Student Handbook | 2020/21
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Historique Du Parc Des Buttes-Chaumont
A 175 Parc des Buttes-Chaumont Descriptif général HISTORIQUE DU PARC DES BUTTES-CHAUMONT Par Françoise HAMON, historienne, membre de l’équipe Grünig-Tribel Mai 2001. Publié en ligne avec l’autorisation de l’auteur. Reproduction interdite pour un usage commercial ou professionnel. Historique sous forme de trois chapitres présentés en annexe au descriptif général du concours. Annexe 1 : historique du projet des Buttes-Chaumont Annexe 2 : Liste de la documentation d’archives disponibles relative au parc des Buttes-Chaumont Annexe 3 : Chronologie du parc 1 A 175 Equipe GRUNIG-TRIBEL - Historique du Parc des Buttes-Chaumont, par Françoise HAMON, historienne. I. Annexe 1 : Historique du projet des Buttes Chau- mont a) La genèse Parc des Buttes-Chaumont Descriptif général ⇒ Les origines du jardin paysager Les traités anglais du XVIII˚ siècle consacrés aux jardins ne traitent que des parcs de châteaux et ne portent sur des questions d’esthétique : comment créer des paysages dignes d’être peints, c’est- à-dire pittoresques. En réalité, on cherche surtout, par une rupture subtile avec le paysage rural environnant, à mettre en valeur la demeure aristocratique ainsi que l’exige une société extrêmement hiérarchisée. Autant que les portraits de famille (conversation pieces) destinés à valoriser la lignée, l’aristocratie anglaise apprécie les portraits de maisons (voir le film Meurtre dans un jardin anglais) destinés à renforcer la présence territoriale de leur demeure et sa domination spatiale, dans une tradi- tion encore féodale. Le naturel du jardin paysager sera donc un naturel au second degré, identifiable comme naturel fabriqué. On peut ici jouer sur les mots car ce naturel fabriqué est fondé sur la présence de fabriques : outre les commodités qu’elle offre pour la vie sociale, la multiplication de ces pavillons d’agrément produit des fragments de paysages exotiques (à base de pagodes chinoises ou tentes turques) ou historiques (fondés sur le temple antique ou la ruine médiévale). -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
P22 445 Index
INDEXRUNNING HEAD VERSO PAGES 445 Explanatory or more relevant references (where there are many) are given in bold. Dates are given for all artists and architects. Numbers in italics are picture references. A Aurleder, John (b. 1948) 345 Aalto, Alvar (1898–1976) 273 Automobile Club 212 Abadie, Paul (1812–84) 256 Avenues Abaquesne, Masséot 417 Av. des Champs-Elysées 212 Abbate, Nicolo dell’ (c. 1510–71) 147 Av. Daumesnil 310 Abélard, Pierre 10, 42, 327 Av. Foch 222 Absinthe Drinkers, The (Edgar Degas) 83 Av. Montaigne 222 Académie Française 73 Av. de l’Observatoire 96 Alexander III, Pope 25 Av. Victor-Hugo 222 Allée de Longchamp 357 Allée des Cygnes 135 B Alphand, Jean-Charles 223 Bacon, Francis (1909–92) 270 American Embassy 222 Ballu, Théodore (1817–85) 260 André, Albert (1869–1954) 413 Baltard, Victor (1805–74) 261, 263 Anguier, François (c. 1604–69) 98, Balzac, Honoré de 18, 117, 224, 327, 241, 302 350, 370; (statue ) 108 Anguier, Michel (1614–86) 98, 189 Banque de France 250 Anne of Austria, mother of Louis XIV Barrias, Louis-Ernest (1841–1905) 89, 98, 248 135, 215 Antoine, J.-D. (1771–75) 73 Barry, Mme du 17, 34, 386, 392, 393 Apollinaire, Guillaume (1880–1918) 92 Bartholdi, Auguste (1834–1904) 96, Aquarium du Trocadéro 419 108, 260 Arc de Triomphe 17, 220 Barye, Antoine-Louis (1795–1875) 189 Arc de Triomphe du Carrousel 194 Baselitz, Georg (b. 1938) 273 Arceuil, Aqueduct de 372 Bassin du Combat 320 Archipenko, Alexander (1887–1964) Bassin de la Villette 320 267 Bastien-Lepage, Jules (1848–84) 89, Arènes de Lutèce 60 284 Arlandes, François d’ 103, 351 Bastille 16, 307 Arman, Armand Fernandez Bateau-Lavoir 254 (1928–2005) 270 Batignolles 18, 83, 234 Arp, Hans (Jean: 1886–1966) 269, 341 Baudelaire, Charles 31, 40, 82, 90, 96, Arras, Jean d’ 412 108 Arsenal 308 Baudot, Anatole de (1834–1915) 254 Assemblée Nationale 91 Baudry, F. -
Walking Tours the Complete Set
Walking Tours The Complete Set Table of Contents 1 Through Fashionable Paris in the Steps of Audrey Hepburn 2 Through Fashionable Paris in the Steps of Audrey Hepburn 1. Givenchy headquarters, 3, avenue George V, 8e 2. No. 2, avenue Montaigne, 8e 3. Christian Dior, 30, avenue Montaigne, 8e 4. No. 3, avenue de Matignon, 8e 5. Stamp market, near avenue Gabriel, 8e 6. American Embassy, 2, avenue Gabriel, 8e 7. Maxim’s, 3, rue Royale, 8e 3 8. Ritz Hotel, 15, Place Vendôme, 1er 9. Palais Royal, 1er 10. Didier Ludot boutique, Palais Royal, 1er 11. Comédie Française, 1, Place Colette, 1er Through Fashionable Paris in the Steps of Audrey Hepburn Audrey Hepburn made five films on location in Paris: was about to film Sabrina. Although the movie was shot in Funny Face (1957), Love in the Afternoon (1957), Charade Hollywood, it was Hubert de Givenchy who made the (1963), Paris When It Sizzles (1964) and How to Steal a glorious dresses that Audrey wears on her return from Million (1966). Funny Face was one of the first American cooking school in Paris. Okay, no apprentice cook who was films to be shot on location in the city and showcases the daughter of a chauffeur could really afford to dress like almost every major tourist attraction. Other films explored that, but that was 1950s Hollywood fantasy for you. some less well known areas. This walk will take you past Audrey and Givenchy hit it off from this first meeting, and locations from all five films in the chic 1st and 8th the rest is history. -
Spring Break in Paris
Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price. -
Dvvd Accorhotels Arena
DVVD ACCORHOTELS ARENA PRESS KIT 03 THE ACCORHOTELS ARENA REBIRTH OF AN ICON Ranking as one of the most emblematic structures in the landscape of the capital city, the Palais Omnisports de Paris-Bercy has been reborn under a new light, thanks to the work of the architects from the DVVD agency. Modernized, expanded, upgraded to 21st-century norms and standards, and above all delivered to the public in record time, the new AccorHotels Arena stands out as one of the strong points in the candidature of Paris to host the summer Olympics in 2024. The largest venue for concerts, shows the architectural team of Andrault, and sports events in France, the Parat, Prouvé and Guvan to replace the Palais Omnisports de Paris-Bercy Vel d’Hiv stadium, it rapidly became a (POPB) was opened in February 1984, key venue in the cultural life of Paris. in the 12th arrondissement of the Its blue metallic web structure, its capital. At that time, it formed part sloping lawns and its bold pyramidal of a major urban development project design made a strong imprint upon the for eastern Paris, which was already panorama of the city and captured the exceptionally well-served (thanks to imagination of the public, who thronged the proximity of the Gare de Lyon, the there to attend the performances of RER rapid transit system, the Métro, leading signers or sports stars. From the Right Bank expressway and the funboarding to stock car racing, from Boulevard Périphérique). Designed by Madonna concerts to acrobatic ski-ing, 04 this venue already enjoys a globally unique multi-purpose capability, which has made its reputation. -
Tours's Itinerary
Cammille Dubois Online Itinerary Trip.Expert advisor Profile Page [email protected] The Ultimate Paris Travel Guide Monday, 14-Feb-2022 - Friday, 18-Feb-2022 The City of Lights and love, the capital of elegance and romance, a place of timeless beauty, marvel monuments, wonderful art, and intoxicating charm. Paris is a dreamy destination and a must on every traveler's wish list. A mix of old and new, rich history and exquisite architecture, visiting Paris is like stepping back in time but via a modern vehicle. Paris's comprehensive itinerary will take you through Paris' enthralling streets, will navigate your way so you will not miss any landmark, and unveil all the hotspots. Five days with all of Paris highlights, from the marvelous Eiffel Tower to splendid Montmarte and even the spectacular Palace of Versailles. Paris itinerary will unfold all you need to see and know about the city, including directions, tips of do and not to, what to avoid, and where to buy attractions' online tickets. Bon voyage! Trip.Expert © 2021 All rights reserved. 1/18 2/18 Trip Summary Day 1 - Monday, 14-Feb-2022 1 09:00 - 11:00 Tuileries Garden Google Maps Waze 2 11:30 - 12:00 Pont des Arts Google Maps Waze 3 12:30 - 14:30 Musee D'Orsay Google Maps Waze 4 15:00 - 17:00 Les Invalides Google Maps Waze 5 17:30 - 18:00 Champ de Mars Google Maps Waze 6 18:00 - 20:00 Eiffel Tower Google Maps Waze 7 20:00 - 20:30 Trocadéro Gardens Google Maps Waze Day 2 - Tuesday, 15-Feb-2022 1 08:30 - 09:00 Palais-Royal Google Maps Waze 2 Comédie Française Google Maps Waze 3 09:00 -
Convolutes A&B of Walter Benjamin's the Arcades Project
A [Arcades, MaMagasinsgasins de NoNouveautis,uveautis, Sales Clerks] The magic columns of these palaces Show to the amateur on all sides, In the obobjectsjects theirtheir porticos display, That industry is the rival of the arts. -"Chanson nouvelle;' cited inin NoNouveauxuveaux Tableaux de PaParis,ris, ou Observa e tions sur IesIes mOCUTS et usages des PaParisiensrisiens au commencement du XIXeXIX siecle (Paris, 1828), vol. 1, p. 27 For sale the bodies, the voices, the tretremendousmendous unquestionable wealth, what will never be sold. -Rimbaud1 "In speaking of thethe inner boulevards;' says the IlluIllustratedstrated Guide to PaPans,ns, a com plete picture of the city on the Seine and its environs from the year 1852, "we have made mention again and again of the arcades which open onto them. These arcaarcades,des, a recent invention of industrial luxury, are glass-roofed, marble-paneled corridors extending through whole blocks of buildings, whose owners have joined together for such enterprienterprises.ses. Lining both sides of these corrcorridors,idors, which get their light from above, are the most elegant shops, so that the arcade is a city, a world in miniature D Fli\neur D, in which customers will find everything they need. During sudden rainshowerainshowers,rs, the arcades are a place of refuge foforr the unprepared, to whom they offer a secure, if restricted, promenade-one from which the merchants also benefit:' D WeWeather ather D This passage is the locus classicus for thethe presentation of thethe arcadarcades;es; for not only do the divagations on the fli\neur and the weather develop out of it, but, also, what there is to be said about the construction of the arcades, in an eco nomic and architarchitecturalectural vein, would have a place here. -
Paintings, Photographs, Prints, and Drawings from the Col/Ection of the Art Institute of Chicago, December 9, T989· March T 1990 in Gallery 14
his critical response to the annual» The hie 01 our city is rich In poetiC and marvelous subjects We are enveloped and Sleeped as though If! an Ion exhibition of 1846, french poet Charles atmosphere oj the marvelous, but we do not notice it ,. CH~Rl15 S.~VO[L)IRf ·S,IJ.O~ D( 1&\6' Baudelaire lamented the number of nudes and mythotcgical and historical scenes, which out· numbered paintings that celebrated "the pageant of fashionable life and the thousands of floating existences" of modern Paris. In his view, the quick pace of the city, the bustling of crinolined skirts, and the stop and go of horse-<lrawn om· nibuses were the truths of contemporary life and the onty worthwhile subjects for the modern artist. Whereas in the decade aOer Baudelaire's n oma~ the conet",,, of the pronouncement, the painter's brush may have bicentennial of the french Revolution. been abte to give the impression of urban life, The Art Institute of Chicago has se· the photographer's camera required long expo lected .....orks from its collections of sures, making it difficult to capture the move· Twentieth.(entury Painting. European ment and rich detail of the boulevard parade. It Painting. Photography, Prints and would be two more decades before photography Drawings, and Architecture that cele· could stop the motion of the man on the street. brate france, her land and landmarks. The rising popularity of photographic imagery and her people. The pictures in this was the focus of Baudelaire's famous diatribe of e ~ hib i tion are by artists who .....ere. -
Bodacc Bulletin Officiel Des Annonces Civiles Et
o Quarante-septième année. – N 179 B ISSN 0298-2978 Lundi 16 et mardi 17 septembre 2013 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE DIRECTION DE L’INFORMATION Standard......................................... 01-40-58-75-00 LÉGALE ET ADMINISTRATIVE Annonces....................................... 01-40-58-77-56 Accueil commercial....................... 01-40-15-70-10 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-15-67-77 www.dila.premier-ministre.gouv.fr (9 h à 12 h 30) www.bodacc.fr Télécopie........................................ 01-40-58-77-57 BODACC “B” Modifications diverses - Radiations Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Vente et cessions................................................ Créations d’établissements ............................... Procédures collectives ....................................... BODACC “A” Procédures de rétablissement personnel ....... Avis relatifs aux successions ............................ } Avis de dépôt des comptes des sociétés ....... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Extelia, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services, Cartegie, La Base Marketing,Infolegale, France Telecom Orange, Telino et Maxisoft. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction de l’information légale et administrative. Le numéro : 3,65 € Abonnement. − Un an (arrêté du 11 décembre 2012 publié au Journal officiel du 13 décembre 2012) : France : 428,90 €. -
Jean-Charles-Adolphe Alphand Et Le Rayonnement Des Parcs Publics De L’École Française E Du XIX Siècle
Jean-Charles-Adolphe Alphand et le rayonnement des parcs publics de l’école française e du XIX siècle Journée d’étude organisée dans le cadre du bi-centenaire de la naissance de Jean-Charles-Adolphe Alphand par la Direction générale des patrimoines et l’École Du Breuil 22 mars 2017 ISSN : 1967-368X SOMMAIRE Introduction et présentation p. 4 Carine Bernède, directice des espaces verts et de l’environnement de la Ville de Paris « De la science et de l’Art du paysage urbain » dans Les Promenades de Paris (1867-1873), traité de l’art des jardins publics p. 5 Chiara Santini, docteur en histoire (EHESS-Université de Bologne), ingénieur de recherche à l’École nationale supérieure de paysage de Versailles-Marseille Jean-Pierre Barillet-Deschamps, père fondateur d’une nouvelle « école paysagère » p. 13 Luisa Limido, architecte et journaliste, docteur en géographie Édouard André et la diffusion du modèle parisien p. 19 Stéphanie de Courtois, historienne des jardins, enseignante à l’École nationale supérieure d’architecture de Versailles Les Buttes-Chaumont : un parc d’ingénieurs inspirés p. 27 Isabelle Levêque, historienne des jardins et paysagiste Les plantes exotiques des parcs publics du XIXe siècle : enjeux et production aujourd’hui p. 36 Yves-Marie Allain, ingénieur horticole et paysagiste DPLG Le parc de la Tête d’Or à Lyon : 150 ans d’histoire et une gestion adaptée aux attentes des publics actuels p. 43 Daniel Boulens, directeur des Espaces Verts, Ville de Lyon ANNEXES Bibliographie p. 51 -2- Programme de la journée d’étude p. 57 Présentation des intervenants p. -
Romantic Paris, 1815-1848 April 2019 Exhibition at the Petit Palais and the Musée De La Vie Romantique 22 May – 15 September 2019
PRESS RELEASE Romantic Paris, 1815-1848 April 2019 Exhibition at the Petit Palais and the Musée de la Vie Romantique 22 May – 15 September 2019 Tuesday - Sunday, 10 am - 6 pm INFORMATION Open late: Friday until 9 pm www.petitpalais.paris.fr After Paris 1900: La Ville Spectacle, the Petit Pa- lais is presenting Romantic Paris, a further epi- sode in its overview of the great periods that have shaped the city’s identity. This is both an exhi- bition and a cultural event : a sweeping pano- rama of the French capital during the Roman- tic years from the fall of Napoleon in 1815 to the revolution of 1848. Over 600 works – paintings, sculptures, costumes, objets d’art, furniture – plunge the visitor into the artistic, cultural and political ferment of the time. The exhibition’s immersive design takes the form of a tour of the period’s emblematic Paris sites : the Tuileries, the Palais-Royal, the Nouvelle Athènes quarter, Victor Hugo’s Notre-Dame, and the Grand Bou- levards and their theatres. At the same time an additional segment at the Musée de la Vie Ro- Eugène Lami, Carnival Scene, Place de la Concorde, 1834. Oil on canvas. Musée Carnavalet mantique rounds off the exhibition with a look at Crédit : © Musée Carnavalet / Roger-Viollet the city’s literary and high-society salons. Portraying a day in the life of the city, the tour begins in the early hours at the Palais des Tuileries, the royal residence and the nation’s political hub. Exceptional loans, notably from the Museum of Decorative Arts in Paris, have enabled evocations both of the interiors and of figures who left their mark on fashion, like the Duchesse de Berry, or on the arts, like Marie d’Orléans, a remarkable sculptor in her own right.