COMMUNIA Final Report

Total Page:16

File Type:pdf, Size:1020Kb

COMMUNIA Final Report Deliverable D.1.11 COMMUNIA Final Report ECP-2006-PSI-610001 COMMUNIA http://COMMUNIA-project.eu/ Final Report Deliverable number/name Deliverable D1.11: Final Report Dissemination level Public Delivery date March 31, 2011 Status FINAL VERSION TO PROJECT OFFICER Main Author Giancarlo F. Frosio This document incorporates the results of several months of discussions among COMMUNIA members. The main author and the project coordinator wish to thank everyone who contributed, and particularly Lucie Guibault, Paul Keller, Séverine Dusollier and Patrick Peiffer whose comments and analyzes have greatly enhanced this text. eContentplus This project is funded under the eContentplus programMe,1 a Multiannual ComMunity programMe to Make digital content in Europe more accessible, usable and exploitable. 1 O.J. L 79 (March 24, 2005), at 1. 1 Deliverable D.1.11 COMMUNIA Final Report 2 Deliverable D.1.11 COMMUNIA Final Report CONTENTS CONTENTS ............................................................................................................................................................ 3 COMMUNIA FINAL REPORT .................................................................................................................................. 7 WHAT IS THE PUBLIC DOMAIN? ........................................................................................................................... 7 THE VALUE OF THE PUBLIC DOMAIN FOR EUROPE ................................................................................................. 11 PUBLIC DOMAIN CHALLENGES AND BOTTLENECKS ................................................................................................. 17 THE PUBLIC DOMAIN AND THE EUROPEAN COMMISSION STRATEGY ......................................................................... 29 COMMUNIA AND THE EUROPEAN PUBLIC DOMAIN PROJECT ................................................................................ 30 WHAT CAN EUROPE DO FOR THE PUBLIC DOMAIN? .............................................................................................. 34 ANNEX I ............................................................................................................................................................. 39 COMMUNIA PROJECT ........................................................................................................................................ 39 The COMMUNIA Project ............................................................................................................................. 39 The COMMUNIA Network ........................................................................................................................... 39 The COMMUNIA Working Groups ............................................................................................................... 40 The COMMUNIA Meetings and Events ....................................................................................................... 42 The Public Domain Manifesto ..................................................................................................................... 44 The Public Domain Day ............................................................................................................................... 45 The COMMUNIA Essence ............................................................................................................................ 45 ANNEX II ............................................................................................................................................................ 50 THE DIGITAL PUBLIC DOMAIN IN EUROPE ................................................................................................................ 50 Defining the Public Domain ......................................................................................................................... 50 In Search of an Affirmative Definition of the Public Domain .................................................................. 51 Public Domain, Commons, and Cultural Environmentalism ................................................................... 54 The European Public Domain Project and Manifestos ............................................................................ 60 The Value of the Public Domain .................................................................................................................. 64 The Sources of the Public Domain .......................................................................................................... 65 The Size of the Public Domain ................................................................................................................. 68 The Social and Economic Value of the Public Domain ............................................................................ 69 The Public Domain Effect in Action ......................................................................................................... 74 Public Domain and Opportunities of Being Digital ...................................................................................... 76 Challenges and Bottlenecks ........................................................................................................................ 83 3 Deliverable D.1.11 COMMUNIA Final Report Commodification and Enclosure of Culture ............................................................................................ 84 Copyright Extension and Orphan Works ................................................................................................. 89 Copyright Expansion ................................................................................................................................ 95 Moral Rights and the Public Domain Payant ........................................................................................... 98 Technological Enclosure of Culture ......................................................................................................... 99 Contractual Enclosure of Culture .......................................................................................................... 103 Copyright Censorship and Cultural Diversity ......................................................................................... 106 Legislative Process, Legal Uncertainty and Harmonization ................................................................... 112 Public Domain as the Very Goal of Copyright ........................................................................................... 116 ANNEX III ......................................................................................................................................................... 122 COMMUNIA POLICY RECOMMENDATIONS ........................................................................................................... 122 Recommendation # 1: The term of copyright protection should be reduced. The excessive length of copyright protection combined with an absence of formalities is highly detrimental to the accessibility of our shared knowledge and culture. .................................................................................................. 126 Recommendation # 2: The proposed term extension of copyright protection for performers and sound recordings will harm the public domain and must not be implemented. ............................................. 127 Recommendation # 3: Harmonize Exceptions and Limitations of the Copyright Directive among the Member States and open up the exhaustive list so that the user prerogatives – such as fair dealing and fair use – can be adapted to the ongoing technological transformations. ........................................... 133 Recommendation # 4: As a pre-requisite for unlocking the cultural, educational and economic potential of the public domain, identification of works being in the public domain should be made easier and less resource consuming by simplifying and harmonizing rules of copyright duration and territoriality. .......................................................................................................................................... 133 Recommendation # 5: Digital reproductions of works that are in the Public Domain must also belong to the Public Domain. Use of works in the public domain should not be limited by any means, either legal or technical. .................................................................................................................................. 134 Recommendation # 6: Any false or misleading attempt to misappropriate Public Domain material must be declared unlawful. False or misleading attempts to claim exclusivity over Public Domain material must be sanctioned. .............................................................................................................................. 135 Recommendation # 7: The Public Domain needs to be protected from the adverse effects of Technical Protection Measures. Circumvention of TPMs must be allowed when exercising user rights created by Exceptions and Limitations or when using Public Domain works. The deployment of TPMs to hinder or impede privileged uses of a protected work or access to public domain material must be sanctioned. .............................................................................................................................................................. 135 Recommendation # 8: In order to prevent unnecessary and unwanted protection of works of authorship,
Recommended publications
  • De Angelis Omnia Sunt Communia.Pdf
    In Common The architects of our lives are divided. There are those who insist that there is still no alternative to neoliberalism. Despite the many crises it has provoked, they continue to push for compe- tition in every sphere of life, to widen the wealth gap, to ignore climate change and to pursue the steady dispossession of our rights and commonwealth. Then there are those advocating change, those who seek to persuade us that capitalism can be saved from itself. They conceal capitalism behind a human face. They tell us that environmental disaster can be averted through technological solutions. They say that deeply rooted social injustices can be cured with a little more economic growth. That we’ll be safer with more police on our streets. And yet, we know that capitalism is dying, that its lies have been unmasked, that its grip on our world and our lives is maintained only through expropriations, dependency and commodified desires. In Common is a collection of works that see an end to capitalism without apocalypse. It provides us with techniques for building another world, and it narrates practices of alternatives and theories of hope. It is a glimpse into our shared present, for a future in common. In Common is published by Zed Books under the creative commons license. You are free to share this material, transform and build upon it for non-commercial purposes. Series editor: Massimo De Angelis Already published: Stavros Stavrides, Common Space: The City as Commons Omnia Sunt Communia.indd 1 01/03/2017 14:04 Omnia Sunt Communia.indd 2 01/03/2017 14:04 Omnia Sunt Communia On the Commons and the Transformation to Postcapitalism Massimo De Angelis Zed Books LONDON Omnia Sunt Communia.indd 3 01/03/2017 14:04 Omnia Sunt Communia: Principles for the Transition to Postcapitalism was first published in 2017 by Zed Books Ltd, The Foundry, 17 Oval Way, London SE11 5RR, UK.
    [Show full text]
  • The Digital Public Domain
    THE DIGITAL PUBLIC DOMAIN THE DIGITAL PUBLIC DOMAIN21March.indd 1 3/26/12 3:22 PM Melanie Dulong de Rosnay is a researcher at the CNRS Institute for Communication Sciences and associated researcher at CERSA (CNRS University Paris 2) where she is Creative Commons France legal lead. In 2011 she co-founded Communia international association on the digital public domain, which she currently chairs. She works on comparative public policies for open access and on transformation of regulation introduced by distributed architectures. Juan Carlos De Martin is a Faculty Fellow at the Berkman Center for Internet & Society at Harvard University and co-director of the NEXA Center for Internet & Society at the Turin Polytechnic (Politecnico di Torino), Italy, which he co-founded in 2006. He is a Professor of Computer Engineering, with research interests focusing on digital media processing and transmission. De Martin also serves as a member of the Scientific Board of the Institute of the Italian Encyclopedia Treccani and of the Biennale Democrazia. THE DIGITAL PUBLIC DOMAIN21March.indd 2 3/26/12 3:22 PM The Digital Public Domain: Foundations for an Open Culture Edited by Melanie Dulong de Rosnay and Juan Carlos De Martin THE DIGITAL PUBLIC DOMAIN21March.indd 3 3/26/12 3:22 PM Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Melanie Dulong de Rosnay and Juan Carlos De Martin The articles of this book are licensed under a Creative Commons Attribution 3.0 unported license available at http://creativecommons.org/licenses/by/3.0/ This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work.
    [Show full text]
  • COMMUNIA Final Report
    Deliverable D.1.11 COMMUNIA Final Report ECP‐2006‐PSI‐610001 COMMUNIA http://COMMUNIA‐project.eu/ Final Report Deliverable number/name Deliverable D1.11: Final Report Dissemination level Public Delivery date March 31, 2011 Status FINAL VERSION TO REVIEWERS Main Author Giancarlo F. Frosio This document incorporates the results of several months of discussions among COMMUNIA members. The main author and the project coordinator wish to thank everyone who contributed, and particularly Lucie Guibault, Paul Keller, Séverine Dusollier and Patrick Peiffer whose comments and analyzes have greatly enhanced this text. eContentplus This project is funded under the eContentplus prograMMe,1 a Multiannual CoMMunity prograMMe to Make digital content in Europe More accessible, usable and exploitable. 1 O.J. L 79 (March 24, 2005), at 1. 1 Deliverable D.1.11 COMMUNIA Final Report 2 Deliverable D.1.11 COMMUNIA Final Report CONTENTS CONTENTS ............................................................................................................................................................ 3 COMMUNIA FINAL REPORT .................................................................................................................................. 7 WHAT IS THE PUBLIC DOMAIN? ........................................................................................................................... 7 THE VALUE OF THE PUBLIC DOMAIN FOR EUROPE ................................................................................................. 11 PUBLIC DOMAIN CHALLENGES
    [Show full text]
  • EU Copyright Reform Threatens Open Access and Open Science Open Letter to the Members of the Legal Affairs Committee in the European Parliament
    EU copyright reform threatens Open Access and Open Science Open letter to the members of the Legal Affairs Committee in the European Parliament We represent a large group of European academic, library, education, research and digital rights communities and we are writing to express our alarm at the draft Directive on Copyright in the Digital Single Market, and in particular at the potential impact of Articles 11 and 13. We are concerned that these provisions will create burdensome and harmful restrictions on access to scientific research and data, as well as on the fundamental rights of freedom of information, directly contradicting the EU’s own ambitions in the field of Open Access and Open Science. We therefore urge the Legal Affairs Committee to remove Articles 11 and 13 from the draft Directive. Furthermore, the Committee should ensure that Articles 3 to 9 support new forms of research and education and not work against them. A U-turn on Open Science? 1. We believe that increased digital access, data analytics and open information flows will increase innovation in Europe. The European Commission’s Horizon 2020 programme similarly supports open access to scientific publications and research data as essential drivers of EU global competitiveness. The EU has set an example internationally with its extensive policy work, for example by including Open Access in one of its six European Research Area (ERA) priorities. Moreover, in 2016 at the Competitiveness Council, all of Europe’s ministers of science, innovation, trade and industry committed to Open Access to scientific publications as the default option for publicly funded research results by 2020.
    [Show full text]
  • Book XVII License and the Law Editor: Ramon F
    8 88 8 8nd 8 8888on.com 8888 Basic Photography in 180 Days Book XVII License and the Law Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Photography and the law ....................................... 1 1.1.1 United Kingdom ....................................... 2 1.1.2 United States ......................................... 6 1.1.3 Hong Kong .......................................... 8 1.1.4 Hungary ............................................ 8 1.1.5 Macau ............................................. 8 1.1.6 South Africa ......................................... 8 1.1.7 Sudan and South Sudan .................................... 9 1.1.8 India .............................................. 10 1.1.9 Iceland ............................................ 10 1.1.10 Spain ............................................. 10 1.1.11 Mexico ............................................ 10 1.1.12 See also ............................................ 10 1.1.13 Notes ............................................. 10 1.1.14 References .......................................... 10 1.1.15 External links ......................................... 12 2 Day 2 13 2.1 Observation .............................................. 13 2.1.1 Observation in science .................................... 14 2.1.2 Observational paradoxes ................................... 14 2.1.3 Biases ............................................. 15 2.1.4 Observations in philosophy .................................. 16 2.1.5 See also ...........................................
    [Show full text]
  • A Case Study of Public Domain Images on Wikipedia
    Harvard Journal of Law & Technology Volume 29, Number 1 Fall 2015 THE VALUATION OF UNPROTECTED WORKS: A CASE STUDY OF PUBLIC DOMAIN IMAGES ON WIKIPEDIA Paul Heald,* Kristofer Erickson† & Martin Kretschmer‡ TABLE OF CONTENTS I. INTRODUCTION .................................................................................. 2! II. THEORETICAL CHALLENGES TO VALUING PUBLIC DOMAIN WORKS .............................................................................................. 5! A. Differentiating the Values of Copies from Legal Rights ............... 6! B. Private Value v. Social Welfare .................................................... 8! C. Incentives and Availability ......................................................... 10! III. VALUING PUBLIC DOMAIN IMAGES ON WIKIPEDIA: METHODOLOGY ............................................................................... 13! IV. VALUING PUBLIC DOMAIN IMAGES ON WIKIPEDIA: FINDINGS ......................................................................................... 15! A. The Public Domain and Author Pages ....................................... 16! B. Costs Saved by Page Builders .................................................... 19! C. Increased Traffic to Wikipedia Pages ........................................ 21! 1. Adjusting for Popularity Based on Amazon Book Review Statistics ............................................................... 21! 2. Matched Pairs Treatment #1 Shows 6% Traffic Increase for Authors .......................................................... 23! 3.
    [Show full text]
  • 16 April 2021 Aperto
    AperTO - Archivio Istituzionale Open Access dell'Università di Torino Contractually-constructed Research Commons: A Critical Economic Appraisal This is a pre print version of the following article: Original Citation: Availability: This version is available http://hdl.handle.net/2318/119587 since 2016-11-06T23:28:38Z Publisher: Open Book Publishers Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 07 October 2021 THE DIGITAL PUBLIC DOMAIN THE DIGITAL PUBLIC DOMAIN.indd 1 2/21/12 6:41 PM Melanie Dulong de Rosnay is a researcher at the Institute for Communication Sciences of CNRS (National Center for Scientific Research) in Paris. She is also legal project lead for Creative Commons France which she co-founded in 2003 at CERSA/CNRS University Paris 2. In 2011 she co-founded Communia, the international association on the digital public domain, which she currently chairs. She has also been a Fellow at the Berkman Center for Internet & Society at Harvard University and Science Commons, and a researcher at the Institute for Information Law of the University of Amsterdam. She works on comparative public policies for open access to knowledge with a focus on scientific publications and data and cultural heritage. Juan Carlos De Martin is a Faculty Fellow at the Berkman Center for Internet & Society at Harvard University and co-director of the NEXA Center for Internet & Society at the Turin Polytechnic (Politecnico di Torino), Italy, which he co-founded in 2006.
    [Show full text]
  • Resisting Copyright and Promoting Alternatives
    RESISTING THE RESISTANCE: RESISTING COPYRIGHT AND PROMOTING ALTERNATIVES Giancarlo F. Frosio ABSTRACT This article discusses the resistance to the Digital Revolution and the emergence of a social movement “resisting the resistance.” Mass empowerment has political implications that may provoke reactionary counteractions. Ultimately—as I have discussed elsewhere— resistance to the Digital Revolution can be seen as a response to Baudrillard’s call to a return to prodigality beyond the structural scarcity of the capitalistic market economy. In Baudrillard’s terms, by increasingly commodifying knowledge and expanding copyright protection, we are taming limitless power with artificial scarcity to keep in place a dialectic of penury and unlimited need. In this paper, I will focus on certain global movements that do resist copyright expansion, such as creative commons, the open access movement, the Pirate Party, the A2K movement and cultural environmentalism. A nuanced discussion of these campaigns must account for the irrelevance of copyright in the public mind, the emergence of new economics of digital content distribution in the Internet, the idea of the death of copyright, and the demise of traditional gatekeepers. Scholarly and market alternatives to traditional copyright merit consideration here, as well. I will conclude my review of this movement “resisting the resistance” to the Digital Revolution by sketching out a roadmap for copyright reform that builds upon its vision. I. INTRODUCTION In The Creative Destruction of Copyrights, Raymond Ku applied for the first time the metaphor of the “wind of creative destruction”—made famous by Joseph Schumpeter— to the Digital Revolution.1 According to Schumpeter, the “fundamental impulse that sets and keeps the capitalist engine in motion” is the process of creative destruction which “incessantly revolutionises the economic structure by incessantly destroying the old one, incessantly creating a new one.”2 Traditional business models’ resistance to technological innovation unleashed the wind of creative destruction.
    [Show full text]
  • AI & Intellectual Property
    AI & Intellectual Property: Towards an Articulated Public Domain Mauritz Kop1 Table of Contents Abstract................................................................................................................... 298 I. Introduction ......................................................................................................... 299 II. AI and the Function of Copyright Law .............................................................. 300 A. Artificial Intelligence .............................................................................. 300 B. Copyright ................................................................................................ 300 III. Authorship and Ownership of AI Creations ..................................................... 303 A. EU and United States .............................................................................. 303 B. UK: CGW Regime .................................................................................. 304 C. Arguments Against Copyright Protection ............................................... 304 D. Arguments Pro Copyright Protection...................................................... 306 E. Degree of Human Intervention ................................................................ 307 IV. Legal Personhood and Legal Agenthood ......................................................... 308 A. AI is a Legal Object ................................................................................ 308 B. Roman Property Paradigm .....................................................................
    [Show full text]
  • Download Download
    VRA ulleB tin Volume 46 Article 4 Issue 1 Spring/Summer 2019 June 2019 Unlocking the Public Domain Sara Schumacher Texas Tech University, [email protected] Follow this and additional works at: https://online.vraweb.org/vrab Part of the Information Literacy Commons Recommended Citation Schumacher, Sara (2019) "Unlocking the Public Domain," VRA uB lletin:Vol. 46: Iss. 1, Article 4. Available at: https://online.vraweb.org/vrab/vol46/iss1/4 This Feature Articles is brought to you for free and open access by VRA Online. It has been accepted for inclusion in VRA ulB letin by an authorized editor of VRA Online. Unlocking the Public Domain Abstract Public Domain Day, celebrated January 1st of every year, is a relatively new holiday, which has the potential to grow rapidly as 2019 marked the first year in 20 years in the United States that new works were added to the public domain. This article showcases Texas Tech University Libraries’ “Public Domain Day: 1923 Unlocked” exhibition and outreach efforts as one approach, but also highlights other intuitions’ promotions and suggests ways to connect to larger initiatives. Cultural heritage and visual resources professionals can adapt this celebration as a way of advocating for the public domain, educating on copyright literacy, bringing attention to newly public domain collections materials, and exciting and empowering the public. The growth of the public domain enriches many of our missions and goals including supporting creativity and preserving our past and should be celebrated and protected. Keywords public domain, Public Domain Day, copyright, Creative Commons, outreach, advocacy, information literacy Author Bio & Acknowledgements The uthora would like to acknowledge all the people that participated in and contributed to the “Public Domain Day: 1923 Unlocked” exhibition and events.
    [Show full text]
  • Creative Commons Submission to the European Commission Consultation on Artificial Intelligence
    Creative Commons Submission to European Commission Consultation on Artificial Intelligence - June 11, 2020 Creative Commons Submission to the European Commission Consultation on Artificial Intelligence The present document is submitted in support of our contribution to the consultation questionnaire. It summarizes Creative Commons’ provisional position on matters relating to artificial intelligence (AI) and copyright law.1 In a nutshell, partly in view of the uncertainty surrounding the concept of AI, it generally opposes copyright (or related right or any new sui ​ generis right) protection of AI-generated outputs and supports mandatory, open exceptions and ​ limitations to allow broad and unfettered access and use of copyright works as AI input in support of the public interest. Using copyright to govern AI output is contradictory to copyright’s primordial function of offering an enabling environment for human creativity to flourish. Creative Commons looks forward to considering the opinions and ideas contributed by others in connection with the consultation as it refines its position in connection with the further work of the European Commission. 1. Lack of clarity around AI - Copyright intervention is premature ● Clarity on basic definitions in the AI space is a prerequisite to competent regulation in the copyright arena. AI needs to be properly understood before any copyright implications can be addressed. ● Any policy or legal intervention in the field of copyright should be based on strong and reliable evidence and conceptual certainty, especially given the fast-paced evolution of AI technology. 1 This paper has been prepared by Brigitte Vézina, Open Policy Manager, Creative Commons. It has benefited from invaluable input from Creative Commons staff, including Kriti Godey, Cable Green, Victoria Heath, Brent Moran, Diane Peters, and Claudio Ruiz.
    [Show full text]
  • Shadow Libraries: Access to Knowledge in Global Higher Education
    Shadow Libraries Shadow Libraries Access to Knowledge in Global Higher Education Edited by Joe Karaganis The MIT Press Cambridge, Massachusetts London, England International Development Research Centre Ottawa • Cairo • Montevideo •Nairobi •New Delhi The American Assembly at Columbia University New York © 2018 Massachusetts Institute of Technology This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 (CC BY-NC 4.0) International License. A copublication with International Development Research Centre PO Box 8500 Ottawa, ON K1G 3H9 Canada www.idrc.ca/ [email protected] and The American Assembly at Columbia University 475 Riverside Drive, Suite 456 New York, NY 10115 USA www.americanassembly.org The research presented in this publication was carried out with the financial assistance of Cana- da’s International Development Research Centre. The views expressed herein do not necessarily represent those of IDRC or its Board of Governors. This book was set in ITC Stone Serif Std by Toppan Best-set Premedia Limited. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Names: Karaganis, Joe, editor. Title: Shadow libraries : access to educational materials in global higher education / edited by Joe Karaganis. Description: Cambridge, MA : The MIT Press ; Ottawa, ON : International Development Research Centre, [2018] | Includes bibliographical references and index. Identifiers: LCCN 2017033629 | ISBN 9780262535014 (pbk. : alk. paper) Subjects: LCSH: Scholarly publishing--Economic aspects--Developing countries. | Scholarly electronic publishing--Developing countries. | Piracy (Copyright)--Developing countries. | Intellectual property infringement--Economic aspects--Developing countries. | Copyright-- Electronic information resources--Developing countries. | Photocopying--Developing countries. | Open access publishing--Developing countries. | Communication in learning and scholarship--Technological innovations--Developing countries.
    [Show full text]