Spirit! Fall fresh on me. Fill me with the spirit of power divine and cleanse me through and through. Cover me, Lord, with the holy fire, and burn my troubles, too.

Words: Adapted by Barbara Wesley Baker. All rights reserved. Used by permission. Music: Rawn Harbor (b. 1947), arr. Barbara Wesley Baker *commissioned for the St. Albans and National Cathedral School Chorale, Benjamin Hutto, Director, by the Brylawski Performing Arts Endowment of St. Albans School, Washington DC

The People stand for

THE CLOSING PRAYERS

Creator God, source of all that sustains us, we give you thanks for the privilege of shaping sound and silence to your glory. Shed that same glorious light upon your Church and upon its work and worship. Bless with re- newed hope, energy and sensitivity all who plan and lead liturgy and music²ministers and musicians, composers and singers. In this servant ministry, help us to listen to each other as we enable congregations to express their longing for you, and encourage us to let go of everything that harms and hinders us in this task. By your Holy Spirit, empower all to work in partnership and harmony as we proclaim your praise and sing of your love, through Jesus Christ our Lord. Amen.

Wednesday SUNG BLESSING: The Lord bless you and keep you

The Lord bless you and keep you. The Lord make his face to shine upon you, and be gracious unto you. The Lord lift up the light of his countenance upon you, and give you peace. Amen.

Words: Numbers 6:24-26 Music: Julian Wachner (b.1970)

The Conference Choir sings

THE CLOSING HYMN (music provided in conference packet): A Hymn to St. Cecilia

6LQJIRUWKHPRUQLQJ¶VMR\&HFLOLDVLQJLQZRUGVRI\RXWKDQGSUDLVHVRIWKHVSULQJZDONWKHEULJKWFRORQ QDGHVE\IRXQWDLQV¶VSUD\DQGVLQJDVVXQOLJKWILOOVWKHZDNLQJGD\WLOODQJHOVYR\DJLQJLQXSSHUDLUSDXVHRQD wing and gather the clear sound into celestial joy, wound and unwound, a silver chain, or golden as your hair. Sing for your loves of heaven and of earth, in words of music, and each word a truth; marriage of heart and longings that aspire, a bond of roses, and a ring of fire. Your summertime grows short and fades away, WHUURUPXVWJDWKHUWRDPDUW\U¶VGHDWKEXWQHYHUWUHPEOHWKHODVWLQGUDZQEUHDWKUHPHPEHUVPXVLFDVDQHFKR PD\7KURXJKWKHFROGDIWHUPDWKRIFHQWXULHV&HFLOLD¶VPXVLFGDQFHVLQWKHVNLHVOHQGXVDIUDJPHQWRIWKH immortal air, that with your choiring angels we may share, a word to light us through time-fettered night, wa- WHURIOLIHRUURVHRISDUDGLVHVRIURPWKHHDUWKDQRWKHUVRQJVKDOOULVHWRPHHW\RXURZQLQKHDYHQ¶VORQJGH light.

Words: Ursula Vaughan Williams (1911-2007) Music: Herbert Howells (1892-1983)

100 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC Wednesday Wednesday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 101 CHORAL EVENSONG

Wednesday, June 18, 5:30 p.m. Christ Church (Episcopal), Alexandria

7KH5HY¶G$QQ*LOOHVSLHOfficiant 7KH5W5HY¶G6KDQQRQ-RKQVWRQPreacher Sung by the Conference Choir Julian Wachner, Conductor Nicholas Bideler, Organist

VOLUNTARY: Verses on the Nunc dimittis Harold Friedell (1905-1958)

CHORAL INTROIT: I will lift up mine eyes unto the hills (world premiere)

I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the LORD, which made heaven and earth. He will not suffer thy foot to be moved: he that keepeth thee will not slumber. Be- hold, he that keepeth Israel shall neither slumber nor sleep. The LORD is thy keeper: the LORD is thy shade upon thy right hand. The sun shall not smite thee by day, nor the moon by night. The LORD shall preserve thee from all evil: he shall preserve thy soul. The LORD shall preserve thy going out and thy coming in from this time forth, and even for evermore. Amen.

Words: Psalm 121 Music: Caleb Burhans (b. 1980), *commissioned by the 2014 DC Conference of the Association of Anglican Musicians

The People stand and sing

HYMN: Not the building, but the people

Wednesday

102 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Words: Carl Daw (b. 1944). © 2013, Hope Publishing Co. All rights reserved. Used by permission. Music: Old Town, William Bradley Roberts (b. 1947). © 2013. All rights reserved. Used by permission. *commissioned in 2013 for the 240th anniversary of Christ Church, Alexandria.

Wednesday THE PRECES

The People sit. The Conference Choir sings the following.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 103 PSALM 81 Exultate Deo Chants: Julian Wachner (b. 1970)

1 Sing with joy to | God our | strength * DQGUDLVHDORXG_VKRXWWRWKH_*RGRI_-DFRE

2 Raise a song and | sound the | timbrel, * WKH_PHUU\_KDUSDQGWKH_O\UH

3 %ORZWKHUDP¶V-horn at the | new | moon, * DQGDWWKHIXOO_PRRQWKH_GD\RIRXU_IHDVW

4 )RUWKLVLVD_VWDWXWHIRU_,VUDHO D_ODZRIWKH_*RGRI_-DFRE

5 He laid it as a solemn | charge up-RQ_-RVHSK ZKHQKHFDPH_RXWRIWKH_ODQGRI_(J\SW

6 I heard an unfamiliar | voice | saying, * ³,HDVHGKLVVKRXOGHUIURPWKHEXUGHQ KLVKDQGVZHUHVHW_IUHHIURP_EHDULQJWKH_ORDG´

Wednesday

8 +HDU2P\SHRSOHDQG_,ZLOODG- |monish you: * 2,VUDHOLI\RX_ZRXOGEXW_OLVWHQWR_PH

9 There shall be no strange | god a- |mong you; * \RXVKDOOQRW_ZRUVKLSD_IRUHLJQJRG

10 I am the LORD your God, ZKREURXJKW\RXRXWRIWKHODQGRI_(J\SWDQG_VDLG ³2SHQ\RXUPRXWK_ZLGHDQG_,ZLOO_ILOOLW´

11 And yet my people did not | hear my | voice, * DQG_,VUDHOZRXOG_QRWR- |bey me.

12 6R,JDYHWKHPRYHUWRWKH_VWXEERUQQHVVRIWKHLU_KHDUWV WR_IROORZWKHLU_RZQGH- |vices.

104 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

13 2KWKDWP\_SHRSOHZRXOG_OLVWHQWRPH WKDW_,VUDHOZRXOG_ZDONLQP\_ZD\V

15 Those who hate the LORD would | cringe be- |fore him, * DQGWKHLU_SXQLVKPHQWZRXOG_ODVWIRU_HYHU

as it was in the be- _JLQQLQJLV_QRZ DQG_ZLOOEHIRU_HYHU$- |men.

Wednesday Wednesday THE FIRST LESSON: 1 Samuel 2:12-26

Now the sons of Eli were scoundrels; they had no regard for the LORD or for the duties of the priests to the SHRSOH:KHQDQ\RQHRIIHUHGVDFULILFHWKHSULHVW¶VVHUYDQWZRXOGFRPHZKLOHWKHPHDWZDVERLOLQJZLWKD three-pronged fork in his hand, and he would thrust it into the pan, or kettle, or caldron, or pot; all that the fork brought up the priest would take for himself. This is what they did at Shiloh to all the Israelites who came WKHUH0RUHRYHUEHIRUHWKHIDWZDVEXUQHGWKHSULHVW¶VVHUYDQWZRXOGFRPHDQGVD\WRWKHRQHZKRZDVVDFUL ILFLQJ³*LYHPHDWIRUWKHSULHVWWRURDVWIRUKHZLOOQRWDFFHSWERLOHGPHDWIURP\RXEXWRQO\UDZ´$QGLIWKH PDQVDLGWRKLP³/HWWKHPEXUQWKHIDWILUVWDQGWKHQWDNHZKDWHYHU\RXZLVK´KHZRXOGVD\³1R\RXPXVW JLYHLWQRZLIQRW,ZLOOWDNHLWE\IRUFH´7KXVWKHVLQRIWKH\RXQJPHQZDVYHU\JUHDWLQWKHVLJKWRIWKH LORD; for they treated the offerings of the LORD with contempt. Samuel was ministering before the LORD, a boy wearing a linen ephod. His mother used to make for him a little robe and take it to him each year, when she went up with her husband to offer the yearly sacrifice. Then Eli would bless Elkanah and his wife, and say, ³0D\WKHLORD repay you with children by this woman for the gift that she made to the LORD´DQGWKHQWKH\ would return to their home. And the LORD took note of Hannah; she conceived and bore three sons and two daughters. And the boy Samuel grew up in the presence of the LORD. Now Eli was very old. He heard all that his sons were doing to all Israel, and how they lay with the women who served at the entrance to the tent of PHHWLQJ+HVDLGWRWKHP³:K\GR\RXGRVXFKWKLQJV")RU,KHDURI\RXUHYLOGHDOLQJVIURPDOOWKHVHSHRSOH No, my sons; it is not a good report that I hear the people of the LORD spreading abroad. If one person sins against another, someone can intercede for the sinner with the LORD; but if someone sins against the LORD, ZKRFDQPDNHLQWHUFHVVLRQ"´%XWWKH\ZRXOGQRWOLVWHQWRWKHYRLFHRIWKHLUIDWKHUIRULWZDVWKHZLOORIWKH LORD to kill them. Now the boy Samuel continued to grow both in stature and in favor with the LORD and with the people.

Reader The Word of the Lord. People Thanks be to God.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 105 All stand. The Conference Choir sings

THE SONG OF MARY Magnificat

Music: Evening Service in A Minor, Thomas Tertius Noble (1867-1953) Words: Luke 1:46-55, with Gloria Patri

The People sit.

THE SECOND LESSON: Romans 1:28²2:11 Wednesday And since they did not see fit to acknowledge God, God gave them up to a debased mind and to things that should not be done. They were filled with every kind of wickedness, evil, covetousness, malice. Full of envy, murder, strife, deceit, craftiness, they are gossips, slanderers, God-haters, insolent, haughty, boastful, inventors RIHYLOUHEHOOLRXVWRZDUG SDUHQWVIRROLVKIDLWKOHVVKHDUWOHVVUXWKOHVV7KH\ NQRZ*RG¶VGHFUHHWKDWWKRVH who practice such things deserve to die²yet they not only do them but even applaud others who practice them. Therefore you have no excuse, whoever you are, when you judge others; for in passing judgment on another \RXFRQGHPQ\RXUVHOIEHFDXVH\RXWKHMXGJHDUHGRLQJWKHYHU\VDPHWKLQJV

Reader The Word of the Lord. People Thanks be to God.

106 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC All stand. The Conference Choir sings

THE SONG OF SIMEON Nunc dimittis

Lord, now lettest thou thy servant depart in peace, according to thy word. For mine eyes have seen thy salvation, which thou hast prepared before the face of all people, To be a light to lighten the Gentiles, and to be the glory of thy people Israel. Glory be to the Father, and to the Son, and to the Holy Ghost: as it was in the beginning, is now, and ever shall be, world without end. Amen.

Music: Evening Service in A Minor, Thomas Tertius Noble Words: Luke 2:29-32, with Gloria Patri

Led by the Officiant, all sing

THE APOSTLES¶&REED

Officiant I believe in God, the Father almighty, People maker of heaven and earth; And in Jesus Christ his only Son our Lord; who was conceived by the Holy Ghost, born of the Virgin Mary, suffered under Pontius Pilate, Wednesday Wednesday was crucified, dead, and buried. He descended into hell. The third day he rose again from the dead. He ascended into heaven, and sitteth on the right hand of God the Father almighty. From thence he shall come to judge the quick and the dead. I believe in the Holy Ghost, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen.

Officiant The Lord be with you. People And with thy spirit. Officiant Let us pray.

The People kneel.

THE LORD¶S PRAYER

Officiant Our Father, People who art in heaven hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 107 Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, for ever and ever. Amen.

THE SUFFRAGES

Wednesday

The Officiant sings the following collects.

THE COLLECT OF THE DAY

108 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC A COLLECT FOR CHURCH MUSICIANS AND ARTISTS

O God, whom saints and angels delight to worship in heaven: Be ever present with thy servants who seek through art and music to perfect the praises offered by thy people on earth; and grant to them even now glimpses of thy beauty, and make them worthy at length to behold it unveiled for evermore; through Jesus Christ our Lord. Amen.

A COLLECT FOR MISSION

Keep watch, dear Lord, with those who work, or watch, or weep this night, and give thine angels charge over those who sleep. Tend the sick, Lord Christ; give rest to the weary, bless the dying, soothe the suffering, pity WKHDIIOLFWHGVKLHOGWKHMR\RXVDQGDOOIRUWK\ORYH¶VVDNHAmen.

All sit for

THE SERMON: 7KH5W5HY¶G6KDQQRQ-RKQVWRQBishop of Virginia

The Conference Choir sings

THE ANTHEM: Judge eternal

Judge eternal, throned in splendor, Lord of lords and King of kings, with thy living fire of judgment purge this land of bitter things; solace all its wide dominion with the healing of thy wings. Still the weary folk are pining IRUWKHKRXUWKDWEULQJVUHOHDVHDQGWKHFLW\¶VFURZGHGFODQJRUFULHVDORXGIRUVLQWRFHDVHDQGWKHKRPHVWHDGV and the woodlands plead in silence for their peace. Crown, O God, thine own endeavor; cleave our darkness with thy sword; feed all those who do not know thee with the richness of thy word; cleanse the body of this Wednesday nation through the glory of the Lord.

Words: Henry Scott Holland (1847-1918), alt. Music: Gerre Hancock (1934-2012)

All kneel. The Officiant prays

A PRAYER OF ST. JOHN CHRYSOSTOM

The People stand for

THE CONCLUDING VERSICLE AND RESPONSE

The Officiant concludes with

May the God of hope fill us with all joy and peace in believing through the power of the Holy Spirit. Amen.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 109 All sing

HYMN: Give us the grace, O Prince of Peace

Wednesday

110 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

Words: Carl Daw (b. 1944). Copyright 2013, Hope Publishing Co. All rights reserved. Used by permission. Music: Shared Ministry, Howard Helvey (b. 1968). Copyright 2013. All rights reserved. Used by permission. *text and tune commissioned by the 2014 DC Conference of the Association of Anglican Musicians

VOLUNTARY: Paean Kenneth Leighton (1929-1988) Wednesday Wednesday

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 111 COMPLINE

Wednesday, June 18, 8:30 p.m. 6W0DU\¶V(SLVFRSDO&KXUFK$UOLQJWRQ

Gregory Hooker, Director of Music 6W0DU\¶V6FKROD

7RQLJKW¶VVHUYLFHLVWKHSUHPLHUHRIWKH5HVSRQVRULDO6HWWLQJVDQGWKH/RUG¶V3UD\HUIRU&RPSOLQH by Christopher Hutchings (b. 1979).

The Officiant begins

The Lord Almighty grant us a peaceful night and a perfect end. Amen.

Officiant Our help is in the Name of the Lord; Choir The maker of heaven and earth.

Officiant Let us confess our sins to God.

Choir Almighty God, our heavenly Father: We have sinned against you, through our own fault, in thought, and word, and deed, and in what we have left undone. For the sake of your Son our Lord Jesus Christ, forgive us all our offenses; and grant that we may serve you in newness of life, to the glory of your Name. Amen.

Officiant May the Almighty God grant us forgiveness of all our sins, and the grace and comfort of the Holy Wednesday Spirit. Amen.

Officiant O God, make speed to save us. Choir O Lord, make haste to help us. Glory to the Father, and to the Son, and to the Holy Spirit: as it was in the beginning, is now, and will be for ever. Amen. Alleluia.

PSALM 31 In te, Domine, speravi

In te, Domine, speravi; In you, O Lord, have I taken refuge; non confundar in aeternum: let me never be put to shame; in justitia tua libera me. deliver me in your righteousness.

Music: Lukasz Urbaniak (b. 1980)

The following passage from Scripture is then chanted

Come to me, all who labor and are heavy-laden, and I will give you rest. Take my yoke upon you, and learn from me; for I am gentle and lowly in heart, and you will find rest for your souls. For my yoke is easy, and my burden is light.

Matthew 11:28-30

112 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC HYMN: Evening Hymn

Te lucis ante terminum Thee, Lord, before the close of day, Rerum Creator, poscimus Maker of all things, thee we pray Ut pro tua clementia For thy dear loving-NLQGQHVV¶VDNH sis praesul et custodia. to guard and guide us in thy way.

Procul recedant somnia, Banish the dreams that terrify, et noctium phantasmata. DQGQLJKW¶VIDQWDVWLFFRPSDQ\ Hostemque nostrum comprime, .HHSXVIURP6DWDQ¶VW\UDQQ\ ne polluantur corpora. Defend us from unchastity.

Praesta, Pater piissime Protect us, Father, God adored, Patrique compare unice Thou, too, Co-equal Son and Lord, Cum Spiritu Paraclito Thou, Holy Ghost, our Advocate, Regnans per omnia saeculum. Whose reign can know no bound nor date. Amen. Amen.

Words: Ambrose of Milan (c. 349-397), Hymn for Compline Music: Levente Gyöngyösi (b. 1975)

Then follows

Versicle Into your hands, O Lord, I commend my spirit; Response For you have redeemed me, O Lord, O God of truth.

Versicle Keep us, O Lord, as the apple of your eye; Wednesday Response Hide us under the shadow of your wings.

Officiant Lord, have mercy. Choir Christ, have mercy. Officiant Lord, have mercy.

Choir Our Father in heaven, hallowed be your Name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial, and deliver us from evil.

The Officiant then says the following Collects

Be our light in the darkness, O Lord, and in your great mercy defend us from all perils and dangers of this night; for the love of your only Son, our Savior Jesus Christ. Amen.

Look down, O Lord, from your heavenly throne, and illumine this night with your celestial brightness; that by night as by day your people may glorify your holy Name; through Jesus Christ our Lord. Amen.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 113 Keep watch, dear Lord, with those who work, or watch, or weep this night, and give your angels charge over those who sleep. Tend the sick, Lord Christ; give rest to the weary, bless the dying, soothe the suffer- LQJSLW\WKHDIIOLFWHGVKLHOGWKHMR\RXVDQGDOOIRU\RXUORYH¶VVDNH$PHQ

THE SONG OF SIMEON Nunc dimittis

Nunc dimittis servum tuum, Domine, Lord, now lettest thou thy servant secundum verbum tuum in pace: depart in peace, according to thy word: Quia viderunt oculi mei salutare tuum for mine eyes have seen thy salvation, Quod parasti ante faciem omnium populorum which thou hast prepared before the face of all people: Lumen ad revelationem gentium, to be a light to lighten the Gentiles, plebis tuae Israel. and to be the glory of thy people Israel.

Gloria Patri, et Filio, et Spiritui Sancto: Glory be to the Father, and to the Son, and to the Holy Ghost; Sicut erat in principio, et nunc, et semper, as it was in the beginning, is now, and ever shall be, et in saecula saeculorum. Amen. world without end. Amen.

Words: Luke 2:29-32, with Gloria Patri Music: Arvo Pärt (b. 1935)

Officiant Let us bless the Lord. Choir Thanks be to God.

The Officiant concludes

The almighty and merciful Lord, Father, Son, and Holy Spirit, bless us and keep us. Amen.

ANTHEM: Sleep

The evening hangs beneath the moon, A silver thread on darkened dune. With closing eyes, and resting head Wednesday I know that sleep is coming soon.

Upon my pillow, safe in bed, A thousand pictures fill my head. I can not sleep my minds aflight; and yet my limbs seem made of lead.

If there are noises in the night, A frightening shadow, flickering light, Then I surrender unto sleep, Where clouds of dream, give second sight,

What dreams may come both dark and deep, Of flying wings and soaring leap As I surrender unto sleep, As I surrender unto sleep.

114 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC Thursday

115 Cathedra Cathedra Conductor Conductor , DC , DC ONCERT C Eric Whitacre (b. 1970) 1970) (b. Eric Whitacre ASHINGTON The National Gallery of Art Art of Gallery The National Michael McCarthy, McCarthy, Michael : Thursday, June 19, 12:10 p.m. p.m. 12:10 19, June Thursday,

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II. With a lily in your hand hand in your With a lily II. Words: hearse her on Lay a garland yew. dismal of wear, branches willow Maidens, true. died say she was firm she but was false, love Her lie body buried her Upon earth. gentle thou lightly,

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Invocation III. Go, lovely rose the and roots of hisdeeds: the mirror of life and death eyeing the human flux. inMan whom each man can find his deep design, for whom whatiswithin is darknot a burden but the heart. Oh, in Man, whom our lowest depths meet our heights, an Be eternal seismograph of invisible the but real. consumed byfeeling, burnt by most holy shame. was with hissoul, hisheart, suffering,desire, will, and whereBe there is no record, where yet man was, EXWVLPSO\µEH¶ ,JRWRZDUGV\RXDQGGRQRWVD\µFRPH¶ PDQ¶VKLVWRU\ILQGVLWVERG\ I call you Iseek and you, O inwhomMan, A od: EdmundWaller (1606- Words: areThat so wondrous sweet fair! and How small of apart time they share, May read in thee; The common fate of all things rare Then die! That she And notblush so tobe admired. Suffer herself to be desired, herBid come forth, Of beauty from the light retired; Small worth is the Thou must uncommended have died. In deserts where no men abide, That hadst thou sprung And shuns to have her graces spied, 7HOOKHUWKDW¶V\RXQJ How and sweet fair she seems tobe. When I resemble her to thee, That now she knows, Tell her that wastes her time and me, Go, lovely rose Frederico GarciaLorca (1898-1936), translatedJeromeby Rothenberg Words: my heart. fitcan inside Until the universe ,¶OOPDNHP\ZD\ oftamer dark stars, theBy blue footpath, SSOCIATION

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SSOCIATION A the overcrowding of thoughts, death of hearts). hearts). of death thoughts, of overcrowding the ² Take, O take him, mighty Leader, Leader, mighty him, Take, O take 7DNHDJDLQWK\VHUYDQW¶VVRXO fragrant the pour name, and his Grave stone. icy the upon Balm Words: (1889- Waddell Helen trans. (348-c.405); Prudentius Clemens Aurelius road shining the again Once Paradise; Leads to ample again woods the are Open men. for lost Serpent the That and idle, winds wandering though Not sky, empty the through Drifting sinew, and nerve was Scatter dust to die. to man given Is it What I give, return again. again. return give, What I decaying time ancient though Not to sand, bones away these Wear measure might a man Ashes that hand: his of hollow In the give thee, I dead the well, him Guard creature his of unmindful Not it made he who he it: ask Shall mystery. his of Symbol appointed hath God hour the Comes the men, hope of fulfill To fashion, in very thou, must Then 2QFHZDVWKLVDVSLULW¶VGZHOOLQJ created. God of By breath the beating, was here that heart the High living. its all of prince the Christ Words: Words: Reprinted by permission. Ltd. Publishers, Music & Hawkes Boosey 2004 by Copyright Peterkiewicz. Jerzy by translated (1920-2005), Wojtyla Karol cherishing for earth, Take him, him. receive breast thyTo tender thee, I bring a man Body of ruin. in its even Noble Through the shallows of history I always reach you you reach always I history of shallows the Through thought each towards walking heart, each towards walking (history history. all for body I seekyour depth. I seekyour

Take him, earth, for cherishing cherishing for earth, Take him, Thursday 118 Caritas abundant in Omnia Requiem (1935) osculum pacisdedit. od: Hildegardof Bingen (1098- * Words: uia summo Regi atque amantissima inomnia, super sidera, imisde excellentissima Caritas abundat inomnia, III. I. V Psalm 121 IV. II. settingcommissioned the2014by DC Conferencethe of Associationof Anglican Musicians Salvator mundi Psalm 23 A Requiem aeternam

who hath made heaven and earth. My help cometh even from Lord, the * from whence cometh my help. I will lift up eyes mine unto the hills; * Requiem aeternam dona eis, Domine luxEt perpetua luceat eis. Requiem aeternam dona eis. Iwill and dwell inthe house of the Lord for ever. But thy loving-kindness and mercy shall follow me all the days of my life; * thou anointed hast my head with oil, mycup shall and full. be Thou shaltprepare a table before me against them that trouble me; * rodand thy staffthy comfort me. thoughYea, Iwalk in the valley shadow of the of death, I will evil; no fear * He shall convert my soul, * lead and meforth beside the waters of comfort. He shall feed me in a green pasture, * therefore can Ilack nothing. LordThe is my shepherd; * MatinsAntiphon for theFeast of the Holy Cross Words: we humbly beseech thee, O Lord. save us and us, help redeemedhast us, who by thy cross and thy precious blood O Savior world, of the SSOCIATION DQGEULQJPHIRUWKLQWKHSDWKVRIULJKWHRXVQHVVIRUKLVQDPH¶VVDNH

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SSOCIATION A Words: 14:3 Revelation I heard a voice from heaven, heaven, from a voice I heard me, saying unto Write, dead the are blessed henceforth From Lord: in the die which Spirit, the saith so even labors. their from rest they for * in, coming thy and out going thy preserve shall The Lord evermore. for and forth this time from The Lord himself is thy keeper; * * keeper; thy is himself The Lord hand; right thy upon defense he thy is day, * by thee burn not shall sun the that So night. by moon the neither * evil; all from thee preserve shall The Lord thy soul. keep shall that he is even yea, it He will not suffer thy foot to be moved; * moved; be to foot thy suffer not will He sleep. not thee will keepeth that and he * Israel keepeth hethat Behold, nor sleep. slumber neither shall aeternam Requiem

V. VI. heaven from a voice I heard

Thursday Highvoices Lowvoices 120 H andsing stand the People enters, theAs procession Sonatada chiesa in E-flat Major, K.67 Kyrie eleison ( Sonatada chiesa in C Major, K.336 V

The choral setting of theMass Ordinary is OLUNTARY YMN A : SSOCIATION Praise the SpiritPraise in creation

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: The LafayetteThe Square String Ensemble OLY 7KH5HY¶G'U/XLV/ ASHINGTON Benjamin Hutto, Thursday, June 19, 5:00 p.m. Wolfgang Amadeus Mozart E Michael Lodico, UCHARIST , DC , Director of Music

on, on, Celebrant Organist Mozart Mozart Preacher

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Jesus Christ; Jesus have mercy upon us. us. upon have mercy God the Father Almighty. Almighty. Father the God receive our prayer. prayer. our receive good will towards men. men. towards will good thee to we give thanks glory, thyfor great have mercy upon us. us. upon have mercy and on earth peace, peace, earth and on thee, glorify we thee, we worship that takest away the sins of the world, the of the sins away that takest Son of the Father, the Father, Son of Thou that sittest on the right hand of the Father, of hand right on the sittest that Thou

O Lord God, heavenly King, heavenly God, O Lord Thou that takest away the sins of the world, the world, of the sins away takest that Thou

Glory be to God on high, God be to Glory thee, bless we thee, We praise Son, only-begotten the O Lord, God, of Lamb God, O Lord

USICIANS M The Word of God The Word NGLICAN A

Blessed be God: Father, Son, and Holy Spirit. Spirit. and Holy Son, Father, be God: Blessed $QGEOHVVHGEH*RG¶VNLQJGRPQRZDQGIRUHYHU$PHQ Almighty Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by your Spirit, that Holy of the inspiration we may perfect- Lord. our Christ through Name; holy your magnify and worthily you, love ly Christopher Dearnley (1930-2000). © 1975, Oxford University Press. All rights reserved. Reprinted under OneLicense.net E- under OneLicense.net Reprinted reserved. rights All Press. University Oxford 1975, © (1930-2000). Dearnley Christopher XCELSIS SSOCIATION CCLAMATION A E

Finnian, Finnian, A IN

Amen. miserere nobis. nobis. miserere

Qui sedes ad dexteram Patris, Patris, ad dexteram sedesQui

coelestis Rex Deus, Domine omnipotens. Pater Deus Qui tollis peccata mundi, mundi, peccata tollis Qui nostrum deprecationem suscipe voluntatis. bonæ tibi agimus gratias tuam, gloriam propter magnam nobis. miserere hominibus pax terra et in te, glorificamus te, adoramus mundi, peccata tollis Qui

unigenite, Fili Domine Christe. Jesu Laudamus te, benedicimus te, te, te, benedicimus Laudamus Gloria in excelsis Deo Deo excelsis in Gloria People People Celebrant Celebrant Celebrant People Patris. Filius Words: Words: Music: by permission. Used reserved. rights All Press. University Oxford 1975, © (1916-2000). Hewlett Michael 1947) Hutto (b. by Benjamin Descant PENING LORIA

Dei, Agnus Deus, Domine G sings The Choir following, the the People sitting after the intonation.

O Thursday 122 P sing andPeople Choir The seated. remain ThePeople T sit. ThePeople T for stand ThePeople

SALM HE HE Celebrant and are and ac- _TXDLQWHGZLWK_DOOP\_ZD\V You trace my journeys and my |resting-|places * 2 People Reader Lord,of the to display his glory. plantingrighteousness,the of oaks called be will Theyspirit. faint a of insteadpraise of mantle themourning, Zioninmournwho those for provide to HUVWRSURFODLPWKH\HDURIWKH/RUG¶VIDYRUDQGWKHGD\RIYHQJHDQFHRIRXU*RGWRFRPIRUWDOOZKRPRXUQ prison- the to release and captives, the to liberty proclaim to brokenhearted, the up bind to oppressed, the to news goodbring meto sent has me;he anointed Lord has the because me, uponis God Lord the of spirit The Holy Spirit, God, one now forand ever. strengthened for your service;throughJesus Christ our Lord, who lives reigns and with you, unity ofthe inthe enlightenedandbe may Spiritwe Holy your ofindwelling the by that grantmercifulGod, most and Almighty People Celebrant ingloria Dei Patris. Amen. Cum Spiritu Sancto Tu solus Altissimus, Jesu Christe. Tu solus Dominus. Quoniam tu solus sanctus. you _FHUQP\_WKRXJKWVIURPD dis- you know my sitting down and myrising up; LORD, you searched have |outme and |known me; * 1 Antiphon (sung by choir): F C A IRST

OLLECT SSOCIATION 139:1 L ESSON -9 -9

OF Thanks be to God. The Word ofthe Lord. Let uspray.Let And alsowith you. LordThe bewith you.

Domine, probasti

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USICIANS ² Amen. to give them a garland instead of ashes, the oil of gladness instead of insteadgladnessof oil ashes,the of insteadgarland a them give to Chant: Chant: Benjamin Hutto (b. 1947), after Richard Wayne Dirksen - |far.-

2014 C thou only, Christ, O thou only art theLord; For For thou only art holy; in the gloryin of God the Father. Amen. the Holywith Ghost, mostart high

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Antiphon Antiphon | also. also. there |

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1 Corinthians 12:4-14 1 Corinthians : The Word of the Lord. Lord. of the Word The God. to be Thanks ESSON and and we were all made to drink of one Spirit. Indeed, the body does not consist of one member ² L SSOCIATION A ZKHUH_FDQ,_IOHHIURP\RXU_SUHVHQFH" ,I,WDNHWKH_ZLQJVRIWKH_PRUQLQJ ECOND S Reader People are one body, so it is with Christ. For in the one Spirit we were all baptized slaves into or free one body of many. but Now Now there are varieties of gifts, but the same Spirit; and there are varieties of services, but the same Lord; and there are varieties of activities, but it is the same God who activates all of them in everyone. To each is given the manifestation of the Spirit for the common good. To one is given through the Spirit the utterance of wisdom, and to another the utterance of knowledge according to the same Spirit, to to prophecy, to another miracles, another of working the to another Spirit, one the by healing of gifts to another faith Spirit, by the same another the discernment of spirits, to another thesetongues. All are by activated one and the various same who allots to Spirit, each just as one individually the Spir- kinds of tongues, to another the it For chooses. just as the is onebody and and of has all many members, thethe members many, body, though interpretation of 9 * | lead me will | hand your there Even me | fast. hold | hand | right and your me. up- | hand |on your and | lay to it. at- |tain |not | I can- that high is so it 6 * | Spirit? your | from go then can I Where 7 * are | there; | you to heaven, up climb If I 8 are | | you my bed, grave the I make if PRVW_SDUWVRIWKH_VHD | utter- in the and dwell of chant half second 5 | wonder- IXO_IRUPH too is knowledge Such 3 * | lips, my | on a word not is there Indeed, 4 | alto- it |gether. | know O LORD, you, but _KLQGDQGEH be- me press upon You HE

T Thursday 124 Reprintedunder OneLicense.net E- H andsing stand ThePeople YMN od: BiancodeSiena (d. 1434?);tr. Richard Frederick Littledale alt. (1833-1890), Music: Words: A : SSOCIATION Come down, O Love divine Down Ampney,

OF Ralph Vaughan Williams(1872-1958); A NGLICAN 802862. M

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AAM Chaplain & Assistant Bishop of Atlanta Bishop Assistant & Chaplain AAM

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: F : 13 NGLICAN A OF EOPLE

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That your Name may be glorified by all by people. glorified be may Name your That James R. Lenney, Judson D. Maynard, Have compassion on those who suffer from any grief or trouble; trouble; or grief any from suffer who those on compassion Have their distress. from delivered may be That they Remembering especially members of AAM who have died in the past year: Paul Langston, eternal rest. departed give to the and Hallock; Peter R. Holloway, Clyde Summerall, Everett T. them. upon shine perpetual Let light joy. into entered have who saints your for you We praise kingdom. heavenly your in to share come we also May others. those of and needs own our for Let pray us We pray for all who govern and hold authority in the nations of the world; world; the of nations the in authority and hold govern who all for We pray the earth. peace on and justice be may That there undertake; that we in all will your grace to do us Give sight. your in favor find may works That our Father, we pray for your holy Catholic Church; Church; Catholic holy your pray for we Father, one. may be That we all serve you; humbly and truly may theChurch of member every that Grant deacons; and priests, bishops, all for We pray Sacraments. and Word your of ministers faithful may be That they The Holy Gospel of Our Lord Jesus Christ according to Luke. to according Christ Jesus Lord Our of Gospel The Holy Christ. Lord to you, Glory Lord. the of The Gospel Christ. Lord you, to Praise 7KH5W5HY¶G.HLWK:KLWPRUH OF

: OSPEL SSOCIATION A G OLY RAYERS ERMON P S H Silence The People may add their own petitions. People People People Leader People Leader Leader Leader Leader Leader People Leader People Leader People Leader Leader Leader People People Celebrant People Celebrant Celebrant People ³6R,VD\WR\RX$VNDQGLWZLOOEHJLYHQ\RXVHDUFKDQG\RXZLOOILQGNQRFNDQGWKHGRRUZLOOEHRSHQHG for you. For everyone who asks receives, and everyone who searches finds, and for everyone who knocks, the door be will opened. Is among you there who, anyone if your child asks for give a will a fish, a of snake instead fish? Or if the child asks for an egg, will give a If scorpion? you then, who are evil, know how to give good gifts WR\RXUFKLOGUHQKRZPXFKPRUHZLOOWKHKHDYHQO\)DWKHUJLYHWKH+RO\6SLULWWRWKRVHZKRDVNKLP´ HE HE HE

The The Celebrant concluding a adds collect. T The People stand. The The People sit. T

T Thursday 126 T steps. the at chancel gather of AAM officers as sit the ThePeople HE sit. ThePeople the Father and the Holy Spirit, now and for ever. with reigns and lives who freedom; perfect is serve to whom you, serve fully may we that you love to and you, it. of life the in steadfast in be call may lovemaywe truly know youthat to usthisgrant anewandchosen allDedicatetheirleaders. usday, ofsupport they your that Association recognize this of and membership the seek form to who those wisdom pray, we the also, Strengthen and work, its in Association this guiding of task their for will your seek to faith the Musiciansto Anglican oflives Association the their of officersand these hymns to Grant their you. both lift shall as joy and reverence, faith, of spirit a such sanctuary and choir inministers your upon downpour below,and Churchyour of praises the pray, accept,we and Hear proclaim; voice ceaseless with heaven of hosts the all and seraphim and cherubim the glory whose Christ, Jesus Lord O is observed. of silence brief period A Chaplain stand topray. All Officers. theaddresses TheChaplain Membership Chaplain Membership Membership. theaddresses TheChaplain Membership Past President Officers Chaplain the addresses then PastPresident A theMembership. addresses President designated Past A Officers Chaplain Officers I A NSTALLATION SSOCIATION

We will.We Will you support in them this ministry and uphold them inyour prayers? do.We The gloryof Lord the filled house the of God. When the song was raised inthe praise of the Lord: We will.We Associa- tion? this of benefit the and God of honor the to duties your execute faithfully you Will will.We You been have called to serve inthis ministry. Will you perform it with diligence? in Association this servethis ministry? to heart willing a by and music, and liturgy through Communion this of worship and music the strengthen to commitment a by worship,by at attendance regular Christ, Jesus to commitment a by prepared be to them believe you Do Musicians. glican An- of Association the of Board the as serve to you before stand who those elected have You musical instruments, on harps lyres and and cymbals, toraisesounds of joy. on loudly play should who musicians appoint to Levites the of chief the commanded David of Officersof the Association of Anglican Musicians. ministry the to admitted be to persons these you to present I God, in Father Reverend Right sion thesepersons as the Board ofthe Association ofcommis- Anglican Musicians. to is here purpose Our good. common the for ministries of variety a for gifts given and Body one into Spirit one the by baptized all are we Jesus, Christ in Brothers and Sisters Let uspray.Let

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as of a mighty wind coming coming wind aof mighty as speaking the wonderful works of God, alleluia. God, of works the wonderful speaking Suddenly there came a sound from heaven, heaven, from sound a came there Suddenly alleluia; sitting, were where they the house] it filled [and Spirit, Holy the with filled all were and they

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Amen. in the Association of Anglican Musicians, in the name of the Father,

NGLICAN 802862. A

Factus est repente est repente Factus : © 1982, Hope Publishing Co. All rights reserved. Reprinted under OneLicense.net E- OneLicense.net under Reprinted reserved. rights Co. All Publishing Hope 1982, © Peter Cutts (b. 1937). © 1969, Hope Publishing Co. All rights reserved. reserved. rights All Co. Publishing Hope 1969, © 1937). (b. Cutts Peter The peace of the Lord be always with you. with be always Lord the of The peace you. also with And NTHEM SSOCIATION A

A Bridegroom, Bridegroom, /LNHWKHPXUPXURIWKHGRYH¶VVRQJ : EACE P spiritus vehementis, vehementis, spiritus alleluia; erantsedentes, ubi loquentes magnalia Dei, alleluia. alleluia. Dei, magnalia loquentes Words: Words: 1944). (b. Carl Daw Words: Music: 2:2,4 Acts 1959) (b. MacMillan James Factus est repente de caelo sonus advenientis advenientis sonus caelo de repente est Factus Sancto, Spiritu omnes sunt et repleti Celebrant Celebrant The The AAM Chaplain then addresses of the each Officers in sayingturn, N., I commission you as Spirit. Holy the and of Son, and the of People FFERTORY YMN HE

The The People stand singand H

The The People sit. O T Music: E- OneLicense.net under Reprinted Thursday 128 T Celebrant continues The orkneel. stand ThePeople S TheChoir sings proceeds Celebrant the Table, Holy the facing Then

ANCTUS HE Pleni suntPleni coeli et terra gloria tua. Dominus Deus Sabaoth: Hosanna in excelsis. VDLG³7DNHHDW7KLVLVP\%RG\ZKLFKLVJLYHQIRU\RX'RWKLVIRUWKHUHPHPEUDQFHRIPH´ andfriends, his to it gave and bread, the brokeblessing, the said bread, took he betrayed was he night the On our Lord. Christ Jesus of Blood and Body the be to Spirit nowHoly your Spirit, by the them Sanctify and gifts. water these byyou before people bring new a made and him, by redeemed been have who we Father, so, And Benedictus qui venit Hosanna in excelsis. Sanctus, Sanctus, Sanctus, ending hymn: un- their in glory, your them with proclaim to hope, in you to looked have who generation every in those all with and martyrs, and apostles, prophets, with chorus, heavenly the with joining you,praise we therefore And hisblood,By hereconciled us.By his wounds, we are healed. of way the us for open freedom andpeace. to Law, your fulfill to woman, a of born Son, only your sent you time of fullness the youagain,return.Again and called to Throughprophets us sages revealed andyou righteousLaw. yourAndin Have mercy, Lord, for weare sinners inyour sight. another.one againstturned we and trust; your betrayed and you,against turned we But creation. of rulers the us made You skill. and reason, memory, with us blessed and race, human the forth brought you elements primal the From yourBy will they were created and have their being. in planets the suns, galaxies, space, their courses, and this fragileinterstellar earth, our island home. of expanse vast the be: to came things all command your At Glory youto for ever and ever. God of all power, Ruler of Universe, the you are worthy of glory and praise. People Celebrant People Celebrant People Celebrant inNomine Domini. G A REAT SSOCIATION

AND T HANKSGIVING B It is right give to God thanks and praise. us Let thanksgive to the Lord our God. liftWe them to Lord.the Lift up your hearts. And alsowith you. LordThe bewith you. ENEDICTUS

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TheHoly Communion M UCHARISTIC USICIANS

2014 C Lord God Lord Hosts: of Hosanna the highest.in Heaven Heaven earthand fullare of thy glory. Holy, Holy, Holy, Glory Glory be to thee, O Lord Most High. in the Name in of theLord. Blessed is he that cometh P RAYER

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the sins of the world, the of the sins peace. thy grant us the sins of the world, world, the of the sins us. upon have mercy O Lamb of God, that takest away takest that of God, O Lamb away takest that of God, O Lamb

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And lead us not into temptation, temptation, into not us lead And evil. from us but deliver glory, the and power, the and the kingdom, is For thine Amen. ever. and ever for Our Father, who art in heaven, in who art Our Father, hallowed be thy Name, Name, thy be hallowed come, kingdom thy done, be will thy heaven. in as it is earth on bread. daily our day this Give us trespasses, us our forgive And us. against trespass who those forgive as we OF

RAYER Alleluia. Christ our Passover is sacrificed for us; us; for sacrificed is Passover our Christ Alleluia. Alleluia. the feast. keep let us Therefore The Gifts of God for the People of God. Take them in remembrance that Christ died for you, SSOCIATION P S A ¶ say, to bold we are us, has taught Christ Savior as our now, And OMMUNION C REAKING ORD B L THE pacem. dona nobis The Choir sings The Choir tollis qui Dei, Agnus tollis qui Dei, Agnus mundi, peccata People People Celebrant Celebrant

Celebrant Accept Accept these prayers and praises, Father, through Jesus Christ our great High Priest, to whom, with you generation. to generation from and worship, and glory, honor, gives Church your Spirit, the Holy Lord God of our Fathers: God of Abraham, Isaac, and Jacob; God and Father of our Lord Jesus Christ: Open our eyes to see your hand at work in the world about us. Deliver us from the presumption of coming to this Table for solace only, and not for strength; for pardon only, and not for renewal. name. in his world the Let serve worthily we may that Christ, in one spirit body, the one us make Communion grace of this Holy Bread. the of the breaking in to us known be Risen Lord, All $IWHUVXSSHUKHWRRNWKHFXSRIZLQHJDYHWKDQNVDQGVDLG³'ULQNWKLVDOORI\RX7KLVLVP\%ORRGRIWKH new Covenant, which is shed for you and for many for the forgiveness of sins. Whenever you drink it, do this IRUWKHUHPHPEUDQFHRIPH´ thanksgiving, of this sacrifice to you offering and redemption, of work his now Remembering coming. his day of the as we await resurrection, and death his We celebrate nobis. miserere mundi, peccata

T HE HE

thanksgiving. with faith, by hearts your in him and on feed A Celebrant T

Thursday 130 1985 the 1985 Church PensionFund. All rights reserved. Usedpermissionby of Church PublishingIncorporated, New York, . NY George WallaceBriggs (1875-1959), alt. Usedpermissionby Oxford of University Press. Music: Words: sing All

Hymn: A SSOCIATION Rosedale Come, risen Lord, deign and tobe our guest , Leo Sowerby (1895 Sowerby Leo ,

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1631; harm. William Smith Rockstro (1823- Rockstro Smith William harm. 1631; USICIANS M

© 1997 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Incorporated, Incorporated, Publishing Church of by permission Used reserved. rights All Fund. Pension Church the 1997 © NGLICAN A RAYER OF P

Gross Catolische Gesangbuch, Gesangbuch, Catolische Gross Let us pray. pray. Let us Eternal God, heavenly Father, Father, heavenly God, Eternal members living us as accepted graciously you have Christ, Jesus Savior our your Son of food spiritual with us fed you have and Blood. and Body his of the Sacrament In peace, in world the into usSend now courage and strength us grant and you serve to love and heart; of singleness and with gladness Amen. Lord. our Christ through melody from from melody Wonder, Love, and Praise, Praise, and Love, Wonder, O taste and see see O taste and SSOCIATION A Loving Spirit Spirit Loving Omni die, Omni OSTCOMMUNION

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Celebrant Celebrant People Hymn: Anthem: in God! trust who they are Happy good. is Lord the see and O taste Words: Music: Ps. 34:8 1947) (b. Roberts Bradley William Words: Words: E- under OneLicense.net Reprinted reserved. rights All 1931). (b. Murray Erena Shirley HE

All sing The Choir sings The Choir Thursday 132 H andsing stand ThePeople T HE YMN People Celebrant B A : LESSING SSOCIATION O praise ye O praise ye the Lord! Praise him inthe height

Amen. upon you remain and with you for ever wonderful the proclaim to grace you beSpirit,Holy the and Son,the givingFather,theAlmighty, Godblessingof the and God; of works truth, all into you lead God of Spirit the May

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, DC , DC Dan Locklair (b. 1949) (b. Dan Locklair ASHINGTON :

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Hear my words, ye people people ye words, my Hear USICIANS M

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Let us go forth into the world, rejoicing in the power of the Spirit. of power the in rejoicing world, the into go forth Let us God. to be Thanks

O Festive Day (A Fantaisie for Organ) Organ) for Day (A Fantaisie O Festive SSOCIATION : A ISMISSAL D People People Music: Music: from excerpted (1848-1918), Parry Hastings Hubert Charles Celebrant Words: (1821- Baker Williams Henry OLUNTARY HE

PROFESSIONAL DEVELOPMENT OFFERINGS

Clergy Day Wednesday, June 18, 2014²Alexandria, VA

&KDQWHG0RUQLQJ3UD\HUZLOOEHOHGE\7KH5HY¶G(ULND/7DNDFVRIILFLDQWLQOLJKW-filled and reverberant Calla- way Chapel of Episcopal High School.

7KH 5HY¶G 'U )UDQFLV +:DGH ZLOO DGGUHVV DVVHPEOHG PXVLFLDQV DQG FOHUJ\ RQ WRSLFV RI FRQFHUQ WKDWFHQWHU DURXQGOLWXUJ\PXVLFDQGRXUFRPPRQYRFDWLRQ)UDQN:DGHLVFRQVLGHUHG³DSULHVWWRSULHVWV´LQWKH:DVKLQJ ton, DC, area because of his wisdom and pastoral sensitivity. Those skills will be brought to bear in framing discus- sions of interest to conferees, regardless of their vocation.

A panel discussion of current issues of interest to musicians and clergy will be moderated by the Dean and Presi- GHQWRI9LUJLQLD7KHRORJLFDO6HPLQDU\WKH9HU\5HY¶G,DQ60DUNKDP3K'2WKHUPHPEHUVRIWKHSDQHOLQ FOXGHWKHGLRFHVDQELVKRSVRI0DU\ODQG9LUJLQLDDQG:DVKLQJWRQ7KH5W5HY¶GV(XJHQH7D\ORU6XWWRQ6KDQ QRQ -RKQVWRQ DQG 0DULDQQ (GJDU %XGGH UHVSHFWLYHO\ DV ZHOO DV $$0 &KDSODLQ WKH 5W 5HY¶G .HLWK % Whitmore, Assistant Bishop of Atlanta; musician panelists include Janette Fishell, Professor of Music and Chair of WKH2UJDQ'HSDUWPHQWDW,QGLDQD8QLYHUVLW\WKH5HY¶G(ULND/7DNDFVDKLJKO\VNLOOHGPXVLFLDQZKRVHUYHVDV $VVRFLDWH5HFWRURI6W0DUN¶V3KLODGHOSKLDDQG$$0SDVW-president Richard Webster, Director of Music and Organist at Trinity Church, Copley Square, Boston.

After a buffet luncheon, hosted by the Dean of Virginia Seminary, conferees will have their choice among several activities: 1) a guided walking tour of the campus; 2) a display of drawings and artist renderings of the new Imman- uel Chapel, nearing completion; 3) a question and answer session with Taylor and Boody Organbuilders, creators of the instrument for the new chapel, including drawings and pictures of the VTS English-style organ. 4) the grand opening of the newly-acquired Douglas Collection, books, papers and hymnals of Canon Winfred Douglas, editor of both The Hymnal 1916 and The Hymnal 1940.

A service of music and readings will mark the culmination of a high school choral festival by young singers from area Episcopal schools and parishes. Designed to run concurrently with the AAM conference, the festival is led by conference conductor-in-residence Julian Wachner, of the Washington Chorus and Trinity, Wall Street, New York. Wachner will also lead rehearsals of the Conference Choir (comprised of conference attendees) throughout the week. The Conference Choir will be featured during the afternoon service of music and readings, as well as at Choral Evensong.

$W&KULVW&KXUFK$OH[DQGULDFRQIHUHHVZLOOKDYHDFKRLFHRIDWWHQGLQJDQ$IWHUQRRQ7HDRUD'RQRUV¶5HFHS WLRQDIWHUZKLFKFOHUJ\ZLOOKDYHWKUHHZRUNVKRSFKRLFHVDVHVVLRQZLWKWKH5HY¶G'U)UDQN:DGHDFODVVRQ FKDQWLQJWKHOLWXUJ\E\976SURIHVVRURIFKXUFKPXVLF7KH5HY¶G'U:LOOLDP%UDGOH\5REHUWVRUREVHUYLQJWKH rehearsal for Evensong, led by Julian Wachner.

The afternoon concludes with Evensong at Christ Church, Alexandria, sung by the Conference Choir. The service features the premieres of two new works: a hymn on the common ministry of musicians and clergy by hymnist Carl P. Daw, Jr., and composer Howard Helvey, and a new unison with descant anthem setting of Psalm 121 by New York composer Caleb Burhans.

The free evening offers conferees the option of exploring and dining in charming Old Town Alexandria or return- ing early to the hotel.

An additional attractive option is taking a bus to near-E\6W0DU\¶V$UOLQJWRQIRUWKHVHUYLFHRI&RPSOLQH

The evening concludes with bus travel (or Metro train, if later) back to the conference hotel.

134 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

PROFESSIONAL DEVELOPMENT OFFERINGS, cont.

Planning Liturgies for Same-Sex Blessings in the Episcopal Church Thursday, June 19, 2014, at 9:15 a.m.²The Key Bridge Marriott 7KH5HY¶G&DQRQ-DPHV$1HZPDQ

,QD*HQHUDO&RQYHQWLRQUHVROXWLRQDIILUPHG³WKHORYHDFFHSWDQFHDQGSDVWRUDOFRQFHUQDQGFDUHRIWKH &KXUFK´IRUKRPRVH[XDOSHUVRQV6LQFHWKDWWLPHVRPHFRQJUHJDWLRQVDQGFOHUJ\RIWKH(SLVFRSDO&KXUFKKDYH offered blessings of same-sex relationships, and some dioceses have developed liturgies for such blessings. Resolu- WLRQ&RIWKH*HQHUDO&RQYHQWLRQFDOOHGIRU³OLWXUJLHVFHOHEUDWLQJDQGEOHVVLQJVDPH-VH[XQLRQV´$QGVL[ years later, Resolution C056 of the 2009 General Convention directed the Standing Commission on Liturgy and 0XVLFWR³FROOHFWDQGGHYHORSWKHRORJLFDODQGOLWXUJLFDOUHVRXUFHV´&OHUJ\DQGSDULVKPXVLFLDQVWRGD\PRUHIUH quently have opportunities to plan liturgy and music for such celebrations, and in this workshop, Canon Jim New- man will name and explore numerous resources that are presently available.

Servant Leadership for Musicians: More Than Conflict and Closure Thursday, June 19, 2014, at 9:15 a.m.²The Key Bridge Marriott William Saviers, Esq., and Dr. David Ouzts

7KH$$0KDQGERRN³&RQIOLFWDQG&ORVXUH´KDVIDLWKIXOO\VHUYHGRXURUJDQL]DWLRQVLQFHLWVILUVWHGLWLRQLQ and has this year been re-UHOHDVHGDV³6HUYDQW/HDGHUVKLSIRU0XVLFLDQV$9RFDWLRQDO+DQGERRNIRU0LQLVWU\´LQ which the opening section deals with developmental learning, gifts and talents, functionality, servant leadership, and vocational call. Bill Saviers and David Ouzts will lead this workshop and present this new handbook edition as a basis for discussion about professional development, personal vision, and continued successful employment in parish ministry.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 135

136 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 137 ion, the former Yugoslavia, BIOGRAPHIES France, and Finland, with orchestras such as the Sverd- lovsk Philharmonic and Sibe- NICHOLAS BIDELER, born lius Academy Symphony Or- in June 1986, is a native of chestra, among others. Fort Smith, Arkansas, and has In the United States, she been a musician since he was has appeared as a soloist with eight years old. In 2004 Nich- the National Symphony, olas was appointed Organist Knoxville Symphony, Centen- at Visitation Catholic Church nial Philharmonic, Virginia in Kansas City, Missouri, Chamber, and Eclipse Cham- where he also started a Royal ber Orchestras, and per- School of Church Music pro- formed with various chamber music groups, including gram. He received his bache- Kennedy Center Chamber Players. ORU¶V GHJUHH LQ RUJDQ SHUIRU As a member of the National Symphony Orchestra mance from the University of Kansas in 2008 and mas- since 2000, Ms. Bogachek has presented numerous WHU¶V GHJUHH DW WKH &ROOHJH &RQVHUYDWRU\ RI 0XVLF LQ solo and chamber music concerts and master classes Cincinnati, Ohio, in 2010. His primary teachers have throughout the U.S. and South America. Ms. Bo- been Dr. James Higdon, Dr. Michael Bauer, and Dr. gachek has recorded for the Vernissage Records label Roberta Gary, respectively. He is currently working on and performed frequently on public radio. In addition his Doctor of Musical Arts degree at the University of to her orchestral responsibilities, Ms. Bogachek main- Kansas. tains a busy concert schedule, appearing with orches- In 2008, he was appointed as the Associate Direc- tras and in recital and chamber music performances in tor of Music at Christ Church Cathedral in Cincin- the Greater Washington, DC, area, including Millen- nati, where he played for both the Cathedral Choir nium Stage and Terrace Theater of the Kennedy Cen- and Cathedral Choir of Boys and Girls. In the fall of ter, Howard Theater, The Lyceum, Mount Vernon 2010, Nicholas returned to Visitation Church to direct Estate, and Embassy Series, among other venues. Since the RSCM choir of boys and girls. Nicholas was a com- 1997 Ms. Bogachek has performed extensively with her petitor in the 2011 Dublin International Organ Com- husband, Zino, as a violin duo. Praised for their homo- petition and the 2011 Canadian International Organ geneity and style, Duo Concertone has presented criti- Competition. In September of 2012, Nicholas became cally acclaimed programs of works taken from three the Assistant Organist and Choirmaster at the Church centuries of music throughout the U.S. of Saint Michael and Saint George in Saint Louis. Ms. Bogachek is a passionate promoter of the con- Nicholas has performed throughout the United temporary violin and bow makers; her violin is by States and Europe in such venues as the Washington Mark Langdale Hough, 2009, and her bow is by Benoit National Cathedral; Trinity Church, Boston; Prince- Rolland, commissioned by the artist. ton University; the Cathedral Basilica of the Sacred

Heart in Newark, NJ; St. Thomas Church, Fifth Ave- nue, New York City; and Westminster Cathedral, Lon- JOHN BRADFORD BOHL don. KDV EHHQ KDLOHG DV ³D VXSHUE RUJDQLVW´ Washington Examin- er) and is a multi-faceted musi- NATASHA BOGACHEK, violinist, is a versatile and expressive performer. She was born in Russia and be- cian, working as organist, con- gan her studies at the Sverdlovsk Music School for ductor, singer, accompanist Gifted Children. After graduating with honors from and coach. A native of Flint, the Moscow State Conservatory, Ms. Bogachek was Michigan, Mr. Bohl has been invited to the Peabody Institute of Music as a full the Assistant Director of Mu- scholarship student of Berl Senofsky and Herbert VLF DW 6W 3DXO¶V 3DULVK . Greenberg. Her chamber music coaches include Earl Street in Washington, DC, &DUO\VV DQG (OOHQ 0DF 0V %RJDFKHN¶V VROR HQJDJH since 2007, where he is prima- Biographies ments include performances in the former Soviet Un- ry accompanist of the Parish Choir, the Choir of Boys & Girls, and the Youth Choir.

138 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC As organist, Mr. Bohl has performed all over the goal, including securing funding for two new diocesan United States, both as a soloist and accompanist. He staff positions, Canon for Congregational Develop- can be heard as accompanist on the 2010 recording We ment and Young Adult Missioner. Her priority is to Sing of God E\ WKH FKRLUV RI 6W 3DXO¶V . 6WUHHW UH develop and strengthen collaborative models of minis- leased in 2010; and as soloist and accompanist with try that can meet the needs of a changing world with The Washington Chorus and the Washington Sym- flexibility, endurance, and grounded faith. phonic Brass on the 2011 CD Christmas in Washing- Bishop Budde was consecrated as the ninth bishop ton. He can also be heard as countertenor soloist on of Washington in November 2011. Prior to her elec- the 2010 Grammy-QRPLQDWHG UHFRUGLQJ RI +DQGHO¶V tion, she served for eighteen years as rector of St. Israel in Egypt with the choir of Trinity Wall Street, -RKQ¶V (SLVFRSDO &KXUFK LQ 0LQQHDSROLV ZKHUH VKH New York City. guided the congregation through significant member- $FFODLPHG DV D ³VWHUOLQJ FRXQWHUWHQRU´ ZLWK ³D ship and financial growth, two capital campaigns, and YRLFHRIFODULW\DQGGH[WHULW\´0U%RKOPDGHKLV.HQ comprehensive ministry development. nedy Center debut in a performance of The Lark by Bishop Budde served for ten years as a Conference Leonard Bernstein with The Washington Chorus in Leader for CREDO, an organization committed to November 2012. He performs regularly as both soloist clergy wellness and vocational renewal. She helped lead and chorister with The Washington Bach Consort, the WKH 'LRFHVH RI 0LQQHVRWD¶V &RPPLVVLRQ IRU 0LVVLRQ choirs of Washington National Cathedral, Cathedra, Strategy, focusing her efforts on the renewal of congre- and is a founding member of the Austin, Texas, based gations. Diocesan mission strategy also was the focus of Ensemble VIII. her Doctor of Ministry thesis: Engaging Leadership for Mr. Bohl began piano studies at age six, and organ Change. A practitioner of systems theory, Bishop Bud- studies at age nine. He was an organ student of Dr. de loves working in complex organizations. Marilyn Keiser and voice student in the Early Music She earned a B.A. in history at the University of Department of Dr. Paul Elliott at the Indiana Universi- Rochester, NY, graduating magna cum laude. She ty Jacobs School of Music. Mr. Bohl previously served earned both her Masters in Divinity and Doctor of as the Assistant Conductor and Accompanist of The Ministry degrees from Virginia Theological Seminary. Washington Chorus (2011²2013) and was Assistant In May of 2012, Bishop Budde received an honorary 2UJDQLVW&KRLUPDVWHU DW 2OG 6W 3DXO¶V &KXUFK doctorate from Virginia Theological Seminary. Her (Episcopal) in Baltimore, MD (2005²2007). sermons have been published in several books and journals, and she is the author of Gathering the Frag- THE RT. REV¶D DR. MARI- ments: Preaching as Spiritual Practice, published in 2007. ANN EDGAR BUDDE is the She and her husband, Paul, have two adult grown Bishop of Washington. She is sons, Amos and Patrick. the spiritual leader of 40,500 Photo: Liz Linder Episcopalians in eighty-nine CALEB BURHANS is quickly congregations and twenty establishing himself as a sig- Episcopal schools in the Dis- nificant presence in the New trict of Columbia and four York contemporary music Maryland counties: Montgom- scene active as both a per- HU\3ULQFH*HRUJH¶V&KDUOHV former and composer. Amaz- DQG6W0DU\¶V6KHDOVRVHUYHV ingly versatile, Burhans is a as the Chair and President of composer, violinist, violist, the Protestant Episcopal Cathedral Foundation, which electric guitarist, pianist, and Biographies Biographies oversees the ministries of the Washington National countertenor, whose composi- Cathedral and three Cathedral schools. tion teachers have included A passionate believer in the mission and ministry Augusta Read Thomas and of the Episcopal Church, Bishop Budde is committed Joseph Schwantner. He has to the revitalization and growth of congregations and EHHQKDLOHGE\WKH1HZ

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 139 tronica, and free improv. He has been commissioned continuing partnership between the diocese of Nebras- by various new music ensembles, recently including the ka, a Reform Jewish temple, and a Muslim community. Albany Symphony, JACK Quartet, and the Janus Trio. A native Mississippian, Burnett was drawn to the His music has been performed at various festivals, in- Episcopal Church while a student in a United Method- cluding the Bang on a Can Marathon, Look and Listen ist seminary in 1972. Following his ordination in 1974, Festival, Tribeca New Music Festival, Darmstadt Inter- he served in the diocese of Mississippi for twenty-five nationale Ferienkurse für Neue Musik, International years as priest and pastor and was active in a variety of Viola Congress, The National Flute Association Con- diocesan and community ministries. In the wider vention, Open Days Festival (Denmark), and the As- church he has held leadership roles in areas of evange- pen Music Festival. lism, liturgy, and music, and was a frequent faculty In 2009, he became an Annenberg Fellow. He won member of the Preaching Excellence Program for Epis- the Music Educators National Conference Composi- copal seminarians. WLRQ &RPSHWLWLRQ DQG (DVWPDQ¶V %HUQDUG DQG 5RVH In 1999, he joined the faculty of the School of Sernoffsky Prize. As a performer Mr. Burhans has Theology of the University of the South, where he worked with groups such as the Steve Reich Ensemble, WDXJKW SDVWRUDO WKHRORJ\ DW WKH PDVWHU¶V DQG GRFWRUDO Ensemble 21, Charleston Symphony, Los Angeles Phil- levels until he was elected bishop in May of 2003. He harmonic, London Sinfonietta, Madison Symphony, has numerous published sermons, as well as articles on Milwaukee Symphony, Rochester Philharmonic, pastoral theology, liturgy, and pastoral care. Currently Chamber Orchestra of Philadelphia, and the Princeton he chairs the theology committee of the House of Bish- Symphony. He is currently a member of Alarm Will ops and is a member of the board of directors of the Sound, ACME, itsnotyouitsme, Newspeak, and the Anglican Theological Review. He is also on the board Wordless Music Orchestra. of the Sewanee Church Music Conference. He is mar- As a recording artist, Mr. Burhans has recorded for ried to Marty Wheeler Burnett and has three grown Nonesuch, Harmonia Mundi France, Virgin, Winter sons. & Winter, Bridge, Universal, Cantaloupe, Hanssler, Lujo, Warp, Vagrant, MSR Classics, Hybrid, Arthaus THE REV¶D GINA CAMP- Musik DVD, Sweet Spot DVD, and Oxford Press. He BELL is Canon Precentor at has premiered numerous works as well as working with Washington National Cathe- such composers as Philip Glass, Steve Reich, John Ad- dral. Formerly clergy associate ams, David Lang, Michael Gordon, George Crumb, for liturgy, she was named Di- Brian Ferneyhough, and Augusta Read Thomas. rector of Worship in late April 2012 and Canon Precentor in THE RT. REV¶D JOSEPH G. September 2013. In this role BURNETT is Interim Rector her responsibilities include RI 6W &ROXPED¶V (SLVFRSDO providing leadership and direc- Church, Washington, DC. tion for a number of worship Bishop Burnett was appointed groups²including communion assistant bishop of Maryland ministers, nave chaplains, and lectors²and she has also in April of 2011, where he served as the chaplain to the various Cathedral choirs. shared Episcopal ministry with She works closely with the dean, the vicar, and pro- Bishop Eugene Taylor Sutton. grams director as a teacher in areas of Christian for- He went to Maryland from the mation and education. Like the other clergy on the Diocese of Nebraska, where Cathedral staff, she also serves as a pastor and preacher he had served as diocesan to the broad Cathedral community and the congrega- bishop since September 13, 2003. During his tenure in tion. Nebraska the diocese worked to develop strategic goals Campbell is an ordained United Methodist minis- in youth and young adult ministries, to support and ter with thirty-five years of experience serving Method- build new congregations, to revitalize existing parishes, ist congregations. She also has over thirty years of expe- to equip lay and clergy leaders for ministry and growth rience as a nationally-recognized consultant in family and to promote global mission. Burnett was a founding systems and the impact of systems work in the church. Biographies member in 2006 of the Omaha Tri-Faith Initiative, a Since 2008, she had served as the music librarian for

140 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC WKH&DWKHGUDO¶VPXVLFSURJUDPXQGHUWKHGLUHFWLRQRI -RKQ¶V &KXUFK /DID\HWWH 6TXDUH KDV UHFHLYHG FULWLFDO Canon Michael McCarthy, Music Director. In that acclaim. capacity she maintained the music library of the Cathe- As a solo artist, Mr. Carabetta has performed for dral as well as having a key implementation role with the National Symphony Orchestra at The John F. Ken- the Cathedral choirs and with special music events. nedy Center for the Performing Arts, at Grace Cathe- She is well known to the Cathedral community as a dral in San Francisco, Trinity Episcopal Cathedral in preacher, pastor, and worship leader. Miami, The Cathedral of St. Philip for the Summer In addition to her responsibilities at the Cathedral Organ Festival in Atlanta, Princeton University Chap- and ongoing work as a consultant, Campbell has con- el, The Church of the Advent in Boston, St. Thomas tinued to serve on the adjunct faculty at Wesley Theo- Church in New York City, and Washington National logical Seminary and the Center for Family Process. Cathedral, among many others.

SAMUEL CARABETTA is YVONNE CARUTHERS, cel- Organist and Choirmaster of list, began 2014 with a mile- 6W -RKQ¶V (SLVFRSDO &KXUFK stone: her retirement at the Georgetown Parish, in Wash- end of a thirty-five year career ington, DC, and Artistic Di- with the National Symphony rector of the Georgetown Orchestra (NSO). Though her Concert Series. Previously he orchestral career has ended, served Grace Episcopal her career as a performing Church in The Plains, Virgin- musician has not, and she ia, where he was Artistic Di- looks forward to pursuing rector of the prestigious more of the creative projects Grace Church Concert Series. that she is known for. For sixteen years, he was Organist and Choirmaster of Ms. Caruthers is no stranger to organists in the 6DLQW -RKQ V &KXUFK /DID\HWWH 6TXDUH ³7KH &KXUFK Washington area, as she has collaborated with several RI7KH3UHVLGHQWV´ of them. The pipe organ was also the subject of one of ³$OHDGHULQKLVSURIHVVLRQLQWKHQDWLRQ¶VFDSLWDO´ her day-long seminars through the educational branch Mr. Carabetta has also been associated with the Wash- of the Smithsonian, where she lectures regularly on ington Performing Arts Society (WPAS), one of Ameri- musical topics. FD¶V OHDGLQJ QRQ-profit, multi-disciplinary presenting ³&RQQHFWLRQV0XVLF0DWWHUV´ -DQXDU\ ZDV organizations. He coordinated the development and WKHODWHVWLQ

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 141 Adjunct Professor of Hymnol- view, and The Hymn. ogy in the Master of Sacred Born in Louisville, Kentucky, Dr. Daw grew up in Music program and acts as a succession of towns in Tennessee where his father the Curator of the Hymnolog- was a Baptist pastor. He taught for eight years in the ical Collections in the STH English Department of the College of William and Library. Mary before entering seminary. Following his ordina- In addition to his experi- tion, he served for three years as Assistant Rector of ence as a parish priest and Christ and Grace Church in Petersburg, Virginia, and university chaplain, Dr. Daw for nine years as Vicar-&KDSODLQRI6W0DUN¶V&KDSHO has served as a retreat leader, at the University of Connecticut at Storrs. He then speaker, workshop leader, spent three years as a resident Companion of the Com- and guest lecturer at many munity of Celebration in Aliquippa, Pennsylvania, and conferences and seminaries throughout the United served in various interim and supply ministries in that States. He has been successively Secretary and Chair of area. the Standing Commission on Church Music of the Episcopal Church and was a consultant member of the MARK DUER, baritone, has Text Committee for The Hymnal 1982, to which he been heard as a soloist with contributed a number of translations, metrical para- such varied companies as the phrases, and original hymns. His texts have subse- New York Chamber Ensem- quently appeared in most denominational and ecu- ble, Woodstock Fringe Festi- menical hymnals published in the United States and val, Berkshire Choral Festival, Canada. They also can be found in hymnals in Eng- 3LFFROR 7HDWUR GHOO¶ 2SHUD land, Scotland, and Australia, and have been translated Cleveland Opera, Greensboro into Spanish, Chinese, and Japanese. (In conjunction Opera, Ash Lawn-Highland with his lecture tour of Japan in 2002, the United Opera, Ensemble for Early Church of Christ in Japan published a collection of Music, and as soloist with the twenty-five of his hymns in Japanese.) Anthem settings Battell Chamber Orchestra, of approximately seventy of his texts are currently in &OHYHODQG 2UFKHVWUD $SROOR¶V )LUH %DFK 6LQIRQLD print. Hope Publishing Co. has issued four collections Musica Sacra, Pro Arte Connecticut, Masterworks of his hymns: A Year of Grace: Hymns for the Church Year Chorale, West Virginia Symphony, the American Vir- (1990), 7R 6LQJ *RG¶V 3UDLVH (1992), New Psalms and tuosi, the Washington Bach Consort, and the Virgin Hymns and Spiritual Songs (1996), and Gathered for Wor- Consort. ship (2006). He was a member of the Editorial Advisory 0U'XHU¶VSRLJQDQWO\ULFYRFDOLVPKDVDOVRWDNHQ Committee for The Hymnal 1982 Companion and wrote him to venues such as Weill Recital Hall, the Bar Har- WKHHVVD\RQ³7KH6SLULWXDOLW\RI$QJOLFDQ+\PQRG\´ bor Music Festival, Carnegie Hall and Tanglewood. In in Volume I and numerous text commentaries in Vol- 2002, he premiered Waking In New York, a post mini- ume III. In 1994, Church Hymnal Corporation pub- malist opera by composer Elodie Lauten set to poetry lished Breaking the Word: Essays on the Liturgical Dimen- of Allen Ginsberg. Mr. Duer also created a lead musi- sions of Preaching, for which he was the editor and con- cal theatre role in Bei Nacht, by composer Frank Lon- tributor of two essays. He collaborated with Kevin R. GRQ VXQJ LQ ZRUNVKRS DW /D -ROOD &DOLIRUQLD¶V 6WUHL Hackett, SSJE, in creating the two-volume A Hymntune sand Festival. Psalter, which Church Publishing, Inc. issued, 1998± Mr. Duer has recorded on the Gothic, Delos, 1999, as well as the later Revised Common Lectionary Deutsche Grammophon/Archiv, and Glissando labels. version, 2007-2008. With Thomas Pavlechko he has He has been heard in national television and radio compiled Liturgical Music for the Revised Common Lection- broadcasts including appearances on CBS Sunday ary (Church Publishing, Inc., 2007-2009), which pro- 0RUQLQJ1%&¶V7RGD\6KRZ$ (DQGDVDVRORLVW vides scripture-based choir and congregational song in broadcasts of Pipedreams on National Public Radio suggestions for each Sunday of the three-year cycle. He and of the Cleveland Orchestra. has written a variety of articles related to liturgy and Critics at the Akron-Beacon Journal called him music and has reviewed related materials for The St. ³VSOHQGLG´ D ³GUDPDWLF SHUIRUPHU´ VD\LQJ KH ³VDQJ Biographies /XNH¶V -RXUQDO RI 7KHRORJ\ 7KH $QJOLFDQ 7KHRORJLFDO 5H ZLWK ZDUPWK DQG WHQGHUQHVV´ ³YLYLG LQIOHFWLRQ´ DQG

142 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC ³SLHUFLQJEHDXW\RIWRQHDQGSKUDVLQJ´The New York lege Chapel, Cambridge, Westminster Cathedral, Concert Review QRWHGKLV³PDUYHORXVGLFWLRQDQGPXVL Westminster Abbey, and Washington National Cathe- FDOLW\´+LVSHUIRUPDQFHVRIWaking in New York made dral, and has performed as soloist in performances of the New York Times KDLO KLP DV D ³SDUWLFXODUO\ DJLOH´ 3RXOHQF¶V 2UJDQ &RQFHUWR DQG 6DLQW-Saens Organ singer, while the Village Voice mentioned him as a new Symphony. ³PXVLFDO WKHDWHU WDOHQW´ 7KH Kingston Daily Freeman SUDLVHG KLP DV ³D EDULWRQH ZLWK WKH O\ULF ILQHVVH RI D JEREMY FILSELL is acknowl- concert tenor, Duer is both a lion and a lamb. . . edged as one of only a few 'XHU¶V YRLFLQJ RI WHQGHUQHVV LV VDQFWXDU\ DQG HP virtuoso performers on both EUDFH´ piano and organ. He has ap- 0U 'XHU¶V SURIHVVLRQDO FKRUDO VLQJLQJ LQFOXGHV peared as a solo pianist in work with the Washington Bach Consort, Chantry, Russia, Scandinavia, the U.S., the Countertop Ensemble, and the Bach Sinfonia, and throughout the U.K. His with whom he recorded the full Bach Motets (Dorian). concerto repertoire encom- He sang two seasons with The Handel & Haydn Socie- passes Mozart and Beethoven ty of Boston, years of recordings and concerts with through to Shostakovich, 1HZ Renaissance choir Pomerium. He has recorded the solo piano music of Herbert How- Since 1987 he has sung in prominent churches and ells, Bernard Stevens, Eugene Goossens, and Johann synagogues, including recordings, premieres, concert Eschmann for Guild. Recently released were discs of solos, and cantor positions. Mark studied choral sing- 5DFKPDQLQRY¶V SLDQR PXVLF IRU 6LJQXP DQG WZR RI ing and conducting under Grammy-winning conductor French melodies, accompanying Michael Bundy Vance George, and Robert Shaw disciples David Pegg (baritone) for Naxos. and C.M. Shearer. Additionally he was one of the Jeremy Filsell has recorded for BBC Radio 3, youngest members of the Blossom Festival Chorus of U.S.A., and Scandinavian radio networks in solo and the Cleveland Orchestra under choral conductor Rob- concerto roles and his discography comprises more ert Page. Mr. Duer has sung with many esteemed con- than twenty-five solo recordings. Gramophone maga- ductors, including Charles Dutoit, Sir Colin Davis, zine commented on the series of twelve CDs Christopher Hogwood, and Kurt Masur. FRPSULVLQJWKHSUHPLHUHUHFRUGLQJVRI0DUFHO'XSUp¶V complete organ works for Guild in 2000) that it was ANDREW EARIS is Director ³RQHRIWKHJUHDWHVWDFKLHYHPHQWVLQRUJDQUHFRUGLQJ´ of Music at St. Martin-in-the- In 2005, Signum released a three-disc set of the six or- Fields in London, UK. He is a gan symphonies of Louis Vierne, recorded on the 1890 graduate of the Royal College Cavaillé-Coll organ in St. Ouen, Rouen. This was BBC of Music and Imperial Col- 5DGLR¶V'LVFRIWKH:HHNLQ6HSWHPEHURIWKDW\HDU lege, London, and holds a He has taught at universities, summer schools, and Ph.D. from the University of conventions in both the U.K. and U.S. and has served Manchester. In addition to his twice on international organ competition juries. Re- GXWLHV DW 6W 0DUWLQ¶V 'U cent solo recital engagements have taken him across Earis is a regular contributor the U.S. and U.K., and to Germany, France, Finland, to BBC Radio and Televi- and Norway. VLRQ¶V UHOLJLRXV RXWSXW DV D Jeremy Filsell studied as an organ scholar at Ox- music advisor, conductor and organist to programs ford University (Keble College) before completing Biographies including Radio 4 Sunday Worship, BBC1 Songs of graduate studies in piano performance at the Royal Praise, and Radio 2 Sunday half hour. He is also Direc- College of Music in London. He was awarded his tor of Music of St. Sepulchre-without-Newgate, the Ph.D. at Birmingham Conservatoire/BCU for research 1DWLRQDO 0XVLFLDQV¶ &KXUFK LQ WKH &LW\ RI /RQGRQ into aesthetic and interpretative issues in the music of Andrew is an Associate of the Royal College of Organ- Marcel Dupré. Before leaving the U.K. in 2008, he ists and Fellow of Trinity College, London. Andrew held lectureships at the Royal Academy of Music in KDVJLYHQRUJDQUHFLWDOVLQYHQXHVLQFOXGLQJ.LQJ¶V&RO London and the Royal Northern College of Music in

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 143 0DQFKHVWHUDQGZDVDOD\FOHUNLQWKH4XHHQ¶V&KRLU American Guild of Organists (NYACOP), Canadian DW6W*HRUJH¶V:LQGVRU&DVWOH+HFXUUHQWO\VHUYHVDV Organ Competition, Montreal, and the inaugural artist-in-residence at Washington National Cathedral, Longwood Gardens organ competition in 2013. She Director of Music at the Church of the Epiphany in served as Chair of the NYACOP committee from 2004 downtown Washington, DC, and Professor of Organ to 2006 and is a member of the Committee on Ongo- at the Catholic University of America. For further in- ing Professional Education (COPE). formation, please visit www.jeremyfilsell.com. Dr. Fishell is Professor of Organ and Chair of the Organ Department at the Jacobs School of Music, In-

Photo: Forest Cole JANETTE FISHELL holds diana University, where she teaches a full studio of degrees in organ performance organ majors. From 1989 to 2008, she headed the Or- from Indiana University and gan Performance and Sacred Music degree programs at Northwestern University. East Carolina University and was Director of Music/ Her teachers include Wilma 3ULQFLSDO 2UJDQLVW DW 6W 3DXO¶V (SLVFRSDO &KXUFK Jensen, Wolfgang Rübsam, Greenville, NC, where she remains Director of Music Richard Enright, Anita Wer- Emerita. She is currently Artist-in-Residence at Christ ling, Robert Byrd, and Clyde Church (Episcopal) Cathedral, Indianapolis. In the Holloway, with further coach- United States she performs under the management of ing on Baroque and German Karen McFarlane Artists, Inc. Romantic repertoire with Ludger Lohmann. Named THE REV¶D ANN GILLESPIE Young Organist of the Year by Keyboard Arts, Inc., while is Senior Associate Rector at still an undergraduate, Dr. Fishell is a recitalist and Christ Church, Alexandria, teacher of international standing. She has performed VA. In this capacity, she serves LQPDQ\RIWKHZRUOG¶VJUHDWHVWFRQFHUWYHQXHVLQFOXG as clergy director for the plan- LQJ 6XQWRU\ +DOO 7RN\R .LQJ¶V &ROOHJH &DPEULGJH ning and vision of worship %HUOLQ¶V Schauspielhaus; the Liszt Academy, Budapest; and music. She orchestrates the Prague Spring Festival; and has been a featured worship, plans the worship recitalist and lecturer at five national conventions and calendar, and also oversees the five regional conventions of the American Guild of management of pastoral minis- Organists. Her solo recitals for the 2006 national con- tries, including guiding and vention of the AGO in Chicago were critically ac- directing the lay Eucharistic FODLPHGDV³IODZOHVV´DQGDFRQYHQWLRQKLJKOLJKW7KH ministry, assigning clergy on-call rotation, and serving author of numerous articles and a book on service as pastor to many in the parish. Ann brings to parish playing published by Abingdon Press, she is widely ministry a twenty-year career as an actress in television recognized as a leading authority on the organ music of and theater and twelve years as a yoga teacher. Czech composer Petr Eben. Although currently an Episcopal priest with a pas- Her numerous compact disc recordings include sion for pastoral care, Ann Gillespie has had a long performances of the music of Marcel Dupré, Petr career in film, television and theater. Most notably, she Eben, and J.S. Bach, as well as duet literature per- DSSHDUHGWKURXJKRXWWKHµVDV-DFNLH7D\ORU.HOO\¶V formed with her husband, British organist Colin An- mom, on the hit television show, Beverly Hills, 90210. drews. Pas de Dieu: Music Sublime and Spirited, a record- After becoming a priest, she reprised her role as Jackie ing of French Romantic repertoire and the world on the new 90210 series. SUHPLHUH RI )UDQN )HUNR¶V /LYUHG¶2UJXH, was released Theater has always been her first love, but Star Trek by Loft Recordings in July 2006, the premiere record- fans may remember her recurring roles on Deep Space 9 ing on C.B. Fisk opus 126. She has been featured in and The Next Generation. She also guest starred on se- live radio broadcasts worldwide, including live recital ries such as Gilmore Girls, Judging Amy, and ER. She broadcasts for the BBC from St. Marylebone Church, DSSHDUHG DV )RQ]LH¶V JLUOIULHQG RQ WKH ODVW VHDVRQ RI London, NHK²Tokyo, and Czech Radio. A frequent Happy Days as well as starred in the TV movies, Living adjudicator, she has been tutor and artist four times at Proof about Country Western singer Hank Williams, the Oundle International School for Young Organists and Kent State, the Emmy-winning miniseries about Biographies and was a judge for the recorded rounds of the Nation- the 1970 shootings. al Competition for Young Artists sponsored by the

144 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC In the new millennium, Ann embarked on a new stant (Cologne, Germany), molto cantabile (Lucerne, calling, and in 2004, she and her family moved to Alex- Switzerland) and Pro Musica (Copenhagen, Denmark)² andria, Virginia, for her to attend Virginia Theological and by university/collegiate choirs from Stanford, Har- Seminary. She graduated with an M.Div. in 2007. She vard, Concordia, Luther, Brigham Young, Texas has been an Associate Rector at Christ Episcopal A&M, and the Cincinnati College-Conservatory of Church in Alexandria since 2007. Music. He received international awards in 2002, 2003, and 2006 (as first prize winner) from the John HOWARD HELVEY resides in Ness Beck Foundation, which annually recognizes out- Cincinnati, Ohio, where he is standing achievement in choral composition. active as a composer, arranger, and pianist, and serves as or- GREGORY HOOKER is Min- ganist and choirmaster of his- LVWHU RI 0XVLF DW 6W 0DU\¶V toric Calvary Episcopal Episcopal Church, Arlington, Church. Nationally and inter- Virginia, the fifth largest par- nationally he is in frequent ish in the Diocese of Virginia. demand as a composer, con- He directs a music ministry of ductor, speaker, and member over 100 participants in five of the Steinbach/Helvey Pi- choirs affiliated with the Roy- ano Duo. al School of Church Music. Known particularly for his choral music, Mr. The choirs sing Choral Even- Helvey maintains an extremely active writing schedule, song and Sung Compline and his hundreds of compositions and arrangements monthly, an annual Requiem, are published by Beckenhorst Press, Hinshaw Music, and other special events throughout the season. St. Oxford University Press, Boosey & Hawkes, Alliance 0DU\¶V&KRLUVKDYHVXQJDW:DVKLQJWRQ1DWLRQDO&D Music, Lawson-Gould, E.C. Schirmer, Paraclete Press, thedral, the Cathedral of St. John the Divine (New and Roger Dean, among other companies. His compo- a cappella, the Turtle Creek Chorale tant Course Manager for the Royal School of Church (Dallas), the Choir of St. Ignatius Loyola (New York), Music Washington Course for Advanced Trebles in the Saint Louis Chamber Chorus, Kammerchor Con- residence at St. Albans School and performing at the

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 145 National Cathedral, and as Housemaster for the Composition Prize. He has an M.Mus. from the Uni- RSCM Gulf Coast Course for Girls. Dr. Hooker has versity of Hull (2001). had church music articles published by The Christian &KULV¶V DUHDV RI LQWHUHVW LQFOXGH XVLQJ PXVLF WR Standard, The Anglican Digest, and The Journal of the Asso- explore theological issues; the intersection of music, ciation of Anglican Musicians. Dr. Hooker served on the the natural world and religion; singing techniques in steering committee for the 2010 National Convention amateur choirs; Christian influences on secular music of the American Guild of Organists in Washington, and repertoire; and using music to bring out hidden DC, has served as dean of the Bloomington, Indiana, meanings or links in sung texts. chapter of the AGO, and has presented workshops for local chapter meetings and a national convention. BENJAMIN HUTTO is Direc- tor of Music Ministry and Or- JOHN HURD is Director of JDQLVW DW 6W -RKQ¶V &KXUFK 0XVLF DW 6W &ROXPED¶V (SLV /DID\HWWH6TXDUHWKH³&KXUFK copal Church in Washington, RI WKH 3UHVLGHQWV´ ZKHUH KH DC. Long a presence in musi- FRQGXFWVWKH6W-RKQ¶V&KRLU cal Washington, John has of twelve singers and the Par- VHUYHG DW 6W &ROXPED¶V ish Choir. He is also Director since 1994 and as Director of of Performing Arts at St. Al- Music since 2009. His early bans School for Boys and the training was with National Cathedral School for John Spaulding, Richard W. Girls, where he directs Upper Dirksen, Dr. Charles Calla- and Middle School choral ensembles, serves as school han, and Dr. George Baker. organist, and oversees choral music, instrumental mu- He SUHYLRXVO\VHUYHGDW6W-RKQ¶V1RUZRRG&KXUFKRI sic, theater, and dance for the schools on the Close of WKH (SLSKDQ\ '& 6W 3DWULFN¶V Episcopal Church, Washington National Cathedral. DC, and St. Mary Magdalene, Silver Spring, MD. Hutto is a past President of the Association of An- glican Musicians, and has served on the Anglican Musi- CHRISTOPHER HUTCH- cians Foundation board. For ten years, he served as INGS is a Scottish composer Professional Concerns Chair for AAM. He co- whose works have been per- DXWKRUHG WKH ERRNOHW ³&RQIOLFW DQG &ORVXUH 3URIHV formed by the Edinburgh VLRQDO&RQGXFWLQ$GYHUVLW\´DQGVHUYHGRQWKHFRP Singers, Chicago A Cappella, mittee to revise the AAM employment handbook. the New London Singers, Chair of the 2007 AAM Conference in Durham, UK, Cappella Nova, the University he was Co-Chair of the 1990 Charleston-Savannah of Glasgow Chapel Choir, Conference, and he is currently a member of the steer- and a wide variety of soloists ing committee for the 2014 Washington, DC, Confer- and choirs in the UK, U.S., ence. Canada, and beyond. Crux Active with the work of the Royal School of fidelis and O vos omnes have Church Music in North America for three decades, he been released on the Amemptos label. Recently com- is a Past President of the American Board. He has been pleted commissions include O praise the Lord, ye angels guest music director for numerous RSCM choral festi- of his IRU 6W *LOHV¶ &DWKHGUDO (GLQEXUJK D VHWWLQJ RI val weekends and summer residential courses for &RPSOLQH IRU 6W 0DU\¶V 6FKROD $UOLQJWRQ 9LUJLQLD young persons and adults in the United States, Cana- and a Requiem for Amemptos Music, to be released on da, England, Ireland, Wales, and South Africa. CD in 2014. During his time at the Cathedral Schools in Wash- Chris has received funding for composition pro- ington, his choirs have appeared on National Public jects and tuition from Creative Scotland, the St. Mag- Radio, on the Kennedy Center Honors, and with the nus Festival, AHRC, Dartington International Sum- major Washington choral societies. His Upper School mer School, and the Bliss Trust. Awards include the Chorale and Madrigal Singers have toured from coast New London Singers Composition Prize, the Temple to coast in the United States and internationally to Biographies Church Composition Prize, and the John McLeod Australia, Chile, Argentina, and South Africa.

146 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC Hutto is a former Dean of both the Charleston a bishop coadjutor on January 26, 2007, he was elected (South Carolina) and Charlotte (North Carolina) on the third ballot. His investiture and recognition Chapters of the American Guild of Organists. He WRRN SODFH RQ -DQXDU\ DW 6W 3DXO¶V 5LFK served on the steering committee for the 2010 AGO mond, during the 215th Annual Council of the Dio- National Convention in Washington. His previous cese of Virginia. Bishop Johnston now leads one of the church and school positions have been in Charleston largest dioceses of the Episcopal Church, with over- at the Cathedral of St. Luke and St. Paul, at Porter- sight of more than 450 clergy and some 80,000 parish- Gaud School, and at Christ Church, Charlotte. ioners in 181 congregations. Special responsibilities Hutto holds a B.A. in English from Emory Univer- include leadership of the diocesan centers at Roslyn sity and has done graduate study in journalism at the and Shrine Mont. University of Missouri (Columbia) and music study at Bishop Shannon was born in Florence, AL, on Westminster Choir College and the Royal School of October 20, 1958. After attending public schools in Church Music. In 1998, he was named a Fellow of the Florence, he entered the University of the South in Royal School of Church Music, and in 2013 he was Sewanee, TN. He was elected to Phi Beta Kappa and awarded the degree Doctor of Humane Letters, honoris Omicron Delta Kappa honorary societies and graduat- causa, from Virginia Theological Seminary. ed magna cum laude in 1981, with degrees in both philosophy and music. THE RIGHT REV¶D JAMES His first employment was in programming for L. JELINEK is Interim Rector young adults and youth, first at the University of RI 6W 3DXO¶V 3DULVK . 6WUHHW 1RUWK $ODEDPD DQG WKHQ ZLWK WKH %R\V¶ &OXE RI Born in Milwaukee, Wiscon- *O\QQ QRZWKH%R\V¶DQG*LUOV¶&OXE LQ%UXQVZLFN sin, Bishop Jelinek was raised GA. In 1985, Bishop Johnston entered Seabury- as a Lutheran and confirmed Western Theological Seminary, Evanston, IL. His stud- in the Episcopal Church in ies during this period included two terms of study at 1965. He is a graduate of Car- Westcott House Theological College at Cambridge thage College in Kenosha, University in England, where he engaged in independ- Wisconsin, and The General ent research as well as the regular course curriculum. Theological Seminary in New He returned to Seabury-Western in 1988 to receive the York City. He was awarded an M.Div. degree, graduating first in his class. Bishop honorary doctorate from that institution in 1994. Bish- Shannon was then ordained to the diaconate on June op Jelinek served for seventeen years as Bishop of Min- 11, 1988, and moved to Selma, AL, where he became nesota, from 1993 to 2010. Prior to that he also served FXUDWH RI 6W 3DXO¶V &KXUFK +H ZDV RUGDLQHG WR WKH DV5HFWRU6W$LGDQ¶V6DQ)UDQFLVFR&DOLIRUQLD5HF priesthood on December 14 of the same year. tor, St. Michael and All Angels, Cincinnati, Ohio; As- In 1990, Bishop Shannon accepted the call to be- sociate Rector, Church of the Holy Communion, come rector of Church of the Advent in Sumner, MS Memphis, Tennessee; and Priest-in-Training, St. Bar- (in the Mississippi Delta region). Within a year, he led WKRORPHZ¶V1DVKYLOOH7HQQHVVHH the establishment of the Kairos prison ministry at the nearby Parchman State Penitentiary. He was intensely committed to this work for the next four years, until THE RIGHT REV¶D SHAN- KLVPRYHWR$OO6DLQWV¶7XSHORLQ7KHUHKHOHG NON JOHNSTON became the dramatic congregational healing and growth as he also XIII Bishop of Virginia on became noted for his leadership in the Diocese of Mis- October 1, 2009, after having sissippi. been bishop coadjutor for two Always maintaining a passion for liturgy and mu- Biographies and one-half years. Consecrat- sic, he has served on the faculties of two Leadership ed bishop at Washington Na- Program for Musicians national conferences. Bishop tional Cathedral on May 26, Johnston has also been featured in several roles for the 2007, Bishop Shannon came annual Mississippi Conference on Church Music and to the Diocese of Virginia Liturgy, a national conference directed since 1994 by from Tupelo, MS, where he Ellen Johnston, who is a professional church musician KDG EHHQ UHFWRU RI $OO 6DLQWV¶ (SLVFRSDO &KXUFK IRU and clinician. The Johnstons met at this conference in thirteen years. One of five nominees for the election of 1992 and were married on May 20, 1995.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 147 In addition to his work in liturgy, Bishop Shannon Washington Interfaith Network and the Wilmington promotes dialogue from classic and academic theology [Delaware] Interfaith Network. In 2005, he offered the DVDIRXQGDWLRQIRUWKH&KXUFK¶VSUHVHQWGRFWULQDODQG invocation and, in 2013, the benediction at the inau- theological debates. Accordingly, he happily serves the guration of the President of the United States. Episcopal Church nationally on the Committee for Dr. León is married to Lu Stanton León. They Theological Education. have two children, Emilia and Sofia. Lu is a professional writer, editor, and consultant. THE REV¶D DR. LUIS LEÓN, IRXUWHHQWK5HFWRURI6W-RKQ¶V J. REILLY LEWIS, Washing- Church, Lafayette Square, be- ton Bach Consort founder JDQKLVWHQXUHDW6W-RKQ¶VLQ and Music Director, is recog- 1995. His specialty is building nized internationally as an inner city parishes through accomplished conductor and spiritual leadership, preaching, keyboard artist, as well as a excellence in worship and litur- leading specialist of Baroque gical music, stewardship, and music, particularly the music outreach that involves parish of J.S. Bach. A native of members in the community. Washington, DC, Dr. Lewis Dr. León teaches courses na- performs regularly both as a tionwide in parish building and stewardship and is a conductor and keyboard artist frequently requested commencement speaker. in his home city, as well as for national and interna- %HIRUH KLV WLPH DW 6W -RKQ¶V 'U /HyQ VHUYHG DV tional audiences. He has been the featured organ solo- Rector of Trinity Church in Wilmington, Delaware, ist with the National Symphony Orchestra, presented DQG 6W 3DXO¶V &KXUFK LQ 3DWHUVRQ 1HZ -HUVH\ 6W numerous solo organ recitals, and has performed the 3DXO¶V DQ XUEDQ SDULVK JUHZ GXULQJ KLV WHQXUH IURP complete Bach Goldberg Variations in recital on multi- thirty-five parishioners to several hundred. In 1985, St. ple occasions both in the United States and abroad. 3DXO¶V ZDV QDPHG ³&KXUFK RI WKH 1HZDUN@´ WUD %DFK¶VB Minor Mass), the National Symphony Or- From 1977 until 1980, Dr. León served as Assis- FKHVWUD +DQGHO¶V Messiah), and the Cathedral Choral WDQW5HFWRUDW6W3HWHU¶V&KXUFKLQ&KDUORWWH1RUWK Society, where he has served as Music Director since Carolina. He then was Director of Refugee Resettle- 1985. ment for the Diocese of Maryland for two years. $PRQJ0DHVWUR/HZLV¶VPDQ\KRQRUVDUHWashing- Dr. León began his spiritual journey when he was WRQLDQ0DJD]LQH¶V Music Hall of Fame, the University baptized into the Episcopal Church in Guantánamo, &OXE RI :DVKLQJWRQ¶V 'LVWLQJXLVKHG :DVKLQJWRQLDQ Cuba. In 1961, he came to the United States as part of $ZDUGIRUWKH$UWV6SHFLDO5HFRJQLWLRQ0D\RU¶V$UWV WKH³3HWHU3DQ´IOLJKWVRXWRI&XEDMRLQLQJWKRXVDQGV Award for contributions to the arts and cultural com- of children whose parents, at that time in history, munity of Washington, the Shenandoah Conservato- feared for their future in Cuba. He was twelve years U\¶V0HGDORI([FHOOHQFHIRU2XWVWDQGLQJ/HDGHUVKLSLQ old when he arrived in the U.S., and was supported by the Performing Arts, and :DVKLQJWRQLDQ 0DJD]LQH¶V the Episcopal Church in Miami. Washingtonian of the Year. Dr. León attended the University of the South, graduating in 1971. He received a Masters in Divinity THE REV¶D ELIZABETH LOCHER is the Assistant for degree from the Virginia Theological Seminary in 1977 Parish Life and Family Ministries at Grace Church, and in 1999 was awarded an honorary Doctor of Di- Alexandria, Virginia. There she serves in a wide range vinity degree from the University of the South. He is a of areas, particularly focused on Christian Formation member of the Board of Regents at the University of for all ages and ministry with children and families. Biographies the South and was a founding member of both the Mother Locher graduated from Virginia Theologi-

148 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC cal Seminary in Alexandria, Lodico has served on the Executive Board of the Virginia in 2012. She then District of Columbia Chapter of the American Guild spent a year serving as a dea- of Organists (AGO) and spent a term directing the con and missionary in central Potomac Organ Institute, which offers a year of free Tanzania. There she taught organ lessons to promising music students. He is cur- theology, Church History, rently Sub-Dean of the Northern Virginia AGO chap- and New Testament to Angli- ter and Region III Chair of the Association of Angli- can seminarians at Msalato can Musicians. Lodico enjoys hiking and traveling with Theological College and his family and Pembroke Welsh Corgis. served as chaplain to a local high school. PATRICK LUNDY is the Mother Locher credits founder and Director of the much of her passion for sacred music to her experience Ministers of Music. He is a singing in parish choirs since childhood. She is delight- native of Thomasville, Geor- ed by this opportunity to serve with the Association of gia, and a graduate of Howard Anglican Musicians. University, with a degree in Music Business and a concen- MICHAEL LODICO, a native tration in management and of Western North Carolina, voice. A man of God who began studying the piano at understands the importance the age of six and organ at the and impact of a strong music age of thirteen. Lodico re- ministry, Lundy is a compos- ceived a Bachelor of Music er, arranger, and workshop clinician who is highly from the Curtis Institute of sought-after throughout the country. He is also the Music in Philadelphia, where Director of Christian Fine Arts at the Reid Temple he studied organ with Alan A.M.E. Church in Glenn Dale, Maryland, where he Morrison and piano with Su- serves with their award-winning Senior Minister of Mu- san Starr. From 2004-2006, VLFDQG³6ZHHWKHDUWRI*RVSHO´0\UQD6XPPHUV he studied abroad as a Ful- bright Scholar to the Netherlands and obtained a Mas- THE VERY REV¶D DR. IAN ter of Music degree from the Amsterdam Conservato- S. MARKHAM was appointed ry, studying organ under Jacques van Oortmerssen, as Dean and President of Vir- with secondary studies in choral conducting under Jos ginia Theological Seminary in Vermunt. August 2007. He completed Lodico is Associate Organist and Choir Director at his Ph.D. at the University of 6W -RKQ¶V &KXUFK /DID\HWWH 6TXDUH LQ :DVKLQJWRQ Exeter in the United King- DC, where he directs its popular First Wednesday dom, where he focused on Concerts Series. Additionally, he teaches at Saint An- Christian Ethics. He previous- VHOP¶V$EEH\6FKRROLV$VVLVWDQW&KDSHO2UJDQLVWDQG ly earned an M.Litt. in Philos- Keyboard Artist for St. Albans and National Cathedral ophy and Ethics from the Schools, and leads the Monday Morning Music Club University of Cambridge and in Alexandria, VA. Lodico has participated in festivals a B.D. in Theology from the University of London. and workshops in Canada, England, Switzerland, the Before being called to VTS, Dean Markham served Biographies Biographies Netherlands, and the United States. In June 2013, as Dean and Professor of Theology and Ethics at Hart- Lodico made his Spoleto Festival U.S.A. debut with his ford Seminary in Connecticut, and as Visiting Profes- Lafayette Square harp/organ duo partner Rebecca sor of Globalization, Ethics, and Islam at Leeds Metro- Smith. Lodico is a music critic with the webzine/blog politan University in the United Kingdom. He also www.ionarts.org, having covered both local and inter- served on the faculty of Liverpool Hope University and national performances, from the National Symphony University of Exeter. Orchestra, to the Aix-en-Provence, Santa Fe, and Brug- Dean Markham is the author and editor of numer- ge/Bruges Festivals. ous books including: Against Atheism: Why Dawkins,

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 149 Hitchens, and Harris Are Fundamentally Wrong; Liturgical Washington, DC. At St. Life Principles: How Episcopal Worship Can Lead to 3DXO¶VKHFRQGXFWVWKHYDULRXV Healthy and Authentic Living; Christ and Culture: Com- choirs of adults, boys, and munion After Lambeth; A Theology of Engagement; Truth girls in approximately 175 and the Reality of God; Do Morals Matter; Understanding choral services yearly Christian Doctrine; and most recently, An Introduction to (including weekly Evensong, Said Nursi: Life, Thought and Writings. His awards in- year-round). From 2001 to clude the Robertson Fellow 2006; Teape Lecturer in 2008, he served as Organist India 2004; Claggett Fellow attached to Washington and Music Director at the National Cathedral in 2000; and Frank Woods Fellow Church of St. Mary the Vir- at Trinity College, Melbourne in 1997. gin, New York City. Dean Markham is married to Lesley Markham and Mr. McCormick holds the they have one son, Luke. Markham serves as Priest As- Bachelor of Music degree in organ performance, sum- VRFLDWHDW6W3DXO¶V&KXUFKLQ$OH[DQGULD ma cum laude, from Westminster Choir College, Princeton, New Jersey. Concurrently, he was Assistant MICHAEL MCCARTHY was Organist at Trinity Church, Princeton. appointed Washington Na- Known for his ability in organ improvisation, Mr. WLRQDO &DWKHGUDO¶V 'LUHFWRU RI McCormick was named a semi-finalist in the 2005 St. Music in the summer of 2003. Albans International Organ Festival Improvisation Prior to that, he was the Competition. Concert appearances include the Jongen Founder and Director of the Symphonie Concertante with the Macon (Georgia) Sym- London Oratory School Scho- phony Orchestra, the Pittsburgh Organ Artists Series, la. Founded in 1996, the the East Texas Organ Festival, Basically Bach Festival at Schola quickly became one of 6W3HWHU¶V/XWKHUDQ1HZlay clerk at Christ Church Cathedral, Oxford, and ³>0F&RUPLFN@DOVRVKLQHVDWWKHRUJDQ´ Saint Albans Abbey in Hertfordshire. He also served as 0DVWHURI0XVLFDW6DLQW%HQHGLFW¶V$EEH\(DOLQJSUL MATTHEW MORRISON or to beginning the London Oratory School. studied organ at the Guildhall As Director of Music, McCarthy oversees the Ca- School of Music and Drama WKHGUDO¶VH[SDQGLQJPXVLFSURJUDPDQGVHUYHVDVSULQ in London before being cipal choirmaster for the Cathedral Choir and Cathe- named Organ Scholar at St. dral Voices. -RKQ¶V&ROOHJH2[IRUG Since moving back to London, he ROBERT MCCORMICK, described by Choir and Organ has combined a career as a DV³LQGRPLWDEOHDQGLPPHQVHO\JLIWHG´DQGDV³DQDUW commercial barrister with a LVW RI UDUH VHQVLWLYLW\ DQG SDVVLRQ´ E\ The Macon Tele- wide range of musical activi- Biographies graphLV'LUHFWRURI0XVLFDW6W3DXO¶V3DULVK.6WUHHW ties, including serving as Dep-

150 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC uty Organist at St. Martin-in-the-Fields, Trafalgar &KRLUVDW6W3DXO¶V.6WUHHW'& Square. Martin Neary has twice served as President of the Royal College of Organists, Chairman of the Herbert MARTIN NEARY was Organ- Howells Society, and of the Organists Charitable Trust. ist and Master of the Choris- Among his awards are honorary membership of AAM ters at Winchester Cathedral (1997), a Lambeth Doctorate of Music (2012), and his (1972-87) and Westminster appointment in 1998 as Lieutenant of the Royal Victo- Abbey (1988-98). As a choris- rian Order, in recognition of his services at the funeral ter of the Chapel Royal he of Diana, Princess of Wales. sang at the 1953 Coronation, and he was later Organ Schol- THE REV¶D CANON JAMES ar of Gonville and Caius Col- NEWMAN is the Rector of St. lege, Cambridge. In 1963, he %HGH¶V &KXUFK DQG 'HDQ RI was a prize-winner at the first Deanery 3/West Los Angeles St. Albans International Or- in the Diocese of Los Angeles. gan Competition and quickly became recognized inter- Canon Newman was born in nationally as a concert organist, playing many times at Long Beach, CA, in 1949 and the Royal Festival Hall and touring widely in the U.S., is a 1967 graduate of Shattuck Canada, and throughout Europe, South Africa, Aus- School (Faribault, MN), a tralia, and the Far East. In 2004, he was organ soloist 1972 graduate (B.S., history) at the First Night of the BBC Proms. of the University of Minnesota As conductor, Martin Neary has championed the (Minneapolis, MN), and a music of many contemporary composers and, in partic- 1978 graduate (M.Div., theology) of the Virginia Theo- ular, has commissioned liturgical works from the late logical Seminary (Alexandria, VA). He served as a John Tavener and the late Jonathan Harvey. He was member of the faculty at Shattuck School-6W 0DU\¶V much involved with the early music movement, con- Hall (Faribault, MN/1972- DQG 6W 6WHSKHQ¶V ducting the first U.K. performance of the St. Matthew School (Alexandria, VA/1974-75). Following his ordi- Passion using early instruments. His numerous record- QDWLRQLQKHVHUYHGDV&XUDWH6W&KULVWRSKHU¶V ings include a CD of Purcell, Music for Queen Mary, Church (Roseville, MN/1978-80), Rector of Holy with the Abbey Choir and the New London Consort, &URVV &KXUFK 'XQGDV 01 DQG RI $OO 6DLQWV¶ which was nominated for a Grammy. With the Win- Church (Northfield, MN) and Chaplain to Episcopal chester Cathedral and Westminster Abbey Choirs, he students at Carleton and St. Olaf Colleges (all 1980- made twenty-five foreign tours, including performances 88), Priest-in-Charge of Christ Church (Redondo in the Kremlin in Moscow, and Carnegie Hall in New Beach, CA/1988-90), Interim Episcopal Chaplain at York. the University of California (Irvine, CA/1990), and as After leaving the Abbey, Martin Neary founded the 5HFWRU RI 6W %HGH¶V &KXUFK /RV $QJHOHV &$- English Chamber Singers, with whom he toured Aus- present). tralia, including performances at the Sydney Opera In the Diocese of Minnesota, he served on the House, and he was the founder/conductor of the Commission on Liturgy and Music, the Standing Com- RSCM Millennium Youth Choir. He continues to pur- mittee, the Examining Chaplains (diaconate), the sue his career as organist, conductor, composer, and Commission on Higher Education, and the Commis- writer both in Europe and in the U.S. In 2005, he di- sion on Youth. In the Diocese of Los Angeles, he has UHFWHG-RKQ7DYHQHU¶VDOOQLJKWVeil of the Temple at the served on the Diocesan Commission on Liturgy and Biographies Biographies Holland Festival, and in 2007, he founded the West- Music, the Canterbury Westwood Board of Directors, coast based Millennium Consort Singers, with whom the Standing Committee, the Commission on Minis- he has performed at Disney Hall. He is the Chief try, the Program Group on Ministry in Higher Educa- Guest Conductor of the Grand Rapids Choir of Men tion, and the Diocesan Council. Since 2002, he has and Boys; he makes regular visits to the Church of the served as Dean of Deanery 3, coordinating fifteen con- Redeemer, Bethesda (for whom he has composed a gregations and Institutions on the west side of Los An- Mass of the Redeemer for choir and congregation, as well geles. He was named an Honorary Canon of the Cathe- as numerous descants), and he has also directed the dral Center of St. Paul in 2003.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 151 In the National Church, he served two terms on for Musicians (LPM) in West Tennessee and Arkansas. the Board of Directors of the Association of Diocesan He has performed organ recitals throughout the Unit- Liturgy and Music Commissions and was its President ed States and has served as a clinician for liturgy, pro- in 1991. He served as a Deputy to General Convention fessional concerns, organ, and organ improvisation (1985, 1988, 2006, and 2012) and as a member of workshops. both the Synod of Province VI (1979-87) and Province VIII (since 2000). He is a member of the Episcopal THE REV¶D GIDEON POL- Peace Fellowship, Integrity, the Episcopal Society for LACH is a graduate of St. Al- Ministry in Higher Education, Claiming the Blessing, bans School and currently and the Every Voice Network. He has served as a Semi- serves as head chaplain at nar Director for Life Innovations since 1979. Episcopal High School in Al- exandria, VA. He earned his DAVID PERRY OUZTS is EDFKHORU¶V GHJUHH LQ PXVLF Minister of Music and Liturgy from Trinity College, where at Church of the Holy Com- he received the Morris Prize munion (Episcopal), Mem- for outstanding academic phis, Tennessee, where he achievement. He also was directs a program of five granted the Thomas J. Wat- choirs, serves as parish organ- son Foundation Fellowship, which affords students the ist, and is also chapel organist opportunity to conduct independent research outside IRU 6W 0DU\¶V (SLVFRSDO the United States. He graduated cum laude from The School. A South Carolina na- General Theological Seminary in New York. tive, he holds organ perfor- *LGHRQZDVFOHUNWRWKH5W5HY¶G3HWHU-DPHV/HH mance degrees from Furman Bishop of Virginia, and later served as Director of and Yale universities, a diploma in sacred music from Christian education at Christ Church in Alexandria, the Yale Institute of Sacred Music, and a diploma in VA, planning and executing educational programs for Anglican studies from the Berkeley Divinity School. At the 2,500-member parish. He also served as director of Yale, he studied organ with Robert S. Baker and organ \RXWKPLQLVWULHVDW6W6WHSKHQ¶V(SLVFRSDO&KXUFKLQ improvisation with Gerre Hancock. As a post-graduate Richmond, a similar role with a focus on education student, he studied organ and church music with Mari- and outreach for middle and upper school students. lyn Keiser and choral conducting with Michael At Episcopal, Gideon is the faculty advisor to the Schwarzkopf at the Jacobs School of Music of Indiana Vestry and the Service Council, as well as overseeing University, where he also served as a graduate assistant the chapel program and teaching theology courses. He to organ department chair Larry Smith. In 2008, he lives on campus with his wife, Sarah, a geriatric nurse earned the Doctor of Sacred Music degree at the Grad- practitioner, their son, Woodford, and two daughters, uate Theological Foundation, where, in 2009, he was Peyton and Tilghman. named an Oxford Foundation Fellow and studied systematic theology at the University of Oxford (U.K.). THE REV¶D DR. WILLIAM Dr. Ouzts is involved in numerous professional BRADLEY ROBERTS is cur- organizations: he is a Past Dean of the Huntington rently Professor of Church (WV) and Memphis chapters of the American Guild of Music at Virginia Theological Organists (AGO) and presently serves as chair of the Seminary and Director of Professional Concerns and Development Committee Chapel Music. He received the for the Association of Anglican Musicians (AAM), for Bachelor of Arts degree from whom he has served as editor of new editions of Houston Baptist University, ³0XVLFLDQV&DOOHGWR6HUYH$+DQGERRNIRUWKH6HOHF with double majors in Voice WLRQ(PSOR\PHQWDQG0LQLVWU\RI&KXUFK0XVLFLDQV´ and Music Education. He re- DQG ³6HUYDQW /HDGHUVKLS IRU 0XVLFLDQV $9RFDWLRQDO ceived the degrees Master of +DQGERRNIRU 0LQLVWU\´,QWKH(SLVFRSDO'LRFHVHRI Church Music and Doctor of West Tennessee, he serves on the diocesan LGBT Task Musical Arts from Southern Seminary (Louisville, KY), Biographies Force and is a coordinator for the Leadership Program with an emphasis in conducting and voice. His doctor-

152 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC al dissertation is entitled Darius Milhaud, His Life and lo, TX, and finally with Con- &KRUDO:RUNVZLWK%LEOLFDO7H[WV$&RQGXFWRU¶V6WXG\. solidated Natural Gas in Roberts was ordained in the Baptist Church in Clarksburg, WV, which later 1971. Prior to joining the faculty of Virginia Seminary, was acquired by Dominion he was an Episcopal church musician for thirty-three Resources. He has also done \HDUV WKH PRVW UHFHQW SRVLWLRQ EHLQJ 6W -RKQ¶V /DID part time work with CNX Gas yette Square, Washington, DC. Before going to St. Corporation since his retire- -RKQ¶VKHKHOGVLPLODUSRVWVLQ7XFVRQ$UL]RQD1HZ ment, between 2004 and port Beach, California; Louisville, Kentucky; and Hou- 2007. ston, Texas. During his career, Mr. He has taught on the music faculties of Indiana Saviers also devoted time to University Southeast, Southern Seminary, Mars Hill church music in various set- College, and Louisville Presbyterian Seminary. tings, became a member of the Association of Anglican Roberts is a composer with works published by Musicians, and has served as Chancellor of the Associa- Augsburg-Fortress, G.I.A., Hope, Paraclete, St. James tion of Anglican Musicians since 1997. He has written Music Press, and Selah. His hymns and other music for several articles for the Association and The Living worship appear in several volumes including the hym- Church on legal issues facing lay employees in the Epis- nals of the Evangelical Lutheran Church and the Lu- copal Church and has helped revise the AAM hand- theran Church, Missouri Synod, and various collec- book Conflict and Closure into Servant Leadership for Mu- tions of Church Publishing Inc. He has composed on sicians: A Vocational Handbook for Ministry. commissions from a number of schools, churches and Mr. Saviers has also served in various capacities as a individuals. volunteer with Shepherd Wellness (HIV and AIDS Dr. Roberts has had articles published in the Jour- victims), Hospice, and The United Way; since his re- nal of the Association of Anglican Musicians, the Journal of tirement in 2004, he has participated with Legal Aid of the Association of Diocesan Liturgy and Music Commissions West Virginia as a pro-bono volunteer, giving legal ad- (ADLMC), and The Living Church. A book, Music and vice and representing clients in civil cases. Mr. Saviers Vital Congregations: A Practical Guide for Clergy, is availa- also serves on the Board of Directors of Legal Aid of ble from Church Publishing Inc., New York. West Virginia. 5REHUWVZDVFKDLURIWKH(SLVFRSDO&KXUFK¶V6WDQG ing Commission on Church Music and a founding DAVID SINDEN is an organ- board member and chair of the Leadership Program for ist and choral conductor not- Musicians. Currently, he is a member of the boards of HG IRU KLV ³FHQWHUHG OHDGHU WKH$QJOLFDQ0XVLFLDQV¶0HQWRULQJ3URMHFWDQG0HOR VKLSDQGVROLGPXVLFLDQVKLS´ dious Accord, a non-profit organization that promotes He has been the Organist and the work of composer Alice Parker. He was on the New 'LUHFWRURI0XVLFDW6W3DXO¶V Music Commissions Committee for the 2010 national Episcopal Church, Capitol convention of the American Guild of Organists. Square, in Richmond, Virgin- Active as a leader at conferences and workshops, ia, since 2010. He also serves Roberts has made presentations in the dioceses of as Artistic Director of the Washington, Dallas, East Carolina, Los Angeles, Mary- Central Virginia Masterworks land, Massachusetts, Mississippi, Nebraska, Southern Chorale. Virginia, Texas, Utah, Vermont, Virginia, and Western Prior to these appointments, Mr. Sinden was the New York. Assistant Organist and Choirmaster of Christ Church Cathedral, Indianapolis, where he worked closely with Biographies WILLIAM SAVIERS, ESQ., graduated in 1968 from five choral ensembles including the Christ Church Ohio University with a B.A., summa cum laude, Phi Singers, which he directed. He accompanied the Cathe- Beta Kappa, and was part of the Ohio Fellows program. dral Choir of Men and Boys in the American premiere After serving two years in Vietnam, he graduated from of Missa Sancta Pauli Apostoli by Gregory Rose and the the University of Virginia Law School in 1974. He then world premiere of A Living Hope by Grayston Ives. Mr. pursued a career in corporate law, working in the ener- Sinden has been heard in concert with the Cathedral gy sector with Columbia Gas Transmission, Cabot Cor- Choir of Men and Boys in Chartres Cathedral. poration in Boston, MA, Charleston, WV, and Amaril- He holds degrees in music from Indiana University

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 153 and Oberlin College, and a diploma with an instru- came one of the few Americans in the history of the mental music major from the High School for the Per- Haarlem Organ Festival invited to compete in its world forming and Visual Arts in Houston, Texas. Mr. Sin- -renowned contest in improvisation. He holds both a den has received the Composer Award from the Amer- Masters in Music and Divinity from Yale, as well as a ican Festival for the Arts. Diploma in Anglican Studies from Berkeley Divinity He and his wife Anne welcomed their son William School. in November. THE RT. REV¶D EUGENE BRANDON STRAUB serves as TAYLOR SUTTON has been Director of Choral Music at Bishop of the Episcopal Dio- Episcopal High School in Al- cese of Maryland since June exandria, VA. Mr. Straube 2008. Previously he served as KROGVPDVWHUV¶GHJUHHVLQFRQ Canon Pastor of Washington ducting and harpsichord per- National Cathedral and Direc- formance from the University tor of the Cathedral Center RI 0LFKLJDQ DQG D EDFKHORU¶V for Prayer and Pilgrimage. degree in voice and music ed- Bishop Sutton was born ucation from Michigan State and raised in Washington, University. In addition to DC, and graduated from teaching, Brandon has regular- Hope College in Holland, MI. In 1981, he received his ly been in demand as a conductor, singer, accompanist, M.Div. from Western Theological Seminary, where he and continuo player. was awarded the Pietenpol Honors for Senior Excel- Prior to graduate school, Brandon served for four lence, and was ordained in the Reformed Church in years as the Oaklawn-Tuttle Chair of Vocal Music and America. After serving as pastor of an inner-city con- School Organist at The Hill School in Pottstown, gregation for five years, he entered graduate studies at Penn. He has also served on the faculties of the New Princeton Theological Seminary, where he completed York State Summer School for the Arts (NYSSSA) and all but dissertation in the Ph.D. program in 1992. Interlochen Arts Camp, and has attended summer pro- While teaching homiletics and liturgics for several grams at Oberlin Conservatory, Eastman School of years at New Brunswick Theological Seminary and at Music, and Westminster Choir College. Vanderbilt University Divinity School in Nashville, In addition to directing the choral ensembles and TN, he became a member of the Episcopal Church a cappella groups at Episcopal High School, Brandon and did his Anglican studies at Sewanee: The Universi- oversees music for the chapel program and teaches In- ty of the South, School of Theology in 1993. In 1995- troduction to the Arts and Religious Thought in Mu- 96, he served as Assistant to the Bishop and Chaplain sic. of the Diocese of New Jersey, while also serving as adjunct professor of preaching at The General Theologi- BENJAMIN STRALEY is the cal Seminary in New York City. He has served as vicar Assistant Organist of Wash- RI 6W 0LFKDHO¶V &KXUFK LQ 7UHQWRQ 1- SULHVW-in- ington National Cathedral. FKDUJH RI 6W 0DUJDUHW¶V DQG 6W 0DU\¶V SDULVKHV LQ Prior to this appointment, he Washington, DC, and associate rector for mission and was Organ Scholar at Trinity VSLULWXDOLW\ DW 6W &ROXPED¶V &KXUFK LQ :DVKLQJWRQ Church (Episcopal), New Ha- DC. ven as well as Director of Mu- Throughout his ministry in parishes and academia, sic for the Episcopal Church Bishop Sutton has been a frequent leader of retreats at Yale. and conferences throughout the nation on prayer, spir- Upon the completion of LWXDOLW\DQG SUHDFKLQJ:KLOHLQWKHQDWLRQ¶VFDSLWDO his undergraduate studies with he founded Contemplative Outreach of Metropolitan Marilyn Keiser at Indiana Uni- Washington (COMW), an ecumenical network of versity, he entered the Yale churches and individuals committed to centering pray- Institute of Sacred Music in 2008, where he studied er and renewing the contemplative dimension of the Biographies with Martin Jean and Jeffrey Brillhart. In 2010, he be- Gospel for daily living. In addition to having published

154 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC several articles on prayer, spirituality, and homiletics, Brussels, and the San Francisco Girls Chorus, and he is one of the contributors to the book The Diversity KDYHEHHQSUDLVHGDV³VXSHUEZRUNRIWKHXWPRVW of Centering Prayer. VHQVLWLYLW\ DQG EHDXW\´ +HU FRQGXFWLQJ KDV UHFHLYHG He is married to Sonya Subbayya Sutton, the Di- FULWLFDO SUDLVH IRU LWV ³LQWHJULW\ DQG KLJK SXUSRVH UHFWRU RI 0XVLF DW 6W $OEDQ¶V 3DULVK LQ :DVKLQJWRQ GHOLYHUHGZLWKWDVWHDQGLPSHFFDEOHPXVLFLDQVKLS´ DC, and together they have four young adult children DQGVKHKDVEHHQODXGHGIRUKHU³FKDULVPDWLFPDJ and stepchildren. QHWLFSRGLXPSUHVHQFH´ Ms. Thomas is a recipient of composition grants Photo: Shannon Finney THE REV¶D ERIKA and awards from the NEA, American Academy and TAKACS joined the staff of Institute of Arts and Letters, and ASCAP, among oth- 6DLQW0DUN¶V3KLODGHOSKLDDV ers. Her compositions are performed world-wide and the Associate Rector in July have been awarded prizes in numerous competitions, 2011. Before coming to Saint and her commissions include works for the Grand Ju- 0DUN¶V 0RWKHU 7DNDFV bilee in Rome, the American Guild of Organists, and served at Christ Church, Old the Goodwill Arts Festival. Ms. Thomas has guest con- Town Alexandria, first as a ducted at international festivals in Europe and North clergy resident in the Founda- America, and for conventions of the American Choral tions for Spiritual Leadership Directors Association and the American Guild of Or- program and then as the As- ganists. She currently serves on the Pacific NW Chap- sociate Rector for Faith For- ter Board of Governors for the Recording Academy mation and Evangelism. (Grammy), the Northwest Division board of the Amer- Mother Takacs is a 2007 graduate of Virginia The- ican Choral Directors Association (ACDA), the board ological Seminary in Alexandria, Virginia. Before at- of the Greater Seattle Choral Consortium, and the tending seminary, she was a high school and middle $GYLVRU\ %RDUG RI WKH 6HDWWOH *LUOV¶ &KRLU 6KH KDV school chorus teacher in New Hope, Pennsylvania. She served on the faculties of Pacific Lutheran University, has also enjoyed a career as a singer specializing in early Evergreen State College, Cornish College, and Ed- music. She holds degrees from West Chester Universi- monds Community College. She received the Distin- ty of Pennsylvania (1995) and Westminster Choir Col- guished Alumna Award from Cornish College of the lege (1998). Arts, and the Outstanding Choral Director of the Year Mother Takacs is a member of the Association of Award from the Washington state ACDA. Anglican Musicians and is a founding member of the ,QIRUPDWLRQ DERXW 0V 7KRPDV¶ FKRUDO LQVWUX Society of Catholic Priests in North America, an organ- mental, opera, theater and solo works can be found on ization for which she serves as the National Convener. her website: www.karenpthomas.com. Outside of her work, her two great loves are reading and baseball. JULIAN WACHNER is one of 1RUWK $PHULFD¶V PRVW H[FLW KAREN P. THOMAS, coming and versatile musicians, poser and conductor, is the sought after as conductor, Artistic Director and Conduc- composer, and keyboard art- tor of Seattle Pro Musica. ist. Recent and upcoming en- With Seattle Pro Musica she gagements include those with has produced nine critically- the Lincoln Center Festival acclaimed commercial CD (The Blind), BAM Next Wave recordings, and has received Festival (Liederabend 2013), Biographies the Margaret Hillis Award for Juilliard Opera Theatre (2013 Choral Excellence and the Mainstage), The Rolling ASCAP²Chorus America Stones (50th anniversary Award for Adventuresome tour), New York City Opera (VOX), Hong Kong Phil- Programming of Contemporary Music. Her composi- harmonic, TENET (TENEbrae), Portland Baroque tions are regularly performed internationally, by groups 0HVVLDK DQG&DUQHJLH+DOO $UYR3lUW¶VPassio). such as The Hilliard Ensemble, The Vocal Consort of $V'LUHFWRURI0XVLFDQGWKH$UWVDW1HZ

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 155 historic Trinity Wall Street, Wachner oversees an an- tic²KLV PXVLF KDV VRPHWKLQJ WR VD\´ E.C. Schirmer QXDOVHDVRQRIRYHUHYHQWVLQFOXGLQJ7ULQLW\¶VQX publishes his complete catalogue, comprising over merous and varied concert offerings, series and festi- eighty titles. vals, museum expositions, dance and theatre perfor- :DFKQHU¶V SHUIRUPDQFHV LQVSLUH XQFRPPRQ mances, poetry and literary readings, and educational/ praise. The New York Times pronounced his Trinity outreach initiatives in lower Manhattan and Brooklyn :DOO6WUHHWGHEXW³VXSHUEO\SHUIRUPHG´DQGWKLVVHD LQSDUWQHUVKLSZLWK1HZcantatas of J.S. Bach. Wachner knows how to draw maximum drama from a Wachner is also Music Director of the Grammy VFRUH´DQGQRWHGWKDWKHZDV³HPSKDWLFDQGWKHDWULFDO Award-winning Washington Chorus, with whom he and so at home in opera that he could bring out the ZRQ$6&$3¶V$OLFH3DUNHUDZDUGIRUDGYHQWXURXVSUR UHTXLVLWH VHQVH RI GUDPD´ Following his account of gramming in 2011. Wachner has also made memora- Messiah DW WKH 3KLODGHOSKLD 2UFKHVWUD WKH ,QTXLUHU¶V ble guest appearances with such major organizations as 'DYLG3DWULFN6WHDUQVREVHUYHG³)HZFRQGXFWRUVKDYH the Philadelphia Orchestra, the Montreal and Pitts- drawn such focused, committed, and meticulous music burgh Symphonies, Spoleto Festival U.S.A., the Han- -making as Julian Wachner. . . [He] built the music, del and Haydn Society, Glimmerglass Opera, Hawaii line by line, as an architectural edifice, serving both the Opera Theater, New York City Opera, and the Boston PXVLF¶V HPRWLRQDO DQG PRUH SXUHO\ DHVWKHWLF HOH Pops. A Baroque specialist, he was the founding Music PHQWV´ $V D UHVXOW 6WHDUQV ³FRXOGQ¶W KHOS IDQWDVL]H Director of the Boston Bach Ensemble and the Bach that [Wachner] might do an annual Philadelphia Or- Académie de Montréal, besides serving as Artistic Di- FKHVWUDIHVWLYDORI%DFKDQG+DQGHO´ rector of International Bach Festivals in Boston and An award-winning organist and improvisateur, Montreal. ,QKHIRXQGHG1HZThe Washington Post QRWHG ³:DFKQHU GD]]OHG history when he was selected as both conductor and with some bravura keyboard work, both in the rhap- FRPSRVHU DW WKH FRPSDQ\¶V DQQXDO 92; IHVWLYDO RI sodic accompaniments to the songs and. . . in the high- contemporary opera leading to the invitation to be the O\YLUWXRVLFWUDQVFULSWLRQRIWKH'DQFHV´ sole conductor of this Festival in 2012. His original :DFKQHU¶VUHFRUGLQJVDUHZLWKWKH&KDQGRV1D[ PXVLFKDVEHHQYDULRXVO\GHVFULEHGDV³MD]]\HQHUJHWLF os, Atma Classique, Arsis, Dorian, Musica Omnia, and DQGLQJHQLRXV´ Boston Globe KDYLQJ³VSOHQGRUGLJQL Titanic labels. ty, outstanding tone combinations, sophisticated chro- matic exploration. . . a rich backdrop, wavering be- THE REV¶D DR. FRANCIS H. WADE is a graduate of WZHHQDJOLPPHUDQGDWLQJOH´ La Scena Musicale), The Citadel and Virginia Theological Seminary who EHLQJ ³D FRPSHQGLXP RI VXUSULVHV´ Washington Post), has served as an Episcopal priest since 1966. After serv- DQGDV³EROGDQGDWPRVSKHULF´KDYLQJ³DQLPDJLQDWLYH ing congregations in his native West Virginia for seven- IODLUIRUDOOXVLYHWH[WVHWWLQJ´DQGQRWHGIRU³WKHVLONHQ WHHQ\HDUVKHZDVFDOOHGDV5HFWRURI6W$OEDQ¶V3DULVK FRPSOH[LWLHV RI KLV KDUPRQLHV´ New York Times). The on the grounds of the National Cathedral in Washing- $PHULFDQ5HFRUG*XLGHQRWHGWKDW³:DFKQHULVERWK ton, DC. He served that congregation from 1983 until Biographies an unapologetic modernist and an open-minded eclec- his retirement in 2005. His sermons have been pub-

156 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC lished in a variety of antholo- presence of Queen Elizabeth II, Prince Charles, and gies. His meditations as Chap- the Archbishop of Canterbury. For the 2012-13 season, lain to the House of Deputies Wadsworth was engaged in residencies with many lead- at the 2000 General Conven- ing North American opera companies as a recipient of tion of the Episcopal Church the Douglas Moore Fellowship for American Opera. were published by Forward :DGVZRUWK¶VPXVLFLVZLGHO\EURDGFDVWDQGGLVWULE Movement Press and recorded uted, with recent publications by Novello, G. Schirmer, by The Episcopal Media Center DQG (&6FKLUPHUDQG DLULQJVRQ135¶V Performance under the title Jubilee People, Today, With Heart and Voice, Pipedreams, %%&5DGLR¶V Jubilee Lives. A book on tape The Choir, &%&¶V The Story from Here, DQG 35,¶V Christ- and CD by Dr. Wade titled The mas Daybreak. Commercial recordings of his music are Art of Being Together: Common Sense About Lifelong Rela- available on the Gothic and Albany labels, with a forth- tionships was released by Episcopal Media Center. The coming release from renowned choral ensemble The Forward Movement Press edition of the book is in its Crossing in 2012. second printing. Church Publishing Company pub- &DOOHGDQ³H[TXLVLWHO\EHDXWLIXOF\FOH´LQWKH-RXU lished his second book, Transforming Scripture, in 2008. QDO RI 6LQJLQJ :DGVZRUWK¶V Pictures of the Floating He is a frequent contributor to Forward Movement World was premiered at Lincoln Center after winning publications including Forward Day by Day. In 2006, first prize in the 2007 ASCAP Lotte Lehmann Founda- after serving on the Special Commission on the Episco- tion Art Song Competition. Additional honors include pal Church and the Anglican Communion, he served a Charles Ives Scholarship from the American Acade- as co-chair for the General Convention special commit- my of Arts and Letters, and three Morton Gould tee focusing on Episcopal±Anglican relations. The Young Composer Awards from ASCAP. Wadsworth 2009 General Convention of the Episcopal Church has also received first-prize recognition in competitions was his twelfth as a deputy and he once again served as sponsored by the American Composers Forum, Long Chaplain. He is an adjunct faculty member at Virginia Leaf Opera, the Pacific Chorale, the Boston Choral Theological Seminary in Alexandria and has taught Ensemble, and the Esoterics. Pastoral Theology at both General and Virginia Semi- 6LQFHLWVFRPSRVLWLRQLQ:DGVZRUWK¶VRSHUD naries. In 2012, Wade served as Interim Dean of Venus and Adonis, has already been staged five times Washington National Cathedral. In 2013, he received DQG KDLOHG DV DQ ³DVWRQLVKLQJO\ FRQILGHQW´ DQG an honorary doctorate from Virginia Seminary. He ³PHVPHUL]LQJ´ZRUN+LVYRFDOPXVLFKDVEHHQZLGHO\ continues to serve as a consultant to a variety of congre- programmed by leading performing groups around the gations and church institutions. He has been married world, including the Washington National Opera Cho- to the former Mary Jane Criss since 1963. They have rus, the Yale Schola Cantorum, Boston Metro Opera, two children and five grandchildren. Long Leaf Opera, the Tokyo Cantat, and the Rich- PRQG6\PSKRQ\&KRUXV:DGVZRUWK¶V³VXEWO\EHDXWL ZACHARY WADSWORTH¶V IXO´RUFKHVWUDOZRUNVKDYHEHHQSHUIRUPHGE\WKH%XI ³YLYLG YLWDO DQG SULVPDWLF´ falo Philharmonic Orchestra, the Atlanta Philharmonic music has established him as Orchestra, the Yale Philharmonia, and the Wind En- one of the leading composers semble and Festival Chamber Orchestra at Cornell of his generation, especially University. among those writing vocal, Originally from Richmond, Virginia, Wadsworth choral, and operatic works. (b. 1983) now resides at the foot of the Canadian 3UDLVHGIRULWV³HYRFDWLYHPL[ Rockies in Calgary, Alberta. He has earned graduate Biographies Biographies WXUHRIROGDQGQHZ´KLVPX degrees from Cornell University (D.M.A.) and Yale sic has been heard in venues University (M.M.), and is an honors graduate of the around the world, from Eastman School of Music (B.M.). His principal compo- Takinogawa Hall in Tokyo to sition teachers have included Steven Stucky, Martin the Kennedy Center in Washington. After winning the Bresnick, Ingram Marshall, Ezra Laderman, and David 2011 King James Bible Composition Award, Liptak. Since receiving his doctorate, he has taught at :DGVZRUWK¶VOut of the South Cometh the Whirlwind was the Interlochen Center for the Arts and the University performed by the choir of Westminster Abbey in the of Calgary. He also maintains an active performing life as a tenor and pianist.

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 157 RICHARD WEBSTER is Di- THE RT. REV¶D KEITH B. rector of Music and Organist WHITMORE, the former bish- at Trinity Church, Copley op of the Diocese of Eau Square, Boston, having served Claire, Wisconsin, became the previously as Associate Direc- 'LRFHVH RI $WODQWD¶V $VVLVWDQW tor of Music. During his ten- Bishop in April 2008. ure the choirs, including the Bishop Whitmore is a Trinity Choristers which he member of the Episcopal co-founded, have toured Eng- &KXUFK¶V 6WDQGLQJ &RPPLW land twice, serving as choir-in- tee on Program, Budget, and residence at Chichester, Ely, Finance and is President of /LQFROQDQG6W3DXO¶V&DWKH Affirming Anglican Catholi- drals. cism. He serves as a trustee for the Berkeley Divinity His compositions and hymn arrangements for School at Yale. brass, percussion, organ, and congregation are heard In August 2012 he was called to an additional min- across the English-VSHDNLQJZRUOGLQFOXGLQJWKH&%&¶V istry as interim director of the Episcopal Studies Pro- DQQXDO &KULVWPDV DQG (DVWHU EURDGFDVWV DQG %%&¶V gram at Candler School of Theology at Emory Univer- ³6RQJV RI 3UDLVH´ His articles on church music have sity. The position was made permanent in 2013, and appeared in The American Organist, The Diapason, Chica- he continues to serve as Assistant Bishop for the dio- go Tribune, The Living Church, Journal of the Association of cese. Anglican Musicians, and the Windy City Times. He was ordained bishop of Eau Claire on April 10, Since 1975, Richard has been Music Director of 1999. He is a Wisconsin native and a graduate of the &KLFDJR¶V %DFK :HHN )HVWLYDO IHDWXULQJ VRPH RI WKH University of Wisconsin, Madison, and Nashotah QDWLRQ¶V PRVW DFFODLPHG PXVLFLDQV +H KDV OHG FKRLU House, Nashotah, WS. He has served congregations in courses and workshops across the U.S. and South Afri- Wisconsin, Missouri and Kansas, where he was dean of ca, and, in 2011, was awarded the honorary Fellowship Christ Cathedral, Salina, and is a retired Army chap- of the Royal School of Church Music (FRSCM). He is lain. He and his wife, Suzie, have been married for a past-president of AAM. Richard has performed and more than forty-five years. They have two grown chil- recorded as organist with the Chicago Symphony Or- dren. chestra in works from the Saint-Saens Organ Sympho- ny WR,YHV¶ Fourth Symphony. THE REV¶D DR. THOMAS He is the Organist and Choirmaster Emeritus of WILLIAMS is Professor and the Parish Church of Saint Luke in Evanston, Illinois, Chair of Religious Studies where from 1974 to 2003 he directed the Choir of and Professor of Philosophy at Men and Boys, the Girls Choir, Adult Schola and the the University of South Flori- 6W/XNH¶V6LQJHUVLQDZLGHO\UHVSHFWHG program. The da. He has written widely on restoration of the celebrated 1922 Ernest M. Skinner medieval philosophy and the- RUJDQDW6W/XNH¶VZDVDFFRPSOLVKHGXQGHUKLVOHDGHU ology and recorded a course, ship. A native of Nashville, Mr. Webster studied organ Reason and Faith: Philosophy in with Peter Fyfe, Karel Paukert, and Wolfgang the Middle Ages, for the Teach- Rübsam. He was a Fulbright Scholar to Great Britain, ing Company. He is an Assist- as Organ Scholar at Chichester Cathedral under the LQJ3ULHVWDW6W0DUN¶V(SLVFR late John Birch. pal Church, Tampa, but spends as much of his time as Richard loves running, and has completed twenty- SRVVLEOH LQ UHVLGHQFH DW 6W 3DXO¶V . 6WUHHW +H DOVR five marathons, including eleven Boston Marathons, sings in the Chamber Choir of the Cathedral Church most often in costume²J.S. Bach, Paul Revere, Abra- of St. Peter in St. Petersburg. He will be the conference ham Lincoln, Robin, Prince William, Robin Hood, preacher for the 2015 AAM Conference in Tampa and the Easter Bunny. Bay.

Biographies

158 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC CRAIG WINDHAM is a report- er/newscaster with National Public Radio. His distinctive coverage of stories is heard daily in NPR newscasts. Previous- ly, he was national correspond- ent for the Unistar/RKO radio networks, covering everything from earthquakes and volca- noes to presidential campaigns. Dr. Windham is also a Li- censed Clinical Professional Counselor and is part of a large private practice in sub- urban Maryland working with adolescents and families. He completed his Ph.D. in Counseling in 2008 at The George Washington University. His dissertation and ongoing research focus on social messaging and internet use by teenagers. He is author of the book Reggie Lewis: Quiet Grace, a biography of the late Boston Celtics star. When he was a student at St. Albans School, Dr. Windham sang as a treble in the Washington National Cathedral Choir under the direction of Paul Callaway and Wayne Dirksen. After college, Craig sang as a baritone in the choir for a number of years. He currently serves as a volunteer leader of the youth group at St. Francis Episcopal Church in Potomac, MD. He leads weekly small group meetings there and accompanies high school students on community service projects, as ZHOODVWKHJURXS¶VDQQXDOPLVVLRQWULSV Biographies Biographies

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spot, where on July 17, 1853, with two of his daugh- VENUES ters, Lee knelt to be confirmed by the assistant bishop of Virginia, John Johns. Lee married George Washing- CHRIST CHURCH, ALEXAN- WRQ¶V VWHS-great-granddaughter, Mary Anna Randolph DRIA, was founded as a parish Custis. within the Church of England The churchyard was the burying ground for the prior to the American Revolu- town of Alexandria until 1809. Later interments took tion. Construction of the place at the Christ Church cemetery on Wilkes Street. Georgian-style church began The Civil War abruptly altered life at Christ in 1767 and was completed in Church. When the U.S. Army occupied Alexandria in 1773. On several occasions, 1861, it seized many churches for use as hospitals or the interior suffered modifica- stables. However, the reputation of Christ Church as Venues tions, but it now appears as it *HRUJH:DVKLQJWRQ¶VSODFHRIZRUVKLSSUHVHUYHGLWDVD did in the 1890s after a resto- church where U.S. Army chaplains conducted services. ration consistent with the orig- Parishioners who remained in the area worshiped else- inal Georgian detailing. The Palladian chancel window where. In 1866, Christ Church, its interior intact, was is an unusual feature in a colonial Virginia church. restored to its parishioners. Ironically, the postwar James Wren, who created the architectural drawings years saw more changes to the interior of Christ and specifications for Christ Church, also hand- Church than did the war years. During this period, the lettered the panels that flank the window. A 1602 can- 5HY¶G5DQGROSK+0F.LPPRGHUQL]HGLWWR9LFWRULDQ on of the Church of England directed that the Ten tastes, but the 1890s restoration restored its Georgian &RPPDQGPHQWV ³EH VHW XSRQ WKH (DVW-end of every integrity. Church and Chapel where the people may best see and The president of the United States traditionally read the same, and other chosen Sentences´ At Christ visits Christ Church during his administration, often &KXUFK WKHVH DOVR LQFOXGH WKH $SRVWOHV¶ &UHHG WKH RQD6XQGD\QHDU:DVKLQJWRQ¶VELUWKGD\6RPHSUHVL /RUG¶V3UD\HUDQGWKHGolden Rule. The background dential visits, however, have been in conjunction with of the panels was originally white, but over the years it other events, most notably the January 1, 1942, visit by has mellowed into the soft gold seen today. The panels President Franklin Roosevelt and Prime Minister Win- have never been retouched. No record remains of the ston Churchill for the World Day of Prayer for Peace exact location and design of the earliest pulpit, but the during World War II. wineglass pulpit, installed during the 1890s restora- 7RGD\&KULVW&KXUFKHPERGLHV *RG¶VXQERXQG tion, is consistent with the design, location, and liturgi- ed love by embracing, liberating, and empowering peo- cal practices of the period when the church was built. ple whoever they are and wherever they find them- -DPHV:UHQ¶VSODQVVSDFHGWKHZLQGRZV³WRDGPLW selves on their journeys of faith. Outreach and mission RI JDOOHULHV´ ZKLFK WKH FKXUFK DGGHG LQ DERXW programs²both global and local²seek to bring social when attendance had outgrown available seating on justice to all God wants us to serve, extending from the main level. The lower portion of the bell tower helping the homeless and underprivileged of Alexan- provided the stairway to the galleries; the upper section dria to assisting abandoned girls in Honduras, mothers was added about 1820. The small chandelier under the and children living with HIV/AIDS in Uganda, chil- west gallery, purchased in 1817, initially hung in the dren in the Holy Land, and the persecuted church in center of the church. Sudan. Christ Church has been associated with many notable figures of American history. George Washington THE CHURCH OF THE EPIPHANY was founded in was first elected to the Truro Parish in 1762. The par- 1842, and the granting of parish status occurred in ish, a geographic area, included Alexandria, Fairfax, 1844. Later, on June 3, 1852, the current church Falls Church, and Mount Vernon. Washington building was consecrated. bought and later rented a box family pew and attended Since its early days, and given its location in the services when in Alexandria. Visitors today can sit in center of Washington, DC, the parish has welcomed a the Washington pew. Robert E. Lee also attended number of notable figures through its doors, as well as Christ Church throughout his life from the time he hosting important events. On March 6, 1862, Presi- was three. A silver plaque on the chancel rail marks the dent Abraham Lincoln attended the funeral of Union

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 163

Army General Frederick VKLSRIWKH5HY¶G:LOOLDP13HQGOHWRQDQGWKUHHDV Lander at the Church of the VLVWDQW KHDGV -XVW RQH \HDU ODWHU (SLVFRSDO¶V VWXGHQW Epiphany. Twenty-three years body tripled in size to accommodate more than 100 later, the rector of the parish, boys, and continued to grow until the Civil War. Im- WKH 5HY¶G :LOOLDP 3DUHW ZDV mediately following the Federal occupation of Alexan- consecrated as the sixth bish- dria in 1861, the School was closed. Some 500 stu- op of Maryland at Epiphany. dents served as soldiers in the war. For the next five Renowned clergyman Bishop years, the EHS buildings were part of a large hospital Phillips Brooks (famous for for Federal troops. SHQQLQJ WKH FDURO ³2 OLWWOH The School reopened in 1866. Under the direc- WRZQRI%HWKOHKHP´ SUHDFKHG tion of Launcelot Minor Blackford (Principal, 1870- to a standing-room only con- 1913), the School initiated a modern academic curricu- gregation at the opening session of the Church Con- lum and pioneered interscholastic team sports in the gress in 1891. In May of 1895, the Maryland Diocesan South, including football, baseball, and track. Recog- Convention met at the church, and it was during this nizing the need to improve its facilities, the school also meeting that the Diocese of Washington was created. undertook an aggressive building program that formed Venues /DWHU LQ WKH 5HY¶G -DPHV )UHHPDQ VHUYLQJ DV the foundation for the present-day campus. rector of the parish, would be consecrated as Bishop of During the same time, Episcopal instituted its Washington at Epiphany.) The General Convention of Honor Code, one of the oldest among secondary the Episcopal Church was held at the church in 1898. schools. A committee of students and faculty members During the Second World War, President Franklin promotes understanding of the code and handles viola- Delano Roosevelt attended a Christmas service, and tions. The Honor Code has served as a foundation of from 1942 to 1945, the Armed Forces Canteen and the EHS community since its inception. Wartime Prayer Center was established at the parish. In 1991, Episcopal began a transition to coeduca- As far back as the Civil War, the church was used as a tion by enrolling its first forty-eight girls. In 1993, the means of outreach and mission. In 1862, the church first coeducational class graduated. Today, the school was used as a hospital for Union troops. Later, in has an enrollment of 435 students, fifty percent of 1897, the Episcopal Eye, Ear, and Throat Hospital whom are girls. (later named Washington Hospital Center) was insti- Episcopal has many accomplished alumni among tuted, largely funded by the Church of the Epiphany. its ranks: Rhodes Scholars, Pulitzer Prize winners, Wall 7KHSDULVK¶VLGHQWLW\DVDPDMRUVRXUFHRIRXWUHDFKLQ Street financiers, college presidents, actors, musicians, downtown DC was continued in 1995 when the Wel- clergymen, and statesmen, including congressmen, gov- come Table ministry began. Welcome Table provides ernors, and ambassadors. food, social interaction, and worship (including a FKRLU IRU DURXQG RI GRZQWRZQ '&¶V SRRU 7R THE GEORGE TOWN CLUB this day, the Church of the Epiphany is known for its was formed in 1966 for the social witness in Washington, DC. Music likewise purpose of bringing together serves as a source of outreach, and Epiphany has had a leaders who had an impact on thriving concert series for a number of years. The the United States and the Washington Bach Consort frequently appears in con- world through their work in cert at the Church of the Epiphany. various business, professional, civic, social, and political mi- EPISCOPAL HIGH lieus. Since then the Club has SCHOOL was founded been a focal point for enter- in 1839, on an eighty- taining prominent Washingto- acre tract of land just nians, diplomats, socialites west of the colonial and leaders in business, government, and academia. port of Alexandria, Diplomatic missions of many nations are represented Virginia. School doors in the membership. Many members of the United opened with thirty-five States Senate, Congress, and the Supreme Court have boys under the leader- been included as guests at the Club, along with a num-

164 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

ber of presidents. architect in the late 1700s about the same time as the The Club occupies one of the few remaining eight- construction of the building. It features figures found eenth-century frame buildings in the historic port dis- in artifacts discovered in Pompeii²mythical animals, trict of Georgetown, and is believed to have been John cherubs, satyrs, serpents, horses, and mermaids. At 6XWHU¶V 7DYHUQ FLUFD ,Q WKDW HUD LQQV DQG WDY either end of the sideboard are fishing vessel figure- erns were the focal points of community life in addi- heads, framing a leaded glass demi-lune that was origi- tion to offering food, drink and lodging²WUXH³SXEOLF QDOO\DIHDWXUHRI-30RUJDQ¶VSULYDWHRIILFH KRXVHV´ZKHUHSROLWLFDOGHEDWHFLYLFPHHWLQJVDQGEXVL 7KH)RXQGHUV¶5RRPRIIHUVPHPEHUVDQLQWLPDWH QHVVGHDOVZHUHFRPPRQ$W6XWHU¶V7DYHUQ3UHVLGHQW setting for private dining under soft natural light fil- George Washington, surveyor Andrew Ellicott, and tered through a skylight draped with a delicate chiffon FDSLWDO DUFKLWHFW 0DMRU 3LHUUH /¶(QIDQW PHW DW OHDVW rosette. At the end of the long hall, past the intimate three times to plan the Federal City that would be- Small Dining Room, is the formal Georgian Dining Venues come Washington, District of Columbia. When plans Room, designed with the symmetry that was so im- were complete, the first plats for the city were auc- portant in that period. This classic room, warmed by tioned off at the tavern. sunlight during the day and the fireplace at night, also When the George Town Club was formed in KRXVHV WKH &OXE¶V FROOHFWLRQ RI ILQH .RUHDQ FHODGRQ 1966, the founders extensively renovated the run-down ware. During World War II, this room was part of a historic building. They added the brick entryway, exca- rooming house for a few of the thousands of young vated the lower level, imported European paneling, woman who came to Washington to help with the war chandeliers, furniture and artwork, and rescued the effort. wrought iron work by Samuel Yellin from the demoli- Near the bottom of the main stairs, the Williams- tion of the original Morgan Guaranty Trust Bank in burg Room is an authentic reproduction of a late sev- New York. Over time, two adjacent brick townhouses enteenth-century tavern, reminiscent of the Raleigh were incorporated into the growing Club and were Tavern. Overhead brass chandeliers and wall sconces finished with the same care and detail as the original DUHUHSOLFDVRIWKRVHLQWKH*RYHUQRU¶V3DODFH7KHH[ rooms. traordinary warmth of the room comes from faux fin- The unusual arched oak doors and carvings in the ished sienna walls, a patterned Axminster carpet, and Foyer are French sixteenth century from a small estate the corner fireplace. south of Paris. The bas-relief portraits on the doors and In the lower level of the Club, the Wine Cellar is the paneling feature the heirs to the French throne at paneled with oak in the same design as the Windsor that time. The Living Room walls are entirely of Eng- 5RRPLQ/RQGRQ¶V&RQQDXJKW+RWHO7KHEDUDOFRYH lish Tudor walnut linen-fold paneling produced by displays eighteenth-century French Repoussé brass pan- craftsman of royal warrant. The same paneling is found els depicting the four seasons. The iron gates enclosing at Hampton Court, begun by Cardinal Wolsey and WKH PHPEHUV¶ SULYDWH ZLQH ELQV DQG WKH OHDGHG JODVV finished by Henry VIII. The wall sconces are Baccarat door, like chandeliers in the foyer and main stairwell, crystal. Standing guard along the stairs are life-sized are part of the J.P. Morgan Collection. Of special note sixteenth-century figures of warriors. are the wrought iron pineapples, miniature heads, and Next door, the Library reflects the dark opulence serpents atop the gates. The slate floor is from quarries of American Victoriana, with satin-finished mahogany once owned by Thomas Jefferson near his estate at walls and lush pastoral French verdure tapestry. The Monticello. large bay window is draped in antique velvet, sur- More casual dining is available in the Grill, just off mounted by an intricate brass cornice. the Library but with its own entrance from the The airy Garden Room is a classic nineteenth- street. Besides casual dining at lunch and dinner, this century reception room, with daylight pouring in intimate room is ideal for cocktails, late light fare, and through leaded glass clerestory windows and nighttime dancing. Between the seated mirrored bar, to the disco- illumination from a four-floor crystal chandelier and style dance floor, members and their guests can relax at sconces. The outdoor ambience of the room is a bright small tables surrounded by comfortable chairs, settees, and lively change from the more formal areas of the and understated art. Always dimly lighted, the Grill is Club. the perfect venue for cozy gatherings or theme evenings On the second floor, the extraordinary oak panel- featuring live music. ing in the Main Dining Room was created after the VW\OH RI 5REHUW $GDPV ZKR ZDV (QJODQG¶V SUHPLHU

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 165

THE LIBRARY OF Congress authorized a competition to design plans for CONGRESS was estab- the new Library. lished by an act of In 1886, after many proposals and much contro- Congress in 1800 versy, Congress authorized construction of a new Li- when President John brary building in the style of the Italian Renaissance in Adams signed a bill accordance with a design prepared by Washington ar- providing for the trans- chitects John L. Smithmeyer and Paul J. Pelz. The Con- fer of the seat of gov- gressional authorization was successful because of the ernment from Philadel- hard work of two key Senators: Daniel W. Voorhees phia to the new capital city of Washington. The legisla- (Indiana), who served as chairman of the Joint Com- tion described a reference library for Congress only, mittee from 1879 to 1881, and Justin S. Morrill FRQWDLQLQJ³VXFKERRNVDVPD\EHQHFHVVDU\IRUWKHXVH (Vermont), chairman of Senate Committee on Build- of Congress²and for putting up a suitable apartment ings and Grounds. IRUFRQWDLQLQJWKHPWKHUHLQ´ In 1888, General Thomas Lincoln Casey, chief of Established with $5,000 appropriated by the legis- the Army Corps of Engineers, was placed in charge of lation, the original library was housed in the new Capi- construction. His chief assistant was Bernard R. Green, Venues tol until August 1814, when invading British troops set who was intimately involved with the building until his fire to the Capitol Building, burning and pillaging the death in 1914. Beginning in 1892, a new architect, contents of the small library. Within a month, retired Edward Pearce Casey, the son of General Casey, began President Thomas Jefferson offered his personal library to supervise the interior work, including sculptural and as a replacement. Jefferson had spent fifty years accu- painted decoration by more than fifty American artists. PXODWLQJ ERRNV ³SXWWLQJ E\ HYHU\WKLQJ ZKLFK UHODWHG When the Library of Congress building opened its to America, and indeed whatever was rare and valuable doors to the public on November 1, 1897, it was LQHYHU\VFLHQFH´KLVOLEUDU\ZDVFRQVLGHUHGWREHRQH KDLOHGDVDJORULRXVQDWLRQDOPRQXPHQWDQG³WKHODUJ of the finest in the United States. In offering his collec- HVWWKHFRVWOLHVWDQGWKHVDIHVW´OLEUDU\EXLOGLQJLQWKH tion to Congress, Jefferson anticipated controversy world. over the nature of his collection, which included books 7RGD\¶V /LEUDU\ RI &RQJUHVV LV DQ XQSDUDOOHOHG in foreign languages and volumes of philosophy, sci- world resource. The collection of more than 155 mil- ence, literature, and other topics not normally viewed lion items includes more than thirty-five million cata- DVSDUWRIDOHJLVODWLYHOLEUDU\+HZURWH³,GRQRWNQRZ loged books and other print materials in 460 lan- that it contains any branch of science which Congress guages; more than sixty-eight million manuscripts; the would wish to exclude from their collection; there is, largest rare book collection in North America; and the in fact, no subject to which a Member of Congress may ZRUOG¶VODUJHVWFROOHFWLRQRIOHJDOPDWHULDOVILOPVPDSV QRWKDYHRFFDVLRQWRUHIHU´ sheet music, and sound recordings. In January 1815, Congress accepted Jefferson's offer, appropriating $23,950 for his 6,487 books, and THE NATIONAL the foundation was laid for a great national library. GALLERY OF ART The Jeffersonian concept of universality, the belief that was conceived and giv- all subjects are important to the library of the Ameri- en to the people of the can legislature, is the philosophy and rationale behind United States by An- WKHFRPSUHKHQVLYHFROOHFWLQJSROLFLHVRIWRGD\¶V/LEUDU\ drew W. Mellon (1855 of Congress. Ainsworth Rand Spofford, Librarian of ±1937). Mellon was a &RQJUHVV IURP WR DSSOLHG -HIIHUVRQ¶V SKL financier and art col- losophy on a grand scale and built the Library into a lector from Pittsburgh national institution. Spofford was responsible for the who came to Washington in 1921 to serve as secretary copyright law of 1870, which required all copyright of the treasury. During his years of public service he applicants to send to the Library two copies of their came to believe that the United States should have a work. This resulted in a flood of books, pamphlets, national art museum equal to those of other great na- maps, music, prints, and photographs. Facing a short- tions. age of shelf space at the Capitol, Spofford convinced In 1936, Mellon wrote to President Franklin D. Congress of the need for a new building, and in 1873, Roosevelt offering to donate his superb art collection

166 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

for a new museum and to use his own funds to con- 1941, with Paul Mellon presenting the museum on VWUXFWDEXLOGLQJIRULWVXVH:LWKWKHSUHVLGHQW¶VVXS behalf of his father, and President Franklin D. Roose- SRUW&RQJUHVVDFFHSWHG0HOORQ¶VJLIWZKLFKLQFOXGHG velt accepting the gift for the nation. a sizable endowment, and established the National Andrew Mellon had anticipated that the collec- Gallery of Art in March 1937. Construction began that tions of the National Gallery of Art would grow be- year at a site on the National Mall along Constitution yond the capacity of its original building, and at his Avenue between Fourth and Seventh Streets, NW, request, Congress had set aside an adjacent plot of near the foot of Capitol Hill. land for future use when it first established the Nation- Andrew Mellon selected American architect John DO *DOOHU\ %\ WKH WLPH RI WKH PXVHXP¶V WZHQW\-fifth Russell Pope (1874±1937) to design the building for anniversary in 1966, with most of its original galleries the new museum. This edifice, now known as the West filled, space was needed for expansion.

Building, has formal public entrances on all four sides. ,Q $QGUHZ 0HOORQ¶V FKLOGUHQ 3DXO 0HOORQ Venues Its main floor plan is centered on a rotunda that was and Ailsa Mellon Bruce, offered funds for a second modeled after the ancient Roman Pantheon. To the building, and architect I.M. Pei (b. 1917) was selected east and west of the Rotunda, barrel-vaulted sculpture to design it. The structure he conceived is modernist in halls lead to garden courts, where greenery and foun- style and was inspired and informed by its trapezoidal tains provide a restful haven for visitors. Interconnect- site, located between Pennsylvania Avenue and the ed exhibition galleries extend to the north and south National Mall and between Third and Fourth Streets, of these large public spaces in such a way that, in prin- NW. To emphasize the connection between the two ciple, a visitor can begin in one room and proceed buildings, Pei placed the entrance to the East Building through the collection without backtracking. on Fourth Street, across an open plaza from the West The West Building was designed in a classicizing Building. He divided the floor plan into two triangles: style but built using the most modern technology of an isosceles triangle for exhibition spaces and public the time. Its exterior was constructed of pale pink Ten- functions and a smaller right triangle for an adminis- nessee marble, while its foundations and first floor trative and study center. These triangular shapes define were formed of concrete with a steel framework. Pol- WKHEXLOGLQJ¶VPDMRUVSDFHVDQGDUHHFKRHGDQGUHSHDW ished limestone from Indiana and Alabama covers the ed in architectural elements throughout. A large trian- walls on its main floor, and the Rotunda columns were JXODU DWULXP LV WKH GUDPDWLF IRFXV RI WKH EXLOGLQJ¶V fabricated in Vermont from Italian marble. The archi- interior public space. A sculptural space frame covers tect recognized the importance of natural light to illu- the atrium and allows brilliant natural light to enter minate and unite the exhibition spaces. To achieve the building. this, Pope specified that skylights should cover virtually 0XFK RI WKH VWUXFWXUH¶V HOHJDQFH UHVXOWV IURP LWV the entire three-acre roof. extraordinary building materials, spare lines, and soar- Because Mellon believed that visitors should learn ing forms. The Tennessee quarries that supplied the from as well as enjoy the art in the collection, works marble for the West Building were reopened for the are exhibited by period and national origin in appro- East Building to effect a visual harmony between the priately decorated galleries. The Italian Renaissance structures. An underground concourse and street-level galleries, for instance, have Italian travertine wainscot cobblestone plaza provide a physical link between the and hand-finished plaster walls and are detailed with two buildings. Seven glass tetrahedrons and a cascad- base and door surround moldings and include built-in ing waterfall in the plaza bring light and motion to the niches to display sculpture, while Dutch seventeenth- underground space. century galleries are finished with wood paneling to Construction of the East Building began in 1971 evoke original settings. and progressed slowly for seven years as workmen la- Andrew Mellon and John Russell Pope died within ERUHGWRUHDOL]HWKHDUFKLWHFW¶VDPELWLRXVGHVLJQJRDOV twenty-four hours of each other in August 1937, not At the same time, artists such as Henry Moore and ORQJ DIWHU H[FDYDWLRQ IRU WKH:HVW %XLOGLQJ¶V IRXQGD Alexander Calder were commissioned to create works tions had begun, but the museum was built in accord- for the East Building. On June 1, 1978, Paul Mellon ance with their concepts. Construction was completed and United States President Jimmy Carter dedicated by December 1940, and works of art were installed in the new museum to the people of the United States. the new galleries over the following months. The Na- tional Gallery of Art was dedicated on March 17,

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 167

THE NATIONAL PRESS the top two floors. In the early 1980s, the building was CLUB is perched atop torn down to its girders and rebuilt while the Club the National Press kept functioning. In 2006, the Club added a Broadcast Building within sight Operations Center that shoots and transmits news and of the White House events around the world. and just down Penn- Some historians believe the Club may have played sylvania Avenue from a role in launching the Korean War. In January 1950 the Capitol. The Na- 6HFUHWDU\ RI 6WDWH 'HDQ $FKHVRQ RXWOLQHG $PHULFD¶V tional Press Club is ³GHIHQVH SHULPHWHU´ LQ WKH )DU (DVW GXULQJ D &OXE the traditional meeting place in Washington for news- luncheon but did not include South Korea. Soviet dic- makers and journalists. tator Joseph Stalin may have taken that as a green light On March 12, 1908, thirty-two newspapermen to arm the North Koreans to invade the South. Both with $300 in their treasury and promises of support Ronald Reagan and Jimmy Carter announced their from 200 of their colleagues decided that a press club presidential bids at the Club, and George W. Bush was feasible and elected officers to look into it. Meet- introduced his national security team during the 2000 ing just seventeen days later in the F Street Parlor of election. When Sen. Barack Obama visited the Club in Venues the Willard Hotel, they framed a constitution for what 2006, he played second fiddle to movie actor George they called the National Press Club. By May, the Club Clooney in a press conference about Darfur. had rented two floors above a jewelry story at 1205 F On any given day now, the Club is bustling with Street, NW, and threw a housewarming party that press conferences, newsmaker events, forums, and pro- drew not only hundreds of journalists but several mem- fessional training. Hundreds of people pass through bers of Congress, diplomats, and Buffalo Bill Cody. the Club daily looking to make news and to get news, Right from the beginning the Club attracted noted looking for professional advancement and looking for figures of the era. Sarah Bernhardt, Charlie Chaplin, fellowship. Members enjoy the restaurants²and yes, and Andrew Carnegie dropped by in those early days. Graham Nichol would be pleased that the card room is William Howard Taft became the first president to still open. CBS Commentator Eric Severeid summed visit the Club when he hoisted his 300-pound body up up what the Club means to its members. Speaking in WKHVWDLUVRQ1HZCalvin Coolidge laid the containing forty dollars in gold that she earned from cornerstone, and the fourteen-story building²the larg- sale of her needlework. She left instructions that the est private office building in Washington at the time² money was for starting a fund to build a church on opened in December 1927 with a spacious Club on Mount Alban. Ground was broken for the church on

168 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

WKHILUVWDQQLYHUVDU\RI3KRHEH¶VGHDWKDQG6W$OEDQ¶V FLDO HWKQLF DQG UDFLDO PL[ WKDW LV WKH QDWLRQ¶V FDSL opened its doors to worshippers on April 30, 1854. A tal. From the most active members to drop-in visitors, tiny wooden structure with benches for the congrega- 6W$OEDQ¶VZHOFRPHVDOO tion, St. $OEDQ¶VKDGRQHEHOOpainted glass windows, and an altar of black walnut. ST. ALBANS SCHOOL From that humble beginning, St. $OEDQ¶V KDV was founded in 1907 grown in its breadth of vision, the spirituality of ex- as a chorister school traordinary leadership, and its impact on the local for the then-unbuilt community, the city, and the wider world. From its Cathedral. St. Albans earliest days, St. $OEDQ¶VUHDFKHGRXWWRWKHVXUURXQG School offers a distinc- ing neighborhoods, attracting new members for a grow- tive educational experi- ing congregation. The parish established missions² ence for young men in Venues St. &ROXPED¶VDQG6W *HRUJH¶VLQ6W 'DYLG¶VLQ grades 4 through 12 1901, and All Souls and St. 3DWULFN¶VLQ²four of (Forms C through VI). While St. Albans students are which are now thriving, independent churches. expected to reach exceptional academic goals and ex- St. $OEDQ¶VVRRQEHFDPHDPDMRUXUEDQSDULVK hibit first-rate athletic and artistic achievements, the Today, St. $OEDQ¶VLVPRYLQJIRUZDUGZLWKDQHQHU school places equal emphasis upon moral and spiritual getic faith. Following its 150-year tradition, it contin- education. The school enjoys a privileged location adja- ues to serve the needs of the city, forging relationships cent Washington National Cathedral and overlooking with other churches to respond to these needs, build- the City of Washington, DC. These two breathtaking ing and sustaining organizations like the Community sights capture the essence that is St. Albans School²Pro Council for the Homeless at Friendship Place, Samari- Ecclesia et Pro Patria²for God and for Country. tan Ministry of Greater Washington, and the Transi- St. Albans boys still serve as the Cathedral Choris- tional Housing Corporation. Its members are empow- ters, and the school has over a third of its 550 boys ered for Christian ministry. 7KHSDULVK¶VLQYROYHPHQW actively engaged in choral, instrumental or other per- with the Episcopal Diocese of Washington provides forming groups each year. Likewise, required chapel leadership on many diocesan committees, and it con- several times each week helps boys honor the spiritual tributes generously to the diocese and participates in values which are at the core of a St. Albans education, regional assembly meetings and the annual diocesan in the Episcopal Church tradition yet inclusive of all convention. faith traditions. St. Albans students thrive on close 6W $OEDQ¶V EXLOGLQJV DUH ROG DQG YHQHUDEOH 7KH relationships between faculty and students, on daily church is a stately, stone-encased wooden edifice of family-style lunches, on a challenging yet caring envi- gothic design, with an interior bathed in sunlight fil- ronment. tered by richly colored stained glass windows. Major Inspired by its patron saint, the first British martyr, renovations in 2006±2007 opened up the narthex, who was both Roman soldier and Christian convert, updated and expanded Nourse Hall, and added new St. Albans impresses upon each boy the importance of lavatories, stairs, and an elevator. Nourse Hall, which putting Pro Ecclesia et Pro Patria into action. Gradua- adjoins the church, has meeting space for 200, choir tion requirements include a large number of service rehearsal space, and a number of other smaller rooms. hours in the community, students have ample opportu- Satterlee Hall sits across from the church and has meet- nities for study and projects both in the Washington ing space for 300, a large production-style kitchen, of- area and abroad, and a high percentage of alumni are fices, smaller meeting rooms, and a library. It houses engaged in public service vocations. the Opportunity Shop and classrooms for the church St. Albans students, while taking advantages of school and the St. $OEDQ¶V (DUO\ &KLOGKRRG &HQWHU. being a boys school, also enjoy a coordinate relation- The Warner Memorial Rectory, also across from the ship with National Cathedral School, its sister school church, is a three-bedroom house now used for adult for girls on the northwest side of the Cathedral Close. and youth education, meetings, and fellowship func- This relationship allows the School to expand on its tions. curricular, extracurricular, and social opportunities for St. $OEDQ¶V3DULVKLQ:DVKLQJWRQ'&LVEHDXWLIXO its students, especially in the Performing Arts but also ly sited in front of the Washington National Cathe- through athletics and academic courses. dral. It stands at a major crossroads of the vibrant so-

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 169

ST. COLUMBA¶S, DC, cele- focus has led to development of a transitional program brated its hundredth anniver- for women who have been homeless, a program to sary in 1974, a century after help support a city elementary school class through WKH5HY¶G-RKQ+&KHZUHF college, and a partnership with Holy Comforter Parish. WRURI6W$OEDQ¶VEHJDQKROG ing services in Tennallytown S T . JOHN¶ S , on the Georgetown-Frederick G EORGETOWN, Pike. He held services in sev- dates back to 1769, eral buildings in the area or, when land was set in good weather, under an aside by the Church of oak on a half-acre of land giv- England. It was the en to the church by William first Episcopal Church D.C. Murdock. In 1875, a rough mission chapel was in Washington to be built in the shade of the oak tree. A parish house was established west of added in 1900 with a stage and a circulating library. At Rock Creek, in 1796. Since then it has carried on a WKDWWLPHDERXWIDPLOLHVXVHGWKHFKDSHO¶VVSLULWX proud and dedicated ministry of mission and service to Venues DODQGUHFUHDWLRQDOUHVRXUFHV,Q6W$OEDQ¶V-XEL WKH:DVKLQJWRQFRPPXQLW\6W-RKQ¶VZDVIRXQGHGE\ lee Year, the chapel was given the name of St. Colum- early business and social leaders, including Francis ED¶VIRUWKH,ULVK-born missionary to Scotland. Scott Key and Thomas Jefferson. The design of the 6W &ROXPED¶V FRPPXQLW\ SURJUHVVHG DQG WRRN building is based on a drawing by the architect of the over its own support in 1921, becoming an independ- Capitol, Dr. William Thornton. HQW SDULVK LQ 2Q 6W &ROXPED¶V 'D\ -XQH Music has always been an integral part of the spir- 1926, the cornerstone was laid for the present church LWXDO OLIH RI 6W -RKQ¶V DV HYLGHQFHG E\ WKH FRQJUHJD building and the first services were held in it in April, WLRQ¶VVXSSRUWRIDVHULHVRISLSHRUJDQVDQGPXVLFLDQV 1927. The Albemarle Street wing of the present parish to support, inspire, and enhance worship. Unfortu- hall was completed in 1959. In 1981, the church interi- nately, after years of growth followed by years of finan- or was repaired and renovated, and a new tracker or- FLDOSUREOHPV6W-RKQ¶VZDVFORVHGLQVROGDQG gan, built by the Flentrop Company in the Nether- rented as a studio for the famous German sculptor lands, was installed. The Albemarle Street parish hall Ferdinand Pettrich. In 1838, a group of young ladies wing was renovated in 1989, and the Butterworth from the parish raised $50 to buy back the church. Street wing and Common were added. Eventually, the parish commissioned plans for a new )URPWKHWLPHRILWVIRXQGLQJ6W&ROXPED¶VKDV pulpit, began improvements to altar rails, added a read- been a neighborhood church and a center for the coming desk, a communion table of black Egyptian marble, PXQLW\ 'XULQJ WKH UHFWRUVKLS RI 7KH 5HY¶G 5DQG\ a bell in the steeple, and a replacement organ. Mengers, the parish planned for growth, opening St. Reconstruction and reconfiguration continued &ROXPED¶V1XUVHU\6FKRRODQGEXLOGLQJDQHZSDULVK over the years. In 1886, the organ and choir were relo- KDOO,QWKHVXQGHU7KH5HY¶G%LOO6ZLQJJURZWK cated from the rear gallery to the front of the church. accelerated with the reorganizing of the Sunday School The side galleries were removed, a painting project was based on a revitalized 9:15 a.m. service, the systematic undertaken, and the baptistry was configured on the building of choirs and other musical and drama west side of the chancel. The year 1887 commenced groups, and with a variety of small groups. In the late the installation of the carved oak reredos with an at- µV 6W &ROXPED¶V EHFDPH WKH ODUJHVW SDULVK LQ WKH tached altar joined with the paintings of the Four diocese. Gospelers by Johannes Oertel on either side. Between ,QWKHVXQGHU7KH5HY¶G%LOO7XOO\JURZWK 1888 and 1909, the center aisle mosaic floor, the mosa- continued with added emphasis on outreach, small ic floor in the chancel area, and the stained glass win- groups and personal spiritual growth, stewardship edu- dows were installed. Improvements between 1945 and cation, and ministry to newcomers, as well as the near- 1949 were major, including the renovation of the rec- doubling of its physical space. In the 90s, the parish tory; the renovation, repair, and restoration of the has continued to grow²in many dimensions²and the church and Parish Hall; the altar was moved away from decade has also brought a desire to participate more the reredos to allow clergy to face the congregation, fully in the life and needs of Washington, DC. That and the choir was moved to the former baptistry. In

170 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

1995, as part of the Bicentennial celebration, the are two other Latrobe churches in continuing use in Third Century Campaign was launched. This project WKH JUHDWHU :DVKLQJWRQ DUHD 6W 3DXO¶V (SLVFRSDO included a new pre-school, the new atrium, a new Church in Alexandria, Virginia (1818), and the Basili- choir room and offices on the lower level, the Chapel ca of the National Shrine of the Assumption of the of the Carpenter, and Columbarium. The organ was Blessed Virgin Mary in Baltimore, Maryland (1821). repaired in 1998, followed by a major parish hall reno- 6W -RKQ¶V SDULVK EXLOGLQJV KDYH VHYHUDO QRWDEOH vation in 2005, which created Blake Hall. IHDWXUHV 7KH EHOO LQ 6W -RKQ¶V VWHHSOH ZHLJKV QHDUO\ ,Q6HSWHPEHU6W-RKQ¶VUHDOL]HGDJUHDWMR\ SRXQGV,WZDVFDVWE\3DXO5HYHUH¶VVRQ-RVHSK with the installation of a new pipe organ designed spe- at his Boston foundry in August 1822 and installed at cifically for the historic church and generously donated St. John's on November 30, 1822. President James by the John and Dariel Van Wagoner family. The thir- Monroe authorized a $100 contribution of public ty-nine rank pipe organ, built by Casavant Frères of funds toward the purchase of this church bell, which Venues Saint-Hyacinthe, Quebec, Canada, launched a new era also served as an alarm bell for the neighborhoods and RI PXVLFDO HQULFKPHQW DW 6W -RKQ¶V ,W LV GLYHUVH LQ public buildings in the vicinity of the church. St. spired, and grounded in the rich Anglican heritage of -RKQ¶VEHOOLVRQHRIWZR5HYHUHEHOOVLQ:DVKLQJWRQ music in the Episcopal Church, with musical leader- both cast and installed in 1822. However, of the two, ship from a superb corps of professional singers com- 6W-RKQ¶VEHOOLVWKHRQO\RQHWKDWKDVEHHQLQFRQWLQX plemented by dedicated volunteer parishioners. Music ous service since its installation. DW6W-RKQ¶VUHIOHFWVWKHYDULHW\DQGUDQJHRIOLWXUJLHV The Parish House adjoining the church at 1525 H from Sunday morning Eucharist and festival services, Street, NW, was once the British Legation. It was here to the performances for the Georgetown Concert Se- in 1842 that Lord Alexander Baring Ashburton and ries. U.S. Secretary of State Daniel Webster signed the trea- ty finalizing the border between the New England ST. JOHN¶S, LAFAYETTE states and the Canadian Maritime Provinces. SQUARE, was organized in A number of the stained glass windows in St. 1815 to serve as a parish -RKQ¶VZHUHGHVLJQHGDQGH[HFXWHGE\DUWLVDQVDW&KDU church for Episcopalians re- WUHV&DWKHGUDOLQ)UDQFHDQG6W-RKQ¶VZDVIRUPDQ\ siding in neighborhoods in years host to a French Protestant congregation. the west end of the newly es- 7RGD\6W-RKQ¶V/DID\HWWH6TXDUHLVDYLWDOFRQ tablished District of Colum- gregation of 1,000 communicants, with an ongoing bia. Located in proximity to role of service to the nation, to the City and Diocese of WKH :KLWH +RXVH 6W -RKQ¶V Washington, and to the world. All are welcomed and was also intended to be of DFFHSWHGDW6W-RKQ¶VZKHUHWRJHWKHUODLW\DQGFOHUJ\ service to the President and VWULYHWRGR*RG¶VZRUNLQWKHZRUOG WKH 3UHVLGHQW¶V KRXVHKROG and was consecrated on December 27, 1816. ST. MARY¶S, ARLINGTON, Beginning with James Madison, every person who has origins dating back to the has served as President of the United States has attend- initial missionary work of the HGUHJXODURURFFDVLRQDOVHUYLFHVWKXV6W-RKQ¶VLVRI 5HY¶G -RKQ *HRUJH 6DGWOHU WHQUHIHUUHGWRDVWKH³&KXUFKRIWKH3UHVLGHQWV´3HZ who, in 1924, became rector LVWKH3UHVLGHQW¶V3HZDQGWKLVLVZKHUHWKHFXUUHQW of Langley Parish and its par- President and his family sit when attending Sunday LVK FKXUFK 6W -RKQ¶V services, although they sit in the front pew on Inaugu- McLean. At that time Langley ration Day and other state-related occasions. President Parish included parts of both Lincoln sat in the rear pew on the south aisle when he Fairfax and Arlington Coun- attended Sunday evening services during the Civil ties, and so Fr. Sadtler also War, and this pew is left in its original state in his hon- ministered part time to the or. Epiphany Mission Church in Cherrydale, Arlington. 7KH DUFKLWHFW RI 6W -RKQ¶V ZDV %HQMDPLQ +HQU\ Not long after his appointment, he became interested Latrobe, who was also its first organist. Latrobe, the in establishing a new mission church in the rapidly ³)DWKHURI$PHULFDQ$UFKLWHFWXUH´UHVWRUHGWKH&DSL growing section of Arlington near the Washington tol and the White House after the War of 1812. There Golf and Country Club. After canvassing the neighbor-

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 171

hood in the summer of 1925, Fr. Sadtler proposed to high mark of 1,857 at the end of 1957. By the end of WKH 6W -RKQ¶V YHVWU\ WKDW VWHSV EH WDNHQ WR EXLOG D 2011, membership had since grown to an estimated church there. The vestry concurred and appointed a 2,045 parishioners. committee to implement the proposal. Admiral and Mrs. Presley M. Rixey, who lived in ST. PAUL¶S PARISH, the mansion that is now the core of Marymount Uni- K STREET, was YHUVLW\¶VFHQWUDOEXLOGLQJEHFDPHYHU\LQWHUHVWHGLQWKH founded in 1867 church project. They had decided to reserve part of within the Anglo- their land as a site for a church and offered the gift of Catholic tradition of that land, located at Rixey Station, to the building com- Anglicanism. The mittee. By the end of July, the committee had accepted centrality of the Mass the gift, approved a preliminary design for the building has been the primary drawn up by architect W.H. Irwin Fleming, and come emphasis of its wor- up with a plan for raising money. VKLS IURP WKH HDUOLHVW \HDUV 6W 3DXO¶V &KULVWPDV The building committee elected Admiral Rixey, ³PLGQLJKW 0DVV´RIZDVSHUKDSVWKHILUVWLQWKH who served as Surgeon General of the U.S. Navy, an United States in an Episcopal church. The Eucharist Venues honorary member and asked him and Mrs. Rixey to has been celebrated daily, and vestments used, since select the name of the church. They settled on Church before 1900. The Blessed Sacrament has been reserved of Our Mothers, but Fr. Sadtler pointed out that Epis- continuously since at least 1912. The parish was found- copal churches were generally named for a saint or Bib- HG DV D ³IUHH FKXUFK´ PHDQLQJ WKHUH ZHUH QR UHQWHG OLFDOFKDUDFWHUDQGVXJJHVWHG6W0DU\¶V7KH5L[H\VDQG pews, a rarity in the 19th century), and was a pioneer in WKHFRPPLWWHHDJUHHGXSRQ6W0DU\¶V²The Church of WKHXVHRIWKH³HQYHORSHV\VWHP´IRURIIHULQJV Our Mothers as the compromise. The Rixeys also of- 6W3DXO¶VKHOGWKHILUVW³FKRUDOVHUYLFH´LQ:DVKLQJ fered to match money raised within the parish for the ton, with the first vested choir, and the first procession- building fund, up to a specified amount. al cross²a service that was remembered by the then- Bishop William Cabell Brown relieved Fr. Sadtler 5HFWRU¶VZLIHLQDQHZVSDSHULQWHUYLHZPDQ\\HDUVODWHU of his ministry at the Epiphany Mission Church so that ³>:@KDWDVHQVDWLRQZDVFUHDWHGE\WKHDQQRXQFH he could devote more time to the new mission church. ment the boy choir would appear on that day; how the Fr. Sadtler secured permission from Arlington County people came from all over the district and packed the school authorities to hold church services in the nearby church to the doors, some bringing boxes and stools to unoccupied Carne School Building²at the site of what stand on and look in at the windows, to see the specta- LVQRZ6W0DUN¶V8QLWHG0HWKRGLVW&KXUFK7KHILUVW FOHRIPHQDQGER\VLQUREHV´7KHSDULVK¶VSURFHV divine service was held at the school on February 4, sional cross also was used at services marking the laying 1926. of the foundation stone of the Washington Cathedral Fund raising efforts were so successful that ground LQDQGWKHVHWWLQJRIWKH&DWKHGUDO¶VILQDOVWRQHLQ was broken for the church building on June 5, 1926. 1990. 7KH5W5HY¶G+HQU\6W*HRUJH7XFNHU%LVKRS&RDG A wave of missionary enthusiasm in the Convoca- jutor of Virginia, officiated at the ceremony, assisted by tion of Washington (then part of the Episcopal Diocese WKH5HY¶G-RKQ*6DGWOHU'HVSLWHLQFOHPHQWZHDWKHU RI 0DU\ODQG OHG WR WKH IRXQGLQJ RI 6W 3DXO¶V 3DULVK more than 100 people attended. just after the close of the Civil War, as the city devel- 6W 0DU\¶V &KXUFK ZDV H[SDQGHG LQ DQG RSHG ZHVWZDUG 6SRQVRUHG E\ 6W -RKQ¶V 3DULVK 1998. The 1998 renovation included reversing the inte- /DID\HWWH6TXDUH 6W3DXO¶VZDVRUJDQL]HGLQDQG rior orientation of the nave so that the altar and baptis- achieved parish status in 1867. The first church was mal font were at the north end and a new organ by built at 917 23rd Street, NW, near Washington Circle, Lively-Fulcher and choir were at the south end. in 1868. The surrounding area looked far different 7KH5HY¶G$QGUHZ730HUURZDFFHSWHG WKHFDOO than it does today. There was great contrast between WRVHUYH6W0DU\¶VDVSHUPDQHQWUHFWRUHIIHFWLYH0DUFK /¶(QIDQW¶VJUDQGSODQVIRUWKHQDWLRQ¶VFDSLWDODQGWKH 5, 1985. Under the strong and imaginative leadership sordid reality of the city. Barracks covered the land RI)U0HUURZ6W0DU\¶VKDVH[SHULHQFHGUDSLGJURZWK where the church was to be built. The low, marshy land St. Mary's has seen its total estimated membership grow south of Washington Circle was known as Foggy Bot- WKURXJKRXWWKHVVXUSDVVLQJWKHFKXUFK¶VSUHYLRXV tom, noted for duck and frog hunting. The West End

172 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

was still fairly rural, as reflected in newspaper advertise- On January 6, 1893, Congress granted a charter ments in 1866 seeking lost livestock at addresses de- (incorporation papers) to the Protestant Episcopal Ca- VFULEHGDV³.DQG21st 6W´RU³WK6WEHWZHHQ,DQG thedral Foundation of the District of Columbia, allow- .´7KHIRUWXQHVRIWKHDUHDZD[HGDQGZDQHGVHYHUDO ing it to establish a cathedral and institutions of higher times over the intervening decades. learning. Signed by President Benjamin Harrison, this As World War II neared its conclusion in late charter is the birth certificate of Washington National 1944, the federal government took the church proper- Cathedral. After his consecration in 1896, the Rt. ty by eminent domain (with recompense) in order to 5HY¶G+HQU\

UHQW.6WUHHWORFDWLRQ6W3DXO¶VHQJDJHGDUFKLWHFW3KLO ington, DC, history officially began on September 29, Venues ip H. Frohman to design a new church, which was ZKHQZRUNPHQODLGWKH&DWKHGUDO¶VIRXQGDWLRQ completed in 1948. During a prolonged period of con- stone. President Theodore Roosevelt and the Bishop VWUXFWLRQ WKH SDULVK ZRUVKLSHG DW 6W 7KRPDV¶V of London spoke to a crowd of ten thousand. The Church near Dupont Circle, where it is rumored that stone itself came from a field near Bethlehem and was 6W 7KRPDV¶V SDULVKLRQHUV ZRXOG WKURZ WKH ZLQGRZV set into a larger piece of American granite. On it was open between liturgies in an attempt to clear the WKHLQVFULSWLRQ³7KH:RUGZDVPDGHIOHVKDQGGZHOW church of incense. DPRQJXV´ -RKQ 6W3DXO¶VFRPSOHWHGDVLJQLILFDQWFRQVWUXFWLRQLQL After Bethlehem Chapel opened for services in tiative in 2009 that provides major accessible improve- 1912, the Cathedral quickly became a place for services ments to parish facilities to enable its mission and min- of national focus, even as it remained under construc- istry, including a welcoming new main entrance and tion. In 1918, President Woodrow Wilson attended atrium gathering space, new music facilities (Gray the official thanksgiving service for the end of the First House), and new parish offices and meeting space World War. Three years later, President Warren G. (Carwithen House). Other recent improvements have Harding led all thirty-four delegates to the Washington included renovations to Pillsbury House (the parish Conference on Limitation of Armaments to a special hall) to provide dedicated space for Christian educa- &DWKHGUDOVHUYLFHWKURXJKWKH³:D\RI3HDFH´HQWUDQFH tion for children and youth, and remodeled meeting by Bethlehem Chapel. In 1956, President Woodrow and nursery facilities. :LOVRQ¶VWRPELQWKH&DWKHGUDOZDVGHGLFDWHG$QGLW $OWKRXJK 6W 3DXO¶V KDV DOZD\V EHHQ D ZDVDWWKH1DWLRQDO&DWKHGUDOWKDWWKH5HY¶G'U0DU ³QHLJKERUKRRG´SDULVKLWGUDZVYLVLWRUVDQGQHZFRP tin Luther King, Jr., preached his last Sunday sermon ers from distances well beyond the parish bounds and from the Canterbury Pulpit. the District of Columbia. $VFRQVWUXFWLRQILQLVKHGWKH&DWKHGUDO¶VSODFHLQ KLVWRU\ ZDV ILUPO\ HVWDEOLVKHG 7KH &DWKHGUDO¶V QDYH WASHINGTON NATIONAL and west rose window were completed and dedicated CATHEDRAL serves as the in 1976 in the presence of Queen Elizabeth II and cathedral church of the Epis- President Gerald Ford. In 1982, the Pilgrim Observa- copal Diocese of Washing- tion Gallery was completed and opened to the public, ton. The idea of a National and the following year, the final phase of construction Cathedral can be dated to began with the setting of the first stone for the west January 24, 1791, when Presi- towers. The cathedral was finally completed in 1990, dent George Washington after eighty-three years of construction. commissioned Major Pierre In the new millennium, Washington National Ca- /¶(QIDQWWRFUHDWHDYLVLRQDU\ thedral continues to grow and change to fill the spiritu- SODQ IRU WKH QDWLRQ¶V FDSLWDO al needs of the nation. The Cathedral was the site of ,WZDV/¶(QIDQWZKRILUVWLP 3UHVLGHQW *HRUJH : %XVK¶V ,QDXJXUDO 3UD\HU 6HUYLFH DJLQHG ³D JUHDW FKXUFK IRU QDWLRQDO SXUSRVHV´ 1RW and the National Day of Prayer and Remembrance until a century later, with support from community service on September 14, 2001. In 2002, the Cathe- leaders such as Charles C. Glover, did plans for build- GUDO¶V&KULVWPDV'D\VHUYLFHPDUNHGLWVILIWLHWKQDWLRQ ing Washington National Cathedral gain momentum. wide telecast. In 2007, the Cathedral marked the start of its second century with a centennial celebration in-

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 173

cluding festivals, reunions, exalted liturgy, concerts, Firearms, and Explosives (ATF) and the Alexandria OHFWXUHVDQGWKHLQDXJXUDWLRQRIWKHQHZGHDQ¶V6XQ Fire Marshal¶V 2IILFH GHWHUPLQHG WKDW WKH ILUH ZDV RI day Forum. accidental nature. A new Immanuel Chapel, designed by Robert A.M. Stern Architects of New York, is cur- VIRGINIA THEOLOGICAL rently under construction. SEMINARY dates to the early 7KH VHPLQDU\¶V SULPDU\ PLVVLRQ LV WR IRUP PHQ nineteenth century when a and women for lay or ordained leadership and service small group of dedicated men in the ministry of the church. Out of its evangelical committed themselves to the heritage and its missionary tradition, it emphasizes the task of recruiting and training life of prayer, worship, and community, the ministries a new generation of church of preaching, teaching, pastoral care and social justice. leaders following the Revolu- It seeks to prepare its students as servants of Jesus tionary War. Francis Scott Key Christ to equip the people of God for their vocation was one of this group which, and ministry in the world. It also provides continuing LQ IRUPHG ³$Q (GXFD theological education for clergy and laity of all denomi- WLRQ 6RFLHW\´ DQG ILYH \HDUV nations. Venues ODWHURSHQHGWKH³6FKRRORI3URSKHWV´WREHFRPHWKH The seminary believes that theological education Protestant Episcopal Theological Seminary in Virginia. leading to ordination normally requires full-time study When the school opened in Alexandria with two in- and full participation in its common life and worship. structors, fourteen students were enrolled. During the It also believes that theological education is greatly en- Civil War, the school was occupied. After the war, two hanced when it is done within an ecumenical, interna- professors and eleven veterans reopened the seminary tional, and cross-cultural context. on a campus that had been used to house 1,700 wounded Federal troops and to bury 500 soldiers. On June 3, 1953, Virginia Seminary merged with the Bishop Payne Divinity School, a distinguished Afri- can-American institution started by Virginia Seminary in 1878. Since 1950, twenty-two new buildings have been added to the campus, including five dormitories, the refectory and Scott Lounge, fifteen faculty homes, a recreation building, and a day-care center for young children. In 1993, the Addison Academic Center opened with classroom space, the Lettie Pate White- head Evans Auditorium, the seminary bookstore, and the student lounge. On October 22, 2010, an intense fire destroyed nineteenth-century Immanuel Chapel on the grounds of the seminary. The flames were so fierce that fire- fighters were unable to enter the building and were forced to attack the fire from a distance using ground based crews and a high level (aerial platform) hose. No other part of the seminary was damaged and there were no injuries. Several of the stained glass windows were destroyed, including the Miriam window and the win- GRZRYHUWKHDOWDU7KHLFRQLFZRUGV³*R

174 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 175 Organ Specifications 176 O ¶ ¶ ¶ ¶ ¶ ¶ ¶ SWELL ¶ ¶ ¶ ¶ ¶ ¶ GREAT

RGAN A SSOCIATION S PECIFICATIONS Swell Unison Off Swell 4 Swell 16 Tremulant Fagotto Fagotto (ext.) JeuPlein III Sesquialtera II Octavin Spitzflöte Voix Celeste Viole Rohrflöte Chimes UnisonGreat Off Clarinet Fourniture II- Super Octave Octave Flauto Dolce (Choir) Stopped Diapason (Choir) Principal

OF 3 manuals, 33ranks 1975 Austin Organs, op. 2579 C A A HRIST LEXANDRIA NGLICAN C IV HURCH

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2014 C ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ PEDAL ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ CHOIR

ONFERENCE

: Choir 16 Mixture III Choir 4 Choir Unison Off Tremulant Larigot Clarinet (Great) Fagotto Trompette Bombarde Choral Basse Montre Rohr Flöte (Swell) Bourdon Sub Basse Resultant Clarinet Trompette Block Flöte Principal CelesteFlute Flauto Dolce Stopped Diapason ASHINGTON , DC ,

CALLAWAY MEMORIAL CHAPEL EPISCOPAL HIGH SCHOOL Aeolian-Skinner Organ Co., Inc., op. 1241 1952 2 manuals, 16 ranks

GREAT ¶ Principal (1²14 in facade) ¶ Bourdon (1²6 in facade) ¶ Muted Viole (Borrowed from Sw.) ¶ Octave ¶ Flute Harmonic Fourniture III-IV Organ Specifications Chimes

SWELL ¶ Rohr Gedeckt ¶ Viola Pomposa ¶ Viola Celeste (tc) ¶ Muted Viole ¶ Gemshorn ¶ Hautbois

PEDAL ¶ Principal (Borrowed from Gt.; all in facade) ¶ Bourdon (Borrowed from Gt.; all in facade) ¶ Principal (1²14 in facade) ¶ Bourdon (Borrowed from Gt.)

ANA HERNÁNDEZ

Composer-Arranger/Song Leader/Con-Spiritor Sheet music, Recordings, Commissions https://squareup.com/market/ana-hernandez Her work, for real: anahermusic.tumblr.com Booking: [email protected]

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 177 Organ Specifications 178 ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ SWELL ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ GREAT 3 manuals, 39ranks 2012 Casavant Frères, op. 3895 S T

. J .

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A SSOCIATION ¶ S , G , EORGETOWN Trompette en chamade Tierce Trompette en chamade Swell 4 Swell Unison Off Swell 16 Oboe Trumpet Bassoon JeuPlein III- Flautino Nasard Spire Flute Principal Voix céleste Viole de gambe Stopped Diapason Violin Diapason Chimes Tremolo Mixture IV Fifteenth Spindle Flute Octave Chimney Flute DiapasonOpen Bourdon

OF A NGLICAN

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¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ PEDAL ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ SOLO ¶ ¶ ¶ ¶

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Theorbo III

: Cymbalstern Trombone Solo 4 Solo Unison Off Solo 16 Tremolo Stopped Flute Octave Bourdon Stopped Flute Octavebass Bourdon (Great) Subbass Contrabass Bourdon Trompette en chamade Clairon harmonique Trompette harmonique Clarinet Violin Viola Celeste Viola Harmonic Flute Bassoon (Swell) Trompette en chamade Trumpet ASHINGTON , DC ,

ST. JOHN¶S, LAFAYETTE SQUARE CHOIR Lively-Fulcher ¶ Open Diapason 3 manuals, 48 ranks ¶ Stopped Diapason ¶ Flauto dolce ¶ Flute celeste ¶ Principal ¶ Tapered Flute ¶ Fifteenth ¶ Larigot Mixture III ¶ Trumpet ¶ Cremona ¶ Tuba Mirabilis Tremulant

PEDAL GREAT ¶ Contra Bourdon ¶ Bourdon ¶ Open Wood ¶ Open Diapason ¶ Subbass ¶ Stopped Flute ¶ Bourdon doux (Swell) ¶ Harmonic Flute ¶ Principal ¶ Principal ¶ %DVV)OXWH¶ H[W ¶ Open Flute ¶ Open Flute (ext.) ¶ Twelfth ¶ Fifteenth (ext.) ¶ Fifteenth ¶ Solo Flute (ext.) Organ Specifications ¶ Seventeenth ¶ Contra Trombone (ext.) Furniture IV ¶ Trombone ¶ Trumpet ¶ Bassoon (Swell) ¶ Clarion ¶ Trumpet (ext.) ¶ Tuba Mirabilis (Choir) Tremulant

SWELL ¶ Bourdon doux ¶ Violin Diapason ¶ Chimney Flute ¶ Viole de gambe ¶ Voix céleste ¶ Principal ¶ Traverse Flute ¶ Nazard ¶ Harmonic Piccolo ¶ Tierce Grave Mixture III ¶ Bassoon ¶ Cornopean ¶ Hautboy Tremulant

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 179 Organ Specifications 180 ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ SWELL ¶ ¶ ¶ 4 manuals, 65ranks 1996 Schoenstein &Co. op. 123 S ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ GREAT T

. P .

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A SSOCIATION ¶ S P ARISH , K, S Seventeenth Posaune* 9R[+XPDQD ZLWK7UHPXODQW Hautboy Mixture III- IIICornet Flageolet Celestiana II(Ethereal) Harmonic Flute Gemshorn Celestiana II(Ethereal) )OXWH&HOHVWH,, Vox Celeste GambaEcho Stopped Diapason DiapasonOpen Lieblich Bourdon (ext.) Harmonic Trumpet (Ethereal) Full Mixture IV Bells (Cymbelstern) Chimes (Choir) Super Octave Nominal Pitch Off Cornopean* Fifteenth Twelfth Claribel Flute Principal Bourdon Harmonic Flute Second Open Diapason First Open Diapason Double Diapason

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¶ ¶ ¶ CHOIR $YDLODEOHXQLVRQ box Swell inside is which box, Celestial in *Stops 7XEHQVWRSGUDZVDOOWKUHH&HOHVWLDOFKRUXVUHHGVDW¶SLWFK box. Solo inside is which box Ethereal in *Stops ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ SOLO ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ,QVHSDUDWHER[LQVLGH&HOHVWLDOER[ ¶ ¶ ¶

ONFERENCE

-only by switch byswitch -only : ASHINGTON Super Octave Nominal Pitch Off Sub Octave Tremulant Nineteenth Tierce Nasard Fugara Double Dulciana (ext.) Super Octave Nominal Pitch Off Sub Octave Variable Tremulant Tremulant Nominal Pitch Off Sub Octave Celesta Harp Tuba Mirabilis (unenclosed) 7XEHQ,,, &HOHVWLDO Tuba* Harmonic Trumpet* English Horn Celestiana II* Gamba Celeste Gamba Symphonic Flute Tuba mirabilis (Solo) Twenty- Harmonic Piccolo Salicet Forest Flute Dulciana Lieblich Gedeckt French Horn Variable Tremulant Tremulant Corno di bassetto Flügel Horn Corno di bassetto (ext.) Clarion* second , DC ,

PEDAL ¶ Double Open Wood (Solo) ¶ Contra Gamba (Solo) ¶ Contra Bourdon (Celestial) ¶ Open Wood ¶ Open Diapason (Great) ¶ Bourdon ¶ Dulciana (Choir) ¶ Lieblich Bourdon (Swell) ¶ Principal ¶ Bourdon (Great) ¶ Stopped Diapason (Swell) ¶ Dulciana (Choir) ¶ Fifteenth (ext.) ¶ Flute (Great) ¶ Mixture IV ¶ Double Ophicleide (Solo) ¶ Contra Posaune (Celestial) ¶ Ophicleide ¶ Posaune (Celestial) ¶ Corno di bassetto (Choir) ¶ Ophicleide (ext.) ¶ Corno di bassetto (Choir) ¶ Pizzicato Bass*

Organ Specifications *Draws Open Wood at octave pitch through Pizzicato touch relay

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 181 Organ Specifications 182

¶ SWELL (north triforium, second bay) ¶ ¶ ¶ ¶ GREAT (north triforium, first bay) ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶

A SSOCIATION Clairon Tuba Mirabilis (Solo) Trompette Chamadeen (Solo) Octave CélesteFlute II Voix Céleste II Viole Céleste Viole Gambe de à Flûte Fuseau Bourdon CourteFlûte Diapason iln(xeso) Violon (extension) Terzzymbel VI IVScharf Mixtur IV MixturKlein IV Sesquialtera II Blockflöte Super Oktav Quinte Koppel Flöte Spitzoktav Oktav Erzähler Violon Salicional Holz Bordun Waldföte Spitz Prinzipal Prinzipal Bourdon Trompette Posthorn Bombarde

OF 4 manuals, 189ranks 1976, 1990 1958, 1963, 1964, 1973, Revisions and enlargements 1938 Company, op. 510 E.M. Skinner &Son Organ C W A ATHEDRAL ASHINGTON NGLICAN ±V ±X

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ATIONAL

2014 C

¶ STRING (south triforium, fifth bay) ¶ ¶ ¶ ¶ ¶ ¶ ¶ SOWERBY SWELL (south triforium, first bay) ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ 8±¶ ¶ ¶ ¶ ¶ CHOIR (north triforium, third bay) ¶±¶

ONFERENCE

: Violoncelle (extension ) Flûte Traversière Éoliènne Céleste II Tierce Nasard Cymbale IV JeuPlein V Tremolo Petit Jeu IV )OWHG¶$UJHQW,, Clairon Trompette Bombarde Prestant Violoncelle Céleste II Montre Clairon2ème &RUG¶$PRXU Hautbois 2ème Trompette Posaune Octavin Choeur des Choeur des Violes V Terz Rohrnasat Voix Humaine Glockenspiel II Mixture III Tremolo Tuba Mirabilis (Solo) Regal Cromorne Trumpet Orchestral Bassoon Hellflöte Fugara Harmonic Flute Principal Kleiner Erzähler II Viole Céleste II Choeur des Violes V (Swell) Viola Pomposa Céleste Viola Pomposa Chimney Flute Gemshorn ASHINGTON ±IV

, DC ,

¶ Trompette en Chamade (Solo) ¶ Principal ¶ Posthorn (Great) ¶ Diapason (Great) Harp ¶ Bourdon Celesta ¶ Violon (Great) Zimbelstern ¶ Violoncelle (Swell) Tremolo ¶ Gemshorn (Choir) ¶ Flûte Courte (Swell) SOLO (north triforium, fourth bay) ¶ Quinte (from Gross Kornett) ¶ Diapason ¶ Octave ¶ Flauto Mirabilis I±II ¶ Diapason (Great) ¶ Gamba ¶ Spitzflöte ¶ Gamba Céleste ¶ Gedackt ¶ Orchestral Flute ¶ Violoncelle Céleste II Full Mixture VII (Sowerby Swell) ¶ Corno di Bassetto (extension) ¶ Flûte Courte (Swell) ¶ Trompette Harmonique 5-¶ Quinte ¶ French Horn ¶ Choralbass ¶ Corno di Bassetto ¶ Cor de Nuit ¶ English Horn ¶ Fife ¶ Flügel Horn Rauschquint II ¶ Clairon Harmonique Fourniture IV ¶ Trompette en Chamade Acuta III ¶ Tuba Mirabilis Gross Kornett IV ¶ Posthorn (Great) ¶ Bombarde Basse

¶ Posthorn (Great) (extension, 1±12 electronic) Organ Specifications Tremolo ¶ Contra Bombarde ¶ Contra Fagotto (extension) BRUSTWERK (floating, north gallery) ¶ Ophicleide ¶ Spitz Prinzipal ¶ Bombarde (Sowerby Swell) ¶ Praestant ¶ Fagotto ¶ Koppel Nasat ¶ Trompette ¶ Lieblich Prinzipal ¶ Bombarde (Sowerby Swell) Mixtur IV±VI ¶ Posthorn (Great) ¶ Rankett ¶ Tuba Mirabilis (Solo) ¶ Trompette en Chamade (Solo) POSITIV (floating, south gallery) ¶ Clairon ¶ Nason Gedackt ¶ Zink ¶ Rohrflöte ¶ Nachthorn GALLERY PEDAL (north and south galleries) ¶ Terz ¶ Gedacktbass (extension) ¶ Larigot ¶ Oktav ¶ Sifflöte ¶ Nason Gedackt (Positiv) ¶ Superoktav (extension) Zymbel IV ¶ Rohrflöte (Positiv) ¶ Rankett (Brustwerk) ¶ Rankett (Brustwerk) Tremulant ¶ Rankett (Brustwerk)

PEDAL (south triforium, first through fourth bays) ¶ Subbass (extension) ¶ Kontra Violon (extension) ¶ Contre Basse

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 183

EXHIBITORS

Hours

Sunday, June 15: 7:30 p.m.²12 a.m. Monday, June 16: 9:30 p.m.²12 a.m. Tuesday, June 17: 9:30 p.m.²12 a.m. Wednesday, June 18: 9:30 p.m.²12 a.m. Thursday, June 19: 10²11 a.m. & 2²4 p.m. (final purchases)

Canterbury Dictionary of Hymnology Contacts: Bob Todd & Michael Addison Hymns Ancient and Modern, Ltd. 3rd Floor Invicta House 108-114 Golden Lane London EC1Y 0TG 0-207-776-7551 Email: [email protected] www.hymnsam.co.uk

Classical Movements Contact: Johan Van Zyl 319 Cameron St. Alexandria, VA 22314 1-703-683-6040 Email: [email protected] www.classicalmovements.com

Cliff Hill Music Contact: Clifford Hill 5121 West 161st St. Brook Park, OH 44142 800-819-8772 216-676-1888 (fax) Email: [email protected] www.cliffhillmusic.com

Encore Performance Tours Contact: Sophie Amos 343 Congress Street, Suite 3100 Boston, MA 02210 877-460-3801 Email: [email protected] www.encoretours.com

184 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

EXHIBITORS, cont.

The Musical Source, Inc. Contact: Jack Ay 8555 16th St. Silver Spring, MD 20910 301-587-7401 301-587-7415 (fax) Email: [email protected] www.musicalsource.com

RSCM America Contact: Kevin Radtke, RSCM America Coordinator Westminster Choir College of Rider University 101 Walnut Lane Princeton, NJ 08540 609-92103012 Email: [email protected] www.rscmamerica.org

Saint Thomas Choir School Contact: Ruth Cobb 202 W. 58th St. New York, NY 10019 212-247-3311 212-247-3393 (fax) Email: [email protected] www.choirschool.org

Selah Publishing Contact: David Schapp P.O. Box 98055 Pittsburgh, PA 15227 1-800-852-6172 Email: [email protected] www.selahpub.com

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 185

ADVERTISERS

64 American Choral Directors Association 18 Berkshire Music Company/Thaddeus P. Cavuoti 51 Bishop Payne Library of Virginia Theological Seminary Front inside John-Paul Buzard Pipe Organ Builders 62 Samuel Carabetta 50 Casavant Frères Organ Builders 119 Cathedra Back outside Charter Travel 18 Christ Church, Rockville, MD 137 Classical Movements 136 R.A. Daffer 73 The D.C. Descant Book 101 C.B. Fisk Organbuilders 49 Thomas Foster/Epiphany Parish of Seattle 27 Lois Fyfe Music 177 Ana Hernández 36 The Herbert Howells Society 93 Mark Nelson, Music Desks for Singers 49 Brett Patterson 49 Myron Patterson 35 Peabody Institute 27 William Bradley Roberts Back inside St. Thomas Choir School 175 Taylor and Boody Organ Builders 111 Yale Institute of Sacred Music Congregations Project

186 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

WASHINGTON, DC, CONFERENCE PLANNING COMMITTEE

Thomas Smith, co-chair Robert McCormick, co-chair Jason Abel, hotel coordinator Kyle Babin, program book and liturgical coordinator Jane Bourdow, secretary and program book proofreading Sam Carabetta, fundraising and hospitality assistant Tad Cavuoti, youth choir and descant book Barbara Collins, volunteer coordinator Peter Crisafulli, descant book Judy Dodge, commissions Matt Gabay, hospitality Gary Hacker, treasurer Gregory Hooker, commissions David Hoover, hospitality Ben Hutchens, registrar Ben Hutto, hospitality coordinator and youth choir Jeff Kempskie, transportation Ben Keseley, website and exhibit coordinator Michael Lodico, publicity and post-conference day coordinator Michael Menne, transportation and program book proofreading William Bradley Roberts, commissions coordinator and clergy day David Sinden, advertising coordinator Benjamin Straley, clergy day and organ stoplists Brandon Straub, youth choir and descant book Sonya Sutton, communications coordinator and clergy day

ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC 187

ACKNOWLEDGMENTS

The Washington, DC, Conference Planning Committee wishes to thank the following individuals and organizations for their generous contributions of time, talent, and treasure.

Mr. Stephen Ackert 7KH5W5HY¶G-RVHSK%XUQHWW 6W&ROXPED¶V(SLVFRSDO&KXUFK 7KH9HU\5HY¶G*DU\+DOO&DQRQ*LQD&DPSEHOO :DVKLQJWRQ1DWLRQDO&DWKHGUDO Samuel J. Carabetta and Richard A. Molinaroli Dr. Michael Clarkson Ms. Carolyn Davies 7KH5HY¶G9LUJLQLD*HUEDVL 6W-RKQ¶V(SLVFRSDO&KXUFK*HRUJHWRZQ Mr. Yann Henrotte Mr. Clifford Hill Mr. Kenneth Hopper The Herbert Howells Society 7KH5W5HY¶G6KDQQRQ-RKQVWRQ 7KH5W5HY¶G-DPHV/-HOLQHN 6W3DXO¶V3DULVK (SLVFRSDO .6WUHHW 7KH5HY¶G3LHUFH.OHPPW &KULVW&KXUFK$OH[DQGULD 7KH5HY¶G'U/XLV/HyQ 6W-RKQ¶V&KXUFK/DID\HWWH6TXDUH Ms. Cara Lanza 7KH5HY¶G6XVDQ&7KRQ 'U&3HWHU0DJUDWK 7KH9HU\5HY¶G'U,DQ0DUNKDP Mr. Paul McKee 7KH5HY¶G'U'HERUDK0HLVWHU 6W$OEDQ¶V3DULVK 7KH5HY¶G$QGUHZ30HUURZ 6W0DU\¶V(SLVFRSDO&KXUFK$UOLQJWRQ 7KH5HY¶G*LGHRQ3ROODFK (SLVFRSDO+LJK6FKRRO Ms. Carla Rountree 6W*HRUJH¶V&KXUFK$UOLQJWRQ The Ann Stookey Fund for New Music Taylor and Boody Organbuilders The Staff of Virginia Theological Seminary Dr. Martin Van Nostrand of The Clinic, Belgium Mr. and Mrs. John D. Van Wagoner Ms. Bonita White Canon Vance Wilson & St. Albans School

All excerpts from Holy Scripture are from the New Revised Standard Version Bible, copyright 1989, Division of Christian Education of the National Council of the Churches of Christ in the United States of America.

Most liturgical texts, collects, psalms, and canticles are from The Book of Common Prayer, 1979.

188 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC

190 ASSOCIATION OF ANGLICAN MUSICIANS 2014 CONFERENCE :ASHINGTON, DC