Thematische Kataloge / Thematic Catalogues Zusammengestellt Von / Compiled by Dr

Total Page:16

File Type:pdf, Size:1020Kb

Thematische Kataloge / Thematic Catalogues Zusammengestellt Von / Compiled by Dr Thematische Kataloge / Thematic Catalogues zusammengestellt von / compiled by Dr. Markus Hillenbrand Name des Komponisten Kennung Autor(en) Titel Verlag Jahr Name of the composer ID Author(s) Title Publisher Year Abel, Carl Friedrich K Walter Knape: Bibliographisch-thematisches Cuxhaven: 1971 Verzeichnis der Kompositionen von Karl Friedrich Abel Selbstverlag Adlgasser, Anton Cajetan D Christine D. De Catanzaro Anton Cajetan Adlgasser : Hillsdale, NY: 2000 Werner Rainer (1729 - 1777) ; thematic catalogue of his works Pendragon Press Albeniz, Isaac B Pola Baytelman-Dobry Isaac Albeniz: Chronological List and Thematic Catalog of His Piano Works Warren, Mich.: 1993 Harmonie Park Press ISBN: 0-89990-067-4 Albrechtsberger, Johann Georg Alexander Weinmann Johann Georg Albrechtsberger: thematischer Katalog seiner weltlichen Wien: 1987 László Somfai Kompositionen Musikverlag L. Krenn S Dorothea Schröder Die geistlichen Vokalkompositionen Johann Georg Albrechtsbergers: Hamburg: 1987 Thematischer Katalog Musikalienhandlg. Wagner Alvén, Hugo Jan Olof Rudén Hugo Alfvéns kompositioner : Käll-och verkförteckning Stockholm: 1972 Nordiska Musikforlaget Auber, Daniel-François-Esprit AWV Herbert Schneider Chronologisch-thematisches Verzeichnis sämtlicher Werke von Daniel François Hildesheim: 1994 Esprit Auber (AWV) Olms ISBN: 3-487-0867-9/8-7 Aumann, Franz Joseph Peter Dormann Franz Joseph Aumann (1728-1797) : ein Meister in St. Florian vor Anton München: 1985 Bruckner, mit thematischem Katalog der Werke Katzbichler ISBN: 3-873-9750-5-X Bach, Carl Philipp Emanuel Wq Alfred Wotquenne Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (1714- Leipzig: 1905 1788) Breitkopf & Härtel H E. Eugene Helm Thematic catalogue of the works of Carl Philipp Emanuel Bach New Haven: 1989 Yale University Press ISBN: 0-300-02654-4 Bach, Johann Christian W Ernest Warburton Thematic catalog New York: 1999 Garland T Charles Sanford Terry John Christian Bach Westport, Conn.: 1980 2nd Edition Greenwood Press ISBN: 0-313-22163-4 Klassika – Thematische Kataloge https://www.klassika.info Seite 1/18 Name des Komponisten Kennung Autor(en) Titel Verlag Jahr Name of the composer ID Author(s) Title Publisher Year Bach, Johann Sebastian BWV Wolfgang Schmieder Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1950 Sebastian Bach: Bach-Werke-Verzeichnis Breitkopf & Härtel Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1958 Sebastian Bach: Bach-Werke-Verzeichnis VEB Breitkopf & Härtel 2. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1961 Sebastian Bach: Bach-Werke-Verzeichnis VEB Breitkopf & Härtel 3. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Wiesbaden: 1966 Sebastian Bach: Bach-Werke-Verzeichnis Breitkopf & Härtel 1969 4. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1973 Sebastian Bach: Bach-Werke-Verzeichnis VEB Breitkopf & Härtel 5. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1976 Sebastian Bach: Bach-Werke-Verzeichnis VEB Breitkopf & Härtel 6. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Leipzig: 1980 Sebastian Bach: Bach-Werke-Verzeichnis VEB Breitkopf & Härtel 7. unveränderte Auflage Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Wiesbaden: 1990 Sebastian Bach: Bach-Werke-Verzeichnis Breitkopf & Härtel 2. überarbeitete und erweiterte Auflage ISBN: 3-7651-0255-5 BC Hans-Joachim Schulze, Bach-Compendium: analytisch-bibliographisches Repertorium der Werke Leipzig: Peters 1985 Christoph Wolff Johann Sebastian Bachs (BC) ISBN 3-369-00031-8 Band 1 – Vokalwerke 1. Teil Frankfurt/M.: Peters 1986 ISBN 3-876-26081-7 Bach-Compendium: analytisch-bibliographisches Repertorium der Werke Leipzig: Peters 1987 Johann Sebastian Bachs (BC) ISBN 3-369-00032-6 Band 2 – Vokalwerke 2. Teil Bach-Compendium: analytisch-bibliographisches Repertorium der Werke Leipzig: Peters 1988 Johann Sebastian Bachs (BC) ISBN 3-369-00033-4 Band 3 – Vokalwerke 3. Teil Frankfurt/M.: Peters 1988 ISBN 3-876-26083-3 Bach-Compendium: analytisch-bibliographisches Repertorium der Werke Leipzig: Peters 1989 Johann Sebastian Bachs (BC) ISBN 3-369-00051-2 Band 4 – Vokalwerke 4. Teil Frankfurt/M.: Peters 1989 ISBN 3-876-26084-1 Klassika – Thematische Kataloge https://www.klassika.info Seite 2/18 Name des Komponisten Kennung Autor(en) Titel Verlag Jahr Name of the composer ID Author(s) Title Publisher Year Bach, Wilhelm Friedemann F Dr. Martin Falck Wilhelm Friedemann Bach - Sein Leben und seine Werke mit thematischem Leipzig: 1913 Verzeichnis seiner Kompositionen und zwei Bildern C. F. Kahnt Nachfolger 1919 2003 Bartók, Béla Sz Bence Szabolcsi Béla Bartók: Weg und Werk Bonn: 1957 Boosey & Hawkes Beethoven, Ludwig van op. Gustav Nottebohm Ludwig van Beethoven – Thematisches Verzeichnis [...] nebst der der Leipzig: 1851 Bibliotheka Beethoveniana [...] Breitkopf & Härtel 1868 1925 1968 op. Georg Kinsky Das Werk Beethovens - Thematisch-Bibliographisches Verzeichnis seiner München: 1955 WoO Hans Halm sämtlichen vollendeten Kompositionen G. Henle Verlag Nach dem Tode des Verfassers abgeschlossen und herausgegeben von Hans Halm op. Kurt Dorfmüller Ludwig van Beethoven - Thematisch-bibliographisches Werkverzeichnis München: 2014 WoO Norbert Gertsch Revidierte und wesentlich erweiterte Neuausgabe des Werkverzeichnisses von G. Henle Verlag Unv. Julia Ronge Georg Kinsky und Hans Halm ISBN: 978-3-87328-153-0 Hess James F. Green The New Hess Catalog of Beethoven's Works West Newbury, Vermont: 2003 Edited, updated and translated from the original German with a new foreword by Vance Brook Publishing James F. Green and a new introduction by Sieghard Brandenburg Bia Giovanni Biamonti Catalogo cronologico e tematico delle opere di Beethoven Turin: 1968 ILTE Benda, Franz L Douglas A. Lee Franz Benda (1709-1786): a thematic catalogue of his works New York: 1984 Pendragon Press ISBN: 0-918728-42-8 Bennett, William Sterndale Rosemary Williamson William Sterndale Bennett : a descriptive thematic catalogue Oxford: 1996 Clarendon Press ISBN: 0-198-16438-6 Berlioz, Hector H D. Kern Holoman Catalogue of the works of Hector Berlioz Kassel: 1987 Bärenreiter ISBN: 3-7618-0449-0 Klassika – Thematische Kataloge https://www.klassika.info Seite 3/18 Name des Komponisten Kennung Autor(en) Titel Verlag Jahr Name of the composer ID Author(s) Title Publisher Year Bizet, Georges WD Winton Dean Bizet by Winton Dean London: 1948 J.M. Dent & Sons Ltd. Bizet by Winton Dean London: 1965 2. Auflage J.M. Dent & Sons Ltd. Bizet by Winton Dean London: 1975 3. Auflage J.M. Dent & Sons Ltd. Bizet by Winton Dean London: 1978 4. Auflage J.M. Dent & Sons Ltd. ISBN: 0-460-03163-5 Winton Dean Georges Bizet – Leben und Werk Stuttgart: 1988 Konrad Küster Übesetzung der 4. Auflage von 1978 Deutsche Verlagsanstalt ISBN: 3-421-06385-0 Bliss, Arthur F Lewis Foreman Arthur Bliss: Catalogue of the complete works Sevenoaks: 1980 Novello Boccherini, Luigi G Yves Gérard Thematic, bibliographical, and critical catalogue of the works of Luigi London: 1969 Boccherini Oxford University Press ISBN: 0-19-711616-7 Brahms, Johannes op./WoO Margit L. McCorkle Johannes Brahms - Thematisch-Bibliographisches Verzeichnis München: 1984 Donald M. McCorkle Herausgegeben nach gemeinsamen Vorarbeiten mit Donald M. McCorkle G. Henle Verlag ISBN: 3-87328-041-8 Bridge, Frank H Paul Hindmarsh Frank Bridge: a thematic catalog 1900-1941 London: 1983 Faber Music Ltd. Britten, Benjamin op. Paul Banks Benjamin Britten: a complete catalogue of his published works London: 1973 Benjamin Britten Boosey & Hawkes Bruckner, Anton WAB Renate Grasberger Werkverzeichnis Anton Bruckner Tutzing: 1977 Schneider Busoni, Ferrucio K Jürgen Kindermann Thematisch-chronologisches Verzeichnis der musikalischen Werke von Regensburg: 1980 Ferruccio B. Busoni Bosse Buxtehude, Dietrich BuxWV Georg Karstädt Thematisch-systematisches Verzeichnis der musikalischen Werke von Dietrich Wiesbaden: 1985 Buxtehude: Buxtehude-Werke-Verzeichnis (BuxWV) Breitkopf & Härtel ISBN: 3-7651-0065-X Carulli, Ferdinando op. Mario Torta Catalogo tematico delle opere di Ferdinando Carulli Lucca: 1994 Libreria Musicale Italiana Charpentier, Marc-Antoine H Hugh Wiley Hitchcock Les œuvres de Marc-Antoine Charpentier: catalogue raisonné Paris: 1982 Picard ISBN: 2-7086-0084-3 Klassika – Thematische Kataloge https://www.klassika.info Seite 4/18 Name des Komponisten Kennung Autor(en) Titel Verlag Jahr Name of the composer ID Author(s) Title Publisher Year Chopin, Frédéric BI Maurice J. E. Brown Chopin - An Index of his Works in chronological Order London: 1972 Second, Revised Edition The Macmillan Press Ltd. ISBN: 0-3067-0500-1 K Krystyna Kobylańska Frédéric Chopin: thematisch-bibliographisches Werkverzeichnis München: 1979 G. Henle Verlag ISBN 3-87328-029-9 C Jôzef Michal Chomiânski Frédéric Chopin: thematisch-bibliographisches Werkverzeichnis Krakau: 1990 Polskie Wydawn ISBN: 83-22-40407-7 Clementi, Muzio op. Alan Tyson Thematic catalogue of the works of Muzio Clementi Tuzing: 1967 Schneider Coprario, John Richard Charteris John Coprario : a thematic catalogue of his music with a biographical New York: 1977 introduction Pendragon Press ISBN: 0-918-72805-3 Corelli, Arcangelo op./ Hans Joachim Marx Die Überlieferung der Werke Arcangelo Corellis: catalogue raisonné
Recommended publications
  • 6 VIOLIN SONATAS Federico Del Sordo FRANKFURT 1715 Harpsichord
    Valerio Losito Baroque violin 6 VIOLIN SONATAS Federico Del Sordo FRANKFURT 1715 harpsichord Telemann GEORG PHILIPP TELEMANN (1681–1767) Six Sonatas for Solo Violin, 1715 6 Sonatas ‘Frankfurt 1715’ for solo violin and harpsichord “My Lord, I am not without fear in dedicating these sonatas to Your Highness. It is, Sire, that without mentioning the vivacity of your sublime mind, you also have such certain taste in this fine art, which is the only one with the advantage of begin eternal, Sonata No.1 in G minor TWV41:g1 Sonata No.4 in G TWV41:G1 though it is very hard to create in a work worthy of your approbation. My Lord, I 1. Adagio 1’43 13. Largo 1’12 flatter myself that with this gift of the first pieces that I have had published you will 2. Allegro 2‘45 14. Allegro 2’18 find acceptable my intention of recognizing in some way the favour with which you 3. Adagio 1’08 15. Adagio 2’48 have hitherto honoured me. If, my Lord, my work is thus fortunate enough to meet 4. Vivace 3’03 16. Allegro 2’30 with your pleasure, then I am assured of the support of all connoisseurs, because no one can hope to achieve such understanding as yours. The beauty of the Concertos Sonata No.2 in D TWV41:D1 Sonata No.5 in A minor TWV41:a1 that you yourself have written at such a young age is admired by all those who have 5. Allemanda, Largo 3’52 17. Allemanda, Largo 2’37 seen them, and this is a guarantee for me in my aim.
    [Show full text]
  • 05-11-2019 Gotter Eve.Indd
    Synopsis Prologue Mythical times. At night in the mountains, the three Norns, daughters of Erda, weave the rope of destiny. They tell how Wotan ordered the World Ash Tree, from which his spear was once cut, to be felled and its wood piled around Valhalla. The burning of the pyre will mark the end of the old order. Suddenly, the rope breaks. Their wisdom ended, the Norns descend into the earth. Dawn breaks on the Valkyries’ rock, and Siegfried and Brünnhilde emerge. Having cast protective spells on Siegfried, Brünnhilde sends him into the world to do heroic deeds. As a pledge of his love, Siegfried gives her the ring that he took from the dragon Fafner, and she offers her horse, Grane, in return. Siegfried sets off on his travels. Act I In the hall of the Gibichungs on the banks of the Rhine, Hagen advises his half- siblings, Gunther and Gutrune, to strengthen their rule through marriage. He suggests Brünnhilde as Gunther’s bride and Siegfried as Gutrune’s husband. Since only the strongest hero can pass through the fire on Brünnhilde’s rock, Hagen proposes a plan: A potion will make Siegfried forget Brünnhilde and fall in love with Gutrune. To win her, he will claim Brünnhilde for Gunther. When Siegfried’s horn is heard from the river, Hagen calls him ashore. Gutrune offers him the potion. Siegfried drinks and immediately confesses his love for her.Ð When Gunther describes the perils of winning his chosen bride, Siegfried offers to use the Tarnhelm to transform himself into Gunther.
    [Show full text]
  • IN SUMMER Lucerne Is a Wagner City
    Der Ring des Nibelungen IN SUMMER Lucerne is a Wagner city. For six years – from 1866 to 1872 – the com- poser resided at the Villa Tribschen. This was a decisive period for him artistically as well as personally. It was here that he completed Die Meistersinger von Nürnberg and resumed work on The Ring of the Nibelung, composing both the third act of Siegfried and Götterdäm- merung. Wagner’s Lucerne years also represented a turning point in his personal life. He moved into his new home on Lake Lucerne with Cosima von Bülow, whom he then married on 25 August 1870 in the Protestant parish church. And it was in Tribschen that two of the couple’s three children – their daughter Eva and son Siegfried – were born. To mark the composer’s 200th birthday, LUCERNE FESTIVAL is presenting the first complete performance of theRing cycle in the Wagner city of Lucerne, with the English conductor Jonathan Nott, the Bamberg Symphony Orchestra, and internationally acclaimed Wagner singers, including Albert Dohmen as Wotan, the ruler of the gods, Petra Lang making her role debut as Brünnhilde, Torsten Kerl as Siegfried, Klaus Florian Vogt in the role of Siegmund, and the Russian bass Mikhail Petrenko in a threefold assignment as Fafner, Hunding, and Hagen. This concert presentation of the epoch-making work will enable us to focus on Wagner the musical revolutionary. The highly acclaimed acoustics of the KKL Lucerne’s Salle blanche concert hall will bring out the sonic details and nuances of Wagner’s astounding orchestration with a transparency that has not been heard before.
    [Show full text]
  • 'Dream Job: Next Exit?'
    Understanding Bach, 9, 9–24 © Bach Network UK 2014 ‘Dream Job: Next Exit?’: A Comparative Examination of Selected Career Choices by J. S. Bach and J. F. Fasch BARBARA M. REUL Much has been written about J. S. Bach’s climb up the career ladder from church musician and Kapellmeister in Thuringia to securing the prestigious Thomaskantorat in Leipzig.1 Why was the latter position so attractive to Bach and ‘with him the highest-ranking German Kapellmeister of his generation (Telemann and Graupner)’? After all, had their application been successful ‘these directors of famous court orchestras [would have been required to] end their working relationships with professional musicians [take up employment] at a civic school for boys and [wear] “a dusty Cantor frock”’, as Michael Maul noted recently.2 There was another important German-born contemporary of J. S. Bach, who had made the town’s shortlist in July 1722—Johann Friedrich Fasch (1688–1758). Like Georg Philipp Telemann (1681–1767), civic music director of Hamburg, and Christoph Graupner (1683–1760), Kapellmeister at the court of Hessen-Darmstadt, Fasch eventually withdrew his application, in favour of continuing as the newly- appointed Kapellmeister of Anhalt-Zerbst. In contrast, Bach, who was based in nearby Anhalt-Köthen, had apparently shown no interest in this particular vacancy across the river Elbe. In this article I will assess the two composers’ positions at three points in their professional careers: in 1710, when Fasch left Leipzig and went in search of a career, while Bach settled down in Weimar; in 1722, when the position of Thomaskantor became vacant, and both Fasch and Bach were potential candidates to replace Johann Kuhnau; and in 1730, when they were forced to re-evaluate their respective long-term career choices.
    [Show full text]
  • Oct 12 to 18.Txt
    CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No.
    [Show full text]
  • Concerto Dos Clérigos
    CONCERTO DOS CLÉRIGOS 0 1 / j u l h o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A JEAN – BAPTISTE LULLY ( 1632-1687) Marche pour la cérémonie des Turcs Ópera “Armide” : Ouverture, Marche, Gavotta GIUSEPPE SAMMARTINI (1695- 1750) Sonata op. 2 n. 4 JAN PIETERSZOON SWEELINCK (1562-1621) Ballo del Granduca JOHANN SEBASTIAN BACH (1685 – 1750) Concerto nº1 em Sol Maior de Antonio Vivaldi O r g a n i s t a : F e r n a n d o C r u z O r g a n i z a ç ã o : A p o i o s : CONCERTO DOS CLÉRIGOS 0 2 / j u l h o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A JOHANN SEBASTIAN BACH ( 1685 – 1750) Concerto nº 7 em Fá M BWV 978 de Antonio Vivaldi Allegro Largo Allegro Concerto nº 5 em Dó M, BWV 976 de Antonio Vivaldi Allegro Largo Allegro O r g a n i s t a : F e r n a n d o C r u z O r g a n i z a ç ã o : A p o i o s : CONCERTO DOS CLÉRIGOS 0 3 / j u l h o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A JEAN-PHILIPPE RAMEAU ( 1683-1764) Les Sauvages Le tamborin JOHANN SEBASTIAN BACH ( 1685 – 1750) Preludio e fuga n5 BWV 850 Invenção nº 1 BWV 772 nº4 BWV 775 nº8 BWV 779 sinfonia nº7 BWV 793 ALESSANDRO MARCELLO ( 1673 – 1747) Concerto em Ré menor O r g a n i s t a : F e r n a n d o C r u z O r g a n i z a ç ã o : A p o i o s : CONCERTO DOS CLÉRIGOS 0 4 / j u l h o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A ANTÓNIO SOLER (1729- 1783) Sonata nº 1 Lá Maior Sonata nº9 Dó Maior Sonata nº 54 Dó Maior “De Clarines” JOHANN PACHELBEL (1653- 1706) Chaconne em Fá menor JOHANN SEBASTIAN BACH ( 1685 –
    [Show full text]
  • Johannes Brahms and Hans Von Buelow
    The Library Chronicle Volume 1 Number 3 University of Pennsylvania Library Article 5 Chronicle October 1933 Johannes Brahms and Hans Von Buelow Otto E. Albrecht Follow this and additional works at: https://repository.upenn.edu/librarychronicle Part of the Arts and Humanities Commons, and the Library and Information Science Commons Recommended Citation Albrecht, O. E. (1933). Johannes Brahms and Hans Von Buelow. University of Pennsylvania Library Chronicle: Vol. 1: No. 3. 39-46. Retrieved from https://repository.upenn.edu/librarychronicle/vol1/iss3/5 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/librarychronicle/vol1/iss3/5 For more information, please contact [email protected]. not later than 1487. Incidentally it may be mentioned that the Gesamtkatalog fully records a "Seitengetreuer Nach- druck" (mentioned by Proctor) as of [Strassburg, Georg Husner, um 1493/94]. The two editions (of which Dr. Ros- enbach's gift is the original) have the same number of leaves but the register of signatures is different. And now in 1933 comes the Check list of fifteenth century books in the New- berry Library, compiled by Pierce Butler, capping the struc- ture with the date given as [1488] and the printer Johann Priiss, OTHER RECENT GIFTS Through the generosity of Mr. Joseph G. Lester the Library has received a copy of Lazv Triumphant, by Violet Oakley. The first volume of this beautifully published work contains a record of the ceremonies at the unveiling of Miss Oakley's mural paintings, "The Opening of the Book of the Law," in the Supreme Court room at Harrisburg, and the artist's journal during the Disarmament Conference at Gen- eva.
    [Show full text]
  • WAGNER and the VOLSUNGS None of Wagner’S Works Is More Closely Linked with Old Norse, and More Especially Old Icelandic, Culture
    WAGNER AND THE VOLSUNGS None of Wagner’s works is more closely linked with Old Norse, and more especially Old Icelandic, culture. It would be carrying coals to Newcastle if I tried to go further into the significance of the incom- parable eddic poems. I will just mention that on my first visit to Iceland I was allowed to gaze on the actual manuscript, even to leaf through it . It is worth noting that Richard Wagner possessed in his library the same Icelandic–German dictionary that is still used today. His copy bears clear signs of use. This also bears witness to his search for the meaning and essence of the genuinely mythical, its very foundation. Wolfgang Wagner Introduction to the program of the production of the Ring in Reykjavik, 1994 Selma Gu›mundsdóttir, president of Richard-Wagner-Félagi› á Íslandi, pre- senting Wolfgang Wagner with a facsimile edition of the Codex Regius of the Poetic Edda on his eightieth birthday in Bayreuth, August 1999. Árni Björnsson Wagner and the Volsungs Icelandic Sources of Der Ring des Nibelungen Viking Society for Northern Research University College London 2003 © Árni Björnsson ISBN 978 0 903521 55 0 The cover illustration is of the eruption of Krafla, January 1981 (Photograph: Ómar Ragnarsson), and Wagner in 1871 (after an oil painting by Franz von Lenbach; cf. p. 51). Cover design by Augl‡singastofa Skaparans, Reykjavík. Printed by Short Run Press Limited, Exeter CONTENTS PREFACE ............................................................................................ 6 INTRODUCTION ............................................................................... 7 BRIEF BIOGRAPHY OF RICHARD WAGNER ............................ 17 CHRONOLOGY ............................................................................... 64 DEVELOPMENT OF GERMAN NATIONAL CONSCIOUSNESS ..68 ICELANDIC STUDIES IN GERMANY .........................................
    [Show full text]
  • Heartland of German History
    Travel DesTinaTion saxony-anhalT HEARTLAND OF GERMAN HISTORY The sky paThs MAGICAL MOMENTS OF THE MILLENNIA UNESCo WORLD HERITAGE AS FAR AS THE EYE CAN SEE www.saxony-anhalt-tourism.eu 6 good reasons to visit Saxony-Anhalt! for fans of Romanesque art and Romance for treasure hunters naumburg Cathedral The nebra sky Disk for lateral thinkers for strollers luther sites in lutherstadt Wittenberg Garden kingdom Dessau-Wörlitz for knights of the pedal for lovers of fresh air elbe Cycle route Bode Gorge in the harz mountains The Luisium park in www.saxony-anhalt-tourism.eu the Garden Kingdom Dessau-Wörlitz Heartland of German History 1 contents Saxony-Anhalt concise 6 Fascination Middle Ages: “Romanesque Road” The Nabra Original venues of medieval life Sky Disk 31 A romantic journey with the Harz 7 Pomp and Myth narrow-gauge railway is a must for everyone. Showpieces of the Romanesque Road 10 “Mona Lisa” of Saxony-Anhalt walks “Sky Path” INForMaTive Saxony-Anhalt’s contribution to the history of innovation of mankind holiday destination saxony- anhalt. Find out what’s on 14 Treasures of garden art offer here. On the way to paradise - Garden Dreams Saxony-Anhalt Of course, these aren’t the only interesting towns and destinations in Saxony-Anhalt! It’s worth taking a look 18 Baroque music is Central German at www.saxony-anhalt-tourism.eu. 8 800 years of music history is worth lending an ear to We would be happy to help you with any questions or requests regarding Until the discovery of planning your trip. Just call, fax or the Nebra Sky Disk in 22 On the road in the land of Luther send an e-mail and we will be ready to the south of Saxony- provide any assistance you need.
    [Show full text]
  • Bach-Werke-Verzeichnis
    Bach-Werke-Verzeichnis All BWV (All data), numerical order Print: 25 January, 1997 To be BWV Title Subtitle & Notes Strength placed after 1 Wie schön leuchtet der Morgenstern Kantate am Fest Mariae Verkündigung (Festo annuntiationis Soli: S, T, B. Chor: S, A, T, B. Instr.: Corno I, II; Ob. da Mariae) caccia I, II; Viol. conc. I, II; Viol. rip. I, II; Vla.; Cont. 2 Ach Gott, von Himmel sieh darein Kantate am zweiten Sonntag nach Trinitatis (Dominica 2 post Soli: A, T, B. Chor: S, A, T, B. Instr.: Tromb. I - IV; Ob. I, II; Trinitatis) Viol. I, II; Vla.; Cont. 3 Ach Gott, wie manches Herzeleid Kantate am zweiten Sonntag nach Epiphanias (Dominica 2 Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Corno; Tromb.; Ob. post Epiphanias) d'amore I, II; Viol. I, II; Vla.; Cont. 4 Christ lag in Todes Banden Kantate am Osterfest (Feria Paschatos) Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Cornetto; Tromb. I, II, III; Viol. I, II; Vla. I, II; Cont. 5 Wo soll ich fliehen hin Kantate am 19. Sonntag nach Trinitatis (Dominica 19 post Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Tromba da tirarsi; Trinitatis) Ob. I, II; Viol. I, II; Vla.; Vcl. (Vcl. picc.?); Cont. 6 Bleib bei uns, denn es will Abend werden Kantate am zweiten Osterfesttag (Feria 2 Paschatos) Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Ob. I, II; Ob. da caccia; Viol. I, II; Vla.; Vcl. picc. (Viola pomposa); Cont. 7 Christ unser Herr zum Jordan kam Kantate am Fest Johannis des Taüfers (Festo S.
    [Show full text]
  • I. ACADEMIC/PROFESSIONAL BACKGROUND A. Margaret Eleanor Menninger Associate Professor B. Education: Ph.D
    I. ACADEMIC/PROFESSIONAL BACKGROUND A. Margaret Eleanor Menninger Associate Professor B. Education: Ph.D. 1998 Harvard University History Art and Civic Patronage in Leipzig, 1848-1914 A.M. 1991 Harvard University History A.B. 1986 Harvard University History and The Muse Oppressed, the Muse cum Literature Undressed: Views of Female laude Sexuality in German Cabaret, 1901-1903 C. University Experience: Associate Professor Texas State University 2006-present Assistant Professor Texas State University 2000-2006 Lecturer The Pennsylvania State University 1999-2000 Tutor Harvard University 1994-1998 D. Relevant Professional Experience: E. Executive Director, German The German Studies Association is the multi- and 2021- interdisciplinary association of scholars in German, Austrian, Studies Association and Swiss history, literature, culture studies, political science, 2026 F. (thegsa.org) and economics. GSA holds an annual conference and publishes a scholarly journal, the German Studies Review. Members are generally professors and advanced students at universities and colleges in North America, although there are several hundred members in Europe and Asia. Membership is open to anyone. Member of the American Council of Learned Societies (ACLS). Manuscript Editor and DÆDALUS, Journal of the American 1990- Subsidiary Rights Manager Academy of Arts and Sciences 1992 (Cambridge, MA Bertelsmann Foundation Intern Carl Hanser Verlag (Munich, FRG) 1990 Foreign Rights Specialist and Houghton Mifflin Company (Boston, MA) 1987- Permissions Editor 1990 II.
    [Show full text]
  • Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano
    Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano A Performance Edition with Commentary D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of the The Ohio State University By Antoine Terrell Clark, M. M. Music Graduate Program The Ohio State University 2009 Document Committee: Approved By James Pyne, Co-Advisor ______________________ Co-Advisor Lois Rosow, Co-Advisor ______________________ Paul Robinson Co-Advisor Copyright by Antoine Terrell Clark 2009 Abstract Late Baroque works for string instruments are presented in performing editions for clarinet and piano: Giuseppe Tartini, Sonata in G Minor for Violin, and Violoncello or Harpsichord, op.1, no. 10, “Didone abbandonata”; Georg Philipp Telemann, Sonata in G Minor for Violin and Harpsichord, Twv 41:g1, and Sonata in D Major for Solo Viola da Gamba, Twv 40:1; Marin Marais, Les Folies d’ Espagne from Pièces de viole , Book 2; and Johann Sebastian Bach, Violoncello Suite No.1, BWV 1007. Understanding the capabilities of the string instruments is essential for sensitively translating the music to a clarinet idiom. Transcription issues confronted in creating this edition include matters of performance practice, range, notational inconsistencies in the sources, and instrumental idiom. ii Acknowledgements Special thanks is given to the following people for their assistance with my document: my doctoral committee members, Professors James Pyne, whose excellent clarinet instruction and knowledge enhanced my performance and interpretation of these works; Lois Rosow, whose patience, knowledge, and editorial wonders guided me in the creation of this document; and Paul Robinson and Robert Sorton, for helpful conversations about baroque music; Professor Kia-Hui Tan, for providing insight into baroque violin performance practice; David F.
    [Show full text]