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My Musical Lineage Since the 1600S
Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent -
Dissertation FINAL 5 22
ABSTRACT Title: BEETHOVEN’S VIOLINISTS: THE INFLUENCE OF CLEMENT, VIOTTI, AND THE FRENCH SCHOOL ON BEETHOVEN’S VIOLIN COMPOSITIONS Jamie M Chimchirian, Doctor of Musical Arts, 2016 Dissertation directed by: Dr. James Stern Department of Music Over the course of his career, Ludwig van Beethoven (1770–1827) admired and befriended many violin virtuosos. In addition to being renowned performers, many of these virtuosos were prolific composers in their own right. Through their own compositions, interpretive style and new technical contributions, they inspired some of Beethoven’s most beloved violin works. This dissertation places a selection of Beethoven’s violin compositions in historical and stylistic context through an examination of related compositions by Giovanni Battista Viotti (1755–1824), Pierre Rode (1774–1830) and Franz Clement (1780–1842). The works of these violin virtuosos have been presented along with those of Beethoven in a three-part recital series designed to reveal the compositional, technical and artistic influences of each virtuoso. Viotti’s Violin Concerto No. 2 in E major and Rode’s Violin Concerto No. 10 in B minor serve as examples from the French violin concerto genre, and demonstrate compositional and stylistic idioms that affected Beethoven’s own compositions. Through their official dedications, Beethoven’s last two violin sonatas, the Op. 47, or Kreutzer, in A major, dedicated to Rodolphe Kreutzer, and Op. 96 in G major, dedicated to Pierre Rode, show the composer’s reverence for these great artistic personalities. Beethoven originally dedicated his Violin Concerto in D major, Op. 61, to Franz Clement. This work displays striking similarities to Clement’s own Violin Concerto in D major, which suggests that the two men had a close working relationship and great respect for one another. -
I. ACADEMIC/PROFESSIONAL BACKGROUND A. Margaret Eleanor Menninger Associate Professor B. Education: Ph.D
I. ACADEMIC/PROFESSIONAL BACKGROUND A. Margaret Eleanor Menninger Associate Professor B. Education: Ph.D. 1998 Harvard University History Art and Civic Patronage in Leipzig, 1848-1914 A.M. 1991 Harvard University History A.B. 1986 Harvard University History and The Muse Oppressed, the Muse cum Literature Undressed: Views of Female laude Sexuality in German Cabaret, 1901-1903 C. University Experience: Associate Professor Texas State University 2006-present Assistant Professor Texas State University 2000-2006 Lecturer The Pennsylvania State University 1999-2000 Tutor Harvard University 1994-1998 D. Relevant Professional Experience: E. Executive Director, German The German Studies Association is the multi- and 2021- interdisciplinary association of scholars in German, Austrian, Studies Association and Swiss history, literature, culture studies, political science, 2026 F. (thegsa.org) and economics. GSA holds an annual conference and publishes a scholarly journal, the German Studies Review. Members are generally professors and advanced students at universities and colleges in North America, although there are several hundred members in Europe and Asia. Membership is open to anyone. Member of the American Council of Learned Societies (ACLS). Manuscript Editor and DÆDALUS, Journal of the American 1990- Subsidiary Rights Manager Academy of Arts and Sciences 1992 (Cambridge, MA Bertelsmann Foundation Intern Carl Hanser Verlag (Munich, FRG) 1990 Foreign Rights Specialist and Houghton Mifflin Company (Boston, MA) 1987- Permissions Editor 1990 II. -
I Cannot Tell You More of This Arcadia Than That It Is at Present
This concert marked the the conclusion of our yearly Master class which offers to talented young musicians a week’s course performing on historic keyboard instruments in Tuscany, under the expert guidance of Professor Ella Sevskaya. The Master class began as a collaboration with the P. I. Tchaikovsky State Conservatory of Moscow, to facilitate the studies of Russian students who rarely have the opportunity of playing on historic instruments in their own country. In recent years we have extended the Masterclass to participants from other countries; this year we have one student from Japan, as well as five from Russia, who all have their origins in the Department of Historical and Contemporary Performance of the Moscow State Conservatory. Anastasia Akinfina, Sophia Gandilyan, Sergei Lukaschuk and Yulia Uspenskaya come to us directly from the Department, while Alexandra Nepomnyashchaya is a graduate ; she subsequently acquired a Master in harpsichord and in fortepiano at the Conservatory of Amsterdam, and is now undertaking a specialization in early keyboard at the Hochschule für Musik, Munich. Hanano Muratsubaki begins her study at the Music Department of the University of Augsburg this fall. The participants of our Masterclass worked this week in the Laboratorio di Restauro del Fortepiano of Florence, which kindly made available the fine fortepiano made in Vienna by Johann Schantz ca.1810-1815 which we hear in this evening’s recital. We are also grateful to the Accademia Bartolomeo Cristofori: amici del fortepiano, which kindly gave us access to their extraordinary collection of historic instruments. Ella Sevskaya was born in the Ukraine in 1961. -
Classic Choices April 6 - 12
CLASSIC CHOICES APRIL 6 - 12 PLAY DATE : Sun, 04/12/2020 6:07 AM Antonio Vivaldi Violin Concerto No. 3 6:15 AM Georg Christoph Wagenseil Concerto for Harp, Two Violins and Cello 6:31 AM Guillaume de Machaut De toutes flours (Of all flowers) 6:39 AM Jean-Philippe Rameau Gavotte and 6 Doubles 6:47 AM Ludwig Van Beethoven Consecration of the House Overture 7:07 AM Louis-Nicolas Clerambault Trio Sonata 7:18 AM Wolfgang Amadeus Mozart Divertimento for Winds 7:31 AM John Hebden Concerto No. 2 7:40 AM Jan Vaclav Vorisek Sonata quasi una fantasia 8:07 AM Alessandro Marcello Oboe Concerto 8:19 AM Franz Joseph Haydn Symphony No. 70 8:38 AM Darius Milhaud Carnaval D'Aix Op 83b 9:11 AM Richard Strauss Der Rosenkavalier: Concert Suite 9:34 AM Max Reger Flute Serenade 9:55 AM Harold Arlen Last Night When We Were Young 10:08 AM Wolfgang Amadeus Mozart Exsultate, Jubilate (Motet) 10:25 AM Wolfgang Amadeus Mozart Symphony No. 3 10:35 AM Wolfgang Amadeus Mozart Piano Concerto No. 10 (for two pianos) 11:02 AM Johannes Brahms Symphony No. 4 11:47 AM William Lawes Fantasia Suite No. 2 12:08 PM John Ireland Rhapsody 12:17 PM Heitor Villa-Lobos Amazonas (Symphonic Poem) 12:30 PM Allen Vizzutti Celebration 12:41 PM Johann Strauss, Jr. Traumbild I, symphonic poem 12:55 PM Nino Rota Romeo & Juliet and La Strada Love 12:59 PM Max Bruch Symphony No. 1 1:29 PM Pr. Louis Ferdinand of Prussia Octet 2:08 PM Muzio Clementi Symphony No. -
(IAML) International Musicological Society (IMS
InternationalAssociationofMusicLibraries,ArchivesandDocumentationCentres(IAML) InternationalMusicologicalSociety(IMS) Congress MusicResearchintheDigitalAge NewYork,USA 2126June2015,TheJuilliardSchool Programme (lastupdated:20June2015) SUNDAY,21JUNE 9.0013.00 BoardRoom IAMLBoardmeeting Boardmembersonly 9.0015.00 Room340 IMSDirectoriummeeting 14.0017.00 BoardRoom IAMLBoardmeeting Boardmembersonly 14.0017.00 Classroom527 IMSStudyGrouponTransmissionofKnowledgeasaPrimaryAiminMusicEducation (closedworkingmeeting) Chair:GiuseppinaLaFaceBianconi(ProfessorofMusicHistoryandMusicPedagogy;Departmentofthe Arts,UniversityofBologna) Speakers: LucaAversano(AssociateProfessorofMusicologyandMusicHistory;DepartmentofPhilosophy, CommunicationandVisualArts,RomaTreUniversity) NicolaBadolato(ResearchFellow;DepartmentoftheArts,UniversityofBologna) Sunday,21June IAML/IMSNewYork2015Programme(lastupdated:20June2015) MatthewBalensuela(ProfessorofMusicHistory;SchoolofMusic,DePauwUniversity,Greencastle,IN) LorenzoBianconi(ProfessorofMusicalDramaturgyandMusicHistory;DepartmentoftheArts, UniversityofBologna) SuzanneG.Cusick(ProfessorofMusic;FacultyofArtsandScience,NewYorkUniversity,NYC) JamesA.Davis(ProfessorofMusicology;SchoolofMusic,SUNYatFredonia,NY) MariaRosaDeLuca(AssociateProfessorofMusicologyandMusicHistory;DepartmentofHumanities, UniversityofCatania) MariaCristinaFava(AssistantProfessorofMusicology;EastmanSchoolofMusic,Rochester,NY) CarolA.Hess(ProfessorofMusic;DepartmentofMusic,UniversityofCaliforniaatDavis) RobertHolzer(AssociateProfessorofMusicHistory;YaleSchoolofMusic,NewHaven,CT) -
Bavouzet Plays Sonatas by CLEMENTI DUSSEK HUMMEL WÖLFL
Jean-Efflam Bavouzet plays Sonatas by CLEMENTI DUSSEK HUMMEL WÖLFL Muzio Clementi Muzio Engraving by H. Cook after portrait by James Lonsdale (1777 – 1839) / AKG Images / Universal Images Group / Universal History Archive Joseph Wölfl (1773 – 1812) Sonata, Op. 33 No. 3 (1805) 14:56 in E major • in E-Dur • en mi majeur 1 Allegro 8:04 2 Andante. Cantabile 2:29 3 Rondo. Allegretto – Minore – Maggiore 4:24 Muzio Clementi (1752 – 1832) Sonata, Op. 50 No. 1 (1804 – 21) 21:50 in A major • in A-Dur • en la majeur Dedicated to Luigi Cherubini 4 Allegro maestoso e con sentimento 8:34 5 Adagio sostenuto e patetico – Andante con moto. Canone – Adagio. Tempo I – 5:28 6 Allegro vivace 7:47 3 Johann Nepomuk Hummel (1778 – 1837) Sonata No. 3, Op. 20 (c. 1807) 21:02 in F minor • in f-Moll • en fa mineur Magdalene von Kurzbeck gewidmet 7 Allegro moderato – Adagio – Allegro agitato 9:23 8 Adagio maestoso – 7:02 9 Finale. Presto – Ancor più presto 4:35 Jan Ladislav Dussek (1760 – 1812) Sonata, Op. 61, C 211 ‘Élégie harmonique sur la mort de son Altesse Royale le prince Louis-Ferdinand de Prusse’ (1806 – 07) 16:55 in F sharp minor • in fis-Moll • en fa dièse mineur Dédiée à Son Altesse le Prince de Lobkowitz, duc de Raudnitz 10 Lento patetico – Tempo agitato 11:34 11 Tempo vivace e con fuoco quasi presto 5:20 4 12 Musical illustrations 7:49 Illustration 1 Clementi: Movement 1 (chromatic scales) Hummel: Movement 1 (chromatic scales) Dussek: Movement 1 (chromatic scales) Illustration 2 Hummel: Adagio Beethoven: Sonata, Op. -
Musiker in Brandenburg
Musiker aus Brandenburg Kurzbiografien der in der Sonder- sammlung „Musik aus Brandenburg“ der Musikbibliothek der Stadt- und Landesbibliothek Potsdam vertretenen Musiker Stand: September 2014 1 Musiker in Brandenburg ... gab und gibt es sicher einige. Aber bekannte und berühmte doch eher nicht! So lautet wohl die landläufige Meinung zum Thema Brandenburger Musiker. Trifft man auf ein interessierteres Publikum, so fallen Namen wie Quantz, der „Alte Fritz“ oder C. P. E. Bach, aber kaum ein Name aus der Gegenwart oder der jüngeren Geschichte. Beschäftigt man sich ein wenig mit dieser Materie und das ist heute dank Internet kein Problem, so stößt man recht schnell auf den einen oder anderen bekannten Namen und stellt fest, dass sie / er in Brandenburg geboren, gelebt oder gearbeitet hat oder es noch immer tut. So war die Schaffung der Sondersammlung „Musik aus Brandenburg“ willkommener Anlass, sich mit den Biografien der in dieser Sammlung vertretenen Musiker zu beschäftigen, um sie letztlich auch unseren Lesern zur Verfügung stellen zu können. Dabei stellten sich vor allem zwei Fragen: was macht den Brandenburger Musiker zum Brandenburger Musiker und wer ist ein Musiker? Während sich die zweite Frage recht schnell dahingehend beantworten ließ, dass zu diesem Personenkreis all jene gehören, die sich aktiv mit Musik beschäftigen, egal ob sie als Komponist, Interpret, Musikwissenschaftler oder Musikbuchautor tätig sind, war die Eingrenzung des „Brandenburger Musikers“ weitaus schwieriger. Letztendlich zählen jene Musiker zu diesem Kreis, die in Brandenburg geboren sind oder mehrere Jahre hier gelebt oder gearbeitet haben. In Ausnahmefällen aber auch diejenigen, bei denen z. B. die Uraufführung ihres Werkes innerhalb des Brandenburgischen stattfand. -
MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor
MUSIC IN THE EIGHTEENTH CENTURY Western Music in Context: A Norton History Walter Frisch series editor Music in the Medieval West, by Margot Fassler Music in the Renaissance, by Richard Freedman Music in the Baroque, by Wendy Heller Music in the Eighteenth Century, by John Rice Music in the Nineteenth Century, by Walter Frisch Music in the Twentieth and Twenty-First Centuries, by Joseph Auner MUSIC IN THE EIGHTEENTH CENTURY John Rice n W. W. NORTON AND COMPANY NEW YORK ē LONDON W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By midcentury, the two major pillars of Norton’s publishing program— trade books and college texts—were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. Copyright © 2013 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America Editor: Maribeth Payne Associate Editor: Justin Hoffman Assistant Editor: Ariella Foss Developmental Editor: Harry Haskell Manuscript Editor: JoAnn Simony Project Editor: Jack Borrebach Electronic Media Editor: Steve Hoge Marketing Manager, Music: Amy Parkin Production Manager: Ashley Horna Photo Editor: Stephanie Romeo Permissions Manager: Megan Jackson Text Design: Jillian Burr Composition: CM Preparé Manufacturing: Quad/Graphics—Fairfield, PA Library of Congress Cataloging-in-Publication Data Rice, John A. -
Musiker in Brandenburg
Musiker aus Brandenburg Kurzbiografien der in der Sonder- sammlung „Musik aus Brandenburg“ der Musikbibliothek der Stadt- und Landesbibliothek Potsdam vertretenen Musiker 1 Musiker in Brandenburg... ... gab und gibt es sicher einige. Aber bekannte und berühmte doch eher nicht!... So lautet wohl die landläufige Meinung zum Thema Brandenburger Musiker. Trifft man auf ein interessierteres Publikum, so fallen Namen wie Quantz, der „Alte Fritz“ oder C. P. E. Bach, aber kaum ein Name aus der Gegenwart oder der jüngeren Geschichte. Beschäftigt man sich ein wenig mit dieser Materie und das ist heute dank Internet kein Problem, so stößt man recht schnell auf den einen oder anderen bekannten Namen und stellt fest, dass sie / er in Brandenburg geboren, gelebt oder gearbeitet hat oder es noch immer tut. So war die Schaffung der Sondersammlung „Musik aus Brandenburg“ willkommener Anlass, sich mit den Biografien der in dieser Sammlung vertretenen Musiker zu beschäftigen, um sie letztlich auch unseren Lesern zur Verfügung stellen zu können. Dabei stellten sich vor allem zwei Fragen: was macht den Brandenburger Musiker zum Brandenburger Musiker und wer ist ein Musiker? Während sich die zweite Frage recht schnell dahingehend beantworten ließ, dass zu diesem Personenkreis all jene gehören, die sich aktiv mit Musik beschäftigen, egal ob sie als Komponist, Interpret, Musikwissenschaftler oder Musikbuchautor tätig sind, war die Eingrenzung des „Brandenburger Musikers“ weitaus schwieriger. Letztendlich zählen jene Musiker zu diesem Kreis, die in Brandenburg geboren sind oder mehrere Jahre hier gelebt oder gearbeitet haben. In Ausnahmefällen aber auch diejenigen, bei denen z.B. die Uraufführung ihres Werkes innerhalb des Landes Brandenburg stattfand. Innerhalb der jeweiligen Vita wird die Beziehung zu Brandenburg durch das Herausheben des jeweiligen Ortes ersichtlich. -
(IAML) International Musicological Society
InternationalAssociationofMusicLibraries,ArchivesandDocumentationCentres(IAML) InternationalMusicologicalSociety(IMS) Congress MusicResearchintheDigitalAge NewYork,USA 2126June2015,TheJuilliardSchool Programme (withabstracts;lastupdated:19June2015) SUNDAY,21JUNE 9.0013.00 BoardRoom IAMLBoardmeeting Boardmembersonly 9.0015.00 Room340 IMSDirectoriummeeting 14.0017.00 BoardRoom IAMLBoardmeeting Boardmembersonly 14.0017.00 Classroom527 IMSStudyGrouponTransmissionofKnowledgeasaPrimaryAiminMusicEducation (closedworkingmeeting) Chair:GiuseppinaLaFaceBianconi(ProfessorofMusicHistoryandMusicPedagogy;Departmentofthe Arts,UniversityofBologna) http://www.ims-education.net/home/meetings/new-york-2015/ Speakers: LucaAversano(AssociateProfessorofMusicologyandMusicHistory;DepartmentofPhilosophy, CommunicationandVisualArts,RomaTreUniversity) NicolaBadolato(ResearchFellow;DepartmentoftheArts,UniversityofBologna) MatthewBalensuela(ProfessorofMusicHistory;SchoolofMusic,DePauwUniversity,Greencastle,IN) LorenzoBianconi(ProfessorofMusicalDramaturgyandMusicHistory;DepartmentoftheArts, UniversityofBologna) Sunday,21June IAML/IMSNewYork2015Programme(lastupdated:19June2015) SuzanneG.Cusick(ProfessorofMusic;FacultyofArtsandScience,NewYorkUniversity,NYC) JamesA.Davis(ProfessorofMusicology;SchoolofMusic,SUNYatFredonia,NY) MariaRosaDeLuca(AssociateProfessorofMusicologyandMusicHistory;DepartmentofHumanities, UniversityofCatania) MariaCristinaFava(AssistantProfessorofMusicology;EastmanSchoolofMusic,Rochester,NY) CarolA.Hess(ProfessorofMusic;DepartmentofMusic,UniversityofCaliforniaatDavis) -
Mar 1 to 7.Txt
CLASSIC CHOICES PLAYLIST March 1 - 7, 2021 PLAY DATE: Mon, 3/1/2021 6:02 AM Antonio Vivaldi Concerto No. 7 for violin and cello 6:11 AM Padre Antonio Soler Concierto No. 6 for two obbligato organs 6:25 AM Thomas Simpson Pasameza 6:29 AM Giuseppe Tartini Violin Sonata 6:42 AM Franz Joseph Haydn Symphony No. 10 7:02 AM Johann Georg Pisendel Sonata 7:13 AM Franz Joseph Haydn Andante with Variations HOB XVII:6 7:31 AM Christoph Graupner Concerto for Bassoon,2 violins,viola and 7:43 AM Johann Christian Bach Viola Concerto 8:02 AM Johann Sebastian Bach Partita No. 3 8:15 AM Léo Delibes Coppelia: Excerpts 8:34 AM Gaspar Cassado Sonatine pour Piano et Violoncelle, 1924 9:05 AM Frédéric Chopin Piano Concerto No. 2 9:38 AM Jean Françaix Quartet for English Horn and Strings 9:55 AM Frédéric Chopin Waltz No. 6 10:00 AM Mid-day Classic Choices - TBA 2:00 PM Clara Schumann Notturno (1838) 2:07 PM Benjamin Britten Simple Symphony 2:26 PM Francois Devienne Bassoon Quartet 2:48 PM Antonio Vivaldi Flute Concerto Op 10/3 "The Goldfinch" 3:03 PM Emelie Mayer Piano Trio 3:35 PM Friedrich Kuhlau Concertino for Two Horns and Orchestra 4:01 PM Mario Castelnuovo-Tedesco Guitar Concerto No. 1 4:23 PM Ferenc Erkel Fantasy duo on Hungarian Airs for violin 4:41 PM Thomas Augustine Arne Organ Concerto No. 2 4:54 PM Robert Lowry How Can I Keep from Singing? 5:01 PM Gustav Holst First Suite for Wind Ensemble 5:13 PM Paul Ben-Haim Sonatina 5:26 PM José Nono Symphony 5:40 PM Georg Philipp Telemann Concerto for Trumpet and Violin 5:54 PM Sir Andrew Lloyd Webber Evita: Don't Cry for Me, Argentina 6:00 PM All Request Hour with Adam Fine 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Tue, 03/02/2021 6:02 AM Chevalier de Saint-Georges Symphony 6:17 AM Johann Sebastian Bach Sonata No.